SNOW WOKE: Disney Cultural Vandalism Set to Flop

Summary

Podcast Summary: Human Events Daily with Jack Posobiec

Episode Title: SNOW WOKE: Disney Cultural Vandalism Set to Flop
Release Date: March 20, 2025
Host: Jack Posobiec

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1. Introduction to "Snow Woke" Phenomenon

In the March 20, 2025 episode of Human Events Daily, host Jack Posobiec delves into Disney's latest live-action remake of the classic fairy tale "Snow White," which he critically labels as "Snow Woke." Posobiec argues that Disney's modern reinterpretation represents a deliberate attempt at cultural vandalism, aiming to align the story with contemporary social and political agendas, thereby alienating traditional audiences.

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2. Disney's "Snow Woke": A Case of Cultural Vandalism

Posobiec begins by tracing the origins of "Snow White," highlighting its roots in the Brothers Grimm fairy tale and Disney's iconic 1930s animated adaptation. He underscores the traditional elements such as the seven dwarves, Prince Charming, and the classic narrative of jealousy and true love's kiss.

Key Points:

• Modern Reinterpretation: The new film features Rachel Zegler as Snow White and Gal Gadot as the Evil Queen, introducing themes that deviate from the original story.
• "Woke" Elements: Posobiec criticizes the casting and narrative changes as attempts to infuse modern ideological agendas, such as racial representation and feminist narratives, into a traditional tale.
• Audience Reception: Highlighting Rotten Tomatoes scores, he notes that the remake has received some of the lowest ratings for any Disney live-action reboot, suggesting a disconnect with the audience.

Notable Quote:

Jack Posobiec [06:00]: "Snow woke, go broke. Because what they're committing here is an act of cultural vandalism."

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3. Guest Insight: Evita Duffy on Racial Representation and Feminism

Evita Duffy, a commentator and former Navy intelligence veteran, joins the discussion to provide depth to the argument against Disney's changes.

Key Points:

• Racial Erasure: Duffy criticizes the casting of a Hispanic actress, Rachel Zegler, in the role traditionally portrayed as white, labeling it as "white erasure" and a form of anti-white racism.
• Feminist Narratives: She argues that the film shifts the focus from Snow White's traditional role to a more empowered, yet regressive feminist narrative, where Snow White embodies characteristics typically associated with male heroes.
• Cultural Impact: Duffy emphasizes that such changes disrupt the foundational narratives of Western civilization, impacting how young audiences perceive gender roles and cultural traditions.

Notable Quote:

Evita Duffy [22:41]: "Everybody is sick of the white erasure that Disney and all these other major studios are engaging in. It's not only bad for white people, I think it's really disrespectful."

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4. Economic Perspectives: Gavin Wax on Tariffs and the Middle Class

Gavin Wax, representing the New York Young Republicans, discusses broader economic themes, particularly focusing on trade policies and their impact on the American middle class.

Key Points:

• Trade Imbalances: Wax explains how persistent trade deficits and reliance on imports have hollowed out the American middle class, leading to economic and cultural decline.
• Pollution Tariffs: He advocates for the implementation of pollution tariffs to level the playing field against countries like China and India, which he accuses of exploiting workers and the environment to undermine American industries.
• Globalization Critique: Wax ties the discussion back to hyper-globalization, suggesting that America's wealth transfer abroad has weakened domestic industries and communities, drawing parallels to the economic devastation seen in the Rust Belt.

Notable Quote:

Gavin Wax [09:01]: "The hollowing out of the American middle class has led to America's decline culturally, economically, spiritually, militarily."

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5. Critical Analysis of Modern Media and Traditional Narratives

The conversation shifts to a broader critique of how modern media, especially large studios like Disney, are altering traditional stories to fit contemporary ideological frameworks. Posobiec and his guests argue that these changes represent a departure from storytelling that upholds longstanding cultural values and norms.

Key Points:

• Uncanny Valley Effect: Posobiec mentions how the aesthetic changes in the new "Snow Woke" film result in a visually flat and sanitized product that fails to capture the magical essence of the original.
• Mary Sue Characters: Drawing from Joshua Lysek's critique, the discussion highlights the prevalence of "Mary Sue" characters—overpowered and flawless protagonists—that undermine genuine narrative depth and relatability.
• Cultural Marxism: Both Posobiec and Duffy associate Disney's alterations with cultural Marxism, suggesting that these changes are part of a larger agenda to dismantle traditional Western values.

Notable Quotes:

Jack Posobiec [30:16]: "Things happen when you deal and change the traditional stories and archetypes that have existed for hundreds of years."

Evita Duffy [25:27]: "This is an attack on Western civ...they are tearing down the mythos that's underpinning Western civilization."

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6. Conclusion: The Future of Disney and Western Culture

In wrapping up, Posobiec predicts that Disney's "Snow Woke" will fail financially and critically, signaling a backlash against perceived cultural overreach. He posits that such attempts to modernize and politicize classic narratives will ultimately alienate audiences who prefer traditional storytelling.

Key Points:

• Financial Failure: Based on Rotten Tomatoes scores and audience reactions, Posobiec forecasts that the film will perform poorly at the box office.
• Cultural Backlash: He believes that the push to align stories with modern political ideologies will lead to a broader rejection of such efforts, reinforcing the importance of preserving traditional narratives.
• Call to Action: The episode serves as a rallying cry for listeners to support traditional media and resist cultural changes that undermine Western values.

Notable Quote:

Jack Posobiec [21:20]: "This is the definition, Evita, of cultural Marxism."

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7. Additional Segments: Brief Mentions

While the episode primarily focuses on Disney's "Snow Woke," there are brief discussions and advertisements interspersed throughout, including promotions for supplements from We Heart Nutrition and mentions of other podcast segments. However, these are secondary to the main discourse and are not covered in detail in this summary.

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Final Thoughts

The episode of Human Events Daily with Jack Posobiec presents a critical perspective on Disney's recent "Snow Woke" film, framing it as symptomatic of a broader cultural shift towards modern ideologies at the expense of traditional narratives. Through engaging discussions with guests like Evita Duffy and Gavin Wax, the podcast underscores concerns about racial representation, feminist narratives, economic policies, and the preservation of Western cultural values. The hosts argue that such changes not only disrupt beloved stories but also have tangible negative impacts on society and the economy.

Transcript

[Jack Posobic]

I want to take a second to remind you to sign up for the Poso Daily Brief. It is completely free. It'll be one email that's sent to you every day. You can stop the endless scrolling trying to find out what's going on in your world. We will have this delivered directly to you totally for free. Go to humanevents.com poso Sign up today. It's called the POSO Daily Brief. Read what I read for show prep. You will not regret it. Human Events.com poso Totally free the Poso Daily Brief. This is what happens when the fourth turning meets fifth generation warfare.

[Evita Duffy]

A commentator, international social media sensation and former Navy intelligence veteran.

[Rachel Zegler]

This is Human Events with your host, Jack Posobic.

[Unknown]

Christ is the percentage of conspiracy theorists who believe that the United States government was involved in the JFK assassination has gone up over the past 10 years. It is now the plurality leader compared to the conspiracy theorists. They used to think it was someone, hey, maybe it was Cuba. Maybe it was the mob. That's actually down from 40% to 29%. And the overall number of folks who believe in the conspiracy theory that JFK was killed by more than one man is also up.

[Jack Posobic]

They're taking to the streets or the the parking lots. Tonight, the FBI and ATF now investigating.

[Gavin Wax]

Multiple cases of possible arson targeting Teslas and cybertrucks. Breaking in, shooting a car, setting on fire.

[Jack Posobic]

Nothing to do with the politics, nothing to do with Tesla. You are a criminal and you should go. We just learned that President Trump is.

[Gavin Wax]

Going to sign an executive order tomorrow.

[Jack Posobic]

Eliminating the Department of Education.

[Tanya Tay Posobic]

The President campaigned on this. He's been crystal clear that he wants to see the Department of Education closed and he'd like to see it done sooner rather than later. I think my job is to convince Congress that the steps that we are taking are in the best interest of the kids.

[Rachel Zegler]

This was my father's kingdom. A place of fairness. The Queen change everything.

[Evita Duffy]

Take him away.

[Rachel Zegler]

Your majesty.

[Jack Posobic]

What did you say?

[Rachel Zegler]

The people need some kindness.

[Jack Posobic]

You know, I really don't remember you being this opinionated.

[Rachel Zegler]

You know, the. The original cartoon came out in 1937 and very evidently so there is a big focus on her love story with a guy who literally stalks her.

[Evita Duffy]

Yeah, weird.

[Rachel Zegler]

Weird.

[Jack Posobic]

Well, ladies and gentlemen, welcome aboard today's edition of Human Events Daily. Here is today March 20, 2025 Anno Dominique. Happy birthday, by the way, to Baron Trump out there. So Snow woke. What is up with Snow woke? Well, we all know Snow White, of course. Snow White was the Brothers Grimm Fairy tale from about 200 years back that Disney, of course, turned into an iconic film back in the 1930s, something that Walt Disney put together himself, by the way, which of course shows the iconic seven Dwarves. It has Prince Charming, it has her living in the forest. She is saved by true love's kiss, that she's woken up. And of course, it shows the jealousy and scorn of the evil queen who wants to go against the fairest in the land. And what's interesting about Disney, and there's so much going on here to talk about, but they've gone full woke with this thing. You've got. You've got the actress playing Rachel Zegler playing Snow White. I can't even put it together because it's like, is that really her? She's talking about how the original film is dated and how it doesn't have the new truth of the, you know, the current modern era. And even there in the trailer, you hear, you're more opinionated than I remember. That's what Gal Gadot says, playing the evil Queen to the new Snow White. So suddenly there's a lot of questions, where is this coming from? And of course, Disney has up on their Twitter still, which I found earlier today, a tweet that says that everybody remembers from the fairy tale. And watching the original one, same one I showed my kids. Lips as red as the rose, hair as black as ebony, skin as white as snow. Snow White. Guess you forgot to delete that one. I guess you forgot to delete that one because, yes, we have another woke. Race swapping of a main character, a titular character. I saw this with the Little Mermaid. They did it with Peter Pan. Now they're doing it with Snow White, who, of course, by the way, is again, it's a European story. It's a story about Europe. But what they have done is they've changed it to fit the modern era. And I have a theory, by the way, about this. I think they actually thought that Kamala Harris was going to win and that's why they changed it to make someone who's non white going up against a queen who is white turns out Disney. You bet wrong. And you're going to go woke. Go broke with snow woke. I'll be right back. Human Events Daily. Foreign first truly means welcome to the second American Revolution. All right, Jack Pacific, we're back live here, Washington D.C. by the way, keep an eye on the Jefferson Memorial, the Tidal Basin. That's what we're showing right now on the TV side of this. Want to welcome in as well, the Salem Radio Network and third hour of the Charlie Kirk Show. Soon to be a big announcement on there, by the way, coming out on more affiliates. And of course we are all praying for Dennis Prager and his full return, full return and recovery. But at the same time that, that Jefferson Memorial Cherry Basin, you can't wait on that because those cherry blossoms are going to be coming very soon. So I predict here within the next couple of days we are going to get some really, really cool shots of those cherry blossoms. And that's just something the Poso family always goes to check out. It's very brief. So when it's Cherry Blossom week, yeah, I gotta go for peak bloom in Washington D.C. a gift to the United States from Japan, folks. When, when it comes to international trade, when it comes to international deals, when it comes to international travel, you have to be careful. And so when I went to Ukraine recently with Secretary of the Treasury Scott Besant, I knew that comms security, communication, security would also be paramount. From the minute that I crossed the border into Ukraine, this was that I was definitely worried about, definitely concerned about my comms, my laptop, my cell phone, everything. You have to worry about that. So what did I do? I put them in my bag from Silent and guess what? Haven't had a problem since. So what is Silent and how can these Faraday bags and Faraday products help you? Well, Silent's Faraday products block all incoming and outgoing signals so that your devices are invisible and safe from the outside world. From their backpacks, phone sleeves and even pants, patented signal blocking technology blocks wireless signals, giving you the peace of mind that your data doesn't end up in the wrong hands. And by the way, there was a Russian airstrike the day that we got to Kiev. And we know that anything with, with American on it would definitely be pinging like crazy on that system. And we know that the Russians have used this to geo target and geo locate American and other European forces in the past. You have to think about this stuff. And it's not just over there on the battlefield, it's even here, right in our own homes. Commercial security, communication security is paramount. So how do you use it? You place your device inside, you close it. That's it. You are safeguarded from unauthorized access between the government, big tech, corporate America and criminals. Yes, even criminals. Your privacy is compromised 24. 7. There's no other option. You have to protect yourself. That starts with Silent. So go silent [e-mail] poso to save 15% plus free shipping on qualifying Orders. Stay ahead of what's coming and secure your privacy today. Again, that's slnt.com poso for 15% off and free shipping. Want to go now to Gavin Wax of the New York Young Republicans because, Gavin, we've been talking trade for the longest time. Huge fans of Robert Lighthizer. He's got a big interview with Tucker that I highly recommend to everyone. Gavin, with this new piece that you've written talking about tariffs, this is a conversation that producer Faz and I have all the time. President Trump, really the essence of maga, the essence of America first really is this relationship between trade and the hollowed out middle class. Can you connect the dots for our listeners? How is it the tariffs play a role here?

[Gavin Wax]

Well, thank you for having me on, Jack. And I was actually just listening to the podcast you were referencing between Tucker and Lighthizer. It's fantastic. I encourage all your listeners to give that a listen.

[Jack Posobic]

Oh well, dude, I one shot at it last night. I one shot at it the minute I saw it came out. I'm a huge Lighthizer fanboy.

[Gavin Wax]

I'm about a third of the way in and it's, it's fantastic. And one of the main topics that they are hitting is what you just opened with in this question is about the hollowing out of the American middle class. You know, we were this middle class country for so long. 80% of the country considered themselves middle class to some extent. You know, obviously there were differences in, in some wealth and in some income. But for the most part, we were all largely part of this very strong, very healthy middle class which was, you know, very much a strong foundation of our republic and our entire constitutional system. And the eroding of that middle class has led to America's decline. It's led to our decline culturally, economically, spiritually, militarily. Every sense of the word decline, it has been a part of. And one of the main tools used to chip away at that prosperity has been the, the, the tool of trade. It's been these trade imbalances that the United States has been running for quite some time that we no longer produce. We only import that we import and we buy on credit. And it's been a way to hollow out the prosperity that was developed over generations in this country, make us less secure, make us weaker, make us more dependent, and just destroy the very foundation of this country. And obviously they were talk things like innovation, a whole litany of other secondary and tertiary effects. But my recent article, beyond just overall praising the new direction that this administration is taking to tariffs, is also proposing other ways to utilize the tariff, which is an incredibly powerful tool to level the playing field in other ways, such as environmental concerns. And I think, you know, we're seeing the reciprocity return to the table in terms of discussions in terms of tariffs. We're seeing tariffs being used as a means to extract geopolitical concessions. I also think tariffs can be used very effectively to combat the issue of pollution and environmental concerns that we see in places like China and India and elsewhere. And how to level the playing field. We are a country that respects our great American landscape, all of our natural beauty and our natural history, and we don't necessarily sacrifice that in the altar of gdp, but a way to even out the playing field as it relates to countries like China and how they abuse not only the environment, but their workers and a whole litany of other categories is to impose a pollution tariff. Know if they're going to have a certain percentage of emissions, we should have a tariff on their goods that corresponds to it. And I think this would be a way to incentivize China to implement more, you know, modern environmental protections like the United States and most of the Western developed world does. And they can't simply produce in disgusting conditions, horrible for the environment as a means to undercut our industry, undercut our manufacturers, and import massive amounts of cheap labor, which are also ultimately hurting the middle class.

[Jack Posobic]

And in a sense, Gavin, though, isn't this also perpetuated by so many of these Wall Streeters who are actually at the same time that they'll be talking about climate change or BlackRock? Oh, we're, you know, we're so concerned with climate change. Carbon credits. We want this and that in the United States, that those will be the same firms that are going and investing in that, investing their capital in foreign direct investment into those same slave conditions, slave wages, factories that you're. Which, by the way, I visited when I was in China and seeing the actual conditions there with the suicide nets outside of Foxconn where they make your iPhones. And the idea is this is the underpinning of the globalist system. The underpinning of the globalist system is the mistreatment of the Chinese Lao Beijing, the average person in China. The Lao Beijing, by the way, means the old hundred names. I know people hear that phrase on war room and around, but that's what it actually means. And it's just talking about the masses. Like the average person in China, they're exploited, but it's not done so just because of by accident or something, or done with the ignorance of Wall Street. No, no, no. Wall street actually encourages the CCP to do this. Why? To undercut those very same as you say Gavin, the American manufacturers that actually have the patriotism and the nationalism to care about our country and our workers. One minute till the break.

[Gavin Wax]

Amen. Well said. And this is really what it's about. It's them virtue signaling on Wall street at their parties, at their cocktail receptions, but not wanting to actually support policies like a pollution tariff that would actually solve issues as it pertains to the environment and protect American industries and American workers from this unfair foreign competition. Competition that you rightly point out is akin in some cases to chattel slavery. The way they treat some of these workers and the working conditions and the environmental conditions, it's atrocious. And that is the end result of this hyper globalism, this hyper free trade open market ism. It's returning to a very dark place in humanity where they're chasing GDP above all else. And the conditions of the people, the conditions of the worker, the conditions, the environment be damned. And we don't have to live like that. We don't have to accept that we can return to an America where we protect our workers, protect our industries and protect our environment all at the same time. A pollution tariff is one way to do that.

[Jack Posobic]

No, I've actually, I have this story that I tell. The first night I was ever in Beijing was the. The first time in my life I ever actually experienced acid rain. And it's disgust, disgusting, it's corrosive. It ruined the shirt I was wearing to first time I visited Tiananmen Square. So it's, it's, it's, it's actually quite disgusting. The pollution, the condition by the way, that's in the downtown of their capital city and not even that long ago. Stay tuned right back here. Jack Posobic. Human Events Daily continues.

[Tanya Tay Posobic]

Today. You know they talk about influencers, these are influences and they're friends of mine. Jack. Where's Jack? Jack? He's got a great job.

[Jack Posobic]

All right guys, we got a special treat here in studio it is the lovely and talented Tanya Tay Posobic.

[Unknown]

Hi to all my Maha moms.

[Jack Posobic]

Look, I know we've got a lot going on here in the first few weeks of the golden age. We have fun but it's a lot of work too.

[Unknown]

Running around with the kids. Plus keeping up with your travel is a full time job in itself.

[Jack Posobic]

Look, we're making America great again. We're making America healthy again.

[Unknown]

And like I always say, Maha starts at home.

[Jack Posobic]

That's right. So that's why Tanya and I recently started taking supplements from We Heart Nutrition to make sure that we're getting everything we need to stay healthy. We Heart Nutrition creates the highest quality research backed supplements for men and women at every age.

[Unknown]

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[Jack Posobic]

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[Unknown]

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[Jack Posobic]

Right now, We Heart Nutrition is offering 20% off your first order when you use, of course you're going to use promo code poso at checkout.

[Unknown]

That was promo code Tanya.

[Jack Posobic]

No, it's actually promo code poso promo code Tanya. No, no, I don't think so.

[Unknown]

Well, whichever promo code you use, Tanya, if Your order is $50 or more, you'll get a free bamboo capsule box with your order.

[Jack Posobic]

Yeah, weheartnutrition.com that's weheartnutrition.com and remember, promo code posto, not Tanya. For 20 off, it's promo code poso. All right, Jack Posobic, here we are back with Gavin Wax. Gavin, I want to get into a little bit more of this, talking about the Chinese Communist Party, talking about tariffs and how all of this is completely interconnected. But one of the ways that I can, I can tell people to look at it is go look at those images of Shanghai, the beautiful downtown there, Lujiazui, and all of the towering glittering skyscrapers. Right. You know, and then go. Or Shenzhen or any of the other cities that have just been blown up and people say, oh, this is all because of the Chinese Communist Party. No, it's because of the wealth transfer of the American people to the Chinese Communist Party. Why do you think China looks like that? And Detroit, Chicago, Philadelphia, Baltimore, etc. Etc. Etc. All look the way that they do. It's because of wealth transfer. And don't even get me started on the Rust Belt. And the way that those cities are completely blown out. They look like they lost a war when no invader has Ever even come there since the British in 1812. Gavin, what is going on?

[Gavin Wax]

Well, look, you're, you're explaining a phenomenon that is at the heart of maga and it's something that President Trump has eloquently discussed for 30, 40 years. You could go back to these old news clips of him in the 80s and the 70s. Always talking about how we're getting ripped off, how our money's getting squandered overseas and we're not getting a return on it. And you see, not just as it comes to China, many people look at, oh, they have these new high speed rail, their cities are very modern, their infrastructure is modern. Yes, that is the wealth transfer of the United States in action. It's not due to, you know, the, the genius necessarily, the ccp. They are cunning, but it's mostly because they know how to rip us off, not because they're actually creating that wealth themselves. They're stealing it from the United States. And you look at Europe in the same kind of situation, they are stealing from us in a different way. We're protecting them, we're defending them, we're, we're subsidizing their defense budgets for decades and allowing them to keep up their welfare state, allowing them to build their high speed rails and all these other fun projects that lefties here domestically like to talk about. But you cannot have that sort of infrastructure. You can't have these sort of beautiful cities. You can't have the return of this industry and these quality jobs, good paying jobs, and the incomes in the middle class lifestyle that match them. If you continue down this path of hyper globalization where we're constantly sending our wealth abroad, either in foolish foreign conflicts or in stupid trade deals that gut the heart of this country, the heartland, the mid, the Midwest, Appalachia, the Rust Belt, you name it, all these different areas, even the American inner cities as you mentioned, from Detroit to Baltimore to parts of New York, wherever it may be, they are all being gutted because our elites have decided almost unanimously that they would much rather make a short term cheap profit by extracting all the remaining wealth of our country rather than building a nation founded on something more than just gdp, founded on some sort of continuity, some sort of common identity, culture and values. And instead of building that which was the basis of our country, they've gone the opposite way and said, no open borders, open markets, completely free trade. We're going to be the world's policeman. We're going to send all of our money, wealth and treasure overseas and we have nothing to show for it.

[Jack Posobic]

We have nothing to show for it directly and that's because of them. Gavin, where can people go to follow you and to get access to your article?

[Gavin Wax]

You could follow me at Gavin, Wax on X, Instagram, Facebook, all the rest. Thank you for having me, Jack. And you can check out my article on pollution tariffs and why we need to implement them as part of Trump 2.0 on the daily Caller.

[Jack Posobic]

Why would the greenies be against pollution tariffs? I don't understand. Very clever guy, Gavin. Very clever. We'll be right back. Vita Duffy joins us next. Human Events Daily.

[Tanya Tay Posobic]

And Jack. Where's Jack? Where's Jack? Where is he? Jack, I want to see you. Great job, Jack. Thank you. What a job you do. You know, we have an incredible thing. We're always talking about the fake news and the bad news, but we have guys and these are the guys should be getting policies.

[Jack Posobic]

All right. Jack was so big. We are back. Human events daily, Washington, D.C. and I'm sorry, guys, but I just gotta, I just gotta dig a little bit deeper on this phenomenon. This massive train wreck over at Disney. They're calling it Snow White. I call it Snow Woke. Snow woke, go broke. Because what they're committing here is an act of cultural vandalism. They have turned the Snow White story, a classic fairy tale, a traditional fairy tale, into this BLM antifa feminist narrative where it's, it's Snow White versus the Evil Queen, obviously making it a racial story, doing all of these things, plus the PR nightmare that it's been from the very start. And I gotta say, according to Rotten Tomatoes, and I don't usually cite these guys, it's now received one of the lowest and worst Rotten Tomato scores for any Disney live action reboot. Helping me to understand all of this, we're going to have the. Well, sometimes, you know, I get accused of the Fed. So I wanted to bring someone on who's Fed adjacent, and that's Evita Duffy. She is the host of the Bongino Report, Early Edition. What's up, Vita?

[Evita Duffy]

Thanks so much for having me, Jack.

[Jack Posobic]

So, so I just want to make sure. Can you order the FBI task forces now to go after the people who made this film? Or is that you have to put in a record request?

[Evita Duffy]

Listen, I wish I had that, that, that power. My boss is a, is in the cabinet. My dad's in the cabinet. But it turns out there's not that much power that comes with being the daughter and the employee of cabinet secretaries. I'm kind of just here pontificating about Snow White with you, Jackson.

[Jack Posobic]

It's amazing, right? You know, guys, she gets bumped up to first class on every flight now because her dad and, you know, she's got. He's got her other boss over at the running the FBI. So. Okay, all right. See how it is. I see how it is. But no, we do have to get into this because all that aside is what they're committing here is there. I call it an act of cultural vandalism. And I think that people miss. The point, though, is that what Disney was doing, or at least what the runners of Disney were doing, was deliberate. They were deliberately doing this. They did it with A Little Mermaid. They did it with Peter Pan. They've done it with so many things. Injecting all this nonsense into our classic stories. Evita, are they doing this deliberately for a certain agenda?

[Evita Duffy]

Well, of course they're doing it deliberately, Jack. And let's start with the name of this film. The film is called Snow White. And I'm actually very similar racially to Rachel Ziegler. Right. I'm a Hispanic woman as well. Kind of white, passing, but Hispanic. I would not be appropriate for this. For this role. Am I a purely white woman? No, I'm not. And I think everybody is sick of the white erasure that Disney and all these other major studios are engaging in. It's not only bad for white people, I think it's really disrespectful. I think it's part of anti white racism. It's also bad for black and brown people. I was thinking about, I don't know if you've seen Brother Bear Jack, but I watched it with my little brother Patrick over Christmas when I was there. It's a great movie. It's about three brothers. They're Inuits. It was just a good story. And instead of making good stories, new stories about real characters or black and brown characters, they just change white characters into black and brown characters. And all it does is upset everyone. Nobody wants this. And the other thing that I'll say, Jack, is you're right about this being an attack on Western civ. Because the Snow White story, if you read the original Brothers Grimm's story, is, is a really fascinating tale about growing old gracefully. It's about female envy and vanity. It has roots in the story of Narcissus and Echo and even the story of Cain and Abel. So this is like an interconnected web of Western civ that's now not being added on in a respectful and beautiful way by Disney, but actually corrupted on purpose.

[Jack Posobic]

Well, it is corrupted on purpose. And in some of the memes that I was making. So I was on Grok this morning and I was making these snow woke memes. And so one of the first things I did was make sure, of course, to give snow woke the pantsuit, because obviously she is an empowered woman who wears a pantsuit, not a dress like those old princesses. And then I've got her leading the sort of like BLM antifa mob there. But. But one of the things in the background that I have also is the. The castle is on fire. And it's specifically on fire. Not just to say we're not liberating the land from an evil queen, we're actually burning the land down. And these are. And by the way, I've seen in some of the trailers, that's very clear what she's doing there. She's showing that. So you've got this white queen, right? The queen is still white. Right. They didn't. They didn't swap her the same way. By the way, in Hamilton, when they race swapped all the founding fathers, they still left King George white, but everybody else got race swapped because they're trying to tell a different story. And whether or not you realize that it's going on, you know, overtly, your brain subliminally still reads it that way because you can see before your eyes what's going on. This is. This is wokeism. This is cult. This is the definition. The definition, Evita, of cultural Marxism.

[Evita Duffy]

No, it 100% is. And the castle thing is interesting, Jack, because you could almost view it as an analogy for family and for love. Because what's happened in this new Snow White film, if you see the clips of Rachel Zegler talking about it almost two years ago, she's saying that we're going to not have Prince Charming save the day. That that's super regressive and it's wrong, and there's no consent when she's being kissed. And the problem with this, Jack, is it's feeding into this feminist narrative that's been poisoning women for generations, that you can't fall in love, you can't be dreaming of a Prince Charming, because that is not feminist, that's regressive. And it has made so many generations of women really unhappy. When I was growing up, my mom always said to me, you know what, Evita? You should focus on your love life. This is what she said in your young adult years. Which would probably shock a lot of people, but it was the greatest advice ever. Because I think young men and women need to be focusing on their love lives. They need to be finding one another and getting married and starting families. And instead we're being fed this narrative that women have to, I don't know, focus on saving the day, saving the kingdom, whatever it is, and being feminist icons and not actually being, being women. And it was really, I think, interesting about this new narrative with Snow White is she actually has to be more like a man to be a good woman. She can't embody really beautiful feminine heroine characteristics. She has to be more like a man to be a good woman. Which actually shows just how disruptive and backwards the feminist ideology is.

[Jack Posobic]

So, Evita, there's actually a phrase that Joshua Lysek, who is the co author of Unhumans the communism book we did last year that he's used talking about. So he's famous, sort of Twitter famous, I guess. A couple years ago he did this thread on Mary Sue's that just completely obliterated the Internet and got everybody really mad at him. Mary sue is this female character, for those who don't know, who just kind of shows up on screen and is super powerful and can do everything, can solve every problem, can beat up people who are like, you know, 20 times their size. And you see this, you see this all over media today. And his whole point was, well, wait a minute, this isn't the true essence of being a strong woman. He's married, he's got three children. And so he was talking about the way he described it was this sort of victim gladiator model. This like. It's like a victim gladiator where, okay, they experience trauma or something goes wrong, and all of a sudden they become a gladiator and they destroy everyone in their path. And that. I didn't use the phrase at the time, that is, that was always my criticism of the movie Frozen. And people say, oh, Jack, why would you go against Frozen? I said, well, wait a minute. All of the male characters in Frozen are either in her way, they're either stupid and bumbling, or they are, in fact secretly lying or villains. And then you have two women pairing up to fight all the men. And if you can't see that as very obviously playing into this sort of like war of the Sexes kind of narrat narrative, then I just don't think you understand basic media literacy or how to analyze things or view things through a critical lens. Things happen when you deal and, and change the traditional stories and archetypes that have existed for hundreds of years. And there's a Reason that we still like Snow White even though it is literally 200 years old, because it speaks to actual reality and actual experience. But when you mess around with that, especially for kids, we wonder why everyone is so screwed up now.

[Evita Duffy]

Well, Jack Amini, I think you hit the nail on the head there. And there is a real vacuum. There is no. It doesn't exist anymore female heroine stories. They're not around. And there's a reason for that. I mean, the reason is they don't want to have to present that narrative with young women. They want to have this feminist girl boss narrative. And I would look. And people don't like anime. They say it's demonic. I'll say anime does a great job, at least the Studio Ghibli anime film, of presenting female heroines who use female traits, feminine traits, to save the day. You know, Snow White. Just take Snow White, for instance, right? She's cooking and she's cleaning, and she's creating a home for the dwarves, and she's making a refuge for herself, but also a home for them. And she's charming and she's beautiful, and she draws the prince in, who then saves her because he falls in love with, like, these are feminine, beautiful traits. She saves a day with her, with her attitude, with her goodness, with her sweetness. That's not at all the kind of feminine characters that are being presented now. And I think it's really kind of shameful to make women who actually embody feminine characteristics feel bad about that, that they're not good women, really. Like I said, it's very regressive also.

[Jack Posobic]

And I'm just gonna say it right, you know, because we're already getting in so much trouble here. People are like, wait a minute. So. So if the mirror, the magic mirror is supposed to show the fairest in the land, and then you've got Gal Gadot and she's like, obviously, she's Wonder Woman. She's, like, internationally known. She's this huge model and everything. And then you've got Rachel Ziegler, who, like, she's. I'm just gonna say she's kind of mid. All right? She's. She's just kind of mid. And, you know, like, she's bad looking. I'm saying she's mid. There's a difference. But. But obviously the queen is better looking, like, way better looking than Snow White here. And it's not like a lie to say that. In fact, it's a lie to say she's not. And so this idea that, like, she's going to be super worried about this. Like, I just. It doesn't track. I'm sorry.

[Peter Dinklage]

Right?

[Jack Posobic]

I'm. I'm. Everyone's going to come after me now for that one. But I'm sorry, it's just. It's just true.

[Evita Duffy]

No, it doesn't. And, Jack, I think you bring up a good point about just the beauty in general of this film. If you watch it, it doesn't look the same way as, say, wizard of Oz did back in the day. Right. There was something about the col and the realness. Everything looks like it's made by AI these days. It's not just that the Snow White doesn't look very beautiful. It's that the whole film is not beautiful. There's something very matte and sanitized and not fantastical about it. It just literally, it feels like it's all made out of AI and the colors are all dull. And this is all films these days. It's almost like Disney and Hollywood, even when, yes, they're completely devoid of. Of beauty and of color, and it takes all the joy out of it.

[Jack Posobic]

So one of the reasons. You're exactly right. That has to do with AI we're coming up on a quick break, but this is a totally separate topic, but it's actually part of it as well, where they make things look flat. They make it look flat. They make it look like it's colorless. They make it looks like it's sanitized. They're just not giving you that quality. And they say it's, oh, it's better, but it's actually worse because it doesn't look realistic. And that's why your brain is registering it that way, because it's hitting something called. Called the Uncanny Valley. And you're saying, like, wait a minute, this just looks fake. Like, it just looks fake and plastic and not good. And we want better media and traditional stories. So we're going to talk about that. We're going to harp on it right here as we laugh, because Disney is going down the tubes. Snow woke, Snow broke. And he's been my friend right from.

[Tanya Tay Posobic]

The beginning of this, this whole beautiful event.

[Jack Posobic]

And we're going to turn it around and make our country great again.

[Evita Duffy]

Amen.

[Unknown]

I know that you've told me before that your version of Snow White is different and it's more of a 2022 version of Snow White. What did you mean by that?

[Rachel Zegler]

I mean, you know, the original cartoon came out in 1937, and very evidently, so there is a big focus on her love story. With a guy who literally stalks her.

[Evita Duffy]

Weird.

[Rachel Zegler]

Weird. So we didn't do that this time.

[Unknown]

So no prince or a different kind of prince?

[Rachel Zegler]

We have a different approach to what I'm sure a lot of people will assume is a love story just because, like, we cast a guy in the movie. Andrew Burnup. Great, dude.

[Peter Dinklage]

You said you were bringing a modern edge to it on stage.

[Jack Posobic]

What do you mean by that?

[Rachel Zegler]

I just mean that it's no longer 1937, and we absolutely wrote a Snow White that is not going to be.

[Jack Posobic]

Saved by the prince.

[Rachel Zegler]

Not going to be saved by the prince. And she's not going to be dreaming about true love. She's dreaming about becoming the leader she knows she can be.

[Jack Posobic]

All right, Jack Paso here. Back Human Events Daily. We're breaking down the issues with Snow woke Rachel Ziegler. The complete insanity that she's been spewing, talking about anti. Really just anti male hate that has been coming out through her mouth throughout all of this. A lot of the controversies that have been coming in in terms of it, her attacking the original Snow White, saying that it's dated and its depictions of. Of male female relationships are dated. Now, Evita, we're on with Evita Duffy. Evita, I'd like to say, though I kind of agree with her on one. On one say in one sense, they are dated because they're trad. Okay? The original Snow White is a hundred percent tradition and we are not living in a trad culture right now. So the actual answer to her question or to her supposition is that yes, it is dated, but maybe we should actually be looking to those relationships or those, you know, male female dynamics and those traditional gender roles rather than trying to revolutionize everything. I have this theory, by the way, that they, they kind of, Disney sort of made this $250 million bet that Kamala was going to win and didn't realize which way the country was going in. And now they're basically just messed up. By the way, people don't know this. They're. They're already. They're spamming Rotten Tomatoes with audience reviews that are just the same phrase over and over about how much they like the movie and which is obviously bot traffic. And they're even limiting press to the premieres of this because it turns out the two act, the two main actresses don't even want to talk to each other. Evita, is this going to be the thing that's really the nail in the coffin for Disney with this kind of stuff?

[Evita Duffy]

Well, you know what, Jack, the Thing is, Disney's kind of, kind of too big to fail in my opinion. Right. I mean, Disney's really like a land management company. I mean, what they own in Florida, what they own in California, how they've expanded out. I mean, these movies, as much as we like to think that like this one big flop is going to kill them, it's actually not. And they go with these remakes on purpose because they're safe bets. They know the people who love the original are going to go to these live action remakes even if they suck. And I think you're right. Disney did make a bet with Kamala Harris. I think they believed in the way as they cast Rachel in the wake of George Floyd that this was going to be a country trending radically leftward. It turns out that that's not the case. And we're not trad yet, but we're trending trad. I'll say, Jack. And that's why Disney has been so frantic about this film is because they know that it's not going to be positively received by a country that's sick of dei, that's sick of anti white hatred, and that's sick of all of, of the beautiful things in our culture being corrupted by cultural Marxists. I really view this movie, Jack, the same way I view the BLM writers who tore down statues of Founding Fathers in 2020. It's the same thing. It might not be as explicit as tearing down Founding fathers statues, but it is the same thing because they are tearing down the mythos that's underpinning Western sin.

[Jack Posobic]

I think it is.

[Evita Duffy]

Go ahead.

[Jack Posobic]

No, I agree with you. I think it is. I think it's exactly the same. It's the same. It's the same idea that we're going to degrade our. It's possibly even more because this is subliminal. It is subliminal messaging to children about tearing down Western civilization, about tearing down our tradition, about tearing down our culture, and by the way, tearing down traditional male, female gender roles. By the way, we. There was another thing, another woke piece of this that I wanted to hit. We have a clip from. Remember, people don't even remember this. They were originally going to go with a diverse seven Dwarves live action cast, but the Dwarves are actually going to be CGI now and here's why. Let's play this clip.

[Peter Dinklage]

I was a little taken back by the very, very. They're very proud to cast a, a Latino actress as Snow White. Yeah, but you're still telling the story of Snow White. Yeah, Seven dwarves, sure. Take a step back and look at what you're doing there. It makes no sense. Sense to me. You're progressive in one way and then, but you're still making that backward. Oh, story of seven dwarves living in a cave to get. What the are you doing, man?

[Jack Posobic]

It's so obvious what Peter Dinklage is doing here, by the way. He's trying to ruin his competition because he wants to be the only dwarf actor in Hollywood. This is how all of leftism works. They tear other people down so that they can get ahead. It has nothing to do with social justice. It has nothing to do with equality or any of it. So now the dwarves in the New Snow Woke have to be CGI dwarves, because they would. They. He claimed somehow that it was like, discrimination to hire actual dwarves. It's ridiculous. It's insane. However, we only have a minute left, and. And Evita, I could talk to you about this forever, but. But. And we did a great piece on It's a Wonderful Life at Christmas Time as well in our Jack Navitas Media Literacy series. But I do also want to say, though, that I've. I've received some. Some information. A possible incriminating image. You know, they say I collect receipts on people, and Agent Posto has got receipts even on Evita Duffy as to who potentially could have been a better Snow White. When. What is that? Halloween?

[Evita Duffy]

Yeah, Halloween. Probably circa 2004.

[Jack Posobic]

Oh, my God. Well, you would have. I think. I think you could have been a much better Snow White. DeVito. Where can people follow you?

[Evita Duffy]

Aita Duffy one on. On X and Instagram. Thanks for having me.

[Jack Posobic]

All right, go give her a follow, folks. Evita Duffy. Snow woke. Snow broke. Does that stop messing with Western civilization? Ladies and gentlemen, as always, you have my permission to lay a short.