Transcript
David Baddiel (0:00)
Rabbi.
Rabbi Ami Hirsch (0:01)
I'm Rabbi Ami Hirsch of the Stephen.
Unknown (0:03)
Wise Free Synagogue in New York.
Rabbi Ami Hirsch (0:04)
And you're listening to in these Times.
Unknown (0:11)
The world would be a better place with more laughter. And indeed there's something very Jewish about comedy.
David Baddiel (0:17)
For me, the world is comic. I think it's a very Jewish thing to find in not just the sadness of the world, but in the seriousness of the world. The funding.
Unknown (0:28)
The son of a Holocaust survivor, David Badil grew up in London and graduated from King's College, Cambridge before abandoning his doctoral studies to become a stand up comic. Now a successful comedian, David is also the author of four novels and the 2021 best selling non fiction book Jews Don't Count about the double standards employed by the progressive left when it comes to Jews and anti Semitism. David Badeel, it's an honor to have you on the podcast. Welcome to in these Times.
David Baddiel (1:09)
Oh, thank you very much, Abby. It's an absolute joy and an honor for myself to be here.
Rabbi Ami Hirsch (1:14)
You're a comedian. I wanted to ask you about comedy.
Unknown (1:18)
You're a special kind of comedian.
Rabbi Ami Hirsch (1:20)
I observe comedians all the time. I think they have so much to add to our understanding of society. But you have the additional element. You're kind of like a philosopher and an intellectual. You write books, all your books are, they have comedy in them. But you use comedy to present very serious thoughts. What's it like to be a comedian nowadays?
David Baddiel (1:43)
Well, it's different for that very reason that it was because when I started doing comedy, when I, you know, did open spots at the Comedy Store in London, when it was, it was very rough, it was like the late 80s and to get a gig, you had to go on at 3 o'clock in the morning after all the other comics had done their stuff and like basically fight your way through the drunkest people in the world in the hope of getting maybe two laughs. And you just had to like duck the ashtrays that were being thrown at you and that kind of stuff. And so the room for, for deep philosophical sort of observing and musings and nuance was not so available then. And I just used to do a kind of rat attack, you know, kind of high energy joke, joke, joke thing. And then luckily, you know, thank Hashem. Although, as you know, I'm not, I'm not a deep observer of that. But thank Hashem I was successful enough to get to a position whereby people weren't throwing stuff at me. I mean, if they were, it would be for other reasons. But anyway, suddenly you have a bit of space. You Know, once you're well known enough as a comedian, you have a bit of space where people are like, okay, he doesn't have to prove he's funny because when people go to a club and they've never seen a comedian before, they don't care. They just. They like make me laugh. Right. Especially in Britain. In America, when I've done Stand up in America, actually, they're a bit more generous. But in Britain, it's like, you're not funny. You have to tell me you are funny before I'm gonna. Any of my money's coming your way. Right. So whereas once they've decided you are because they've seen you and you're on TV and whatever, then you can sort of like expand a bit what you're talking about. And it's as long as there are laughs. And I've always been keen that there should always be laughs. You can do different stuff. So, for example, the last three shows I've done at just stand up shows were. The first one was about fame, the second one was about my family, and the third one was about social media. And I kind of, again, this is like the Moju religiously decided that those would be thematic shows. If I had an idea for a bit of banter that wasn't about that, I would chuck it out because I wanted to explore those subjects. And actually the one about my family, which was about my very unusual and weird childhood and which Jews in London liked a lot, it had two runs in the West End. It took in, you know, a very transgressive and weird childhood. It took in the Holocaust because my mum was a Holocaust survivor. It took in my father's dementia. These are all not obviously funny subjects. Right. But for me, the world is comic. And so therefore, whatever you look at, you're going to find ways of fighting it comic. And that in itself is a positive endeavor. I think it's very Jewish endeavor. I think it's a very Jewish thing to find in not just the sadness of the world, but in the seriousness of the world, the funny.
