The Apple LIVE! w/ Andy Richter (HDTGM Matinee)

Summary

Podcast Episode Summary: "The Apple LIVE! w/ Andy Richter (HDTGM Matinee)"

Episode Details:

• Title: The Apple LIVE! w/ Andy Richter (HDTGM Matinee)
• Release Date: January 14, 2025
• Podcast: How Did This Get Made?
• Hosts: Paul Scheer, June Diane Raphael, Jason Mantzoukas
• Special Guest: Andy Richter

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1. Introduction to "The Apple"

The episode delves deep into the 1980 film The Apple, a musical that has garnered a reputation for its perplexing narrative and eccentric execution. The hosts, along with special guest Andy Richter, embark on a comedic yet critical analysis of the movie, exploring its storyline, thematic intentions, and overall impact.

---

2. Plot Overview and Initial Impressions

Paul Scheer opens the discussion by expressing his initial confusion upon watching the film:

“The whole movie is a generic Meat Loaf song. And I feel like every... they told the guy who was writing all the music, just write opening lyrics and one chorus and then abort. We'll just repeat that over and over again.” (07:53)

June Diane Raphael echoes this sentiment, highlighting the film's attempt to imitate other works but falling short in execution:

“It is unique in that it's attempting to ape other things, but it does it not just like badly, but just like in the way that you'd think a squirrel would understand language.” (05:18)

Jason Mantzoukas shares his initial misconception about the movie's setting:

“For the first 15 minutes of the movie, I thought this was taking place in outer space.” (05:41)

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3. Thematic Analysis and Symbolism

The hosts delve into the movie's underlying themes, attempting to decode its metaphorical intentions. Paul Scheer suggests a critique of the corrupting influence of the music industry:

“I thought it was more like... how the music industry is corrupting artists and music.” (20:37)

June Diane Raphael compares the narrative to an Adam and Eve story, albeit a twisted version:

“I think it was an Adam and Eve story, which I didn't really get because the top...” (18:32)

Michelle Yeoh points out the film's attempt to intertwine these biblical themes with modern societal issues:

“He already manages BIM. BIM is the name of the company.” (04:16)

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4. Production Challenges and Filmmaking Flaws

A significant portion of the discussion centers around the film's troubled production. Paul Scheer reveals insights into the scrapped opening sequence:

“Apparently they shot an opening that was disastrous. It was supposed to take place in Mr. Top's world, Heaven. But then a tiger got loose, elephants got their trunks stuck in set pieces... they cut the entire opening.” (25:23)

This abrupt change led to narrative inconsistencies, leaving the audience bewildered about the movie's setting and thematic direction.

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5. Character and Casting Critique

The hosts analyze the characters, particularly focusing on Mr. Boogaloo and his portrayal:

“He didn't get it. He is like, not even close to not being the devil. He has horns.” (20:37)

June Diane Raphael questions the casting choices, noting the confusion arising from characters sharing the same actor:

“They are played by the same guy. But I didn't think he was the devil.” (31:03)

Paul Scheer humorously compares the male leads to Roger Daltrey, adding to the critique of the film's lack of originality:

“The male leads in this movie, they both look like Roger Daltrey.” (31:59)

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6. Notable Scenes and Musical Numbers

The hosts dissect specific scenes, including the perplexing "BIM Hour" dance sequences:

“It's like saying, disco is killing society. So more disco.” (71:08)

Jason Mantzoukas highlights the over-the-top nature of these sequences:

“It was 1985 stars.” (75:39)

June Diane Raphael points out the absurdity of mandated public dances, comparing them to high-kick workouts:

“It's like a children's German work march. They're all meant to be, you know, simple.” (63:05)

---

7. Audience Q&A Segment

The live audience engages with the hosts, raising questions that further unravel the movie's intricacies and inconsistencies.

Example Questions and Discussions:

• Accents and Localization:

  Question: “Do you think the accents were a direct choice? Because everyone had a different accent.”
  Discussion: Hosts debate the portrayal of accents, speculating on Mr. Boogaloo’s linguistic background and its impact on character perception. Jason remarks:

  “I had a hard time understanding him.” (58:35)

• Filming Locations and Set Design:

  Question: “Does anyone else think that this was actually filmed in an empty airport hangar?”
  Discussion: The consensus among the hosts aligns with the audience’s observation, acknowledging the movie's limited set design and its contribution to the overall incoherence.

• Subplots and Story Arcs:

  Question: “Did you think the movie took place in New York because of the apple?”
  Discussion: Hosts analyze the symbolic significance of the apple and its ambiguous placement, with Paul suggesting:

  “It's like 84. That's a real shitty way to do it.” (33:33)

• Character Arcs and Development:

  Question by Alexis: “Did you guys notice all their vehicles? How much they look like the car that Homer Simpson designed?”
  Discussion: The hosts explore the movie’s reliance on recognizable but poorly integrated cultural references, drawing parallels to The Simpsons.

---

8. Concluding Insights and Reflections

As the discussion winds down, the hosts reflect on their collective experience watching The Apple. Paul Scheer sums up the overarching theme he perceived:

“I was just saying it like that. I'm just seeing it at face value, which is like... the devil was like, bite into this apple. But I didn't see someone telling him not to do it.” (67:25)

June Diane Raphael expresses disappointment in the film's failure to cohesively deliver its intended message:

“Such a sloppy execution of the Adam and Eve, Garden of Eden metaphor. There's no heaven to start, you know. The snakes already won.” (67:38)

Michelle Yeoh adds a touch of humor while maintaining the critique:

“He might as well have cloven hooves for feet. He was a straight-up, classic version of a devil.” (20:37)

---

9. Notable Quotes

Throughout the episode, several memorable quotes emerge, encapsulating the hosts' frustrations and comedic take on the film:

• On Bim Marks:

  “If you don't know what we're talking about, good luck.” (04:59)

• On Mr. Boogaloo’s Motives:

  “How did Schwarzenegger grow a baby in his belly?” (01:56)

• On the Dance Sequences:

  “It's an hour of dancing, perhaps.” (63:27)

• On Production Flaws:

  “They took away the biblical opening because the set was too small.” (25:27)

• On the Movie's Ambiguous Themes:

  “It was like a Steve Jobs thing too. We're all so into that we logo ourselves in 1979.” (60:57)

---

10. Final Thoughts and Takeaways

The hosts unanimously agree that The Apple stands as a testament to misguided ambition in filmmaking. While the movie attempts to tackle profound themes through a musical lens, its execution fails to resonate, resulting in a convoluted and disjointed narrative. The episode concludes with the hosts encouraging listeners to explore further critiques and oral histories related to the film, emphasizing the podcast's mission to dissect and celebrate the most bewildering cinematic endeavors.

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Notable Mentions:

• Documentary Recommendation:
  Michelle Yeoh recommends a Netflix documentary on Cannon Films, praising its in-depth exploration of the studio's influence on such cult movies.

• Viewer Engagement:
  The hosts encourage listeners to engage with their content on social media, share fan art, and participate in discussions about the films covered.

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This episode of How Did This Get Made? offers a comprehensive and humorous breakdown of The Apple, highlighting its flaws while celebrating its status as a cult classic of bad cinema. The detailed analysis, coupled with the hosts' comedic chemistry, provides both entertaining and insightful content for enthusiasts of film oddities.

Transcript

[Michelle Yeoh]

On January 24, Academy Award winner Michelle Yeoh takes command.

[Paul Scheer]

Gather your people. We're gonna need every one of them in Section 31, a new Star Trek.

[June Diane Raphael]

Original movie on Paramount.

[Paul Scheer]

Section 31 is just a place for people to bend the rules.

[Jason Mantzoukas]

Starfleet is here to make sure no one commits Murka.

[Paul Scheer]

What a cute idea.

[June Diane Raphael]

This is chaos.

[Paul Scheer]

Let's get messy. Don't miss the worldwide premiere of Star Section 31, streaming January 24, exclusively on Paramount.

[June Diane Raphael]

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[Paul Scheer]

You can keep your phone, keep your number and we'll help pay it off up to $800 per line. You can also use our savings calculator to compare our plans and streaming benefits against Verizon and AT&T. So switch and keep your phone, keep your number and keep more of your moolah. @t mobile.com up to 4 lines via virtual prepaid card. Allow 15 days qualifying unlock device, credit service port in 90 plus days with device into eligible carrier and timely redemption required. Card has no cash access and expires in six months Will Talk to Me ABC Tuesday they took his daughter.

[Michelle Yeoh]

She's coming home alive.

[Paul Scheer]

Will Trent the series critics are calling powerful. Must see TV continues to thrill.

[Michelle Yeoh]

Shouldn't we strategize before we go in there?

[Paul Scheer]

If we screw up this case, a cop killer walks free with the riveting conclusion to a two part season premiere.

[Michelle Yeoh]

GBI Help Me get down will tread.

[Paul Scheer]

All new Tuesday on ABC and stream on Hulu. If the finale of Staying Alive fucked Zardoz while Xanadu watched you would get this movie. We saw the apple so you know what that means. Now it's time for.

[Michelle Yeoh]

How did Schwarzenegger.

[Paul Scheer]

Grow a baby in his belly? Rock a rhinestone vest while whipping Justin to Kelly or maybe see a burlesque show with Nick Crow and take a vote with speed to hitting cruise control.

[Michelle Yeoh]

J man Big Paul in the beautiful.

[Paul Scheer]

June gonna take you from the goob all the way to the room Ran the games of Street Fighter hope to blow off steam just a sucker punch the odd life of Timothy Green Sharp NATO the bird Demic how we staying alive they calling in the badass and.

[Michelle Yeoh]

He'S on the line cranking 88 minutes.

[Paul Scheer]

Cause they cool as ice cause the bad Jim Varney looking kind and nice Paul and June getting literal Jason is getting laid June is making sure all the monkey shots gettin paid they judge a bunch of movies while they making the Here's a real question for you. How did this get made? Hello people of Earth. And welcome people of Largo. Thank you, thank you, thank you. We are very excited to be here tonight with this amazing audience here at Largo, our LA home to talk about one of the most important movie musicals of all time. Let's bring out our co host right now. Please welcome June Diane Rayfield. Please welcome June. How are you, June?

[Jason Mantzoukas]

I'm doing well. How are you, Paul?

[Paul Scheer]

And now welcome Jason Mantzoukas.

[Michelle Yeoh]

Flat Ronnie. Flat Ronnie in the house.

[Paul Scheer]

Flat Ronnie will be joining us tonight. He'll be performing Security. We have a very special guest tonight. Please welcome our very special guest, Mr. Andy Richter.

[Michelle Yeoh]

Okay, here we go. Here we go now.

[June Diane Raphael]

Thank you.

[Michelle Yeoh]

Can I ask you, gu. Who fucking gave you guys bim marks? Look at all you dummies.

[Paul Scheer]

I did not see this.

[Michelle Yeoh]

You didn't notice the bim mark?

[Paul Scheer]

I didn't notice it until right now. I never look at the audience. This is amazing.

[Jason Mantzoukas]

How could you not see them?

[Michelle Yeoh]

Yeah, I'm normally on the sidelines looking for chesty ladies. All I see is shiny foreheads. What's going on, nerd?

[Paul Scheer]

Most of our audience is in Bimmar.

[Michelle Yeoh]

Okay, who did we give you these?

[Paul Scheer]

No, no.

[Michelle Yeoh]

Who made the bim marks?

[Paul Scheer]

Who is responsible?

[Michelle Yeoh]

Yeah, back there.

[June Diane Raphael]

Maybe there was a stand up a sponsorship by the same Prismatic tape company that was behind this movie.

[Michelle Yeoh]

Well done, nerds. Well done.

[Paul Scheer]

Amazing. We'll definitely talk to the bim mark makers. If you don't know what we're talking about, good luck.

[Michelle Yeoh]

I love what people are like. I hate when they talk visual stuff on the podcast, this movie.

[Paul Scheer]

Well, logic be damned.

[Michelle Yeoh]

That's what you all sound like today.

[Paul Scheer]

But no, we were just talking backstage very briefly about this that I'm so happy to talk about this movie because it is unlike anything I think we've ever seen.

[June Diane Raphael]

Yeah, well, I mean, it is in that it is an incompetent ripoff of other things. So it's like, it's unique in that it's attempting to ape other things, but it does it not just like badly, but just like in the way that you'd think a squirrel would understand language. Well, I will say it's so strange.

[Jason Mantzoukas]

For the first, I want to say 15 minutes of the movie, I thought this was taking place in outer space. I really did. I was like, we're in outer space. I don't know. I don't know quite where, but I thought we were in outer space.

[Paul Scheer]

Well, the opening number kind of looks like Cobra Commander and like destroying from GI Joe got together and formed Like a rock band.

[June Diane Raphael]

And what's. What's incredible, too, is that you start out. You start out the movie cold into a big production number where all you hear are lyrics that are like, hearing things like, hit us all in the phone.

[Michelle Yeoh]

Hey, Bim on the way, Bim on.

[Paul Scheer]

The way Bim on the way.

[June Diane Raphael]

And. And I. I had to turn on the fucking captioning.

[Michelle Yeoh]

I did, too.

[June Diane Raphael]

Cause I was like, what the fuck are they saying?

[Michelle Yeoh]

I am so happ. I turned on the captions for this movie because it's an even crazier read.

[Paul Scheer]

I will just, for a second, just play a little bit of the opening song.

[Michelle Yeoh]

And I would like to get back to where June thought this was in space.

[Paul Scheer]

Yeah, I will just play just so you can hear what. This is how the movie opens.

[Michelle Yeoh]

And it opens like this for a solid 15 minutes.

[Paul Scheer]

What? Flee. What is that word? To the beam? What? There ain't no good There ain't no.

[Michelle Yeoh]

Bad There ain't no happiness There ain't no tears Wait. There ain't no good There ain't no bad There ain't no happiness There ain't.

[Paul Scheer]

No tears of power hey, hey, hey it's the only way yeah.

[Jason Mantzoukas]

So you see, here's the problem. I kept on hearing there weren't. There wasn't this thing. There wasn't that thing. I could hear those words. What I could never hear was what there was. That was. I always wanted to get. What. Well, what is there, though?

[Paul Scheer]

It's. It's like a generic meatloaf song. Like a deep. A deep meatloaf.

[Michelle Yeoh]

The whole. The whole. I agree in that the whole movie is a generic meatloaf song. And I feel like every. Every. I feel like they were getting close to production. So the guy. They told the guy who was writing all the music, just write opening lyrics and one chorus and then abort. We'll just. We'll just repeat that over and over again.

[Paul Scheer]

Well, I mean, then it's revealed that the opening is essentially an American Idol esque.

[Michelle Yeoh]

No, it's super. It's a song contest.

[June Diane Raphael]

Yeah, that song. Eurovision Song Contest. Yeah. But now it's because it's 1994.

[Paul Scheer]

Of course.

[Michelle Yeoh]

How do you know it's 1994 in the movie?

[June Diane Raphael]

Oh, it's JK.

[Michelle Yeoh]

They talk about it fucking constantly at every turn. Somebody's like, well, you know, it's 1994 right now, the year that we're in.

[Paul Scheer]

And by the way, this movie was made in 1980, so they were only, like, really throwing it ahead 14 years.

[Michelle Yeoh]

A lot happens in 14 years and none of it's good.

[Jason Mantzoukas]

See, I'm still trying to understand this contest and the fact that the audience members heart rates are tested while the performers are up there. And Mr. Boogaloo.

[June Diane Raphael]

Boogaloo.

[Jason Mantzoukas]

Wait, who, sorry, Mr. Boogalow wants to see that the heart rates are going up.

[Michelle Yeoh]

Right.

[Jason Mantzoukas]

I can't even follow this train of logic so that. Let's get into it so that he can manage these artists.

[Michelle Yeoh]

He already manages bim. Bim.

[Paul Scheer]

That is the person we just heard singing Bim.

[Jason Mantzoukas]

Of course.

[Paul Scheer]

And so he wants BIM to know.

[June Diane Raphael]

BIM is the name of the company.

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

No, no, this is the name of the fucking. That's why it's even more obtuse. You don't even find out for 20 minutes what the fuck BIM is, and then you have to get it from the initials above the door of their building. It's like. It's like saying IBM is the way. Yeah, it's the.

[Jason Mantzoukas]

I'll say this much about bim, the craziest thing about BIM is. And I'm gonna jump ahead a little bit. At one point, we do. At one point, we're in the corporate headquarters of Bim BIM hq, and there's a sign that says, like, Arrow Music Department. Like, this way. But what other departments are there at bim?

[Michelle Yeoh]

Let's not forget that there are clowns on staff at bim.

[Paul Scheer]

Well, no, no. The wizard. The waiting room of BIM looks like a Cirque du Soleil break room.

[Michelle Yeoh]

Yes.

[Paul Scheer]

There's like, sorcerers and magicians, but they.

[June Diane Raphael]

Yeah, there's a dance scene when they first go to meet with the manager. And there's Ballet 2000, an incredible future group of futuristic dancers. Which, by the way, did you know that the choreography of this was Nigel Lithgow?

[Paul Scheer]

Oh, really?

[June Diane Raphael]

That's Nigel Lithgow from so youo Think youk Can Dance. Choreographed all day.

[Paul Scheer]

That is amazing.

[Jason Mantzoukas]

I will say one thing about the choreography. I felt like they had, like, 15 great dancers, and then the rest were, like, in the background doing, like, head bops.

[June Diane Raphael]

Sure.

[Paul Scheer]

Well, basically, they just picked people from the American high school in Berlin and paid them $25 a day.

[Michelle Yeoh]

Yeah. This movie is shot in Germany?

[June Diane Raphael]

Yes, in. In Berlin.

[Paul Scheer]

Right.

[Michelle Yeoh]

Where's it supposed to take place?

[Jason Mantzoukas]

Outer space.

[Michelle Yeoh]

Cool.

[Paul Scheer]

I believe it's New York. I feel like it's New York.

[June Diane Raphael]

It could have been like Megacity or something. You know, like that.

[Michelle Yeoh]

It would have been great if Judge Dread had been there.

[June Diane Raphael]

Yeah.

[Jason Mantzoukas]

There was something With Wait, isn't it in Canada?

[Michelle Yeoh]

No, they're from Canada.

[June Diane Raphael]

No, they're from Canada.

[Michelle Yeoh]

They're from Moose Jaw.

[June Diane Raphael]

Yeah, right, from.

[Michelle Yeoh]

But then what I couldn't figure out is is Alfie, when he doesn't sign and he goes back to live with his landlord slash mother that he feels up. Is he back in Moose Jaw?

[Paul Scheer]

Well, hold on, where is he there? Just to give you guys a little bit of context, all you really need to know is that this American Idol show is going. Bim is trying to get their performer to win.

[June Diane Raphael]

Yeah.

[Paul Scheer]

And then Mr. Bugalow, although I think.

[Jason Mantzoukas]

You raised a good point, which is this group that's performing right now.

[Paul Scheer]

Yes.

[Jason Mantzoukas]

Their name is.

[Michelle Yeoh]

I don't know, not Roger.

[June Diane Raphael]

They're Pandy and Dandy.

[Jason Mantzoukas]

Of course. And I think that.

[June Diane Raphael]

Is that the name of their band too? Pandy and Dandy. Yeah, Dandy, Candy and Dandy.

[Jason Mantzoukas]

But I think what you were saying, Paul, it's confusing this contest because it does seem like Bim already represents them.

[Paul Scheer]

He does, but he's trying to break down.

[Michelle Yeoh]

They're performing to try and win the contest, which he manipulates the contest so that they do win. And playing the red tape by playing the red tape.

[Paul Scheer]

But now wait, now I want to talk about this red tape because he's manipulating contests because then I'm just have to look at my names here. Then BB And Alfie come out and they're doing like an old fashioned folk song that people are really moved by.

[Michelle Yeoh]

First people hate it. First people are like, bring back Bill.

[June Diane Raphael]

Yeah, yeah, I want more Bill.

[Paul Scheer]

And then they start to love it, right? Really about emotion because it's a love song.

[June Diane Raphael]

They remember their European and their suckers for bloodless sentimentality.

[Paul Scheer]

Oh yeah, right.

[June Diane Raphael]

That's what we appreciate above all. Cuckoo clocks.

[Paul Scheer]

So they start singing. They're doing well. He plays the red tape which causes the audience to riot. Now here's my way. Here's my. I'm sorry, my one thoughts are excited. My only thought is this. So if they're rioting, their heart rate's going up, right?

[Jason Mantzoukas]

One would think, I would imagine your.

[Paul Scheer]

Heart rate is more intense.

[Michelle Yeoh]

I don't think that's what's being measured in terms because you see the clock going down or the counter rather, because they're losing interest in the act.

[Paul Scheer]

I thought is that. That's a heartbeat.

[June Diane Raphael]

There was heart rate, but there were other things too. And there was one that was like their enjoyment index.

[Paul Scheer]

Okay.

[June Diane Raphael]

So I don't know if that was or something like that. Yeah, there were different levels because he. He sort of.

[Michelle Yeoh]

And how would you measure it?

[Paul Scheer]

Well, you know what? We can even hear. We can even hear them discussing it right here.

[Michelle Yeoh]

It's 1994.

[Paul Scheer]

Here is them talking about the heart rates.

[Michelle Yeoh]

Boss, we have just scored 150 heartbeats. It's not beats, man.

[Paul Scheer]

I predict our BIM song is going to take this competition by storm.

[Jason Mantzoukas]

Ashley, prepare some BIM merchandise.

[June Diane Raphael]

Something like bim T shirts.

[Paul Scheer]

T shirts. Lastly, use your imagination. This is 1994.

[Michelle Yeoh]

Oh, thank God he told us. Cause I had no idea. The other 24 times they tell us.

[Paul Scheer]

I felt like throughout this whole movie, I was watching a James Bond movie with the villain, but no James Bond.

[June Diane Raphael]

Exactly.

[Paul Scheer]

Yeah, yeah. He has a major headquarters. But June, I cut you off. You were saying with the heart.

[Jason Mantzoukas]

I don't remember.

[Michelle Yeoh]

On January 24, Academy Award winner Michelle Yeoh takes command.

[Paul Scheer]

Gather your people. We're gonna need every one of them in Section 31, a new Star Trek original movie on Paramount. Plus, Section 31 is just a place for people to bend the rules.

[Jason Mantzoukas]

Starfleet is here to make sure no one commits murder.

[Paul Scheer]

What a cute idea.

[June Diane Raphael]

This is chaos.

[Paul Scheer]

Let's get messy. Don't miss the worldwide premiere of Star Trek Section 31, streaming January 24th, exclusively on Paramount. Plus, this show is sponsored by BetterHelp. Now, think about it. What do you want your 2025 to bring? I mean, every January, we sit and we go, oh, no, I have a full year in front of me. What? What can I do? There's 365 blank pages, aka days waiting to be filled. But life isn't just about making a resolution that you're going to break by February. It is about making a change that you can actually look back on in years and go, my God, I'm so glad I did that. And that's where you guessed it. BetterHelp comes in. BetterHelp is a fully online therapy service that is affordable and convenient that serves over 5 million people worldwide. You can access a diverse network of more than 30,000 credentialed therapists. You can easily switch therapists at any time for no extra cost. So this year, when you're looking at those 365 blank pages, why don't you write your story with better help? Visit betterhelp.combonkers to get 10% off your first month. That's better help. H lp.combonkers if you have a locked.

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[Jason Mantzoukas]

I. I'm trying to figure out now, even watching the beginning again, what Mr. Boogaloo was trying to do here with these artists. Bugalow. I'm sorry.

[Paul Scheer]

I think Bugalow was trying to get the song to be the national anthem.

[Michelle Yeoh]

No, he's just trying to win. Isn't it your. Isn't it basically that song contest that still exists, the Eurovision, the song contest. That is like a thing, right? Isn't that a thing?

[Paul Scheer]

No, but, but, but.

[Michelle Yeoh]

All right. Foreigners, relax.

[Paul Scheer]

They perform it every day. Because when they're walking around like, well, at. It will be the national anthem of exercise, too.

[June Diane Raphael]

No, because I have a feeling that Menachem Golan's take on this was, you know, he wants to win and then there's someone else, he wants to beat them, and then the song becomes a national anthem.

[Paul Scheer]

Yeah.

[June Diane Raphael]

Anyway, I think that's about as deep as he probably got into it. You know, it was very difficult to.

[Michelle Yeoh]

Figure out why BIM Industries held so much sway as to be able to have a law that people needed to wear BIM marks on their goddamn heads.

[June Diane Raphael]

It snuck up. It snuck up on everybody. Where all of a sudden, now he's.

[Michelle Yeoh]

Basically like a fascistic leader and has taken over. And I get it, he's the devil. I couldn't quite tell if there was an allegory in this movie, but you.

[Paul Scheer]

Know what I have to say. Say it's a weird way, like, as June pointed out to me, like, it's an Adam and Eve story, which I didn't really get because the top.

[Michelle Yeoh]

Wait, what? It's about an apple.

[Paul Scheer]

Right?

[June Diane Raphael]

But he didn't get it.

[Paul Scheer]

But not really.

[Jason Mantzoukas]

I'm going to tell you guys, he didn't get it.

[Michelle Yeoh]

What?

[Paul Scheer]

I'm sorry, Paul.

[Jason Mantzoukas]

I feel really badly to say that out loud.

[Paul Scheer]

You can. You can tell me, because I think the top part was missing. I feel like there was no. Like, that guy who comes at the end, Mr. Topps. Like, he should have been at the top of the Movie.

[Michelle Yeoh]

You're right. Don't eat that apple.

[Paul Scheer]

What's up?

[Michelle Yeoh]

To have been a true.

[June Diane Raphael]

He should have bookended it.

[Paul Scheer]

He should have been the other manager. Like, stay with me and you'll be okay. And then the devil.

[June Diane Raphael]

Or he could have been the mayor of Moose Jaw because they're coming from an idol going into the pits of hell.

[Michelle Yeoh]

You go right ahead. You go to Sodom and Gomorrah. Just. Just don't eat that apple.

[Paul Scheer]

It's as if you picked up the Bible, like, 50 pages in. You're like, oh, okay. Like, I didn't see the first part of this.

[Michelle Yeoh]

Like, your understanding of the Bible is flawed, but it's.

[Jason Mantzoukas]

Let me just ask you this, Paul. Let me just ask you this. When you saw that gigantic apple, you just thought, oh, it's an apple.

[Michelle Yeoh]

Well, especially the.

[June Diane Raphael]

Yeah.

[Michelle Yeoh]

That it was being offered by the devil.

[Paul Scheer]

At that point, I was not paying attention to the logic. I was enjoying the magic.

[June Diane Raphael]

It is very sloppy, though, because there's this.

[Michelle Yeoh]

Right.

[June Diane Raphael]

You know, there's like, what is it? The devil? And, you know, the sell your soul for stuff. You know, I felt like that's what.

[Paul Scheer]

I thought it was. I thought it was more like. And then he's selling his soul.

[June Diane Raphael]

But I didn't get unpokito Nazi stuff. You know, all of that thrown in there.

[Paul Scheer]

But I feel like no one. Like, I wanted to see someone say, like, don't sign with that guy. Then I'd be like, okay, now I get it. Like, I mean. Well, I don't know that. That sounds dumb as I say it.

[Michelle Yeoh]

He was okay. The guy was like, I get he's the devil. He is like. But he's, like, not even close to not being the devil. He has horns.

[Paul Scheer]

Yeah, got it.

[Michelle Yeoh]

He might as well have cloven hooves for feet. He was a straight up, like, classic version of a devil, the triangular beard.

[Paul Scheer]

But I got. But I thought more of it. I thought it more of a story about, like, how the music industry is corrupting artists and music. I thought of it more like that. Less of, like an Adam and Eve.

[Jason Mantzoukas]

Honestly, in your defense, I think it was so hit over the head that I think there was a part of you in your mind that was like, well, it can't be this, because that's too obvious. And maybe I think you were actually looking for something deep, deeper.

[Paul Scheer]

You know, maybe you're right, June. I'm too smart for this movie.

[June Diane Raphael]

Well, and also, you're Hollywood, so you're totally.

[Paul Scheer]

I'm just.

[June Diane Raphael]

You don't See, past the music business. You don't need to.

[Paul Scheer]

Connecting to art and management and the problems of that.

[June Diane Raphael]

Exactly.

[Michelle Yeoh]

Yeah.

[Paul Scheer]

I mean, I'm in a daily struggle with that kind of.

[June Diane Raphael]

Yeah, oh, yeah, yeah.

[Michelle Yeoh]

I mean, contracts. The legalese of contracts and all that.

[June Diane Raphael]

Stuff is exactly like life and meaning. It's true.

[Paul Scheer]

I also am fascinated by movies that take place in the future when they try to figure out what the future is like, what. And this. It was just bigger. Champagne glasses were bigger, cameras were bigger, which seems the opposite of how we've all gone.

[June Diane Raphael]

Yeah, yeah.

[Paul Scheer]

What's wrong with the champagne glass that we needed to reinvent.

[June Diane Raphael]

Listen, that is one area. This film does not make one misstep. Visually.

[Michelle Yeoh]

Yep.

[June Diane Raphael]

It is a delight for the eyes.

[Michelle Yeoh]

Yep. Everybody.

[Paul Scheer]

Beautiful.

[June Diane Raphael]

Everything about it is perfect. Visually.

[Michelle Yeoh]

Every. All of the metallic fabrics. Oh, crazy. Everybody like, crazy. Nonsense.

[Paul Scheer]

Well, now I want to get into the bim marks, too. The bim marks are. They're not like drugs or anything. They're just saying you're f. Like, it would. I mean, you're followers of.

[June Diane Raphael]

It's the number of the beast. It's just that dumb that.

[Paul Scheer]

That's it.

[June Diane Raphael]

It's that dumb. Yeah. You know, like the number of the beast. Okay. Yeah.

[Jason Mantzoukas]

Paul, you should look no further than just the signs and symbols that are.

[June Diane Raphael]

Yes.

[Michelle Yeoh]

I can't believe I'm about. I genuinely can't believe I'm about to say this, but. Paul, what do you think was happening?

[Paul Scheer]

No, I got, like, I. I guess I felt like I wanted to see a deeper plan being hatched. Like, I didn't understand what this plan. All right, so it's a devil. He's controlling them, but not really. There's no real plan.

[June Diane Raphael]

Like, he's just sloppy filmmaking that you're seeing there. Maybe when she leaves the apartment and they just go, okay. You know, she's being trapped and she wants to go. And then. And I. You're expecting some sort of.

[Paul Scheer]

You're.

[June Diane Raphael]

Yeah, like they're laying wait for somewhere. But no, that just goes and has babies in the hippie cave.

[Paul Scheer]

That. That's something that really, like, paid off. It was like, I thought, oh, the devil. You want to put this on them? And then he'll activate the BIM marks and everyone will be like an army. Like, I was expecting more like I was waiting for it to pay off.

[June Diane Raphael]

Like, you shouldn't just, after a couple years, be able to just peel it off.

[Paul Scheer]

Yeah.

[June Diane Raphael]

It shouldn't be a little more substantive than that.

[Michelle Yeoh]

I felt like. And I guess this is the point of Bim Hour and the Bim Marks and all that stuff is just to show us by the end of the movie, obviously, but to show us that the devil has won. He has gotten control over everybody. Except for the fucking hippies. They're fucking playing a flute in the woods. And then Mr. Topps comes down at the end and is like, you guys want to scram with me? And everybody, best as I can tell, commits suicide and walks into. It's a hail bop like that, like Jonestown right here.

[Paul Scheer]

But it's like, what was that? That cult that they all wore sneakers and they went up.

[Michelle Yeoh]

Yeah, yeah, the. The.

[Paul Scheer]

Same thing. Like, he pulled. Like, hey, our. Our Lord's gonna pull up in the golden Cadillac.

[June Diane Raphael]

Yeah.

[Paul Scheer]

And we'll all walk into his garden.

[Michelle Yeoh]

Alfie was like, he's gonna come. He's going to come. But then she's like, who's going to come? Mr.

[June Diane Raphael]

Tops.

[Michelle Yeoh]

What?

[Paul Scheer]

That's what I'm saying.

[Michelle Yeoh]

If there's a day who takes machina coming, why hasn't it not. Why is it not been mentioned?

[Paul Scheer]

This. Yeah, this character has not been mentioned.

[Michelle Yeoh]

That God is literally in a machine like the Cadillac.

[Paul Scheer]

This person's coming. I don't know who. They means nothing to me.

[June Diane Raphael]

It was really just. Do you know, is there any. Like, was it tacked on to the end? Like, did they.

[Paul Scheer]

I did do a little research right before the show. So this is my. What I'm giving you is my honest opinion. Then I found this. So I will tell you this. That.

[June Diane Raphael]

Oh, I'm sorry. Am I. Am I.

[Paul Scheer]

No, not at all. This is. I will tell you.

[Michelle Yeoh]

You ruined the show.

[June Diane Raphael]

I guess I did. I'm sorry.

[Paul Scheer]

No, not at all. I will tell you that. This is the. Apparently they shot an opening that was disastrous. It was supposed to take place in Mr. Top's world. Heaven. It's called Creation, where he brought Alfie to life. And then he also sang a song to Bugalow and he fell into the stream and disappears. But apparently when they were shooting it, they had animals and puppets and a tiger got loose. Elephants got their trunks stuck in set pieces. People wearing a brontosaurus costume passed out from the heat and no one could dance. And the cameras couldn't move anywhere because the set was so small. So they cut the entire opening, the biblical opening.

[Michelle Yeoh]

A tiger got loose. That's amazing.

[Paul Scheer]

So no one has ever seen.

[Michelle Yeoh]

Hey, have you seen the tiger? Yeah, he said he was going to craft services. Uh oh. Cause he's not there.

[Jason Mantzoukas]

The one thing I did like that Mr. Bugalow enforced was the mandated exercise in the middle of the day.

[June Diane Raphael]

That was nice.

[Paul Scheer]

When I saw that, I was like.

[Jason Mantzoukas]

That'S a cool idea. Yeah, I'll just like get up and move our bodies. Gotta do it.

[Michelle Yeoh]

Count down to four.

[June Diane Raphael]

No, it wasn't four minutes. It was an hour.

[Michelle Yeoh]

It was one hour.

[June Diane Raphael]

They were dancing like this.

[Michelle Yeoh]

It was one hour. And wait.

[Jason Mantzoukas]

I gotta say, even better.

[Michelle Yeoh]

Yeah, except for the fact that firemen stopped fighting fires.

[Paul Scheer]

Yes.

[Michelle Yeoh]

Doctors stopped treating patients like people died during Bim Hour just so that the living could have some calisthenic workout.

[June Diane Raphael]

Yeah, and they're already wearing Mylar jumpsuits. That can't be good to work out in.

[Paul Scheer]

Well, I want to show some of Bim Auer here again. Just picture everyone that does everything in your life stopping to dance. So this is the dance break at Bim Hour. Attention please, good citizens. It is now one minute to 4:00. Time to stop ordinary activity activities and.

[Michelle Yeoh]

Prepare for the national Bim Hour.

[Paul Scheer]

All traffic must stop immediately.

[Michelle Yeoh]

Everybody's so stoked.

[Paul Scheer]

Throw down their hoses. Join in the National Fitness Program.

[Michelle Yeoh]

Stop fighting the fire, guys.

[Paul Scheer]

Citizens, attention. Counting down to BIM exercises designed for your health and peace of mind. All citizens must participate. Attention citizens. Shut down the machines. Operate your work. Get operated. 10 seconds to bim Hour. The National Fitness Program is watching you. 5, 4, 3, 2.

[Michelle Yeoh]

And these are the only lyrics.

[Paul Scheer]

Everyone's dancing. I don't know how they got hope the patient is even dancing and then dies. Nuns are not dancing and then boom.

[Michelle Yeoh]

They break out like perfectly choreographed.

[Paul Scheer]

Well, perfectly is tough to say in.

[Michelle Yeoh]

This movie, but hey, hey, hey, Bims on the way are the only lyrics to the song, presumably that lasts for one hour, which as far as I'm concerned, would make society go insane.

[Jason Mantzoukas]

That's true.

[Paul Scheer]

I do want to just go back to one thing again. If that folk singers, right, the one that he corroses. BB is her name. BB and Alfie. If BB and Alfie were so good, why is he trying to create her as like a pop star? Wouldn't he just try to capture her folk music?

[Jason Mantzoukas]

I think in some ways he may have felt threatened by her.

[June Diane Raphael]

Yeah, I think that's right.

[Michelle Yeoh]

Well, what is. What is. He's watching them and they're about to beat Tandy and Bandy or whatever. And then they do beat them and he's like, they've got talent, they're good, whatever. What is unclear to me is to is why doesn't he let them sing Love Songs. Because clearly that works.

[Paul Scheer]

Well, that's what I'm saying. It's like saying, like watching Michael Jordan or, you know, or Stephon Curry. They don't call him Stephon. No.

[Michelle Yeoh]

You're a big sports guy, right?

[Paul Scheer]

Yeah, a huge sports guy.

[Michelle Yeoh]

Huge.

[Paul Scheer]

Very heavy into sports. Like, just be good at basketball and say, oh, now let's let them play, like, croquet. Like, it didn't make sense. Like.

[June Diane Raphael]

Well, I think. I think, too, that their. That their songs and their music was so beautiful and such, you know, like, they couldn't. Yeah, it's like, you know, God that's of God and he must crush that out.

[Paul Scheer]

So it's almost like disco. Disco is like killing society. So more disco.

[June Diane Raphael]

Yeah, Disco is the work of them. And into the disco.

[Paul Scheer]

Like, you can't have the hippie shit out there. No, because that makes people think.

[June Diane Raphael]

It makes people feel too, like. Oh, yeah. Then all those. All those, like, trite cliches really are carrying me away.

[Michelle Yeoh]

Well, that's the thing is the devil. Disco is the devil's music, you know, so all of his agents have to be disco singers. And God's people are the hippies. Didn't you think that the hippie with a beard was God?

[June Diane Raphael]

Yes.

[Paul Scheer]

Yeah.

[June Diane Raphael]

They are played by the same guy.

[Michelle Yeoh]

Whoa. What?

[Jason Mantzoukas]

When were you gonna share this piece of information? This unlocks everything. We did meet God earlier.

[June Diane Raphael]

Yeah.

[Michelle Yeoh]

Huh.

[June Diane Raphael]

Wait, they are played by the same guy?

[Paul Scheer]

Yeah, they are played by the same. But I didn't think. But he's not.

[Michelle Yeoh]

That makes sense.

[Paul Scheer]

But he wouldn't know him as Mr. Top.

[Jason Mantzoukas]

So that's the Garden of Eden.

[Michelle Yeoh]

That's why he's able to be amongst. Amongst his people without being Mr. Top.

[June Diane Raphael]

And they talk to each other.

[Paul Scheer]

Right.

[June Diane Raphael]

They share the same screen. How about you, hippie dude, go first? All right, here I go.

[Paul Scheer]

So that is confusing. Yeah, that is definitely.

[June Diane Raphael]

No, that's like, they just. No, that. That was just probably. It was cheaper.

[Paul Scheer]

When they cut that first scene, they're like, oh, we got to figure out something to justify whether something.

[Michelle Yeoh]

We got to make this make sense. Because I care about.

[June Diane Raphael]

I got missed at. I got Mr. Topps for three weeks.

[Michelle Yeoh]

I'm worried.

[June Diane Raphael]

The king of the hippies.

[Michelle Yeoh]

I'm worried this isn't gonna add up.

[Paul Scheer]

And am I right in saying that both the male leads in this movie, not the devil, but the hunky guys, both look like Roger Daltrey?

[June Diane Raphael]

Yes.

[Paul Scheer]

They both have similarities. And the girl falls victim to him very quickly, within seconds.

[Michelle Yeoh]

Oh, yeah.

[Paul Scheer]

He gives her he drugs her.

[Michelle Yeoh]

Wait, what do you want me to do? Put this in my mouth? Okay. Blah, blah, blah, blah, blah. Oh, what is it? It's a pill. Okay, let's do it. Like, everybody's like, okay. Which I could not for the life of me figure out because she's like. They come. BB And Alfie come to the party after losing the contest, and Mr. Boogaloo immediately separates them with Bandy and Bandy. Yeah, whatever. And then shit just goes crazy. And why is everybody able to look at Roger Daltrey seduce Bibi? Right. That was also, like, for everybody's.

[Jason Mantzoukas]

But then they all laughed.

[Michelle Yeoh]

And then they all laughed at them, like, ha, ha, ha. You got seduced by this guy, like, pretty easy.

[June Diane Raphael]

You let him take you right to the peeping spot.

[Michelle Yeoh]

Yeah.

[June Diane Raphael]

The pre designated peeping spot that we wait downstairs.

[Michelle Yeoh]

We've all. We've watched you be Corrupted back up 6 inches.

[Paul Scheer]

There's also. There's also something here, too, that I just realized. The story was originally set in 1984 because of Orwellian themes, but then Golan decided, oh, that's too close. Let's go to 94. But that kind of loses the Orwellian theme because you don't immediately just think, like, all things in four. Like, 2004. Yeah, yeah.

[Michelle Yeoh]

It's like.

[Paul Scheer]

It's like 84. That's a real shitty way to do it.

[Michelle Yeoh]

Did everybody. Did everybody see Matilda May? Matilda. What was her name? From Life Force?

[Paul Scheer]

Was Matilda May in this?

[Michelle Yeoh]

I thought she is a dancer in this movie from. Wait, did nobody see that?

[Jason Mantzoukas]

I saw her.

[Michelle Yeoh]

You did.

[Paul Scheer]

Wait, no, you didn't see Life Force?

[Jason Mantzoukas]

No. There's an actress I saw in this movie who is from General Hospital and.

[Paul Scheer]

Also that's from Staying Alive, Fanola Hughes.

[Jason Mantzoukas]

Oh, Fanola Hughes.

[Paul Scheer]

No.

[Michelle Yeoh]

Who looks similar. Am I wrong?

[Paul Scheer]

No. Finola Hughes is in this movie.

[Jason Mantzoukas]

Hughes is definitely in this movie.

[Michelle Yeoh]

Yeah. I couldn't. I thought it was her, but maybe not because it would make sense because Life Force and this movie are both canon films.

[Paul Scheer]

Oh, maybe she was in it.

[Michelle Yeoh]

Well, I'm almost somebody. Come on. Nerds. You fucking assholes. I thought for sure you guys were gonna be on my side on this. I'm now. I am Deb. It.

[June Diane Raphael]

Wait, is Life Force that movie where, like, a beautiful woman turns into a killing machine?

[Paul Scheer]

Yeah, she's like a. No, no, no. That's. That's Species.

[June Diane Raphael]

Okay?

[Paul Scheer]

That's Natasha Hendrich.

[June Diane Raphael]

Life Force. I haven't seen Life Force.

[Paul Scheer]

You should see. It's pretty much the same idea it's just a woman from space who's naked the entire movie, sucking the life out of men. Yeah. I would love to talk about the ghetto or that place where they lived. And the woman that was his roommate. Mother. What was going on there?

[Jason Mantzoukas]

That lady, the landlady, is the only person that curses in the movie.

[Michelle Yeoh]

Okay, I'm wrong. She wasn't in it.

[Jason Mantzoukas]

Sorry.

[Michelle Yeoh]

God damn it. Sorry. Let's get back to this woman. Cause I was.

[Paul Scheer]

She's only credited as Alfie's landlady. She has no.

[June Diane Raphael]

Oh, there's no name.

[Paul Scheer]

No name. Alfie's landlady.

[Michelle Yeoh]

Sad for her.

[June Diane Raphael]

She kind of looked. There was something familiar about her.

[Michelle Yeoh]

Oh, she's Professor Sprout from Harry Potter.

[Paul Scheer]

Ah. Wow.

[June Diane Raphael]

That's why she looked familiar.

[Michelle Yeoh]

Whoa. I was off all over this movie. That's. I should have known that.

[Paul Scheer]

That's Miriam.

[Jason Mantzoukas]

It was this. The moment where he grabbed her boobs.

[June Diane Raphael]

See, I missed that because. I'm sorry, people. I missed him groping his landlady. No, I.

[Michelle Yeoh]

It is a.

[June Diane Raphael]

Watching this on a laptop at home in pieces, with children running around.

[Paul Scheer]

Yeah.

[Michelle Yeoh]

And it's neat to see this movie.

[Paul Scheer]

It's also a movie. It's also a movie that you check out for at moments. I would say there's a couple moments like, oh, I'm still watching something.

[June Diane Raphael]

Oh, fuck, yes.

[Paul Scheer]

Yeah.

[June Diane Raphael]

No, they were like, I took a leak in the middle of songs.

[Jason Mantzoukas]

Yeah.

[June Diane Raphael]

Because it's just. I don't need to see it.

[Michelle Yeoh]

Yeah. There was a couple of times I got confused because I would check out for a second. So I would rewind and be like, oh, I didn't miss anything. This is just a confounding series of scenes.

[Paul Scheer]

Well, their relationship. I was like, I thought it was his mother.

[Michelle Yeoh]

Yes.

[Paul Scheer]

I didn't think it was his Landly. But then they were like an airbnb situation because they seem like they're really in the same room. They're not. There's no, like, ups. No downstairs.

[June Diane Raphael]

No.

[Paul Scheer]

Right. Right.

[June Diane Raphael]

When she goes to cook, it's just, like, in a nook. Like an attached nook. His own sweet. She advertises it as such.

[Paul Scheer]

And she's keeping. He's been keeping her awake, writing amazing songs. And he'll grab her boobs just to goose her a little. To not get away with not paying the rent.

[June Diane Raphael]

You know how it is.

[Michelle Yeoh]

He owes her rent, but he's like, don't worry. I'm gonna sell this song. And she's like, I know you're gonna sell this song. And then he's like ha ha ha, rabba, rabba, rabba. And he like gives her like a real reach massage which I was into but but also that's what I was like. What is the relationship here? Where are we? Are we back in Moose Jaw? What's happening at T Mobile?

[Paul Scheer]

We'll give you four free 5G phones.

[June Diane Raphael]

And four lines for only $25 per line per month with eligible trade ins.

[Paul Scheer]

And no, it's not a contest. It's every day for a limited time. Everyone's a winner on America's largest 5G network. Minimum of 4 lines for $25 per line per month with autopay discount using debit or bank account. $5 more per line without autopay. Up to $830 off each phone via 24 monthly bill credit plus taxes, fees and $10 device connection charge for well qualified customers. Contact us before canceling entire account to continue build credits or credit, stop and balance on required finance agreement, due bill credits and if you pay off devices early. CT mobile.com Nothing brings us together like Eglin's best eggs. Always so fresh and delicious. Plus superior nutrition like 6 times more vitamin D, 10 times more vitamin E and 25% fat compared to ordinary eggs. For us it's eggs any style as long as they're the best.

[Michelle Yeoh]

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[Paul Scheer]

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[Michelle Yeoh]

Visit eglinsbest.com to learn more.

[Paul Scheer]

Are you still quoting 30 year old movies? Have you said cool beans in the past 90 days? Do you think Discover isn't widely accepted? If this sounds like you, you're stuck in the past. Discover is accepted at 99% of places that take credit cards nationwide. And every time you make a purchase with your card, you quickly earn cash back. Welcome to the now it pays to Discover. Learn [e-mail] credit card based on the February 2024 Nelson report well, it also seemed like there were parts of the city like that was a very poor like it looked like you know, like a very like co op city or something like that. It was a very like poor area.

[Jason Mantzoukas]

Tenement house, a tenement house together.

[Paul Scheer]

But, but then other parts of the city were very rich. So I didn't know. But these people are also followers of bim. They didn't seem to get any of that trickle down economically.

[Michelle Yeoh]

Everybody's a follower of BIN by the end including all these dummies. And that's, and that's.

[June Diane Raphael]

I like, I like to think that that was like a very specific direction by menachem Golan like to like walking through the blocking of it and he goes. And then, you know, like you do with your mom, you grab her boobs. If anybody goes, no, just do it. Trust me. What do you. You're not a boy.

[Michelle Yeoh]

If anybody hasn't seen it yet, there's an amazing documentary on Netflix about Cannon Films.

[Paul Scheer]

It's amazing.

[Michelle Yeoh]

The company that made all these movies and it's fantastic. And the guys that created it are amazing characters.

[Paul Scheer]

Well, I'll just give you like a little backstory in this movie. The writers conceived the Apple as a three act Hebrew stage musical about God and the devil. But their vision was deemed too elaborate and costly to execute on stage. They showed it to Golan, who convinced him to turn it into an English language screenplay. Then they determined that that vision wouldn't work as a film. So they scrapped the story and 17 songs. Then Golan rewrote the script. He rewrote the script, added this landlady character who was not ever in this movie, and then just hired someone else to write the lyrics. So this is like a photocopy of a photocopy. They threw away the photocopy, wrote a new thing, and then photocopied that.

[Michelle Yeoh]

This movie makes Starlight Express look like Hamilton.

[June Diane Raphael]

You know, though I, I do think this movie, there is an earnestness to this movie.

[Paul Scheer]

Oh, there was.

[June Diane Raphael]

I don't feel like this is just some cynical, you know, just sort of like, ah, we'll do some knockoff. Like some other.

[Paul Scheer]

I feel like they were trying to say a lot.

[Michelle Yeoh]

Oh, yeah.

[June Diane Raphael]

And I, I remember there was some at the, at the top of the IMDb trivia. There was when it opened in Khan, people started booing and leaving halfway through. And Menockum. Golan went back to his hotel room when it was about to jump out the window.

[Paul Scheer]

Yes.

[June Diane Raphael]

When his business partner barged in and stopped him. That's like, holy shit, this guy was serious. The whole, like he was. This is not a laugh to him.

[Paul Scheer]

No, this is a. This is a big deal. This movie had a very mixed reception. They handed out soundtracks at one point to the audience and at the end of the movie they threw them at the screen and punctured the screen.

[Michelle Yeoh]

I get it. I would have, I would have disowned. This movie is shockingly bad in a way, though, that is that, you're right, is so sincere and is so serious. What they're trying to do, I can tell, is so serious, but it is so not getting there. It is such a disappoint it falls so short.

[Paul Scheer]

It's serious in theme, but never goes deeper than surface. Right. I feel like it's like.

[Jason Mantzoukas]

Well, you missed it, so.

[Paul Scheer]

Yeah, I guess. Right. Touche.

[June Diane Raphael]

This is what the people pay for. You going at it, Paul?

[Paul Scheer]

I've never heard the June chant in the show.

[Michelle Yeoh]

Yeah, yeah.

[Paul Scheer]

Oh, my God.

[June Diane Raphael]

Oh, yeah.

[Michelle Yeoh]

That's a real victory right there. I would like to talk about the song. Oh, Coming for you. It is. It is my theory. Do you have this by any chance?

[Paul Scheer]

I sadly do not. A huge.

[Michelle Yeoh]

It is my theory that this is the song and video that the grandfather was watching in the Star wars holiday special. This is what inspired that pseudo porn. Was this actual porn?

[Paul Scheer]

This was one of the most graphically disturbing songs.

[Michelle Yeoh]

Yes.

[Paul Scheer]

That I had ever.

[June Diane Raphael]

Sex production numbers.

[Paul Scheer]

Yeah. I mean, I wrote down some of the lyrics. I want to drain every drop of your love. I'll take it deeper. I'll make it tighter. Coming just for you.

[June Diane Raphael]

I like picturing you as a shrink reading back notes. Well, you did say.

[Michelle Yeoh]

And this again is a scene that features someone who has been drugged to make them pliable for sex.

[Jason Mantzoukas]

What's interesting about this, too, is the next morning. I don't know if this is. This is Pandy who's singing the song.

[Paul Scheer]

Yeah.

[June Diane Raphael]

Pandy is the male.

[Paul Scheer]

Oh, no.

[June Diane Raphael]

Dandy. It's Dandy. I think Dandy is the.

[Michelle Yeoh]

What is doing in this?

[June Diane Raphael]

Pandy.

[Paul Scheer]

It was Pandy. Pandy is the girl. Grace is the girl.

[June Diane Raphael]

I'm sorry, My mistake.

[Jason Mantzoukas]

So the next morning, Pandy comes to Bibi and says, you know, you have to go back and get Alfie. You have to. You have to.

[Michelle Yeoh]

So he loves you.

[Jason Mantzoukas]

He loves you. But here's what's interesting about Pandy's turn in the movie. It seems as though, because Alfie wouldn't have sex with her. Although I think they. I don't know, they definitely had sex. I wasn't sure. I wasn't sure she wanted to take you.

[Paul Scheer]

Now you like that.

[Jason Mantzoukas]

But it seemed as though she was. I don't know how to put this, but she was either offended that he wasn't that into it or because he ran away at the end.

[June Diane Raphael]

That's not. You know what that could be because it could be that he wasn't able to perform.

[Jason Mantzoukas]

Yes. Something happens at the end of their lovemaking that. I'm sorry.

[Paul Scheer]

He says bb.

[Jason Mantzoukas]

He. He says, BB that's right. So with all.

[June Diane Raphael]

I really watched this.

[Michelle Yeoh]

We've all been there, right?

[Paul Scheer]

The best. I mean, they come with their bin marks. They're not fucking around.

[Michelle Yeoh]

Please, please. You guys are gonna leave tonight. Some of you are gonna have sex with each other. When you come, say BB. Hey, please, please, just do it. Just do it. Look into each other's eyes and say, ah. B.

[Paul Scheer]

I want everyone just to post pictures of them with these bim marks, but make no reference to the bim marks. I just wanted to take over in.

[Michelle Yeoh]

Your bim marks and say, bibi, take pictures. Put it online. Let's get weird.

[Paul Scheer]

Everybody go to work with your bim marks on.

[Jason Mantzoukas]

But here's my question. Was Pandy working on her own here or was she sent to do this by Mr. Boogaloo?

[Michelle Yeoh]

I think she was.

[Paul Scheer]

Yeah.

[Michelle Yeoh]

I think she was trying to seduce him for Mr. Boogaloo. The way that not Roger Daltrey seduced Bibi.

[Paul Scheer]

Right. The way Dandy seduced B.B. yeah, they were. Mr. Boogaloo was supposed to.

[Michelle Yeoh]

Right. But then she felt guilty about it and, and, and, and helped BB Escape instead, knowing that she would then suffer the consequences.

[Paul Scheer]

Yeah, she told Bulldog the. The bodyguard to let him go.

[Michelle Yeoh]

Yeah.

[Paul Scheer]

Yeah, Bulldog. Bulldog seemed like the most uncomfortable guy. Just a bigger man and just like.

[Michelle Yeoh]

Metal, like a metal job and like big inserted teeth to make him look like a bulldog.

[Jason Mantzoukas]

But here's the thing. Pandy never suffered any consequences.

[Michelle Yeoh]

I thought she was gonna be killed.

[Jason Mantzoukas]

She wasn't. When they arrived at that forest, she was there, just.

[June Diane Raphael]

Yeah, yeah.

[Michelle Yeoh]

What?

[Paul Scheer]

Pandy escaped? Oh, she was with them?

[June Diane Raphael]

No, no, she just. There also, too, is a little foreshadowing at the end of the first big party sequence when Bebe goes off to her own room. After, I think it's maybe after that speed song, she goes off to her own room. Like, you know, Dandy tries to get her to party with the.

[Jason Mantzoukas]

She's not into it.

[June Diane Raphael]

Giant Kool Aid vases filled with Kool Aid. And then she goes to bed and he turns to Pandy and she takes the glasses with Kool Aid and hard ass drops him on the ground. So I think that was where we got a sense that she was a rebel, right? That she was standing up to be a rebel.

[Michelle Yeoh]

I also couldn't figure out, okay, when Alfie has been drugged and he bone zones Pandy, and then he's like, I gotta get outta here. Then he gets into a room with BB and not Roger Daltrey, and she's like, who are you? Get out. Does that happen?

[Jason Mantzoukas]

No, that was in his mind.

[Michelle Yeoh]

That was imaginary.

[Paul Scheer]

And why does he have these. Why does he have these flashes? Like, why is he Special that he's able to see all that stuff.

[Michelle Yeoh]

Yeah, I couldn't figure that out either. Why is he having, like some sort of clairvoyance to be able to understand that the earthquake and that this is the devil and the ba ba ba.

[Paul Scheer]

Right. He like. And again, even a title card would help me get some of this.

[June Diane Raphael]

Yeah, Like, I think. I think they were just trying to subtly say that he's Mormon. Cause it comes very naturally to Mormon people.

[Paul Scheer]

Maybe you're right.

[June Diane Raphael]

Yeah, I'm just. It could be.

[Paul Scheer]

So the Mormons take Moose Jaw.

[June Diane Raphael]

Probably not a stretch.

[Paul Scheer]

It sounds Mormon parable.

[Michelle Yeoh]

Yeah, it sounds Lutheran. Moose Jaw. I feel like Moose Jaw's right above Lake Woebego.

[Paul Scheer]

I was gonna say. Yeah, it's Garrison Keillor's like, Right. Breathing into his mic.

[Michelle Yeoh]

Tom and Tom Vilchist was pandy and dandy.

[Paul Scheer]

June, I want to just.

[Michelle Yeoh]

All of our Garrison Keelers are flawless. I bet people listening right now thought like, oh, we switched out of A Prairie Home Companion.

[Paul Scheer]

We kill the Prairie Home Companion audience here. June, I want to tell you something. I was just looking at the taglines of this movie. And here we go. It's 1994. The future is music, and music is the future. That's one tagline. But the other tagline is the power of rock, the magic of space. So maybe it did take place in space after all.

[Michelle Yeoh]

Space. Berlin. Space. Germany. With like a very short monorail. A very short monorail. And like a Soviet style buildings. And then like a hippie cave.

[June Diane Raphael]

I think that actually this. We wouldn't even be talking about this movie if it hadn't been made in Berlin. Like, it is just soaked to the bone with German weirdness. That just totally really makes it stand out, I think.

[Paul Scheer]

Well, let's go to the audience. Let's have them ask some questions. And if you're more interested in finding out about the apple, you can read Blake Harris's article over on Slash Film. You can just check that out right now. He got in with a lot of the people from the film, so. All right. Raise your hand if you have a question.

[Jason Mantzoukas]

Child. While you're walking over. Paul. When they have their child who's a year old, I guess.

[Michelle Yeoh]

Right.

[June Diane Raphael]

Well, that happened so fast.

[Jason Mantzoukas]

This is supposed to be two months old. And that child is enormous.

[Michelle Yeoh]

Yeah, that is. That's another example of when I looked away for a minute, I looked back.

[June Diane Raphael]

And they had a baby and they had a kid. Yeah, yeah, yeah. For a second I was like, is that the same guy? Yeah, yeah. I think maybe hippie babies grow big underground.

[Paul Scheer]

Possibly it's the lack of light.

[Michelle Yeoh]

Hippie babies. We're big underground.

[Paul Scheer]

Where are BIM people? Let's talk to our BIM people first.

[June Diane Raphael]

They're everywhere.

[Paul Scheer]

Come on over here. Your question. What would you call this? This movie? Your name, what you call this movie? And your question. Here we go.

[Michelle Yeoh]

Oh, boy.

[Paul Scheer]

Just the mark of the bim.

[Jason Mantzoukas]

I don't really know.

[Paul Scheer]

I like that. Mark of the BIM is good.

[Michelle Yeoh]

My question is, does anyone else think that this was actually filmed in an empty airport hangar? Oh, yeah. Oh, yeah, Absolutely.

[Paul Scheer]

Apparently, the audience really agreed with you.

[June Diane Raphael]

Well, there's definitely, like, when, like, I started to mention the dance sequence with ballet 2000. And you can see. And the dancing in that particular scene, I was noticing in shots, they weren't really moving much. And then you see. Oh, they're like, on Convention center short, short carpet. Like, they're having to do a big. Like. It's like, you can't do a dance number on Convention center carpet.

[Jason Mantzoukas]

You've always said that.

[June Diane Raphael]

Yeah, I've always said that. I'm like, and. And you better accept that or you better get the hell out of this.

[Paul Scheer]

By the way, I thought that was a performance by Ballet 2000. But then that wouldn't explain why Mr. Bugalow is also performing with Ballet 2000 if he's about to sign them. Like, I was like, oh. Cause this is a movie that does that weird thing where there's music being performed and then there's musical numbers. And that's always confusing to me because it's like, is this in the mind or is this in a real musical performance? I didn't know if Ballet 2000 was performing or not.

[June Diane Raphael]

I just say, go with it, man.

[Paul Scheer]

All right. Your name, your title of the movie, and your question. Justin. Title.

[June Diane Raphael]

The movie would be True Hollywood.

[Paul Scheer]

Alfie and Bebe. Ooh, I like it. And the question is more of, like, a comment, but going off of what June is saying, they do reference the fact that it needs to. They need to transfer this to a different planet. In that ending sequence with Mr. Tops and with Mr. Boogaloo or.

[Michelle Yeoh]

Or Bugalow or whatever his name is.

[Paul Scheer]

Like, about how they're gonna have to go start over in a new planet without him.

[Michelle Yeoh]

So maybe God learned his lesson with this incarnation.

[Paul Scheer]

So are we the new planet?

[Michelle Yeoh]

No, I think we've been abandoning Earth to the devil. Is it Earth?

[June Diane Raphael]

Yeah.

[Paul Scheer]

Is it Earth?

[June Diane Raphael]

That's Earth? Yeah.

[Paul Scheer]

Prequel for After Earth. You're gonna get this cup it says snow dad is better than no. All right, sir, your name. Your title for your movie and your question. My name is Tim. My title. Jesus Christ Superstar, the prequel. And did you guys notice how in this movie, unlike most movies, all of the women are dressed pretty, like, respectively, and covered up? And all of the men were just naked for a lot of it. Like, during the apple scene.

[Michelle Yeoh]

That is true. The women. The women are wearing a lot of like.

[Paul Scheer]

Like.

[Michelle Yeoh]

Like big tunics and like, things like silver metallic tunics and stuff. And the guys are pretty much nudesville.

[Paul Scheer]

I didn't notice that, but yeah, I guess you're right.

[Michelle Yeoh]

Yeah, they're all like, remember the orgy?

[Paul Scheer]

Yeah.

[Michelle Yeoh]

All the dudes are, like, straight up in, like. Like. Like a couple of pieces of rope.

[June Diane Raphael]

Yeah.

[Paul Scheer]

And the women are all covered up. Like, during the snake, he likes to show you what his dick looks like the entire film. The. During the apples, like, where she bites.

[June Diane Raphael]

The apple, she's wearing a dress.

[Paul Scheer]

And, like, the guy who's Adam is, like, in a thong.

[Michelle Yeoh]

Like, it's. You know, what is she more provocatively dressed? And then Mr. Bugalow is like, bink. And she's wearing a more. A more modest dress.

[Jason Mantzoukas]

Yeah, it's the future. It's the future. And I look forward to it. I look forward to it.

[June Diane Raphael]

Wow.

[Michelle Yeoh]

Wow.

[Paul Scheer]

I always appreciate people with handwritten notes. You have a lot of handwritten notes here. Okay, your name, your title, your question.

[Jason Mantzoukas]

Name is Alexis. I got a real, like, Tommy vibe. And the Roger Daltrey thing was totally on point. So Bimball Wizard.

[Michelle Yeoh]

Yeah.

[Paul Scheer]

Ooh, I like that.

[Michelle Yeoh]

Bimball is in the movie. Ashley, the marketing guru does create bimbo.

[Jason Mantzoukas]

There's also Bim Burger.

[Paul Scheer]

Ooh, Bim Burger. Yes.

[Michelle Yeoh]

Bim Bender, the director, been hit with microphones.

[Paul Scheer]

All right, your question.

[Jason Mantzoukas]

So, yeah, I wanted to bring up. I'm a former journalist, and so I really related to Joe Pittman.

[Paul Scheer]

Oh, I wrote that about. I want to talk about Joe Pittman so much, I forgot about his name.

[June Diane Raphael]

Remember that name?

[Jason Mantzoukas]

Joe Pittman, the intrepid reporter from the Daily Post. And I actually was wondering if you guys could sort of unpack how this movie may have been fairly prescient about the crisis that newspaper reporters were going.

[Michelle Yeoh]

To go, are you saying that Mr. Bugalow is Rupert Murdoch? Murdoch.

[Paul Scheer]

Exactly.

[Jason Mantzoukas]

Exactly.

[Michelle Yeoh]

I like where you're going, Alexis. I like where you're going.

[Paul Scheer]

I actually like Joe Pittman because Joe Pittman reminded me of Mark Ruffalo in Spotlight. He's, like, really kind of meek, but Asking the hard questions. I know, Mr. Buccalow.

[Michelle Yeoh]

I just think Mr. Buccalow, people are saying it might be the devil. I don't know.

[Paul Scheer]

Stay right here. I'm gonna get you a special prize. Yeah, that is it. Is that Rupert Murdoch? I guess. I mean, maybe it could be the.

[June Diane Raphael]

Guy that played that, too. I noticed because I saw that the lyrics were written by George Clinton, and I was like, no fucking way is that George Clinton writing some of these, literally lyrics. And then I looked at. I. I just cross referenced it somewhere, and it was George S. Clinton who played that guy. That guy that played that reporter was the lyricist.

[Michelle Yeoh]

Yeah.

[June Diane Raphael]

Yeah.

[Michelle Yeoh]

That's amazing.

[June Diane Raphael]

He's George S. Sure.

[Michelle Yeoh]

I'll write two songs. I just want to be in.

[June Diane Raphael]

He. He. He was scoring previous Golden Globus Ninja movies, and that's how he got.

[Paul Scheer]

I love the. The canon films. The canon of canon films. I mean. I mean, Golan directed 46 movies, I believe, like, over the top being one of them. And I think every movie that they made, he pretty much directed or 46 is a lot. And probably none of them made over $134,000. Yes. Your name, your title of your movie and your question. Hi, my name's Andrew. I guess. Dude, where's my bib?

[Michelle Yeoh]

I would have gone bim. Where's my car?

[Paul Scheer]

Bim. Where's my car? My question is around accents. Okay. Were they a direct choice? Because everyone had a different accent. Everyone had a different accent.

[Michelle Yeoh]

You have an accent.

[Paul Scheer]

I do.

[Jason Mantzoukas]

You do have an accent.

[June Diane Raphael]

I'm glad you said it.

[Michelle Yeoh]

Right, so. Oh, surprise, surprise. You want to talk about accents? Hey, no narcissists at our show. Your question is. Can we talk about me for a minute? You're the worst.

[Jason Mantzoukas]

I will say Alfie's accent came and went. It was here.

[Paul Scheer]

Wait, he was putting it on.

[Jason Mantzoukas]

I'm sorry.

[June Diane Raphael]

No, he was. No. Do you think he was putting it on?

[Jason Mantzoukas]

No, I don't.

[June Diane Raphael]

He's Scottish. He is. He's Scottish. Yeah. Yeah. So I think he just was watering down a Scottish accent. No, because that guy, it was like. Or maybe I'm thinking of Pandy.

[Paul Scheer]

He's from the boondocks.

[June Diane Raphael]

Yeah, that's what he said.

[Paul Scheer]

He was like, I'm from the boondocks. Yeah.

[Michelle Yeoh]

Guys, don't fight. You remember, you love each other.

[Paul Scheer]

From the boondocks. That can talk to us.

[Michelle Yeoh]

Wait, he was on the TV show the Boondocks. I'm just gonna make this even more complicated. Yeah, the accents were terrible, you know, from the. You know Weird. Kind of European. Frenchy. Kind of Mr. Boogaloo is clearly French. Right? And Italian. He speaks Italian and German as well.

[Paul Scheer]

The devil has a many faceted talk.

[Michelle Yeoh]

But I feel like his resting accent was Frenchy, Right?

[Jason Mantzoukas]

Yes. I had a hard time understanding him.

[Paul Scheer]

He's Polish.

[Michelle Yeoh]

Is he?

[Paul Scheer]

Yes.

[Michelle Yeoh]

Interesting.

[Paul Scheer]

Yes. Your question, your name of the movie, and your question. Christine Lamay all day. And I had a revelation earlier when I thought about Bebe doing her Speed video. She reminded me so much of Ke$ha from the bad hair and the eye makeup.

[Jason Mantzoukas]

Oh, and the metallic triangles too.

[Paul Scheer]

Do you think Ke$ha ripped off this movie? Wow.

[Michelle Yeoh]

Wow. That would be amazing. We need to take ke$ha to task.

[June Diane Raphael]

Yeah.

[Paul Scheer]

Is ke$ha.

[Michelle Yeoh]

I would say hashtag ke$ha. We know what you did.

[June Diane Raphael]

I would say cut. Kesha.

[Paul Scheer]

I would say I'm appreciative of Kesha more than I ever thought. Now she's going into the apple to kind of pull.

[Michelle Yeoh]

I love that speed. What? That Speed video I thought was amazing.

[Paul Scheer]

That's the best song.

[Michelle Yeoh]

I was gonna say. That's the best. Yep. Just pure song. I would legit listen to that song, like, while running for my life.

[June Diane Raphael]

Right. Well, and it works so great, too, because it's. Well, what's the song about? Speed.

[Paul Scheer]

Yep.

[June Diane Raphael]

Well, is it about anything else? America. Just those two things. Yeah, just those two things. Oh, all right. Sounds good.

[Michelle Yeoh]

So that. That makes it a much more complex song than all the others, which are about one thing.

[June Diane Raphael]

Yeah, yeah.

[Michelle Yeoh]

That one of them is coming, right?

[June Diane Raphael]

Hey, hey, hey.

[Michelle Yeoh]

Here comes the bim. I do think it's the bim.

[June Diane Raphael]

No, Bim's on its way.

[Michelle Yeoh]

Bim's on its way. Sorry.

[June Diane Raphael]

Bim's on the way. I don't know. To do what?

[Paul Scheer]

Maybe it's like apple crush out all individuality. I mean, it could be like a Steve Jobs thing too. Like, we're all so into that we logo ourselves in 1979. Yeah.

[Michelle Yeoh]

All right.

[Paul Scheer]

A time traveler came back to warn us of our future.

[June Diane Raphael]

That line barely made it to the stage. You cast it so weakly.

[Paul Scheer]

Yes, sir. Your name? Your name, your title and your question.

[Michelle Yeoh]

I'm David. My title would be escalator to heaven. And was I the only one that noticed all their vehicles? How much they look like the car that Homer Simpson designed? Another cultural ripoff. Simpsons ripped off the apple.

[Paul Scheer]

I don't put that above the writers of the Simpsons. To have an homage to the apple in there. I feel like they do a lot of stuff like that. Oh, sir. With a notebook up. I'll take a notebook, sir. All right, sir.

[Michelle Yeoh]

Ooh, I hope it's the Notebook from the movie.

[Paul Scheer]

Your name, your title, and your question.

[Michelle Yeoh]

My name's Jason. Yeah, that guy gets it. How you doing? Doing good. I haven't seen you at any of the meetings. My title. All right. Okay. You're gonna blow me off. Dick move, bro. Now I know why you haven't been invited.

[Paul Scheer]

My title would be the Crapple. Ooh.

[Michelle Yeoh]

And I was just wondering, which do you think is a better workout, The BIM Hour or the Jamie Lee Curtis Sports Connection workout? From Perfect.

[Paul Scheer]

They're very similar. They're very similar. They have a lot of. I mean, I almost say they're identical. Really?

[Michelle Yeoh]

No. Jamie Lee Curtis that. You know, that whole thrusting thing is really. This is just a lot of like. Like raising of the arms and kicking.

[June Diane Raphael]

Yeah, Yeah.

[Paul Scheer]

I would say this is more cardiovascular, masculine sound than the Jamie Lee Curtis one. Really?

[June Diane Raphael]

This. A lot of these songs, I think, have their roots in just children. Children's, like, German work marches.

[Paul Scheer]

Yes. Yeah.

[June Diane Raphael]

So they're very simple. They're meant to be, you know.

[Michelle Yeoh]

Yep.

[June Diane Raphael]

Like, what came off to the woods for light manufacturing. Yeah.

[Michelle Yeoh]

That's what the people in the machine like. I don't think anybody's getting in shape during the bim hour.

[Paul Scheer]

It is an hour.

[Jason Mantzoukas]

A lot of high kicks.

[Paul Scheer]

Dancing. You are getting. It's an hour of dancing, perhaps.

[Michelle Yeoh]

All right, I mean, let's see. Half of. Let's agree. Half of you go on the Jamie Lee Curtis workout. Half of you guys go on the app, the BIM hour, and we'll come back in a month and we'll see how we did.

[Paul Scheer]

All right, sir, your name, your title, and your question, come to me. Here we go.

[Michelle Yeoh]

Hi, I'm Charles.

[June Diane Raphael]

My name would be. You can't understand what I'm saying.

[Paul Scheer]

But don't worry, because you'll forget it instantly because there's no melody. It's a very long title, like the Birdman title. My question is, do you think that.

[June Diane Raphael]

There was a production meeting where they said, hey, no.

[Paul Scheer]

Who has.

[Michelle Yeoh]

Do you think there was a production meeting? Question mark should be it, and the answer no. Do you think there was a meeting.

[Paul Scheer]

There where they said, hey, what have you seen? And what are you going to see? Because we have the cars from Back to the or from Ghostbusters. We have half the people dressed in X wing fighter jumpsuits, and we have the 1984 themes, and we have the Star wars cantina scene when they go to the lobby.

[June Diane Raphael]

They show the close up of the clown. It's like the cantina scene where, like.

[Paul Scheer]

There'S all the freaks, just. No, you're saying there's no defining link to any of these wardrobes. They, like, seem to take from everything.

[Michelle Yeoh]

How about when the tall guy becomes the small guy? Remember when that happened?

[June Diane Raphael]

No.

[Michelle Yeoh]

What do you wait it over there? This was during the. In the. In the lobby of BIM Industries. Like, there's a tall guy walking around and then he goes behind a thing and a little guy comes out and it's like, what. Why are there clowns? That to me also, though, says something very powerful, which is clowns are agents of the devil.

[Paul Scheer]

Well, we know you have an issue with clowns.

[Jason Mantzoukas]

Well, I'm. Now I'm thinking that there were other departments at bim.

[Paul Scheer]

Yeah, like a circus. Clowning.

[June Diane Raphael]

Clowning, yeah. We're the largest music and clowning conglomerate in the world.

[Michelle Yeoh]

And also large fruit manufacturing.

[Paul Scheer]

Who has a really good question? Who thinks they have a really good. Really good question? Oh, my gosh, I need these apples. Bigger notes. I'll go to a notes.

[June Diane Raphael]

Large pieces of fruit and vegetables for trade shows, et cetera.

[Michelle Yeoh]

On the roof is our giant orchard.

[Jason Mantzoukas]

And Paul, quick question for you. When you were watching the movie, were you ever thinking back on the title and wondering.

[Michelle Yeoh]

Did you think. Wait, I have a question.

[Paul Scheer]

Really slamming me. Yeah.

[Michelle Yeoh]

Paul, did you think the movie took place in New York because it was the apple? Yeah. Yeah.

[Paul Scheer]

These are. These are really good questions. I. I'm. I'm gonna say, when I saw the apple, I was impressed with the size of the apple.

[Jason Mantzoukas]

The whole week, we're watching the apple. We're watching the apple. The apple's on Amazon. Gotta watch the apple.

[Paul Scheer]

I was just saying it like that.

[Michelle Yeoh]

This is a real window into your lives.

[Paul Scheer]

Jude.

[Michelle Yeoh]

Jude, wake up.

[Paul Scheer]

Wake up.

[Michelle Yeoh]

Don't forget we're watching the apple.

[Jason Mantzoukas]

I heard the phrase the apple so many times.

[June Diane Raphael]

It sounds like you have a child running the apple. The apple. The apple. I wasn't saying.

[Paul Scheer]

I was not running around the house proclaiming, the apple is on Amazon.

[June Diane Raphael]

Hey, apple.

[Michelle Yeoh]

Hey, Jude. I met this.

[Paul Scheer]

I definitely think I thought the apple. I. I'm sorry, I got more. I think I was just seeing it at face value, which is like. Like, I got the idea that the devil was like, bite into this apple. But I didn't see someone telling him not to do it.

[June Diane Raphael]

I still am cutting you some slack because it's such a sloppy execution of the Adam and Eve Garden of Eden metaphor. Because there's no fucking heaven to start, you know. There's no Eden to start out with.

[Paul Scheer]

That's what I'm saying. You didn't see anything before it.

[June Diane Raphael]

We just go right to the snakes. Already won, you know.

[Paul Scheer]

All right. Your name, your title of the movie and your question. My name is Kathleen. The title? I have no idea. Like apple doo or something.

[Jason Mantzoukas]

Apple do like Xanadu.

[Paul Scheer]

Great. All right. With apples.

[Michelle Yeoh]

Okay, so at the end, like, Mr. Tops comes and he's like, okay, I'm leaving this place.

[Paul Scheer]

And so arguably it becomes like, hell on earth because the devil's there. But like the landlady mom title lady, she still.

[Michelle Yeoh]

She didn't make it to the hippie refugee camp.

[Paul Scheer]

So like, arguably, all these pretty nice.

[Michelle Yeoh]

People are just left on hell on Earth because they didn't make it to.

[Paul Scheer]

The Cadillac in the sky.

[Michelle Yeoh]

Yep. And what happened?

[June Diane Raphael]

So what's your point?

[Michelle Yeoh]

Yep. Fuck em, bro.

[June Diane Raphael]

Yeah, sorry.

[Paul Scheer]

It's a really dark ending of the movie that I didn't think about. There's hundreds, thousands, millions of people.

[Michelle Yeoh]

God abandons earth with Max.

[Paul Scheer]

30 people. Max.

[Michelle Yeoh]

Max.

[June Diane Raphael]

And it's like, that's what the apocalypse will be. Just as lazy and just as half ass.

[Michelle Yeoh]

That's what the leftovers was. It's just 30 people disappear and everybody's like, are you serious? I think we are super fucked.

[Paul Scheer]

And arguably like those 30 people, you wouldn't really miss. Cause they were just like weirdo hippies. Yeah. They had nothing to bring.

[Michelle Yeoh]

Although our terrible jam band music festivals would be empty. You fucking idiots.

[Paul Scheer]

We've talked about the end a lot, but I figure, let's hear a little bit of Mr. Topps and the devil talking. Oh, yeah, because this is a great scene right here. The devil. Sorry, The God is Mr. Topps. Is coming from his golden Cadillac in the sky. And we'll just hear a little bit of this. Slowly walking with. No. And then it. Pierce. Who the hell are you?

[Michelle Yeoh]

They call me Mr. Tubbs. Sergeant, arrest that man. I can. What do you mean you can't?

[Paul Scheer]

I can't with my legs.

[Michelle Yeoh]

I'm paralyzed.

[Paul Scheer]

Come and join this, all of you. The devil seems powerless here. They all just walk away.

[Michelle Yeoh]

The car drives away without anybody in.

[Paul Scheer]

It, which is confusing. The car is like, I'm leading the way.

[Michelle Yeoh]

Oh, he's at it. Okay, that makes sense. Car sing.

[Paul Scheer]

Follow me. Got it.

[Michelle Yeoh]

Okay, I get it.

[Paul Scheer]

Wait a minute. Where do you think you're taking them?

[Michelle Yeoh]

I don't know yet.

[Paul Scheer]

I'm looking for a new place, a new planet.

[Michelle Yeoh]

If I can find one free from your pollution.

[Paul Scheer]

Don't tell me you're going to start all over again.

[Michelle Yeoh]

Yes, but this time without you.

[Paul Scheer]

Without me? But my dear Tops, you know that is impossible. The world simply cannot exist without me.

[Michelle Yeoh]

Let's give it a try.

[Paul Scheer]

And then Mr. Tops walks away. And I will say that I think that the takeaway I got from this movie was that disco is really bad.

[Michelle Yeoh]

Yes.

[Paul Scheer]

I mean, that's really what. That's the whole thing, really, Paul. That's what I walked away with. Disco is bad. I also thought when he came down, he said, my name is Mr. Tibbs, which I thought was like maybe a.

[Michelle Yeoh]

Reference to call me Mr. Tibbs. That would be amazing if a white character came down and said, they call me Mr. Tibbs. Oh, I will say I did have a little bit of a problem when all of the black characters were singing about the devil. He knows how to be a master.

[Paul Scheer]

Oh, yeah, that was tricky.

[Michelle Yeoh]

I had some real problems with that.

[June Diane Raphael]

Yeah, yeah, I checked out for that. That was like. I don't like, like this part.

[Michelle Yeoh]

I don't care for this.

[June Diane Raphael]

I'm on board with everything else but this part. No, no, no, no, no.

[Paul Scheer]

Obviously we had an opinion about this movie, but there are people out there that had a different opinion. It is now time for second opinions. Now, last time we did a live show, I asked if someone here has composed a song. They can sing it. I will give you that chance.

[Michelle Yeoh]

Coward. You cowards.

[Paul Scheer]

All right, well, that then if you all want to make up your own lyrics to it right now, I'll count to three and all of you guys try to sing it once. Here we go. One, two, three. Great.

[Michelle Yeoh]

You really. You guys start strong and then it just goes to shit.

[Paul Scheer]

They could have just sang the BIM song. Really? And just like second opinion. Second opinions. All right, here we go. These are five star reviews culled from Amazon. This is by Cindy Wegman, the movie. I don't understand it personally, but my husband loves it. The music is wonderful and I would like to get that CD for myself personally. Five stars personally.

[Michelle Yeoh]

Hey. Hey, babe. Are you on Amazon right now? Oh, cool. Will you just write a review for the Apple and tell them I love it?

[Paul Scheer]

I don't get it, but I love the cd.

[June Diane Raphael]

I just like to see my husband happy finally. He's had a tough year. Shingles, you know? Anyway, I don't get it.

[Paul Scheer]

This is written by cpa. CPA wrote this. I have been trying to get ahold of this movie for years. I was One of the dancers. And it was a really funny experience to make and we could all not stop laughing at the rushes. It was an Israeli film crew, a British cast, and filmed in Berlin. I can't wait to see it again and do the bim. I always thought it would be a cult movie. Five stars. Seems like she's waiting for two to become. And now, finally, this one, I think. I mean, it's obviously written in jest, but it's so well written, I wanted to read it from Tim Edstrom. The Apple is a merciless depiction of Neo Eden, flawless in its presentation, brilliant Israeli director Golan is the master of his craft. When. Wait, why am I. How do you. Wait, what's the scientist?

[Michelle Yeoh]

Copernicus.

[Paul Scheer]

Copernicus, yes. Sorry. When Copernicus first asserted that the sun, not the Earth, was the center of the universe, he attained immediate pariah status. Yet time proved that he was correct and a brilliant visionary. Those who disparage this starkly beautiful film are those who disparaged Copernicus so many years ago. Witness and myopic in their worldview, Golan has created a world that is uncanny in its resonance to today's post Clintonian United States, where corporations choose what musics will enjoy and where police officers break into dance, a subversive symbol of the racial injustice that is today's police force. Dancing nuns.

[June Diane Raphael]

Oh, these dancing cops.

[Paul Scheer]

Nostradamus would be proud that Golan could foresee, way back in 1980, the dance around the facts of child molestation within the Catholic Church. This is truly a tour de force of film verite. In its own brilliant, pitless way, the Apple evokes our own age in its quest for glitter and success. The Apple does not moralize over the fate of the beautiful Mr. Bugalow, who loves so unwisely. Although his last song is thoroughly chilling, commenting on his life and the world in which he lived. 1985 stars.

[Michelle Yeoh]

That is concerning. So as the people who are criticizing Copernicus, does that make us the church?

[Paul Scheer]

Yeah, that's it.

[Michelle Yeoh]

Amazing, guys.

[Paul Scheer]

And so I just want to be clear on one thing. This is kind of an Adam and Eve thing, right?

[June Diane Raphael]

Yes, yes.

[Paul Scheer]

Just want to make sure. Anything that we hadn't talked about that anyone wants to bring up.

[Michelle Yeoh]

Oh, I'm sure there's stuff we're forgetting. I just can't remember. But, yeah, no, we're good.

[Paul Scheer]

All right. I feel like we definitely covered a lot of it. And let's get into plugs. What do we want to plug here, Andy? Anything you'd like to plug no. Jason?

[Michelle Yeoh]

Not really.

[Paul Scheer]

June?

[Jason Mantzoukas]

Nah.

[Paul Scheer]

Well, just follow us on Twitter @HDTGM. Please wear your bims out there, take pictures, tag yourself, put it on our Facebook page.

[Michelle Yeoh]

Call each other BB while you fuck.

[Paul Scheer]

A big thank you to Nate Kiley who did all our research. Avril Halley, who pulled all of our clips. July, up in the booth. Everybody here at Largo. Thank you guys so much. We'll let you take pictures now. Here we go. A big thank you to our amazing guests. A big thank you to the Largo Theater and Flanny who runs the Largo Theater. If you're ever in LA, go check out largola.com they have amazing shows. Adam Sandler just performed there and he fucking killed it. Check out everybody at Earwolf and Hal. They have some great shows going on. Also want a big thanks to July Diaz who does the work out in the field with us, recording these live episodes, listening to these episodes. A big shout out to Avril Halley who pulls all of our clips. She's the best. And I probably mispronounce her name like 50% of the time. Nate Kiley, who just kills it. Love Nate. Awesome doing the research. And make sure you head on over to film.com to read the oral history of the Apple. This one is a good one. And finally, last but not least, go check out our Facebook and Twitter pages because we have fan art designed by Leanna Waldron and by you guys. And we also announced stuff that no one else knows. So with all that being said, we'll see you next time. Always so fresh, delicious and nutritious. Egglund's best eggs fuel the body with six times more vitamin D, 10 times more vitamin E and 25% less saturated.

[Michelle Yeoh]

Fat fat compared to ordinary eggs.

[Paul Scheer]

Visit eglinsbest.com to learn more.

[Michelle Yeoh]

Walmart+ it's Walmart+ free delivery, which saves members time. Plus money. Yep. Plus an included Paramount+ subscription to stream movies, shows, sports and that can't miss documentary. Plus Burger King savings.

[Jason Mantzoukas]

That's right.

[Michelle Yeoh]

Members get 25% off Burger King digital orders every day of the week. Walmart + it's Walmart + become a member at walmartplus.com $35 order minimum Fairmont + essential plan only. Separate registration required. Valid and participating USB cash days in the bk app or bk.com for members only. 25% off one time for calendar day terms apply. See Walmart plus terms and conditions.