
Hosted by Weldon Hunter & Erik Komarnicki · EN
The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

A long, long time ago we did a theme episode called "Life!", but we've been too busy livin' it up since then to face the inevitable follow-up theme episode. Well, here it is, and we start off with Donald Woods' literal tearjerker, "Death of An Angel." Watch out when googling the title of The Royal Flairs' 1966 masterpiece, "Suicide" -- but you'll wanna keep living just to keep listening to this scorching garager (leave the garage doors open, though, just in case) ... Midway on our journey we confront "Nightmare" by The Whyte Boots, a sick sixties death disc authored & performed! by our faves, Lori Burton & Pam Sawyer! John Donne would love "Death Bells at Dawn" by The Lords from New Jersey, and we end in the boneyard to hear the death rattle of "Marble Orchard" by The Graveyard Five. Out, out brief candle!!!

Once in a blue moon, we find a song that is so wild and weird, it becomes a brick in the ever-growing metaphorical mansion that is In The Past ... and it's usually by a group of young African-American women from the 1950s (see: "Pork and Gravy" by The De-Lo's; "Chic-A-Boomer" by The Del-Rhythmettes; and "Rock-and-Ree-Ah-Zole" - to name just one - by The Bobbettes.) This year, it's the incredible "Kill It!" by The Antwinetts. One of the craziest put-down songs you'll ever hear, and you need to hear it! Don't think our other selections are slouches, though: we next shine the spotlight on Shari Sheeley, who co-wrote "Something' Else" for her beau Eddie Cochran in 1959. Barry Mann & Cynthia Weilwrote the very dramatic "Chico's Girl," which eventually was covered by the aptly-named Girls (aka The Sandoval Sisters). Jackie DeShannonwrote the words and Jack Nitzsche the music for the achingly gorgeous "Baby That's Me" by The Cake. And we close it out with our favourite songwriting team, Lori Burton & Pam Sawyer and the garage classic "I Ain't Gonna Eat Out My Heart Anymore," here done by girls in the garage The Puppets. Hear them all roar!

Let's talk about 60s songs about girls! We have The Dynamics courting "Genevieve," The Tree Stumps pining for "Jennie Lee," The Fabs searching the heavens with "Dinah Wants Religion," The Association gettin' breezy about "Windy," and The Infinite Staircase moiling for "Margaret." It's not all sugar and spice!!

We're your dealers this week and the score is songs about gettin' stoned, high, baked and beyond! Pills, tabs, and joints ... and even with some stern warnings, we get high on our own supply ! The Bohemians, The Rolling Stones, Paul Revere & the Raiders, The Bees, The Other Half, and The Fe-Fi-Four Plus Two. We'll get you through your busy day!

A six-pack of songs about gettin' soused (for or against) by Stick McGhee (40s), The Four Deuces (50s), The Champs (also 50s) - you know what song it is!, The Pleasure Seekers, The Moods (both 66ers!), and The Housemartins (80s). Put on your beer goggles and listen good!

This week we're talking The Zombies and their 1964 Bacharach-inspired number, "Tell Her No." These guys really stood out from the rest of the British pack because they added some nice jazz chords into their superb pop. Our favourite budget label, Nashville's "Hit Records", got some guys they called The Mummies into the studio in '65. The vocals are lugubrious and the unknown singer really ... er ... emphasizes the "oh"'s ... We unearth a garage version by some guys called The Stereo Shoestring who add a little muscle to the tune ... but after that - hoo boy! A couple of really patience-testing versions by some dirtbags called Smith and some Blood Sweat and Tears-wannabes called The Seven, who are not magnificent. Take them away!!

Hey rebels! Take a break from breakin' rocks in the hot sun to listen to our episode on "I Fought The Law"! The original is by The Crickets, just after Buddy Holly became a slice of American Pie. But we all know the Bobby Fuller Four stole the song and made it their own - no cop is going to haul them in for their version. Can the same be said for other 60s scofflaws Sir Henry & His Butlers and She Trinity? Eventually, another daring heist was done by The Clash in 1979, and the Dead Kennedys actually hijacked the song around the same time for some pertinent San Fran social commentary! I guess our race is run!

John and Bobby from the Gruesomes join us for the umpteenth time!!! ... and we're talkin' about misogyny in 60s garage lyrics. Here's the jerkass tunes: "No Good Woman" by The Tree, "Be A Caveman" by The Avengers, and we also revisit "What a Girl Can't Do," except this time it's The Lyres' version. Were these guys the earliest incels? What were these macho morons thinking? It's about time we really investigated the misogynist tropes of our favourite 60s music ...

Patron Saint of the Podcast Bo Diddley is up this week with his 1960 track "Road Runner," with cover versions by The Pretty Things, The Gants, The Liverbirds, and The Phantoms - those last 4 in a race for the coveted Bo Diddley Award. Meep meep!

Get ready to flop on the floor this week - we'll be doing the Alligator, as mentioned in "Land of 1,000 Dances"! The first in our animal menagerie is "Alligator Meat" by Charlie Singleton & His Orchestra from 1951, which sounds like Slim Gaillard if he rocked, rather than jazzed. After dinner, enjoy "Alligator Stomp" by The Rampages - a throwback rocker from 1964. That same year, "The 100 Mile An Hour Alligator" by The P.J. Murphy Quintet captured the ferocity and energy of the titular animal in a spiffy intro number. Frat-tastic! Next, The Dynamic Kapers offer us some "Alligator Wine" to wash down the gator meat. It's an early Leiber/Stoller tune! Before they kissed you all over in the 70s, Jimmy Stokley & The Exiles warned us it was "Alligator Time." It's even more salacious than their later paean to sex! We saved the best for last with "The Alligator" by The Us Four from Louisville, Kentucky. This song has it all, dual vocals, cool percussion, an upfront organ, and koool lyrics that implore you to forget all other dances! Dance this mess around!!