Greetings, and welcome back to Horror Business. We’ve got one heck of an episode in store for you guys as we’re talking about 1972’s Horror Express and 1976’s Land Of The Minotaur.

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We briefly talk what we’ve doing involving horror recently. We talk about the films 28 Years Later, Predator: Killer Of Killers, Found Footage: The Making Of The Patterson Project, and K-Pop Demon Hunters, as well as the manga Blood On The Tracks.

Up first is Horror Express. Liam gives a brief history of his viewing of the film and how the film had Hammer Film vibes, and how the film has a distinctly different vibe from the classic monster movies of the 1950s in that it’s a bit “meaner” and strangely sophisticated for a film from the time.

We talk about how it feels like everyone in the film is genuinely in danger and how the film is classic Lee and Cushing, as well as the elements of ‘60s spy movies that show up throughout the film. Justin talks about how the film could have simply rested on the laurels of the plotline of having Christopher Lee smuggle a frozen creature onto a train that thaws out but instead veers off into a weird cosmic horror direction, as well as the film bearing a strong resemblance to The Thing From Another World.

The shoddy visual FX of the film and how they become uncanny in their shoddiness is discussed. The film tiptoeing into Lovecraftian territory is touched upon.

Up next is Land Of The Minotaur. We talk at length about the films lazy and seemingly confused messaging on religion and how it’s a bit of a letdown that it relies upon well-worn Judeo-Christian themes when it comes to good and evil.

Liam talks about the extremely bad ADR and Donald Pleasance’s less than stellar performance. We talk about the icons of Christianity in horror film and its implications of the objective reality of Christianity and how that makes for a weak conflict since God cannot be defeated in the logic of Christianity.