Lindsey Graham (4:06)

From noiser and airship. I'm Lindsey Graham and this is History. Daily history is made every day on this podcast. Every day, we tell the true stories of the people and events that shaped our world. Today is April 9, 1939 Marian Anderson's Lincoln Memorial protest concert. It's summer 1921 in Philadelphia, 18 years before Marian Anderson will sing on the steps of the Lincoln Memorial. 24 year old Marion opens her apartment's mailbox and checks what's inside. With a lurch of excitement, Marion sees that one of the letters addressed to her comes from the city's most prestigious music college, the Musical Academy. Marion has been singing since she was just five years old. From the moment she opened her mouth, it was obvious that Marian had a natural talent. No one at her local Baptist church had ever heard a child with such a strong, clear and resonant voice. And though her family couldn't afford music lessons, neighbors banded together to pay for private tuition. And Marion learned fast. By the time she graduated high school, her instructors thought she was a world class singer. They helped Marion prepare her application to the Musical Academy, assuring her that she easily fit the criteria for acceptance. So now Marian tears open the envelope, praying that the single sheet of paper inside is an invitation to audition. But as she reads the letter, her heart sinks. She's been rejected but not because of her voice. The Musical Academy in Philadelphia only admits white students, and in the 1920s, that policy is legal. Many American states have passed legislation allowing governments and businesses to deny black people access to services and products. And even when there's no legal authority behind racial discrimination, segregation is often informally enacted through through intimidation. As a result, despite her obvious talent and growing reputation all over Philadelphia, Marion is not invited to audition for the Musical Academy. Still, Marion refuses to give up on her dream of becoming a professional singer. Three years after this rejection, she's offered a recording contract by RCA Victor Records, becoming the label's first black artist. With her pioneering record contract in hand, Marion embarks on a career as a touring singer. But her enthusiasm is tempered when she discovers the realities of a black performer's life on the road. Restaurants refuse to serve her. Hotels deny her a room. Many venues refuse to book her, and the ones that do often bar other black people from the audience. While performing is still Marion's greatest ambition, she feels increasingly unsafe traveling in America. So in 1930, she decides to leave for Europe. On the other side of the Atlantic, Marian is recognized for her talent, not the color of her skin. She's asked to sing for the kings of Denmark and Sweden. And soon after her arrival, Marian meets Kashti Vehanen, a pianist from Finland who asks to be her accompanist. Together, Marian and Kashti embark on a continental tour. But storm clouds are gathering over Europe. With fascism on the rise In Italy, Germany and Spain, the political environment is tense. As a prominent black woman, Marion fears she might be targeted by these extremists. And she reluctantly returns home to the United States. Marion resumes touring in North America, but she finds nothing has changed during her time in Europe. In Princeton, New Jersey, Marion sings selections by Handel and Schubert to a highly educated white audience. But after the concert, she's turned away by the hotel despite having a reservation. Standing alone on the lamp lit streets, Marion is offered a room by one of the spectators who just watch her perform. During the evening of pleasant conversation that follows, Marion's benefactor reveals himself to be a scientist named Albert Einstein. Marion and Einstein swap stories about the discrimination they have both faced. Marion as a black American woman and Einstein as a German born Jew. It's the beginning of of a lifelong friendship. But in 1939, Marion receives another racial snub and one that stings. Her agent is turned away when he tries to book Constitution hall in Washington D.C. the group which manages the hall is the Daughters of the American Revolution and it has a strict whites only policy. This rejection hurts Marion because of its symbolism. Constitution hall is the largest venue in the nation's capital. So, fed up of being treated as a second class citizen in her own country, Marion decides to take a stand. She enlists the help of her friend, First Lady Eleanor Roosevelt and plans a protest performance at the Lincoln Memorial. Marion's outdoor concert will kickstart a national conversation about the morality of racial segregation in America. Many members of the Daughters of the American Revolution will resign in solidarity with Marion and four years later, William, the organization will finally cave to public pressure. Marion will be allowed to perform at Constitution hall, but that concert will be a bitter victory that will leave Marion in no doubt about just how far America still has to go before it can achieve true equality.

C (9:35)

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Lindsey Graham (11:19)

It's January 7, 1943 at Constitution hall in Washington, D.C. four years after Marian Anderson's protest concert at the Lincoln Memorial. Marian waits in the wings, looking across the empty stage. In the past, she was prevented from performing here because of her race. Today, she has an opportunity to right that wrong. Since Marion's protest concert at the Lincoln Memorial, her career has seen a mix of exhilarating highs and disappointing lows. In 1939, she performed at the White House for the British King George vi. And she was presented with a medal by the national association for the Advancement of Colored People for her contribution to the civil rights movement. But soon after, her longtime accompanist, Koshti Vehanen, fell ill and returned to Europe for treatment. His replacement, German pianist Franz Rupp, was shocked to see how Marion was treated as she toured the United States. After a concert in Birmingham, Alabama, Marion couldn't find a single restaurant willing to serve her. At a concert in Atlantic City, New Jersey, Marion was presented with a symbolic key to the city. But later that same night, she was turned away by her hotel. And in Springfield, Illinois, Marion sang at a film premiere about Abraham Lincoln. But the manager of the Lincoln Hotel then refused her a room. At least the Daughters of the American Revolution have finally backtracked and allowed Marian to perform at Constitution hall tonight. Although there are still strict conditions placed on her appearance, the Daughters have made it clear that Marion is a one time exception to their whites only rule. And they're only allowing her to protect perform tonight because the concert's proceeds are going to help American troops wounded while fighting in Europe. Initially, Marion rejected these conditions, but her desire to support the troops prevailed and she agreed to perform. As Marion waits for the show to begin, she hears the audience erupt into thundering applause. Puzzled, Marion peeks through the curtains and sees her friend and advocate, First Lady Eleanor Roosevelt, taking her seat. A few moments later, Marian strides onto stage and delivers a moving performance to the packed house. To the audience, Marian appears enthusiastic and effortlessly talented. But in the back of her mind, she feels she's compromised her commitment to racial equality by agreeing to the terms of this concert. By the time World War II comes to an end, Marion's singing career is also drawing to a close. Rather than going on tour for months on end, she starts spending more time at her home in Connecticut. But one last ambition gnaws at her. It's been a dream she's had all her life to perform at the Metropolitan Opera in New York. While in Europe, Marion was asked to join several prestigious opera companies. She always declined, believing she lacked the acting skills the job would require. But over the years, the allure of opera has continued to call to her, and she finally gets the chance to achieve her ambition. In September 1950, 4. The manager of the Metropolitan Opera, Rudolf Bing, wants Marion to take on the part of Ulrike. Marion accepts without hesitation. But then Rudolph admits there's a problem. A black singer has never performed on the Met stage, and Rudolf suspects the board members will refuse to support casting Marion in a lead role. But Rudolph has a solution. He and Marion will keep her role a secret. So Marion rehearses in isolation for weeks. And when Rudolph finally announces her role, it's too late to replace her. Without canceling the entire production, the board members have no choice but to grudgingly accept miriam's appearance. On January 7, 1955, the Masked Ball opens to a packed house. When the curtain rises, the audience sees Marion alone on stage, standing over a cauldron mixing a witch's brew. When Marion begins to sing, though, her voice momentarily catches. She fears she's humiliated herself, that her lifelong ambition has ended in embarrassment. But when she finishes the song, the audience responds with a standing ovation. And at the end of the show, Marian receives eight curtain calls. Marian Anderson will later say that performing at the Metropolitan Opera was the greatest moment of her music career. But it's a political victory as well as a personal victory. Marion's casting at the Met will signal a permanent change to the institution's racial policies. They'll open their stage to other black performers. And later that same year, Bobby McFerrin will become the first black male soloist. And in eight years time, Marion will witness another black pioneer share his dream with the world in Washington D.C. on the same ground where she had made history. The steps of the Lincoln Memorial.

D (16:01)

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Lindsey Graham (17:49)

It's August 28, 1963, in Washington, D.C. eight years after Marian Anderson's groundbreaking role at New York's Metropolitan Opera. Today, though, Marian Anderson is back at the Lincoln Memorial, and just as there was 24 years before. There's a vast crowd. A quarter of a million Americans are expected to attend a huge civil rights demonstration, and the throng stretches all the way from the steps of the Lincoln Memorial to the Washington Monument. When Marion gave her own concert here, the American civil rights movement was only in its infancy. Since then, black leaders have increasingly agitated for change. Some have fought back with violence. Others have favored peaceful protests, like today's keynote speaker, Dr. Martin Luther King Jr. He's encouraged black Americans to congregate in Washington, D.C. to prove the civil rights movement has numbers on its side, and he's asked Marian Anderson to open proceedings by singing the national anthem. But this March on Washington for Jobs and Freedom, as it's called, is the largest public demonstration to date in American history, so large that Marion is unable to break through the crowd. She's still trying to make her way to the stage when the ceremonies start without her. Helplessly, she watches as singer Camilla Williams performs the Star Spangled Banner in Marion's place. Marion has no choice but to stand with the rest of the crowd. As Camilla begins to sing, she feels the weight of the moment and realizes the march is bigger than anyone person. But at the same time, she's heartbroken at having missed her moment in the spotlight. When Camilla finishes her final notes, Marian resumes her slow journey to the stage. She takes her seat and for the next three hours, listens to speeches by some of America's foremost civil rights leader. Near the end of the program, Dr. King delivers an electrifying ovation in which he repeatedly proclaims, I have a dream. But after Dr. King's speech, he turns to Marion and calls her to the stage for an extra unscheduled performance. Honored Marion steps forward and sings a moving rendition of the spiritual he's Got the Whole World in His Hands. The March on Washington for Jobs and freedom is the pinnacle of the civil rights movement. Eleven months later, a Civil Rights act will help end racial segregation in the United states, and in 1965, a voting rights act will will substantially alleviate discrimination at the polls. By then, the 68 year old Marion will have finally retired from performing, but her musical legacy will be long since assured. During her career, millions heard her voice and understood her message, including Dr. Martin Luther King Jr. Who was only 10 years old when he listened to Marian Anderson singing on the steps of the Lincoln Memorial on April 9, 1939.

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Next on History Daily April 10, 1834.

Lindsey Graham (20:44)

A house fire in New Orleans reveals the torture chamber of a serial killer From Noiser and Airship this Is History Daily Hosted, edited and executive produced by Me, Lindsey Graham Audio editing by Mohammad Shazid Sound design by Matthew Filler Music by Thrum this episode is written and researched by Owen Long Edited by Scott Reeves Managing Producer Emily Berg Executive producers are William Simpson for Airship and Pascal Hughes for Noiser.

F (21:28)

Every big moment starts with a big dream. But what happens when that big dream turns out to be a big flop? From Wondery and Ill Media, I'm Misha Brown and this is the Big Flop. Every week, comedians join me to chronicle the biggest flubs, fails and blunders of all time. Like Quibi, it's kind of like when.

Lindsey Graham (21:51)

You give yourself your own nickname and you try to, like, get other people to do it.

F (21:55)

And the 2019 movie adaptation of Cats.

D (21:58)

Like, if I'm watching the dancing and I'm noticing the feet aren't touching the.

Lindsey Graham (22:01)

Ground, there's something wrong with the movie.

F (22:04)

Find out what happens when massive hype turns into major fiasco. Enjoy the Big Flop on the Wondery app or wherever you get your podcasts. You can listen to the Big Flop early and ad free on Wondery. Plus get started with your free trial at wondery.com plus.