Sinbad of the Seven Seas LIVE! w/ Jessica St. Clair

Summary

How Did This Get Made? Episode: Sinbad of the Seven Seas LIVE! w/ Jessica St. Clair

Release Date: May 30, 2025

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1. Introduction to the Episode

In this live episode of How Did This Get Made?, the award-winning comedy podcast hosts Paul Scheer, June Diane Raphael, and Jason Mantzoukas are joined by special guest Jessica St. Clair. Filmed live at the Tree Fort Music Festival, the trio dives deep into the puzzling and often nonsensical 1989 film, Sinbad of the Seven Seas.

2. Overview of "Sinbad of the Seven Seas"

The episode kicks off with Paul Scheer introducing the movie:

"Edgar Allan Poe is not a lie, but it's not fiction. Well, it is." [04:50]

Paul sets the stage by highlighting the film's convoluted plot and questionable production choices, emphasizing that Sinbad of the Seven Seas is a film burdened with inconsistencies and baffling narrative choices.

3. Discussion on Plot and ADR

The hosts delve into the film's plot, noting significant discrepancies and the heavy use of ADR (Additional Dialogue Recording):

"If you've not watched this movie, it's completely ADR'd, which means that no dialogue was recorded on set." [06:00]

Jessica St. Clair adds her confusion over the film’s storyline, particularly regarding the nonexistent prince and the fragmented narrative structure. The discussion underscores how ADR negatively impacted the film’s authenticity and coherence.

4. Specific Scenes and Characters

The conversation shifts to dissecting memorable (albeit bewildering) scenes and characters:

• Jafar and Doppelgangers:

  "They look exactly the same. But the drawings are my headlining." [25:04]

  The hosts humorously critique the character design, drawing parallels between Jafar from Aladdin and the film's antagonist, suggesting a lack of originality.

• Sinbad's Heroics:

  "Sinbad doesn't even fight Jafar. He just turns Eir into Sinbad." [27:55]

  They highlight the absurdity of Sinbad's actions, questioning the logic behind major plot points and character motivations.

• The Snake Scene:

  "He's talking so sexy to him. And then seemingly leaves those snakes hanging." [31:29]

  The hosts find the portrayal of Sinbad’s interaction with snakes both disturbing and out of place, critiquing the film’s attempt at depth that falls flat.

5. Production Backstory

A significant portion of the discussion reveals the tumultuous production history of Sinbad of the Seven Seas:

"The original director was replaced by Enzo G. Castellari, who changed Cozy's script drastically." [62:07]

Paul Scheer explains how the film's original director, Luigi Cosi, was ousted and replaced by Enzo Castellari, leading to budget overruns and incoherent reshoots. The use of stock footage from other films, such as Hercules Against the Moon Men, further complicated the movie's continuity.

"Lou Ferrigno has said this is his favorite film that he's ever made." [64:43]

Despite its flaws, Lou Ferrigno, who stars as Sinbad, ironically considers it his favorite project, adding another layer of humor to the podcast’s critique.

6. Audience Interaction and Questions

The live format allows audience members to pose questions, which the hosts tackle with their characteristic humor:

• Question from Andy:

  "How bad is that unreleasable footage?" [50:43]

  Paul provides an overview of the production issues, emphasizing the chaotic efforts to salvage the film.

• Question from Scott:

  "Did you guys catch this documentary?" [52:35]

  The hosts discuss the elusive documentary Capitan Cosi, expressing skepticism about its availability and relevance.

• Question from Gavin:

  "Did Sucre's hair change actors?" [61:43]

  They humorously speculate on the inconsistent character portrayals, attributing it to possible reshoots and budget constraints.

7. Final Thoughts and Conclusion

As the episode wraps up, the hosts reflect on the sheer absurdity of Sinbad of the Seven Seas:

"The movie is playing hard to get. It doesn't answer any of the questions I had, which kept me interested." [73:23]

Jason Mantzoukas summarizes the episode’s sentiment:

"It's dumb as hell, but, like, very watchable in ways that are truly confounding." [73:13]

Paul Scheer closes the discussion by appreciating the film's unique charm despite its numerous flaws, encapsulating the podcast's mission to celebrate and dissect the worst movies ever made.

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Key Takeaways

• Production Chaos: The film experienced significant directorial changes and budget issues, leading to a disjointed final product.

• Plot Inconsistencies: Numerous plot holes and nonsensical narrative choices detract from any semblance of a coherent story.

• Character Critique: Characters lack depth and originality, with designs and motivations often feeling recycled or underdeveloped.

• Humorous Dissection: The hosts use humor to highlight and critique the film’s many shortcomings, providing an entertaining analysis for listeners.

Notable Quotes

• Adr Blend: "If you've not watched this movie, it's completely ADR'd, which means that no dialogue was recorded on set." [06:00]

• Jafar Doppelgangers: "They look exactly the same. But the drawings are my headlining." [25:04]

• Snake Scene: "He's talking so sexy to him. And then seemingly leaves those snakes hanging." [31:29]

• Production Backstory: "The original director was replaced by Enzo G. Castellari, who changed Cozy's script drastically." [62:07]

• Final Thoughts: "It's dumb as hell, but, like, very watchable in ways that are truly confounding." [73:13]

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For those who haven't listened to this episode, Paul's insightful yet comical breakdown of Sinbad of the Seven Seas provides both entertainment and a deeper appreciation of what makes a "bad movie" memorable. Whether you're a cinephile or just in for some laughs, this episode is a testament to the podcast's ability to find humor and intrigue in the least expected places.

Transcript

[Paul Scheer]

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[Jason Mantzoukas]

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[Paul Scheer]

If you don't like this movie, blame Edgar Allan Poe. We saw Sinbad of the Seven Seas so you know what that means. Or maybe see a burlesque show with.

[Jason Mantzoukas]

Nick Crow and take a bubble speed.

[Paul Scheer]

Till hitting cruise control J man Big.

[Jason Mantzoukas]

Paul in the beautiful Jewel gonna take.

[Paul Scheer]

You from the groove all the way.

[Jason Mantzoukas]

To the room Ren against the street.

[Paul Scheer]

Fight and hope to blow off steam Just a sucker punch the eye light.

[Jason Mantzoukas]

For Timothy green sharp middle the slur.

[Paul Scheer]

Demick how we staying alive they call.

[Jason Mantzoukas]

Him in the badass and he's on.

[Paul Scheer]

The line cranking 88 minutes cause they cool as ice cause the bad gym Barney looking kind and nice Paul is June getting litable? Jason is getting laid June is making sure all the monkey shots in the PA Just a bunch of movies while they making the grave. Here's a real question for you. How did this get made? Hello people of Earth hello people of Morty. All right, we are live at the Tree Fort Music Festival to talk about a little film called sinbad of the seven seas which shockingly came out in 1989. 1989. One year before 1990. Just want you to pull that all together. I'm out of breath trying to break out of that cage. I got a lot more respect for Lou Ferrigno. IMDb describes this movie as Sinbad and his shipmates and a young prince must battle an evil wizard to gain a hand of a beautiful princess. Kinda, I don't know. Doesn't feel exactly like it's catching. It kind of seems like Sinbad goes on an adventure, he cuts to get some jewels. And sometimes plots are just completely dropped. Like mentioning the prince is offensive to me because I rewatched the end of this movie four times just to make sure I didn't miss that. The prince is not there. The prince ceases to exist. Oh, by the way, if you've not watched this movie, it's completely ADR'd, which means that no dialogue was recorded on set. A little child is voiced by what I would say is a 30 year old woman. And just in case you're wondering, we'll get into this a little bit later. This is not based on any Edgar Allan Poe story that we can find. I mean, yes, he wrote a story, but this is not based on that tagline is he must conquer evil on land and at sea. Okay, again, not too exciting of a tagline. There is no box office. There is no domestic gross. This came straight to DVD videotape. Whatever. It was thrown out with the trash at one point. And we are lucky enough to get it now. We are going to break down this movie. Every beat of it. And there are a lot of beats. But first, let me welcome my co host. Please welcome to the stage, Mr. Jason Mantzoukas.

[Jason Mantzoukas]

Sub Jerks. Let's go. Let's go. Boise. There's a boat outside. We're all going to see. It's happening. Oh, I'm out of breath now.

[Paul Scheer]

I am too. I don't know what it is.

[Jason Mantzoukas]

What altitude are we at?

[Paul Scheer]

I thought that was just a Denver thing.

[Jason Mantzoukas]

I don't like it.

[Paul Scheer]

Equally out of breath for doing nothing like what's happening. I die on this tour.

[Jason Mantzoukas]

Wow, wow, wow. Look at us. Look at us. Brand new. Look at that brand new city. Boise, baby. I believe the only city on this tour we have never been to. Yeah, right.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

You better fucking bring it. Boise. You better fucking bring it.

[Paul Scheer]

So many people say. So many people say no one comes to Boise. And we said, we will come to Boise.

[Jason Mantzoukas]

We will come. Boise. By the way, love these doppelgangers.

[Paul Scheer]

Oh, they are amazing. We, we got Home Run Home Run.

[Jason Mantzoukas]

Doppelgangers.

[Paul Scheer]

Well, hold on, let me. The doppelgangers were great, but watch this. Jafar, are you still here? Whoa.

[Jessica St. Clair]

Oh, wow.

[Jason Mantzoukas]

And Jason, here's my only note. The guy overacted more. You could have overacted.

[Paul Scheer]

So, Jason, Paul, has this movie ever come across your.

[Jason Mantzoukas]

Wow. Yeah, wow. Never once. Right. But this bears such a striking resemblance to a movie I saw as a child, which was Lou Ferrigno playing Hercules. Yes, it's the movie where he throws a bear into space and it becomes the star constellation Ursa Major, which.

[Paul Scheer]

Didn't we do that on the show? Did we? Yes, we did. Yes.

[Jason Mantzoukas]

Okay, then I also. Then I must have told this story about seeing it as a child.

[Paul Scheer]

Then we'll tell it again.

[Jason Mantzoukas]

I don't care. I saw it as a child. We all walked out. So I did have a moment at the beginning where I was like, hang on, wait a minute. And then I was like, oh, whoa. This is a full on other Lou Ferrigno Frazo. And the fact that you just said that the Edgar Allan Poe at the beginning was a lie is blowing my mind.

[Paul Scheer]

Well, not a lie, but it's not fiction. Well, it is.

[Jason Mantzoukas]

Edgar Allan Poe never existed.

[Paul Scheer]

True.

[Jason Mantzoukas]

That's what you said. And all the stories written.

[Paul Scheer]

Look it up.

[Jason Mantzoukas]

All the stories written by him were written by Marlo.

[Paul Scheer]

That's exactly right.

[Jason Mantzoukas]

Not a big. Not a big Marlo audience. Interesting. Interesting. Boise for a city that on its library has an exclamation point. That's right. That's right. Library.

[Paul Scheer]

Yeah. We'll get into the Edgar Allan Poe of it all in a second. But before we do, let's bring out our very special co host, a person who has been subjected to so many abs and so many pecs on this tour, and I feel like I should.

[Jason Mantzoukas]

Maybe rename this tour the Beefcake Tour.

[Paul Scheer]

I mean, it is shaping up to be that. Please welcome Jessica St. Clair. Welcome.

[Jessica St. Clair]

Hi, guys.

[Jason Mantzoukas]

Let's go.

[Paul Scheer]

Yeah. Jessica, Cuties. Jessica. Jessica.

[Jessica St. Clair]

Yes.

[Paul Scheer]

Is this your first time seeing a Lou Ferrigno film?

[Jessica St. Clair]

So Lou Ferrigno was briefly my neighbor.

[Jason Mantzoukas]

What?

[Jessica St. Clair]

He lived on my block. He had four tiny dogs which he walked.

[Jason Mantzoukas]

What era? Like what? General. How? Like somewhat recently.

[Jessica St. Clair]

Yeah, like ten years ago. Nine years ago.

[Jason Mantzoukas]

Oh, that's great.

[Jessica St. Clair]

Anyway, so what was confusing to me about this film is this is the type of movie that was like, around when my sexual awakening was happening as a young girl.

[Jason Mantzoukas]

Which was when?

[Paul Scheer]

89.

[Jason Mantzoukas]

89.

[Jessica St. Clair]

When is that? So it was. How old was I.

[Paul Scheer]

Year before high school?

[Jason Mantzoukas]

17.

[Jessica St. Clair]

No, before high school.

[Paul Scheer]

Yeah, before high school, yeah.

[Jessica St. Clair]

Yeah. So Flash Gordon, people tying people up, you know, casting spells. This type of stuff got me going.

[Jason Mantzoukas]

People tying people up, casting spells. Like, these are two very different kinks.

[Jessica St. Clair]

It's like a different time. Maybe it's space, maybe it's not. Maybe it's the olden days, maybe it's not.

[Paul Scheer]

Well, no.

[Jason Mantzoukas]

Movies were hornier. Movies were hornier. Kids these days, they don't know how to be horny because the movies aren't telling them.

[Jessica St. Clair]

That's right.

[Paul Scheer]

We're not getting enough. We're not getting enough horny movies. I mean, there was a whole level or a whole genre of movies were just like Sex crimes, right? It was just like, that's it. She fucks him and kills him.

[Jessica St. Clair]

Silk stockings, you know?

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Okay. Wait a minute. That's Skinemax.

[Jessica St. Clair]

Okay. But we had to find these things in the woods on basic cable. You know what I mean? We had to find it on a Saturday at 2.

[Paul Scheer]

Now our sex symbol is Mr. Beast.

[Jessica St. Clair]

The fuck is Mr. Beast? Who?

[Jason Mantzoukas]

St. Clair just said, who's Mr. Beast?

[Jessica St. Clair]

Who's Mr. Beast?

[Jason Mantzoukas]

That's mind blowing. Because even I know who Mr. Beast is, and I'm a fudgeing idiot.

[Paul Scheer]

Who's Mr. Beast? Mr. Beast is. Well, he's got a big reality show on.

[Jason Mantzoukas]

He's an enormous YouTube personality who does, like, stunty things. Like, if you can stand in one place for 46 days, I'll give you about that. I'll give you $5 million.

[Paul Scheer]

No, but then my joke is that he's not sexy.

[Jessica St. Clair]

Okay, well, if you have to explain your joke, it's not funny.

[Paul Scheer]

Well, St. Clair, it was based on that. You would know who he was halfway.

[Jason Mantzoukas]

Halfway. Halfway through the tour. St. Claire doesn't give a fuck. Also, St. Clair shows up to shows having not talked to anyone all day, and then it's straight nuts.

[Jessica St. Clair]

I know. And I like to go up to everyone's spouses, like, anybody fight today? Cause I'm all alone. I'm like, yeah, it sounds really annoying. Fight more. Anyway, no, so what I was saying is, when I saw this film, to be honest, deep in my loins, there was a stirring.

[Paul Scheer]

Wow.

[Jessica St. Clair]

There was.

[Paul Scheer]

Well, this is a horny movie. It is a horny movie.

[Jason Mantzoukas]

It's a horny movie. And also it's got like a oil jacked hairless for you.

[Jessica St. Clair]

Which I love.

[Jason Mantzoukas]

I know. I'm reminding that. Which I love.

[Jessica St. Clair]

And not the thin waist we saw last night with the Barbarian Brothers. He's pretty proportionate but at the same time, I'm juggling that with watching him walk his elderly pugs, you know, so there's a lot of different things going.

[Paul Scheer]

On because he's still a big guy. Like, he's not. He didn't lose the muscle.

[Jessica St. Clair]

No, he didn't. He's a wonderful husband. And so I used to stare in at them while they were eating dinner. Think, like, how does he sit in those tiny chairs?

[Jason Mantzoukas]

Would you talk to. Would you say hello?

[Jessica St. Clair]

Was there a little smile? Little Mona Lisa smile?

[Jason Mantzoukas]

What do you mean?

[Jessica St. Clair]

Just like a little. I see you.

[Paul Scheer]

So anyway, now, what happens if one day he comes knocking at your door? This is older. Lou Frigno wants to borrow something, you know, maybe some protein or whey and, you know, a cup of whey.

[Jessica St. Clair]

A cup of whey powder.

[Jason Mantzoukas]

Can I have a cup of whey?

[Paul Scheer]

You've just gotten out of the shower. No one else is home. Do you invite Lou in? Do you invite Lou into your house?

[Jessica St. Clair]

I'd give Lou a roll in the hay.

[Jason Mantzoukas]

For sure.

[Paul Scheer]

I would.

[Jessica St. Clair]

I have to tell you, I kind of enjoyed the film. Yeah, I did.

[Jason Mantzoukas]

I don't know why. I'll say this once again, and I'm so grateful. This tour has been very enjoyable. Movies, with the exception of Craven, that are not too long.

[Paul Scheer]

Right.

[Jason Mantzoukas]

This went down smooth.

[Jessica St. Clair]

It went down smooth.

[Jason Mantzoukas]

And I.

[Jessica St. Clair]

You could do your makeup while you're watching it.

[Jason Mantzoukas]

Yep.

[Jessica St. Clair]

We all sit in hot rollers, you know, while you're watching it. But, yeah, so anyway, I. That's a lot of conflicting feelings, but it's bringing back something, you know, very primal in me.

[Jason Mantzoukas]

Well, it's so glad. So glad then that you were able to watch it alone in a hotel room.

[Paul Scheer]

Now.

[Jason Mantzoukas]

Is that why you got kicked out of that hotel?

[Paul Scheer]

Now I just want to talk about the Edgar Allan Poe of it all. Let's pull up one of these stills here. We can pull up still 1. This is the title screen that we see.

[Jessica St. Clair]

Did anybody else feel like Edgar Allan Poe has Jason's eyes? Show me. Show them. Show them. Look out with your weird eyes. Look out. Does anybody see that resemblance? Am I right?

[Jason Mantzoukas]

Would you call them sexy eyes?

[Jessica St. Clair]

Nope. Creep. Creep eyes. Creep eyes.

[Jason Mantzoukas]

Hunky eyes.

[Jessica St. Clair]

Creep eyes.

[Paul Scheer]

Now, I will say, when the Edgar Allan Poe picture arrived, I was like, oh, maybe this is the production company, like Poe Productions. It's like, oh, no. Okay, we're getting a little history about Edgar Allen Poe. Don't know how this connects to Sinbad at all. And then we get to slide two. You Know, we're learning a little bit about him. We're seeing that he is the inventor of various literary trends like thrillers and science fiction. And we get to Slide 3 here, which kind of sets up that he wrote this book. The Thousand and Second Tale of. And this is the word I will not be able to.

[Jason Mantzoukas]

Scheherazade.

[Paul Scheer]

Scheherazade. Now, here's the thing. No similarity can be found between the plot of that tale and. And this story. If anything.

[Jason Mantzoukas]

Is it a Sinbad story, though? Is the title the same?

[Paul Scheer]

It says no similarity can be found between its plot and the story. It says it does borrow many elements from the 1940 film the Thief of Baghdad.

[Jason Mantzoukas]

Okay.

[Paul Scheer]

So I feel like they stole from something else, but they kind of put you off the path.

[Jessica St. Clair]

Yeah. Or maybe they were trying to legitimize it to say this is a family film and not the jerk off fest that it obviously is for people. But wait a second.

[Paul Scheer]

Edgar Allan Poe screams family film.

[Jason Mantzoukas]

Well, I felt like. I felt like this was an effort to make this movie feel like it had more gravitas or more weight. That it's like, oh, this isn't just a beefcake Sinbad movie with, like, cheesy nonsense.

[Jessica St. Clair]

Right.

[Jason Mantzoukas]

This is based on an Edgar Allan Poe story, which, check your records, is pretty important now. And then it's like, no, this is Lou Ferrigno doing absolute, like, knocking down, like, dozens of bad guys, holding as a weapon one of the bad guys.

[Jessica St. Clair]

Yeah.

[Paul Scheer]

Which we need more of in our movies. More horny people and more bad guys as weapons.

[Jessica St. Clair]

Yes.

[Paul Scheer]

Now I want to cut to slide 5 here, because this is where I knew we were off the rails. And this is it. That's how they end the opening crawl.

[Jason Mantzoukas]

Even Edgar Allan Poe doesn't look happy to be here.

[Paul Scheer]

I've never seen. It's like, this is based on a true story. And here it is. You motherfucker. Enjoy it. Like, they serve it like that. This has an energy to it.

[Jason Mantzoukas]

If I was the Edgar Allan Poe estate, I would sue canon films. Please don't, though. We love canon.

[Paul Scheer]

We love.

[Jason Mantzoukas]

When I saw that this was a canon movie, I was like, oh, thank God.

[Paul Scheer]

Well, I knew it was a canon movie when I saw. Let's just cut to clip number one here. The ADR in the film. Here, take a look at.

[Jason Mantzoukas]

Wow.

[Paul Scheer]

Now, if you're listening, just know that these voices do not match. This is clip number one. And you'll just get a little taste of the voices in this movie. Starts off Princess Bride style. Mom Telling a daughter story. I'll read you a story. It's a very strange story.

[Jessica St. Clair]

But you'll have to promise me you'll go to sleep afterwards.

[Jason Mantzoukas]

I promise. I hope you like this. I promise. It's Mommy. What happens to Sinbad, Mommy. I promise. Mommy.

[Paul Scheer]

Mother, I definitely promise. I'm a young girl and I promise you.

[Jason Mantzoukas]

This is basically the voice used in the Exorcist.

[Jessica St. Clair]

Yes.

[Paul Scheer]

I am so disturbed by this little girl's room. First of all, it looks like she's living in a dorm. Some sheet is just put up on the wall. A blue sheet. And I don't know if we could rewind it. But there is also a headshot, which is clearly the daughter's headshot. Okay.

[Jessica St. Clair]

Like when they cast her.

[Jason Mantzoukas]

Yeah. And they're like, oh, well, people won't know it's a headshot. They'll just think it's a picture.

[Paul Scheer]

Right. Her own headshot adorns her bed. That is a weird choice.

[Jason Mantzoukas]

This movie is. I will say this. There isn't a single normal choice in the movie. This movie is wall to wall weird choices.

[Jessica St. Clair]

But that's why I think it's great.

[Jason Mantzoukas]

Absolutely.

[Jessica St. Clair]

There's not even one normal. Nobody's trying to have a normal scene.

[Jason Mantzoukas]

No.

[Jessica St. Clair]

This is an insane. It's an hour and a half long bedtime story.

[Paul Scheer]

Oh, yeah. Where. Where the mom?

[Jason Mantzoukas]

1:30Am so much later, it's like sunrise has happened.

[Paul Scheer]

She's just like. And there are bleeding.

[Jason Mantzoukas]

Like, what happens next?

[Jessica St. Clair]

When do I get to sleep?

[Paul Scheer]

Clearly, the director saw Princess Bride and was like, I got it. But wouldn't it be more interesting if the narration never stopped?

[Jason Mantzoukas]

Wait, so. And.

[Paul Scheer]

And he go. And the mom goes off track multiple times. Like, well, Mommy, what's going on? And she's like, well, I think that he just felt that he wasn't into that. And she was probably like, I don't know. She's just riffing.

[Jason Mantzoukas]

Oh, like, not reading the daughter at a certain point should absolutely have been like, this story. This story has narrative problems.

[Jessica St. Clair]

Yeah.

[Jason Mantzoukas]

This story has. This has three problems. I don't understand. What's the all hope is lost moment?

[Jessica St. Clair]

Yeah.

[Paul Scheer]

What? I mean, the daughter. I was confused when I had to write down all the names. It's like, we have the Viking, we have Poochie.

[Jason Mantzoukas]

We have boy.

[Paul Scheer]

We have guys. Bald cook.

[Jason Mantzoukas]

The bald cook and Poochie, let's be honest, are useless.

[Jessica St. Clair]

And why? The bald cook looks like he's got a couple guns on him. He could do something.

[Paul Scheer]

He just hides the bald cook. At the only time in the movie where they eat, the Poochie comes out like, I made dinner. Well, why wasn't the bald cook making dinner?

[Jason Mantzoukas]

Is Poochie from the Simpsons.

[Paul Scheer]

Poochie is the dog. The cool dog from the Simpsons.

[Jason Mantzoukas]

Okay, cool. Just making sure.

[Paul Scheer]

Yeah. And when Poochie. Poochie P. I believe. And when Poochie does find my favorite part of the movie where Poochie does overhear Jafar talking to a mirror, which is not possessed. He's just talking into a mirror. He's not having any larger conversation. And then we watch the scene. Poochie hears him, then goes out. And then Revolution repeats it. And then there's also voiceovers like, this is the plot we're underlining. This is what's going on. Don't be confused.

[Jessica St. Clair]

Well, and I appreciate that, because then we go on some tangents and some sidestepping.

[Jason Mantzoukas]

Well, it is. The whole movie is just a series of quests, right? Every it's a vignette. Every it's like he's at the beginning of the movie. Jafar scatters. Also, we don't even start the quest for, like, so long.

[Jessica St. Clair]

No.

[Jason Mantzoukas]

You know, I was like, so anyway, Jafar sends all these gems all over the place. And so now they've got to go and recollect the gems and bring them back. Blah, blah, blah. So that's the whole movie. They just go on one thing after another. And they always fight him. Some sort of a guy in a big rubber suit who's either supposed to be rocks or slime or it's the same actor. Same thing for sure. Same thing every time.

[Paul Scheer]

The movie is going at a clip until they get to the island of the Dead. And then, like, you know what? Let's chill out here for an hour.

[Jason Mantzoukas]

Okay, Let me ask you this.

[Paul Scheer]

Every other quest, five, ten minutes, let.

[Jason Mantzoukas]

Me ask you this, because the island of the Dead made me think of it. Is what? Is what? I wish we had cut back to the mom telling the story. Right. As he shoves his hand into the King of the Dead's chest.

[Paul Scheer]

Oh, yeah.

[Jason Mantzoukas]

Pulls out his heart, which has his face on it.

[Jessica St. Clair]

Yep.

[Jason Mantzoukas]

Like, what's the story she's telling?

[Jessica St. Clair]

The little girl squeezes it. Green goo comes out of it.

[Jason Mantzoukas]

Yes. And Sinbad punched straight through his chest. Like, the daughter would be like, what?

[Paul Scheer]

Yeah, like, don't worry, daughter. His heart was in the shape of his own face. But that's the way the Legion of Death have their own hearts. Like Mini Me's Austin Powers. I Read the script. It's coming out soon.

[Jason Mantzoukas]

Does. Does my heart have a face, Mommy? Why would your heart face.

[Paul Scheer]

Look, why would your heart have your own face face? I mean. No, I say that as someone who was one of the actors in a movie called Meet Dave where Eddie Murphy was the captain of a spaceship that looked like Eddie Murphy.

[Jessica St. Clair]

That makes sense.

[Paul Scheer]

Makes some sense. Oh, there's nothing to watch. Says people trying to stream without Walmart Plus. Wait, Paul, Walmart plus, how does that help me stream? Well, when you sign up for Walmart plus, it's the only membership that that comes with Paramount plus subscription included, okay? So you're going to get some savings and then you get some quality streaming content, okay? Walmart is for people who want to save time and money, which is pretty much everyone, whether you're a busy parent, dedicated pet parent, student, I don't know, or just somebody who is cost conscious. Walmart benefits come in clutch for everyone. Okay, you got the Paramount plus subscription. So now you can watch blockbuster movies. Maybe when you're online with some of the purchases that you got at Walmart or shop online. It's just that simple. Walmart plus. It's Walmart Plus. Free delivery, free shipping, gas, discounts, video streaming and so much more. That's the Plus. It's Plus. So, so much more. So start a free 30 day trial at Walmart.com see Walmart PL plus terms and conditions $35 minimum. Paramount Plus Essentials plan only. Separate registration required. Focus Features an Indian paintbrush Present the Phoenician Scheme, an epic comedy adventure from director Wes Anderson. Starring Benicio Del Toro, Mia Tripleton, Michael Cera, Tom Hanks, Scarlett Johansson and Jeffrey Wright. Follow Zsa Jsia Corda as he races to survive assassinations, win back his daughter and pull off the greatest scheme of his lifetime. The Phoenician scheme. Rated PG13. In select theaters in New York and Los Angeles. May 30th. Everywhere. June 6th. You know, life can get busy for all of us. So it's important for us to pause every now and then and ask yourself a very important question. Have you had your Hershey's? You know what I'm talking about. That delicious, classic, creamy texture, that pure milk chocolate flavor that only comes with Hershey's milk chocolate. It brightens up your day. It puts a smile on your face. And whether you're eating it on the go, breaking off a few pieces for s' mores night, or just treating yourself to something sweet while you kick back and stream your favorite shows, Hershey's Milk chocolate checks all the boxes. I mean, now with kids, I find any reason to go and make it a s' mores night. A, because it's fun, and B, I get a little bit of my Hershey's milk chocolate. You know, I love a Hershey's milk chocolate bar right in my cupboard. So when the kids are asleep and everyone's in bed, I can have the perfect nightcap. Shop for Hershey's Milk chocolate now at a store near you found wherever candy is sold.

[Jessica St. Clair]

Did anybody. Was anybody disturbed by how much Jafar and the King, whatever his name is, look like the Aladdin character?

[Paul Scheer]

Yes.

[Jessica St. Clair]

Did they rip him off?

[Jason Mantzoukas]

No.

[Paul Scheer]

No.

[Jason Mantzoukas]

These are all characters that are in one film.

[Paul Scheer]

No.

[Jessica St. Clair]

But they look exactly like the drawings.

[Jason Mantzoukas]

Yes.

[Paul Scheer]

Right.

[Jessica St. Clair]

But the drawings are my head upline. Yes.

[Jason Mantzoukas]

So you think Aladdin ripped this movie?

[Jessica St. Clair]

I'm really concerned. Does anyone else? Is anyone else concerned? They look exactly the same.

[Jason Mantzoukas]

I feel like there's. When you go out there, I feel like some smart person. Maybe there's a librarian. The audience is gonna explain what's going on.

[Paul Scheer]

Wait, you mean a librarian?

[Jason Mantzoukas]

Yeah, library.

[Jessica St. Clair]

There's always a librarian in the audience. Anyway, I think that's very disturbing.

[Paul Scheer]

No, you were right. It definitely reminded me very much of Aladdin because I think it does steal from the story that Aladdin was based on. Now, you do bring up Jafar, which is by far the best performance by Jafar.

[Jessica St. Clair]

The best performance.

[Jason Mantzoukas]

Jafar. In a way, the best performance.

[Paul Scheer]

Jafar brings it and is only knocked off his perch for. And we'll talk about her in a little bit by Sucre.

[Jason Mantzoukas]

Sucre. Okay, now, so this is interesting because we've talked extensively about how the movie is all adr, which is additional recording, whatever dialogue recording, which is recorded after. So in almost every scene in this movie, they are not capturing sound on set.

[Paul Scheer]

Right. Which is a normal thing for Italian productions.

[Jason Mantzoukas]

Yes, yes, yes. Like, all the spaghetti Westerns are dubbed. Everything's dubbed except for the inter. These scenes in the. On set.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

So Supra and Jafar are two talking. That is, though. Those are their voices. And those scenes, as a result, are incredible. I mean, because Sucre is like, what's up? I'm Sucre. I'm here. Let's do this.

[Jessica St. Clair]

Yeah.

[Paul Scheer]

Sucre walked out of, like, Gold's Gym on Venice beach into.

[Jessica St. Clair]

I was like, Glamorous Ladies of Wrestling.

[Jason Mantzoukas]

I was like, fuck, yes, there's a red Sonja here. Let's fucking do this.

[Paul Scheer]

I'm coming for him. I'll get Them. And I was so excited to see Sucre's fight.

[Jason Mantzoukas]

Never happens.

[Paul Scheer]

Never.

[Jessica St. Clair]

I know.

[Paul Scheer]

She literally. The movie says she's like, I want to fight him. And I'm like, would have loved to see it. Would have. Don't ever see it.

[Jessica St. Clair]

Wasn't ready for it. Well, also, they weren't ready for a woman to fight.

[Jason Mantzoukas]

Sinbad doesn't even fight Jafar.

[Paul Scheer]

Yeah. Sinbad fights himself. I thought at one point I was like, maybe I missed Jafar turning Sucre into Sinbad.

[Jessica St. Clair]

No.

[Paul Scheer]

But no, he just turns Eir into Sinbad because he could have also turned himself into.

[Jason Mantzoukas]

Wouldn't it have been great if when Sinbad shows up, Jafar is first, like, Sucre, get him. So we got a big. A big battle scene. That would have been a big fight scene.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

I love Sucre. I love Jafar. Everybody is, I think, incredible in this. With the. With the possible exception of what's going on with Viking warrior. What's this guy's deal? Why do you. He does not talk full stop.

[Jessica St. Clair]

Yeah. He has a few lines, and his accent is all over.

[Jason Mantzoukas]

All over the place. And he is constantly getting his ass kicked.

[Jessica St. Clair]

Well, how old is he?

[Jason Mantzoukas]

He's the warrior.

[Jessica St. Clair]

Is he old?

[Jason Mantzoukas]

Oh, I think he's old.

[Jessica St. Clair]

I think he might be older.

[Paul Scheer]

Well, here's my thought. My thought is this. They're coming back from an exciting journey. We don't know what that journey was. And he's like, finally take some time off.

[Jessica St. Clair]

Some are in our.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

And.

[Paul Scheer]

And he's like, I gotta go back.

[Jessica St. Clair]

Some weight off the joint.

[Paul Scheer]

And I feel like he just is. You're seeing him suffer from, like, it's like almost when basketball players play, like a back to back.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

It's like he's playing a little tired. I feel like he. He's definitely carrying that energy.

[Jason Mantzoukas]

The only people worthwhile people I feel like on this team are the Chinese soldier of fortune and Sinbad.

[Jessica St. Clair]

Yes, they are Poochie and Lucy.

[Jason Mantzoukas]

Poochie is incredible. But Poochie and the bald cook are.

[Paul Scheer]

Always like, poochie's a rat. We got to get the little rat there, figure out what's going on.

[Jason Mantzoukas]

Is great. I wish they used to Poochie more, but they keep. They. That's what I couldn't figure out. Like, they. They spend all this time putting the team together like it's Fellowship of the Rings. And then they're like, okay, there's bad guys. Poochie, bald cook. You guys hide in the boat. We're going to go over here. And all separate. And then everybody gets either captured or turned into.

[Paul Scheer]

Like, they're always getting captured. They're always getting captured.

[Jason Mantzoukas]

They love getting captured and tied up.

[Paul Scheer]

Yeah, I. I do. There is a moment early on where they come back to Baskar, and they're in there. You know, they're in the castle. They're being held captive. Lou Ferrigno is down in the dungeon. And when this scene happens, when Lou Ferrigno talks to a snake, like, he's so validating. Who hurt you? Who hurt you?

[Jessica St. Clair]

And for that age at 89, for him to know how to validate another person's experience. Experience. And to say, I see you, snake. I understand you're afraid. Those are the 10 things we're supposed to talk to our kids like that.

[Jason Mantzoukas]

He would rather validate the snakes than the women in this movie. Wow.

[Jessica St. Clair]

Jason, you are an America's hero.

[Jason Mantzoukas]

Makes you think.

[Jessica St. Clair]

Why you're still single. Nobody knows.

[Jason Mantzoukas]

Makes you think.

[Jessica St. Clair]

Nobody knows.

[Paul Scheer]

Here's what I will say. I felt like, wow, he really gets these snakes. We should actually watch a clip of that. That's clip three. Please, I need your help. Come here. He's got a real connection with this snake.

[Jessica St. Clair]

Yeah, he does.

[Paul Scheer]

Nervous, huh?

[Jason Mantzoukas]

Nervous, huh? I know where you're coming from.

[Jessica St. Clair]

This is what. He'd talk like this if we were on a date.

[Jason Mantzoukas]

No. It'd be like, right before sex.

[Paul Scheer]

Well, to me, I felt like he was grooming.

[Jessica St. Clair]

Yeah, he was.

[Jason Mantzoukas]

You're right.

[Paul Scheer]

Because he. What he winds up doing is hurting the snakes very badly.

[Jason Mantzoukas]

Yes.

[Jessica St. Clair]

No snake would survive that.

[Jason Mantzoukas]

Survive. You can't.

[Paul Scheer]

When he's tying. He's tying tails.

[Jason Mantzoukas]

Like, I was like, let's be clear. Those aren't tails. Snakes don't have tails. They have body.

[Jessica St. Clair]

That's their body.

[Jason Mantzoukas]

That's the snake's body.

[Jessica St. Clair]

And he's ripping it to shreds.

[Jason Mantzoukas]

Have a tail.

[Paul Scheer]

So he is putting his full body weight on those snakes, and he's talking so sexy to him. And then seemingly leaves those snakes hanging.

[Jessica St. Clair]

Shreds.

[Jason Mantzoukas]

He's forgetting an essential part of it. His full body weight.

[Paul Scheer]

That's what I'm saying.

[Jason Mantzoukas]

Yeah. These snakes are so dead.

[Jessica St. Clair]

They're so dead.

[Jason Mantzoukas]

It is.

[Jessica St. Clair]

But they might be part alive. That's the sad part. You know that, like, when you cut off, like, it's still alive, the earthworm part of it. And they know that they're gonna die and they're hung there.

[Jason Mantzoukas]

One of the things that I wish that this movie would have done would have been to have 10% more craziness. Like, let the snakes have voices.

[Jessica St. Clair]

Sure.

[Paul Scheer]

Like you don't know what I go through. Jeff Farr's always making me bite people.

[Jason Mantzoukas]

You know, there is. Listen. And they're Italian snakes, so maybe they've got an Italian.

[Jessica St. Clair]

Right, right.

[Jason Mantzoukas]

It's like, oh.

[Jessica St. Clair]

No.

[Jason Mantzoukas]

A Sinbad. Oh, no, don't tie me in a knot.

[Paul Scheer]

It's a song. Pizza and the pasta and it looks like a spaghetti.

[Jason Mantzoukas]

Why is it so high pitched?

[Jessica St. Clair]

But I really thought they went straight.

[Jason Mantzoukas]

To, like, so high pitched.

[Paul Scheer]

Luigi. Mamma mia. Oh, Simba.

[Jessica St. Clair]

Spend a lot of time alone in those hotel rooms.

[Jason Mantzoukas]

Oh, yeah.

[Paul Scheer]

Where. Where did you guys fall in the Punishers.

[Jason Mantzoukas]

Oh, that, that. The.

[Paul Scheer]

That.

[Jason Mantzoukas]

The torturer has a clever. Has clever wordplay for everyone.

[Jessica St. Clair]

He's got your hair.

[Jason Mantzoukas]

That's another. Oh, yeah, that's another one that I was like, give me 10. Give me more of this guy. Let this guy be like, hey, guys, remember, I've got a show this Friday night. I'm doing improv with some friends. So this is just kind of what I do.

[Paul Scheer]

Oh, the. The piranha love to eat you because you gotta have. They don't like hair in their teeth.

[Jessica St. Clair]

Yeah.

[Paul Scheer]

And I was like, but the man has a full beard. So the joke doesn't really even work.

[Jessica St. Clair]

It screams that out. I have a beard before they lower him in. But I have a beard. I think a lot of these decisions were being made on the day.

[Paul Scheer]

Yes.

[Jessica St. Clair]

You know, and people were all. It was like, you know, it wasn't like, oh, the actors and the writers are separate. It's like, we're all doing this together, you know, and we're only gonna be shooting for four hours today. Cause we gotta knock off and have that pasta lunch.

[Paul Scheer]

And by the way, I keep on cutting back to the girl hearing the story, like, huh, huh. Like. And then another one's thrown into the piranha pit. People get thrown into that.

[Jason Mantzoukas]

Everyone.

[Paul Scheer]

And they don't ever seem to even fight their way out.

[Jason Mantzoukas]

Also, the pit stop. That big. No, the pit's not big enough for the kiddie pool. Six men to be put into.

[Jessica St. Clair]

Yeah.

[Jason Mantzoukas]

Also in this scene, he says. He says to the snakes, like, things haven't been good for you since Eve. And I was like, does this story exist in a biblical. In a post the Old Testament time? I. I couldn't figure that out at all.

[Jessica St. Clair]

Yeah. Well, there's that religion major of coming back for you.

[Paul Scheer]

But is it also that all snakes are connected? Like, does that snake know the story of Eve? Like, do they Share one brain. It's not like, oh, well, yes. I was reading the Bible and you're right. We really got a fair shake.

[Jason Mantzoukas]

Is that all snakes? Like, shared trauma?

[Paul Scheer]

Yeah.

[Jessica St. Clair]

Is that generational trauma? Wait, but I thought.

[Paul Scheer]

What?

[Jessica St. Clair]

I. I can't believe we're spending this much time on the snake scene. But I really thought that he was going to, like, motivate them to, like, get up in the palace and white people.

[Jason Mantzoukas]

Right.

[Jessica St. Clair]

It was all to tie a snake rope. That's all that was.

[Jason Mantzoukas]

It was all.

[Paul Scheer]

It was like. That's what I'm saying. He was grooming them to do evil to them.

[Jessica St. Clair]

That's fucked up.

[Paul Scheer]

Yeah.

[Jessica St. Clair]

And that's like the opposite of a save the cat moment.

[Paul Scheer]

That's.

[Jessica St. Clair]

Kill the snake.

[Jason Mantzoukas]

Kill the snake moment.

[Jessica St. Clair]

Yeah, yeah.

[Paul Scheer]

My book about screenwriting. Kill a snake.

[Jessica St. Clair]

Yeah.

[Paul Scheer]

How to make 10 movies for $40.

[Jessica St. Clair]

Yeah. And have to be horny as hell.

[Paul Scheer]

When they go to that island of.

[Jessica St. Clair]

The island of pussy.

[Paul Scheer]

Yes. The island of pussy.

[Jason Mantzoukas]

Incredible.

[Jessica St. Clair]

In. I knew something was coming. I was so excited.

[Jason Mantzoukas]

It was. It was.

[Jessica St. Clair]

It was something weirder though, than I imagined. I wanted.

[Jason Mantzoukas]

When that woman turned into an old lady, Game of Thrones style, I was like. I was like, oh. Oh, no.

[Jessica St. Clair]

Your first oh is when the first woman they see is just doing multiple back handspring, back handspring, back handspring through.

[Paul Scheer]

The woods just for fun.

[Jessica St. Clair]

And then the other one attacks that man with her crotch.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

The Hamburglar was just a mascot, but Jerome Jacobson was the real deal. A McDonald's security chief who almost pulled off the ultimate inside job. On Wondery's podcast, the Big Flop, comedians join host Misha Brown to chronicle pop culture's biggest fails and try to answer the age old question, who thought this was a good idea? I mean, at the time, McDonald's collab with Monopoly was a genius idea. Come get a Big Mac and you could go home with a million dollar prize piece. The only problem, when they picked their head of security, the one guy in charge of protecting all those million dollar pieces, McDonald's drew the wrong card. Comedians Ifywadiwe and Beth Stelling join Misha to break down what really went down with the McDonald's monopoly scandal. Listen to the Big Flop. Wherever you get your podcasts, your mom loves to talk on the phone with her friends. If she ate bunches of oats instead of just oats, she wouldn't do it on speakerphone in public. Not only are honey bunches of oats delicious and nutritious, but they'll help Keep her from recounting the plot of her steamy romance novel while in the grocery store. Don't just eat oats. Eat bunches of oats, honey.

[Jason Mantzoukas]

Bunches of oats.

[Paul Scheer]

Adam Pally here, and I'm John Gabris. We're a couple actors and best friends.

[Jason Mantzoukas]

Who you may know as the host.

[Paul Scheer]

Of the TV show 101 Places to Party before you die. Now we're bringing you a comedic look at health and wellness with our new show, staying alive.

[Jason Mantzoukas]

We'll have guests like our friend, actor.

[Paul Scheer]

Jerry O' Connell, ketamine therapist, Dr. Stephen Radowitz, Paul Shear, Ego Wodom, Jillian Bell, Dr. Dolittle, staying alive with John Gabris. And Adam Pally is out right now.

[Jason Mantzoukas]

Get them a week early and ad.

[Paul Scheer]

Free with SiriusXM podcast plus on Apple Podcasts. Lou Ferrignos girlfriend was very beautiful.

[Jason Mantzoukas]

Beautiful. And she. Is she the Amazon Queen?

[Paul Scheer]

Yes, yes.

[Jason Mantzoukas]

She is referred to as a mind vampire.

[Jessica St. Clair]

That's right.

[Paul Scheer]

Oh, yeah.

[Jason Mantzoukas]

Now, yes, Mind. She is exerting some sort of mind control or something like that. How is it vampiric?

[Paul Scheer]

She's sucking away his will.

[Jason Mantzoukas]

Is that it?

[Paul Scheer]

Okay, well, because I think that there is a bit. But this is what I didn't understand. One woman gets one guy by crotch, the other woman gets the other guy by butt dart. Why are they. Why are they so varied? Like, they just want to hold them there. Right. So why, like, was that? Do they all have special skills?

[Jason Mantzoukas]

I think so, yeah.

[Paul Scheer]

Okay, so butt darts are.

[Jason Mantzoukas]

Honestly, Prince Ali gets the butt dart.

[Paul Scheer]

Right.

[Jessica St. Clair]

The scene that I wanted to see was them all fucking them to death or something like that.

[Paul Scheer]

Yes. Like, honestly.

[Jessica St. Clair]

And we were even on the boat setting up. Ooh, and bring the ointment.

[Paul Scheer]

Yes.

[Jessica St. Clair]

And I'm like, uh huh.

[Paul Scheer]

For your lot of weird lotions.

[Jessica St. Clair]

I'm like, yeah, there's like pause and crack.

[Jason Mantzoukas]

Good idea.

[Jessica St. Clair]

I'll give you the ointment.

[Paul Scheer]

So many ointments there.

[Jason Mantzoukas]

It's so nice. The hotel provides ointment.

[Jessica St. Clair]

So I feel, so. I feel like there were a lot of missed opportunities. You know what I mean?

[Paul Scheer]

Yes.

[Jessica St. Clair]

I don't know.

[Paul Scheer]

Now, can I just say, I ask this question very openly and honestly. That woman, when she turns old, that's a white woman in blackface, right?

[Jessica St. Clair]

Is it?

[Paul Scheer]

Yes, it was very disturbing. They clearly could not find an older black woman. They're like, this will work. And it's.

[Jessica St. Clair]

Oh, that's disturbing.

[Paul Scheer]

Doubly shocking.

[Jason Mantzoukas]

At first.

[Paul Scheer]

It's an old woman. Whoa. And then you're like, oh, oh, there are.

[Jason Mantzoukas]

Oh, there are shockingly offensive images, music cues. There are stuff. There's stuff in this movie that Confucius say, truly reprehensible.

[Paul Scheer]

This guy is working off of fork. Fortune cookie logic.

[Jessica St. Clair]

Nope.

[Jason Mantzoukas]

Oh, it's nuts.

[Paul Scheer]

But I will say that some of the things that Confucius did say were. I was like, oh, that's interesting.

[Jessica St. Clair]

You wrote it down.

[Paul Scheer]

Yeah, I did. A lot of plastic to hold down the princess. Oh. When she's in that lair, she is.

[Jessica St. Clair]

In that much technology at that.

[Jason Mantzoukas]

Well, yeah, that's the thing is, in Jafar's lair, it's. They have machines, they have tubes, they have Lucite.

[Paul Scheer]

Plastic Lucite.

[Jason Mantzoukas]

They have clear Lucite. She's in clear Lucite. Like, hand guards. I was like, what's going on? Tubes with, like, stuff. And then later, multiple people shoot lasers.

[Jessica St. Clair]

And out of the gems, multiple people straight shoot lasers.

[Jason Mantzoukas]

Well, sometimes out of the gem, but sometimes out of their hands.

[Jessica St. Clair]

Yep.

[Paul Scheer]

There's moments in this movie where. I mean, are there cameras? Because Lou Ferrigno looks right in the camera, like, all right, Jafar, I'm coming for you. Like, he's in the Running man or something like that.

[Jason Mantzoukas]

Jafar is watching them on, like, a.

[Jessica St. Clair]

Primitive iPad on the TV show.

[Paul Scheer]

Well, but that's okay. Jafar can be watching them.

[Jason Mantzoukas]

No, I agree.

[Paul Scheer]

But you can't be watching Jafar. Like, there's no other shiny surface.

[Jason Mantzoukas]

I agree. But what's so fun. And I agree, it's so funny because there'll be action, and then Lou Ferrigno. Sinbad will win. And then he'll be like, yes, Jafar. Blah, blah, blah, blah. But they don't. Then cut to Jafar looking at the screen, seeing Farigo yelling at him. So it just is strange.

[Jessica St. Clair]

Connective tissues missing.

[Jason Mantzoukas]

Yes. It just feels weird. And you have to be like, why is he doing that? Oh, wait. Maybe he thinks. But what if Jafar's just not looking at the thing right now?

[Jessica St. Clair]

Right.

[Jason Mantzoukas]

What if Jafar is, like, gut diarrhea. Right? And he's just right.

[Paul Scheer]

Yeah. It's not like. It's not like a ring doorbell where you go back and go, who was. Oh, yeah, Sinbad.

[Jason Mantzoukas]

I would love it. I would love it if Sinbad was like, I'm coming for you, Jafar. Get ready. And it cuts to just an empty room, and Sucre's just like, whatever.

[Paul Scheer]

By the way, there are so many things that are just out of the world. Like, Sucre is like, did you take your meds this morning, Jafar? You take your Meds.

[Jessica St. Clair]

The fact that they all have Brooklyn accents is so shocking at first. Do you know what I mean? And they are speaking so modern, so casually.

[Paul Scheer]

Like the girl that Sinbad falls in love with. She's like, yeah. Anyway, my dad's kind of crazy. Made a fucking helicopter, and we go and get it. Anyway, we're here at the souffle.

[Jason Mantzoukas]

Her dad, Salvador Dali, who speaks, like, a gibberish language.

[Paul Scheer]

I was like, what kind of terrible clown show have I been admitted to to watch this man perform?

[Jessica St. Clair]

Why does she speak English?

[Paul Scheer]

Yeah, she.

[Jessica St. Clair]

It's only been her and her dad for, like, I don't know, 20 years.

[Jason Mantzoukas]

Whose name is Nadir, who I believe is, like, the lowest level. Doesn't that mean the bottom of, by.

[Paul Scheer]

The way, when they do fly away on the little. The little.

[Jason Mantzoukas]

What is it, like the hot air balloon?

[Paul Scheer]

Hot air balloon?

[Jason Mantzoukas]

The hot air balloon that Sinbad inflates by blowing into it. I'm pretty sure his. What comes out of his lungs is not lighter than oxygen, making them able to fly. Right.

[Paul Scheer]

I don't know. All I know is that the daughter has a cup of coffee. She's like, well, I'm just gonna enjoy this flight. She's drinking out of a cup. Like, she is, like, getting table service in the little hot air balloon. And then at one point, they're like, throw everything overboard that's too heavy. And they just seem to have had tons of bags of sand in there. Yeah, that was weird. All they're doing is throwing bags of sand overboard. Oh, my God.

[Jessica St. Clair]

The other thing I wondered about Sinbad is really. He's doing all of this up until he meets that girl, the redhead. He's doing all of this just so the prince can get his dick wet?

[Paul Scheer]

Yes.

[Jessica St. Clair]

What's in it for Sinbad?

[Paul Scheer]

Just adventure.

[Jessica St. Clair]

Yeah, just adventure. I don't think that's enough to hang a story on. Really. I don't.

[Jason Mantzoukas]

And I think he's on a quest to retrieve the things so that peace can be brought back to the city.

[Paul Scheer]

Because they become beasts.

[Jessica St. Clair]

But every so often, that prince who looks like an extra from Wham is like.

[Jason Mantzoukas]

Do bands have extras?

[Paul Scheer]

I don't think.

[Jason Mantzoukas]

I'll be honest.

[Paul Scheer]

I gotta take a piss.

[Jason Mantzoukas]

Can you.

[Paul Scheer]

Can you play this song for me?

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Yeah, get that extra. Guys.

[Jessica St. Clair]

Who else's mom was obsessed with George Michael and Wham? My mom was so in love with.

[Paul Scheer]

What's the reverse of putting my hand down?

[Jason Mantzoukas]

I love that you said that. Thinking everybody would agree he was.

[Jessica St. Clair]

No, everybody loved him.

[Paul Scheer]

There was a Couple hands up. Where people. Do people have moms obsessed with.

[Jessica St. Clair]

You were obsessed. Yeah, we all thought he was straight and just had, like, great eyes. Great eyeliner.

[Paul Scheer]

My mom liked Simply Red.

[Jason Mantzoukas]

Oh, whoa.

[Jessica St. Clair]

Makes a lot of sense.

[Paul Scheer]

Yeah, that makes a lot of sense. Simply Red is curls.

[Jason Mantzoukas]

How did you feel about In Excess?

[Paul Scheer]

Oh, well, she. She took away my In Excess cd.

[Jessica St. Clair]

Whoa.

[Paul Scheer]

Because it has a song called Suicide Blonde on it. And she thought that if I listened to it, I was gonna commit suicide.

[Jason Mantzoukas]

Cause you were so blonde.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

She's like, you're already blonde. You're halfway there.

[Paul Scheer]

My mom was like, I need to listen to this so you don't let. You don't commit suicide.

[Jason Mantzoukas]

Do you see it clearly now? She was like, I'll take this, please. You're telling me this is a brunette version of Simply Red Man?

[Jessica St. Clair]

Something for mommy.

[Paul Scheer]

Oh, my gosh.

[Jason Mantzoukas]

While I'm at it, I'll take this Soundgarden cd.

[Paul Scheer]

I did want Sinbad to kiss Sinbad.

[Jason Mantzoukas]

Oh, yeah, that was. It was so eerie because last night, again, we did a movie in Denver. It starred the Barbarian brothers.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Two beefcake muscle bound bodybuilding twins. And so that scene was so I was like, I'm gonna have a panic attack on this tour if all I do is see doubled up beefcakes.

[Jessica St. Clair]

Yeah.

[Paul Scheer]

So many pecs. So many.

[Jason Mantzoukas]

There was also the beefcake who tries to trap him with the chain.

[Paul Scheer]

Oh, yeah.

[Jason Mantzoukas]

In the torture chamber. Then I was like, this is straight Toms of Finland here. This is. This is in the. And if you don't know what that is, just go and check it out of the library.

[Jessica St. Clair]

Now that was a sensual moment when they were trying to break out of that screaming. Yeah, they're screaming.

[Jason Mantzoukas]

There's a lot of. You must have liked it because there's a lot of people being tied up. Kira is also tied up at one point, and he has to rescue her. And I believe that's maybe the green monster that's after him. There's also seems to me to be quite a bit of random foam on this set. Like, like the baddies were having, like, a foam party or something.

[Jessica St. Clair]

Yeah.

[Jason Mantzoukas]

And Sinbad showed up and was like, get ready.

[Jessica St. Clair]

The other thing that's interesting about the Isle of the Dead is how do you know when a dead already dead person is really dead?

[Jason Mantzoukas]

That's a great question. Right.

[Jessica St. Clair]

Because, like, at a certain point, that'd be the last thing crumble. But, like, he's already dead. Well, also, isn't that the thing about zombies?

[Jason Mantzoukas]

You can't kill Them what you would do think, is that you.

[Jessica St. Clair]

Would you eat their brains, they eat yours. Wait, do you kill a zombie? You bite them. What do you do to them?

[Jason Mantzoukas]

Wait, you think you kill.

[Paul Scheer]

This is amazing. Just keep on going.

[Jason Mantzoukas]

What do you think?

[Paul Scheer]

You said so many things so quickly.

[Jason Mantzoukas]

First of all, you said you think you kill a zombie by you biting it.

[Paul Scheer]

And then you said you eat their brains.

[Jessica St. Clair]

I really don't know.

[Jason Mantzoukas]

Honestly, I'd love to kill a zombie.

[Jessica St. Clair]

Give us just a rudiment, shoot it in the face.

[Jason Mantzoukas]

Your rudimentary understanding of how zombies work, go.

[Jessica St. Clair]

They. Somebody bit them, they became a zombie. They want to eat your brains. They bite you, you become a zombie. How do you kill that zombie, though? Do what? You destroy their brain.

[Paul Scheer]

Yeah.

[Jessica St. Clair]

So I was right. You eat their brain.

[Paul Scheer]

Well, that was the.

[Jason Mantzoukas]

No. If you have to. If. Wait, so what would happen? You're thinking. You're thinking.

[Jessica St. Clair]

Biting you.

[Jason Mantzoukas]

But what happens if you biting the only methodology at play. Why do you think that if you have to destroy their brain, you must ergo, bite it, by the way, also what? Why?

[Paul Scheer]

But what I love about this is that if Jess has seen any zombie movies, which now we know you haven't, that would mean that the big final act would just be a bunch of people with spoons. What if it would be so hard.

[Jason Mantzoukas]

To get at their brain to get through their skulls.

[Jessica St. Clair]

Yeah, it would. But here's. Then how do you do it? You blow their head off.

[Jason Mantzoukas]

Chop their head off.

[Jessica St. Clair]

Why are these zombie movies so hard? Then blow their head off.

[Jason Mantzoukas]

I would love.

[Jessica St. Clair]

And they move so slow.

[Jason Mantzoukas]

Not all the time. Why? Sometimes they're fast.

[Paul Scheer]

Why? Danny Boyle invented the fast zomb.

[Jason Mantzoukas]

Thousands and thousands. And you'll be. Oh, I'd love to see. I would.

[Jessica St. Clair]

Whatever.

[Jason Mantzoukas]

Love to see you try and battle zombies.

[Jessica St. Clair]

Fine.

[Jason Mantzoukas]

I might have to. I'm gonna write that movie.

[Jessica St. Clair]

Do it.

[Paul Scheer]

Just give me a cookbook and I will fight all the zombies you want.

[Jason Mantzoukas]

I would love it. A movie in which you. A zombie apocalypse happens. You walk out and you think to yourself, I gotta start biting these brains.

[Jessica St. Clair]

What happens if you bite a zombie? You're always worried they're gonna bite us. But what if you're blood? Why?

[Paul Scheer]

Cause it's about the blood.

[Jason Mantzoukas]

When they bite you and infect you, when you bite them, you don't think you're getting the same junk.

[Jessica St. Clair]

I don't know. What is it that's actually getting you? Their saliva.

[Paul Scheer]

Wow, wow, wow. So much. Let's go out into the crowd.

[Jessica St. Clair]

Please, for the love of God.

[Paul Scheer]

Okay. All right. Hi. All right, here we go.

[Jason Mantzoukas]

All right.

[Paul Scheer]

What do you got here? Stand up. Stand up for me. There you go. Okay, great. All right, now you're making. Okay. You're making your child stand up. Okay. I own 200 physical copies of the movies you guys have watched.

[Jason Mantzoukas]

I'm so sorry for you. Yeah, I'm so sorry. I'm not used to the child. Yeah, it's.

[Jessica St. Clair]

Please don't call cps.

[Paul Scheer]

Yeah. So she enjoys the sleepover. Everything that's directed at her. You know, she's like, why are they doing this?

[Jessica St. Clair]

Twilight is good, but.

[Jason Mantzoukas]

So you're saying she loves the movies, hates the podcast.

[Jessica St. Clair]

Yeah, yeah.

[Paul Scheer]

All right. There it is. Good for her. Well, lovely to meet you. Nice to meet you both. All right. All right. Who has a question?

[Jason Mantzoukas]

She's a Great work.

[Jessica St. Clair]

Adorable.

[Paul Scheer]

Here we go. All right. What's your name? What's your question? So, my name's Andy. So I was looking on Wikipedia about this, and I'm just going to pull it up to make sure I get it right. You got it. The original director was replaced by Enzo G. Castellari. The original director was Luigi Causey, who directed The Legend of Hercules 1983:1. And they said that.

[Jason Mantzoukas]

Sorry, did you just say 83?

[Paul Scheer]

Yeah, 83.

[Jason Mantzoukas]

Thank you.

[Paul Scheer]

Yes. This is. I have this. I have some more backup of this. So here we go. Yeah, Govis. So they mentioned that Enzo shot three hours of unreleased footage. And given what we saw, how bad is that unreleasable footage? Well, I think I can clarify this in a second because I can walk us through the thing. All right, let's see. All right. Hi. How are you? What's your name?

[Jason Mantzoukas]

I'm Scott.

[Paul Scheer]

Okay, what's your question?

[Jason Mantzoukas]

So I saw this movie twice, and so both times, when I saw the scene with Sukha and Jafar, I thought this scene would be so much better with Jason and Jessica.

[Jessica St. Clair]

Jessica.

[Paul Scheer]

Oh, wow.

[Jessica St. Clair]

Bless you. Amazing.

[Jason Mantzoukas]

Jessica would look amazing in that outfit.

[Jessica St. Clair]

Bless you.

[Jason Mantzoukas]

My question is, Paul, you're a handsome guy. Which part in this movie would you like to play?

[Paul Scheer]

Well, it's a parent. The bald cook.

[Jessica St. Clair]

You've got more range, Paul. Don't sell yourself short. You've got more range.

[Paul Scheer]

Good bald part. I'm gonna take it. I'm gonna get that good bald. That good bald money.

[Jason Mantzoukas]

Get them bald bucks, baby.

[Jessica St. Clair]

Yeah, baby.

[Paul Scheer]

I'm going to come over to this guy over there, too. Who do I got?

[Jessica St. Clair]

Jafar's got a question.

[Paul Scheer]

Yeah. All right.

[Jason Mantzoukas]

Jafar and the Doppelgangers. All right.

[Paul Scheer]

We got to come to the.

[Jessica St. Clair]

That's a gorgeous place.

[Paul Scheer]

Let's see. All right. Here you go. Hi. How are you?

[Jessica St. Clair]

I'm doing well.

[Jason Mantzoukas]

How are you, Paul? So I actually have a couple things. The first one is, in my research, I found that in 2015, there was.

[Jessica St. Clair]

A documentary called Capitan Cosi, which is an Italian language German made documentary about.

[Jason Mantzoukas]

The making of Sinbad of the Seven.

[Jessica St. Clair]

Seas and other cozy productions, which was released by Freakorama Productions in 2015.

[Jason Mantzoukas]

I could not find it. I do not speak Italian or German.

[Jessica St. Clair]

So I feel like I couldn't do.

[Jason Mantzoukas]

Much with it if I did.

[Jessica St. Clair]

It's nice to know it's there.

[Jason Mantzoukas]

Yes. Did anybody. What the fuck? Was anybody successful in finding this or watching this or anything? I'm curious. No. Okay. Got it.

[Jessica St. Clair]

Okay.

[Jason Mantzoukas]

You know, sometimes somebody has. And then.

[Jessica St. Clair]

My second thing is, Jason, earlier, when.

[Jason Mantzoukas]

You asked if this is set in.

[Jessica St. Clair]

Biblical time, before Kira, Sinbad, and Nadir.

[Jason Mantzoukas]

Get into the flying machine.

[Jessica St. Clair]

Kira says, nadir, the famous wizard, he's.

[Jason Mantzoukas]

Been a member of the Baghdad fraternity since 82. Yes. Okay.

[Jessica St. Clair]

What is that? What? 82.

[Jason Mantzoukas]

What is the Baghdad fraternity?

[Jessica St. Clair]

What is happening?

[Jason Mantzoukas]

1982.

[Jessica St. Clair]

That is all. Thank you.

[Jason Mantzoukas]

Probably 1982. She also says that he's making his famous couscous, which is finger licking good.

[Jessica St. Clair]

Fish couscous, finger lick.

[Jason Mantzoukas]

I'm like, whoa, whoa.

[Paul Scheer]

And then I think at one point.

[Jason Mantzoukas]

I don't think we can do finger licking good for something that's not chicken.

[Paul Scheer]

I thought at one point Lou Ferrigno also said, dynamite.

[Jason Mantzoukas]

Yeah, he did say, gosh, you're beautiful. I was like, that's so earnest. I mean, like, come on. Sinbad's so earnest. Do you think he's a virgin? You think Sinbad's a virgin?

[Paul Scheer]

Yeah.

[Jessica St. Clair]

Well, he keeps getting interrupted every time he's about to get some.

[Jason Mantzoukas]

You don't think he fucked a snake?

[Jessica St. Clair]

Can you. Can you? A snake?

[Jason Mantzoukas]

I don't know.

[Jessica St. Clair]

That's a question.

[Jason Mantzoukas]

All right, let's find out at the library.

[Paul Scheer]

All right. What do you got?

[Jason Mantzoukas]

It's her birthday.

[Paul Scheer]

Hi.

[Jason Mantzoukas]

Happy birthday. Happy birthday.

[Paul Scheer]

Oh, my gosh. Happy birthday. All right.

[Jason Mantzoukas]

Okay. We're hoping for some clarity on the seven moons. It says he has seven moons to find all the gems. Is that seven days or seven months? And both is way too long to stay on that plastic table for the princess.

[Jessica St. Clair]

That's true.

[Paul Scheer]

Wow. I. I bought seven days. Like, four score. Like that. Like, I was like. But seven moons would be score.

[Jason Mantzoukas]

Where are you going with four score?

[Paul Scheer]

Well, like, I was like, Seven moons. I was like, oh, like. Like, I. Like, in my mind, I was like, oh, seven moons is like. Like just a week. But you're right.

[Jessica St. Clair]

It's a weird way to say.

[Paul Scheer]

Might be a month.

[Jason Mantzoukas]

Yeah, I. I would also say that.

[Jessica St. Clair]

But, you know, and they seem like they were gone for quite some time. Well, they really did.

[Jason Mantzoukas]

When you're traveling by boat, I mean, it's very.

[Paul Scheer]

She's been on a table for seven months. That's it.

[Jason Mantzoukas]

She would be so dead.

[Paul Scheer]

Yeah. Yeah.

[Jessica St. Clair]

Without any food or water.

[Jason Mantzoukas]

I do think the movie wants you to think it's seven days.

[Paul Scheer]

So at one point. Who the Are you?

[Jason Mantzoukas]

No, I'm.

[Paul Scheer]

Say your name. Say your name. Yeah. Introduce yourself. Oh, my name is Mark.

[Jason Mantzoukas]

Give it up for Mark, everybody.

[Jessica St. Clair]

Yeah, Mark.

[Jason Mantzoukas]

I didn't mean to scare you.

[Jessica St. Clair]

Yeah, balls, brother.

[Jason Mantzoukas]

You Mark.

[Paul Scheer]

No. At one point, gibberish talking. Dad, they're, like, loading up on the. The balloon. And he says something. I only saw this movie once, so maybe you guys caught this. But we only watch it once.

[Jessica St. Clair]

I barely watched it.

[Paul Scheer]

Whatever. You're confused by logical explanation. Basically, he said he speaks his gibberish, and then she translates for Sinbad. And it's something to the effect of, we're coming for you, Jafar, and we will see to it your name is canceled from the list of accredited magicians. And it just seems to me, like, isn't that a really. Like, is being an accredited magician such a big deal? What does that we stop to from doing.

[Jason Mantzoukas]

What a weak threat. Absolutely. I wrote that down, too. What a weak threat to be like, we're going to come, and we're going to have your papers revoked.

[Paul Scheer]

Wait, wait, wait, wait, wait. But I have an issue with this, which is our magicians getting accredited.

[Jason Mantzoukas]

Yeah.

[Paul Scheer]

Like, I mean, I just. Is this even something that they can.

[Jason Mantzoukas]

Sometimes on Free Ring.

[Paul Scheer]

We're gonna take away your tenure. You won't get good. You will be fired.

[Jason Mantzoukas]

We're taking away your driver's license.

[Paul Scheer]

All right, what do we got over here?

[Jason Mantzoukas]

Yeah. Hi, my name is Richard.

[Jessica St. Clair]

Hi, Richard.

[Jason Mantzoukas]

I have two questions. So, number one, do you think that Nadir was, like, supposed to sound like he was speaking a different language, but they were kind of mocking or parodying? Like, there's a. An Italian singer named Adriano Celentano.

[Paul Scheer]

Okay.

[Jason Mantzoukas]

Who has a song that is pure gibberish.

[Paul Scheer]

You want to play it for us?

[Jason Mantzoukas]

That's the famous gibberish song, isn't it? It is made to sound like English, but it sounds nothing like English. All right. But it has no English words. Yeah, I think it has no actual words. I think it's all pure made up words. Except that I feel like what Nadir is doing is like, you know, they've. They. I feel like they are making him look like Salvador Dali and then they are giving him like. Like Italian. Italian gibberish, nonsense sounding stuff. And. And. And the fact that they wouldn't ever translate it. And my closed captioning referred to it as native dialogue.

[Jessica St. Clair]

Mm. That's problematic too.

[Jason Mantzoukas]

And I was like, huh?

[Jessica St. Clair]

To where? Yeah.

[Paul Scheer]

I think they just needed comic relief.

[Jason Mantzoukas]

Is this how they speak on the Isle of the Dead?

[Paul Scheer]

I think they needed comic relief and they just made it crazy. I'm going back to the side of the theater.

[Jason Mantzoukas]

That is.

[Paul Scheer]

All right. The rogues gallery over here. Let's see if we can pull us out. What's your name? What do you got? Hello, guys. My name's Connor.

[Jason Mantzoukas]

And so with all this adr, all.

[Paul Scheer]

This weird anachronistic dialogue, what stood out to you? I mean, Hanong man got the.

[Jason Mantzoukas]

Gosh, you sure are beautiful. Yeah, the other one, Wrestler Lady Glow.

[Paul Scheer]

Hey, Jafar says go do your stuff.

[Jessica St. Clair]

I'm gonna tell you, if anyone. I just got those AirPods, you know, Max or whatever, and you do feel like you're in a surround sound theater. And I have to tell you, the movie with those is a whole different experience because you're hearing every. Oh, Ow, ow. And like, in, like, those death, the dead people that they're fighting, the first ones, the skeletons, they're like this.

[Jason Mantzoukas]

Ooh, ooh, ooh. How did the Oracle sound? With noise canceling headphones? The oracle was so.

[Jessica St. Clair]

No, I don't remember him as much, but yeah, it's a real. It's a whole. You really. I think the voiceover artists are the heroes of this movie.

[Jason Mantzoukas]

Oh, yeah.

[Jessica St. Clair]

Truly the first.

[Paul Scheer]

They really bring the heat. Yeah. All right, what do you got?

[Jason Mantzoukas]

I just had a question. So what if when he fell down in the snake pit, what if he actually died? And this was Jacob's lantern area. Yep. Get out of here.

[Paul Scheer]

And then here we go.

[Jason Mantzoukas]

I'm gonna have. I'm just gonna have security escort her out.

[Paul Scheer]

Bring us home, I guess. Let's see. What do you got?

[Jason Mantzoukas]

All right.

[Paul Scheer]

Name's Gavin. So we established that this movie was originally three hours long, and then it.

[Jason Mantzoukas]

Was cut down to an hour and a half.

[Paul Scheer]

God bless. So to try and make it less confusing, they added the mom and the daughter to fill in the gaps. Do we think when we're cutting down movies. As far as the Justice League, if we had established a mom and a daughter telling the story, could the JJ.

[Jason Mantzoukas]

Abrams version been better than the Snyder cut?

[Paul Scheer]

I. You know, look, this is a good Joss Whedon version.

[Jessica St. Clair]

Wait, do we think that they added it after. Is that.

[Paul Scheer]

I'm gonna tell you. I actually know the whole. I know the whole thing. I'm gonna come to you because I have a feeling you're gonna have a good one. What I get. I'll tell you the whole thing, and I'll make it all make sense. Okay.

[Jason Mantzoukas]

All right.

[Paul Scheer]

What do you got?

[Jason Mantzoukas]

Okay, two questions about the love stories here. One, Poochie and the bald chef. Right? In love. Yeah, absolutely.

[Jessica St. Clair]

Absolutely.

[Paul Scheer]

Two, Sinbad's love story. Did anybody involved in the production plan.

[Jason Mantzoukas]

On that being part of the story at the beginning? Because that came out of absolutely fucking nowhere. And all of a sudden, Sinbad's getting.

[Paul Scheer]

In, getting married at the end.

[Jason Mantzoukas]

That I. I will say, it did seem to me that they rushed into.

[Jessica St. Clair]

That love is blind type of scenario. They had just met.

[Jason Mantzoukas]

I was very glad that they. That they found each other. I believe in Sid Bad and Kira, but, like, to get married that quickly is putting a lot of pressure on them.

[Jessica St. Clair]

Yes. Especially with. Have they discussed that Sinbad's always on the road, right?

[Jason Mantzoukas]

Yes.

[Jessica St. Clair]

Is she gonna travel with him? You know what I mean?

[Jason Mantzoukas]

What is this, the Odyssey?

[Paul Scheer]

It felt very much like the end of speed. It's like, that relationship's not gonna work out. Oh, wait. We've switched off hands.

[Jason Mantzoukas]

What is going on?

[Paul Scheer]

So my name's Ben.

[Jessica St. Clair]

Great.

[Jason Mantzoukas]

My question was at the end, in.

[Paul Scheer]

The great battle where they're fighting through the palace.

[Jason Mantzoukas]

We have this moment where Sinbad tells the bald cook and Nadir, you guys deal with the monster. And then they have a little bit.

[Paul Scheer]

Of where they're like, yeah, we got.

[Jason Mantzoukas]

To deal with the army. And then Nadir says it's gibberish.

[Jessica St. Clair]

And, oh, yeah, we got to deal with the soldiers.

[Jason Mantzoukas]

Oh, no, we got to deal with the monster. Did I, like, have a dissociative break or something, or did we never see the monster?

[Jessica St. Clair]

What is the monster?

[Paul Scheer]

We never. This is what I'm saying. Saying we don't see. We don't see. Sucre disappears after she literally says, I can't wait to fight them.

[Jessica St. Clair]

Justice for Sucre.

[Paul Scheer]

And. And Jafar is like. Jafar is like, oh, you like a battle, and then we don't ever see it.

[Jason Mantzoukas]

Okay, I'm starting double justice for Sucre.

[Paul Scheer]

Because for some reason, after her first.

[Jason Mantzoukas]

Scene, they put her in a weird hat. I loved her hair.

[Jessica St. Clair]

I loved her hair.

[Paul Scheer]

1989.

[Jessica St. Clair]

That was the hair I wanted in New Jersey in the 80s.

[Jason Mantzoukas]

My question was, did her hair change or is that a different actor?

[Paul Scheer]

What?

[Jason Mantzoukas]

There were times where I was like, is that the same actor? Are they doing, like, what's the. Because they were almost obfuscated for a period of times.

[Paul Scheer]

I now think the T shirt should be a 1989 presidential campaign with Sucre and Poochie.

[Jessica St. Clair]

Oh, that's so great.

[Paul Scheer]

We want to see.

[Jessica St. Clair]

They are Sucra Pucci. 89.

[Jason Mantzoukas]

They're part of, like, the. And it's. What's the town's name?

[Paul Scheer]

By land and by sea. Land and by sea. Something about America, right?

[Jason Mantzoukas]

Wait, something about America?

[Paul Scheer]

Yeah, because they're running for president.

[Jason Mantzoukas]

Oh. Oh, no. I think they should be running for president of Basra.

[Paul Scheer]

Oh, Bosra. Yeah.

[Jessica St. Clair]

Make Basra great again. Boo.

[Paul Scheer]

Mabas.

[Jason Mantzoukas]

Maba.

[Paul Scheer]

Maba.

[Jason Mantzoukas]

Maba.

[Paul Scheer]

All right. What? I, I, I, I get.

[Jessica St. Clair]

Boo.

[Paul Scheer]

Oh, boo. By the way, thank you, everybody, for asking questions. You all did a great job. You all did a great job. You did a great job.

[Jessica St. Clair]

I loved it.

[Jason Mantzoukas]

You guys are great.

[Paul Scheer]

Okay, so screenwriter Luigi Cosi was originally set to direct this film in 3D.

[Jason Mantzoukas]

In 1983, which would have been awesome when Lou Ferrigno is like, I'm coming for you, Jafar.

[Paul Scheer]

But what had happened is before they started production, he was fired, and they replaced him with Enzo G. Castellari at the last minute, who changed Cozy's script drastically. Okay? So then Castellari goes millions of dollars over budget and submits three hours of unusable footage. And they're like, whoa, we can't release this. Right? So then after a couple years, like, three or four years later, they go, maybe we just bring back that original director and see if he can do something with this. So they bring back Cozy, who never shot a frame, but they said, can you piece together? Yeah. And he goes, well, maybe give me $500,000 and I'll shoot some extra scenes, which was the mother and daughter scene and some other connective tissue to make it make sense.

[Jason Mantzoukas]

In 1980s. Half a million dollars to shoot that bedroom scene. Yeah, well, you see, like, check that guy's pockets.

[Jessica St. Clair]

Yeah, for sure. He's Italian. You know what I mean?

[Jason Mantzoukas]

Edit, edit. What do you mean? What do you mean about that?

[Jessica St. Clair]

What do you mean about Italian mafia, baby?

[Jason Mantzoukas]

Okay.

[Paul Scheer]

And I also think they added music and lasers. So the other thing that he added in was he actually Found old stock footage of a movie called Leader of the Moon Men.

[Jessica St. Clair]

This is weird.

[Paul Scheer]

Yes. So he actually. Sorry. He actually found stock footage from Hercules against the moon men from 1964 and used the bad guy of that, the leader of the moon men, for one of the villains in this movie. I believe that was the oracle who told them to go to different places. So then they used light effects and voiceover to change it enough. And then.

[Jessica St. Clair]

Christ, this is wild.

[Jason Mantzoukas]

What a lot of effort to go. Like, why not just build some, like. Like puppets?

[Paul Scheer]

Yeah. No. And. And then finally, Lou Ferrigno has said this is his favorite film that he's ever made.

[Jessica St. Clair]

God bless him. God bless him.

[Jason Mantzoukas]

Well, I mean, he probably was, like, living in Italy for months at a time. I bet this was a blast.

[Paul Scheer]

Yeah. He's so happy to put some context on it. The reason why they shelved this movie and then kind of pulled it back out is because they need canon films, needed to make money, because they had just made Masters of the universe and Superman 4. And those are such big flops. They're like, we got to put something. Just throw more shit out there, because maybe a dollar will come back. So that's the story of the backstory.

[Jessica St. Clair]

What, a backstory?

[Paul Scheer]

Yeah, it's an intense backstory there. And. And the original director, the guy who directed the unusable footage, Enzo Castellari, did also make the film the Inglourious Basterds, which Quentin Tarantino gave him a small cameo in. And a special thanks, because Quentin Tarantino had to buy the rights to his film so they could have the same title.

[Jessica St. Clair]

Wow.

[Jason Mantzoukas]

Incredible.

[Paul Scheer]

Yes. So that is all the stuff there. That is a very big.

[Jason Mantzoukas]

That's great.

[Paul Scheer]

Yeah. That is a lot.

[Jessica St. Clair]

Well, with all it went through, knowing that, knowing the journey it took, the many seas that it traveled to get to be this film, seven of them. I'm really proud of it. I think they. They really. They strung something together.

[Jason Mantzoukas]

You're proud of it.

[Jessica St. Clair]

You know, it's like when you're on your way to school and, like, your planet, you know, your planet project falls apart, you're like, I gotta get this back together. And you get something that looks a little bit like the solar system. You know, why do I feel like.

[Jason Mantzoukas]

That'S an episode of the Brady Bunch? That's not your real life. That's an episode of the literal Brady Bunch. Here's the thing that I found interesting, which was the line that Jafar couldn't quite sell to me, the only line, because I thought it was incredible. Was. In the name of all that is evil, budge. Budge. I was like, is he saying budge? What a strange word to try and exclaim, Budge.

[Jessica St. Clair]

Here's another great line of his. I can trust no one, let alone a woman.

[Paul Scheer]

Here is my favorite line.

[Jason Mantzoukas]

Now. Now I'm getting it. Now I'm on Jafar's side.

[Paul Scheer]

My favorite line of Jafar was when he was hiding and going, don't come any closer.

[Jessica St. Clair]

No, like a really good Jafar impression.

[Paul Scheer]

Not as good as our person dressed as Jafar. Now, let's see. There have never been a more scary moment in my life than to say this.

[Jason Mantzoukas]

Oh, boy, do we have to skip it?

[Paul Scheer]

Skip it.

[Jason Mantzoukas]

She gets it.

[Jessica St. Clair]

She gets it.

[Paul Scheer]

All right, obviously we've had opinions about this movie, but there are people out there with a second opinion. It is now time, God help us. For second opinions. All right, my name is John.

[Jason Mantzoukas]

I've got another impression to make on this movie.

[Paul Scheer]

Ferrigno's flexing his pecs all day with his pal Poochie. The horniest move, it doesn't show any boobs.

[Jason Mantzoukas]

I've gotta give it five stars. Five star. Five star. Five star review. Hot Amazon and five star. Five star. Five star.

[Jessica St. Clair]

5 star review.

[Paul Scheer]

Amazing.

[Jessica St. Clair]

Wow.

[Paul Scheer]

Boise, you brought the heat. You redeemed yourself.

[Jason Mantzoukas]

Great job. To all the Katies, all the Gabby's. Everybody did great.

[Paul Scheer]

This is what we get. It's a music festival, not an Ask Question festival, so.

[Jason Mantzoukas]

But we will be back for your springtime Ask Question festival.

[Paul Scheer]

So much fun. So many different question tents. All right, so the average prime rating of this is 4.3 out of 5 stars.

[Jason Mantzoukas]

When you say prime rating, you don't mean the Logan Paul drink, right?

[Paul Scheer]

I mean, now that I. Yeah. Because I'm always like, the prime is the best drink of all time.

[Jason Mantzoukas]

So I'm like, everything is out of five prime, right?

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Okay.

[Paul Scheer]

117 reviews. 64% are five star. Only 4% are one star. And I will say this. The second opinions tonight will sound like the questions from the audience. Franzy W. Writes in 2006, that's a really, really good movie. Buy this DVD and you will not repent it.

[Jason Mantzoukas]

Five stars. You won't repent it.

[Paul Scheer]

You won't repent it.

[Jason Mantzoukas]

Wow.

[Paul Scheer]

Vaxia wrote in 2020, Jafar, I'm coming for you. And you know it. Including Colon. Skilled pillow talk. Take notes. Featuring Colon. I always wear my purple pants to town. And a hot air balloon. The title of this, I've watched hundreds of films. Five stars.

[Jessica St. Clair]

Weird.

[Jason Mantzoukas]

That one is like I feel like that person wrote that while having a stroke. Yes, that's the last thing. There's.

[Paul Scheer]

This one is Lou Ferrig. This one is from our deal. Lou Ferrigno acted his heart out as Sinbad. Truth representing not one nor two, but all seven C's in this feel good movie of the decade. Sinbad makes me love being a man.

[Jessica St. Clair]

Yes, yes, I get it. I get it.

[Paul Scheer]

I don't wanna give away too much, but yes, there is some Sinbad on Sinbad. Action.

[Jessica St. Clair]

Ooh, Mommy.

[Paul Scheer]

And the princess is so hot. Preteen boys could so watch this at sleepovers after the parents fall asleep.

[Jason Mantzoukas]

This is. This is a. Wow. This is creep city.

[Paul Scheer]

And then continues by saying, and Sinbad is hot too. Everybody's happy. Gotta go outside.

[Jason Mantzoukas]

What?

[Paul Scheer]

What? Five stars. Oh, my God.

[Jason Mantzoukas]

What is outside me?

[Jessica St. Clair]

Why is he outside?

[Paul Scheer]

Gotta go cool down outside.

[Jessica St. Clair]

Is he here now?

[Jason Mantzoukas]

Gotta go. Means I turned myself on so much writing this review. Yeah, I've gotta go jerk off.

[Jessica St. Clair]

But outside.

[Jason Mantzoukas]

Well, I mean, that is what a creep would do.

[Jessica St. Clair]

It's true.

[Paul Scheer]

Now, this is a first and second opinions. There is no review. This is only the title. I've never seen this before. My name is Tim Bergman. When you sold me Sinbad, it was in Spanish. I am not Spanish. I am English. Tim. Five stars.

[Jessica St. Clair]

That's a haiku.

[Jason Mantzoukas]

Wait a second. I'm looking over there and it says, I'm from Boise.

[Paul Scheer]

Oh, my God.

[Jason Mantzoukas]

Interesting.

[Paul Scheer]

Maybe I am English.

[Jason Mantzoukas]

Using a computer at the library to post that review.

[Paul Scheer]

Holy cow, this movie. What a treat.

[Jason Mantzoukas]

Wow.

[Paul Scheer]

It does.

[Jason Mantzoukas]

You got a good one.

[Paul Scheer]

You got something. You got one for the record book. Would you recommend this movie, Jason?

[Jason Mantzoukas]

Yeah, man. Fuck, yeah. Like I said, it's like not even an hour and a half. It's dumb as hell, but, like, very watchable. Yeah, in ways that are truly confounding.

[Paul Scheer]

I will say that they were.

[Jason Mantzoukas]

It doesn't answer any of the questions I had, which kept me interested. The movie is playing hard to get.

[Paul Scheer]

Jess.

[Jessica St. Clair]

Absolutely. You know what I'd like to do is have like a Sunday gathering and just put this on in the background, you know, there's no threat of zombies in it. There's no threat of anything you have a smile on.

[Paul Scheer]

There's kind of zombies in it.

[Jason Mantzoukas]

Yeah, there's definitely the undead, but they're.

[Jessica St. Clair]

Not scary, they're fun.

[Paul Scheer]

The slime monster, the rock monster. By the way, this man never uses his sword. He always takes it out and then immediately throws it away.

[Jason Mantzoukas]

He throws it away. Or it breaks on the first thing. The other thing that is constantly happening throughout all the battle sequences is they're just dropping in the sounds of clattering swords.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Even when no swords have been clattering.

[Jessica St. Clair]

I know, like, it'll.

[Jason Mantzoukas]

Somebody will punch someone. It'll be a clang, clang. And it's like, whoa, whoa, whoa. That's not what just happened.

[Paul Scheer]

So go ahead. You want to play it in the background.

[Jessica St. Clair]

And the other thing would be fun is to do, like, a costume party where everyone comes dressed as a character.

[Paul Scheer]

Ooh, I like this.

[Jessica St. Clair]

You know, that would be fun. I also feel like if you told me that the costume Designer was given $50 and said to go to Party City and just see what they could find and they built a story around that, I would believe it.

[Paul Scheer]

The best set is the set in, like, Jafar's, like, little studio. The studio. Yeah.

[Jason Mantzoukas]

Where the princess is captive in the machine.

[Paul Scheer]

Which makes me think that the director who came back on board and might have shot those scenes as well.

[Jessica St. Clair]

And it was available.

[Paul Scheer]

Right.

[Jessica St. Clair]

Somebody else had it. It was like Buck Rogers had, like, a side swing set that would. That was another one. Boy, oh, boy. By the way, did I want to get it from both. That's right.

[Paul Scheer]

Bdb. Clearly, that set was not meant to be fully, like, shot around. Like, because he's walking around the lava pit and it's like. Well, I guess the lava pit's only a small circle in this room. Like, it's like. It's not like.

[Jason Mantzoukas]

I didn't know until the end of the movie they were in an active volcano.

[Paul Scheer]

Yeah.

[Jason Mantzoukas]

Had no idea.

[Jessica St. Clair]

Wait, they were what?

[Paul Scheer]

Yeah, he throws them into molten lava at the end.

[Jason Mantzoukas]

You don't just have lava around without a volcano, do you? Can you wait, real talk.

[Jessica St. Clair]

Wait, were they in a volcano? Do we ever get an establishment shot of that?

[Jason Mantzoukas]

Like, lava and magma and no volcano?

[Paul Scheer]

No. I mean, I guess you go deep, deep, deep underground.

[Jason Mantzoukas]

Yes, of course. Of course.

[Paul Scheer]

Okay, well, again, one. One plot hole.

[Jason Mantzoukas]

What Maybe.

[Jessica St. Clair]

Yeah.

[Jason Mantzoukas]

What maybe supports this theory that these are reshoots is that Sucre maybe never fights Lou Ferrigno because they never worked on the movie together.

[Paul Scheer]

Right? Like that.

[Jason Mantzoukas]

Like.

[Paul Scheer]

Like she.

[Jason Mantzoukas]

Jafar shot all that stuff later.

[Paul Scheer]

Right. Because that's the only scenes that are not ADR too, which makes me think he. Somebody else money. He's like half a million dollars. I'll record audio on the day and. And I'll give you a great mother daughter story.

[Jessica St. Clair]

And by then, Sucre's, like, has three kids and is living in Boise, by the way, she's, like, giving up acting. She's like, fuck this noise. Let me go live a quieter life.

[Paul Scheer]

I will say it is kind of progressive to have it be a mother, daughter telling this story, like, in a way, right? I mean, sure.

[Jessica St. Clair]

No, everything's wrong with. If you told me that that woman abducted that child and that they are.

[Jason Mantzoukas]

On the run, boy, wouldn't that be interesting? Like, if the blue curtain fell away and they are in, like, a post apocalyptic.

[Jessica St. Clair]

Yes.

[Jason Mantzoukas]

Like, it's. And there are Zombies outside Station 11.

[Jessica St. Clair]

She's like, Go to sleep.

[Jason Mantzoukas]

Go to sleep. Mommy, does Sinbad save them?

[Jessica St. Clair]

Yes.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Will Sinbad save me?

[Jessica St. Clair]

Yeah, we hope.

[Paul Scheer]

We hope he does. I loved it. I just thought that once we got to the island of the Dead, I was like. Like, wow. We're still.

[Jason Mantzoukas]

It's very repetitive.

[Paul Scheer]

It's very repetitive.

[Jessica St. Clair]

You can't fight two separate dead armies.

[Paul Scheer]

You also can't just fight slow, like campfire. They get slower as the movie goes on. That's not fun.

[Jason Mantzoukas]

Well, and there's a lot of. Just like, even the. Even the hand to hand is just like.

[Jessica St. Clair]

Yeah.

[Jason Mantzoukas]

It's not. There's no fight choreography. There's nothing really going on.

[Jessica St. Clair]

They might not have had the budget for it.

[Jason Mantzoukas]

Certainly not.

[Paul Scheer]

You know, but what a great film.

[Jason Mantzoukas]

Wow.

[Paul Scheer]

Jason, want to promote anything?

[Jason Mantzoukas]

Oh, yeah. I'll shout out Invincible Season 3 on Amazon prime just wrapped up. I was walking here, and two lovely young men were like, are you Rex Splode? And I was like, wow. To be recognized as an animated character was pretty cool. Also, Task Master UK. That's right. That's right. UK panel show, Taskmaster. I'm on season 19. It's coming out May 1st or May 2nd or something like that. So get involved. It's on YouTube. Why? It just is. So watch it on YouTube.

[Paul Scheer]

But you can also get that Taskmaster app, which I get, which I love. And yet Taskmaster kids on there get everything.

[Jason Mantzoukas]

Oh, commercial Junior is fantastic. And then one more thing. The final season of Big Mouth will be starting in May. Here we go.

[Paul Scheer]

Yeah. Season eight.

[Jason Mantzoukas]

We're gonna be fucking some pillows.

[Jessica St. Clair]

Always.

[Paul Scheer]

Jess. What do you got?

[Jason Mantzoukas]

Some pillows.

[Jessica St. Clair]

If you haven't checked out the deep dive with Ms. June, Diane Rayfield and I. Please come. If you want to join the Deep Dive Academy of Significance, we'd love to have you. Enrollment is pending accreditation. Our University and the Art of Small Talk, which I wrote with Casey Wilson and. Yeah, so you can get that on Spotify, itunes. Whatever.

[Paul Scheer]

Every week. Every Monday, the Dark Web is live on YouTube, also completely free. Rob Hubel and I exploring the Dark Web. So much stuff that we find from touchless knockdowns from karate experts to a guy vehemently saying you never need to brush your teeth. We find the weirdest shit on the Internet and we put it up for you. And then I thank everybody for buying my book. If you want to get a personalized version of my book, you can go to the website. And I appreciate you all in libraries. I've been supporting the book. Thank you so much. It's been so awesome. You have been an amazing crowd. Thank you for coming out. I know it's a little tricky to get tickets for this thing, so we appreciate you being here. Thank you. Jason Manzoukas, Justin Zay, Claire. I'm Paul Scherer. Good night.

[Jason Mantzoukas]

Eat Shit Boise.

[Paul Scheer]

That's our show, but please don't go. We have a couple very important announcements. First of all, one of the best shirts that we've ever made ever happened in Boise. You can go get that shirt of Sucre and Poochie under the banner of library and our merch store at our how did this Get Made website. You can get it as a sticker, coffee mug, whatever you want. I love this design. It really was a banger. I wanted to talk about something a little bit serious right now. You know that we've been doing this show for a very long time. The movies that we pick on this show have been credited to one person. Her name is Avril Halley and she has been the rock the hidden feature of how did this Get Made? She has been with us for over a decade and she is fighting brain cancer right now. And we would love it and she would love it if you could send some words of support, fan art, anything to lift up her spirits. We have sent videos and songs. People have just written her emails. It really makes a giant difference. And she's not asking for anything more than just a couple minutes of your time to send her some good wishes. You can send those good wishes to andrewviebitches.com or you can actually send something in the mail to Avril at PO Box 641, Agora Hills, CA 913-760641. All this information is on our Discord. It is also on our how did this Get Made Pages Support Avril for all the amazing stuff that she has brought to us. We are rooting for her in this battle. We just send her so much love. We absolutely are in her corner every step of the way. We love you Avril and we can't wait to have you back. It sounds silly to transition to anything else after that, but I will say we had an amazing time at the Morrison center in Boise. We will be back. Our tour manager, Beth Thomas. Thank you, Beth. Thank you to our ep Cody Fisher, who stepped in to help edit this show down. I also will tell you that Jason Mantzoukas is on taskmaster this season. You can watch it on YouTube. It is a fantastic season. He is great on it. My book just came out in Paint paperback, Joyful Recollections of Trauma. It is a New York Times bestseller. And for those of you who bought the book, let me tell you, my website is now decked out. I have a gigantic show and tell section. I have old sketches from UCB shows. I have me meeting Michael Landon. All elements of my book are now kind of shown in a much bigger way. And the book also the paperback has 20 extra pages. So for all you UCB nerds, I go into a lot more detail about that. I also go into some detail about how my parents get me terrible gifts for Christmas. So check out my website, Paulshear.com youm can check out all the show and tell stuff there involving my book. And if you have not bought the book, what a great chance to do it. You can get it right now. And if you want it personalized, you can head over to Chevalier's and I will sign it and personalize it to you. Whatever you want. Also, make sure you're watching the Dark Web every single week. And guess what, people? We're coming to Vancouver. That's right, we're coming to Vancouver in July. So keep your ears and eyes open. Vancouver, early July. Get ready for it. All right, we'll see you soon, everybody. And remember, if you have any corrections and omissions for sinbad and the seven seas, you can send them to our discord at discord gg hdtgm or give me a call at 619p a u l a s k. That's right, 619 Paul ask. And remember, if you're listening to our show on Apple Podcasts or Spotify, please make sure you're subscribed to our feed and have automatic downloads turned on. That's all. We just need you to do that. It helps with our ratings, okay? We're not asking you to buy anything, just help with our ratings. Anyway, last but not least, I got to thank our entire team who the show couldn't be done without. I'm talking about our producers Scott Sauni, Molly Reynolds, our movie picking producer, as I've mentioned before, Avril Halley, our engineer, Casey Holford and Jess Cisneros, who makes our social media videos. That's all I got, people. We'll see you next week on Last Looks. Bye for now. Your mom loves to talk on the phone with her friends. If she ate bunches of oats instead of just oats, she wouldn't do it on speakerphone in public. Not only are honey bunches of oats delicious and nutritious, but they'll help keep her from recounting the plot of her steamy romance novel while in the grocery store. Don't just eat oats, eat bunches of husks. Honey bunches of oats. Adam Pali here, and I'm John Gabris. We're a couple actors and best friends.

[Jason Mantzoukas]

Who you may know as the host.

[Paul Scheer]

Of the TV show 101 Places to.

[Jason Mantzoukas]

Party before youe Die.

[Paul Scheer]

Now we're bringing you a comedic look at health and wellness with our new show, Staying Alive.

[Jason Mantzoukas]

We'll have guests like our friend, actor.

[Paul Scheer]

Jerry O' Connell, ketamine therapist Dr. Stephen Radowitz, Paul Scheer, Ego Wodom, Gillian Bell, Dr. Dolittle. Staying alive with John Gates and Adam Pally is out right now.

[Jason Mantzoukas]

Get them a week early and ad.

[Paul Scheer]

Free with SiriusXM podcasts plus on Apple Podcasts.