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Welcome to Intelligence Squared, where great minds meet. I'm head of Programming Conor Boyle. Today, something a little different. We're excited to share with you a handpicked episode of a brand new series, the Specialist, produced by Intelligence Squared in partnership with Sotheby's. We've all heard the stories of the record breaking works, headline grabbing auctions and moments that shock the art world and beyond. But have you ever wondered what's happening behind the scenes? What goes into valuing a masterpiece? Or who the people are really behind the gavel? The Specialist brings you art's most extraordinary stories, told by the experts who witness them in short episodes perfect for a weekend listen. Now over to the Specialist.
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There will never be another first lady like her. There will never be another woman like her. And so why wouldn't people want to own even a small piece of that?
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Sotheby's is the temporary custodian of some of the world's most rare, remarkable and coveted art and objects. This season, inspired by Sotheby's new book, Icons, published for Phaidon, we explore the treasures whose journeys define not only their own histories, but the shifting story of taste, value and culture. In each episode, we'll be exploring the significance and journey of an extraordinary work told by those who know it best. This is the Specialist. On today's episode, Frank Everett discusses the string of faux pearls that belonged to the legendary Jacqueline Kennedy onassis. Estimated at 5 to $700, it was the power of provenance that drove them to sell for over $200,000. Frank is Vice Chairman, Jewelry Americas. Largely self taught, he moved through the major jewelry houses before joining Sotheby's, where his knowledge of the design and history of great period jewels has led him to oversee record breaking sales. He has his own popular video series, Frank's Files, and a cult following. Let's join Frank now with more.
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We're going to be talking today about what I consider to be the greatest example of the power of provenance in the jewelry world. When we talk about value points and the way we assign value to any object here, we talk about many things. You know, we talk about rarity, we talk about quality, we talk about size. But when we talk about provenance, which is my personal favorite part of my job, there's nothing like Jackie Kennedy's triple strand of simulated pearls. The price that they brought and the excitement that they generated, it really ticks only one box, which is provenance. Jacqueline Bouvier Kennedy Onassis was the first lady in the 60s, married to John F. Kennedy, went on to become the wife of Aristotle Onassis. She became a editor at Random House and had a very rich and wonderful life beyond her role as First Lady. But certainly that's what we associate with her most of all. She's an icon for many reasons, not just for fashion and style. Jacqueline Kennedy took her role very seriously as a role model, as a taste maker, before we talked about taste makers, as an influencer before we talked about influencers. And she approached her role as first lady as a full time job. And I would say she knocked it out of the park in every way. We don't know why she was so partial to these particular pearls, but they are of a beautiful size and color. They are made to mimic kind of a cultured Koia pearl that runs about 10 millimeter. So it's a triple strand, beautifully matched, and then the clasp is made in the art deco style. It's made of silver and paste, not diamonds and platinum as you would imagine from the Art Deco period. But it certainly looked just like it. They can be worn quite casually. They can be worn with a cocktail dress. They can be worn as she did so often with an evening gown, entertaining an estate dinner. So a very versatile piece of jewelry. We don't know who made the pearl necklace. A lot of her costume jewelry was made by Kenneth J. Lane, who really built his career on making replicas of ladies jewelry at the time. In the mid century, costume jewelry was seen a bit differently than it is today. All women wore jewelry all the time, earrings, bracelets, brooches. It was less important, whether it was real or costume. And many women who could afford all the fine jewelry that they wanted wore lots of costume jewelry. They had lots of it in their wardrobes. They felt very comfortable traveling with it. One of the things that I love about these pearls is that you see them worn repeatedly. And there are three images that really stand out. The most famous, in 1962, I believe it is where she's holding her young son, JFK Jr. She has her head tossed back in laughter, and her son is sort of playing with one of the strands of pearls. So this is iconic. This is Jackie as mother. Then we see her again. She's leaning over, lighting candles at a beautiful dining table at a state dinner. She's wearing a wonderful Oleg Cassini strapless gown with that triple strand of pearls. She's lighting the candles. Here's Jackie as first lady, running a state dinner, taking very seriously her role as the entertaining doyen of the White House. Then we see her again. She was dressed exclusively by Oleg Cassini during her time as first lady, and she favored particularly pale colors, pastel colors. There's iconic pictures of her in. In a pale yellow satin dress with the triple strand of pearls with a little bow at the waist of the dress. And to me, it's one of the most iconic fashion images. She always was looking just past the camera, as if she saw someone she knew, she was engaged. I just noticed it again and again and again, where it was always just like, as if she was about to say hello to someone in this open, warm, friendly way. She was a mother, she was first lady, and she was a style icon. Three distinct roles that influenced the world. So the estate of Jacqueline Kennedy Onassis came to Sotheby's in the 90s. The sale was in 1996. In the negotiation, there was a lot of concern about which pieces to include. How much of her personal effects do you put in the sale? And it was very interesting that they decided to really put so much of the fashion jewelry, especially that had such low value. The decision was so right because I think they were able to share a piece of this woman with the world. The reaction to this sale shocked everyone. In terms of the overwhelming response. The catalog needed to be purchased in order to gain entry to the exhibition because the lines were so long and it was a vast collection. So it took up the entire building. I can just sort of hear all the murmuring because it would have been a packed room. And this was kicking off the highly successful portion of the fashion and costume jewelry and I think it was quite smart to start with it instead of end with it because it set the tone. And then all the other lots, I mean, many other lots performed as well. Against their very low estimates of $100, $200. Nothing went cheap. And nobody expected the spirited and aggressive bidding and participation in the auction. And certainly nobody expected the end result, particularly on these pearls. We estimated these pearls at 500 to $700, and the end result being $211,000 was absolutely stagger know. And it is public knowledge that the buyer was the Franklin Mint, who then went on to reproduce this necklace many, many times over. And then it ended up in the Smithsonian Museum in Washington. I've seen it several times on display there, and it's very, very moving. So I think what better place for this iconic necklace to live than in the Smithsonian? All the great collections of the day contain plenty of costume jewelry. And then there's also fashion jewelry that may be made of some fine materials, but of lower value. Maybe something that's unsigned, not made by Cartier or Tiffany or Van Cleef and Arpels. So you certainly are offering an entry price point for people that want to participate in a sale, that want to own a piece of this legendary collection. Now, when you add pictures of that woman or a legend like Jacqueline Kennedy, then the price keeps going up exponentially. Of course, the Duchess of windsor in the 80s, Jacqueline Kennedy. And then, of course, when we sold the collection of Mrs. Paul Mellon, the same thing happened. So I think those would be, for me, among the greatest jewelry collections of all time, and certainly where we have seen the greatest power of provenance. I don't think anything would ever be able to approach the response to these pearls. The result that we saw simply because, again, of this iconic status, there are just a handful of people whose provenance will endure. And certainly Jacqueline Kennedy has to be at the top of the list. I think what makes an icon is certainly personal style. We don't see Jackie Kennedy's fashion sense as modern today as it was at the time. She really was ahead of the game. And I think that's part of what makes an icon of style is not someone who is just shopping, not someone who is just having clothes sent over and choosing something from Iraq, but somebody who thinks about their own personal presentation. What is the message they're trying to send? Right now, with social media, we're so inundated with pictures, we barely even look at them. We barely even take them in. But when you think about in the 60s, where were you seeing These things, little blips on television, the screen wasn't a very good quality. You saw them in magazines, right? So you'd get Life magazine and there she would be on the COVID in this ole Cassini dress, wearing the triple strand of pearls. This would be on your coffee table for months. You'd look at it a thousand times. It was imprinted on your brain. So I think it was a different time. And we now underestimate the power of an image. So it lived in the consciousness of people for their whole lives. I mean, I remember seeing those pictures when I was a little kid and just being entranced by her. What I love about these pearls is that they show up in some of the happiest and most beautiful images that we have of her. This is joy, this is hope, and this is how we want to remember her. So I think it's a disservice to simply say that she was beautiful and wore clothes well and was a style icon. She was more a true role model for women. She was a working first lady. You can say that about others. You can not say that about others that have come and gone since. And she used every tool in her kit that I think she had honed since birth to become the legend that she is. And to see again those pearls, those simulated pearls in some of the most iconic images of all, all time really says something.
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Thank you for joining us on the Specialist. This story and others are featured in the new book Icons, 100 Extraordinary Objects from Sotheby's History, available now at phaidon.com and wherever books are sold. To step further into the world of Sotheby's, visit any one of our galleries which are open to the public. Go to sotheby's.com to find out more.
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Thanks for joining us for this episode of the Specialist, produced by Intelligence Squared in partnership with Sotheby's. If you enjoyed the episode, there's a bounty of others ready for you to listen. With topics ranging from South Asian surrealism to Chinese porcelain to Persian manuscripts, you can find them being released weekly. Just search the Specialist or Sotheby's Talks, wherever you're listening to this and follow the show.
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Release date: February 21, 2026
Guest: Frank Everett, Vice Chairman, Jewelry Americas, Sotheby’s
Duration: [03:03–11:46 main content]
This episode of "The Specialist" unfolds the story behind Jacqueline Kennedy Onassis's iconic triple-strand faux pearl necklace. Frank Everett, Sotheby’s Vice Chairman and renowned jewelry specialist, explores how the necklace — valued at only $500–700 — reached a staggering auction price of over $200,000. The discussion focuses on the idea of “provenance” and its power within the world of collectibles, using Jackie Kennedy as a case study in how legendary figures imbue everyday objects with enduring cultural and emotional value.
"When we talk about value points and the way we assign value to any object here, we talk about many things... But when we talk about provenance, which is my personal favorite part of my job, there's nothing like Jackie Kennedy's triple strand of simulated pearls."
(Frank Everett, 03:10)
"They are made to mimic kind of a cultured Koia pearl that runs about 10 millimeter... The clasp is made in the art deco style... not diamonds and platinum as you would imagine... But it certainly looked just like it."
(Frank Everett, 04:05)
"She became a editor at Random House and had a very rich and wonderful life beyond her role as First Lady... but certainly that's what we associate with her most of all. She's an icon for many reasons, not just for fashion and style."
(Frank Everett, 03:40)
"This is Jackie as mother... as first lady, running a state dinner... she was a style icon. Three distinct roles that influenced the world."
(Frank Everett, 06:10)
"Nothing went cheap. And nobody expected the spirited and aggressive bidding... We estimated these pearls at 500 to $700, and the end result being $211,000 was absolutely staggering."
(Frank Everett, 08:50)
"It ended up in the Smithsonian Museum in Washington. I've seen it several times on display there, and it's very, very moving. So I think what better place for this iconic necklace to live than in the Smithsonian?"
(Frank Everett, 09:30)
Icons, Memory, and Style:
"There are just a handful of people whose provenance will endure. And certainly Jacqueline Kennedy has to be at the top of the list."
(Frank Everett, 10:50)
On How Icons Define an Era:
Frank Everett on the meaning of provenance:
"What I consider to be the greatest example of the power of provenance in the jewelry world."
(03:05)
On Jackie’s status as a style icon:
"She was an influencer before we talked about influencers... She knocked it out of the park in every way."
(03:40)
Auction surprise:
"Nobody expected the spirited and aggressive bidding and participation in the auction. And certainly nobody expected the end result, particularly on these pearls."
(08:42)
Legacy and the Smithsonian:
"I've seen it several times on display there, and it's very, very moving."
(09:35)
Icons and their unique endurance:
"There are just a handful of people whose provenance will endure. And certainly Jacqueline Kennedy has to be at the top of the list."
(10:52)
Cultural power of personal objects:
"This is joy, this is hope, and this is how we want to remember her... She was more a true role model for women. She was a working first lady."
(11:33)
Frank Everett's retelling of Jackie Kennedy Onassis’s faux pearls illuminates the vast, sometimes intangible power of provenance in the art and jewelry world. What would have otherwise been overlooked as mere imitation became a priceless artifact because of the stories and public personas attached to it. The episode artfully combines history, culture, and the personal charisma Jackie represented—reminding us that icons don’t just shape style, they shape collective memory.