Matinee Monday: Ladybugs LIVE! (w/ Patton Oswalt)

Summary

Podcast Summary: "How Did This Get Made? – Matinee Monday: Ladybugs LIVE! (w/ Patton Oswalt)"

Release Date: December 30, 2024

Hosts: Paul Scheer, June Diane Raphael, Jason Mantzoukas
Guest: Patton Oswalt

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Introduction and Episode Context

In this special live episode of "How Did This Get Made?" titled "Ladybugs LIVE!", hosts Paul Scheer, June Diane Raphael, and Jason Mantzoukas delve into the 1992 children's comedy film Ladybugs. The episode features comedian Patton Oswalt as a guest, bringing additional insight and humor to the discussion.

Notable Quote:

Paul Scheer [00:00]: "Matinee Mondays are now going to be called how did this Get Made Matinees? Because they're coming out on Tuesdays."

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First Impressions and General Overview

The hosts begin by reintroducing the film Ladybugs, reminiscing about its legacy as a beloved but critically panned movie from their childhoods. Patton Oswalt shares his nostalgic yet conflicted memories of watching the film as a pre-teen.

Notable Quote:

Patton Oswalt [05:31]: "It was one of my favorite movies. I remember where I was when I saw it. I'm pretty sure I saw this movie at like 12 or 13."

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Character and Plot Analysis

The primary focus shifts to analyzing the characters and plot of Ladybugs. The central character, played by Rodney Dangerfield, is depicted as an aging, desperate coach trying to secure a promotion to support his girlfriend, Bess. However, his methods and interactions raise significant concerns.

Notable Quotes:

June Diane Raphael [05:54]: "He's, like, trying to figure out life with Bess. Oh, a woman conservatively 60 years younger than him."

Patton Oswalt [06:30]: "Of course he was okay, shooting this? He has passed, if that's what you're wondering."

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Problematic Themes and Controversial Elements

The hosts extensively critique various problematic aspects of the film, including inappropriate interactions between an older man and young girls, racial stereotypes, and the moral messaging that endorses cheating and manipulative behavior for personal gain.

Key Discussions:

1. Inappropriate Conduct:

   • The film portrays Rodney's character making suggestive remarks and attempts to woo young girls under the guise of coaching.
   • The dressing room scene where a woman misconstrues his intentions highlights disturbing undertones.

   Notable Quote:

   June Diane Raphael [21:54]: "It's an independent girls soccer league that is not associated with a school that appears to have girls of ages like 10 or 11 to like 16, 17. The girl who's like, I'm 12, almost 13, I'm looking for cute guys."

2. Racial Stereotypes:

   • The movie includes offensive stereotypes, such as suggesting that black individuals excel only in certain sports while being subpar in others like hockey or water polo.

   Notable Quote:

   June Diane Raphael [55:12]: "There are a few moments, like one where Jack A. Says, black people are always better at sports. He goes, black people better at sports?"

3. Moral Messaging:

   • The hosts argue that the film's resolution endorses unethical behavior, where cheating leads to victory, undermining the message typically found in children's sports movies.

   Notable Quote:

   Jason Mantzoukas [31:12]: "The moral of this movie is terrible... give in to the evil guys. It'll be fine."

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Technical and Production Flaws

The discussion highlights several technical shortcomings, such as inconsistent character motivations, unexplained plot points, and poor integration of comedic elements. The use of props and set design is also criticized for lacking coherence and contributing to the movie's overall disjointed feel.

Key Points:

• Set Design and Props:

  • The office is cluttered with unrelated and outdated items, creating a confusing environment.

    Notable Quote:

    June Diane Raphael [10:26]: "Everywhere are architectural models. Rodney Dangerfield's own office is just covered in fish. Document fish diagrams, all different kinds of fish."

• Plot Inconsistencies:

  • Sudden character motivations and unresolved storylines create a fragmented narrative.

    Notable Quote:

    Paul Scheer [25:04]: "Patton Oswalt: Well, look, the thing I was really offended by with the ending too, as a former soccer player... puts boys in wigs in those scenes was, to me, yes, that was great."

---

Performance Critique

Rodney Dangerfield's performance is a focal point of the critique, with the hosts finding his portrayal unconvincing and inappropriate for a children's film. Patton Oswalt and other co-hosts express discomfort with Dangerfield's interactions with younger characters.

Notable Quotes:

Patton Oswalt [23:44]: "He is fucking disgusting. I hate him."

Paul Scheer [23:17]: "It's just so uncomfortable to watch him with children."

---

Reception and Audience Reviews

The hosts examine fictional audience reviews, showcasing a disparity between personal opinions and selective positive feedback from viewers. They mockingly present high ratings despite acknowledging the film's numerous flaws.

Notable Quote:

June Diane Raphael [73:14]: "I watched this movie with my father. Five stars."

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Guest Insights: Patton Oswalt's Experience

Patton Oswalt shares anecdotes from his time on set, highlighting Rodney Dangerfield's eccentric behavior and the overall awkward atmosphere during filming. He recounts overhearing Dangerfield take home kitchenware nightly, adding to the bizarre production environment.

Notable Quote:

Jason Mantzoukas [66:35]: "Went into his motorhome to rehearse my scene."

Paul Scheer [50:49]: "Dangerfield arrived in Colorado with a suitcase full of spatulas, forks, and knives."

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Cultural and Social Impact

The hosts discuss the broader implications of the film, emphasizing how it mishandles sensitive topics and perpetuates harmful stereotypes. They lament the lack of accountability for the characters' inappropriate behavior and the film's failure to deliver a constructive moral lesson.

Notable Quote:

June Diane Raphael [63:56]: "The movie is problematic on every level."

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Conclusion and Final Thoughts

Wrapping up the episode, the hosts express unanimous disdain for Ladybugs, underscoring its status as a quintessential example of a poorly made film. They encourage listeners to critically evaluate movies beyond nostalgic sentiments and recognize the underlying issues that contribute to a film's failure.

Notable Quote:

Paul Scheer [76:50]: "I don't know what to tell you."

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Key Takeaways

• Ladybugs is criticized for its inappropriate content, problematic themes, and flawed execution.
• The film fails to provide a coherent moral lesson, instead endorsing unethical behavior.
• Rodney Dangerfield's performance is deemed unsuitable and discomforting, especially in interactions with younger characters.
• Production and technical flaws exacerbate the film's shortcomings, making it a target for comedic and critical analysis.
• Audience reception is portrayed as misguided, with fictional reviews highlighting a disconnect between personal opinions and widespread acclaim.

Overall Rating by Hosts: Highly Negative

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Note: This summary is crafted to provide a comprehensive overview of the podcast episode's discussions and critiques for those who have not listened to it. The inclusion of timestamps and direct quotes offers authenticity and context to the analysis presented by the hosts and guest.

Transcript

[Paul Scheer]

At U.S. bank. When we say we're in it with you, we mean it. Not just for the good stuff, the grand openings and celebrations, although those are pretty great. But for all the hard work it took to get there, the fine tuning of goals, the managing of cash and workflows, and decision making, we're in to help you through all of it. Because together we're proving day in and day out that there is nothing as powerful as the power of us. Visit usbank.com to get started today. Equal Housing Lender Member FDIC Copyright 2024 U.S. bank Are you interested on how ordinary people turn their big ideas into a business? I mean, we all have these wants. Like I think I could actually do this. But maybe we just need some tips, some inspiration then this Is Small Business behind the Buy is for you. It's the official companion podcast to the prime video reality game show Buy It Now. In each episode you hear directly from the winning entrepreneurs, revealing the backstories, the challenges and business strategies that have turned their dreams a reality. This podcast explores every angle of what it takes to pitch, win and build a thriving business. Tune into this Is Small Business behind the Buy Wherever you get your podcasts, get ahead of your 2025 goals at 33% off with Pluralsight's online technology courses. Learn from highly vetted industry tech Experts on cloud, AI, data security and more. With more than 7,000 courses, hands on practice and assessments plus personalized learning paths. Score a six figure salary by mastering these in demand skills and get 33% off Pluralsight's individual annual plans until January 6th. Visit pluralsight.com we are moving. I mean not by much, but just a little bit. How did this Get Made Matinee Mondays are now going to be called how did this Get Made Matinees? Because they're coming out on Tuesdays. So hold onto your britches because this surely is gonna upset your apple cart. No, we appreciate you guys listening and we wanna just give you a heads up so next Monday you don't come yelling at us. You can't say Producer Scott, why didn't you Paul get me get in. I gotta get on the Reddit and yell at you. No, Matinee Mondays will now just become Matinee Tuesdays. Doesn't sound as good. Maybe it's called how did this Get Made Matinees. We're gonna figure out the title. But anyway, see you next Tuesday. It's like a non consensual Mrs. Doubtfire with a lot more pedophilia jokes. We saw ladybugs so you know what that means.

[Jason Mantzoukas]

How did Schwarzenegger grow a.

[Paul Scheer]

Baby in his belly? Rock a rhinestone vest while whipping Justin to Kelly or maybe see a burlesque show with Nick Crow and take a bubble speech to hitting cruise control J man big Paul in the beautiful Jewel Gonna take you from the goob all the way to the room Ran the games of street pie they help to blow off steam Just a sucker punch the odd life of Timothy Green Sharp.

[Jason Mantzoukas]

NATO the bird Demic how we staying.

[Paul Scheer]

Alive they call it in the badass and he's on the line cranking 88.

[Jason Mantzoukas]

Minutes cause they cool as ice cause.

[Paul Scheer]

A bad Jim Vonnie looking kind and nice Paul and June getting literal Jason is getting laid June is making sure.

[Jason Mantzoukas]

All the monkey shots getting paid the.

[Paul Scheer]

Jud bunch of movies while they making the grade Here's a real question for you. How did this get made? Hello people of Earth and hello people of Los Angeles. We are live at Largo, our home in la, for a very exciting night to talk about a very important movie. The film is Ladybugs. It's a movie that you might think I loved that when I was a kid. And chances are you haven't seen it in 30 years. Let's get into it. But first let me bring out my co host, Mr. Jason Mantzoukas.

[June Diane Raphael]

What's up, jerks?

[Paul Scheer]

Welcome, Jason.

[June Diane Raphael]

How we doing everybody?

[Paul Scheer]

Ladybugs.

[June Diane Raphael]

I feel like I could be arrested for having watched this movie. Also, please stand up.

[Paul Scheer]

Oh, we have two members.

[June Diane Raphael]

There are Ladybugs in the audience. Give it up for the Ladybugs.

[Paul Scheer]

We have two members of our audience dressed in the appropriate Ladybugs jerseys. Amazing. Thank you for that.

[June Diane Raphael]

Thank you.

[Paul Scheer]

Eagle eyed Jason Manzoukas. Well, we have a lot to talk about and I'm going to bring out someone who has a definite point of view. A person who when I told her the movie it was, she said, that's my favorite movie. Please welcome June Diane Ravio.

[Patton Oswalt]

It was one of my favorite movies. I remember where I was when I saw it. I'm pretty sure I saw this movie at like 12 or 13. What year did it come out?

[Paul Scheer]

1992.

[Patton Oswalt]

Yes, I surprising I was 12 and I remember seeing it.

[Paul Scheer]

Yes.

[Patton Oswalt]

And thinking, this is a great motion picture. This has a cute boy. I was a soccer player. This has soccer. This for me checked off all the boxes.

[Paul Scheer]

And when you're talking about scoop boy, you're talking about Rodney Dangerfield, of course.

[Patton Oswalt]

Okay. I don't even know where to begin. Is he okay?

[June Diane Raphael]

Wait Rodney dates.

[Patton Oswalt]

I know we have a lot more.

[June Diane Raphael]

But is he okay in the movie? Currently? He has passed, if that's what you're wondering.

[Patton Oswalt]

Of course. Was he okay though, shooting this?

[June Diane Raphael]

Of course he was. He's just like a totally cool dude trying to. Trying to figure out life with Bess. Oh.

[Paul Scheer]

Oh.

[June Diane Raphael]

A woman conservatively 60 years younger than him. Right. He is, what, 93 in this movie? I have so many questions.

[Paul Scheer]

We'll get into them all.

[June Diane Raphael]

Like, also, I want to know, was it a crime for me to have watched this? Am I on a watch?

[Paul Scheer]

You are on a watch. This. If you watch this on your computer, this can be used as evidence against you.

[June Diane Raphael]

I deleted like this. I felt dirtier watching this on my computer than things that make a lot of pop ups appear.

[Paul Scheer]

We have saved Ladybugs for a long time because we wanted to have a very special guest to talk about it. You recognize our next guest. He was in episode 20 of how did this get Made? It's been a long time coming. Punisher Warzone. His new special, Annihilation is now streaming on Netflix. Please welcome Mr. Pat Noswal.

[Jason Mantzoukas]

Thank you.

[Paul Scheer]

Thank you, Pat. Well, well, well. Welcome back, Patton.

[Jason Mantzoukas]

Thank you so much. I had to watch this on itunes because my Criterion disc was late.

[June Diane Raphael]

Oh, did you pay for it? Yeah, huge mistake. It's streaming free on pornhub for some reason.

[Patton Oswalt]

I hate it. I hate all.

[Paul Scheer]

And even they pornhub banned it. They're like, it's a lit.

[June Diane Raphael]

Pornhub is like, I don't know. This seems crazy, but it got some.

[Jason Mantzoukas]

Really positive comments on itunes. Someone named Roy Moore, like, loved it. Like, gave it like five stars and just thought it was amazing. Absolutely loved it.

[June Diane Raphael]

Keeping Roy Moore jokes still alive. I love it.

[Paul Scheer]

Well, I mean, let's just. There's so much to cover. The first being this is a children's movie. Right?

[Jason Mantzoukas]

Okay. Right.

[June Diane Raphael]

First question I wrote, is this a kid's movie? Who is this for?

[Paul Scheer]

It's a PG13 film, but arguably you would imagine it's supposed to be like Bad News Bears, except they eliminate all the Bad News Bears part.

[June Diane Raphael]

Essentially, it's the Bad News Bears. If you were more excited about Walter Matthau.

[Jason Mantzoukas]

Right. And if Walter Matthau was maybe a.

[June Diane Raphael]

Perv, which we know Matho is a total perv.

[Patton Oswalt]

I think this movie must have been written for a much younger gentleman.

[June Diane Raphael]

100%, yes.

[Patton Oswalt]

Who was actually, like, going to get married for, you know, in his 40s.

[Jason Mantzoukas]

Right.

[Patton Oswalt]

I think it was written for.

[Jason Mantzoukas]

And.

[Patton Oswalt]

And then the movie sort of makes sure sense. I mean, as it is now, it is unacceptable.

[Paul Scheer]

Yeah, he's unacceptable.

[June Diane Raphael]

He's trying to get a promotion at work when he should literally be retired. The only reason for him to need to see his boss is for his boss to give him a watch and say, thank you for your service. Good. Enjoy your retirement. You are almost.

[Patton Oswalt]

What he should be thinking is doing the calculation of like, how many good years do I have left?

[Jason Mantzoukas]

Right? Yeah.

[Patton Oswalt]

And do I really want to spend like 9 to 5 clocking in here and making so much tough to decisions? Yeah.

[Paul Scheer]

Does anyone know what Mullins don't? Because I wrote down a couple things.

[June Diane Raphael]

I have so many questions.

[Paul Scheer]

Like, all right, so there's like a blueprint of like a nuclear reactor. In one scene, there's an architectural model.

[June Diane Raphael]

Everywhere, everywhere are architectural models. Also, Rodney Dangerfield's own office is just covered in fish. Document fish diagrams, all different kinds of fish.

[Paul Scheer]

There's one scene, he walks by a topographical board with blinking lights on it that people are monitoring people and saying that he's the best salesman. So what is he saying? How can you be the best salesman?

[June Diane Raphael]

Yes.

[Paul Scheer]

Of land?

[June Diane Raphael]

Of what? Of like they.

[Jason Mantzoukas]

They don't. Okay, here's my theory, right? Just from what you just said. It's a. It's a. It is a. It's a company that is building these new, completely nuclear. Nuclear powered cities, but the cities are poisoning fish. So Rodney's job is to convince people that the fish are actually not being poisoned. And he is selling people. He's like a reverse Aaron Brockovich where he goes out and tells people, no, these nuka bends are great for your fish. Do not worry about it. And that's what he does.

[June Diane Raphael]

So. But I mean, if you look at Rodney's office, what could he be selling? Is he selling fish?

[Jason Mantzoukas]

There's the reward that he got. The silver fish for convincing the most people that the nuclear power was safe for their fish. Right there. He won.

[June Diane Raphael]

Each of the pictures above it is like he's holding a giant check. Why? Why? Why is he holding a giant check?

[Paul Scheer]

And by the way, same. Same building. Different.

[June Diane Raphael]

Different thing.

[Paul Scheer]

Different.

[June Diane Raphael]

What? What is what? And then there's a picture of him holding a fish down there.

[Paul Scheer]

Well, if we're talking about weird offices, we gotta talk about the boss's office.

[Jason Mantzoukas]

Oh, my God.

[Paul Scheer]

Which has a Native American chief. Tons of stuff. I got three different pictures here. A Boston terrier, a sarcophagus. Sarcophagus.

[June Diane Raphael]

There's a sarcophagus there. I gen. This is what I think this is what I think.

[Paul Scheer]

It's a lot of trophies.

[June Diane Raphael]

I think the director said to the props and was like. Or the set decorators was just like, just fill the office full of, you know, like, CEO stuff. They went to, like, the lot, the props room on the lot, and just got props from, like, the last 60 years of film and just put everything in there.

[Paul Scheer]

So I know there's a lot to talk about in the film, but I think we'd be remiss if we didn't talk about the opening. That's kind of like parodying Nazism.

[June Diane Raphael]

Yes.

[Paul Scheer]

Like, yeah, like, right.

[Jason Mantzoukas]

I mean, a little bit.

[Paul Scheer]

He's going to a self help seminar that when you first see it, it looks like there's a Nazi. He's speaking in German behind a red, black and white flag.

[Jason Mantzoukas]

But it's Steve Landesberg, who is. They got this beloved Jewish actor to play a goatee Nazi. It was the weirdest.

[June Diane Raphael]

He looks like Lennon.

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

He has, like, Lennon's mustache combination.

[Jason Mantzoukas]

And with Judd Hirsch is Hitler.

[June Diane Raphael]

I also couldn't figure out, why is he at the self help seminar. He states on multiple occasions he is their number one salesman. He's apparently very good at his job.

[Patton Oswalt]

So baffling. I'm still struggling to understand, like, his motivation throughout all of this because he, I mean, correct me if I'm wrong, wants to get the promotion so that he can pay for a wedding.

[June Diane Raphael]

No. So that he can support Bess so that Bess can leave her job. Yes.

[Paul Scheer]

Yes.

[Patton Oswalt]

And is it clear that Bess doesn't like her job? Or she's. I honestly, she's just always been waiting for.

[June Diane Raphael]

I didn't know Bess worked.

[Paul Scheer]

Bess at one point says, I'm on my lunch break. I came to see the soccer game. Which makes me go, when are they playing soccer? Or what hours does she work? Because something is off.

[Patton Oswalt]

And also, again, not like, so Bess can retire. It's just like, so she can finally be freed from this, like, career path that she's never wanted.

[June Diane Raphael]

Yes. Yes.

[Jason Mantzoukas]

He wants a career path that has, like, clearly bought her a house and things seem okay. And she also doesn't seem like an angry or sad person, which is a little weird.

[June Diane Raphael]

She doesn't. You don't hear her say she hates.

[Paul Scheer]

Her job, but the self help meeting that he is going to, part of it is, I'm good enough or I'm a good person. Then the end of it is like, hey, make sure that your boss is taller than you so you can kiss your boss's ass. So it's a weird self help thing. It's like build you up, but also remember you're a piece of shit. It's a weird. It's two weird ideas. And the whole opening of the movie could just be removed from everything. He's looking at himself in a mirror. He pulls up to a truck that has like a bumper sticker that says, like, you wish on it. And someone's like, you're an asshole. And he goes, he's like, there's a reason for it, but you're contagious. Then the guy jumps out of the car and never comes back.

[Jason Mantzoukas]

But then he also drives away and it's a green light. They could easily chase him. They just say, like, oh, what are we supposed to do? Get in your truck and follow him.

[June Diane Raphael]

He's in a minivan, you're in a monster.

[Jason Mantzoukas]

Yeah, exactly.

[June Diane Raphael]

You could catch up to him immediately. But that's.

[Patton Oswalt]

But also, though, but why does the company want or need a thriving soccer team to sponsor? I mean, that I could never wrap.

[Paul Scheer]

My mind around, like, a child soccer team. Like, not like it's like a pizza place with like, hey, yeah, we give money and we get help buy them uniforms. It's like that level of soccer team.

[Patton Oswalt]

But that's what I didn't understand. So if you're corporation or a company and there's a local, like, intramural sport that kids play that you want to sponsor, like, great, you probably buy the uniform. That's great. But why would they want that team to do so well?

[June Diane Raphael]

Well, it appears as though the man whose company it is, his entire sex life is predicated on the team's victory. His wife is basically like, if you want to get laid, like, the Ladybugs better be the champs.

[Patton Oswalt]

Which is, I guess I ask why does she need them to be the panel?

[June Diane Raphael]

Yeah, great question.

[Paul Scheer]

But then if you work at Mullen Industries, you're brought into, like, champagne toast to celebrate each win, which is being written about in the paper, but being sparsely attended in real life.

[Jason Mantzoukas]

Well, it's on the front page of the paper. And if you notice, the film is so lazy. I couldn't help noticing this. It was just a headline over this generic story about baseball, about Cleveland baseball. And the reason that I noticed that is because. And I didn't pause it. They held way too long on the headline to give you time to go. And then the new pitcher. Wait a minute, there's no picture. Like, and it was the exact. All three headlines were the same story about the Cleveland pitching It was the weirdest. Like, they didn't even bother. Like, if you're gonna just type up a and they literally show one paragraph. So they couldn't have a guy go, the ladybug soccer team. But no, they just slap it down and the Cincinnati pitching's there. Like, what did. Didn't even try.

[June Diane Raphael]

But it is.

[Jason Mantzoukas]

You're right. It's on the front page of that.

[Paul Scheer]

City sports page, and it looks like a thriving city. He's not like, in a small town. This podcast is brought to you by Squarespace. Squarespace, Oh, I love it. Is the all in one platform for entrepreneurs to stand out and succeed online. I have been using Squarespace for years, and whether you're just starting out or you're managing a growing brand, Squarespace makes it easy to create a beautiful website, engage with your audience, and sell anything from products to content. Okay, all in one place on your terms. Now, this is what I love about Squarespace. You can constantly tweak and update it. It's easy. You don't need to hire a designer. All right. You can get 10% off your first purchase of a website or [e-mail] bonkers. Plus, Squarespace is introducing design intelligence. This is pretty cool, all right. Design Intelligence empowers anyone to build a beautiful, more personalized website tailored to their unique needs and craft a bespoke digital identity to use across one's entire online presence. So check out squarespace.com for a free trial, and when you're ready to launch squarespace.com bonkers. And you'll save 10% off your first purchase of a website or domain. You know, when you are hiring for your small business, you want to find quality professionals that are right for the role. That's why you have to check out LinkedIn Jobs. LinkedIn Jobs has the tools to help you find the right professionals for your team faster and for free. Now, LinkedIn isn't just a job board. LinkedIn helps you hire professionals you can't find anywhere else, even those who aren't actively searching for a new job but might be open to the perfect role in a given month. Over 70% of LinkedIn users don't visit other leading job sites. So if you're not looking on LinkedIn, you're looking in the wrong place on LinkedIn. 86% of small businesses get a qualified candidate within 24 hours. Hire professionals like a professional on LinkedIn. Post your job for [e-mail] valuable. That's LinkedIn.com valuable to post your job for free. Terms and conditions apply. Mint Mobile has figured it out. You can say goodbye to overpriced wireless plans. You can say goodbye to jaw dropping monthly bills and unexpected overages. Because Mint Mobile is here to rescue with premium wireless starting at 15 bucks a month. Okay? Our producer Scott, he has Mint Mobile. He loves it so much he can't stop talking about it. He's like, oh, Paul, I got a easy to read bill. No complicated fees. I'm like, scott, I love that you're into Mint Mobile, but seriously, dude, we gotta reschedule the next recording. And he's like, no, no, no. Switching to Mint Mobile was so easy. I used my same phone and kept my same number. I'm like, sounds great, but seriously, you're producing the show. We got other things to do. And he's like, no, no. Let me tell you more about Mint Mobile. And that's why I decided to do this commercial, because Mint Mobile is changing lives. So to get this new customer offer of 3 month premium wireless for just 15 bucks a month, go to mintmobile.com HDTGM that's mintmobile.com HDTGM cut your wireless bill to 15 bucks a month at mintmobile.com HDTGM $45 upfront payment required, equivalent to $15 a month. New customers on first 3 month plan only. Speeds slower than above 40 gigabytes on unlimited plan. Additional taxes, fees and restrictions apply. See Mint Mobile for details. Also, like, and by the way, we're not even talking about the problematic areas. Yeah, these are the broad.

[Jason Mantzoukas]

Weird.

[June Diane Raphael]

Yeah, this is what it. Well, this is what I was going to introduce actually, which is. It's a. It's an independent girls soccer league that is not associated with a school that appears to have girls of ages like 10 or 11 to like 16, 17. The girl who's like, I'm 12, almost 13, I'm looking for cute guys. She gives like a singles ad version of herself where cute guys is every other thing.

[Jason Mantzoukas]

And she's way too made up for her age. Unless her parents are about to like, ship her to Thailand. No parent would let, no parent would let their girl go out. Look, it's really creepy.

[Paul Scheer]

Yeah, well, she does a great move though, when. Spoiler alert. When it's revealed that they've been playing with a boy all soccer season. When he takes off his wig, she like straightens up like, hey, like, like, like in an attempt to woo him as if he has not been playing with her all season.

[June Diane Raphael]

She's also the one that when the, the opposing team breaks her Nail. She like, eats two bottles of. Two cans of spinach like Popeye and goes insane. She like. She, like. It's like the flip. The. The switch is flipped and she goes bananas.

[Paul Scheer]

Well, the. We should talk about get to the ending of the movie because the ending is insane, but it's the most Lean movie ever. And I think the reason why it's like an hour and 26 minutes is because they take out all the parts that you would traditionally see. There's really no love story. Like, that's like. I mean, that's what you're kind of like. The idea is like, this young boy gets. Is dressed up as a girl because he likes the girl on the team. So you would see some interplay there. That really doesn't happen.

[June Diane Raphael]

That would be the case if this movie was as it probably should have been about the kids.

[Paul Scheer]

Right?

[June Diane Raphael]

This is a kids movie that is about Rodney Dangerfield.

[Patton Oswalt]

It's just so incredible. I mean, look, I mean, it doesn't even need to be said, but it's so uncomfortable to watch him with children. It is just.

[Jason Mantzoukas]

Okay, so incredibly uncomfortable because every. Every area of life they want to ask him about. He should not be giving them any advice about or any. Not just him, any adult should be talking about that at all. It is never, not immediately uncomfortable when those scenes happen.

[Patton Oswalt]

Him convince a young pubescent girl that she is beautiful was violently upsetting to me.

[June Diane Raphael]

No. The scene in which they are trying on clothes in the dressing room. Oh, my God. This is a children's movie. And the joke is this older.

[Jason Mantzoukas]

The joke is that a. Is that an older woman thinks that a kid is being fucked in a dressing room. And that. And by the way, I will give that actress credit when they walk out of the dressing room and she thinks that he has been molesting her. She commits so hard that, like, it looked like she got hurt. Like, I was like, it was amazing.

[June Diane Raphael]

I looked it up. That actress died.

[Jason Mantzoukas]

Really?

[June Diane Raphael]

That. That was. We.

[Jason Mantzoukas]

That was really hard to watch.

[Patton Oswalt]

So this movie, clearly, I mean, this movie hates women. That's clear. But the. Every woman who's not a girl, who's a grown adult woman who. Who Rodney does not want to fuck is in like, a Laura Ashley dress.

[Jason Mantzoukas]

Yeah.

[Patton Oswalt]

And is fucking insane. Insane. Like every older woman in this scene, in this movie who's not to Rodney Dangerfield is treated like, you know, wait.

[Paul Scheer]

I would argue that every woman is to Rodney Dangerfield. Like, don't you feel that, like he tries with everyone? Like. No. And.

[Patton Oswalt]

But by the way, like, the one thing that did occur to me is, is Jackie.

[Jason Mantzoukas]

Is Jack. Hey.

[Patton Oswalt]

Jack. Hey. Is not. Is not. He doesn't actually want to.

[Paul Scheer]

No.

[Jason Mantzoukas]

Not only does he. There's a. There's a really, really offensive scene in an elevator.

[June Diane Raphael]

Oh, yeah.

[Jason Mantzoukas]

When somebody says, like, hey, something with your kids, that you're married. And they react like, what?

[June Diane Raphael]

And he. The insinuation is that they're an interracial couple. And he.

[Jason Mantzoukas]

I've never seen his eyes bulge that big. And again, in a scene, and it's so, like, wait. Is a gorgeous woman exactly at her best? Oh, yeah, yeah. This scene. So weird.

[Paul Scheer]

So who's getting married? We are.

[Patton Oswalt]

Well, good for you. I give you both a lot of credit.

[June Diane Raphael]

Hold your heads up high.

[Paul Scheer]

You can't beat true love. Have lots of babies.

[Jason Mantzoukas]

We're all God's children.

[Paul Scheer]

I wonder what the kids would look like.

[June Diane Raphael]

You know how Jack A. You know that Jack A. Is crazy in this movie? When they're on the soccer field, she's eating a sub from the top down.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

She's eating it like corn on the cob.

[Jason Mantzoukas]

Yeah, she is.

[Paul Scheer]

Yeah.

[June Diane Raphael]

Sub as in. Yeah. In a way that is patently insane.

[Paul Scheer]

In my mind, I'm like, that's an actor going, we're gonna do, like, 10 takes of this scene, right? And I don't want to really eat it. Like, on Two and a Half Men, they always ate pizza with a fork and knife. And I think it was because it just delays you in eating. Like, you go, oh, I'm cutting it, Paul.

[June Diane Raphael]

Why do you know that? Why do you know on Two and a Half Men, they always ate pizza with a fork and knife? Also, how long did it take you to notice that they always.

[Paul Scheer]

I know this because our friend Gillozeri watched every episode of Two and a Half Men and taped it for Funny or Die. And I joined him, like, a day and a half into it, and he was pointing. I was like, look, they're eating the pizza with the forks and knives. He's like, we only see them eat with forks and knives. So it's always stuck out to me that that's an action she takes.

[Jason Mantzoukas]

She takes aggressively small bites. Like, I do not want to establish. Although I kind of respect that because I've done scenes where I did a scene where I established that I ate a big bite of cake before I said my mind. And then I had to do, like, nine and to the point where I was scarfing waffles. Yeah.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

So I was like.

[June Diane Raphael]

I was like, ooh, it'd Be funny if I'm just scarfing doc waffles, right, by the way. Not funny.

[Jason Mantzoukas]

No, no.

[Patton Oswalt]

I think she's doing the Lord's work in this movie. Oh yeah, I appreciated her. I needed her.

[Paul Scheer]

I mean. And look, she's put in some uncomfortable positions and she comes out pretty good. She did great.

[June Diane Raphael]

This movie is. This movie is a children's sex comedy. That's what this movie is. There is a scene in which the boy sees the girl.

[Jason Mantzoukas]

Oh God. And in it that is the creepiest.

[June Diane Raphael]

Fucking perverts. You watched it just like I did. Now we're gonna talk about it. The young boy sees the young girl and then a fantasy sequence happens and she's in her underwear. And it is a crime I think at that point to be watching.

[Jason Mantzoukas]

By the way, I looked up on IMDb, she was 16 when she shot that. So they're making a 16 year old girl do this weird soft core Cinemax like fantasy scene. It was the creepiest also because so bizarre.

[Paul Scheer]

And then also that the young boy is watching it. It's fantasizing like his wedding to her to the Everly Brothers, which is also like for kid movie. It's like it doesn't feel like, I don't know, I don't feel like the 14 year old is like, oh, the Everly Brothers is really encapsulating how I feel about this young girl.

[June Diane Raphael]

Something about it that is like.

[Paul Scheer]

I will fast forward it because I don't want even be gratuitous and playing. But I can play the rest on mute here.

[June Diane Raphael]

You can just see they're always running. They're always running in the fantasy.

[Paul Scheer]

Running onto a private jet plane.

[June Diane Raphael]

Running, running, running into some like sculpture park where they.

[Jason Mantzoukas]

Although I remember because I was doing standup at that time, so many guys owned suits just like that. There was so many standups with that, that New Jack City suit shit going on.

[Paul Scheer]

Their wedding, eating, Game of Thrones.

[Jason Mantzoukas]

Look at that.

[Paul Scheer]

And by the way, it says our wedding at the top.

[June Diane Raphael]

All of them have red carpets as well. Every fantasy they're on a red carpet.

[Paul Scheer]

He's become a multi millionaire in his fantasy too. And they're not throwing rice, they're throwing yellow flowers.

[Jason Mantzoukas]

I don't know what's happening there.

[June Diane Raphael]

If the movie was told from kids point of view view, it's like I would if I watched Fast Times and saw the Phoebe Cates taking her top off scene, I would not feel nearly as creeped out. Even though it is also a girl in high school as this movie makes you feel. Because to me this movie is a point of view of adults is those are. You're seeing adults as the characters in this movie. So it, I don't know, it just, I also, this movie made me feel real gross.

[Paul Scheer]

And then like I also think there's something odd about his relationship with Rodney. And I don't know if it's the key to play with Matthew Jonathan Brandis or Brandis. He like gets instantly mad with him. He's like, he's like, I got an idea. And then Rodney Dangerfield looks at him bug eyed, crazy. He's like, no, no, no. It's like, wow, where does that anger come from? And he explodes a couple of times with an anger that feels like things have gone on in the past pass with these two. I get why when he gave him a BB gun, he gave him a sweatshirt with a bullseye in the back.

[June Diane Raphael]

I was surprised. I thought we were going to find out more about his missing father or whatever was the story behind any and all of this. But we never get there.

[Patton Oswalt]

Well, that's the strange thing.

[June Diane Raphael]

We're not finding out about the kids.

[Patton Oswalt]

And that's the strange thing about Matthew's speech to him at the end when he says, you know, you've worked so hard at turning this team around. You've done so much, you put so much into it. And I thought, no, he hasn't. He's enlisted you.

[Jason Mantzoukas]

Yeah, he slapped a wig on your.

[Patton Oswalt]

Head and that was it, A wig was born.

[June Diane Raphael]

You've cheated. You've successfully gotten away with cheating.

[Paul Scheer]

The moral of this movie is terrible.

[Jason Mantzoukas]

I mean, well, okay, not only is the, it's not just that. The moral is that cheating is good. The moral is that because it's Rodney Dangerfield is this. You're supposed to believe that at the end he's this good hearted guy. It doesn't matter if you win, if you become a bad person. And then his boss is this horrible snob, but at the end he's in league with his evil boss and their best friends and they're doing even worse things now. Like that's the whole lesson is just give in, give in to the evil guys. It'll be fine.

[June Diane Raphael]

It's a movie that is, I believe the protagonists are the villains. Like, like I believe you're supposed, you're rooting for someone who is a, a liar and who is like only rewarded continuously for the lie.

[Jason Mantzoukas]

Right.

[June Diane Raphael]

And so I think he's then the villain.

[Patton Oswalt]

Well, look, the thing I was really offended by with the ending too, as A former soccer player who played on the travel team. Not to brag. What position brought tender flames. I played a forward great. But soccer was my life. The fact that when they were playing the Flames and the last big game, that they put boys in wigs in those scenes was, to me, yes, that was great.

[Paul Scheer]

I saw that, too. Like, so they're boys in wigs.

[Patton Oswalt]

All of the soccer players who are doing, like, the big tricks and shots and all of that stuff, they're all boys with wigs on.

[Paul Scheer]

Yeah, that. Like, you can see that. Like, and it's not supposed. They're not supposed to be boys and wigs. They're supposed to be girls.

[Patton Oswalt]

They're just supposed to be girls. And that infuriated me. And there's another one who has red hair who does, like, a big.

[June Diane Raphael]

Yeah, like a bite. The one that does the bicycle kick.

[Patton Oswalt]

Yeah.

[Paul Scheer]

Well, I mean, that's. That's just like. Yeah, that's just bad. I mean, this movie is not really supporting female sports at all, considering.

[Patton Oswalt]

But why wouldn't they? I mean, there are plenty. There were plenty of soccer players who could do all that stuff. I was one of those.

[Paul Scheer]

Are you upset that you didn't get the call? I'd love to have done it.

[Patton Oswalt]

I would have loved to have been offered those roles.

[Jason Mantzoukas]

I was also offended in the final game against the Flames, where Jack Hay takes the African American player who they've never focused on for the whole movie, and she basically makes her angry and unlocks some kind of African American rage. And then this girl runs down the field to the worst, like, bad white dude rap music, and just shoves people out of the way and then scores a goal. And everyone's like, oh, good. Like, it was. It was so, like a white dude's version of. Oh, let's. This is how black athletes are. It's like, no, it's not. This is. And you've never. You've never given this character the time of day. All the. At the very beginning of the film, they go, oh, she was the one good player.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Then they never show her doing anything good. And then they just have her for that one scene where she just pummels people until she gets a goal.

[Paul Scheer]

Well, I mean, again, if it was a movie, like a Bad News Bears, you'd see some sort of training montage. They never seemingly get better or do anything. And at the end, they only win by cheating. Like, when they break that girl's nails, she's like, I'm just gonna start pushing, like, pushing people. Like, every Move that they do is illegal, right? It's like, so they win, but at what cost? Like, they're not playing soccer. They're not a better team. They're just angry and vicious. Like, they're really. It's so bizarre that that's the moral of the story is, like, win by cheating, and then at the end, the coach gets rewarded. He does get the job. Now instead of any girls, he's replaced all the girls with young boys, and now they're on a softball team. All right, good. Go. Here we go.

[Jason Mantzoukas]

Yeah, I guess.

[Paul Scheer]

Oh, my gosh.

[Jason Mantzoukas]

Go sports.

[Paul Scheer]

Well, there's again, there's so many things that, like, I mean, why does the.

[June Diane Raphael]

Mother of the main girl. The romantic lead.

[Paul Scheer]

Yes. The rich, the class.

[June Diane Raphael]

Mullin. Mullins. Lady Mullins.

[Paul Scheer]

Yeah, Lady Mullins.

[June Diane Raphael]

Why does Lady Mullins make all the girls skinny dip on the teeth?

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

Why? Why does that happen? And why isn't she being rewarded? I mean, reported arrested and put in prison for doing that.

[Jason Mantzoukas]

And also, why are all the other girls. The boy is calling Roddy, Going, oh, my God, they're going skinny dipping. And the girls are searching for him like this wolf pack. Like, get your clothes off and get in the pool with us. It was this weird. Like, what? Any group of girls that age would go, hey, a weird old lady. We're not going to jump in the pool naked. I don't know what you're doing here. But no, they're determined that she gets in the. Oh, so creepy.

[Paul Scheer]

And. And then Rodney has to go save the day, and he dresses up as a woman.

[Jason Mantzoukas]

Right.

[Paul Scheer]

And he's also in a Laura Ashley dress with a veil, and he's like, my daughter. And to.

[June Diane Raphael]

Which sounds exactly, exactly like himself, by the way. He's like Martha's mother.

[Paul Scheer]

They like. And then. And then when he leaves, Lady Mullins goes like. Like, like what? Have you ever looked at a human being and been like. Like.

[Jason Mantzoukas]

Also, by the way, that. That I just realized the thing in the dressing room where the woman thinks that he's a child molester, they go to that. Well, a couple of times, they go back to that same joke in a kid's movie.

[June Diane Raphael]

It's a children's movie.

[Jason Mantzoukas]

Yeah. And they. They do it with the bartender. And then there's another time where they do it.

[Patton Oswalt]

And here's what's so interesting about that joke, is that I think what's most disturbing to me is that I think the reason why they feel they could get away with it is that the audience knows it's a Boy. And that, to me, was even more disturbing.

[Jason Mantzoukas]

Yes, Way more disturbing. We should be.

[Patton Oswalt]

We should laugh at this because it's a young boy and not really a girl.

[Jason Mantzoukas]

Or is it so. It's so much creepier. It's so terrible.

[Paul Scheer]

Even worse. Well, it's also like, he. Like, when he gets kicked out of the bar, like, there's no time to explain. Like, he's like. Like, what does he say? The bartender and is immediately like. Like, thrown out of the bar. Like, it's just like, he lets it hang. Like, yeah, I was trying to do a bully. And then she got mad.

[June Diane Raphael]

She got mad because I dressed up her son like a girl and tried to do him or something and tried.

[Jason Mantzoukas]

To play with him. And then he throws him out. The bartender, by the way, is the guy from Far Out Space Nuts, which I loved growing up.

[Paul Scheer]

He was the guy.

[Jason Mantzoukas]

Lunch, not launch. And then he throws Ronnie out. And Ronnie then stand. There's this weird shot where Rodney just kind of stands alone on the street and kind of talk. Does he talk to a mailboxer? It's like he gives. It's like. It's like the one part of the movie where they go, we got to have a couple of Rodney lines. Oh, we don't have anyone for him to say it to. So he's just going to say it to this. It's like. Like, did he just suffer a stroke? Who's he talking to?

[Paul Scheer]

I will say. I will say that Rodney, I think, gives the best performance of all time when he is asking for. For the race. I felt bad for him. I'm like, oh. Oh, this man. He's so sad. He's so small. And, you know, anyway, I think that. And I've been really. You know, I think that, you know, and I'm trying to get married, and it's like, it makes me like, I. I felt for him.

[Patton Oswalt]

I felt nothing for him. He's fucking disgusting.

[Paul Scheer]

Gross.

[Patton Oswalt]

I hate him.

[June Diane Raphael]

Wait, let me ask you this, though, June, because I did feel that Rodney gave a very impassioned speech to the girls, that they're women. They got the vote.

[Paul Scheer]

Oh, can we play that scene here? This is great.

[June Diane Raphael]

You got the vote. You're gonna burn your bras when you get them.

[Paul Scheer]

Oh, wait, this is. Yeah, this is all I. I do.

[Jason Mantzoukas]

Like how all the advice scenes to kids include jokes that only people in their 60s get. Like, he'll throw in some. You know, it's not like Sputnik's orbiting the planet right now and.

[June Diane Raphael]

Oh, like. Like the dog.

[Jason Mantzoukas]

Yeah. What do you think I am? Wendell Wilkie? Hey, what the.

[Paul Scheer]

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[Patton Oswalt]

I did think at one point there was one scene between Martha and Kimberly that the main girl where I thought, oh, I think she is falling in love with Martha and that I didn't remember this movie. But what an interesting twist that she is the lesbian. Yeah, and we're gonna see that play out.

[June Diane Raphael]

Oh well, there's that classic farce sequence where the boy has to juggle both dressing up as the girl character so that he can hang out with the girl and watch videos but then talk to his mom as the boy and he would run in and out of doors.

[Paul Scheer]

But it's weird because I guess if you're writing this movie you would say that the girl and the boy have a relationship but she doesn't know that he's Martha. Right. Like that wouldn't have. Because it would be more interesting if he's trying to have a date and then has to like put it like. But they kind of reverse engineered it so it's like he's pretending to be Martha to her, but they don't really even have a connection. It's like there's no stakes in that scene.

[Jason Mantzoukas]

Yeah, that scene made me so sad because it's a. It's a shitty scene. It's not well done. But Jonathan does amazing work doing the physical up and down the stairs. Like he broke his ass for a shitty scene. Like that's. There's nothing more depressing. It's like he really worked at that stuff out. And the scene just. And you're right, they didn't think out why he was. Yeah, why would he bother doing that?

[Paul Scheer]

And also, I will just argue, yes, I agree he works hard in that scene. But I would love to have seen maybe 25 of that in his portrayal of Martha, which just seems like Jonathan in a way.

[Jason Mantzoukas]

He never, he never changed his voice well.

[June Diane Raphael]

And she knows him from school multiple times. She interacts.

[Patton Oswalt]

I thought that that was it. I thought that that was a choice that he made that the actor. No, the actor Jonathan made. That was. You know, how could this character know how to act like he's just going to be himself because he doesn't know so how to do this character.

[Paul Scheer]

I mean, it's.

[Patton Oswalt]

Well, I guess, by the way, this scene, there are so many T shirts hanging up on hangers.

[Paul Scheer]

Well, let's play the women's lip scene.

[Patton Oswalt]

This is the dressing room tent.

[June Diane Raphael]

For what?

[Patton Oswalt]

But why are they for what?

[Paul Scheer]

By the way, it looks like none of the outfits for the characters in.

[Patton Oswalt]

The movie on the field.

[June Diane Raphael]

Yes.

[Patton Oswalt]

This is like, who shirts are these?

[June Diane Raphael]

Quick question. Whose shirts are these?

[Paul Scheer]

Here we go. Martha is Matthew. Wow.

[Jason Mantzoukas]

Oh, my God.

[Paul Scheer]

Oh, man.

[June Diane Raphael]

Can you believe it?

[Paul Scheer]

That's right. Martha is Matthew. And I'm showing you this for one reason. You don't need Martha anymore. You don't need a boy to help you win. You're winning. You don't need anyone. You're liberated. You got the vote. You can burn your bras when you get them. Now get out there and pull out those flames.

[June Diane Raphael]

He looks so tired right there. Look at that. Look how tired he looks. That right there in that frame is a man who's like, have I died yet? Because I think I may have. By the way, this is hell.

[Paul Scheer]

This is a man who also made like Five more movies after this.

[Jason Mantzoukas]

Five more. Yeah.

[June Diane Raphael]

That is everything.

[Paul Scheer]

Here's an interesting little side fact. So originally, the actor that was supposed to play this part was Leonardo DiCaprio.

[Patton Oswalt]

Wait, play what was supposed to play.

[Paul Scheer]

Rodney Dangerfield's part, Jonathan Brandis's part. He was both. It was a year before Gilbert Grape. And basically in this book that Sydney Fury wrote about the movie or about.

[June Diane Raphael]

Who'S the director of this movie.

[Paul Scheer]

Yes. Who is a. How did this get made royalty? He was fired off of Jazz Singer and also fired from Superman 4. So he said, keeping in mind that this character would have to dress up as a female soccer player and receive illicit laughs as a result. Fury remembers smiling. DiCaprio, he was too beautiful. He dressed up like a girl with a wig and everything. And he looked so convincing that it just killed the joke. Jonathan Brandis is cast as. Because he looked funny in drag. Boom.

[Patton Oswalt]

Fair enough.

[Paul Scheer]

Okay, imagine if that was on DiCaprio's resume. Like, what did you see? Ladybugs. Like, Gilbert Grape was such a. It's like Growing Pains. Gilbert Grape, Growing Pains, Ladybugs.

[Jason Mantzoukas]

Wow.

[June Diane Raphael]

One of my favorite. Late in the movie reveals in the farce, running back and forth, changing from Martha to Matthew, blah, blah, blah. Is in their house. There is a seven foot by seven foot painting of a barn.

[Jason Mantzoukas]

Yes.

[June Diane Raphael]

That is so big. It's so crazy to think that in this very. Do you have this?

[Paul Scheer]

I think I might as a younger, but this.

[June Diane Raphael]

When I saw this, I stopped the movie and it like, I had to, like, try and get perspective. Yes.

[Patton Oswalt]

Oh, my God.

[June Diane Raphael]

Look at.

[Patton Oswalt]

Oh, my God.

[Paul Scheer]

It looks as if.

[June Diane Raphael]

Look how big that is.

[Paul Scheer]

It looks as if, like there was something they couldn't cover over in props. And they're like, just bring in the big picture.

[June Diane Raphael]

It looks like a backdrop for a theatrical production that takes place on a farm. You know what I mean?

[Paul Scheer]

Like, it was a. A prop that they couldn't use in the boss's office. Like, put it in there.

[June Diane Raphael]

If you cropped. If you cropped it very just on the corner, you'd be like, are they in the Old West? Because the two kids are dwarfed by this painting.

[Paul Scheer]

You could easily take five Jonathan Brandises, and that would be how long it would be.

[June Diane Raphael]

Somebody just cropped, like, right here. That's like a different movie.

[Paul Scheer]

It's a remake of old Geller.

[June Diane Raphael]

It's like Little House on the Prairie starring Jonathan Brandeis.

[Paul Scheer]

Well, at least this is one of.

[June Diane Raphael]

My favorite things in the whole movie. This, by the way, this could be a still From Twin Peaks. Like that is like the. The best. That's the best frame of this movie.

[Paul Scheer]

My favorite part of this movie was Rodney Dangerfield singing the musical interlude of Great Great Balls of Fire.

[Jason Mantzoukas]

And you know exactly where that came from. Well, he did. He sang Twist and Shout and Back to School. We got to do that again. Well, but, but they do not work it in organically at all. It has make. Has nothing to do.

[Paul Scheer]

Like this is. It just pops up. It's like you shake my nerves and you rattle my brain. Too much love drives a man insane. You wrote my will, but what a thrill. Goodness gracious, great balls of fire.

[June Diane Raphael]

I chew my nails and I twiddle my thumbs.

[Paul Scheer]

I'm real nervous but it show is fun. Come on, baby, you're driving me crazy. Goodness gracious, great balls of fire.

[June Diane Raphael]

Like that is the most reckless driving. Like he's yanking the wheel like crazy. He's not looking at the road. His car is full of children.

[Jason Mantzoukas]

Yeah, Walter Matthau drives a bunch of unbelted kids in a convertible drunk in Bad News Bears. And this is more dangerous than that.

[Paul Scheer]

And he is singing and it's one of those rare instances in a non musical film where someone's singing like they're doing a full rendition and these kids are listening to it. Like he is listening right there. He's like, yep.

[Jason Mantzoukas]

There's also a scene near the end, I think it's near right before the final game where they're wondering where's Matthew? And behind Rodney and Jack A are these two guys in suits and one of them has sunglasses on and they are the creepiest looking. They were like extras. I can't remember the specific scene, but if you know to look for them. This one guy, he has this weird kind of John Waters pencil thin mustache and this kind of weird comb over and he's like skinny in a suit and there's a guy with him in sunglasses. And they look like, I guess they're supposed to be parents watching the game, but they look like they're there to assassinate somebody. It's the creepiest.

[Patton Oswalt]

I mean, there were several times watching this movie where my mind would wander. This scene is one of them in the car and I would just think like, wow, they had to be in a small space space with Rodney Dangerfield. Like, that sucks.

[Paul Scheer]

Well, again, some facts from the book that Sydney Fury wrote. He said Dangerfield arrived in Colorado with a suitcase full of spatulas, forks and knives and would take all the food from the craft table and Tupperware containers home. Every night.

[June Diane Raphael]

That's very sad.

[Paul Scheer]

I mean, he was not broke. He was not. He's not a broke man.

[June Diane Raphael]

Something has just occurred to me now that I am shocked. I did not notice during the course of the movie.

[Patton Oswalt]

What's up?

[June Diane Raphael]

The kid calls Rodney, whose name is Chester Lee, calls him Chesterfield.

[Jason Mantzoukas]

Well, apparently that was because.

[June Diane Raphael]

Is that because of danger?

[Jason Mantzoukas]

He thought it would be funny to do that. That the kid came up with that. Jonathan and then insisted that be in the movie. Like Chesterfield. Get it?

[Paul Scheer]

Like.

[Jason Mantzoukas]

Yes.

[June Diane Raphael]

It did not. Shame on me. It did not occur to me at all that he was giving him the last syllable of his actual last name. But it was. That's really weird. To have done that repeatedly is very bizarre.

[Paul Scheer]

Well, not to let the audience.

[Jason Mantzoukas]

Is it sad that all I thought of when you told him about the spatulas and the forks was like, wait, you can. Oh, that's pre. Pre 2000. Yeah. 9, 11. Yeah, you could actually fly with that. Was the first thing I thought of. How did he get those? Oh, wait a minute. No, 911 had to have it. Okay. Yeah, he could do that. Yeah.

[June Diane Raphael]

No. Thanks a lot. TSA can't bring my spatulas on the bin Laden.

[Patton Oswalt]

Can we talk about the poster for a second? Can you lower that?

[Paul Scheer]

Yeah, 100%.

[Patton Oswalt]

Okay.

[Paul Scheer]

So the poster that we're looking at is the young lady in the film, Vanessa Shaw.

[Jason Mantzoukas]

I think it's 15 or 16.

[Paul Scheer]

Yeah. And Jonathan is behind her and he is holding two soccer balls in front of her breasts. And then Dangerfield's kind of over her other shoulder going like, peekaboo.

[Patton Oswalt]

Peekaboo. And her mouth is open. The whole thing is just. I mean, again, I love this movie. As a child, I remember seeing it and thinking, like, thank you.

[Paul Scheer]

And it says. And it says here, it says, a comedy with balls. That is the tagline.

[Jason Mantzoukas]

But, kids, get in the car. You cannot wait to see this. It's gonna be great.

[Paul Scheer]

One of the reasons why Dangerfield loved the director was because he shot with three cameras and he didn't waste. He didn't waste Dangerfield's time. And when asked why Ladybugs Fury said, repeating the question backwards, why not? It was something to do. One has to keep on working.

[Jason Mantzoukas]

It was something to do.

[Paul Scheer]

It was something to do. One has to keep working. And believe me, it was hours.

[Jason Mantzoukas]

But that, literally, that sentence could fit perfectly on a suicide note. Just. That was something to do. I don't know.

[Paul Scheer]

To do.

[Jason Mantzoukas]

Something to do.

[Paul Scheer]

The paycheck was great. And. And anything to get me on Set with a crew. So that was. That was so grim.

[June Diane Raphael]

No, this movie. This movie.

[Paul Scheer]

By the way, do you want to know the tag? That's one of the best taglines. But we have a comedy with balls. Here's the other one.

[Patton Oswalt]

I'd like to cover up the poster again.

[Paul Scheer]

Okay.

[Jason Mantzoukas]

Yeah, it's creepy.

[Paul Scheer]

Here's the other tagline. He's coach, not first class. Which doesn't make any. Like. Which doesn't make any sense.

[Jason Mantzoukas]

Got whiplash listening to that.

[June Diane Raphael]

That's wild.

[Paul Scheer]

He's coach, not first class. Which, by the way, would be great if he was an airline steward or something like. It would be.

[Patton Oswalt]

This is.

[Jason Mantzoukas]

Here's my impression of the room where they were thinking up taglines for the movie. Ready? He. He's coach for his class. It's five. Fine. Yeah, it's five. I gotta go. I gotta. Oh, Jesus. Fine. Close enough.

[Paul Scheer]

And.

[June Diane Raphael]

And then the director's like, can you believe they're giving me money to have a room for this shit?

[Paul Scheer]

And do you guys. Do you guys. That one thing at the end where he goes. I don't think he ever, in any of his movie, goes, hey, I finally got some respect. Freeze frame. Hold for 39 minutes.

[Jason Mantzoukas]

Yeah, not only, by the way. Not only do they Freeze frame, something happens with the camera where it does this weird dip, and it cuts the top of his head off. Like, there was no way to do. Like. I almost feel like at that point, Ron's like, that's the only one I'm doing. Forget it. They're like, no, the camera, like a squirrel dropped the acorn on the guy, and he dropped it. I don't care. I'm going back to my trailer. Where's my spatulas? Pack up all the food. I'm out of here. Oh, God. Are you kidding? Boy, this thing was rough. Hey, let me tell you something. This movie was no bargain. This movie was more of a dog. It would shed. Right?

[Paul Scheer]

All right, well, obviously we had some opinions here, but let's come to you guys. Let's see what you have to think.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

All right. I know you have a lot of things to say. All right, sir, you've. You had your say a lot of times in the show. Sir, what's. What's your name?

[June Diane Raphael]

And.

[Paul Scheer]

And just give me your question. I don't have a fun thing to ask.

[June Diane Raphael]

My name's Tim. And a couple of things.

[Paul Scheer]

The. The Chesterfield thing, that was a coincidence. He was doing that to his friends before he was even cast in the movie.

[June Diane Raphael]

He was calling him like Manzukas Field and Shear. He was. Yeah. And that's very prescient.

[Paul Scheer]

It's on.

[June Diane Raphael]

It's on IMDb and then it's just a coincidence.

[Paul Scheer]

So he just. That was his fun nickname for people. Wow.

[Jason Mantzoukas]

So it was destiny.

[Paul Scheer]

Tim, the great people at IMAX have given us a lot of free swag tonight, so you will get something.

[Jason Mantzoukas]

Oh, now the hands go up. Oh, wait, I want a beer. Koozie.

[June Diane Raphael]

Three free IMAX garbage. Don't mind if I do. My name's Todd. Girls with balls.

[Paul Scheer]

Okay. We didn't talk about the uncomfortable racial.

[June Diane Raphael]

Stuff in this movie.

[Paul Scheer]

There's a lot of. Yeah, there's a few moments, like one where Jack A. Says, black people are always better at sports. He goes, black people better at sports?

[Patton Oswalt]

Well, there's also a moment where she says, like, her job is threatened if he doesn't get the promotion. And she says immediately that she's gonna have to go on welfare.

[Jason Mantzoukas]

Right.

[June Diane Raphael]

The thing that I noticed was there's a scene where they refer to the goalie who is Asian. They say, oh, she turned into the Great Wall. Yeah.

[Paul Scheer]

Yes, the goalie. The goalie. The goalie whose name was Chew. And I feel like they had a joke and they worked backwards. Like, if you say Chew a lot, we can say God bless you. Got it.

[June Diane Raphael]

All right.

[Paul Scheer]

Then they named her Chu, like, because they do do that as well. Yeah, it's. Yeah, there's a couple of things there. Well, thank you so much. I'll go get some.

[June Diane Raphael]

I mean, like, I think it's fair to say this movie is problematic on every level.

[Patton Oswalt]

Every level could be.

[Jason Mantzoukas]

Oh, it's also, remember you mentioned earlier how tired Rodney looks. The movie gets tired as it goes along to the point where there was a really weird scene that I'm like, is this a brilliant joke or they acknowledging I was exhausted? They are. The wiener mobile shows up on the field and they cut to Jack A. And Ron goes, are you going to say anything? And he goes, we should just go home. Like, he doesn't. He. Like, he just gives up. Like, he. It was like, the weirdest. Like, are they commenting on how we've all just. You, like, you don't need to watch this movie. And we've all given up. You got it all literally there. There's a car that looks like a dick. And even Ronnie's like, I don't care.

[Paul Scheer]

I don't.

[Jason Mantzoukas]

I got nothing to say. I don't know what to tell you.

[Patton Oswalt]

Every time he. Every time he goes to kiss his fiance in the movie, it doesn't look like he, like, collapses onto her. Like, there were several points. It looks like she's just supporting his.

[June Diane Raphael]

Body weight or as if he maybe has never kissed anyone. Like when he shows up at her house with flowers, my initial impulse was that he was her father.

[Patton Oswalt]

Sure, sure.

[June Diane Raphael]

And he puts his arm, his hand over her eyes and says, guess who? And I was like, oh, I don't know where this is going. And I don't like it.

[Paul Scheer]

I want to see prequel. How did they meet? What's their mute? Cute. But, you know, there's something funny about this movie that you just said, like, the movie. Like, I guess in the other films that he's been in, like, his jokes would surround, like, a general plot. And I feel like in this one, it was like every time he's on screen, it's just one liners and people have to pick how they react to it. Will I laugh at it? Like, you're telling me a joke. Will I be offended? Like, there's like, he's never really having a conversation with anyone. He's just basically saying one liners to that.

[Patton Oswalt]

Well, it did feel like Jackie at one point has a line where she says to him, when you're hurting, I'm hurting too. As if to tell the audience, like, despite what you see here, someone likes him in this movie. Despite everything you're witnessing, I'm gonna tell you that I like this map.

[June Diane Raphael]

This movie also would have made total sense if the last scene had been him, like, in a mental institution, having imagined. Having imagined the entirety of the movie.

[Paul Scheer]

You know, like, he has a ladybug on his fingertip. He's like, yeah, yeah, there you go.

[June Diane Raphael]

Think that's it. That's the movie. Then I'd be like, oh, I get it now. That's why it's so weirdly seen. That's why it's so weirdly bizarre. He. It's all me. He made the whole thing up in his head.

[Paul Scheer]

Was there ever a version of this movie where he put on a wig and pretended to be a girl? Like. Well, I guess he does. Yeah. Yeah, I guess he did. Yeah, I guess you're right. Your name, your title of the movie and your question.

[June Diane Raphael]

My name is Katie. I wouldn't tell this. Dear God, think of the children. Because there's also a moment where, like, I guess. And because he needs the promotion to get married to her finally so she.

[Paul Scheer]

Doesn'T have to work anymore. That's the. That's the big problem with the movie. A woman working and then, like, their.

[June Diane Raphael]

Look, they're house shopping, I guess, because of that.

[Paul Scheer]

Oh, this is the worst joke. Yeah.

[June Diane Raphael]

Well, not even the jokes. There's a moment that, like, she sees the good in the neighborhood, and you see, like, she. Look at this neighborhood. It's so safe. And you see a guy riding his bike with a baby in the back. Neither one of them have a helmet on. And, like, the son is beating down on that child. I was like, oh, no. Oh, save them.

[Paul Scheer]

Well, I would say the joke is even more problematic.

[Jason Mantzoukas]

Oh, God.

[Paul Scheer]

That joke, which he makes a joke that the baby's in the back of the seat and for some way that's gonna, like, make him.

[June Diane Raphael]

Because he's staring at his father's ass.

[Jason Mantzoukas]

You're right.

[June Diane Raphael]

He's gonna grow up and marry some guy named Kenny. Thank you. And that. That's the joke.

[Patton Oswalt]

And that's not possible, right?

[June Diane Raphael]

What do you mean?

[Patton Oswalt]

Like, that's just not possible.

[June Diane Raphael]

Oh, no. If you stare at a butt long enough.

[Patton Oswalt]

Oh, God. That's what I thought.

[June Diane Raphael]

Oh, yeah, yeah. No, it'll imprint on you.

[Jason Mantzoukas]

Yeah. June, that's where gay people come from. They put them on a gay bike when they're babies. They ride them around. Mike Pence will tell you all about this. You ride around and you look at Manasseh.

[Patton Oswalt]

Since they was. They were a child.

[June Diane Raphael]

It's like Bella's baby.

[Patton Oswalt]

Right?

[June Diane Raphael]

Right. It imprints. It's a Twilight joke.

[Jason Mantzoukas]

Yeah.

[Patton Oswalt]

So, like, when. So, like, when gay men say, like, I've known since I was, like, very little. Like, I've never not known it since they usually.

[June Diane Raphael]

They learned it on a bike staring at their. At their dad's butts.

[Jason Mantzoukas]

It's like when a baby duck imprints on a mailbox. Like, you have to be careful what your baby.

[June Diane Raphael]

Or a female.

[Jason Mantzoukas]

Or a female box. Exactly. Oh, nicely done. There you go. Wow.

[Paul Scheer]

Sir, your name, your title of the film, and your question.

[Jason Mantzoukas]

My name is Eric. The title would be A Dateline Special Investigation.

[Paul Scheer]

And my question is. He has an interaction.

[June Diane Raphael]

I would love it if the guy from To Catch a Predator just entered. And I was like, I'm shutting this movie down.

[Paul Scheer]

How would you like me to play on your soccer team? Because about half.

[June Diane Raphael]

I bet you thought you were coming here to coach a girl's soccer team.

[Paul Scheer]

Hey.

[June Diane Raphael]

Hey.

[Paul Scheer]

Oh, hey.

[June Diane Raphael]

What do you mean?

[Paul Scheer]

What do you mean?

[June Diane Raphael]

I just got a case of Zima and a couple of soccer balls.

[Paul Scheer]

There's a. He has an interaction with this woman coach who comes up to him and.

[Jason Mantzoukas]

Immediately hates him more than I've ever seen two people hate each other for no reason.

[Paul Scheer]

I'm curious. What is the backstory for that?

[June Diane Raphael]

That she just rages against him so hard?

[Paul Scheer]

Hmm. It's an interesting question.

[Patton Oswalt]

I mean, I think she just stares at the optics of it all, and I thought she had an appropriate reaction.

[June Diane Raphael]

I thought. This is what I thought. What was heartbreaking to me was, as much as I wanted our beloved Ladybugs to win, I did not want to reward any of their reprehensible parents. All of the adults in this movie are horrid people. Everybody is reprehensible on multiple levels. And so any victory was a victory, yes, for the kids, but for the adults in general, in a way that I was like, I don't want them to win. I don't want Mullins to succeed. I want him to be with him and his wife having martinis on the sideline. I couldn't fucking figure out up from down. I hated it. I hated them all. They're horrible to their daughter. They're horrible to everybody in a way that I was like, what? Why? If this is a movie about the kids triumphing over the parents, great. But it's not. It's a movie about the adults.

[Paul Scheer]

Your name, your title and your question.

[Jason Mantzoukas]

Okay.

[Patton Oswalt]

My name is Deb. Jason took. I was gonna say, to Catch a Predator, so I'm gonna change it to Coach a Predator.

[Paul Scheer]

Oh, nice.

[June Diane Raphael]

Smart.

[Patton Oswalt]

Thank you.

[June Diane Raphael]

Smart.

[Patton Oswalt]

I have two comments.

[June Diane Raphael]

Great. Punch up one. Is that.

[Patton Oswalt]

So we talked about.

[June Diane Raphael]

Okay.

[Patton Oswalt]

Black people are good at sports, but I wanted to mention the specific sports that Rodney said they're not good at, which was hockey, water polo, and fox hunting. Because those are things. I also wanted to mention that the way that they got the girl who was the goalie to kick the ball was by putting butterfly stickers on it.

[Jason Mantzoukas]

Yeah.

[Patton Oswalt]

Because, like, that's the only way to make girls interested in sports. Like shiny stickers.

[Paul Scheer]

I forgot that I wrote that down going, that's odd, because I didn't know if that's how she envisioned it. Like, she's like, saw that. And that just seemed. Yeah, that was. That's a very well, good point. Here's your IMAX notebook, so don't forget.

[June Diane Raphael]

To write down your big dreams in there.

[Paul Scheer]

The imax notebook is 7ft tall. It's as big as that portrait in the movie. Now, we do have a special guest here tonight, and I don't know, I want to put her on the spot, but you played Penny in the right, right? So come on. Welcome. How are You.

[June Diane Raphael]

I'm great.

[Paul Scheer]

Thank you. So. So tell us every detail about everything. Well, you have, like. You have this, I think, one of the, like, a crazy end beat, which is like, you take down your hair, and then you become awesome. Like, where it's like. It's like that, you know? Cause the cliche is like, oh, it's the nerdy girl. And then when she lets down her hair, then all the guys think she's attractive. But here, you take down your hair, and then you become, like, awesome at soccer. Which is interesting how? Like, just talk to me. Anything at all. I would keep you here for hours, but. Yeah. Well, this is a magical experience in my life. So you guys are, like, poking holes.

[June Diane Raphael]

In all of the things that were amazing. But then as I got older, of course, I saw it as an adult.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

And then it was really weird to be in it.

[Paul Scheer]

What was your experience with Rodney? Like? Was he, like, on set a lot? I feel like he wasn't on set a lot. That's my opinion of it.

[Jason Mantzoukas]

But I would say I had a.

[Paul Scheer]

Very interesting experience because I had to.

[Jason Mantzoukas]

Go privately into his motorhome to rehearse my scene.

[June Diane Raphael]

And in retrospect, that's very odd.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Did you steal a spatula?

[June Diane Raphael]

They were hanging from every corner.

[Paul Scheer]

Wow, that's so. So. I mean, but it is. It's amazing. Cause I imagine on set, it's probably the most fun. You're surrounded by people your own age. You get to have fun. It's like, cute boy Jonathan Brandis, and it's all good times playing soccer. But then Dangerfield, too. Did you know of Dangerfield, where you're like, oh, this is the guy from Caddyshack or that was even above you? Oh, no. I loved his movies before my mom let me watch everything. So I was like, oh, Rodney Dangerfield. And then I got there, and it.

[June Diane Raphael]

Was a little weird.

[Paul Scheer]

Yeah.

[June Diane Raphael]

Yeah.

[Paul Scheer]

Do you have any questions?

[Patton Oswalt]

Yeah, I do. You know, I asked before, like, was he okay? Like, what overall, were his vibes? Like, irritated to be there? Nervous, as I can tell.

[Paul Scheer]

I was 13 when I shot this movie, so.

[Patton Oswalt]

Understood.

[Jason Mantzoukas]

Yeah.

[Patton Oswalt]

You weren't, like, checking in 30 years.

[Jason Mantzoukas]

Ago at this point.

[Paul Scheer]

So the vibe was very sweaty. That's all I remember as a kid. He just always had this sweat ring.

[June Diane Raphael]

Right here, and it was very awkward.

[Paul Scheer]

And, you know, he came in and he came out and did his thing. I just hung out with all the kids.

[Patton Oswalt]

Gotcha.

[Paul Scheer]

Yeah. And was there more to the movie? Like, was there ever, like, a training? Like, you actually you have. You're one of the few characters that actually does, like, he talks to you and says, like, hey, we should go on a date, and you go, you know.

[June Diane Raphael]

And like, you know, Paul, I'm gonna advise you to not do. To not do exactly what you're doing, even to a grown woman. It doesn't. It doesn't come off good.

[Paul Scheer]

But, like. But it's one of the few characters that actually, I think, has like a little bit of a middle ground. Like, you know, was there more ever, or did they just cut it down to that? Like.

[June Diane Raphael]

Well, all the kids kind of had the same amount of scenes.

[Paul Scheer]

Then when I got hired, they added that one. Oh, nice. Yeah, so it was awesome, but also kind of out of context and weird in retrospect.

[June Diane Raphael]

Yeah.

[Patton Oswalt]

Yeah.

[Paul Scheer]

Well, all right. Anyone? No. This is. No, it's amazing that you are here. Thank you for coming and. Yeah. All right. Go give her a hand. Good job. Congratulations. Would you like one of these imax? One more question. One more question. Hi. How are you? Your name, your title and your question. Seth co ed Naked Ladybugs. Okay. Was his promotion becoming coach of the softball team? Is that the big, like, is that what the sales elevation? Like, is that. Well, it seems like he is now. He is. He has gotten that promotion, but he's out of the office all the time coaching. Yeah. Men. A full team of young teenage boys in a women's softball leagues with the boss's approval. And he seemingly has no talent as.

[Jason Mantzoukas]

A coach, so he's coaching the girls softball team. But can we assume it started out as a bunch of girls playing softball that he then replaced with boys in wigs? Where is the hidden murder movie where he got rid of, like, where did all those girls go? Where. Why are none of the parents going, well, that's not my daughter. These are these weird drifters wearing wigs. What the hell happened? Where do all these girls go during the games?

[Paul Scheer]

Does he Morgan Freeman movie? Where'd girls Go?

[Jason Mantzoukas]

Wait a minute. I just realized there's a very creepy David lynch film going on at the end.

[June Diane Raphael]

I think there's an argument to be made because Mullins says to him, well, your year round sports program has been a big hit that you've introduced, blah, blah, blah. Right. So that means at some point Rodney went to his boss and said, hey, you know how last year I triumphed with the Ladybugs playing girls soccer and got the girls to realize that they were strong, powerful women. They have the vote, they, et cetera. Okay, let's do that. In all girls sports. But let's do it with the kid, the boy, with the whole team. Let's get rid of all the girls and just do the thing that was terrible that I did the whole way. Let's be real bad.

[Paul Scheer]

And arguably I'm on board for this.

[Jason Mantzoukas]

Also the kid. Then are these boys parents going to these games and watching their boys in wigs and everyone's like, everyone be cool, all right? We're going to win a trophy.

[Paul Scheer]

Everyone's a part of a giant lie.

[Jason Mantzoukas]

Yeah. What the hell is this? Is that we're getting into Dealey Plaza levels of conspiracy here, guys.

[Patton Oswalt]

I was also like, what's in it for these boys, too? It's like, do they want to play against. Do they want to play against girls? And I guess beat them if that's the idea. Like, what did they. What are they getting out of it?

[June Diane Raphael]

And do they have to go skinny dipping?

[Paul Scheer]

Oh, man. Well, obviously we had an opinion about this movie, but there are people out there that had a different opinion. It is now time for second opinions. All right, who out there has a. Okay. Oh, great. You got. Come on up. You have your hand raised. That's great. I'll take the first with their hand raised. That's the way it works. And if I had one, I might have a second opinion. No, it's not four, three. One or two. Just another five star Amazon review. But maybe that's me. And I'm telling the truth, though, can't you see? But I'm still guilty and ashamed. So I hide behind my Amazon username to give my second opinion. Awesome. What's your name, sir? Brian. Brian. Welcome. Thank you. Brian. Brian, you can get this great book by Scott C. Called the Great Showdowns of Return. We love Scott C. That was a great one.

[June Diane Raphael]

Great work.

[Paul Scheer]

All right. Great job. Great job. All right. There are 274 reviews of ladybugs. 73% are five star reviews. So we had a lot to pick from. This one is by Miroi Tuttle. The title is the actors performed very well. It's written as this. It says the filming was excellent. The ending not perfect, but I like it very much. If I had. I must find someone like the hero. I think I really fell in love with this movie. I'll watch it a few times. The plot is torturous. I watch this movie with my father. Five stars.

[Jason Mantzoukas]

Leroy Tuttle.

[Paul Scheer]

Really all across the board on that one. That is one of the I loved.

[June Diane Raphael]

I watched this movie with my father.

[Paul Scheer]

There's a disturbing trend of parents Watching this movie with their children going, no, no, no, no. It's like. It's like, don't watch it with your kids. This one is. Okay, well, this one is. This is from Nate E. Bowe and it's the Digital Ladybugs revolution. This was written in 2004. Ladybugs should be made available in every blockbuster and on dvd. I may start a petition. Do yourself a favor and sign my petition. The end. Five stars.

[Jason Mantzoukas]

Sign a petition that he might start.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Okay.

[Paul Scheer]

Get on board with it.

[June Diane Raphael]

Wasn't it the case though that Blockbuster didn't stock porn?

[Paul Scheer]

Here is. This is another one. This is. They're all pretty short. This one replaces the word wife with WI Fi. And it's this card titled Dangerfield is superb. I can't have my WI Fi watching this movie. She was laughing so hysterically. I was concerned. Love it. Love all movies. Five stars.

[Jason Mantzoukas]

Oh, I envy him so much. I love all movies. That's a. What a great world he lives in, by the way. Every movie is amazing. I'll never be that happy.

[June Diane Raphael]

I would argue that is not a mis misspelling. That is a man who is in love with his WI fi.

[Patton Oswalt]

That's the way I viewed this movie. As like a 12 year old, 13 year old who was just like, I love movies. Like we're gonna watch a movie.

[June Diane Raphael]

I love it. Put it on.

[Patton Oswalt]

I love movies.

[Paul Scheer]

Love movies. This one's a little bit weird.

[June Diane Raphael]

Do you love this movie?

[Patton Oswalt]

No. By the way, I'm laughing throughout this entire night. And you know, we're all having fun here. I was deeply disturbed. Like I'm laughing about the pedophile. Like I'm actually very uncomfortable.

[Paul Scheer]

This one is. This last one here, or second to last one is called a good family movie. We enjoyed this movie. Unlike some Rodney Dangerfield movies, the whole family can watch this one. Yes, there's some innuendo and one upskirt shot, but it's pretty family friendly.

[June Diane Raphael]

You definitely see like lips.

[Paul Scheer]

I just don't understand why you could put those two things in one sentence.

[June Diane Raphael]

Like it's a family movie. Yes, there's some innuendo. Yes, you see labia majora, but you don't see labia minora. So it is fine.

[Paul Scheer]

And he ends the review by saying, it gave us a lot of laughs and it moved our hearts. The and sometimes when they're too good, we just do a third opinion, which is, this is a five star review. But here's how it ends. This movie taught me a valuable lesson. Just because I saw it As a kid doesn't make it decent. Five stars.

[June Diane Raphael]

Five stars.

[Paul Scheer]

Five stars.

[June Diane Raphael]

That is mixed messaging.

[Jason Mantzoukas]

I think he's giving five stars for the lesson he learned.

[Paul Scheer]

Yeah. I'm hoping I learned a valuable lesson.

[Jason Mantzoukas]

Yeah, exactly.

[Paul Scheer]

Well, is there anything that we haven't talked about that we didn't talk about? The Tommy Lasorda cameo as Coach Cannoli.

[Jason Mantzoukas]

Oh, and then the. And Blake Clark as the weird Vietnam vet guy with. With flashbacks and screaming at children and abusing them and get down.

[Paul Scheer]

Like, make them get down and like. Yeah.

[Patton Oswalt]

I also love that when they were starting to do well and Martha was, like, coaching them on the field during games, she would just have them shout out to the person they were going to pass the ball to, look at them, point at them, scream their name, and then kick the ball that way.

[Jason Mantzoukas]

Oh, I also was. Was confused when. After the first time Matthew plays as Martha, Rodney after the game refers to all the stuff that we didn't see happen.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Like, hey, you don't slap a girl's ass and call her hot stuff out there. I mean, that didn't stop the game. Yeah, he does all this. He refers to all this stuff that would have stopped any game, but it's just like these little passing jokes and they just go.

[June Diane Raphael]

All of which would have been more interesting to have watched.

[Jason Mantzoukas]

Yeah, exactly. Yeah. Here's some other funny jokes that happened in that last scene.

[June Diane Raphael]

He definitely.

[Jason Mantzoukas]

We didn't bother to film.

[June Diane Raphael]

Rodney has enough.

[Jason Mantzoukas]

Like, remember when that eagle carried off the ball? Boy, that was amazing. How about that? And what about that go kart chase we all got into? Boy, that was some laughs. Well, I'm gonna sit here on this couch. Boy, my feet hurt.

[June Diane Raphael]

And, like, pull out again. Pull out. And he's just alone in a mental institution. Like, he does enough asides to no one. No, that he might. He might be Bruce Willis in Sixth Sense. He might not exist in the movie. He might be a ghost wandering through the movie.

[Paul Scheer]

I. I just.

[June Diane Raphael]

I would be surprised if Jack A. Was the coach of this team.

[Paul Scheer]

I. I pulled one little thing here, which. I don't know why it made me laugh, but it did. So when Rodney leaves his house that he lives in with his current girlfriend, there's a guy playing Frisbee right out under this power line. And there was some. Where is it? I think it's like, there's one whole scene where he's by himself here. Yeah, there it is. It's just a guy playing Frisbee to no one in under a power line. Like, like, or under a power tower.

[Jason Mantzoukas]

It's like, again, I'm sorry. God, that looks like a shot from a David lynch film. I mean, like, God, look at that.

[Paul Scheer]

It's just like, through the silhouette.

[June Diane Raphael]

Wow.

[Paul Scheer]

By the way, that's Lolita. That's a Lolita shot almost.

[June Diane Raphael]

This could, like. That's a movie that I'm interested in.

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

You know, like, what's up with this? Like, she sees the guy playing Frisbee alone. She rides her bike home, There's a murder.

[Paul Scheer]

I don't know.

[June Diane Raphael]

That's a. That's a movie.

[Jason Mantzoukas]

What's this little indie hit that got all that buzz at Sundance? Let's watch that one.

[Paul Scheer]

Ladybugs.

[Jason Mantzoukas]

Yeah, Ladybugs. But it has, like, an angel Angelo Belenti score and all this creepy. The Ladybugs symbolize death or something.

[Paul Scheer]

And you have, like. Like Amy. Like an Amy man cover of, like, I shake my nerves and you rat on my brain. Think a man insane.

[June Diane Raphael]

Like a flawless Amy Mann impression.

[Jason Mantzoukas]

Wow.

[Paul Scheer]

Well, this movie.

[June Diane Raphael]

Please, will someone in our audience recut a trailer for Ladybugs as if it's a David lynch movie?

[Jason Mantzoukas]

Yeah, you can easily do that.

[June Diane Raphael]

Yeah, I'm talking. I'm talking about the scene. And it's a movie about. What's the actor's name who plays the Matthew? Martha?

[Paul Scheer]

Jonathan Brandis.

[June Diane Raphael]

It's about Jonathan Brandis character careening between being Matthew and Martha.

[Jason Mantzoukas]

Cut a trailer with no Rodney in it. It's just this troubled teen. Make it like this weird little indie Sundance hit that got polarizing reviews.

[June Diane Raphael]

I would love it.

[Jason Mantzoukas]

The most shocking Sundance debut. Put a Nine Inch Nail song on it. And just so weird.

[Paul Scheer]

Just him taking that wig off and on and that like that. Who am I?

[June Diane Raphael]

And then just cut to the woman outside the dressing room keeling over.

[Jason Mantzoukas]

Again. That woman hit the ground. I like, she died. Like, it looked like it really hurt.

[Paul Scheer]

I mean, she killed she. By the way, Rodney, also in the changing room scene, tries on breast.

[Jason Mantzoukas]

Oh, yeah, yeah. For no reason.

[Paul Scheer]

For no reason.

[June Diane Raphael]

But also, why are there just balloons?

[Jason Mantzoukas]

All right, watch how this woman hits the ground. Like, all right. Oh, my God.

[Paul Scheer]

First we got to see her react a little bit. Yeah, and now she'll kill me.

[Jason Mantzoukas]

God, I can't believe I'm doing this.

[Paul Scheer]

Worry I'll be finished soon.

[Jason Mantzoukas]

Ow. Take it easy. That hurts. Ow.

[Paul Scheer]

All right, don't worry. If it's too tight, you'll get used to it. Well, what a cute little girl. And what's your name, huh? Ow. That is a me.

[Jason Mantzoukas]

All of she broke four times.

[Paul Scheer]

What a cute little girl. And what's your name? She.

[Jason Mantzoukas]

She.

[June Diane Raphael]

One more time. One more time. One more time.

[Paul Scheer]

What a cute little girl. And what's your name? That is the best.

[June Diane Raphael]

I genuinely wish the movie continued. I wish the movie continued, but following them.

[Jason Mantzoukas]

Yeah, exactly.

[June Diane Raphael]

Oh, my God. My mother died in a department store.

[Paul Scheer]

And.

[Jason Mantzoukas]

And the ADR people should have, like, hit some celery against a punching bag for, like, the noise of bones breaking. Like, really go all the way.

[Paul Scheer]

By the way, that's how the. The indie Sundance movie should open.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Coming out, touching a girl's face, the mother dies. And that's. That's Matthew.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Like, that's growing up.

[Jason Mantzoukas]

Oh, my God.

[Paul Scheer]

Like, that's the.

[June Diane Raphael]

Like, is this a sleepaway camp scenario?

[Paul Scheer]

What's so crazy, too, is when Dangerfield and the kid come out, he's like. We're like. Like, he's caught. But he shouldn't be that caught because he's dressed like a girl.

[Patton Oswalt]

He doesn't know the context. Like, I had no idea why he was reacting that way.

[Paul Scheer]

Yeah, John, I had no idea why.

[June Diane Raphael]

There was a literal basket of balloons there. Why?

[Paul Scheer]

And that scene is really pretty graphic that. I mean, just hearing it. Don't worry, it'll fit or whatever. It's tight now. Anyway, this movie was. The budget was 20 million.

[Patton Oswalt]

$20 million.

[Jason Mantzoukas]

Sorry, 20 million for what? What did they spend money on?

[Paul Scheer]

Spatulas?

[Jason Mantzoukas]

Okay, yeah, yeah.

[Paul Scheer]

And $20 million. Yeah, it was. Yeah. So it was 20 million. It made 14. And of the movies that came out that year, the top three were Aladdin, Home Alone, 2, Lost in New York, and Batman Returns. In the movies that we've done on this podcast, this movie was beaten by Lawnmower Man, Sleepwalkers, Stop Where My Mom Will Shoot Toys, and freejack.

[Jason Mantzoukas]

Wow.

[June Diane Raphael]

Those are all the same year.

[Paul Scheer]

Yes. Wow. Real. A real.

[June Diane Raphael]

We ever looked at what year was the. Like, the. We've done the most movies from what year.

[Paul Scheer]

I think. I think we've done every year. Except for one year we have not done a movie.

[Jason Mantzoukas]

But he's asking.

[June Diane Raphael]

They're like one inarguable year of terrible movies.

[Paul Scheer]

I would argue it. I would just say based on this list, 92 looks like a very strong contender.

[Jason Mantzoukas]

I would say late 80s, early 90s. 90s was a wonderful, wonderful time for.

[June Diane Raphael]

$60 million to make this shocking.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

19 million for Rodney. And then.

[June Diane Raphael]

Yeah.

[Jason Mantzoukas]

Another. A half a mil for those crazy props.

[June Diane Raphael]

Yep. Half a million for sure. Just to make those architectural models.

[Paul Scheer]

Just another little. Oh, by the way, they. They did. There's a little bit of a note here that Paramount really struggled with the marketing of the this film because of Dangerfield's profane comedic Persona, clashed with the fact that it was a children's movie. And they decided they were gonna maybe change the title to the Coach, but that didn't really solve anything. Like, Ladybugs is not a sexually suggestive title.

[Jason Mantzoukas]

How about To Catch a Coach? No.

[Paul Scheer]

And then here's the other thing here. This is a Fury wanted to develop. And I thought, this is interesting, a movie that Dangerfield's passion project, a Fellini comedy called Serenade Cafe, about a nightclub owner with opera singing dreams. So we could have gotten that. We could have gotten that someway. Serenade Cafe, Dangerfield and opera. Don't know where that would have fit in.

[Jason Mantzoukas]

We got your letters, America, and we heard what you want.

[Paul Scheer]

So there you go. Patton, we are so excited to have you back on the show.

[Jason Mantzoukas]

Glad to be back. What an honorable show. Thank you.

[Paul Scheer]

You have a special right now on Netflix.

[Jason Mantzoukas]

On Netflix, yeah. And also you can go to the NBC.com website. First three episodes of AP Bio is.

[Paul Scheer]

Streaming, which is a great show. If you've not watched it, it's really funny, and I feel like you're getting to do stuff that feels almost undecidedly. It doesn't feel like a network show. It's like an NBC show. You get to do some really funny, dark stuff. And the characters, it's great.

[Jason Mantzoukas]

It's such a fun show to do.

[Paul Scheer]

Yeah. So definitely check out AP Bio on NBC and on NBC.com. june, what do you want to.

[Patton Oswalt]

You can. Well, the fourth season of Grace and Frankie is streaming now. I guess that's it.

[Paul Scheer]

All right, Jason, Nothing for me.

[June Diane Raphael]

Thank you.

[Paul Scheer]

There we go. Well, I don't think I have anything either. Yeah. Just enjoy your lives. Thank you guys so much for coming. And a big thanks. Thank you to all the people that make this show possible. Avril Halley pulls all these clips, of course. July Diaz, Nate Kiley, Kelly Alto. Kyle Waldron, Everybody here at Largo. Everybody here at Earwolf. Thank you guys so much. And if you want to add your voice to the mix, give us a call at 619. P a u l a s k. That's 619 Paul ask. Thanks so much, everybody. Good night.

[Jason Mantzoukas]

Thank you.

[Paul Scheer]

That's the show, but it doesn't end here. If you like, how did this get made? And you want to wear it or put it as a sticker or have it as a cell phone case. Head over to teepublic stor teepublic.com stores hdtgm and you can check out all of our amazing merch like Put her in a Bra or the Jason Zardoz shirt, which I particularly love. A big thanks to Kelly Alto, Avril Halley, July Diaz, Nate Kiley and Liana Waldron, all who come together and put this show and help me do the show every single week. But more importantly, everybody here at Earwolf. Their amazing engineering team that puts together this episode makes it sound absolutely flawless. Make sure you follow us on Twitter and on Facebook. I'm not going to explain where you can figure it out, but it's pretty much hdtgm. Make sure you rate and review us on the itunes. We like that, it's fun and we have a good time with it. See you next week. Bye for now. Hi there, it's Andy Richter and I'm here to tell you about my podcast, the three Questions with Andy Richter. Each week I invite friends, comedians, actors and musicians to discuss these three where do you come from, where are you going, and what have you learned? New episodes are out every Tuesday with guests like Julie Bowe and Ted Danson, Tig Notaro, Will Arnett, Phoebe Bridgers, and more. You can also tune in for my weekly Andy Richter Call in Show episodes where me and a special guest invite callers to weigh in on topics like dating, disasters, bad teachers, and lots more. Listen to the three Questions with Andy Richter wherever you get your podcasts. High Five Casino lets you play your favorite slot and live table games like Blackjack with the chance to redeem for real cash prizes. High Five Casino has a giant selection of over 1200 games, including hundreds of exclusive games only found on High Five Casino. It's always free to play and free coins are given out every four hours. Ready to have your own high five moment? Visit high five casino.com that's high the number five casino.com no purchase necessary. Void where prohibited by law. Must be 21 years or older. Terms and conditions apply.