Matinee Monday: The Adventures of Pluto Nash (w/ Jessica St. Clair & Lennon Parham)

Summary

Matinee Monday: The Adventures of Pluto Nash (w/ Jessica St. Clair & Lennon Parham) – Detailed Summary

How Did This Get Made? is renowned for its humorous dissection of poorly received films, and the episode titled "Matinee Monday: The Adventures of Pluto Nash" continues this tradition with an in-depth, comedic analysis of Eddie Murphy's notorious sci-fi action film. Hosted by Paul Scheer, June Diane Raphael, and Jason Mantzoukas, the episode welcomes special guests Jessica St. Clair and Lennon Parham to explore why The Adventures of Pluto Nash became one of the biggest box office flops in history.

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Introduction of Guests and Episode Setup

At [02:05], Paul Scheer introduces the episode's special guests, Jessica St. Clair and Lennon Parham, who are promoting their new NBC show, Best Friends Forever. The hosts set the stage for a deep dive into Pluto Nash, expressing both curiosity and skepticism about the film's questionable merits.

June Diane Raphael humorously remarks, "Perhaps we'll find the answer to the question, how did this get made?" ([02:01]), signaling the comedic yet critical examination to follow.

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Initial Impressions and Plot Confusion

The discussion kicks off with Paul Scheer asking, "How would you classify this movie? Is it a comedy? Is it an action movie?" ([03:00]). Jason Mantzoukas responds with confusion, stating, "I was completely mystified by what was happening." ([04:12]), highlighting the film's convoluted narrative.

Lennon Parham attempts to distill the plot, suggesting, "In one line. What is the movie? Yeah. You're black. Han Solo on the moon." ([04:31]), which encapsulates the film's attempt to blend genres but falls short in coherence.

June Diane Raphael adds, "I kept thinking to myself during the first scene, who ran his club when he was in jail?" ([05:04]), pointing out the movie's lack of clear backstory and character motivations.

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Plot Breakdown and Inconsistencies

The hosts delve into specific plot points, with Jason Mantzoukas humorously lamenting, "How did this remain? Let's wallow in the mediocrity of subpar art." ([01:56]). They dissect the movie's timeline issues, such as the sudden seven-year jump and conflicting character histories.

At [06:16], June Diane Raphael notes, "Rosario Dawson in one scene goes. Keeps referring to back in 76. That's only four years ago." The discrepancy in the timeline underscores the film's inconsistent world-building.

Paul Scheer summarizes the plot's lack of sense: "From moment one, actively doesn't make any sense. And it is definitely not a comedy. I counted one and a half jokes." ([07:29]). He cites specific non-humorous elements like the robot maid scene: "They could look at her robot vagina. Like that was basically what Eddie Murphy gets off on, looking at robot vaginas." ([07:43]), highlighting inappropriate and poorly executed humor.

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Acting and Character Development

The episode discusses the performances, particularly criticizing Randy Quaid as the robot bodyguard. June Diane Raphael states, "I think he was the only committed member of this cast." ([21:08]), praising his dedication despite the film's shortcomings.

Paul Scheer and the others express frustration over character motivations and developments, questioning the logic behind cloning and character interactions. Jessica St. Clair humorously points out, "Rex Carter was cloned from Alec Baldwin and then Eddie Murphy was fighting himself the entire movie." ([41:11]), illustrating the film's confusing character arcs.

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Production Flaws and Budget Mismanagement

The hosts critique the movie's production design and budget allocation. June Diane Raphael observes, "This movie was in development for 17 years. That is insane." ([11:58]), indicating outdated and inconsistent visual elements.

Paul Scheer mocks the film's aesthetics: "They made this movie like, in the 2000s, it looks like someone in the 70s made a movie about the future." ([12:13]). The discussion touches on poor set designs resembling a "dilapidated version of Universal CityWalk" ([11:20]), and the misuse of budget funds for incoherent advertisements within the film.

Jason Mantzoukas jokes about the soundtrack, stating, "It's one of the worst soundtracks of all time. It's like Saved by the Bell underscore, but jazzy hip hop." ([09:39]), emphasizing the disjointed and unfitting musical choices.

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Soundtrack and Costuming Critique

The episode highlights the film's ineffective soundtrack and bizarre costuming. June Diane Raphael comments on Rosario Dawson's outfits: "Rust colored ruffled shirt and leather jacket that was the most awesome, unflattering thing I've ever seen." ([12:27]), critiquing the impractical and unappealing wardrobe choices.

The hosts also discuss the movie's attempts at humor through costume, noting "they're dressed like Arsenio Hall on the moon." ([12:49]) and comparing some outfits to "40s hairstyles" ([24:10]), further illustrating the film's lack of cohesive style.

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Financial Impact and Overall Opinion

Paul Scheer reveals the movie's financial debacle: "It has a distinction of being the biggest financial loss of any movie besides John Carter of all time." ([10:45]). The hosts collectively express that the film failed both critically and commercially, deeming it a "million-dollar mistake."

Throughout the episode, the hosts maintain a critical yet comedic tone, ultimately advising listeners to avoid the film. Paul Scheer emphatically concludes, "Do not watch this. Do not watch this movie." ([58:39]), summarizing their unanimous negative reception.

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Audience Reviews and Contrasting Opinions

In classic How Did This Get Made? fashion, the hosts juxtapose their harsh critique with absurdly positive audience reviews from Amazon.com. Jason Mantzoukas sarcastically agrees with a five-star review: "Look at this moving image." ([54:20]), mocking the notion that the film has redeeming qualities.

Lennon Parham humorously adds, "If you want a secondary activity to your main activity which is shoveling popcorn in your fat fucking face, then you could do worse than watch this movie." ([54:38]), emphasizing the film's suitability only as a mindless pastime rather than a quality cinematic experience.

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Conclusion and Final Thoughts

The episode concludes with the hosts solidifying their shared disdain for The Adventures of Pluto Nash. They lament the film's numerous flaws, from plot inconsistencies and poor acting to dreadful production choices. Despite the entertaining breakdown and humorous banter, the consensus remains clear: Pluto Nash is a cinematic misstep best left unviewed.

June Diane Raphael encapsulates the sentiment: "Your life is precious. Do not waste it watching Cuda." ([58:19]), advising listeners to spend their valuable time on more worthwhile endeavors.

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Notable Quotes

• Paul Scheer: "From moment one, actively doesn't make any sense. And it is definitely not a comedy. I counted one and a half jokes." ([07:29])
• Jason Mantzoukas: "How did this remain? Let's wallow in the mediocrity of subpar art." ([01:56])
• June Diane Raphael: "Perhaps we'll find the answer to the question, how did this get made?" ([02:01])
• Lennon Parham: "If you want a secondary activity to your main activity which is shoveling popcorn in your fat fucking face, then you could do worse than watch this movie." ([54:38])
• Paul Scheer: "Do not watch this. Do not watch this movie." ([58:39])

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Final Verdict

How Did This Get Made? delivers a thorough and entertaining critique of The Adventures of Pluto Nash, blending sharp humor with genuine analysis. For fans of the podcast or those intrigued by cinematic flops, this episode offers both laughs and scathing insights into why Pluto Nash remains a legendary example of a film that missed the mark entirely.

Transcript

[Eddie Murphy]

You know, when you go get your car serviced, it feels like everything is wrong, right? Oh, you need to fix this. You need to get that done. And it just feels like, am I getting taken for a ride? Well, with Midas, you don't have to deal with upsells, intimidation, or unnecessary stress from oil changes to tires. Midas provides the services that you need and doesn't pressure you into services that you don't. Midas believes in honest, straightforward auto care that you could Trust. Welcome to AutoCare without bad service. Visit Midas.com for a location near you.

[Ben Mankiewicz]

Talking Pictures, the podcast from TCM and Max is back with a new season. Here, host Ben Mankiewicz in intimate conversations with the people who live to make us laugh. Carol Burnett, Bill Murray, Paul Scheer, Henry Winkler and more all join Ben to talk about the movies that made them. Talking pictures isn't just about film. It's about the powerful role movies play in our lives. It's about where you were, who you were with, and what you were feeling. Listen to Talking Pictures on Max or wherever you get your podcasts.

[Eddie Murphy]

Every memorable gift starts with a story. And what better gift to give this holiday season than giving something that represents pure power, Nature's power. I'm talking about Jefferson's Ocean Bourbon and Jefferson's Ocean Rye. They are aged at sea. They have dealt with elements that you could only dream of. You'll taste the journey in every sip. It's darkened by the pound waves, it's kissed by ocean air and it's caramelized by equatorial heat. Give the gift of adventure. Give Jefferson's Ocean Bourbon and Jefferson's Ocean Rye. Please sip responsibly. Copyright 2023 Jefferson's Bourbon Company Crestwood, Kentucky.

[Paul Scheer]

It's Blade Runner for dummies. We saw the adventures of Pluto and Ash. So you know what that.

[Jason Mantzoukas]

How did this remain? Let's wallow in the mediocrity of subpar art.

[June Diane Raphael]

Perhaps we'll find the answer to the question, how did this get made?

[Paul Scheer]

Hello, people of Earth, and welcome to how did this Get Made? I am Paul, joined as always by Jason and June. How are you both?

[Jason Mantzoukas]

Good. What's going on?

[Paul Scheer]

Very good. We have a pair of special guests today. These two hilarious women are on a brand new show called Best Friends forever. It's on NBC premiering April 4th, right?

[June Diane Raphael]

Yes, at 8:30, right after Betty White's off their rockers. That's for real. That's right. Yeah.

[Paul Scheer]

Get ready.

[June Diane Raphael]

That's happening, America.

[Paul Scheer]

Please welcome Jessica Sinclair and Lennon Parham.

[June Diane Raphael]

Thank you for Having us.

[Jason Mantzoukas]

And you guys are here to talk about Betty White's off the Rails?

[June Diane Raphael]

Yes, of course.

[Paul Scheer]

So was it like Helen Mandel's show, but different and old?

[Jason Mantzoukas]

Cause it's a prank show, but with old person prank shows.

[June Diane Raphael]

Old people. Now, Lennon, do you know if old people prank young people?

[Jessica St. Clair]

Yeah, I think that's.

[June Diane Raphael]

That's what's going on. I haven't seen it yet, but I'm very optimistic.

[Lennon Parham]

Not a one time special. It's a.

[Paul Scheer]

It's a series.

[Lennon Parham]

Oh, no.

[June Diane Raphael]

It's a series.

[Jessica St. Clair]

Fantastic.

[Jason Mantzoukas]

And you guys have been paired with it because you guys are appealing to a similar elderly demographic.

[June Diane Raphael]

Yes, of course. Elderly women and gay men are our target. That's true.

[Jason Mantzoukas]

That's huge.

[June Diane Raphael]

That's true. This is not a bit.

[Lennon Parham]

That is true.

[June Diane Raphael]

And if we get those people that I don't need, I can retire.

[Jason Mantzoukas]

Is that who you're marketing towards?

[Lennon Parham]

Yes.

[Paul Scheer]

CBS has made a fortune basically doing that.

[June Diane Raphael]

Yeah, they have.

[Lennon Parham]

It's true.

[June Diane Raphael]

Yeah, they have.

[Jason Mantzoukas]

All right.

[June Diane Raphael]

I'm hoping we'll get a remake of.

[Jason Mantzoukas]

Designing what is their Gay people Show Everything. Cbs.

[Paul Scheer]

Blue bloods. Blue bloods.

[Jason Mantzoukas]

Blue Bloods. Oh, my God. That's Tom Selleck's mustache, I guess.

[June Diane Raphael]

Tom Selleck.

[Jason Mantzoukas]

Tom Selleck's mustache?

[June Diane Raphael]

Did you say. No, you said Tom Selleck.

[Lennon Parham]

Emphasis was. In a really weird way.

[Jason Mantzoukas]

Wait, I said Tom Selleck's mustache?

[June Diane Raphael]

No, you.

[Jason Mantzoukas]

You know what, guys?

[Jessica St. Clair]

Tom Select.

[Paul Scheer]

Screw you guys.

[June Diane Raphael]

Starring Tom Select.

[Paul Scheer]

Tom Select. Tom selects. Much ass. All right, so, Pluto Nash. The Adventures of Pluto Nash. I just want to open up with my first question, which is, how would you classify this movie? Is it a comedy? Is it an action movie?

[Jason Mantzoukas]

I don't know. I was confounded by almost every element of this movie, from the beginning to the, like, the prologue to the seven years ahead. I didn't understand if Alec Baldwin was in it or not.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Like, I was completely mystified by what was happening. And all of it seems to be predicated on this action. You shoot him up, he's gonna be killed just for, like, moon gambling.

[Lennon Parham]

Well, I would also like to know if anyone could describe just like, a one line.

[Jason Mantzoukas]

Yeah. What's the pitch?

[Lennon Parham]

In one line. What is the movie?

[Jason Mantzoukas]

Yeah. You're black. Han Solo on the moon.

[June Diane Raphael]

Yeah.

[Lennon Parham]

Because of that. Jackie was smuggler.

[June Diane Raphael]

Was he a smuggler?

[Jason Mantzoukas]

He was a smuggler.

[Paul Scheer]

He was a smuggler.

[Jason Mantzoukas]

Just got you on the moon.

[June Diane Raphael]

And you also are a very famous club owner.

[Jason Mantzoukas]

Then you become. Then. Exactly. Then you give up smuggling to become a famous club owner.

[Paul Scheer]

Well, he got put in jail. Wait, no, no.

[June Diane Raphael]

Can I ask you this?

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

Was he a famous club owner before he got money? Jail?

[Lennon Parham]

No.

[June Diane Raphael]

Clear. Then that's. Then there is a timeline problem because by the time he arrives with J. Moore and he's in the kilt in the very beginning, everyone's like, ooh, the Pluto Nash.

[Paul Scheer]

I know because he's a smuggling. He was the famous smuggler.

[June Diane Raphael]

I didn't know that. I thought he had had. And I kept thinking to myself during.

[Jason Mantzoukas]

That first scene, what movie you watched? I wanna know.

[June Diane Raphael]

During the first scene, I thought to myself, well, who ran his club when he was in jail?

[Paul Scheer]

Sure.

[June Diane Raphael]

And that wasn't clear. So now that's clear to a lot of.

[Jessica St. Clair]

It was maybe an age.

[Lennon Parham]

It also wasn't clear, though. It also really wasn't clear. Did he owe. Do you always have designs to become a club owner or.

[Paul Scheer]

It was his dream.

[Jason Mantzoukas]

He said.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

When the gangsters are torturing J. Moore, he says, it's always my dream to open a club of my own.

[June Diane Raphael]

Oh, he buys J. Moore's.

[Lennon Parham]

Okay. Because the club that he's singing, oh.

[Jason Mantzoukas]

My God, is that settle.

[Jessica St. Clair]

He settles the debt.

[Jason Mantzoukas]

I would pay upwards of a thousand dollars to just listen to Jessica Sinclair describe the movie she thinks she watched.

[June Diane Raphael]

Guys, I feel like someone had given me the date rape drug. And then I woke up.

[Paul Scheer]

Well, it doesn't make sense.

[June Diane Raphael]

My butthole was sore and I'd see. I had some vague memories of having screened Pluto Nash. That's the experience of watching that movie.

[Lennon Parham]

I thought when he said it was always my dream to open a club that he was lying just to get J. Moore out of a pickle.

[Paul Scheer]

Well, the opening scene is J. Moore on stage being a Scottish crooner named Anthony Frankowski on the moon.

[Jason Mantzoukas]

It's on the moon. Just so everybody knows, this movie takes place on the moon in the year it takes place in 2,080 for five minutes and it jumps seven years ahead.

[Paul Scheer]

Yes.

[June Diane Raphael]

I also want to say that Rosario Dawson in one scene goes. Keeps referring to back in 76. That's only four years ago. That's like if we were like back.

[Jessica St. Clair]

In 17, by the time we see Rosario, it's 2087.

[June Diane Raphael]

I didn't know that 11 years prior.

[Jason Mantzoukas]

I really wish you could just describe what you think you saw. Who do you think Rosario Dawson was? Do you know, Sinclair?

[June Diane Raphael]

She was just a girl was trying to make it big. She'd come from Salt Lake City. I know she mentioned that.

[Paul Scheer]

You're right.

[Jessica St. Clair]

You're right.

[Jason Mantzoukas]

That's pretty good.

[Lennon Parham]

But. And also, her dad was Little Nicky or something.

[Jessica St. Clair]

Famous smuggler.

[Paul Scheer]

Yeah, they heard that was a famous smuggler.

[Jason Mantzoukas]

Her dad was Nikki Legs or somebody sticks. Nikki sticks.

[Jessica St. Clair]

Isn't that a finger?

[Jason Mantzoukas]

Nikki Sixx is the guitar.

[June Diane Raphael]

I thought it was Nikki's sticks. I thought they were Molly Cruelly Crue.

[Paul Scheer]

Basically, what we're saying is this movie, from moment one, actively doesn't make any sense. And it is definitely not a comedy. I counted one and a half jokes.

[Jason Mantzoukas]

What were the half? I want to know what the half was.

[Jessica St. Clair]

I laughed out loud once.

[Paul Scheer]

Oh, really? Wait, let's see.

[Jessica St. Clair]

That was when Eddie Murphy did that really long pause after Jay Moore described how he was gonna make it to the other elevator.

[Paul Scheer]

Yes. I thought that was a joke. That was a solid joke. And I considered the half joke. The robot maid who would bend over. They called that the oops program. They could look at her robot vagina. Like that was basically what Eddie Murphy gets off on, looking at robot vaginas.

[June Diane Raphael]

I'll tell you what's a disturbing moment of the film is when. Who's that?

[Lennon Parham]

Louis.

[Paul Scheer]

Louis Guzman.

[June Diane Raphael]

Guzman talks about renting a robot to rape that robot and then it turning on him Terminator style.

[Jason Mantzoukas]

Yeah, he references the Terminator movie.

[Jessica St. Clair]

What's wrong with that?

[June Diane Raphael]

It's terrifying to me. That's not right. It's a message we're sending. That isn't right.

[Jessica St. Clair]

It wasn't like he rented a tiny child.

[Jason Mantzoukas]

Oh, no. My understanding was he had a robot that he rented. He was the pimp for no.

[Paul Scheer]

Myron.

[Jason Mantzoukas]

Then he tried to have sex on it. Yes. Then the robot turned on him and went Terminator style, which is a reference that at that point is hundreds of years old.

[June Diane Raphael]

But it's like referencing a talkie now.

[Paul Scheer]

But at the same time, there's a point in the movie where Eddie Murphy is watching a Jimmy Cagney movie. So.

[Lennon Parham]

So I guess all time, but nobody remembers Frank Sinatra.

[Jason Mantzoukas]

No.

[Paul Scheer]

Right. Yeah.

[Lennon Parham]

So, yeah.

[June Diane Raphael]

Yeah.

[Lennon Parham]

I mean, just up for grab.

[Paul Scheer]

We're not gonna go step by step for the movie because it's gonna make.

[Jason Mantzoukas]

All right. We're that we are already been, by the way. If you're confused by what's happening.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

The movie is a billion times more confused.

[Paul Scheer]

Basically, all you need to know is that someone wants Eddie Murphy to sell his club. He says no, they blow it up. And then the whole movie is running, running into a cameo, explosions, running into a cameo, explosions, running into a game.

[June Diane Raphael]

Face, gunfights, Eddie Murphy fighting himself.

[Paul Scheer]

Oh, and then that and then the big spoiler alert.

[Jason Mantzoukas]

Spoiler alert.

[Paul Scheer]

Spoiler alert.

[Jessica St. Clair]

I think I knew. I knew from the beginning because they started off with a hip hop version of Blue Moon.

[Paul Scheer]

Yes.

[Jessica St. Clair]

And then the soundtrack never failed me for the rest of the time.

[Paul Scheer]

The soundtrack is one of the worst soundtracks of all time. It's like Saved by the Bell underscore, but jazzy hip hop. The Blue Moon thing in the beginning is like, Hip Hop Moon is really good.

[Jason Mantzoukas]

It's like.

[June Diane Raphael]

What about when they.

[Paul Scheer]

Blue Moon. They actually say rap in Blue Moon. They go like, rap like. They go like the hip hop track over the blue Moon. Who calls out that?

[Jessica St. Clair]

But mad props. Mad props to Rosario and Jay, who both did their own singing.

[Paul Scheer]

Well, Jay Moore probably shouldn't have done his own singing if he was like that. I mean, I thought that was an odd choice.

[Jessica St. Clair]

It was an odd.

[June Diane Raphael]

And was Rosario trying to launch a singing career?

[Jessica St. Clair]

Well, you know, she was in Rent.

[June Diane Raphael]

No, I mean in person. Oh, she was.

[Jessica St. Clair]

Yeah, she was. She is a singer. And I wrote those lyrics down for that last song.

[Paul Scheer]

Oh, yeah. I love them.

[Jason Mantzoukas]

Do you want to please sing?

[Paul Scheer]

Yes.

[Jessica St. Clair]

I don't remember the tune, but it was. We be getting crunked up we be getting pumped up we put that fire out I don't know why that's a good thing. We lift your glasses higher now Is this the chorus?

[Lennon Parham]

Everything is all right yeah.

[Paul Scheer]

The movie ends and that song lets you know that hey, everything is all right that is a pretty amazing thing. Did you know that this movie was ranked the 79th worst film in 2000? But it has a distinction of being the biggest financial loss of any movie besides John Carter of all time.

[Jason Mantzoukas]

Is that true?

[Paul Scheer]

Yes. John Carter just beat it out.

[June Diane Raphael]

Really?

[Paul Scheer]

Yes. The budget for this movie now, by the way, it looks like it costs.

[June Diane Raphael]

$5 to make exactly sets.

[Jason Mantzoukas]

It looks like they just threw a bunch of neon on, like, Disneyland Street.

[Paul Scheer]

Yes. If you've never been to Universal CityWalk, it looks like a dilapidated version of that.

[Lennon Parham]

And the weird thing about that is they made this movie. The movie came out in, what, 2002?

[Paul Scheer]

Yeah.

[Lennon Parham]

So they made this movie, like, in the 2000s, it looks like. It looks like someone in the 70s made a movie about the future.

[June Diane Raphael]

Well, here's a piece of info I.

[Lennon Parham]

Dug up when they were making. It was more futuristic than what the movie.

[Paul Scheer]

People still use payphones in this movie?

[Jason Mantzoukas]

Yes.

[Paul Scheer]

Like, that's the one thing that Jethrons don't even use payphones.

[June Diane Raphael]

Here's the situation. This movie was in development for 17 years.

[Paul Scheer]

Yes.

[June Diane Raphael]

That is insane.

[Paul Scheer]

It started insane in 1985. Wow.

[June Diane Raphael]

That is what they thought the future would be in 1985.

[Jason Mantzoukas]

And nobody, nobody updated it.

[Jessica St. Clair]

But they didn't do production design in 1985. They probably did it in 2000.

[June Diane Raphael]

They did those dioramas. Maybe the set designer made those dioramas in 1985. They didn't have, you know.

[Paul Scheer]

Well, they got a lot of funny ads in there, like America Online and big thing in 2008.

[Lennon Parham]

Lunar edition.

[Paul Scheer]

Lunar edition of America Online.

[Lennon Parham]

I would love to talk to the costume designer about that rust colored ruffled shirt and leather jacket that Rosaria Dawson was in. It was the most awesome, unflattering thing I've ever seen.

[Jason Mantzoukas]

She was dressed like a pile of garbage.

[June Diane Raphael]

And all of the men are dressed like Arsenio hall on the moon.

[Paul Scheer]

It looks like a Steve Harvey clothing store blew up and then outfitted the entire cast.

[Jason Mantzoukas]

It literally is like, oh, well, there's a lunar colony now. Yeah, it's Little America. What does everybody wear? Zoot suits. That sounds right.

[Paul Scheer]

Well, I mean, again, suit riot.

[June Diane Raphael]

Again, to talk about how bad I own that cd.

[Jason Mantzoukas]

What? What are you talking about?

[Lennon Parham]

True.

[Jason Mantzoukas]

Isn't that one big voodoo dad that you own that. Wait a minute.

[Jessica St. Clair]

Yes. You have a ca. Single.

[June Diane Raphael]

Whatever the CD was that had that song.

[Jason Mantzoukas]

I feel like if I went into your house, you would have five CDs and they are. CD.

[June Diane Raphael]

The Shrek 2002 soundtrack.

[Jason Mantzoukas]

Oh, not sure.

[Paul Scheer]

Why not? Why Shrek?

[Jason Mantzoukas]

Why not Shrek?

[June Diane Raphael]

I don't know. I own.

[Jason Mantzoukas]

Did you lose Shrek 1?

[June Diane Raphael]

Maybe. I don't know. But I definitely have Shrek 2.

[Jason Mantzoukas]

I feel like you have all soundtracks.

[June Diane Raphael]

Yes.

[Jason Mantzoukas]

Like a Steel Magnolia soundtrack, maybe Anne Agreeable's soundtrack.

[June Diane Raphael]

Yep, that's pretty much it.

[Jason Mantzoukas]

Is that it?

[Jessica St. Clair]

And then she has Glow and like George Winston's Winter. Who are the girls? Who are the women who used Gloria? Stefan.

[June Diane Raphael]

Yes. And who are the women that used to wear the satin gloves on Vogue? En Vogue. Never gonna get it. Yeah, I own that as well.

[Jason Mantzoukas]

Wow. Movingon.org and movingon.org is that a different organization than moveon.org?

[Jessica St. Clair]

That'S a past tense.

[Jason Mantzoukas]

Is that a what website?

[Jessica St. Clair]

Or is that.

[June Diane Raphael]

Let's get back to the film.

[Paul Scheer]

I wanted to.

[June Diane Raphael]

We did talk about the film.

[Lennon Parham]

Can I go back to Jay Moore for one second?

[Paul Scheer]

Yeah, sure.

[June Diane Raphael]

He's very.

[Lennon Parham]

Because I was trying to figure out now, was he a performer? So he wasn't Scottish, obviously. His last name was.

[Paul Scheer]

I think he was a Scottish.

[Jessica St. Clair]

No, that's Polish they kept making.

[Lennon Parham]

So he was just a guy who wanted to find like a gimmick for his stage Persona.

[Jason Mantzoukas]

Yeah, yeah, yeah.

[Lennon Parham]

Okay.

[Jason Mantzoukas]

So he was wearing the Scottish crooner or whatever he called himself.

[Eddie Murphy]

You know, when you go get your car serviced, it feels like everything is wrong, right? Oh, you need to fix this. You need to get that done. And it just feels like, am I getting taken for a ride? Well, with Midas, you don't have to deal with upsells, intimidation, or unnecessary stress from oil changes to tires. Midas provides the services that you need and doesn't pressure you into services that you don't. Midas believes in honest, straightforward auto care that you can trust. Welcome to Auto Care without bad service. Visit midas.com for a location near you.

[Ben Mankiewicz]

Talking Pictures, the podcast from TCM and Max is back with a new season. Here, host Ben Mankiewicz in intimate conversations with the people who live to make us laugh. Carol Burnett, Bill Murray, Paul Scheer, Henry Winkler and more all. Join Ben to talk about the movies that made them. Talking Pictures isn't just about film. It's about the powerful role movies play in our lives. It's about where you were, who you were with, and what you were feeling. Listen to Talking Pictures on Max or wherever you get your podcasts.

[Eddie Murphy]

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[Paul Scheer]

The club was a really dingy club because no one wanted to hear this.

[Jason Mantzoukas]

Scottish criticism where a diarrhea appeared to be coming out of the faucet.

[June Diane Raphael]

That's like your worst nightmare, right?

[Jason Mantzoukas]

That Bathroom. That bathroom was like 10 million times worse than the train spotting bathroom.

[June Diane Raphael]

That's like watching saw for me is you having to use that type of bathroom.

[Paul Scheer]

Also, interesting fact about Eddie Murphy, when he goes into that disgusting bathroom, he goes. He turns on the faucet and like green goo comes out and he's like, ugh, let me get my Handi Wipe out. Eddie Murphy.

[Jason Mantzoukas]

Insert shot. Yes, insert shot of Handi Wipe. Like extreme close up of a handy wipe being opened.

[Paul Scheer]

A little bit of ocd. Like, this is like another part of Pluto Nash's character that we don't really revisit.

[June Diane Raphael]

That he just has Handiwipes.

[Paul Scheer]

When he comes back from the bathroom. Jay Moore is tied up by these gangsters who he owes money to, and they have a can that says battery acid.

[Jason Mantzoukas]

Yep.

[Paul Scheer]

And they're about to pour it in his mouth via a funnel. But I didn't know that you could get battery acid in a can like that.

[Jason Mantzoukas]

Oh, yeah. Oh, yeah, totally.

[Paul Scheer]

What would you ever do that like? Yeah, like a can of battery acid. I need to pour that on something.

[Jason Mantzoukas]

Well, are you gonna put it in batteries? Sure. Yeah, sure.

[Paul Scheer]

Just give me that can of battery. It won't eat through the can though, right?

[Jason Mantzoukas]

No, no.

[Paul Scheer]

All right, all right, got it.

[Jason Mantzoukas]

Doesn't eat through a battery, does it?

[Jessica St. Clair]

Did you guys recognize the guy's assistant who was helping with the battery acid?

[Jason Mantzoukas]

Who was it?

[Jessica St. Clair]

I think it was the grown up kid from Bronx Tale.

[Jason Mantzoukas]

Really?

[Lennon Parham]

Oh, the cross eyed guy?

[Paul Scheer]

No, that's Victor Varnado.

[Jessica St. Clair]

No, that's the guy we know. That's the guy we know.

[Jason Mantzoukas]

Victor Varnado we know.

[Jessica St. Clair]

Yes, I think. Was it. Is it Max Casella? Is that his name?

[Paul Scheer]

Oh, the kid from Doogie Howser.

[Jason Mantzoukas]

Yeah, that might have been him.

[Paul Scheer]

I'm gonna look.

[Jessica St. Clair]

That's wrong. Don't. That's wrong.

[Jason Mantzoukas]

You just outed it.

[Jessica St. Clair]

Doogie Hauser is wrong.

[Paul Scheer]

By the way. I'm gonna read you what this is just. We were saying, how would you describe this movie? I'm gonna describe it to you. Here's. Somebody wrote it as a pitch.

[Jason Mantzoukas]

Okay, ready?

[Paul Scheer]

After his successful club is blown to flaming bits, Pluto and his band travel across the moon. Pluto, his band, travel across the moon looking for clues to who's behind the arson along with Bruno.

[Lennon Parham]

Arson? What arson?

[June Diane Raphael]

When they blew up his club.

[Paul Scheer]

His club. I guess that's.

[June Diane Raphael]

There aren't any clues.

[Paul Scheer]

There's no clues.

[June Diane Raphael]

There's who blew it up. Yeah, he knows who blew it up.

[Paul Scheer]

Along with Bruno, his bodyguard, and Dina, the Singer Pluto visits a seedy motel, his secret hideout, and the casino of the most powerful man on the moon. Searching for the evildoer, only to find the destruction of his club may have been his own fault.

[Jason Mantzoukas]

Whoa.

[Paul Scheer]

That, I guess, is the nice.

[Jessica St. Clair]

When does that happen?

[Jason Mantzoukas]

I would.

[June Diane Raphael]

When does that happen that you find out it was his own fault?

[Paul Scheer]

He's got a clone. He fights himself.

[June Diane Raphael]

You remember, he didn't clone himself.

[Jessica St. Clair]

No, but the guy had access to all his brain stuff.

[Paul Scheer]

Like, basically what they did was he got an appendix surgery.

[Jessica St. Clair]

In prison.

[Paul Scheer]

In prison. And they took a piece of his appendix. Appendix. They cloned a new Eddie Murphy. Then Eddie Murphy found out that he was being a puppet. And then he got rid of the mafia guys that were making him a puppet. And now he's not a puppet. He's a real mafia guy.

[Jessica St. Clair]

I thought there was some really strong work, character work done by Iliana Douglas.

[June Diane Raphael]

In that wiggy wig.

[Jason Mantzoukas]

That wig did a lot for her.

[Jessica St. Clair]

Top and bottoms with cutouts.

[Jason Mantzoukas]

I just want to pause for a second. Sinclair, do you know who we're talking about?

[June Diane Raphael]

Yes, the woman who does the cloning.

[Paul Scheer]

No, not cloning.

[June Diane Raphael]

She does augmentation, I think, putting them. So there's a scene where they go to get body work done where, like, plastics. It's like moon plastic surgery. And then they look in the mirror and they could see what they could.

[Jessica St. Clair]

Look like a fun house mirror that.

[June Diane Raphael]

Goes on for like 45 minutes. But I think it's hilarious to watch this. I think they sucked up most of their budget on those shots, honestly. I think that's why there was no money for the set for the costume.

[Paul Scheer]

But they only do it twice. They look at their body as Africans. Like, Africans from the jungle, which Eddie Murphy keeps on. Eddie Murphy going like, I look like a doofus. Yeah, I look like a doofus. Like, weird terminology. I mean. All right, so he's. He looks like a doofus. Yeah, that's Amazon. And they got bodybuilder.

[June Diane Raphael]

Look, Venice Beach.

[Lennon Parham]

Well, he keeps on at beach.

[Paul Scheer]

Yes, Venice Beach.

[Lennon Parham]

But he's taking the piss out of Rosaria Dawson by telling her she needs a bigger butt.

[June Diane Raphael]

Yeah, yeah.

[Jason Mantzoukas]

You know what? Not. Not the worst advice.

[Paul Scheer]

Well, then Eddie Murphy creates a body for Rosario Dawson where her boobs are giant and her ass is giant. And he's like, yeah, I like that. It's like she looks grotesque.

[Jason Mantzoukas]

Oh, yeah.

[Paul Scheer]

And so does Eddie Murphy as he's been in his face.

[Jason Mantzoukas]

Grotesque. Good. I forget, can we spend, I don't know, maybe the next 30 minutes talking about Randy Quaid's performance in this movie.

[June Diane Raphael]

Listen, I think he was the only committed member of this cast.

[Jason Mantzoukas]

I think you're right.

[June Diane Raphael]

I felt like he had pathos. I thought he had. He was obviously doing. He had done some movement work. I don't know if he worked with a coach, a movement coach.

[Paul Scheer]

Randy Quaid, just. Just so you know, it plays the robot bodyguard who is an older model. And he talks very weird like this, like the whole movie.

[Lennon Parham]

And they modulated his voice a bit, too.

[Paul Scheer]

Yes. I think that may have been Randy Quaid.

[June Diane Raphael]

But regardless, I think he was overlooked during awards season.

[Jason Mantzoukas]

Really?

[June Diane Raphael]

I don't know what else was up.

[Paul Scheer]

Do you think that this is the performance that of a lifetime?

[June Diane Raphael]

Yes.

[Paul Scheer]

That they got the people against him. All the people who was. They say who was against him. Randy Claydo.

[Jason Mantzoukas]

The Hollywood.

[Paul Scheer]

The Hollywood Mafia.

[Jason Mantzoukas]

The Hollywood Mafia was his performance.

[Paul Scheer]

And that's why the Hollywood Mafia is good.

[Jason Mantzoukas]

I feel like this movie might have driven him into absolute insanity.

[Eddie Murphy]

Yes.

[Jason Mantzoukas]

Like he might have never recovered because this is the kind of role that you disappear into. He just might never have come out.

[June Diane Raphael]

Of it like a Daniel Day Lewis type of situation.

[Jason Mantzoukas]

Totally.

[June Diane Raphael]

Yeah.

[Jessica St. Clair]

I want to know what was up with all the robot sex drive.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Every robot was horny.

[Jessica St. Clair]

Real horny.

[June Diane Raphael]

Yeah.

[Paul Scheer]

And they. Oh, and like, there was one time where Randy Quaid says, I can't have sex with her because she has 120 volt circuits.

[Jessica St. Clair]

She's 220. He's 110.

[Paul Scheer]

Yeah. And he goes, well, why can't you get an adapter? And he goes, just doesn't feel right.

[Jessica St. Clair]

That's a condom joke, right?

[Lennon Parham]

Condom joke? Yeah.

[Jason Mantzoukas]

Oh, it's a condom joke. But it's also, you know what? It's advocating unsafe sex, guys, between robots. Robot adapter on. And get.

[Paul Scheer]

Why would you invent robots that could fuck each other? I mean, I guess that has a feel.

[Jason Mantzoukas]

Who's like our servant slash bodyguard. Robots are boring. What do they need? I don't know. Horniness.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Like what?

[Paul Scheer]

Let's watch them fuck.

[Jason Mantzoukas]

And then when Louie Guzman pulls his.

[Jessica St. Clair]

What did you call him?

[Jason Mantzoukas]

Louie Guzman.

[Jessica St. Clair]

Louie.

[Jason Mantzoukas]

Isn't that his name? What's his name?

[Jessica St. Clair]

Luis.

[Jason Mantzoukas]

Luis Guzman.

[June Diane Raphael]

Lennon's doing it with the right accent.

[Jessica St. Clair]

L, U, I, S. Okay, sorry.

[Jason Mantzoukas]

Luis Guzman and Luis ck.

[Jessica St. Clair]

Louis and Tom Select.

[Jason Mantzoukas]

And Tom Select. Louis Guzman has to jumpstart Randy Quaido at some point.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

And has to pull like a metal rod out of his zipper to attach a jumper cable to. At which point I was like, what the fuck is going on? This is.

[June Diane Raphael]

And the whole time Luis Guzman is afraid that Randy Quaid's gonna wake up and fuck him to death. Right.

[Paul Scheer]

Go Terminator.

[June Diane Raphael]

He talks about that fear before. So I was thinking we'd see some of that.

[Paul Scheer]

That's real.

[Jason Mantzoukas]

And you were excited for it, I bet. Yeah, of course.

[Jessica St. Clair]

Just FYI, those. They were like dead.

[Paul Scheer]

That's for your information.

[Jessica St. Clair]

They died. They ran out of air and then they should have died because that was like.

[Jason Mantzoukas]

I believe they did die.

[Paul Scheer]

I mean.

[June Diane Raphael]

But then they were woken back up with just magic.

[Jason Mantzoukas]

With magic stuff. Magic.

[Paul Scheer]

Let's just talk about this scene. Their car blows up. Their amazing car, which is playing piloted by Junk Cleese.

[Jason Mantzoukas]

Which. Why don't all futuristic space cars look like old timey cars? From.

[Jessica St. Clair]

Same reason that all the women had 40s hairstyles.

[Jason Mantzoukas]

Which is what?

[Jessica St. Clair]

Yeah, because they have different so retro angle.

[Paul Scheer]

So basically their car is blown up and like. And then Rosario Dawson's like, oh my God, we're gonna do. We don't have food or water in spacesuit.

[Jason Mantzoukas]

They're like out on the surface of the moon, right?

[Paul Scheer]

And he's like, well, don't worry about food or water because we're gonna run out of air sooner than later. And they. And. And they die because they run out of air. And then all of a sudden comes this win up this space Winnebago like it is. But like you. This is not even a first draft of the movie. This is like kind of an outline that was like that no one ever even looked at or gave notes. Like, it was like morning pages. This is morning pages. Like.

[Jason Mantzoukas]

And then somebody.

[Paul Scheer]

Yeah, and then he comes.

[Lennon Parham]

This is the artist's way.

[June Diane Raphael]

Or it's like somebody got somebody journaling this movie. Somebody journaled this movie.

[Jason Mantzoukas]

I feel like people skipped by it and probably got it got dailies and were like, wait, what the fuck? Did they just die? Yeah. Did they just die in the fucking movie?

[Paul Scheer]

Don't worry though. We've established that no one travels on this side of the moon. But. But we'll definitely make a guy in a random basis.

[Jason Mantzoukas]

Yeah, we'll have a guy drive by and give him a little bit of oxygen. And guess what? They're fine.

[Jessica St. Clair]

We're back. That was the best song. The song he was listening to.

[Lennon Parham]

That was good.

[Paul Scheer]

There's a lot of amazingly bad hip hop. It's like somebody tried to. Whoever was doing the music were like, let's combine it. It's hip hop, but it's Old school. So it's like everything is a mixture of. It's like brown. That's what I feel like. It's like, oh, yeah, we'll mix red and blue and we'll get brown.

[Jason Mantzoukas]

I felt like everything in movie, the music especially, but like the costuming and everything was like, okay, let's take what people are super into right now and then think about how it might be futureish.

[June Diane Raphael]

Yeah. To just cut a hole out of her. Just the bottom part of her pants.

[Jason Mantzoukas]

Well, how's it gonna be? Like just crazy Future moon.

[Paul Scheer]

Well, I mean, I think the best future vision was when they go to pay him $10 million and all the.

[Eddie Murphy]

Dollar bills are Hillary Clinton.

[Paul Scheer]

Hillary Clinton.

[June Diane Raphael]

Wow.

[Paul Scheer]

Yeah. Boom.

[Eddie Murphy]

Still works.

[Paul Scheer]

The joke still works.

[Jason Mantzoukas]

We're killing it.

[June Diane Raphael]

What about moondancing the first.

[Paul Scheer]

Oh, yeah, the moon dancing fuck was that?

[June Diane Raphael]

Now they paid money for a choreographer. They said, come up with a moon dance.

[Lennon Parham]

Not only a choreographer. Those were clearly not just background extras. Those were dancers.

[Jason Mantzoukas]

Those were extra.

[Lennon Parham]

They got a bump. Those were dancers.

[Jason Mantzoukas]

Same dancers who I believe used in the space rave in the Matrix 2.

[Paul Scheer]

Basically, they're Moon dance is. I would describe it as punching. Punching the air stepping. Yeah.

[Jason Mantzoukas]

And also like this.

[June Diane Raphael]

There's a lot of angles, a lot.

[Jason Mantzoukas]

Of right angles, lots of right angle movement.

[Lennon Parham]

Lot of perfecting stuff.

[Paul Scheer]

And they're not dancing with each other. They're very separate. They're all very separate from each other.

[June Diane Raphael]

The moon is lonely.

[Jason Mantzoukas]

I guess so. And you have to like, don't touch. Like you gotta be just like, don't get too close. Yes, it is. It's like everybody's a robot. Robot, robot. I can't talk today.

[Paul Scheer]

Did you guys like the smart water ad that Eddie Murphy stands in front of when they're giving some information? They stand in front of a smart water ass.

[Lennon Parham]

Wait, can we get back to what was John Cleese's role in that car? Like, is it.

[Paul Scheer]

John Cleese was the butler of the car, but he was not a rogue.

[June Diane Raphael]

He didn't provide any information to further.

[Jessica St. Clair]

He was a polygon.

[June Diane Raphael]

I'm fairly certain he shot that part in his own house in London. They didn't require him.

[Paul Scheer]

They didn't even really put him in costume. He's not even in a butler costume. He's in an okay suit.

[June Diane Raphael]

He found like an old cap and put it on and just put himself on at a certain point.

[Jason Mantzoukas]

Randy Quaid, he is the. Okay. John Cleese is a hologram or a p. A video screen.

[Lennon Parham]

He's not A person.

[Jason Mantzoukas]

He's not a person, okay? He's a hologram or video screen, whatever. Who's like, you're not the owner of this car. You can't drive this car. I'm calling the police. Randy Quaid, by the way. Thank you so much. You should audition the minister of silly walks. Okay, listen. Then Randy Quaid points a gun at the computer screen and is like, we gotta get out of here. And he's like, okay, okay. Like, you can't kill a hologram. That's impossible.

[Paul Scheer]

What?

[Lennon Parham]

Hologram should have no fear of mortality.

[Jason Mantzoukas]

Of course. But I guess if robots are horny.

[June Diane Raphael]

I wish I was a hologram.

[Jason Mantzoukas]

That's a lost Philip K. Dick novel. I think a hologram should have no fear of mortality.

[Paul Scheer]

And then they have these, like, terrible ads throughout all the things. Like, they sometimes do these overhead shots of, like, Moon Village or whatever they're in and Little America. And it's. And they're not funny, nor are they interesting. Like, one is need lumbar support. Will replace your spine with a lunar lumbar support. It's nothing. It is like, it's not going for a joke. It's. Maybe that's in the future. I don't know.

[Jason Mantzoukas]

To me, was all like, ugh, you know what? We need all of these big establishing shots of the world that we created and spent hundreds of millions of dollars on. But. But it's boring. Let's ADR some, like, advertisements or. And then they wrote those lines, which were horrible.

[Lennon Parham]

I realized I started to feel insane halfway through the movie because there's no sunlight in this movie. It feels dark the entire time.

[June Diane Raphael]

It's like when you go to Vegas and you start to feel sick to your stomach because there's a smell of. It's almost like the movie gave me seasonal effective disorder. It did. I have sad. I have it.

[Jason Mantzoukas]

I have sad.

[Lennon Parham]

You mean sads.

[Jason Mantzoukas]

I can have sad.

[June Diane Raphael]

You know what else this movie made me feel? A certain sickness that I've only felt when I watched Howard the Duck. It had a certain.

[Jason Mantzoukas]

That's a good comparison.

[Paul Scheer]

Wow. Yeah.

[June Diane Raphael]

And what is that? Is it the time with Howard's color?

[Jason Mantzoukas]

Yeah, it's like those big, bold. I remember it very clearly when she brings him at one point lunch. And every item on the tray from the glasses to everything is so brightly colored and crazy looking that I was like, that is perfectly the problem with this thing.

[Lennon Parham]

But again, I maintain that in 2000, 2002, the production designer should have had a better aesthetic than this.

[Jason Mantzoukas]

It was the same Guy as cool as ice.

[Paul Scheer]

It was.

[Jason Mantzoukas]

Oh, no, it wasn't. But it might as well have been.

[June Diane Raphael]

The director was the same director who directed City Slickers.

[Paul Scheer]

Yes, City Slicker.

[June Diane Raphael]

I don't know if I've been ever enjoying that film.

[Lennon Parham]

I love City Slickers.

[Jason Mantzoukas]

I didn't know that.

[Jessica St. Clair]

Mighty Joe Young as well.

[Paul Scheer]

And Tremors, Was that about a gorilla? His career.

[Jessica St. Clair]

His career.

[Paul Scheer]

Tremors won. Yeah, Tremors won. He kind of ran.

[June Diane Raphael]

Young Reba me. Don't people like Tremors? Worms come out of the.

[Jason Mantzoukas]

Aren't people still into Tremors Guys?

[Paul Scheer]

We all like Tremors guys.

[June Diane Raphael]

No, but seriously, those people are on board.

[Jessica St. Clair]

All I remember about Tremors is that my friend Jenny started fucking around with my boyfriend at the time, Tom hall.

[June Diane Raphael]

When Tremors during a youth group lock in.

[Jason Mantzoukas]

Why do you tremor.

[June Diane Raphael]

She got fingers.

[Jessica St. Clair]

Well, it might not have been Jenny. He was your boyfriend, Francis. What?

[Jason Mantzoukas]

He was your boyfriend and he fingered someone during Tremors. And he used locked.

[June Diane Raphael]

I just said finger.

[Paul Scheer]

Well, either way, that would be. That would actually be the best way during tremors. Might be the best experience.

[Jason Mantzoukas]

Well, that's the thing. As the. As the worms coming out of the fucking ground. You know where the worm is going into. You know what I'm talking about? Mowiner in her mouth.

[Jessica St. Clair]

Yeah.

[Lennon Parham]

Speaking of booze sex scenes, the moment when Eddie Murphy kisses Rosario.

[Jason Mantzoukas]

Sweaty Murphy.

[Lennon Parham]

Sweaty Murphy kisses Rosario Dawson is the strangest.

[Jason Mantzoukas]

Oh, yeah.

[Lennon Parham]

They kiss for a while because he's hiding from one of the mafia guys, right? And we never see his angle on the kiss, by the way.

[Jason Mantzoukas]

Only hers, by the way. I bet it's his body double did that.

[Paul Scheer]

You can see how many times.

[Lennon Parham]

Cause they never cut to him, by the way.

[Jessica St. Clair]

They need to.

[Paul Scheer]

He did another movie with Rosaritos. Go ahead.

[Lennon Parham]

Yeah, but anyway, then she finally pulls away from the kiss and she gives like a 15 second reaction take, which is just that her socks have been blown off. Now this kiss, there's no mouth movement. It's like just like two mouths have been like puzzle pieces all the time.

[Paul Scheer]

Exists. It is really upsetting.

[Lennon Parham]

There's nothing happening.

[Jason Mantzoukas]

Whoa, whoa, whoa, whoa, whoa. Wait a minute, wait a minute, wait a minute. Isn't that how you kiss, broad? Wait, wait, wait, wait.

[Paul Scheer]

Whoa, whoa.

[Jason Mantzoukas]

Guys, guys. Whoa, whoa, whoa, whoa, whoa, whoa.

[June Diane Raphael]

No, but in all seriousness, this is how you kiss.

[Jason Mantzoukas]

This is how you kiss, guys. You mash your mouth together.

[Jessica St. Clair]

Yeah.

[Jason Mantzoukas]

And then. Wait.

[Lennon Parham]

And you don't have.

[Jason Mantzoukas]

I push my lips to her lips. I count to 60, I pull away. And I watch her come and she.

[Paul Scheer]

Was like, oh, my. I mean, she was floored by that.

[Jessica St. Clair]

Another romantic moment that I really enjoyed was when he went to the. Remember, he went and got champagne.

[Paul Scheer]

Oh, yeah.

[Jessica St. Clair]

And literally two seconds later, he turned around and she was asleep.

[Paul Scheer]

Asleep. That's what happened.

[Jason Mantzoukas]

Right.

[Jessica St. Clair]

John Cleese had said, oh, now you guys are gonna get busy.

[Jason Mantzoukas]

Right?

[Jessica St. Clair]

Have your way with her. And then he turned around and he was like, oh, she's asleep. And put his coat over.

[June Diane Raphael]

He also, very awkwardly. And I don't know why I remember this, but in the final scene where she realizes that he's killed. He has killed bad Eddie Murphy.

[Paul Scheer]

Yes.

[June Diane Raphael]

And then he is the real Eddie Murphy. He kissed her on the top of the shoulder. He was like. He was like. He went, did I scare you? And then, like, kissed her.

[Lennon Parham]

Other fatherly together.

[Paul Scheer]

Because it was like that was his best friend's daughter.

[June Diane Raphael]

Yeah.

[Paul Scheer]

Like, that's what they established.

[Lennon Parham]

It should have felt fatherly and not.

[Jason Mantzoukas]

No, wait a second.

[Jessica St. Clair]

Let's talk about Eddie Murphy's mother for a hot second.

[Jason Mantzoukas]

Pam Grier.

[Paul Scheer]

Yeah.

[June Diane Raphael]

She was phenomenal.

[Paul Scheer]

Pam Grier.

[Lennon Parham]

I mean, this movie, she brought her own wardrobe.

[June Diane Raphael]

Is that her own.

[Jessica St. Clair]

She did her own wear and makeup.

[Lennon Parham]

And she brought her own wardrobe. I hope we're all clear.

[June Diane Raphael]

Oh, yes, I'm clear about that.

[Jessica St. Clair]

And her own weapon. And then she just would disappear from scenes that she had just been running past. Remember that?

[June Diane Raphael]

Probably because they couldn't locate her on set. They're like, we can't get. Last time we saw, she was at craft service.

[Jason Mantzoukas]

Let's just keep. Let's just keep shooting. Let's pretend like she just wasn't here, I guess.

[Paul Scheer]

Yeah, keep on going.

[Jessica St. Clair]

And that old cop that she was in love with, that she would never marry, Peter Boyle. They never followed through on that.

[Paul Scheer]

No.

[Jason Mantzoukas]

He was killed.

[Jessica St. Clair]

See them get together, though, before.

[Jason Mantzoukas]

Oh, he was killed. And then she was.

[Jessica St. Clair]

I feel like they shot that scene and we just never saw.

[Paul Scheer]

They never follow.

[June Diane Raphael]

I would love to have seen a sex scene between Pam Grier and Peter. Peter Boyle that would have made that movie.

[Jason Mantzoukas]

Everybody has a question, for real. If you lived in a future world in which you had, like, a robot bodyguard or a robot maid or whatever, would you have sex in front of the robot?

[Lennon Parham]

Well, I thought we were actually.

[Jason Mantzoukas]

Question. Because they were always. People were always almost getting it on while the robot was there.

[Lennon Parham]

Well, and I think that was because. Here's what was weird about that. I thought we were setting up that when the robot was being charged, they could hear things, but they didn't understand what they were hearing. Right?

[Jessica St. Clair]

No, that was only when they were getting. That was only when they were getting a phone call.

[Paul Scheer]

Yeah, he was describing a phone call.

[Lennon Parham]

Because I thought what we were building toward was a sex scene between Rosaria Dawson and Murphs, which the robot would have witnessed. And they thought. They would have thought. Obviously he didn't hear anything, but then he would have.

[Jessica St. Clair]

But the reason that Murphy didn't get.

[Jason Mantzoukas]

He really thought about this never his.

[Jessica St. Clair]

Robot was because he kept. He kept 20 years of secrets. Remember? He didn't want to get rid of. He said smuggle secrets.

[Jason Mantzoukas]

Smuggle secrets.

[June Diane Raphael]

That's also the name of a corporate.

[Jason Mantzoukas]

You know what I'm gonna do to you later?

[June Diane Raphael]

I'm gonna smuggle secret the shit out of you.

[Jason Mantzoukas]

Give you all my smuggle secrets.

[Eddie Murphy]

You already love DoorDash. And now there's even more to love with the new DoorDash Dash Pass annual Plan benefit. All right, here it is.

[Paul Scheer]

Drumroll, please.

[Eddie Murphy]

Max with ads is now included at no extra cost. That means you can have dinner delivered with DoorDash and settle in for a night on the couch watching the HBO original series House of the Dragon. Plus, while you're watching Gotham's own Oz COBB and the HBO's original series the Penguin, you can enjoy some New York City pizza or soft pretzel with DoorDash. And if you're rewatching Friends, don' be surprised if those coffee shop scenes make you crave having a latte delivered fast. Of course, you still get all your favorite Dash Pass Annual Plan benefits too, like unlimited zero dollar delivery fees on eligible orders and exclusive member only offers and menu items. Sign up for DashPass annual plan and get Max included at no extra cost. It's your door to more terms and conditions apply. Max is now included with your DashPass annual plan stream Max with ads up to $120 value included at no extra cost. Terms apply. See doordash.com max for details. Texas Pete. Oh, my gosh. I love Texas Pete. It is the hot sauce that allows you to sauce like you mean it. All right? Texas Pete sauce is packed with bold and balanced flavor. I've loved Texas Pete for years. When I got a box of their stuff at my house, I was so psyched because what I love about their hot sauce is their tanginess. Okay? You can use it on anything. And you're gonna try every flavor. I mean, you got the original, which is great. That's fermented peppers.

[Paul Scheer]

It's a special blend.

[Eddie Murphy]

Then you got the Hotter hot sauce, which is three times hotter than the original. And believe me, it is not for the faint of heart. Then you got Sabor by Texas Pete, which adds an authentic Mexican flavor. And I gotta tell you, that might be my favorite next to their dust dry seasoning which matches the flavor of the original hot sauce in a flavorful dry rub. It is, is so, so great. Texas Pete Sauce. Like you mean it. Visit texas pete.com and use the store locator to find Texas Pete products as well as purchase sauces and get recipe inspiration. And use the promo code podcast24 for 20% [e-mail] hey, everybody. Just wanted to give you a quick heads up here.

[Paul Scheer]

There's something we should all be doing.

[Eddie Murphy]

It's going to improve your life, make every day a little bit better. And that is eat more Reese's Peanut Butter Cups.

[Paul Scheer]

Yes. Think about it.

[Eddie Murphy]

All the gurus, all the coaches out there, they've never said the words eat more Reese's. I mean, the combination of sweet chocolate and salty peanut butter, I mean, this is something that brings other people and ourselves joy. That's why there's two in a pack shop. Reese's Peanut butter cups now at a store near you found wherever candy is sold and often in my pantry because I love these.

[Lennon Parham]

You guys, here's a serious question.

[Jessica St. Clair]

Another one?

[Lennon Parham]

Yeah.

[Jessica St. Clair]

All right.

[Lennon Parham]

Did the bad guys in the movie want to just build casinos on the moon and get gambling there or also want a clone on the moon?

[Jason Mantzoukas]

No, I think it was just the.

[Paul Scheer]

Clone was because they knew that Eddie Murphy could be a good club runner.

[Jason Mantzoukas]

How did they know that? From when he was in prison?

[Paul Scheer]

No, I didn't.

[Jason Mantzoukas]

How did they know from prison that he would. This is a huge problem.

[Lennon Parham]

That's why I call.

[Jason Mantzoukas]

When they made a clone of him that he would then go on to run a club.

[Paul Scheer]

They just thought he was a good smuggler and this guy would have. Good. He'd be good. He'd be a puppet. He'd be a puppet. He'd be real good. It was a leap of faith. But what they didn't predict was that he was. That he did have.

[Jason Mantzoukas]

That he would have a mind of his own.

[Paul Scheer]

Yeah, exactly.

[Lennon Parham]

But I guess what I'm asking though is was cloning in the, you know, in the world of this movie, were a lot of people cloned?

[Jason Mantzoukas]

No, I don't think cloning is illegal.

[Paul Scheer]

Cloned his wife and so was his old partner.

[Jason Mantzoukas]

But cloning is illegal, remember? Remember?

[June Diane Raphael]

Yeah. With banned.

[Jason Mantzoukas]

Made illegal. And that doctor had to Go out of business. And then Iliana Douglas had to do it on the sly.

[Paul Scheer]

But also Peter Boyle, he goes, eh, he goes, you know, Peter Boyle visits one of his old cop friends in like a mini scene where he's like, he's like, oh man, the old days, you know, wasn't it good to be partners? And he's like, yeah, but I'm a clone. You know, he didn't say that. But then he kills him. But he's a clone too. But I want to talk about the Alex Baldwin scene that you.

[Jason Mantzoukas]

The Robert De Niro scene.

[Paul Scheer]

You think that Alec Baldwin is gonna be the big bad guy of the movie. It's like he finds out that this mafia guy. The plot is incomprehensible. It's like, it is like the worst Raymond Chandler novel. It's like a Raymond Chandler novel. Certain pages are ripped out so you can't make it make sense.

[Jason Mantzoukas]

But he finds ridden by like somebody who normally writes like a Nickelodeon TV show.

[Paul Scheer]

Exactly. And so now Alec Baldwin pops up as this mafia guy who talks about making gambling, then pushes a guy down.

[Jason Mantzoukas]

The stairs on camera.

[Paul Scheer]

On camera. And then also pulls a report close to him and was like, hey honey, you want to ask me questions?

[Eddie Murphy]

Come to my hotel room later in the night.

[Jason Mantzoukas]

On camera. On a news camera.

[Paul Scheer]

Yeah, it was all on Court TV. Live on Court TV. Because again, Court TV has been huge in the future.

[Jason Mantzoukas]

Yep. 2087 Court TV.

[June Diane Raphael]

What happened to Alec Baldwin? I feel really upset right now because I don't know, I might have fallen asleep during the reveal of Betty Murphy's clone. And here is my question. I thought that perhaps Alec Baldwin's brain had been put into Eddie Murphy's body.

[Jason Mantzoukas]

Yeah, that's what happened.

[June Diane Raphael]

Is that what happened?

[Jason Mantzoukas]

No, we blew it.

[June Diane Raphael]

Oh no. What happened to Alec Baldwin? I thought he was in charge. He's Rex.

[Jason Mantzoukas]

Uh huh.

[June Diane Raphael]

What happened to him?

[Lennon Parham]

He's not Rex.

[Paul Scheer]

No, he's not Rex. Eddie Murphy is wrong.

[Lennon Parham]

He is Rex Carter.

[June Diane Raphael]

I don't understand what's happening.

[Paul Scheer]

Eddie Murphy was fighting himself the entire movie.

[June Diane Raphael]

I feel scared right now.

[Lennon Parham]

I know, I know.

[June Diane Raphael]

I feel scared and upset right now. What happened? Who was he then?

[Paul Scheer]

All right, so what? Let her describe what happened to the.

[Jason Mantzoukas]

What do you think happened?

[June Diane Raphael]

I don't know.

[Jason Mantzoukas]

Break it down for us.

[Lennon Parham]

I saw two Eddie Murphys. And what did you think at that point? I thought when Murph on Murph. The Murph on Murph fight broke out.

[June Diane Raphael]

That Rex Carter had some thinner, nuttier profession gotten into the Brain of the Eddie Murphy. So that he. The whole time he was looking to kill himself, his own.

[Jason Mantzoukas]

As himself or as Rex Carter?

[June Diane Raphael]

No, that Rex. I don't know.

[Lennon Parham]

So you were basically. What I'm understanding is at some point in that last Carter scene, you thought bad Eddie Murphy was going to like unzip himself and be Alec Baldwin.

[June Diane Raphael]

Here's what Edison I thought he was living with inside of him.

[Paul Scheer]

This is the way I understand it. This is the way I understand this movie.

[Lennon Parham]

Living with inside of him.

[Jason Mantzoukas]

This is the first time that genuine. How did this get made? Confusion has almost reduced a guest to tears.

[June Diane Raphael]

If you guys could see me right now, I've taken off all my clothes and I'm just. I'm huddling.

[Jason Mantzoukas]

I'm shivering in the corner and it is not cool.

[Paul Scheer]

This is how I understand it. Basically, Alec Baldwin was a mafia guy and he was a.

[Jason Mantzoukas]

How does he know? From the footage.

[Paul Scheer]

From the footage.

[Jason Mantzoukas]

Oh, hey, these guys is crazy. I'm Robert De Niro, blah, blah, blah.

[Paul Scheer]

You know, I mean, it is like, it's like, it's like a great Alec Baldwin on SNL sketch. And he's the. And so he decided, okay, I gotta get control of the moon. But how I'm gonna do it. I'm gonna clone a guy who's a really great smuggler, get him up there and he's gonna work for me. And then he did that cloned Eddie Murphy. Eddie Murphy's like, hey, guess what, Alec Baldwin. You get out of here. I don't like you. And he shot him into space. And then Eddie Murphy grew his power and then decided to hurt the other Eddie Murphy, hurt himself because he wanted.

[Eddie Murphy]

To buy his own.

[June Diane Raphael]

I don't know what you're saying makes any sense.

[Jason Mantzoukas]

Okay, so I agree.

[June Diane Raphael]

I'm not stupid.

[Jason Mantzoukas]

No, no, no, you're not stupid.

[June Diane Raphael]

I'm not a stupid person.

[Lennon Parham]

Here's the other point I'd like to. Because there is another Eddie Murphy. The good Eddie Murphy really only had one club. Pluto Nash. Right. It wasn't like he had an empire.

[Paul Scheer]

No, but he had the only good.

[Jason Mantzoukas]

Club, the most profitable club in little.

[Jessica St. Clair]

How many Hillary's do you think that it was worth?

[Paul Scheer]

10 million Hillary. 10 million bucks.

[Jessica St. Clair]

That's what they were gonna offer.

[Jason Mantzoukas]

10 million is not that much.

[Paul Scheer]

Not much.

[Jessica St. Clair]

But 2087, how much?

[Jason Mantzoukas]

10 million is not much now.

[Jessica St. Clair]

Nevermind, 28 to buy it off of him. So how much like nightly do you think he was clearing?

[Jason Mantzoukas]

Oh, interesting.

[Jessica St. Clair]

Do you know?

[Jason Mantzoukas]

Well, are there taxes on the moon?

[Jessica St. Clair]

Do we know There are no taxes.

[Paul Scheer]

For him to walk away. For him to walk away from that $10 million. And he didn't seem to seem insulted by the Tim. He was more insulted by the fact they were offering to buy him out.

[Jason Mantzoukas]

Okay, I have now. I feel I now have what I thought was the understanding of the end of the movie that I now think might also be wrong.

[Lennon Parham]

Okay, what do you got? What do you got?

[June Diane Raphael]

Tell us what you think.

[Jason Mantzoukas]

When it's revealed that Eddie Murphy is. Eddie is the bad guy. Right.

[Jessica St. Clair]

I was like, oh, but he has still the name. Right?

[Paul Scheer]

Right?

[June Diane Raphael]

He is.

[Jason Mantzoukas]

No, he's Rex.

[Lennon Parham]

He's Rex Carter.

[Paul Scheer]

Rex Carter.

[Jessica St. Clair]

He has Rex Carter.

[Jason Mantzoukas]

Okay, so this is what I couldn't understand. Cause I was like, oh, what he's gonna do is kill Pluto Nash and then become Pluto Nash because he is him. Then he can run, he can have ownership of the club, and he doesn't have to buy it. He doesn't have to do anything because he actually looks exactly like the guy.

[Lennon Parham]

He wants to be going to sort of assume.

[Jason Mantzoukas]

And then he was like, but I'm gonna call it Planet Rex and. Or Club Rex instead of Club Pluto or whatever. And then I was like, okay, well, that doesn't make sense now. Because if you called it Club Pluto, you that now you're just taking over. And then building on whatever it is you want to do, you can make it the club at Casino because you are being him. But that was not his plan.

[Paul Scheer]

That actually is a better plan. Thank you, Paul. I think that is a better plan. But here's the thing.

[Jason Mantzoukas]

Let's do it.

[Paul Scheer]

No one's seen Eddie Murphy as Rex Carter.

[Jason Mantzoukas]

Rex Carter is.

[Lennon Parham]

Except for one person. James Rebhorn, right?

[Paul Scheer]

Yeah, James Rebhorn. Which. Why was he in this movie?

[Jason Mantzoukas]

Why was anybody in this movie?

[Lennon Parham]

So we're to understand that Rex Carter was just living in the penthouse of.

[June Diane Raphael]

This hotel, never going outside.

[Lennon Parham]

Never going outside. Never seen anyone in Lunar beach except for James Red Horn.

[Paul Scheer]

Exactly.

[Jessica St. Clair]

So how did Rex Carter come into existence?

[Paul Scheer]

He was a clone of Alec Baldwin.

[Jessica St. Clair]

Cloned him.

[Paul Scheer]

Cloned him. When Eddie Murphy got in his appendix surgery back in jail.

[Lennon Parham]

Here's a question about it.

[Jessica St. Clair]

And then what happened to wdw?

[Paul Scheer]

Well, what happened was once Eddie Murphy clone decided found out that they were using him as a puppet, he's like, I don't like to be used as a puppet. So I blasted them into space.

[June Diane Raphael]

When did that happen?

[Jason Mantzoukas]

Wait, I missed that.

[Paul Scheer]

Oh, he said that he go, I blasted them.

[June Diane Raphael]

So that's a scene we should have seen.

[Lennon Parham]

Yeah, I didn't know.

[Jason Mantzoukas]

Show, don't tell.

[June Diane Raphael]

You don't show, don't tell.

[Jason Mantzoukas]

Show, don't tell.

[June Diane Raphael]

I'm not an experienced writer, but what I do know is you don't say a big plot point like, I need to see that. Yeah, I had no idea that.

[Lennon Parham]

I need a visual on that one.

[Paul Scheer]

Well, yeah, you needed a fuck.

[Jessica St. Clair]

Or maybe he could have had cryogenically like bring back the Chihuahua. Call back to the Chihuahua. We could have had him in a freezer.

[June Diane Raphael]

That made me very.

[Paul Scheer]

Ooh, yeah, that's true. They cryogenically freeze chihuahuas to bring them to the planet.

[Lennon Parham]

So when you clone someone like this movie, Just say it like this movie.

[Jason Mantzoukas]

This is the most questions we've ever.

[Lennon Parham]

Are we to understand that when, hands.

[Paul Scheer]

Down, the worst movie we've ever done.

[Lennon Parham]

Right, when they clone Pluto Nash, that Rex Carter arrived just in the same age, same body, same everything with all of the memories?

[Jason Mantzoukas]

So I believe Rex Carter is as much as he is identical to Eddie Murphy. He is only about five years, actually.

[Lennon Parham]

Yes. And what I'm realizing now though, he.

[Paul Scheer]

Has all the memories of the 40 year old that he had.

[Jessica St. Clair]

He would be over 7 years old because they didn't happen when he was in prison.

[Jason Mantzoukas]

Yes, I'm sorry, you're right.

[Jessica St. Clair]

I forgot to see him.

[Lennon Parham]

Do you guys think though that they shot a scene of actually seeing his appendix come out and seeing him in prison for a while?

[Jason Mantzoukas]

No.

[Lennon Parham]

Oh, really? Because while I was watching it, I thought they were never gonna start opening on the opening on J. Moore. We probably.

[June Diane Raphael]

That was a very, very low stakes scene.

[Lennon Parham]

Yes. We should have seen him in prison for a while, serving his prison time like Jean Valjean style.

[Paul Scheer]

Yeah, yeah.

[Lennon Parham]

And then if they had made this.

[June Diane Raphael]

Movie more like Les Mis, we wouldn't be here right now.

[Lennon Parham]

We should have seen the appendix come out and then we should have seen him out that.

[Jason Mantzoukas]

But then that would have ruined the line later, which was, hey, remember when you were in prison and you got your appendix out? Eddie Murphy? Yeah, of course, guy. Well, we made a clone of you and then Baba. And that was it would have taken away that monologue that explained all of that.

[June Diane Raphael]

I did. I did that when I auditioned for grad school in acting. I did that monologue.

[Jason Mantzoukas]

Oh my God, that's so awesome.

[June Diane Raphael]

Yeah. I didn't get in.

[Jason Mantzoukas]

You did. It's shocking. No, this really.

[Jessica St. Clair]

Let me just.

[Jason Mantzoukas]

Yeah, yeah, please.

[Jessica St. Clair]

So, but we've the comparison that we have in the movie itself, in the world of the movie, when someone Is cloned. They behave exactly the same way. Because Jay Moore's wife was cloned. And he gets to say which one's care. Right. And then they speak at the same time. They behave. They suck his dick at the same time. Right.

[June Diane Raphael]

That's why you clone.

[Jason Mantzoukas]

I wish. Do you think they. They shot a scene where they sucked his dick at the same time? I think they wanted to because I would have watched that over and over again.

[Jessica St. Clair]

So basically, what is this guy? How is this guy? How is he Second Eddie.

[June Diane Raphael]

Absolutely right.

[Lennon Parham]

Something went wrong in that cloning.

[Jason Mantzoukas]

Yes. Why does he have free will now?

[June Diane Raphael]

Can I ask this?

[Lennon Parham]

I really.

[June Diane Raphael]

I don't understand anything about this movie. But with the bad clone Eddie Murphy.

[Paul Scheer]

Yes.

[June Diane Raphael]

Was he currently becoming very popular? Like building that popular casino while Pluto Nash was doing his own club? And why didn't they know about it? Is Lunar beach so far away from where?

[Paul Scheer]

Well, Lunar beach is on the other side of the moon.

[June Diane Raphael]

But don't they kid.

[Paul Scheer]

But no one has ever. No one's ever seen bad Eddie Murphy. They don't know he's a.

[June Diane Raphael]

But did Eddie Murphy think to himself, well, that's weird. There's another. Was it called Pluto?

[Jessica St. Clair]

No, it wasn't. And it was all wrestling Eddie Murphy.

[Paul Scheer]

That was. The whole big reveal at the end was like, who is Rex Carver? And then the chair turns and then it was him. It was Eddie Murphy.

[Jessica St. Clair]

I thought it was gonna be Ileana Douglas.

[Paul Scheer]

I thought it was gonna be Alec Baldwin because they set him up.

[June Diane Raphael]

So did I.

[Jessica St. Clair]

No, but you could see that it was a little person.

[Lennon Parham]

And you also thought, Paul, because you said it out loud that you thought it was gonna be J. Moore.

[Jason Mantzoukas]

I thought Jay Moore.

[Paul Scheer]

I thought Jay Moore at a certain point.

[Lennon Parham]

Did anybody else notice that when Louis Guzman was at the casino and he was supposed to be surrounded by like a gorgeous woman, they may have just.

[June Diane Raphael]

Gone to CityWalk and gathered up some women they found and put them movie.

[Jason Mantzoukas]

I shot this entire movie in a Bubba Gump shrimp factory.

[Paul Scheer]

I will. It looked like they did.

[Jason Mantzoukas]

It looks like.

[Lennon Parham]

It looks like that the movie times square. Like 20,000.

[June Diane Raphael]

Oh.

[Jason Mantzoukas]

Mars 2012.

[Paul Scheer]

Mars 2012. Have you ever been to New York? That restaurant has better production values.

[June Diane Raphael]

Yes.

[Paul Scheer]

A hundred million dollars to make $100.

[Lennon Parham]

Million out of Eddie Murphy's budget.

[Paul Scheer]

Opening weekend. Two million.

[June Diane Raphael]

That's insane.

[Lennon Parham]

Do you think Eddie Murphy should have killed himself after? Do you think he demanded twice his fees since he was cloned in the movie?

[Paul Scheer]

I have to say I am not. This is the beginning.

[Jason Mantzoukas]

I wonder about that maid. That maid played like 20 different maids in every.

[Lennon Parham]

That was the same maid from the hotel.

[Jason Mantzoukas]

Yeah, it was the same girl.

[Lennon Parham]

So you think all those models of those robots look exactly alike.

[Jessica St. Clair]

But what about Randy?

[Lennon Parham]

But then why didn't we see more Randy Quinn?

[Jessica St. Clair]

Cause he was a 63.

[Jason Mantzoukas]

Yeah. Cause he's an old model.

[Paul Scheer]

Can I just say, though, I think that regardless of how bad this movie was, I didn't feel like Eddie Murphy was phoning it in. He didn't seem.

[Jason Mantzoukas]

He was acting.

[Paul Scheer]

He was acting.

[Jason Mantzoukas]

No, no, he was acting.

[Jessica St. Clair]

I will say this. It was not in his wheelhouse. They were asking him.

[Paul Scheer]

Well, I don't know why they were even asking, but it's not an action movie. It's not.

[June Diane Raphael]

He was doing a lot of naturalistic acting. A lot of lower energy stuff.

[Jason Mantzoukas]

Yes.

[June Diane Raphael]

Which I don't know. We're not coming to the. We're not paying our tickets to see low energy stuff.

[Jason Mantzoukas]

Well, also, like this is, if I'm not mistaken, like the E of Nutty professor and like his big kind of crazy roles.

[Lennon Parham]

And I'll tell you what, there were some, you know, there were some shots when he just smiles and laughs even a little, where I found myself very charming.

[Paul Scheer]

Yeah, I agree. I was very with you.

[Jason Mantzoukas]

And I did really feel. Oh, there's a great moment. Because. Only because I was obsessed with the movie as a Star wars ripoff in a lot of ways.

[June Diane Raphael]

That's very kind.

[Jason Mantzoukas]

The lunar chase. The. He's basically Han Solo who's a smuggler. The. All these. And then at the beginning, in the first big shootout, she runs in and she screams, it's a trap.

[June Diane Raphael]

Yeah, she tried.

[Jason Mantzoukas]

Which is like a total Star wars line. I was like, I wonder if they're making this, if they're doing this on purpose. Just like burying these little Star wars references.

[Paul Scheer]

I will say, just to put it in perspective, this is a very sad time in Eddie Murphy's career. This movie came out. These are the movies that came out roughly around Pluto Nash, Dr. Doolittle 2, Showtime, Eddie Murphy and Robert De Niro, I Spy, Eddie Murphy and Owen Wilson. And then it was Haunted Mansion.

[Jason Mantzoukas]

Oh, no.

[Paul Scheer]

And then I guess he didn't really get back on track. And then Dreamgirls came out.

[June Diane Raphael]

Was this around the time of his arrest?

[Jason Mantzoukas]

No, no, that's. I think that's.

[June Diane Raphael]

Let's get a date on that.

[Jason Mantzoukas]

I think that's really.

[Paul Scheer]

Yes, I'm gonna get on that right now.

[Jason Mantzoukas]

Computer search for criminal Masterminds. Earthlings.

[Paul Scheer]

Initials WW97. He was arrested.

[June Diane Raphael]

But it's not that. That's five years. That's not a long time.

[Paul Scheer]

I don't think he was bringing that baggage in.

[Lennon Parham]

Yeah, I did.

[June Diane Raphael]

Because I felt there was sadness behind his eyes. That's what I saw.

[Lennon Parham]

You know what? I've done this scene, the first scene when his friend. Again. Did he know J. Moore before?

[Jessica St. Clair]

Yeah, they were old friends.

[Lennon Parham]

Okay, fine. But that first scene when his best friend's about to get acid poured down.

[Jessica St. Clair]

Throws just playing it.

[Lennon Parham]

It was so casual.

[June Diane Raphael]

He didn't care. You know.

[Jessica St. Clair]

What's the name of that scene though, guys?

[Jason Mantzoukas]

This is what I felt.

[Jessica St. Clair]

Even the gangsters were playing it kind of.

[Jason Mantzoukas]

Yes.

[June Diane Raphael]

Was it?

[Jason Mantzoukas]

That scene is the best scene in the movie. Everybody's playing it more real Eddie Murphy is dressed in normal clothing and the minute it goes seven years later, it is as if it's. Everybody's in colorful zoot suits. It's like the moon is suddenly Disneyland. Or weird.

[June Diane Raphael]

Like I felt like the first scene was like Barry Levinson could have directed it.

[Paul Scheer]

Yes.

[June Diane Raphael]

You know, and then they fired him.

[Jason Mantzoukas]

And they brought in Barry Sonnenfeld.

[Paul Scheer]

Except for the jug of battery acid. Now, clearly we did not love this movie, but there are some people who really did. And now it's time for a second opinion. These are reviews from Amazon.com People who had a different thought about this film. If you want to relax and have fun while eating popcorn, then this is the movie for you.

[Jason Mantzoukas]

Politely disagree.

[Paul Scheer]

Five stars.

[Jason Mantzoukas]

No.

[June Diane Raphael]

What?

[Lennon Parham]

I love that. Because that's just about having something to do while you eat popcorn.

[June Diane Raphael]

You don't need an excuse, by the way. Yes, you can eat it whenever you want.

[Paul Scheer]

Nope. This guy thinks it's a.

[June Diane Raphael]

If you want a bag of smart food, eat it.

[Jessica St. Clair]

Whatever you want.

[June Diane Raphael]

If you're already eating while you're eating.

[Jessica St. Clair]

While you're eating it, you need.

[Jason Mantzoukas]

Well, if you want a secondary activity to your main activity which is shoveling popcorn in your fat fucking face, then you could do worse than. Look at this moving image.

[Paul Scheer]

Here's another five star review from J. Neal Shulman. Pluto Nash just tells a good, solid, well plotted near future science fiction adventure story with a light touch. The sort of story that fans of Heinlein's short stories. It's great to be back back. And the Menace from Earth would appreciate. That's true.

[June Diane Raphael]

Is that.

[Paul Scheer]

Yeah. No.

[June Diane Raphael]

But maybe sci fi fans. Maybe there's something of the serial nature of the.

[Jason Mantzoukas]

I don't think so.

[Paul Scheer]

I don't know. I'm a big fan of Star Wars Spaceballs and Titan ae. And this goes right on the shelf next to those in that, by the.

[Jason Mantzoukas]

Way, next to your bottle. That's a perfect order. That's a perfect order in descending order of great movie to drek.

[Paul Scheer]

I love Spaceballs, but baseball's number two Star wars, baseball's Titan ae garbage, terrible garbage. And then Pluto Nash. Those movies are like, you don't share anything in common.

[Jason Mantzoukas]

It's like, I love Citizen Kane. I love Caddyshack.

[Paul Scheer]

Sea of Love with Al Pacino, Abduction.

[Jason Mantzoukas]

With Taylor Lautner, how to Lose a.

[June Diane Raphael]

Guy in 10 days with Kate Hudson.

[Lennon Parham]

I enjoy that.

[June Diane Raphael]

Great film.

[Paul Scheer]

Oh, my God, no, you don't.

[Jason Mantzoukas]

Nobody enjoys that.

[Lennon Parham]

We did enjoy chemistry.

[Jessica St. Clair]

Any.

[Paul Scheer]

Any final thoughts we have not addressed.

[Jessica St. Clair]

Can we just give a shout out to the one man orchestra joke?

[Paul Scheer]

Oh, that was pretty good.

[Lennon Parham]

That was a joke.

[Jessica St. Clair]

Made me smile.

[Jason Mantzoukas]

Can we talk about Randy Quaid as a robot, please? Do we have any clips of Randy Quaid as the robot?

[Paul Scheer]

There are no clips online.

[Jason Mantzoukas]

I'm telling you, guys, watch this movie just for the Randy Quaid scenes.

[June Diane Raphael]

That's great.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

You know what he is like, it's like he's a cartoon character in the movie. You know what I mean? Like, he moves.

[June Diane Raphael]

He's a human cartoon character.

[Jason Mantzoukas]

He moves at crazy angles. He speaks with a modulated robot voice probably.

[Paul Scheer]

You know what? I just found a clip I can play it in. He's bald.

[Jason Mantzoukas]

He's bald with zapper head things in his eyes.

[June Diane Raphael]

Did they make him taller than he is? How tall Randy Quaid is?

[Jason Mantzoukas]

Well, everybody knows Randy Quaid is too.

[June Diane Raphael]

Is he? Well, I think promising basketball.

[Jason Mantzoukas]

Universally known.

[Jessica St. Clair]

Tall man for sure.

[June Diane Raphael]

No, but he looked much. But Eddie Murphy's not a big man.

[Jason Mantzoukas]

No, no, he's teeny tiny.

[June Diane Raphael]

Yeah, he's a teeny tiny person.

[Jessica St. Clair]

I also liked when Luis Guzman said that Pluto Nash was the Tito Puente of rail hopping.

[Jason Mantzoukas]

Yes.

[Jessica St. Clair]

Which is their term for smuggling.

[Jason Mantzoukas]

Which I was like, why make that reference? That reference is at this point, a hundred years old.

[Paul Scheer]

Again, they watch Jimmy. Yeah. They're not there.

[Jessica St. Clair]

You were watching that Humphrey Bogart. Oh, that was a nice cut from when that guy got shot and fell down to the Humphrey Bogart movie where the same was happening.

[Jason Mantzoukas]

No, it's. Wait, is that Public Enemy? Is that James Cagney? Public Enemy?

[Paul Scheer]

Yeah, that was Public. I think that was Public Enemy.

[June Diane Raphael]

It probably cost a lot to get that clip. That's why they didn't have the money.

[Paul Scheer]

That was $100 million.

[Jason Mantzoukas]

All the money paying Eddie Murphy twice. And on that clip of James Cagney.

[Paul Scheer]

Would you guys recommend people watching this movie? I don't think I would. I don't think so.

[June Diane Raphael]

It's not even fun.

[Paul Scheer]

It's not fun.

[June Diane Raphael]

It's not fun. It felt like homework.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Well, here's it.

[June Diane Raphael]

I gotta get through this.

[Paul Scheer]

I felt bad for you guys watching.

[Jason Mantzoukas]

At a certain point, I was like, fuck, this is interminable. How much do I have left? And I'd only been watching 24 minutes.

[Lennon Parham]

Yeah.

[Jason Mantzoukas]

And I almost burst into tears.

[June Diane Raphael]

Yeah, I totally.

[Paul Scheer]

Because there is no joke.

[June Diane Raphael]

Your life is precious. Do you know what I mean? Your moments.

[Jason Mantzoukas]

My time is worth more than this.

[June Diane Raphael]

The sands and an hourglass. Those are the days of our lives. Don't waste it watching Cuda.

[Paul Scheer]

And it's only an hour and 34 minutes. It is not a long movie.

[June Diane Raphael]

I watched it in two installments.

[Jason Mantzoukas]

You know what? It should have been a TV series.

[June Diane Raphael]

Yeah.

[Lennon Parham]

Well, clearly they primed it for there are more adventures out there, which is not one.

[Paul Scheer]

We did the work for you on this one. Do not watch this. Do not watch this movie.

[Jason Mantzoukas]

Really? Or watch 10 minutes just to be like, oh, that's why this is so.

[Jessica St. Clair]

But don't watch. Well, you could watch the beginning, since that's the best scene. According to Manzuka.

[Jason Mantzoukas]

It's not the best scene as much as it is just like the scene that seems most. Like most. I don't know.

[June Diane Raphael]

That's where you'll also be the most confused because you're gonna say, is this a drama? Is this a comedy?

[Paul Scheer]

Yeah. One last thing. And you'll ask that for one last thing.

[Lennon Parham]

Paul. When Eddie Murphy gets all the fixings for a martini, when Rosario Dawson brings it up and he doesn't make a martini in the glass, he just drinks.

[Paul Scheer]

The hot gun, he makes it in his mouth.

[Lennon Parham]

Was that a joke?

[June Diane Raphael]

Well, of course he didn't chew the olive. Also, he swallowed that thing whole.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Eddie, I have a question.

[Jessica St. Clair]

There were 40 olives.

[Jason Mantzoukas]

I have a question. So they get to the hotel, right? They get to Lunar Beach. They check into the hotel and the guy's like. And they get tickets to see Jay Moore perform.

[Jessica St. Clair]

Then they get recognized?

[Jason Mantzoukas]

Yes. Then, no, no, not yet.

[Lennon Parham]

First robot gets to first.

[Jason Mantzoukas]

The guy's like, well, it's Black Ties, but we have rentals available, right? So then it cut to them and they're in black attire, which I assume means they rented it.

[June Diane Raphael]

Fits her like a glove.

[Jason Mantzoukas]

I assume they rented this stuff.

[Jessica St. Clair]

Wow.

[Jason Mantzoukas]

And then when Eddie Murphy gets brought up to see Rex Gardner Whatever his name is.

[June Diane Raphael]

Rex Gardner.

[Lennon Parham]

Rex Carter.

[Jason Mantzoukas]

Carter. Rex Carter.

[Jessica St. Clair]

Carver.

[Jason Mantzoukas]

Carver.

[Lennon Parham]

John Carter.

[Jason Mantzoukas]

John Carver from Mars. When Eddie Murphy gets brought up, he and Rex are wearing identical clothes.

[Paul Scheer]

Yes.

[June Diane Raphael]

And why is that?

[Jason Mantzoukas]

So do we presume that the guy who's the criminal mastermind rented his tux as well?

[Paul Scheer]

No, he makes everybody. He goes, well, look, I'm gonna wear the same tux every day. And they. Oh, well, let's. You know, I think it. I think he's.

[Jason Mantzoukas]

How do they wind up in the same clothes?

[Paul Scheer]

To me, it's a. Steve.

[Jason Mantzoukas]

Because they have to.

[Jessica St. Clair]

They all make a reference, though, to the fact that he can afford to get his own tux. He doesn't have to rent it, right?

[Paul Scheer]

To me, I saw him like Steve Harvey of the Moon. I saw him as like, he has a line of tuxes you're going to rent.

[Jessica St. Clair]

You know what's going to happen because he has access to everything in Eddie Murphy's brain.

[Jason Mantzoukas]

He doesn't know the future.

[Jessica St. Clair]

Nobody said. He said he has.

[Paul Scheer]

He can remember.

[Jessica St. Clair]

He can remember only from before appendix surgery.

[Jason Mantzoukas]

Guys, there is no reason why they are in other than they need it for. Shoot him. No shoot him. No shoot him.

[June Diane Raphael]

Vaudeville routine.

[Lennon Parham]

You guys, you don't think that. You don't think that Rex Carter had a gazillion cameras in that hotel and knew that Eddie Murphy. Real good Eddie Murphy. Pluto Dash was heading up that way and had rented and was wearing that.

[Jason Mantzoukas]

And was like, quick, get me that tux.

[Lennon Parham]

Get me that tux. For dramatic effect. Get me that tuxedo when I turn around in this chair.

[Jason Mantzoukas]

Get me that tux. In case we get in a scenario where a gun is loose and both of us are standing there and we need to do one of those classic Shoot him. No shoot hims. Like, whoa, Who? Who? How? Wait, what? No, they.

[Paul Scheer]

It's never going to make any sense. It was the words. It's everything about this movie. If it's not lazy, it's offensive. It's offensive on so many levels.

[June Diane Raphael]

The guns look like super soakers.

[Jason Mantzoukas]

If you've ever written.

[Paul Scheer]

I've read short stories by second graders that make more linear sense in this movie. So do not go see this movie ever. But do tune in to Best Friends Forever, which is Wednesday nights, 8.

[Lennon Parham]

Can't wait.

[Paul Scheer]

8:37 30 Central. Who else?

[June Diane Raphael]

It takes place on the moon, ironically enough.

[Jason Mantzoukas]

Really?

[June Diane Raphael]

Two best friends who live on the moon.

[Paul Scheer]

You guys are trying to open up a club?

[Jason Mantzoukas]

Just Further Adventures of Plutonash.

[Lennon Parham]

Plutonash and Bruno.

[June Diane Raphael]

Yeah, and London and I got zoot suits made to fit us like a glove.

[Jason Mantzoukas]

Is there a riot?

[June Diane Raphael]

Like a second skin?

[Jason Mantzoukas]

Is there a riot any of the episodes?

[Paul Scheer]

I know that you finished your first season, but I would like to ask that if you do a second season, you should have a club owner come in. Pluto Nash. Come in. I love that. Yeah. Do you have a local bar that you go to in the show?

[June Diane Raphael]

Yeah, of course.

[Jason Mantzoukas]

What's it called?

[June Diane Raphael]

It's going to be called Club Pluto. We never.

[Jason Mantzoukas]

Please.

[June Diane Raphael]

Yeah, we're going to do that.

[Lennon Parham]

You're going to want to adr, please.

[June Diane Raphael]

Call it Club Plutarch. You're going to want to ADR that in also.

[Paul Scheer]

I do love that his name is Pluto and they're on the moon.

[Lennon Parham]

Everybody else's names are like Dina and Tony.

[June Diane Raphael]

He was born on the moon, right? Eddie Murphy.

[Paul Scheer]

No, but they hate. But they talk about how they want to go back to Earth. It seems like it would be easy to go back.

[Jason Mantzoukas]

But he also.

[Jessica St. Clair]

I think he was born.

[Jason Mantzoukas]

He grew up on the moon.

[Jessica St. Clair]

Remember?

[Jason Mantzoukas]

He shows her the stars through the car window. And it's like when I was a kid, I used to come out here and look at the stars and try and count them.

[Jessica St. Clair]

And when he went to Earth, all he wanted to do was get back.

[Paul Scheer]

But then he hates not being on the on. He hates being on the moon because he can't see the moon from the ground.

[Lennon Parham]

Where did they get their vitamin D, is what I want to know?

[Jason Mantzoukas]

Oh, you know what we didn't talk about?

[Jessica St. Clair]

Two weeks. Two weeks of darkness. Two weeks of light.

[Jason Mantzoukas]

You know what we didn't talk about at all.

[June Diane Raphael]

Is that right?

[Jason Mantzoukas]

Yes, that's what he said. Night lasts for two weeks.

[Paul Scheer]

We were just in the darkness.

[Lennon Parham]

Oh, man.

[Jason Mantzoukas]

Guys, can we talk about the varying degrees of gravity that affected them throughout the movie?

[Eddie Murphy]

Oh.

[Jason Mantzoukas]

Oh, I have my favorite.

[Jessica St. Clair]

And then she's just like. Floats back down to the ground.

[Lennon Parham]

The laws of gravity do not apply.

[Jason Mantzoukas]

Sometimes they can just walk around outside, but sometimes they float away. Sometimes things they throw just float around. And sometimes they can throw them at each. It was like. I was like, is there gravity here?

[Paul Scheer]

Okay, my favorite part is Rosario Dawson puts on the spacesuit. She puts it on and goes wee. And she just jumps up. And he's like, that was fun. That's the extent of her exploring weightlessness.

[Lennon Parham]

$100 million. And there were no more zero gravity scenes.

[Paul Scheer]

No, there was.

[Jason Mantzoukas]

There was the big shootout, zero gravity scene.

[Paul Scheer]

By the way, every gun in this movie, whenever they shoot it, an explosion happens.

[Jason Mantzoukas]

Yes.

[Paul Scheer]

Nothing. No bullets. It's just like.

[Jason Mantzoukas]

And they all sound like. They all look like regular guns from now, but. But they go, pew.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Like the laser sound is so amazingly terrible.

[June Diane Raphael]

I actually thought to myself that perhaps Pluto Nash was bought the idea just from the description of. And we're gonna have a fight scene in Anti Gravity. You know, that could be enough for somebody.

[Jason Mantzoukas]

That's how Inception got made.

[Lennon Parham]

I think it was bought based on that last scene. On the last scene, Murph's on Murphs.

[June Diane Raphael]

Murph's on Murph section.

[Jason Mantzoukas]

Oh, yes.

[Jessica St. Clair]

That's why he signed on to do it.

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

Yeah.

[Paul Scheer]

We're never gonna make sense of it until we get the right on. So if you know this is gonna.

[Jason Mantzoukas]

Be the longest podcast ever to. Because we're so confused.

[Paul Scheer]

Please, if you are involved in this movie, come on, let's.

[Jason Mantzoukas]

We should try and get Victor Vernato.

[Paul Scheer]

Victor talk about. Victor has said some funny stories about it. I wonder if he'll now talk about it 12 years later. Also, your show is available. You can watch it immediately online. So whenever you listen to this, if it's not Wednesday, but if you're not setting your DVRs, you can watch the whole pilot episode.

[June Diane Raphael]

Get a bag of popcorn. You know what I mean?

[Paul Scheer]

Yeah.

[Lennon Parham]

You're gonna have to watch something.

[Paul Scheer]

You're gonna have to watch popcorn Fun.

[June Diane Raphael]

It does. It does. It's usually such a chore.

[Paul Scheer]

Best Friends Forever, Wednesday nights.

[Lennon Parham]

Colonel I never know where to put my eyes when I'm eating popcorn.

[Jason Mantzoukas]

Is there nudity in your show?

[Jessica St. Clair]

Yes, male nudity.

[Jason Mantzoukas]

Really? Male.

[June Diane Raphael]

Male nudity. And then a hot scene between Lennon and I where I pull her on top of me in a bathtub and she almost drowned me.

[Jessica St. Clair]

It's episode two.

[June Diane Raphael]

And episode two.

[Lennon Parham]

This is the. I am most excited to see this show out of any show that's coming out.

[Jason Mantzoukas]

See, that's how I feel about Betty White's Granny Wars.

[Lennon Parham]

I know, I know. What are you called?

[June Diane Raphael]

Granny's Gone Wild.

[Jason Mantzoukas]

I was going to say Granny Wars. By the way, I'm pitching a show called Granny Wars.

[Paul Scheer]

As always, you can follow myself allsheer on Twitter June issjundian. Jason is not on Twitter, but visit us on our Facebook page and@the earwolf.com site. Leave us comments, questions, whatever. We look at them and hopefully we'll be selling our new T shirt very shortly. So that's it for us. Thank you very much. See you next time.

[Unknown]

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[June Diane Raphael]

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[Lennon Parham]

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