Loading summary
Transcript67 lines
- [00:01]
Chris Duffy
It's 2025. If your B2B marketing strategy for the new year doesn't include improving your ad targeting, well, your ads can get lost in the noise. LinkedIn ads can help you by ensuring your message makes it to the right audience. Because with LinkedIn ads, you can precisely target the professionals who are more likely to find your ads relevant. So you can stand out with LinkedIn ads and start converting your B2B audience into high quality leads today. I am a small business owner in addition to being a podcast host and what I love about LinkedIn is that so many people are on it. You'll have direct access to and be able to build relationships with a billion members and wait for it, 10 million C level executives. Start converting your B2B audience into high quality leads today. We'll even give you a $100 credit on your next campaign. Go to LinkedIn.com TedAudio to claim your credit. That's LinkedIn.com Ted Audio Ted Audio. Terms and conditions apply. LinkedIn the place to be to be. Come on down to Boost Mobile and turn your tax refund into six months of savings. Nope, all wrong. You're on the radio touting Boost Mobile's 5G network. You gotta use your radio voice like this. Come on down to Boost Mobile and.
- [01:13]
Nate DiMeo
Get six months free when you buy. Six months on our best unlimited plans. Now you go. This is just how my voice sounds. Just say it like you mean it.
- [01:21]
Chris Duffy
Okay. Plus enter to win up to $10,000 and double your tax refund.
- [01:26]
Nate DiMeo
Oh my.
- [01:27]
Chris Duffy
Requires upfron payment, taxes and fees. Extra terms and exclusions apply. Visit boostmobile.com for full on returns and sweeps details. Will full coverage make me look cakey? Is my undertone neutral or is it cool? We get it. Finding the right foundation is hard, but with IL Maquillage it's easy to find your perfect match online, customized for your unique skin tone and coverage needs. Plus, with Try before youe Buy, you can try your full size at home for 14 days. With over 600,000 five star reviews, this best selling foundation is going viral for a reason. Take the Power Match quiz now@ilmaquillage.com Quiz Ilmak. You're listening to how to Be a Better Human. I am your host, Chris Duffy. Today on the podcast we are talking with the host of one of the most unique and long running audio shows around the memory palace. Nate DeMaio, who created that show, is someone who for me, really embodies the spirit of curiosity. Nate's able to find these deep, powerful meanings in stories from the past. And he has this superpower where he can tell a true story from hundreds of years ago and make it feel completely alive. And at the same time, he shines a light on the historical context and also the parallels to today. So when I think about questions like how do you make sense of the present? And how do you find wonder in the past? There's no one who is better at answering those questions, in my opinion, than Nate DiMeo. And Nate is on the show with us today to help us answer those questions and so much more. To get started, here's a clip from Nate's new audiobook, which is also titled the Memory Palace.
- [03:02]
Nate DiMeo
Something moved me once. That's how all these stories begin for me. Some historical something, some fact or anecdote came into my day, usually unannounced, over the radio at a museum, in a text from a friend on One of the 700 tabs, open on my browser or embedded in some larger work and changed. It somehow managed to cut through the whir and sputter of life and move me. Often. I don't know why that fascinates me. Why this story? Why this video? Why has some other person's experience and memory from some other time made their way into mine? Why, in the rushing, roiling stream of information that inundates pretty much all of us pretty much every day, pretty much all day long, was this bit of the past. The thing that glinted and caught my eye and connected, snapped me into presence, filled me with wonder. And why was this the thing that stayed with me sometimes for years, these things that moved me once so often? I think the answer to that question comes down to in that moment, I knew that that thing about the past was real. I got it. I felt that flash of connection. I understood that that person in the story or who made that object in that museum or who was on my screen in some archival footage, Lindy hopping or walking down the street with their child on their shoulders, had once been alive.
- [04:33]
Chris Duffy
As you can already tell, Nate is able to tell stories from history in a way that no one else can. He takes these events from the past and he uses them to snap us more fully into the present. We're not just learning about history, we're also feeling it. I'm so excited that we were able to get him on the show and have him here with us today.
- [04:52]
Nate DiMeo
Hi, I'm Nate DiMeo. I produce the Memory palace podcast and I am the author of the Memory True Short Stories of the Past.
- [04:58]
Chris Duffy
You are known for telling stories about the past in the podcast and the book the Memory palace, but you don't approach it as a historian. So for someone who is new to your work or not necessarily familiar with it, how do you think about conveying a deeper meaning and connection to the past that's not really about dates or even necessarily facts as much as it is about the narrative and the emotions?
- [05:24]
Nate DiMeo
Yeah, I think that it really comes down to this sort of initial urge I had to start the podcast at all. Like, all these years ago, I noticed that I had become something of a history buff without wanting to claim that title. You know what I mean? There was something about history buff that sounded a little bit dad core as a younger person, and even as a dad now, and even as like a middle aged dad, it still doesn't quite match up. And like, I am not, you know, sort of on the couch with the History channel or, you know, in the den with history books. Like, I mostly am reading history on the clock, but I love movies and I love novels and I love poetry and I love music and. And I discovered that when I was a younger person that I was really starting to find a lot of what I loved in those things, like on museum tours and on, like, tours of historic homes. And often I found that historic stuff, historic stories matched up and broadened, you know, something that I was already fascinated with, which was just simply memory, starting as a young kid, became very, very fascinated with the way that memory worked, with the way that a dream I would have would be in my head, the images from that dream would be in my head. In the same way that things that actually happened to me, that I realized that one was real and one was not. But at the same time, in my memory, they were kind of the same thing. And I also noticed in these formative experiences of listening to my parents and my grandparents tell stories about their past, I was noticing that their memories, the things that they were sharing with me, kind of like lived in my own head. And there was some real magic in that. The idea that the past, no matter how true it is, no matter that we can dig up the bones and read through the diaries or even watch the videos of things that happened in the past, no matter how real they are, where they live, is in our imagination. There's really been this abiding fascination that, that, you know, that exists in the memory palace and that I try to articulate. And the easiest way to kind of say it, this is a history show that is much more about feelings and wonder than it is about facts. Even though it is factual.
- [07:36]
Chris Duffy
What is wonder for you? What does that mean? Because I think it's a really important piece of my experience of listening to the Memory Palace.
- [07:42]
Nate DiMeo
Let's take it this way. That, you know, it's not hard to find out stuff about the past. Like, it's easier all the time. You know, a. If you want to look something up, you can just Google it if you want to find out what happened in, you know, 1952 in Deanna or whatever. And it's not difficult for me as a professional to like, think of, like, find things that might someday be a story. But I learned really early on that in that chaos, in like the all the tabs you have open and all of the stuff that is coming into your feed, or all of the facts that you might encounter when you're on, you know, a historic home tour, or all the things that you might learn about Lewis and Clark in a seven hour or Ken Burns document Lewis and Clark. There's going to be something in there, if you're lucky, that steps out and moves you, that where suddenly things crystallize where it connects deeply with something that is in you, whether it has triggered some trauma or whether it, you know, factors into, you know, something you've already been like, rolling around in your head. And it helps crystallize that. And to me, those moments when something kind of reaches out of the past here and touches you, you know, I never thought to define it before, but what wonder is, is something that snaps you into presence. You know, it's something that like, takes you out of the kind of whir and sputter of the day to day and moves you where you have learned something about your present because it's just matched up with something paired with something in the past. Like, oh, in learning this thing about Dwight Eisenhower, I've actually learned something about my dad or something like that. And those moments of connection are both the things that drive, you know, my work. Like, I am looking, you know, among the millions of different stories one could tell about the past, I am trying to find the things that move me and then trying to find ways to move other people and share that experience of wonder, share that experience of connection, share that moment when I really do understand that the people in the past are real people. Which, despite you know, the banality of that statement, is also a fairly profound thing when you are really present with this fact. That's when wonder can kind of step into the room, I guess you would say.
- [09:45]
Chris Duffy
It's so interesting because I spent a lot of Time in the course of my career, but also, especially in the past year, thinking about how to express and how to think about finding the thing that is funny, the little seed of a comedy piece. And it's really cool to talk about this with you because in addition to the incredible work that you do as writer and producer and the author of Memory palace, you also have written for comedy shows. You've written for Parks and Rec. So you know about this as like a professional piece of comedy, too. But is how do you be really present so that you can find the odd little detail, the thing that is like a tiny bit off, that's the start of something funny, either the observation or the emotion, or just the weird little bit. And it actually sounds like that little grit that turns into the Pearl is the same thing that you're looking for when you're finding historical stories as well.
- [10:35]
Nate DiMeo
I think that that's true. The process for finding stories, whether they're in the book or whether they're on the show, is kind of the same thing all the time, which is I am just professionally open to history stuff, right? And so I am paying attention to it when an interesting thing comes into my feed or I'm reading in a novel or some larger work, that there's the strange detail that just kind of jumps out at you, and I'll go off and I have a document and I'll write those things down. So there's two things going on there. One is that I have learned to kind of trust that if it has jumped out to me, then there's some reason. And that if I really interrogate what that is, then I might find something within myself. And then there's this giant list, and it might be dozens and dozens and dozens long of small things, like the first elephant arrived in the United States in 1803 or whatever. And is that a real fact? I'm not sure about the date, but it is a fact. You know, at some point it did, you know, and so. And so there'll be this list of things that, you know, just kind of sits there. And sometimes I'll be like, oh, what am I going to do for this episode that's coming up? And I will look at that list, and there might be dozens and dozens of things that at one point, like, said, oh, that's cool, but they won't mean anything to me. Like, I will say that elephant thing is ridiculous. Like, who cares about the elephant thing? And so what often I'm doing is I am waiting for this factoid, this scenario this person's biography to allow me to articulate something about the present, where suddenly, like, this story about the first elephant might allow me to just kind of explore something that is about the wonders of animal cognition, of living with your dog and knowing them so well, but truly not knowing what's going on there. Let me really think about what it meant to, to, you know, for the person that brought the elephant, why did they choose to bring this creature? You know, all across the world, you know, when they are bringing this Indian elephant to the United States, like, what are they not doing? What are they not loading their cargo hold with? What is the economic calculation of, like, okay, I could have brought this, all this tea, but instead I'm going to bring this elephant? Like, let's take this thing seriously. Not only do you find a story, you find something with characters and motivations and stuff like that, but you start to find, you know, resonant things. And one of the themes that comes up over and over again. But one of the things I'm just always interested in is the way that novelty wears off and it becomes this kind of mundane thing. In the same way that your phone with its, you know, when you first learn how to make a bitmoji, you're like, oh, cool, I'll get a bitmoji. And then after a while, not only do you not care, after a while, you feel kind of dumb for even having done it. You know, it's not just that these are historical stories and they are, but they are stories about the past. And they are stories about the wonder of, like, living with the past and living through time. Living with time.
- [13:33]
Chris Duffy
As you continue to live with time. We're going to take a little bit of it right now to go on a quick break. We will be right back. Did you know one in two women wear the wrong foundation? Matching foundation is hard, but il maquillage makes it easy. Take the Power Match quiz to find a perfect match in seconds. Customized to your unique skin tone, undertone and coverage needs. With 600,000 5 star reviews. Woke up like, this is our best selling foundation for a reason. Available in 50 shades of weightless natural coverage. And with Try before youe Buy, you can try your full size at home for 14 days. Just pay shipping. Take the quiz at ilmaquillage.com quiz that's I L M A K I A G E.com quiz race the rudders. Race the sails. Race the sails. Captain, an unidentified ship is approaching. Roger. Wait. Is that an enterprise sales solution? Reach sales professionals, not professional sailors with LinkedIn ads. You can target the right people by industry, job title, and more. We'll even give you a $100 credit on your next campaign. Get started today@LinkedIn.com results. Terms and conditions apply. This is a PSA, or Public Sock announcement. Experts have declared Bombas socks as the best way to warm up chilly feet. These pairs are super cushy soft and designed for maximum coziness. Plus, for every pair purchased, another pair will be donated so someone in need of essential clothing can stay warm this winter. Go to bombas.com acast and use code acast for 20% off your first purchase. That's B O m b a s.com acast and use code acast at checkout. And we are back. I don't want to get too highfalutin and philosophical about this, but I do think that it's interesting to think about these kind of virtues that your work embodies. There's this pursuit of meaning, but there's also this question of wonder and how long wonder can last and how we can bring it into our life. And then, obviously, curiosity is a really big piece, too, that you can really have empathy for the people of the past, people who aren't even around now, who aren't related to you in any way, but that you can really think, what would they be feeling? What would their experience be like if they're on this boat with the first elephant traveling across the ocean? And I've heard someone say before that the benefit of fiction is that it's a way that you can build empathy, right? You experience the world through the eyes of a different person. You experience the daily life of someone who lives 500 years ago or 500 years in the future or on a different planet. And you can feel what it would be like to be them. And you're doing the same thing, but it's with real people and with real events.
- [16:21]
Nate DiMeo
I think one of the reasons why I'm excited to be on this podcast is that I think that there is something about just. I think of doing the Memory palace as a way that allows me to live better, you know, in that.
- [16:32]
Chris Duffy
Tell me more about that.
- [16:33]
Nate DiMeo
I basically have a story, you know, a new story every couple of weeks that shifts when you're writing a book and all that stuff. But that's basically the rhythm of my life for the past many years. And I find that it is personally useful to pause the past and engage with, like, the lives of people that have beginnings and middles and ends. Like, I find it useful to Remember that we're all going to die, that our time is short. You know, I find it useful to, you know, to see what someone was able to make of their time or to, like, see that, like, the ways in which their life was constricted in a way that mine might not be both to. Not just to feel sort of lucky. It's more just to, like, be snapped into presence in the presence that, like, our present moment is historical, that. That the lives that we get to live, like, the lives that the people before us, you know, are. Are contingent upon. The technologies that we use, are contingent upon, you know, the cultural mores, like, the jobs that are available, you know, whether you're able to afford a home, who might be attracted to us, like, what they, you know, the most intimate of things, like what we smell, like what is in the air we breathe are historical. And I find that over and over again, it is useful. Not, like, partially in sort of, like a YOLO way. Like, let me just remember that time is short, but also, just, like, to kind of turn on this kind of, like, empathy engine and really, like, you know, try to put myself in someone else's shoes or to wear my own shoes and walk around in a different time and just kind of look. Look around and see what's changed or not. I find it, like. Kind of, like, it makes me, like, helps me be a better citizen. Like, it reminds me just how quick, quickly things can change sometimes or with how much effort it takes to change them. And, you know, it also just on a simple level, like, reminds me to be a sort of, like, more patient human being, you know, and more empathetic human being.
- [18:20]
Chris Duffy
There's also something that I'm curious about for you personally, which is you have a lot of really dedicated fans and people who are passionate about the sound of your voice. So I wonder what the feeling is to kind of have a level of celebrity that lets you to be in some ways, a real, genuine celebrity, and in other ways, have the anonymity on the street where as long as you don't speak, no one's gonna recognize you. Have you ever been recognized by your voice? And what does that feel like?
- [18:47]
Nate DiMeo
I have not. Like, I think you might be overestimating how big a celebrity is or how big the show is. If one were to listen to the show from the beginning, you'll see that the register of my voice goes down, and some of it is aging, but some of it is that at some point I developed a slightly more dramatic radio voice. But the truth of the matter is I've only been. I feel like I've been, you know, recognized, like, twice, and it's been by name. But that said, as a person who, like, listens to a lot of podcasts and, you know, really, like, I'm well aware of the strangeness of the parasocial relationship, but I also say that I'm not sure that anyone's life has ever been improved by knowing what the people on the radio sound like. So it is a. It is a personal. It is a personal challenge. Like, there have been dark times in which, like, someone on Twitter will say, like, do yourself a favor and never find out what Nate Daimeo looks like. And I don't know what that means. You know, it's like that kind of thing. It's hard. It's hard.
- [19:36]
Chris Duffy
Well, I think there's something really cool about the idea that you have this public presence, right? Like, there's the memory palace, Nate dimeo, and he has a slightly different voice and he has a slightly different angle on the universe. Maybe less, like, looking for the joke and less upbeat. How does knowing that there are these kind of two versions of you, one of which would probably be much easier for future historians or people looking back to find and to access, how does that change the way that you think about the people and the subjects that you talk about? To know that they may very well have a similar split that you do?
- [20:09]
Nate DiMeo
That is so core to just who I am and how I approach the world. I walk around just sort of deeply aware of that. It's not that we're sort of a million different people. It's that it's hard to hold the totality of other people, the other people in our lives, like the people we are most intimate with, like our children and our spouses and partners and, you know, in longest term friends. Like, part of the gift of having those intimate relationship is like, you're used to seeing them in all their different colors. You're not jarred when they have the weird mood swing or whatever. But because of that, because I am aware of that and that I do want to be seen sort of as a person in my sort of totality and for being funny and being earnest and being Nate DiMeo in all of its various facets. I think because I sort of so value being seen in that way, I also try to do my best both as a human in the world, but certainly as a person who is trying to take the people in these stories seriously, try to go in with that same assumption that they are complicated human Beings who are more than the thing that we know them for, merely unearthing the other things that they did and cared about. A theme that comes up over and over again is. I often do wonder what it is like after people do the thing that they're known for. Like, what was their. What was the next 30 years after they invented that thing? Like, what other inventions did they try to invent? Like, what was it like to live with the knowledge that, like, oh, one time I walked on the moon and now I'm just a guy. I'm very interested in that. And part of it is, like, because that's the kind of thing that, like, I try to figure out for myself all the time. Like, what is it like to be, you know, an artist? What is it like to have an audience? What will happen if the audience goes away? Like, who will I be then? Or whatever. Like, those are just. I'm sure I write those stories because I'm interested in it. Life is always more complex than we think of than the stories tell us. There is life beyond the story that I want to hint that there's even life beyond the story that I'm telling you that there's a thing in my audiobook that only exists in the audiobook that is about Scott Carpenter, the astronaut who's famous for spending about six hours in space one day in 1962. And it's a little bit about his life afterwards and the things that he chose to do, like, while other people chose to continue to fight to go to the moon, while his buddies are, like, you know, from the space program are, like, doing that and are being fed it as. As, you know, were able to walk on the moon, you know, or able to, like, be fetted in the White House yet again or have another ticker tape parade. You know, he had this dream of. Of exploring the ocean, and so in which he was sure was going to be just as big of a deal. And so he went and became a part of the Sea Lab thing and lived under the water for 100 days or something like that. When you start to really think about him in his totality and start to think about these other dreams that he had, some that are failed and some that aren't. These other romances that he had, many that failed, not only do you get a fuller picture of this person, I'm kind of hoping that you just get this sort of sense that, God, it is all more complicated and more beautiful and more life is more, you know, mysterious and strange than the stories that we often receive. Would let us believe that there's life that exists between the plot points in everybody's life. And in fact, that might be where life really is.
- [23:32]
Chris Duffy
There's a lot that I relate to in everything you're saying, especially because I think just like, even on paper, right. Like Los Angeles, middle aged Los Angeles dad, podcaster and also TV writer, comedy person. I'm like, okay, there's a lot we haven't in. In common. But I think that pretty much anyone can relate to this idea of trying to figure out what your thing is going to be.
- [23:53]
Nate DiMeo
Yeah.
- [23:53]
Chris Duffy
What you're going to be, what you're going to be remembered for.
- [23:56]
Nate DiMeo
What.
- [23:56]
Chris Duffy
Whether you're building towards something, whether you've already had the thing and you're trying to figure out what's next. A person who I've become really good friends with, who we've interviewed on the show, is this swimmer, Maureen Kornfeld, who now is. She's 103 years old. But what's incredible to me is she's won these, all these awards, she still competes. And when she competes, every single time, she sets a new record. Right. People call her Mighty Mo. But the thing that is most amazing to me is that Mighty Mo didn't start swimming really, until she was in her 60s. So, like, when she passes, she's going to have this incredible, you know, all these awards and accolades written about in her obituary. And that is a piece of her life that just like, didn't exist for the first 60 years.
- [24:40]
Nate DiMeo
Yeah.
- [24:40]
Chris Duffy
And when I think about that for myself.
- [24:42]
Nate DiMeo
Right.
- [24:42]
Chris Duffy
Because I sometimes get into this, like, am I ever going to do anything or have I done the thing or what would the thing.
- [24:48]
Nate DiMeo
As we all do. Yeah.
- [24:49]
Chris Duffy
It's fascinating to think that here's this person who I know and love and think is amazing and her thing. I'm still like 30 years away from her thing, maybe. It's interesting to think about when you have that perspective on the past, even from the present as well.
- [25:03]
Nate DiMeo
There's a story that's actually a pretty good illustration of my whole deal and some of the things we've been talking about. So some years ago, I was at. I was in Santa Barbara for a wedding and walked across the street to the hotel bar in Santa Barbara. Beautiful old hotel bar. And at the bar, there's an aquarium in the bar so you can look at the fish while you drink your cocktail. It's delicious. Fantastic. And so on the wall of this old bar from the 1920s or 30s, there are pictures of all the celebrities that have Been there. It's all of the celebrities from Hollywood that used to drive up to Santa Barbara and go to this hotel and hang out at this bar. And among, you know, all of the familiar faces, the Humphrey Bogarts, et cetera, there is this really lovely photo of this woman, kind of like in a bathing suit. And I misread it, and it says Florence Chadwick. And I think that she's the first woman to swim across the English Channel. I'm like, oh, that's pretty cool. And then she came here because she swam to the Channel Islands, 812 miles or whatever, off the coast of Santa Barbara. And so I put that in a notebook and put it in my notes app that this will go on the list. At some point, maybe I'll do something about the first woman who swims across the English Channel. So at some point, I look back to that, and I'm like, oh, let's look into that English Channel lady. And I realize that she's not the first woman to do it. She's the second. And then I'm like, there's no story in the second women to swim across the English Channel. And it sits there on my list for a really long time until eventually I realize what this story can be about. For me, what's interesting to me is that she swam to the Channel Islands, you know, off the coast of California, like, what's going on there? And it turns out, like, she would kind of, like, show up in town and she'd. You know, like, someone might pay her to, like, to come to promote the hotel, like, go swim to the Channel Islands and back and put you up. And suddenly, like, this becomes a story that intrigues me because it's about, like, building a life around these passions that you have. And suddenly the. The story of Florence Chadwick, the second woman to swim across the English Channel, becomes this story about this dedicated woman who has this dream and this goal. And isn't it lovely that this dream that she achieves at 31 or something like that? But then what it really comes about is her life, after which she spent sort of, like, swimming any channel that needed crossing, she would swim these channels that, like, no one had swum across but were, like, lesser channels, or she'd become the first woman to do it or the first person to do it in the opposite direction. And she just built this kind of life and career from channel to channel to channel, each to diminishing fanfare. It's like she had done this big thing, and sometimes she fails, and sometimes she doesn't I start to become very moved by this person who is on some level trying to do what I'm trying to do, which is to move from story to story. It's like to try to seek these new achievements and seek these, seek this like new beauty and meaning in my life. And there's even these things that I find about like her sort of like being very workmanlike because you have to be like, you know, you are building up your body. You are going right arm, breathe left arm. You're finding the rhythm. And that is like what a musician would do and that is what a writer does. And so suddenly this story that is, you know, a pretty traditional memory palace story, which is tell the story of some unsung hero or some forgotten person or a person who is in category, whether it's an identity category or job category that we just don't talk about enough. But what it really becomes about is I'm merely using the past and using this person's story to figure out something about myself and then find a way to articulate it in a way that you two might connect.
- [28:47]
Chris Duffy
We're going to take a quick break and then we will be back with more from Nate.
- [29:01]
Nate DiMeo
This tax season at Boost Mobile. When you buy six months on our best unlimited plans, we will give you.
- [29:06]
Chris Duffy
The next six months for free plus.
- [29:08]
Nate DiMeo
Enter to win up to $10,000 and.
- [29:09]
Chris Duffy
Double your tax refund.
- [29:11]
Nate DiMeo
Your refund your rules requires upfront payment.
- [29:13]
Chris Duffy
Taxes and fees, extra terms and exclusions applied.
- [29:15]
Nate DiMeo
Visit boostmobile.com for full offer terms, sweeps details.
- [29:17]
Chris Duffy
Hey, it's Mark Marin from WTF here to let you know that this podcast is brought to you by Progressive Insurance. And I'm sure the reason you're listening to this podcast right now is because you chose it well. Choose progressives. Name your price tool and you could find insurance options that fit your budget. So you can pick the best one for your situation. Who doesn't like choice? Try it@progressive.com and now some legal info. Progressive Casualty Insurance Company and affiliates price and coverage match limited by state law. Not available in all states. Puka Bella, I'm sure you've noticed some changes. Who you talking to? I'm just practicing for when I have to tell the dogs about the twins, you know, because they'll be fine in the spacious third row seat. But the twins can sleep peacefully thanks to the rear manual sunshade. And what about the extra cargo space for strollers and dog beds? I guess you're right. Can we go to the hospital now? The contractions Are getting closer. The three row Lexus tx, because everyone should feel like the center of the universe experience amazing at your Lexus dealer. And we are back with Nate DiMeo, host of the podcast the Memory palace and author of the book of the same name. Nate was just telling us about an episode of his show he did where he dove into the history of Florence Chadwick, whose photo he had stumbled across on the wall of a hotel bar. So for someone who's listening and they're like, I wish that I could do something similar, how do you build that muscle of creativity to get that little photo that you saw and then to start pulling deeper threads out of it? And I don't necessarily mean to make a public work, but just to enrich your own life, maybe. How do you like find. How do you build that muscle of being curious as an adult? Because I think kids are really good at this and a lot of adults are not. They see that photo and they go, huh, lady, that swam interesting. And then they never think about it again.
- [31:12]
Nate DiMeo
Some of it's like sort of a self knowledge question and it's about sort of like knowing kind of like who you are and what you're interested in and then like leaning into it and developing it. But that is also not so simple. And like, that's like, that starts. Maybe for me it started earlier than most or something like that. Because like, I do actually think that that is a thing about me. I feel like I've been very self interrogating for a very long time. But what we were talking about in terms of like how the idea then spurs another thing, there is like a kernel that I feel like is sort of universal in that we are what we pay attention to. Like, we are what we care about. Pay attention to what you care about. It's the kind of thing that like, you know, 10 poets walk into the same garden. You know they're going to come up with a bunch of different things because one person is really into flowers and one person is really into soil. And one person really is to like the way that light through the leaves. And we are each unique in our own way that our attentional lens is truly definitional to our character. It comes from trauma, it comes from epiphany, it comes from a million different things. It comes from the way that our brains happen to work, that I happen to see color in a different way that someone else might. And therefore certain things are more appealing. Who knows? But it is part of the cultivating the curiosity. Begin sort of with yourself, start to Pay attention to, like, what you are noticing. Like, what is it, like, within your TikTok feed? Like, what are the things that, like, you really wanted to turn to your, like, boyfriend later that night and be like, oh, man, I saw this incredible thing about this, like, otter. This otter, like, lives in this crazy way. Like, what is it about that otter? Why is that the thing? And when you start to, like, kind of understand, like, a little bit about, of, like, the. The patterns and the themes that kind of keep recurring, like, there's art to be made there. You know, I keep being really interested in these people that, like, figure out mechanical stuff. And you may well be. You may well discover that, like, you're. You will be the next great inventor of conveyor belt technology or whatever. But it starts with just noticing what you pay attention to and noticing what tickles your brain and stuff like that.
- [33:16]
Chris Duffy
It's interesting to also think about this in light of modern technology. I mean, you brought up TikTok, and I think social media is a really big thing. And I just want to say I wouldn't have a career if it wasn't for new technologies. It's not like podcasting existed 100 years ago. So I'm grateful that there are new, weird technologies that people have invented and that it has allowed people like you and me to have a way to reach people. At the same time, some of the ways that technologies are optimized are to get our attention. And so I feel myself when I am more on my phone and the goal is not to be not on my phone. That's. That's not my goal.
- [33:52]
Nate DiMeo
Yeah, sure.
- [33:52]
Chris Duffy
But when I am, like, binging, let's say, whatever that means, I feel that my attention muscles get a little weaker, that it's harder to pay, to pay slow, quiet attention. So for people, especially young people, right, who are dealing with AI, with misinformation, with just this whole attention economy, how can you allow yourself the space to think about the present and the past while not becoming some sort of, I want to say Luddite, but I actually feel like you're going to have some sort of really interesting historical revelation about what the Luddites were actually like. So how can you. Without the Luddite in the way I mean it?
- [34:26]
Nate DiMeo
Like, I could go on and on about, like, my own sort of relationship with technology, and I constantly end up taking Instagram off my phone because I actually feel like it's also not feeding me stuff that's very exciting. Like, the algorithm just doesn't work very well for me. Personally, the key is that what actually bothers me is algorithmic thinking. That's the thing. I don't mind if someone is curating stuff and they're firing it at me. A lot of times there's joy in that. There's joy in the dj, there's joy in someone's letterbox feed. But it is the fact that the algorithm is steering you towards things artificially. Because if the Memory palace is interested in anything, it is what is the life that is lived between the plot points and what the algorithm does on some level is. It is only plot points. It is only like, these are two songs that people have said are fantastic and we're going to put them back to back, and they might be fantastic, but if you are only following a chain of songs that people thought are fantastic, then you are never going to hear the in between songs that might mean more to you. And so the thing that bothers me about the Instagram algorithm or the Spotify algorithm or any of them, it's not that they're feeding you interesting things, because they probably are, and they probably are interesting, but it is, what life are you missing out on by only being led in those directions that is fundamental to what I am trying to do? If the Memory palace were algorithmic, then we would not find Florence Chadwick.
- [35:53]
Chris Duffy
I've had the experience a few times where I've worked on a project for a long time, and it kind of felt like that was my thing.
- [35:59]
Nate DiMeo
Sure.
- [36:00]
Chris Duffy
And then for whatever reason, either it ended or I decided to move on from it. And it's a. It's this really strange feeling. I think I'm really lucky that I've been together with my wife for long enough that she has known me through a few of those. So she can always remind me like, this thing is, you created this. It didn't create you. That's the way that it went. You're bigger than the thing. It's not bigger than you. As a fan of your work, I'm not in any way trying to suggest that you should move on from the Memory palace, but I. I wonder how you personally deal with that. As someone who does and has many other talents as well, how do you personally find that line between here is me, Nate DiMeo, and here is me, the person who makes the Memory Palace.
- [36:38]
Nate DiMeo
The truth of the matter is, I think that a smart thing that I like, when I was in my 20s, it was in a band that literally no one knows that got to open up for our favorite bands for a year and a Half in Providence. But it was this wonderful thing, like, to be in this band, you know. Loved it. It was like a number of different things I was attempting to achieve a bunch. Like, it was a great lesson to, like, to meet some of your heroes and, like, realize that they're just people. Like, all of these things were very important to me. But there was a point where the band broke up because bands break up and, like, the dream would have been to be, like, a slightly successful indie band, not to be some, like, big career band. And there was just this sort of moment in my life where I was like, well, what do you do next? I was like, listen, like, let me really think about what I love about doing this thing, about being in this band. Like, I like making art. I love hanging out with my friends. I love the possibility that we might travel. I love having working really hard on something and then having it go out into the world, like performing the show. And I'm like, is there a way without just getting some other band to, like, achieve some of those things? And I started to find over time that a lot of those things were embodied in public radio. Like, I could travel, I could make these little beautiful things that I, you know, could, like, fuss over, and then it's just over, you know, And I could collaborate. And there were just a number of different things. But I kind of like, set this idea that, like, all you can really do is you just gotta, like, it's like you have a flashlight, you shine it out front and, like, you go in this direction. And anything outside of this flashlight, you can't do it because it's out there in the darkness. But you just have to cast a wide enough beam and start walking. And hopefully, you know, if you set your goals straight, like, anything that happens within that beam is probably going to be pretty cool and might, like, lead you to that next thing. And so I just kept, like, had these in the back of my head that there were just some things that I wanted. Like, I wanted, like, an art project with an audience. Like, I wanted to do something publicly. Like, was important for me to, like, kind of test myself against the world and not be too hermetic and stuff like that. And at some point I stumbled onto the format of the Memory palace that there was. Like, that I'd always been interested in small things and pop songwriting and, like, always wanted to have something where I could move from thing to thing and not have to be an expert in anything and, like, get to know a lot of different stuff. And at some point, I Just had stumbled, realized that I had achieved that and that the Memory palace itself, even though it's a very basic, you know, it's the same format every single time. It's just me talking over music like. Or me just writing a short story for the book, finding a couple of pictures that, for as small as it was, that it was kind of like writing songs that, like, whether the chorus goes on, whether you repeat the chorus twice or whatever, like, it becomes a fundamentally different thing, even though it's just a thing with a four, four beat that lasts between two and a half and five minutes. And I was doing the same thing, but, like, it was infinitely reconfigurable. And in the same way that, like, that people are still writing songs, different ways to talk about romantic love. Like, the past is a big enough subject and the format is flexible enough. It is sort of like a vessel that is. That I've discovered is just kind of, like, capacious enough to hold whatever I pour into it and, like, whatever I want to talk about. I mean, I'm sure at some point I'll do it less frequently or it will wax and wane, but there is a version where I'm doing some version of the Memory palace and whatever that might be, and whether it's in some different format or in some different form, you know, we are who we pay attention to, and I don't think I'm gonna, you know, change that much about what I pay attention to.
- [40:17]
Chris Duffy
Well, Nate DiMeo, thank you so much for being on the show. This was seriously a fantastic conversation. I'm so glad we were able to do it.
- [40:23]
Nate DiMeo
Thank you so much.
- [40:27]
Chris Duffy
That is it for this episode of how to Be a Better Human. Thank you so much to today's guest, Nate. Nate DeMaio. His podcast is called the Memory palace, and his book is also called the Memory Palace. That audio clip that you heard up top was excerpted courtesy of Penguin Random House Audio. I am your host, Chris Duffy, and you can find more from me, including my weekly newsletter and other projects@chrisduffycomedy.com how to be a Better Human is put together by a team who live inside of an audio palace. On the TED side, we've got historical icons Daniela Ballarat, Banban Cheng, Chloe Cha, Sha Brooks, Lainey Lott, Antonio Ley, and Joseph De Bruyne. This episode was fact checked by Julia Dickerson and Mattea Salas, who make sure that we are keeping the record books accurate. On the PRX side, they are a team whose work will live for eons. Morgan Flannery Norgill, Patrick Grant and Jocelyn Gonzalez. And of course, thanks to you for listening. Please share this episode with someone who you think would enjoy it. We will be back next week with even more how to Be a Better Human. Until then, thanks again for listening and take care.
- [41:38]
Nate DiMeo
The new Boost Mobile network is offering unlimited talk, text and data for just.
- [41:42]
Chris Duffy
$25 a month for life. That sounds like a threat.
- [41:45]
Nate DiMeo
Then how do you think we should say it?
- [41:47]
Chris Duffy
Unlimited talk, text and data for just 25. $5 a month for the rest of your life? I don't know. Until your ultimate demise. What if we just say forever?
- [41:56]
Nate DiMeo
Okay, $25 a month. Forever.
- [41:58]
Chris Duffy
Get unlimited talk, text and Data for just $25 a month with Boost Mobile. Forever. After 30 gigabytes, customers may experience slower speeds. Customers will pay $25 a month as long as they remain active on the Boost Unlimited plan. This episode is brought to you by Progressive Insurance. Do you ever think about switching insurance companies to see if you could save some cash? Progressive makes it easy to see if you could save when you bundle your home and auto policies. Try it@progressive.com Progressive Casualty Insurance Company and affiliates. Potential savings will vary. Not available in all states. Worried about what ingredients are hiding in your groceries? Let us take the guesswork out. We're Thrive Market, the online grocery store with the highest quality standards in the industry. We restrict 1,000 ingredients so you can trust that you'll only find the best high quality, organic and sustainable brands, all.
- [42:44]
Nate DiMeo
Free of the junk.
- [42:45]
Chris Duffy
With savings up to 30% off and.
- [42:47]
Nate DiMeo
Fast carbon neutral shipping, you get top.
- [42:49]
Chris Duffy
Trusted groceries at your door and you.
- [42:51]
Nate DiMeo
Can stop worrying about what your kids get their hands on.
- [42:53]
Chris Duffy
Start shopping@thrivemarket.com podcast for 30% off your first order and a free gift.