General Questions | S1E7 "Matchmaker"

Summary

How We Made Your Mother: Season 1, Episode 7 "Matchmaker" – Detailed Summary

Release Date: May 8, 2025
Hosts: Josh Radnor and Craig Thomas
Episode Title: General Questions | S1E7 "Matchmaker"

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Introduction to the Episode

In this bonus episode of "How We Made Your Mother," hosts Josh Radnor and Craig Thomas delve into the intricacies of Season 1, Episode 7 titled "Matchmaker" from the beloved sitcom How I Met Your Mother (HIMYM). This episode, affectionately referred to as "General Questions," serves as a platform for fans to gain deeper insights into behind-the-scenes moments, character development, and the cultural impact of the show.

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Life on the Set of HIMYM

The conversation opens with Josh and Craig sharing vivid descriptions of their filming environment. Filming took place on Stage 22 at the Fox lot in West LA, which is housed in a vast aircraft hangar. Josh reminisces about the space, saying:

“If you look up, there's just endless wood and beams and cross, you know, things in the sky and there's lights hanging from a hugely high ceiling. Not great for your allergies, but there's...” [02:13]

Craig adds a humorous touch by referencing the iconic films previously shot there:

“Like, dust from Planet of the Apes that's flying around in there. I think Planet of the Apes was shot there.” [02:45]

The hosts highlight the nostalgic atmosphere of the set, noting the presence of the Die Hard building and the Simpsons mural, which contributed to the old Hollywood feel.

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Behind-the-Scenes Dynamics

Josh and Craig delve into the daily routines and the camaraderie among the cast and crew. They discuss the abundance of props and scripts, often finding pages tucked behind cushions or in back pockets. Josh shares his method for handling scripts:

“I never liked carrying the whole script. I would rip out the three pages, four pages of the scene, and I would rehearse them.” [03:44]

The duo also praises their script supervisor, Janet Kagan, describing her as "British, sassy, and hilarious." Janet played a crucial role in maintaining the flow of lines and ensuring consistency:

“Janet would run lines with us. We would gather around Janet's podium and learn the lines. Not always. Sometimes we would come in and we'd really have them. But a lot of times you were learning as you went.” [05:43]

Craig emphasizes the supportive environment fostered by their crew:

“We just had an amazing crew that just had the warmest energy, where everybody felt safe to do their best work.” [07:10]

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Technological Changes and On-Set Etiquette

The episode addresses the evolution of technology and its impact on filming, particularly the introduction of cell phones. Craig recalls their director, Pam, enforcing a no-phone policy to maintain focus:

“Pam would look over and just say, 'An actor prepares.' And it was devastating. It's all she had to say.” [08:57]

Josh relates this to his personal experience on another show, Rise, where he challenged himself to keep his phone in the dressing room to enhance his presence and connection with fellow actors:

“The phone is a focus killer. It actually prohibits you from getting to know your cast members as well as you could.” [10:03]

Both hosts agree on the importance of minimizing distractions to foster genuine interactions and improve performance.

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Exploring the "Matchmaker" Episode

Central to this podcast episode is their discussion about the "Matchmaker" episode of HIMYM. They explore whether the storyline was inspired by real-life matchmaking services and how it fit into the show's larger narrative.

Craig explains the origin of the matchmaker concept:

“I think that came from a genre of feel-good news stories. There were a lot of those stories. It was always like the feel-good fluff piece at the end of the news.” [13:06]

Josh connects this to the character development of Robin Scherbatsky, the reporter who introduces the matchmaker, emphasizing how such plot points add depth to the storyline:

“Robin's job was so small, and her detail was just looking at the stupidest little stories. It was very charming.” [16:29]

They reflect on how these human interest stories make the vast city of New York feel more intimate, highlighting the show's ability to blend humor with heartfelt moments.

---

Cultural Reflections and Fan Interactions

Josh and Craig share anecdotes about fan interactions and the lasting cultural impact of HIMYM. They mention the affectionate term "Tedgendary," a playful verb derived from the main character Ted Mosby, illustrating the strong fan connection:

“It felt very warm to me. It felt like they loved Ted and they...” [19:27]

The hosts also touch upon the challenges of addressing fan questions without revealing spoilers, striving to keep the experience enjoyable for both long-time viewers and newcomers.

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Final Thoughts and Future Engagement

As the episode wraps up, Josh and Craig encourage listeners to continue submitting questions through various platforms, ensuring that fan engagement remains a central theme of their podcast. They express gratitude towards their dedicated crew and fans, emphasizing the collective effort that made HIMYM a cherished series.

Josh humorously reflects on the enduring love for New York City:

“The real question just hit me. Am I in love with you or just New York City?” [23:36]

Craig concludes by reinforcing the community spirit that HIMYM fostered, both on and off the screen.

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Conclusion

This episode of "How We Made Your Mother" offers an intimate glimpse into the making of one of HIMYM's most memorable episodes, "Matchmaker." Through candid conversations, behind-the-scenes stories, and reflections on the show's cultural significance, Josh Radnor and Craig Thomas provide fans and newcomers alike with a rich, engaging narrative that celebrates the enduring legacy of How I Met Your Mother.

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Notable Quotes:

• Josh Radnor on set environment:
  “If you look up, there's just endless wood and beams and cross, you know, things in the sky and there's lights hanging from a hugely high ceiling.” [02:13]

• Craig Thomas on script handling:
  “I never liked carrying the whole script. I would rip out the three pages, four pages of the scene, and I would rehearse them.” [03:44]

• Josh Radnor on phone usage during filming:
  “The phone is a focus killer. It actually prohibits you from getting to know your cast members as well as you could.” [10:03]

• Craig Thomas on crew dynamics:
  “We just had an amazing crew that just had the warmest energy, where everybody felt safe to do their best work.” [07:10]

• Reflection on "Tedgendary":
  “It felt very warm to me. It felt like they loved Ted and they...” [19:27]

---

For More Information:
Visit howwemadeyourmother.com to subscribe to their Substack mailing list, follow on social media, and engage with the community. Support ongoing campaigns to raise money for congenital heart disease research through the "Make a Difference" initiative.

Transcript

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[Josh Radnor]

Hello. Welcome to How We Made youe Mother. This is our bonus episode, which we lovingly and faithfully refer to as General Questions. General Questions. That was pretty good.

[Craig Thomas]

That was actually pretty good.

[Josh Radnor]

We're trying to sync this up, and it's one of our more successful efforts. This is a. These are questions about episode seven, the Matchmaker and the Cockamouse, which if that. If that is a detail that orients you more into the story, more enduring, more enduring story from that episode. So we're talking about the matchmaker, we're talking about the Cockamouse, and we'll hand it over to our beloved producer and friend Alec Lev, who will fire these questions our way.

[McDonald's Advertiser]

Thank you very much. I want to start out with a question that I'm piecing together something from dozens, if not hundreds of questions. I think people just like to hear about life on set, like, literally on the set. They love to hear about when people break and you make people laugh. But just anything about where. Where do you keep your script and are you eating in the middle of it? Just those little fun facts that I think people would enjoy hearing. Josh. Yeah, well, keynote address about, you know.

[Josh Radnor]

How do you make. What's life like on a sitcom set? I mean, we're on stage 22 at the Fox lot in West LA. It's this huge, like, aircraft hangar, basically. If you look up, there's just. It looks like endless wood and beams and cross, you know, things in the sky and there's lights and hanging from a hugely down. Yeah. Hugely high ceiling, probably. Yeah. Not great for your allergies, but there's.

[Craig Thomas]

Like, dust from Planet of the Apes that's flying around in there. I think Planet of the Apes was shot there.

[Josh Radnor]

Yeah. And some really classic old Hollywood movies were shot on that stage. Like, it was really fun. And also, you know, when you're on the Fox lot, if you drive in the front gate, you see the huge painted Simpsons mural. There's. Isn't Darth Vader and Luke Skywalker. There was a thing on there. So, you know, you drive onto these lots, and you feel like you're in old Hollywood kind of immediately. It's really.

[Craig Thomas]

And in the shadow of the Die Hard building also. That's right. We looked up and saw the Die Hard building for nine seasons.

[Josh Radnor]

You know, there's a. There's a candy cart floating around that has like. Like any candy you could ever imagine. But it also had a. Weren't there piles of scripts that. If you needed a script, like, the latest revision of the script? So I think, like, when you're on a show, especially if you're on camera, you have to train yourself. You cannot eat all the candy you want because you will look different by the end of the season than you did when the season started.

[Craig Thomas]

It's really true.

[Josh Radnor]

I remember I would. I never liked carrying the whole script. I would rip out the three pages, four pages of the scene, and I would rehearse them. Most of the time, I was somewhat off book. Sometimes I wasn't. But I would sometimes, if it was just a little, I would. I would just isolate what my lines and I would have them, and then I would either I'd put them under a prop on the deck, you know, like on a desk, or a lot of pages underneath. I'm sure that props and set dressing were just finding pages stuffed in couch cushions.

[Craig Thomas]

Oh, yeah.

[Josh Radnor]

And behind pillows constantly. Because you forget that you left them there. Right. I would have them in my back pocket. Sometimes wardrobe would have to come through and say, oh, your script's poking out your back pocket. But the other thing that we would do, especially if there was a scene with all five of us. And what's weird is the more successful the show gets, the lazier the actors get. Because you get better. Except for our show. No, you get better at. You get better at doing it. You get better at. You. You know, your character. You. I mean, it's so hand in glove. You're just. You know how to play this character. You own the character. They know you own it. So we had this wonderful script supervisor named Janet Kagan, who was British and sassy and hilarious, and she was always right next to Pam behind the monitor, and she. She marks up, like, where people got lines wrong or right or circles. Takes that. Pam says, that's a good take. And she'll circle it. She. And it's a whole, like, code. She's got colored pencils and all sorts of stuff that I never understood. But we would often gather around and Janet would run lines with us. And we would do that right before we shot. We would just gather around Janet's podium and learn the lines. Not always. Sometimes we would come in and we'd really have them. But a lot of times you were learning as you went. And then the moment that was funny.

[Craig Thomas]

To witness, because it would be, you're acting and you're working through the scene and working through the lines a little bit. And Janet would be eating a bowl of her puffins. What do you mean we're breaking up? And then just go back to. It.

[Josh Radnor]

Was also great to hear Janet, this British woman, like, reading Barney lines. Like, reading, like, the kind of gnarliest Barney lines in this. In this thick British accent. It was really funny. So, yeah, I mean, it was always kind of. You know, I'd walk in, and if we were there in the morning, you kind of blaze through craft service and maybe grab some oatmeal and a cup of coffee. And you ask Kim, craft service, like, what's for lunch?

[Craig Thomas]

You know, Breakfast rice.

[Josh Radnor]

Breakfast breakfast rice.

[Craig Thomas]

We would often freak out about how much we love breakfast.

[Josh Radnor]

Breakfast rice was good. I think that was in the later seasons.

[Craig Thomas]

Yeah, it was.

[Josh Radnor]

Yeah. But, you know, it becomes your home away from home. You have your meals there. You get to know the crew. You get to know the crew's spouses and kids. And, I don't know, it's. I think that people, when they watch How I Met yout Mother, I think I've said this before, they think it's five people, but it's. It's 75 people.

[Craig Thomas]

Yeah.

[Josh Radnor]

You know, the set is abuzz with people. And when in between sets, in between scenes, people are coming along and they're fussing with your face and they're fussing with your hair, and they're giving you a note and they're fussing with your collar. You know, there's. There's. There's just a very active life going on on set.

[Craig Thomas]

Yeah. Yeah. And it really matters what that energy is of that life, what that kind of ecosystem is. And that's a lot of people bringing that energy. And we just had an amazing, amazing crew that just had the warmest energy, where everybody felt safe to do their best work. And it was fantastic. Doesn't always happen.

[McDonald's Advertiser]

A couple things I could point out among the Productions from stage 22 on the old 20th Century Fox lot. Dr. Dolittle.

[Josh Radnor]

Oh, yeah.

[McDonald's Advertiser]

1967. The old school.

[Craig Thomas]

Yeah.

[McDonald's Advertiser]

Planet of the Apes, 1968.

[Craig Thomas]

I knew it. I knew it.

[McDonald's Advertiser]

And nine to five.

[Josh Radnor]

1989 to five.

[Craig Thomas]

I forgot about that. Nine to five. So that's a fucking great movie. I. I did not appreciate that enough at the time that we were like, they're shooting Dabney Coleman office scenes on there or something. Come on, come on. Yeah, that's fantastic.

[McDonald's Advertiser]

Something else I noticed. I was only there in the later season to sort of put together what we were talking about in the main episode of this episode. Talking about this episode of the technology. Sure. And, Josh, your comfort level. I just remember closing into seasons eight and nine, the. The delta, the time between cut and the cell phone coming out to make a call just got shorter and shorter and shorter. Like, where. Where was that cell phone? How do you already have it in your hand?

[Craig Thomas]

Pam's very, very. Pam is the loveliest director, the loveliest human. She's the kindest person. She never got mad at anybody once, I never saw. But she would every now and again have these little passive aggressive things she would say. And she was always in the right. Of course, I don't mean in a bad way, but I remember she would, if she would see you guys or any of the actor, any of the cast go right to their phone and then be on the phone the whole time and we're coming up on her calling action again. She would. While she would look over and she would just say, an actor prepares.

[Josh Radnor]

You know, I did.

[Craig Thomas]

And it was devastating. It's all she had to say. Three hours. An actor prepares.

[Josh Radnor]

I did a show for NBC for a season called Rise, which was a. A really lovely show that Jason Kadem's created. And I gave myself a challenge that I stuck to the entire time, which was I never brought my phone to set. I would have it. I would have it in my dressing room. I would check it when I had to go do a, you know, costume change or whatever. I never once brought it to set. But it was also when I was learning guitar. So I brought my guitar to set. And we were often filming in this theater, you know, this. This big auditorium that they actually built on a stage in Greenpoint in Brooklyn. And I would sit in the audience and I would, you know, learn my lines, but I would noodle around on the guitar. I was learning how to finger pick, and. And I'm pretty convinced, giving myself those hours to play the guitar while not being on my set, it Made me such a better guitar player, and I think it made me a better actor, a more present actor on set. So I definitely. I tried to do that. The phone is a focus killer. It's a. It actually prohibits you from getting to know your cast members as well as you could.

[Craig Thomas]

Yeah, I agree. It's. It's not good. We are. We are all very seduced. As we talked about earlier today, those phones came out as we were. As we were all sort of coming of age there. And it's true. But that was Pam's little trick to get people back. That's wonderful that you made that choice. I hope every actor decides to make that choice because.

[Josh Radnor]

And by the way, I say this as a proper phone addict. I'm not like a. I'm not like.

[Craig Thomas]

But that's why it's even more meaningful.

[Josh Radnor]

I'm as hooked as everyone. Yeah.

[Craig Thomas]

Yeah. And you were by no means any sort of worst offender on the set. I hope it's not coming across that.

[McDonald's Advertiser]

No, no, no.

[Craig Thomas]

Pam would bust that line out on any actor.

[McDonald's Advertiser]

And of course, we appreciate everyone who's currently on their phone right now listening to this.

[Craig Thomas]

Listening to podcasts is fine.

[McDonald's Advertiser]

So in the proper episode, we also shouted out our. Not our, but the growing Hamyim fans group. And I just want to. I posted there. I said, hey, anyone want to ask any questions here? Brittany just had a funny one. She says, not a question, but more of a comment. I was gonna start the series again and watch it week by week along with the pod. I'm now on season seven, episode five.

[Craig Thomas]

Just to get ahead of us. We'll get there.

[Josh Radnor]

I'm just gonna have three of these potato chips and I'll put the bag away. And I wrote you this little ditty to sing to you in New York City.

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[McDonald's Advertiser]

And. Okay, so obviously we did a lot of cockamas talking in the proper episode and a little bit of matchmaking. But just to get an origin story there, Devin asks from the Himyum fans group. So if you join that group, we might ask your questions. Was this episode based on anything in anyone's real life at the time? Did this matchmaking service actually exist in the area? If so, did anyone actually try it? Was it successful? It sounds like. Was there such a thing?

[Craig Thomas]

I know, it really does. It's like, yes, it was before electricity. So you had to go to a local matchmaker, walked past a field full of cows, and there she was. It's. It feels a little dated, but it's. You know, there were.

[Josh Radnor]

There were.

[Craig Thomas]

I think it came from a genre of feel good news story. I think that was the original idea because Ted learns about her on Robin's fluff piece on the news. Right? Robin's reporter. She does a little feature on this woman who has 100% success rate matchmaking people. And I think that came from. Because there's just. There used to be a lot of those stories. It was always like the feel good fluff piece at the end of the news type of thing. Like there'd be some. Someone who was being like lionized as this person has never failed. And there was just sort of a genre of fluff piece like that. I think that's where we got it. I don't think it came from a writer's necessarily real experience. I don't know how many of the writers were going to matchmakers, certainly not me.

[Josh Radnor]

You know, it does strike me, Craig, that Kobe's job as a local news reporter was such a great way to incite Goldene.

[Craig Thomas]

Totally.

[Josh Radnor]

Yeah, you could.

[Craig Thomas]

That's the launch of this whole episode is a new story Robin does. And I love that about it. And that's happened a couple times now.

[Josh Radnor]

Yeah, yeah, yeah.

[Craig Thomas]

It led to a lot of cool stuff. That's how we met her. And I like. Actually there's kind of a moment in. I think there's a moment where you kind of are in the news story and then kind of go into the scene a little bit and it's just. It's a great. Yeah, it was a great catalyst for the episode. But I think it began from that. From us thinking this would be the type of story Robin would do. And then we thought they kind of launched this idea. That's how I remember it.

[Josh Radnor]

Anyway, Craig, I don't know if you listen. Amy Poehler has a new podcast called. I think it's called Good. Hang on.

[Craig Thomas]

They're probably talking about ours right now on there.

[Josh Radnor]

Yeah. Yeah. Well, this is a crossover episode, but she interviews Tina Fey, her old pal, for the first one, and she asks her, like, what are. What delights her? And Tina Fey goes into an extended kind of monologue about she lives in Jersey, and she's obsessed with her local news reporters. Like. Like, Saturday local news is like, this.

[Craig Thomas]

Is funny right now.

[Josh Radnor]

Her happy place. And this woman I only. I. She liked. It's a man and a woman, but there's. The woman's name is Pat Battle, which is like, an incredible name.

[Craig Thomas]

Pat Battle.

[Josh Radnor]

Shout out to Pat Battle. Like, she cast her on 30 Rock. Like, as. As part of this. Like, it was, like, an association honoring, like, women in media or something. And Patty and she. She says I invite her to every premiere. And she thinks Pat Battle's a little. Like, why do you invite. You gotta stop. Like. Like, you're. You're, like, obsessed with me. But she just said there's something about, like, Bob's books and Pete's produce. Like, she just feels like all is okay with the world, even though the local news can be grisly. But there is something so funny about her love of local news. But it's just making me think of Robyn.

[Craig Thomas]

I think it's because. And that's why we loved Robyn. That's why we gave Robyn that job. Because I think stupid fluff pieces like that about New York City make it feel like a small town.

[Josh Radnor]

Yes. Yes.

[Craig Thomas]

And I think that's what we liked about what Robin's job brought to it. It's this giant city, but, like, Robin will find this little human interest story, and it'll sort of shrink New York down to size to sort of fit within stage 22 in Los Angeles, where we're shooting. There's something about it or something about has this shrinking effect. It's almost like Tina Fey likes it. Like it's a kids show. It's like, there's the local news guy, Pat, or newswoman Pat Battle. There's something about, like, it feels very Mr. Rogers neighborhood or something. So that's maybe the appeal of it.

[Josh Radnor]

I also think that there's this idea that New York is just this, like, crazy metropolis, and it's impersonal and people are rude. But when you live Here you actually find these little neighborhoods that are. That are like little villages. You know, you see a lot of the same people all the time. You do get to know your neighbors. New Yorkers are incredibly friendly. And I think New Yorkers do appreciate when New York becomes a small town. Like, absolutely. Snowstorms and things that. That kind of bring us, like, have us huddle.

[Craig Thomas]

Snow will do it. You know what I mean? Like, lots of. It's not that hard. New York can be rendered a small town by some snow one morning. And you would know your local news anchors to play off of Robin Scherbatsky and Tina Fey's observation. Like, New York one. That dude, Pat Kiernan. Shout out to Pat Kiernan. I think he's still on there. And I remember he followed me on Twitter or something. We followed each other. I remember interacting with him. I think he said he liked how much mother at some point. And it felt like a huge. It felt like Brad Pitt saying that. I was like, this is fucking Pat Kiernan. Like, I've been watching him on New York one for 20 years. Like, it's like, it's a legitimate. That you can achieve legitimate celebrity status. Everyone in New York knows I'm talking about and other people in New York.

[Josh Radnor]

Like, there were a couple of events I ended up going to, including Columbus, like, where the local news people that I had been watching since I was a little kid, and they show up. And it is. I mean, it is really like Cher enters the room. Like, it is. Like, it is icon time.

[Craig Thomas]

You know, it's iconic. Totally even. Like, the people you would see in subway ads would become local celebrities, like Dr. Jonathan Zismore, who would do your chemical peel on your skin. Fucking Dr. Z. Like, the things that make New York a small town are delightful. And I think that's what Tina is talking about, and I think that's what Robin's job is. I know Tina was talking about in Jersey, but it's the same idea. Like, there's something about taking a big place and making it small. And Robin's job was so small. And her detail, she was on shit detail of just looking at the stupidest little stories. She wanted to be taken seriously, but I think because she was your way into this, like, smaller version of New York, it was actually very charming. And that shifted when she became an anchor.

[Josh Radnor]

To not be overwhelmed by New York, you have to make it smaller for yourself.

[Craig Thomas]

It has to be small.

[Josh Radnor]

Yeah, yeah, yeah.

[McDonald's Advertiser]

One phrase that we didn't talk about in the episode proper, that Geordie is. Jordi is trash. Sorry.

[Craig Thomas]

Why do you hate Geordi so much, Alex?

[McDonald's Advertiser]

I'm sorry. I don't want to get into it. Jordi just wants us to talk a little bit about Tedding out. This was. What did you. What did you think of this little. This little nugget in the show?

[Josh Radnor]

I thought it was tegendary.

[Craig Thomas]

It was Tedgendary. My son's phrase that I'm heartbroken we didn't use. Yeah. I thought the fact that they loved Ted enough to have him as a verb and, like, different verb conjugations and meanings, I think it felt very warm to me. It felt like they loved Ted and they. And Ted didn't seem to take it too hard. Any jokes where this group shares history. I love it where they know Ted's story verbatim. They do stuff like that. I think it's very affectionate. And who better to take the piss out of you and give you shit than you're the people who love you the most?

[Josh Radnor]

I also think there's something about being in a group of people, maybe friends, maybe just co workers or whatever. I think we have a tendency to think of ourselves as the normal one. Like, we're the normal person and everyone.

[Craig Thomas]

We're turning the camera like Jim on the office.

[Josh Radnor]

Yeah, yeah, yeah. And everyone around us is a little eccentric and crazy, but we're, like, pretty normal. And it's one of those moments where you go, oh, you guys have a verb about me because I'm what I do. What? Like, sometimes we need that reflection back. Like, oh, you're also one of the, like, crazy cast of characters.

[Craig Thomas]

I'm the wacky guy in your sitcom.

[Josh Radnor]

Yeah, yeah, exactly. Yeah, exactly. I think that's what that moment said to me. You know, underscore.

[McDonald's Advertiser]

Keenan99, has a great question. And we are trying not to talk about where we're not talking about the future of this episode. A lot of people, by the way, online, have kind of been asking this question, wait a second. Are you guys really not doing any spoilers? And I think the answer is we're trying not to. People, hopefully are watching the show for the first time. Yes, you can go Google all the answers, but, you know, don't. And we're certainly not going to be at fault, but. So I don't know.

[Craig Thomas]

I feel like that's 0.001% of this audience is people watching it for the first time. So we may be overcorrecting just to acknowledge that, but some people are watching it.

[McDonald's Advertiser]

We're trying not to ruin it for Elliot, basically.

[Craig Thomas]

Yeah, yeah, exactly.

[McDonald's Advertiser]

But Kenan says throughout the run of the show, was there a break in case of emergency plan to wrap the show quickly? Had things been pulled by surprise with only one season left?

[Craig Thomas]

Was there a contingency plan about like, let's wrap it up real quick in season three? No, we were too arrogant. We were like, there's no fucking way. We're like, you don't get an ending. There's no way. You don't want to have that. Let us find a way to end it, I dare you to cancel us kind of thing. So we thank God. Thank God people started watching the show and Netflix put it on and the audience grew in the middle because we got to actually get to the end.

[McDonald's Advertiser]

All right, well, those are our questions here for I've lost track of what we're talking about. But you know the episode we're talking about.

[Craig Thomas]

Matchmaker.

[McDonald's Advertiser]

Matchmaker Matchmaker Mouse.

[Craig Thomas]

We should be naming Cockamous. We're renaming episodes left and right. Here we rename the pilot. This one should be called the Cockamas. Let's be honest, if we're being real.

[McDonald's Advertiser]

About it, then maybe the name of our podcast episode will will honor Cockamous rather than.

[Craig Thomas]

Yeah, I think we can do a little role titling. And on that note.

[McDonald's Advertiser]

And on that note, all right, so keep your questions coming on Instagram and on Facebook and on even in the comments and YouTube, we're reading those and online and everywhere, everywhere you get your comments, you can leave them for us.

[Josh Radnor]

I am guilty. Please acquit me. All sins are forgiven in New York City.

[McDonald's Advertiser]

How We Made youe Mother is hosted and executive produced by Josh Radner and Craig Thomas. The show was produced by me, Alec Lev, and our co producer is Doug Matica. Our audio producer and mixer is Alex Reeves at Point of Blue Studios. Artwork by John Morrow. Please follow rate and review the show on Apple Podcasts or your podcast player of choice. It really does help the show. Our theme song is NYC by our own Josh Radner. Special thanks to Lola Kennedy and Elliot Connor. Visit how we madeyourmother.com to sign up for our substack mailing list and for links to our social media. You can also click on the contact page to send us an email or a voice message. Your stories and questions are an important part of the show. Subscribe to Josh Radner's Muse Letters on Substack. Read Craig Thomas's published [e-mail] and you can subscribe to My Dead Father Society also on Substack to learn about how you make a difference, this show's ongoing campaign to raise money for congenital heart disease research. Check out the Make a Difference tab at the top of our website. This episode was made possible by the support of Backyard Ventures marketing provided by Tink Media. People will, in fact, dance.

[Josh Radnor]

The real question it just hit me. Am I in love with you or just New York City?

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[Craig Thomas]

I'm gonna make him an offer he.

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[Craig Thomas]

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[Craig Thomas]

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[Craig Thomas]

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