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IntoHistory.com it's early 1919 in Mammoth Spring, Arkansas. 24 year old journalist George D. Hay walks down a muddy road toward a log cabin. He watches the sun's last rays dip below the horizon and sees coal oil lamps start to flicker in the distance. George isn't used to being out in nature, but he's enjoying the fresh air and sounds of the countryside. George came to the Ozarks on assignment from his Memphis, Tennessee newspaper. He covered the story of a local World War I hero who died in battle. While working on the article, George got to know some of the people in Mammoth Spring, and tonight they've invited him to a hoedown. George doesn't know what to expect at a hoedown, but hears the sounds of a party getting louder as he slogs his way through the mud. Finally, he reaches the log cabin. A man on the porch welcomes him as if they've known each other for years, and leads George inside. From the moment George steps into the cabin, he's swept up by the obvious atmosphere of joy around him. 20 people have gathered inside to dance the night away, and they're eager for the music to begin. Soon an old fiddle player and an older guitarist make a grand entrance into the room and the partygoers show their excitement. George can't help but smile. He can't remember the last time he saw people this excited about anything, much less music. And he has to admit, the feeling is contagious. So from a dark corner of the room, George watches with delight as the fiddle player brings his bow up to the strings. The room falls silent with anticipation. George leans forward, fully caught up in the moment. Then the old fiddler begins tapping his foot to indicate the tempo. The crowd gets to its feet. George can't help himself. He steps out of the corner and joins the group, ready to shout, clap, and dance the night away. From the moment this log cabin show starts, George is captivated. The musicians work their way through a litany of old American folk songs. It's a type of music that George rarely hears and that much of the country has forgotten. But George will not forget. In the years to come, he will go from being a newspaper journalist to a radio personality, and on his shows he will try to recreate the music and feeling of that night in the Ozarks. Eventually, he will go to work for a fellow music lover in Nashville, Tennessee, and together they will hatch an idea that will transform Nashville into the world's country music capital and help reshape the American music industry when they air the first radio broadcast of the grand ole Opry on November 28, 1925.
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Lindsey Graham
From Noiser and Airship. I'm Lindsey Graham and this is History Daily. History is made every day on this podcast. Every day we tell the true stories of the people and events that shaped our world. Today is November 28, 1925. The Grand Ole Opry goes live on the radio. It's May 1924 at the WLSAM radio offices in Chicago, Illinois. George D. Hayes sits at his desk scribbling some thoughts about one of his upcoming broadcasts. A year earlier in Memphis, George segued from newspapers to radio on the air. George reported the news of the day and covered a range of other topics for his listeners. His enthusiasm, his way with words, and his ability to improvise made George a community favorite, but his popularity grew so quickly that he caught the eyes of WLS's director, Edgar Bill. WLS offered George $75 a week to come work for them in Chicago George knew he could never make that kind of money in Memphis, so he packed his bags. And so far, George enjoys working for wls. And he's already built up a following in Chicago. He hosts shows that center on human interest stories. And George has created a popular on air Persona for himself. He signs off on all his broadcasts with the same phrase. This is your solemn old judge, George D. Hay. George's mom, noted that he was often overly serious as a boy and called him as solemn as a judge. He always liked the sound of that. The name, coupled with George's booming voice has given Chicago listeners the impression that he is far older than his actual age of 28. But George doesn't mind. He figures if people believe he's older, they might trust him more when he's on the air.
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So while George is happy that his.
Lindsey Graham
Human interest shows are gaining popularity, there's one WLS broadcast that he enjoys more than any other. The National Barn Dance is a live music show that WLS director Edgar Bill created months earlier. Edgar grew up on a farm, and he loved the folk music he heard at barn dances in his youth. Now he's determined to recreate the sound and atmosphere of those dances for a wider audience.
Edgar Bill
The WIS Barn Dance is on the air.
Lindsey Graham
And as a rising star at the station, George has been made the host of the National Barn Dance. The show is a perfect fit for him because it reminds him of the hoedown he experienced in Arkansas and the music he's heard and loved in the Tennessee Hill Country. George takes his job seriously, and Edgar shares his commitment to the program. Both men hold a firm belief that folk music can be more than just entertainment. They think it creates a sense of community. And George is convinced that community can grow across the country. He often says that the majority of the population want to listen to music that is fun and friendly. And that's what American folk music has to offer. So throughout the summer and early fall of 1924, George works with Edgar to find new acts for the show. They don't worry if their musical guests are well known. They're more interested in authenticity and groups that have a good time performing live. The recipe proves to be a success. WLS reaches listeners across much of the Midwest and even into Canada. So soon George is inundated with mail from listeners saying how much they love the National Barn Dance. Many of these letters come from farmers and ranchers in the region. One future journalist will go on to write. The National Barn Dance made rural folks feel like they were heard. But the popularity of the show isn't limited to rural areas. George meets people across Chicago who tune in every week, and George's role as host is making the solemn old judge a household name in the city. George, of course, enjoys his budding fame and doesn't pretend otherwise, but he's also excited that the national barn dance seems to be creating the sense of community that he and Edgar hope for. As that community expands and the show grows more popular, George will become famous throughout the nascent radio industry. In the fall of 1924, only about six months after joining WLS, George will get word that a Radio Digest poll has named him the most popular announcer in the country. Soon, George will start fielding job offers from other stations, and he'll turn many down. But eventually he'll get one offer he can't refuse.
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It'S the summer of 1925 at the National Life and Accident Insurance Company's headquarters in Nashville, Tennessee. Edwin Craig stands inside a hallway, staring at the office at the end of the corridor. He barely notices employees dart back and forth as they go about the business of the day. Edwin is focused and nervous, but he is trying his best to hide it. Edwin was born into the insurance business. His father is one of the founders of National Life and still runs the company. Insurance has made the Craig family a fortune, and it's widely accepted that Edwin will one day take over National Life and lead it into the future. But Edwin wants out of the insurance game so he can pursue his real passion, radio. Edwin loves the medium, and he believes it represents the future of wholesome entertainment. He's convinced that quality radio programming can bring families and communities together while they listen. And today, Edwin has finally decided that he's going to march into his father's office and tell him he's leaving the family business to start his own radio station. Edwin takes a deep breath and steels himself for the argument he knows is coming. Then he walks down the hall and into his father's office. Before his father can even react, Edwin proclaims that he's quitting National Life and going into radio. The room is silent as Edwin's father looks at his son without raising his voice in the slightest, he tells Edwin in no uncertain terms that he will not be leaving the company. Edwin deflates. All the arguments he had prepared seem to disappear from his mind. He simply can't stand up to his father. Edwin is ready to hang his head and slink away, but his father stops him, saying that he has a solution that he thinks will make both of them happy. He tells Edwin that if he wants to start a radio station, he should start one at the insurance company. He says having their own station will give the company the ability to advertise to a wide audience on a regular basis. Still in shock, Edwin thanks his father and heads out the office scratching his head. Over the next several weeks, Edwin gets to work converting part of the National Life offices into a radio studio. He hires engineers to make sure everything is up to the latest standards. He tells them he wants a signal strong enough to broadcast across a 150 mile radius. That would allow National Life to reach many of their customers who live outside Nashville. When the studio is finished, Edwin secures a license for WSM Radio. The call letters stand for the National Life insurance slogan We Shield Millions. And with the company and family money behind the venture, Edwin is quickly able to bring WSM to life. At 7pm on October 5, 1925, WSM goes on the air for the first time. Edwin designed the first broadcast to feel like a community gathering. He introduces the new station and welcomes a Nashville pastor to lead listeners in prayer. Then Edwin welcomes members of a marching band and a few other musicians who play well into the night. Edwin is thrilled with WSM's first broadcast and in the following days he hears from people across the city who listened and say they can't wait to hear more. Edgar is eager to make the station a success and his father is happy with the new advertising outlet. But Edwin worries he hasn't planned well enough into the future. He was so eager to get into radio and get WSM up and running that he hasn't yet figured out how to sustain the business long term. Edwin knows he needs someone with real radio experience to manage programming and to serve as on air talent. And Edwin decides if he's going to bring someone in, he might as well go big and get Radio Digests. Most Popular Announcer in the country in early November of 1925, Edwin Craig will reach out to George D. Hay and ask him to manage WSM Radio in Nashville. George will jump at the chance to go back to Tennessee and take on more responsibility. Soon George will discover Edwin shares his belief that music can bring a community together. And in their attempts to get folks in Nashville to gather around the radio in their living rooms, George and Edwin will launch what will one day become the longest running radio program in America.
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Lindsey Graham
It's almost 8pm on November 28, 1925 at the WSM Studios in Nashville, Tennessee. George D. Hay leads 77 year old fiddle player Uncle Jimmy Thompson to a chair in the center of the room. Uncle Jimmy sits and George adjusts a carbon microphone to the right height. Uncle Jimmy has never been on the radio, but he isn't nervous. He says he's been playing the fiddle since before the Civil War and he's treating tonight like any other night of music making. George can't wait to hear Jimmy Play. Since becoming WSM's manager, George has begun recreating elements of the national Barn dance show he worked on in Chicago. And when George was in search of a performer to kick off the first show, a piano accompanist at the station suggested her Uncle Jimmy would be perfect for the job. When George heard Uncle Jimmy Thompson play his fiddle, known as Old Betsy, George felt like he'd struck gold. Uncle Jimmy plays the kind of music that George thinks people will fall in love with. So in the studio, after George's producer tells him they're ready, George steps to the microphone and goes live with the first broadcast of what he's tentatively calling the WSM Barn Dance. George and Uncle Jimmy have an easy rapport on air, and their exchanges between songs become a hallmark of the show over time.
Edgar Bill
Well, I'm going to play you one of our old timey pieces that I, Landman, knew before the Civil War. What's this? It's a Flying Cloud. Watch that. Lively tune, isn't it? Oh, it's a good one. It just gets down in people's heels and they can't keep from dancing. They have to dance on it. Well, let's play some of them. All right.
Lindsey Graham
During this first broadcast, listeners call and send telegrams to the station requesting specific songs. Uncle Jimmy accommodates. After Jimmy plays for an hour, George asks if he thinks he's played long enough and Uncle Jimmy replies, why, shucks a man don't get warmed up in an hour. And then he picks up Old Betsy again and keeps on playing. The broadcast is a hit. Over the next several months, Uncle Jimmy Thompson and George Dee Hay, who still calls himself Judge on the radio, become Nashville celebrities in that year. 1927, the barn dance airs after a classical music program. And on air, George jokes that everyone has just been listening to grand opera. But now the station is going to shift to the Grand Ole Opry. The phrase hits home with listeners and the name sticks. In the late 1930s, NBC picks up the Grand Ole Opry for national radio broadcast. The show introduces many people to classic American folk music for the first time. And then in the 1940s, Billboard changes the music genre's name from American folk to country and western. And soon the Grand Ole Opry becomes a launchpad for future country icons like Minnie Pearl, Ernest Tubb and Hank Williams in the 1960s. As the Opry continues to grow, the show gives much of America their first chance to hear the music of Patsy Cline, Loretta Lynn and Dolly Parton. With present and future stars regularly walking through the studio doors, the Opry helped solidify Nashville as the center of the country music world. The Grand Ole Opry remains on air to this day, making it the longest running radio broadcast in United States history. And while it didn't have its famous name quite yet, many music historians say that the Grand Ole Opry was born.
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With that first live broadcast by George.
Lindsey Graham
G. Hay and Uncle Jimmy Thompson on November 28, 1925. Next on History Daily November 29, 1864. The slaughter of a Native American settlement by U.S. soldiers sparks war on the Great Plains. From Noiser and Airship, this is History Daily. Hosted, edited and executive produced by me, Lindsey Graham Audio editing by Molly Bach Sound design by Derek Barrows Music by Lindsey Graham. This episode is written and researched by Michael Federico. Produced by Alexandra Curry Buckner. Executive producers are Stephen Walters for Airship and Pascal Hughes for Noiser.
History Daily: The Grand Ole Opry Goes Live on the Radio
Release Date: November 28, 2024
On this episode of History Daily, host Lindsay Graham delves into the captivating origins of one of America's most enduring cultural institutions: The Grand Ole Opry. By tracing the journey from a humble hoedown in Arkansas to the vibrant stages of Nashville's WSM Radio, Graham illuminates how a single night of live music helped shape the landscape of American country music. This detailed exploration uncovers the pivotal moments, influential figures, and unforeseen challenges that led to the birth of a radio legacy that continues to resonate today.
The story begins in early 1919 in Mammoth Spring, Arkansas, where 24-year-old journalist George D. Hay is on assignment for his Memphis newspaper. Tasked with covering the life of a local World War I hero, George finds himself immersed in the community's vibrant culture.
"George isn't used to being out in nature, but he's enjoying the fresh air and sounds of the countryside," Graham narrates ([00:15]).
Invited to a local hoedown, George experiences firsthand the infectious joy and spirited live music that leaves a lasting impression on him. This night ignites his passion for folk music and community-oriented entertainment, planting the seeds for his future endeavors in radio.
By May 1924, George has transitioned from newspaper journalism to the burgeoning medium of radio, joining WLS Chicago under the guidance of Edgar Bill, the station's director. George's natural charisma and affinity for storytelling make him an immediate favorite among listeners.
"George's enthusiasm, his way with words, and his ability to improvise made George a community favorite" ([06:30]).
Recognizing George's talent, Edgar Bill entrusts him with hosting the National Barn Dance, a live music show designed to capture the essence of rural barn dances and bring it to a broader audience. This collaboration marks the beginning of a transformative journey for both George and the station.
Dedicated to authenticity and community, George and Edgar meticulously select musical acts that embody the genuine spirit of American folk music. Their focus isn't on well-known performers but on groups that truly enjoy performing and can create an engaging live atmosphere.
"They don't worry if their musical guests are well known. They're more interested in authenticity and groups that have a good time performing live," Graham explains ([06:30]).
The show quickly resonates with listeners across the Midwest and even reaches Canadian audiences, garnering heartfelt letters from farmers and ranchers who feel a deep connection to the program. George's ability to foster a sense of community through music becomes the cornerstone of the show's success.
In summer 1925, the narrative shifts to Nashville, Tennessee, where Edwin Craig of the National Life and Accident Insurance Company is grappling with his passion for radio. Despite his family's expectations to take over the lucrative insurance business, Edwin is determined to pursue his dream of creating quality radio programming that unites communities.
"Edwin loves the medium, and he believes it represents the future of wholesome entertainment," Graham notes ([11:23]).
After a pivotal conversation with his father, Edwin secures approval to establish a radio station within the company—WSM Radio. Utilizing the company's resources, Edwin transforms part of the insurance headquarters into a state-of-the-art radio studio, positioning Nashville as a future hub for country music.
On November 28, 1925, at 7 PM, WSM Radio makes its inaugural broadcast. George D. Hay, now the manager of WSM, teams up with Uncle Jimmy Thompson, a 77-year-old fiddle player, to introduce the first live show. This historic moment marks the birth of what would become the Grand Ole Opry.
"George feels like he'd struck gold. Uncle Jimmy plays the kind of music that George thinks people will fall in love with," Graham recounts ([16:45]).
The broadcast is an immediate success, with listeners calling in and sending telegrams requesting specific songs. The organic growth of the show underscores the profound impact of authentic, live music on its audience.
"The broadcast is a hit... George and Uncle Jimmy Thompson become Nashville celebrities in that year," Graham highlights ([18:30]).
By 1927, the show is renamed the Grand Ole Opry, a title that resonates deeply with its loyal listeners. The Opry not only cements Nashville's status as the heart of country music but also becomes a launching pad for future country icons such as Minnie Pearl, Ernest Tubb, and Hank Williams.
Over the decades, the Grand Ole Opry evolves into the longest-running radio broadcast in United States history. By the late 1930s, NBC picks up the Opry for national radio broadcast, expanding its reach and influence. The program plays a crucial role in popularizing country and western music, introducing audiences nationwide to legendary artists like Patsy Cline, Loretta Lynn, and Dolly Parton.
"The Grand Ole Opry remains on air to this day, making it the longest running radio broadcast in United States history," Graham asserts ([18:30]).
The Opry's enduring success is a testament to the vision of pioneers like George D. Hay and Edwin Craig, whose dedication to authentic, community-driven entertainment forever changed the American music industry.
The episode concludes by celebrating the Grand Ole Opry's profound legacy, tracing its humble beginnings to its status as a cultural cornerstone. George D. Hay and Edwin Craig's innovative spirit and commitment to fostering community through music set the stage for an enduring tradition that continues to inspire and entertain generations.
"With present and future stars regularly walking through the studio doors, the Opry helped solidify Nashville as the center of the country music world," Graham concludes ([20:17]).
As History Daily recounts, the Grand Ole Opry's first live broadcast on November 28, 1925, was not just a milestone in radio history but the birth of a cherished American institution that endures to this day.
Hosted, Edited, and Executive Produced by: Lindsey Graham
Audio Editing by: Molly Bach
Sound Design by: Derek Barrows
Music by: Lindsey Graham
Episode Written and Researched by: Michael Federico
Produced by: Alexandra Curry Buckner
Executive Producers: Stephen Walters (Airship) and Pascal Hughes (Noiser)
This episode is brought to you by Airship, Noiser, and Wondery. Thank you for listening to History Daily.