Joe and Jada - '90s hip hop stories: LEGENDARY Jay-Z, Biggie & Nas rap battles + Top 5 hip hop songs

Summary

Podcast Summary: Joe and Jada - '90s Hip Hop Stories: LEGENDARY Jay-Z, Biggie & Nas Rap Battles + Top 5 Hip Hop Songs

Episode Details:

• Title: Joe and Jada - '90s Hip Hop Stories: LEGENDARY Jay-Z, Biggie & Nas Rap Battles + Top 5 Hip Hop Songs
• Hosts: Fat Joe and Jadakiss
• Release Date: June 12, 2025
• Description: Hip-hop legends and longtime friends Fat Joe and Jadakiss link up twice a week to share behind-the-scenes stories from their legendary careers and give their real thoughts on the hottest topics in music, sports, and pop culture.

---

1. Early Days in Hip Hop and Cyphers (02:07 - 05:29)

Fat Joe and Jadakiss delve into their beginnings in the hip-hop scene, highlighting the significance of cyphers and freestyle battles in establishing their reputations.

• Fat Joe reminisces about witnessing giants like Jay-Z, Nas, and Biggie freestyling:

  "We used to see Jay Z, Nas, Big L, all the rappers freestyling and cyphers in front of the club."
  (02:07)

• Jadakiss shares how these environments were pivotal in shaping their paths:

  "That's how we met Mace actually in the cipher on 125th street in front of the mark."
  (02:16)

2. Recording at DND Studios (05:29 - 08:45)

The hosts discuss their experiences recording at DND Studios, a hub for emerging hip-hop talent during the '90s.

• Jadakiss explains the challenges of getting music recorded and reaching record executives:

  "The journey from just there to there was crazy."
  (04:46)

• Fat Joe recalls interactions with Jay-Z and the studio dynamics:

  "He was there."
  (06:04)
  "They had a pool. Remember that? You could play pool in there."
  (06:05)

• An anecdote about a freestyle session with Big L and Jay-Z:

  "That's when they had that legendary freestyle with Big L and Jay Z."
  (09:01)

3. Selling Mixtapes and Promotion (08:45 - 15:27)

The importance of mixtapes in their rise to fame is a central theme, illustrating the grassroots efforts required to gain recognition.

• Fat Joe shares his guerrilla marketing tactics:

  "I used to drive out to Miami twice a week and just be listening to every Clue tape."
  (12:32)

• Jadakiss discusses the struggles and risks of selling mixtapes:

  "I got almost locked up over mixtapes."
  (13:10)

• Highlights the role of influential figures like Ralph McDaniels in providing platforms:

  "Ralph started letting me host. We were going to clubs and all that, hosting."
  (14:02)

4. Hosting Video Music Box and Meeting Influencers (15:27 - 22:40)

Hosting on platforms like Video Music Box was crucial for exposure, allowing them to build relationships with key industry players.

• Fat Joe recounts his breakthrough moment at Apollo Theatre Amateur Night:

  "I went up there, and the crowd went crazy. I tried one day to really think about it and be like, yo, what did I say to make them go crazy? But I really ain't say nothing."
  (17:22)

• Jadakiss emphasizes the impact of meeting Lord Finesse:

  "Lord Finesse used to tell me all the time, yo, I'm gonna be a rapper."
  (15:27)

5. Signing with Relativity Records and Early Challenges (22:40 - 35:18)

Navigating record deals and the financial hardships of the '90s hip-hop industry are discussed, highlighting their perseverance.

• Fat Joe describes the initial excitement and subsequent financial struggles after signing:

  "When I got signed, I had to pay a registered nurse. The money was different. I was making $500 a show."
  (28:17)

• Jadakiss shares insights into the limited financial support and the necessity to maintain hustling efforts:

  "We were splitting everything down the middle. 33 each."
  (46:24)

6. Making It in the '90s vs Today (35:18 - 54:19)

A comparative analysis of the challenges faced in the '90s versus the current hip-hop landscape, focusing on the shift from physical mixtapes to digital streaming.

• Jadakiss reflects on the analog methods of promotion versus today's digital strategies:

  "It was manual, you had to form your own staff and get out in the street."
  (35:18)

• Fat Joe critiques the current state of rap, emphasizing the lack of genuine connections and reliance on digital platforms:

  "You don't touch the people. You don't create."
  (52:03)

• Discussion on the decline of mixtape culture and the rise of streaming:

  "The mixtape was a thing of the past. Now it's all about streaming."
  (40:44)

7. Top 5 Hip Hop Songs Debate (54:03 - 84:52)

In the episode's climax, Fat Joe and Jadakiss engage in a lively debate over the top five hip-hop songs of all time, showcasing their deep knowledge and differing perspectives.

• Fat Joe initiates the list with classics:

  "I'll say Hip Hop Hooray by Naughty by Nature."
  (73:15)

• Jadakiss counters with his picks, emphasizing influential tracks:

  "Run DMC's King of Rap is one of the first songs I ever heard."
  (77:39)

• The debate highlights their personal connections to these songs and the impact they had on their careers:

  "They had beats like N.W.A. got one of them."
  (74:26)

• Fat Joe emphasizes the authenticity and legacy of old-school tracks:

  "We used to hear Biggie, Nas, Jay Z... all just freestyling and cyphers."
  (72:10)

8. Conclusion and Final Thoughts (84:37 - 86:58)

Wrapping up the episode, the hosts reiterate the importance of authentic connections in hip-hop and the enduring legacy of '90s artists.

• Fat Joe underscores the necessity of genuine engagement with fans:

  "When you put out an album, you have to go out and meet people."
  (52:52)

• Jadakiss reflects on the evolution of the industry and the loss of real interaction:

  "Missing touching the people."
  (52:03)

• They conclude by appreciating their listeners and hinting at future topics, maintaining a connection with their audience.

---

Notable Quotes:

• Fat Joe (05:29):

  "A record executive is like, it's impossible."

• Jadakiss (06:12):

  "We bumped into Jazzo in there and ended up getting a beat from Jazzo..."

• Fat Joe (14:02):

  "I needed that look, you know what I'm saying? I needed that video music box type."

• Jadakiss (35:18):

  "It was manual, you had to form your own staff and get out in the street and do yourself."

• Fat Joe (52:03):

  "You don't touch the people. You don't create."

• Jadakiss (54:19):

  "It was harder than the NBA. It's easier to hit the lotto than to make it to the NBA. Rap numbers are harder than both of them."

• Fat Joe (73:15):

  "Top five biggest hip hop songs of all time."

• Jadakiss (77:39):

  "Run DMC's King of Rap is one of the first songs I ever heard."

---

Insights and Conclusions:

The episode offers an intimate look into the formative years of two hip-hop icons, Fat Joe and Jadakiss. Through their shared experiences, listeners gain a deeper understanding of the grassroots efforts required to break into the industry during the '90s. The hosts emphasize the importance of community, authentic connections, and relentless perseverance in an era devoid of digital shortcuts.

Their debate over the top five hip-hop songs underscores the subjective nature of music appreciation while highlighting the timelessness of certain tracks that shaped the genre. The discussion also serves as a critique of the modern music industry's shift towards digital platforms, arguing that the essence of hip-hop lies in real-time interactions and genuine artistic expression.

Overall, Fat Joe and Jadakiss's narratives not only celebrate the rich history of hip-hop but also offer valuable lessons for aspiring artists navigating today's complex musical landscape.

Transcript

[Fat Joe]

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[Jadakiss]

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[Fat Joe]

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[Jadakiss]

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[Fat Joe]

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[Fat Joe]

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[Fat Joe]

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[Ryan Seacrest]

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[Fat Joe]

And I would see Jay Z, Nas, a big L, all the rappers freestyling and cyphers in front of the club.

[Jadakiss]

That's how we met Mace actually in the cipher on 125th street in front of the mark.

[Fat Joe]

It's your boy Jose Antonio Caltagena.

[Jadakiss]

Ah, your boy Jason Terrence Phillips this is the Joe and Jada show brought.

[Fat Joe]

To you by Boost Mobile. Get the whole block up if you're going on a bus ride At Kings Dominium wherever you going get the whole bus mobile ride Playland, playland of boost.

[Jadakiss]

Mobile.Com get everybody one, everybody with you on the whole bus.

[Fat Joe]

Hey, if you're a big ball out there in the hood, just get the whole block. Boost mobiles, that's what we doing it for. And yo, shout out to Cash App just jumped on board. Cash App. We love you, baby. The Joe and Jada Show. Listen, man, check this out. We gonna talk about hip hop, the origins, how hard it was for us to get in the game. I'm curious to know. See, I knew about the Warlocks. I knew about. Yeah, yeah, I knew about y' all from day one. But what. What was. What you think is the difference of then and now? Or I'd rather you just say how y' all got in the game and I'll explain how I got in the game. Or Terrorist Squad even.

[Jadakiss]

Even way we. Even where we cut and slice it, it was still what we had to do to get here. It was much harder. It was much harder and much challenging. Just as to be able to record music, getting in the game just to be. Find somebody. This is. Before ever going in the studio, just to find somebody that had equipment to record some freestyles or record whatever you had to write was. Was like a task. It was only. It was. It was only a few, know what I mean? So to pass that stage and then into going into the studio and finally, you know, recording some music that you thought was good enough to pass to the DJs or pass to a record executive, the journey from just there to there was crazy.

[Fat Joe]

Well, a record executive is like, is. It's impossible.

[Jadakiss]

Like.

[Fat Joe]

Like when I first started rapping, I just thought it was. I'm just rapping for the hood. I didn't think I would ever get a record deal. Like, I thought it was like just me for the homies playing this, I never thought, you know, shout out keyboard Money Mike, the first guy, whoever put me on, like, Bronx Cable, and me and my brother, Tone Montana, we used to watch that over and over again. Like, he'd be like, yo, you gonna blow one day. I'm like, blow. Like. You know what I'm saying? So when did you get close enough to where you felt like, oh, I could give this person this mixtape and they could get it into the proper hands.

[Jadakiss]

We was actually. It was a bunch of shit that happened. But fast forward to the. To the. To the demo that actually was the one that was able to get passed to Mary, that eventually went to Puff's hands. We was recorded in DND DND Studios. Wow.

[Fat Joe]

You got the D and D Shout out Mary, she was in the house last night.

[Jadakiss]

Mj, what's up, baby? We shot a. We. We was in D. We got the bread to make it to D and D. And it was actually while HOV was making Reasonable Doubt.

[Fat Joe]

He was there.

[Jadakiss]

Yeah, he was in another room making Reasonable Doubt. And we actually seen. It was a pool. Remember that? You could play pool in there.

[Fat Joe]

Yeah, that's where Big L threatened me and the Enemy, where I had to write the rhyme in his face.

[Jadakiss]

We bumped into Jazzo in there and ended up getting a beat from Jazzo that. That went on our demo that end up actually being a song on Puff no Way out album. I sold 10 million. So we recorded a demo in D. D. We was. We were still wet behind the ears, but we felt like these songs was good enough. Mary got a cousin that was a part of our everyday entourage. J Bop Jamarco. So he was. We kept him. We knew once we got some songs good enough, we could get it to him and he could get it to Mary. So that's what we did. And she happened to be on tour with Jodeci, and. And she popped it in, I think, on the tour bus. And that was. That was our end before all the other. That I'm gonna tell you.

[Fat Joe]

But, yeah, you know, that's crazy because. Shout out to DND One time I beat a guy's brakes with your phone. With a red phone. And DND just was pounding them out with the phone. The old school phone with the wire.

[Jadakiss]

Or a house phone.

[Fat Joe]

Nah, yo, they hated me forever, sis, because it was like, you know, D D was like the fly studio, but I had the juice. I was already fat. Joe, my man, was like, yo, my girl, she in the studio with these other rap guys. She was like, she's in DND and this. This Bob, yo, when I tell you who behind the scenes, you gonna bug out. He was like, yo, she in there with the dude. So I had to use my face to get in there. I'm like, yo, it's Joe Crack. They opened the door, and then we beat the brakes off this guy. And they never like, they, they. Who Was it Dave? And was it Dave and Mike? But anyway, man, shout out to DND DND One day I saw Jay in there recording with OC they had this one song together, and I was up in there and they was rocking you. D. And D was like, if you made it to D and D, he Made it to.

[Jadakiss]

That was like the. To get the recording. D and D was. You felt like you Primo had his own Primo end up buying. He ended up buying D and D. Right?

[Fat Joe]

He ended up buying D and D. And then you had. So the who's who was in there. It was almost similar to like a Barbito and Stretch. So I'll tell you a better one. I went to a Ron G mixtape and I was going in and Biggie was coming out. And I'm like, yo, Big, what's up? This. This.

[Jadakiss]

That's the Shoddies by the shower. When he said that, we said the Shoddies by the shower. You tried to shoot me while I'm shitting.

[Fat Joe]

I don't even know.

[Jadakiss]

I'm telling you, I'm walking in that parking.

[Fat Joe]

Big on, listen, I was there.

[Jadakiss]

So Polo Grounds, were you?

[Fat Joe]

No, it wasn't Polo Grounds. It was. He had a. Almost by up nyc. He had a crib on Riverside Drive. So it was like right around from up nyc. So I'm walking in there, Biggie Smalls is walking out. I do a freestyle, and when I'm walking out, Tupac is coming in.

[Jadakiss]

Yeah.

[Fat Joe]

So that was the type of shit we were happening in Stretching Barbita. When you hear the infamous. We wouldn't call it a battle, but the infamous freestyle with Big Living and. And Jay Z. Barbito had an open door that was like a. If you up Bobby throwing stretches, like, they had everybody coming in, the craziest guys you could think of. The door was always open. And so that's when they had that legendary. I wouldn't say battle, but it was Big L and Jay Z in there. Like Pun, you know, Pun broke through Stretching Barbito. But this, this four in the morning, you gotta wait. You might go there one night and the whole Wu Tang Clan is in there, 13 deep, freestyling for 20 hours. And then you might get the last 10 minutes to play your new demo in there. Like.

[Jadakiss]

Like, speaking of mixtapes, I got a story. Do you remember this? I don't even know how we all ended up. What's the first, you know, 54th Sony. His hit factory's in the middle. We was in Sony, all of us, some me. You was rich already. Nah, nah, nah. We was on. We was. We was already who we were. It's still. It was still the earth. This is 90s early Sony.

[Fat Joe]

So hard.

[Jadakiss]

Listen, we in. We in there. Me, you know, the locks, Joe Crack, Nori, some other artists. Clue is dead. Y' all put Pressure on them. You felt he was putting your songs too far down the thing. Like because in a mixtape era, if you wasn't in a certain. If they don't put you on a certain part of the tape when they.

[Fat Joe]

Put you number 28, 26, that's like.

[Jadakiss]

That's the ultimate disrespect. Nobody's listening to that part.

[Fat Joe]

So you. You seeing me?

[Jadakiss]

I seen it was it. I don't even. I don't even remember how we all end up. We wasn't recording like a we are the world or none of that for everybody to be there. But it happened to be mad artists include. And y' all put a little pressure on Clue like your Clue. Why the you keep making my songs number 20 something in it. And good thing we was able to. We worked it out.

[Fat Joe]

You know, I saw Biggie.

[Jadakiss]

Biggie.

[Fat Joe]

Clue hates the story.

[Jadakiss]

But I gotta say elite one of them big bro.

[Fat Joe]

I was Club USA by the way. That was the flyest club ever. When Biggie came up to me at the the Deringer, he had the 22 Dillard. He's like, yo, you seen Clue? I swear to God, I just saw Clue. He was like, yo, you seen Clue? He put my on the tape. I'm gonna go get. I was like, nah, I ain't see him. And I just saw Clue walk through Clue. Hate when I tell that story. But Biggie definitely showed me the hammer and say he gonna find Clue, he gonna give it to him. I did you used to drive out the Queens to give Clue to your song?

[Jadakiss]

We would nah by. By that Clue was coming to either Rough Riders or they would Pick. Rest in peace Pick would bring Clue the songs or he'll come to the store.

[Fat Joe]

Man, I used to have to go to Queens. It was that highway and the police was always on that highway pulling everybody over. And then at the end they had like a 24 hour fruit market. That's where I used to meet Clue to give him the songs. But I remember, you know, I was scared to fly. So I used to drive down to Miami twice a week and just be listening to every Clue tape. Shout out to Bakema the everybody who ever sold the mixtapes. You know all the music hut Harlem music cut. Yo, I you know one day when I had my. My sneaker store in. Not sneaker store because we have sneakers but it was Fat Joe Halftime.

[Jadakiss]

Oh, halftime.

[Fat Joe]

Yeah. We used to sell a mixtape. One day the police came in and it was locking me up for the mixtapes because we used to sell the Mixtapes was illegal, so they was like, yo, somebody gotta go to jail. We have my man DJ A. He's in Atlanta. He didn't want to take the charge. He was like, yo, I can't go to jail. I wound up almost getting locked up over mixtapes. Thank God the cops just gave me a summons. But I was going to jail for selling mixtapes. It was the craziest shit. I was already a rapper. But you know what I would do, right? Shout out to Ralph McDaniels. He gave me a huge opportunity. So for kids that don't understand, we talking about analog. And before was digital and all that, all the kids would run home at 3 o' clock to go see video music box.

[Jadakiss]

That's how this one, the TV had knobs on it. Kids, this turn, the top one on the bottom.

[Fat Joe]

This is when your man. Damn, I don't even got a pocket. This is when your man Special Ed had one hand in the pocket in the bubble and was like, I got a dog. A dog with a solid gold bone. Gotta what? We was, like, excited. But I met Ralph McDaniels. I'm not sure where. And I started going to see him. He had an office downtown by city hall. And I used to have to walk. The elevator was always broken. 31 flights of stairs. And that's Fat Fat Joe. And then Ralph started letting me host. So we going to clubs and all that, and I'm hosting. Yo, what up, It's Fat Joe, yo, video music. But I'm still in the streets, too. I'm wearing, like, van suits, Big Cubans. Like, they know that's Poppy who got the work up in the Bronx. But I needed that look, you know what I'm saying? I needed that, you know, video music box type. I went to Apollo Theater. So for you to understand is my whole crew was already on. So. Finesse. I grew up with Finesse. Lord Finesse. He said I could say this story, but Lord Finesse used to. You know, back in the days, he was an entrepreneur. So he would sell the newspaper, right? So he had a newspaper route. So he'll come around and go pay one, too. YouTube.

[Jadakiss]

Yeah, I had a newspaper.

[Fat Joe]

So. So Finesse used to go pay. And then your mom's. To pay him a dollar for the newspaper. But he bought it for 50 cent. He made 50 cent to go to the. To go get it. So I met Finesse through that. And we used to hang out, but he used to tell me all the time, yo, I'm gonna be a rapper, right? And I would go to his house, he would dj, his grandmother was there. And one day, I was listening to Red Alert. And your man Finesse, he played like three or four Finesse songs. And I was just like, he made it. If it wasn't for Lord Finesse, there would have never, ever, ever been Fat Joe. Like, I. I believe that I could become an artist in my life. I had to see it to believe it. So when I'm listening to this, Lord Finesse is the man that you had to hear. I'm like, yo, I'm going crazy. And so Finesse gets on. Show business, A.G. get on. And diamond was on before all of us. Stunts, Bloods and Hip Hop Classic album. And so I said, you know what? I was hustling. I was in the streets. And I said, yo, I'm going to Apollo Theater. So y' all gotta understand, I'm in the streets making money, respected in the streets, doing everything I gotta do. And I said, I'm going to the Apollo Amateur Night to get on. And this is a real story, right? So I'm already buying that. But there's. I'm cake it. I'm caking. I'm caked up. You see me in the clubs, popping bottles, all type of. I'm doing what I'm doing. So I go in there, and I remember. So this is the heart of a lion, A heart of someone who I remember I went up in there, and it was like 150 groups. And I remember like, yo, why are these people in here? Like, you know, I'm here like this. This is over.

[Jadakiss]

Like, no, I swear, you already won in your brain.

[Fat Joe]

What? I walked up in there like, yo, this shout out to Coco Graff. She just won the tennis. She said the whole crowd was screaming for her appointment in the French joint. And she started telling herself, coco. Coco. They screaming, Coco. But they were screaming the other girl's name in French. And so you got to talk yourself into. You got to speak into existence. So I walked up in there. I ain't know what it was, but I looked at them. I said, these guys can't fuck with me. I'm. You know. And sure enough, we went out there. I had the yellow Dapper Dan track suit. We came outside, I had the dances, and I had a song. It was called He's a Big Shot, Fat Joe is a Big Shot. And I came outside and the crowd went crazy. And I tried one day to really think about it and be like, yo, what did I say to make them go crazy? But I really Ain't say nothing. The second I walked outside and started rapping, they just. There's always no disrespect. There's always a fat girl that gets up there and goes, and I am telling you. And she kick her off. She kicked them shoes off. You know it's over. When the fat girl come up in Apollo and go. And I am telling you, I kick her. It's over. Can't take it. That's the chico, yo. That's the cheat code. She kick off a voluptuous. She kick.

[Jadakiss]

She kick a shoe.

[Fat Joe]

Yeah. All right. We in a different type of thing.

[Jadakiss]

What's this? What's this curvy. How the song go?

[Fat Joe]

And I am telling you, I'm not going. She come up in there. That is everybody going crazy. Oh, so it's similar to her. The fat guy came out. I tried. I stood up in the hotel room one day, really trying to think about how I won the Apollo. And they just went crazy. They seen Joe Crack. I don't know if they knew me from the hood, from everywhere or whatever the case. And they just start screaming like crazy. I couldn't heard one rhyme. I don't even remember one rhyme.

[Jadakiss]

What he said.

[Fat Joe]

You understand what I'm saying? They just. I was blessed. God said, yo, they gonna go crazy for this guy. And I won four weeks in a row. And that's how I met Red Alert. Red Alert came up to me and was like, yo, DJ Red Alert, who ran the game? It was him and Mr. Magic. There's only two DJs playing hip hop Facts Prime Time every week. So Red Alert came to me and was like, yo, do you got any jingles, any demos? So I gave him Flo Jo. So I remember I was home in the projects and I had the flu. And this must have been Covid way before the COVID Like, I was fucked. Fucked Covid 18 up that covert 88. It was 88. Like, yo, that Covert came up on it. I was up. And for like two months after I gave him my demo, I was waiting to hear it. And, man, that's just it. When I was like, yo, I jumped up, yo, I must have hit the ceiling. And I ran. I had to speak. And I threw it on the window right quick. And everybody was in front of the projects. And I was like, yo, this is my. This my Red Alert playing my. And so he played the flow joke. And then maybe like a year later, Chris Lighty Rest In Peace Con came to my. My hood, my block. I'm hustling my jacks. He came to the spot. He said, yo, you know who I am? I said, yeah, I know who you is. Because I used to see Chris Lighty in the streets and all that. He was like, yo, I'm Chris Lighty. I think you could be a big rapper. I just signed a big deal with Relativity Records. He had Chi Ali. He had the Beat Nuts. And then I was the third one, and he was like, yo, you know, I want. I want to make you a rapper. And I was like, what the. I showed everybody that check. It was a 50,000, but it was a legit check. It's a little bit different. Getting drug money. Real check. Like, look, I got a real check. I'm showing everybody my check like yo. My check like yo. And. And that. That changed my life. What songs you would hear before you was on? What. What.

[Jadakiss]

What songs I heard a lot of. But I. I remember always hearing Rakim came in the door. Check out my melody. I remember. Check out my melody was always playing in the park, basketball courts, coming out of. I remember hearing running them King. King of Rock, Big Daddy Kane, Raw, Roxanne, Shantay, man.

[Fat Joe]

I'm Shantay. I'm Shantay.

[Jadakiss]

Right there.

[Fat Joe]

Shout out to Marley Mall, man, that man. Molly Mall's a dangerous guy. I just got back from France, and I was pumping that biz market. The biz markets are going off the biz.

[Jadakiss]

That was that.

[Fat Joe]

That's. That. That's one of my favorite rappers of all time, Biz Marquis. And he would rest in peace. It wasn't you. Because lyrical, it was just like, yo.

[Jadakiss]

KRS told me, out of anybody in the world, he never wanted to battle biz. And that was amazing to me because he like. I'm like, chris, you. I kind of thought you was just like, I could. I kind of see you not being scared to battle biz. But he, like, he has so much humor and crowd control that he could really actually embarrass him. So he, like, dance. I would think. I would think it would be G, Rap rock, Kim, them type of. He like, nah, I never wanted to battle biz because he. He could just do some funny shit or do something crazy. And I said that that was very interesting. Hear KRS say out of everybody, all of them gladiators from that time, he know that business. He didn't want no smoke.

[Fat Joe]

He know. You know, I used to hear the Lords of the underground.

[Jadakiss]

Oh, Mr. Funk yeah, I live for the funk.

[Fat Joe]

I'm talking about on the block While I'm on the block, the Jungle Brothers.

[Jadakiss]

Jungle Jungle Brothers. That's sp. That's what we used to knock the jungle.

[Fat Joe]

Yeah.

[Jadakiss]

That album was Clapped Uncle Brothers.

[Fat Joe]

I used to ride around looking for guys with the hammer on my lap. Looking for guys. Now I'm just telling y' all the truth.

[Jadakiss]

Family show.

[Fat Joe]

All right, But I'm just saying it's crazy because in the prime of violence, I'll be pumping pluck one, pluck two and some red service out of this. A lot of different. And I'm looking for the smoke boy. And I'm listening to Daisy's potholes in my lawn. Like, yo, this shit crazy, man. Or the biggest, most dangerous guys I knew. Oh, nice and smooth. Kind of like, put me on so great. Nice and Smooth B. They used to put me on shows when they was the biggest. Yo, let me tell you something about nice and smooth. Let's go there, right? Nice and smooth. Say I'm Greg Nice, and I am MC Smooth B. Together we are pure blend in perfect harmony. Yo, they had dances to do. Cliff Love.

[Jadakiss]

Just think. Yeah.

[Fat Joe]

What keeping you waiting for Law? I'm sorry for waiting so long. Like, yo, they were like a super mega group.

[Jadakiss]

They wasn't shout out, Teddy 10 and Special K. They, them production nice and smooth. Production was crazy.

[Fat Joe]

Well, that's the awesome too. The awesome two was you had to be allowed to be up at like 4 in the morning to hear their show. So with me, I live in the fat fifth floor of the projects. We had the phone, the public phone, like the regular phone in front of the building. They would crack open the thing and they would plug the boombox on to the thing for the power. So shout out to AJ GP Crago, Vance Romance, all the older dudes, they would listen to the awesome two. At four in the morning, I be out my window. That's where I heard, we don't want to be left behind. All we want to do is just blow your mind. Just one more, Tom. As I say, right about now, New York City.

[Jadakiss]

I got my ass whipped for being in my uncle's room listening to that repeatedly. I was repetitively just kept listening to that. That captivated my mind as a little kid. But then for some stupid reason, I took the Crown Royal grease and smeared it on the receiver. They beat the brakes off. I don't even know. Listen to that theory. I'm listening to that over and over. A little kid. I just open it, take the silver top off and put the grease on it with the dowel. I know my grandmother, my Mother, my uncle. They all might. Somebody beat the out of me for that, man. Uncle Mike. That was Uncle Mike.

[Fat Joe]

He was in the back room walking down the street boxing my.

[Jadakiss]

That song right there did something to my.

[Fat Joe]

The music Poison Clan. And you're saying to yourself that it sounds very nice. Let me tell you something. I never. Now Block is trying to sound like me, but I'm the original. Listen, one day, one day when I'm coaching at the Rucker, it said, well, I'm walking down the street with. I'm in the back, like, getting the team ready.

[Jadakiss]

They just threw that off the speakers. Oh, they was rocking.

[Fat Joe]

Yo, Jada, that's the times. They didn't even have videos. I heard that in the middle of we gotta win. Yeah, I'm coaching. I ran to death Rucker park. And I was in the back. I ran in there so fast like a baby bro. I was in there and they was like doing. And they. To me, it was just so innovative, so creative. When we was. When I was a kid, they rhymed like nobody else. And I got to see him in real life. Like, I really got to see him. Like, I was like, yo, the fucking crash course. Ever signed up for a phone plan thinking, wow, great price. And then a few months later, it's like, surprise. Your bill is higher. With Boost mobile, you pay $25 a month. Forever. That's unlimited talk, text and data starting at just $25 a month. No price hikes, no contract. Forever.

[Jadakiss]

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[Fat Joe]

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[Jadakiss]

Degree's whole thing is it turns up the sweat and odor protection when you turn up the effort. And good thing it does because Cool Rush fans really turned up the effort.

[Fat Joe]

To bring back the original formula.

[Jadakiss]

One guy even started an online petition.

[Fat Joe]

And Degree Listen, they admitted they effed up and are bringing the original Cool Rut as scent back. And it's exactly how you remember it. Cool, crisp and fresh. It's back in Walmart Target and other stores now for under $4. There's a reason why it's been the.

[Jadakiss]

Number one men's antiperspirant for the last decade. It's the same reason why people were not happy when it changed.

[Fat Joe]

So if you never tried it, it might be a good time to see.

[Jadakiss]

What the fuss is about.

[Fat Joe]

Head to your local Walmart or Target to try the OG degree. Cool rush for yourself.

[Ryan Seacrest]

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[Fat Joe]

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[Ryan Seacrest]

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[Fat Joe]

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[Ryan Seacrest]

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[Fat Joe]

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[Fat Joe]

Yo, listen. So we had to do stuff like, you know, I started out graffiti. So I started out writing graffiti. That's how I met Diamond D. He used to write Z Rock. I used to write. I think I used to write Saves or some. Or Popeye. I don't know.

[Jadakiss]

You know.

[Fat Joe]

And then. So I always came from, like, a graffiti mentality to where with graffiti, it's all about a subculture that you king. So if you looking for graffiti, you'll see the names up on the walls that most people won't see him. But I don't know if somebody's doing some shit right. So we started like that. So when I. When I finally got my deal with Relativity, I told them to make these huge posters. So we got. I don't even got one right now. Right now. If you got one, let me know. I'm ready to buy it. It's a black and white poster, and it had the COVID and it said fat Joe the Gangster. And we tore this city a new ass everywhere, bro. We used to come home every night looking like 9 11, all white. Because it was the glue in the water. We. You had to put the glue in the water. So we on 59th street, over the 59th Street Bridge, they had. Then we put it up there. We put Atlantic Avenue, Brooklyn. We put it west side Highway. We put it in Fordham. We put it. We was doing graffiti. So I had me, the Tats crew, a bunch of graffiti artists bombing these posters like, we was bombing like it was graffiti. So we like, king of the city, like. And so everywhere you go, the other record labels started. Like, Leo Cohen, I never forget, he actually went to Relativity and said, yo, y' all gotta stop this. This Fat Joe the Gangster, these posters is too big. How do y' all have a budget to destroy this? Like, because he knew now all his artists was like, yo, we want the big posters. We want them. And he was like, yo, y' all starting some new shit. Y' all got the chill. Like, these guys are going too crazy. But that's how we did with the poster boards with Big Punk, the dawn car, the Gina. We was out there.

[Jadakiss]

It was moment, like you said before, back when we was. When you. When we had to roll out something back in the days, or in the 90s, rather. You had to be more manual, of course. You had the label doing whatever they did, but you had to form your own staff and get out in the street and do yourself. I mean, while they was painting them the stencils or Just going outside, going everywhere you can go and ford them. And that's like emotional day. That's exactly it, you know what I mean?

[Fat Joe]

After I would bomb all night, get home, maybe six in the morning, I be at the train station in Fordham giving out little cards saying, hey, yo, I'm Fat Joe the rapper. And giving them like the COVID to the single. Like I'd be on the train station like, yo, I'm Fat Joe the rapper. And just giving them to said Fat Joe the gangster. Same thing where the first time I ever met Biz, I went down to the Lyricist Lounge and I was giving the DJ Flo Joe, you know what I'm saying? I had the vinyls, so I'm giving it to him personally. And that's where I saw big battle, like 20 guys. And he was up on stage just killing them with a backpack on. That's when I met him. And he was like, yo, you Flow Joe this. Yo, it's crazy man. But everything was manual, you know. I used to come out the clubs, right? And this could be. I don't want this to be taken any way, but I would come out of sobs, different hip hop clubs and I would see Jay Z, Nas, a Big L, all the rappers freestyling and cyphers in front of the club. Like I would see everybody who became a legendary, they would just be at the clubs freestyling, like outside in front of the joint, they be spitting they bars out there. How was it for you? Was you going to like.

[Jadakiss]

Yeah, I mean, of course we was younger, so we wasn't catching the clubs until we got of age or until we got on the label. But Cyphers was a thing of the. Of a norm, like to where every day we go downtown to get with D. And before that night was over, it'd be some type of cipher. That's how we met Mace, actually, in the cipher on 125th street in front of the Mark T Dean Swiss's pops. We was with D in the Martin T. Like, yo, I got. I know somebody that's. That's super nice too. We live around here. 130 something. 133rd. Yeah. So he came. I remember that day. Mace had on some Nike sandals. I think he was dumped and he was crazy.

[Fat Joe]

He was going crazy, right?

[Jadakiss]

Crazy was understated. Flow. Flow was crazy. It didn't. The rest was history. We was, you know, you knew then.

[Fat Joe]

And there he was gonna be a big boy or you just knew he was dead.

[Jadakiss]

We just knew he was nice. We didn't know, we know we was. We would be getting signed or what was going to happen in the future.

[Fat Joe]

Oh, yourself.

[Jadakiss]

All of us, because we got signed around the same time.

[Fat Joe]

Yeah, I know. That's what bigger. That's. That's where Finesse met Big L right in front of the mark. Finesse went over there, was signing some autographs, and Big L was like, let me spit for you. That's where he met Big L in front of there. And then he put him on and. And brought him with him. And he did the. The remix to yes, you may. And yo, I remember just as a team player standing on the. In the stage in the back and just c L Catch wreck. And I knew we had one. I was just sitting in the back.

[Jadakiss]

Like, yeah, that was it.

[Fat Joe]

This guy is nasty. And you know, when they come to digging in the crates, I used to have, you know, AG had this one rhyme. Sally, so she sells down by the seashore how much wood can the wood chick chuck? I don't give a where I saw A.G. andre the Giant. I would make him say that rhyme to me, Sally. So she sells them by the seashore, how much wood can the wood chuck chuck? Chuck Moore. I'd be like, yo, say the rhyme, say the rhyme. And he would always do it for me. But that's how it literally started. Back in the days, it was word of mouth. And you would hear about guys like, I hear the infamous stories. Like, Jay said he used to pull up on DMX and they would have.

[Jadakiss]

Did a legendary battle in the pool hole. I wasn't there for. But that's the good back. And that's what you had to do if somebody was nice, you had to pull up on them and hear them and no, let them hear what you had. Or. I think that's a. That's. That's something that's different in today's climate of music. It was. I was in many sessions with everybody opposed to now was you emailing it or sending it to a cloud or the ill tape was bring reels to the studio. You remember reels and dots and.

[Fat Joe]

Studio, Man, I did my whole album when I got signed, the same day I got signed, my mother called me over. I went over and she told me she was. She was diagnosed with cancer. And I'm rushing to tell her, yo, I got a record deal. You know, I'm gonna change my life. And she tells me, yo, I got cancer. She used to smoke a lot of cigarettes. So I remember going to the doctor and the doctor telling us she had so the doctor was like, yo, if this was my mother, I would just send her home and spend whatever couple of months I got. I was only like 19, 18. I was, it was crazy to me, right? Yeah. But then we asked the doc, yeah, we asked the doc, yo, doc, what's her chances? Doc, what's the chances? And the doc said, yo, after chemo, after this and that, she got like a 1% chance. And my mom's looked at me and said, you heard him, Joe. He said, we got a chance, we got 1%. We the 1%, we got a chance. She went to the hospital, she did an operation. Her shit was this big because they cut her from here to here. She had to talk. But she lasted maybe 40 years after that operation, thank God. But the, my moral to the story is, remember that fifty thousand dollar check? My mom's, they wouldn't let family spend the night with us. So my mom's was scared to spend the night by herself. So at least 40000 of the 50000 I had to pay a registered nurse. At that time it was expensive. Like now, like it was, you know, like 1500 a night or some. So I only had 10 GS left and that was only enough to pay for the studio. And then diamond did me the favor. Whoever worked on the album pretty much did the beats for free. And I remember I ran out of money to mix the album and shout out to the beat nuts, Juju. Unless they actually mixed my album for free, they mixed the album, you know, to look out for me. So I'm always forever indebted to the beat nuts. But that, that, you know, that's the type of we was doing back in them days. And then we had some guys, messages of funk that was around too, signed Relativity. There was good brothers too, and wasn't easy, man. And the money's different, right? So let's go to that dramatic. No, no, the money's different. So you go Magic Johnson, just so y' all could understand youth or anybody's watching. Magic Johnson made $1 million and they put him on Time magazine, Sports Illustrated. Every year it was a 1 million a year. Now you got the bummiest guy in the world on the bench for $97 million. And guys are saying is Greek freak coming? Or he's gonna stay over there and get the max and get 300 something million. The money was different. So Flo Jo went number one in the country, but I was only getting $500 a show. So I'm doing Yonkers Staten island and the fever. 1500 on a Friday. Saturday, I'm doing VA, NC, DC bang, bang, bang. Like, flying, like, trying to kill myself to come back with a little 1500 a night. And so this is. This is the difference with the money. So no matter how popping you was, it wasn't no money at the time. So you thinking like, boom. And I go from. You know, I literally was selling drug. Drugs. So I. I took a. I don't know if y' all truly understand. Like, I changed my life like Cinderella, but I was making a lot of money to, like, hustle for fifteen hundred dollars, like. And I had to stay the course. So you have to understand, if you're going to change your life, youth, and you're going to get into the rap game and you ain't making that kind of money yet, or whatever the case may be, you got to stay the course. Because I could have easily said, yo, let me go sell jobs. Let me stick somebody up. Like, guys kept coming to me, like, you know, I used to stick people up so that, you know, I. I stuck everything up to supermarkets, drug dealers, everything you can name. So guys would come up to me and be like, yo, we got a lit. You know what I'm saying? We got a dude, he got a couple of hundred, you know what I'm saying? I've been. I even was offered, you know, no, crazy, dog.

[Jadakiss]

You crazy.

[Fat Joe]

No, I'm telling you the truth. Like, they would be like, yo, we got the. And then they pull it off and come around with the new Benzes, yo, crack. We try to tell you we at the lick. I'm already Flo Joe.

[Jadakiss]

Well, look how ill that is. Your transition from that to that. Because we had to buy a brick. We had the Copper Bird with our advance. Three dudes. The advance was only enough so you got the deal.

[Fat Joe]

And then when it came, we never got.

[Jadakiss]

When we got our first deal and the money cleared, we copped the brick and sent it to Baltimore.

[Fat Joe]

There was always rumors of that on me.

[Jadakiss]

That's real. That's. That's as real as it.

[Fat Joe]

So instead of you, and you thought you was going legit, you went the other way.

[Jadakiss]

Three of us. That was a legitimate, illegitimate thing to do at the time to get a real advance. That wasn't enough. You know what I mean? It's three of us. We splitting everything down the middle. 33 in the third.

[Fat Joe]

Man, I had to do so much. So my reputation on the street was straight violence, right? And I came in this game and tried to Become the pussiest guy in the game. Because I already knew people were scared to deal with me because they. They thinking I'm like a New York Suge Knight. And the stories was going. So I was trying my best to be the nicest guy in the world. Like I'm trying to convince people, yo, I'm a good guy. Don't listen to what people are saying.

[Jadakiss]

Look at this. Did you ever have some. This is back. Since we on it. We just. We on the train.

[Fat Joe]

No, no, we doing something.

[Jadakiss]

Did you ever have an altercation in Mount Vernon back in the day? Back. Because we had a show. We were supposed to have a show. The young lot, whatever we was. And we got arrested. But we heard before that y' all had some type of fight or something happened in the. In Mount Vernon.

[Fat Joe]

Let's talk about the way back. The. The original, right? That Mount Vernon show. Mount Vernon showed me what I could do and couldn't do. So I was very young and I was very crew oriented.

[Jadakiss]

Shout out to the right.

[Fat Joe]

And these guys were dangerous guys. Like the Terror. Terror Squad from day one was very dangerous. I don't have to elaborate. I'm telling you, this is not a game. Everybody was like, 7:30. And I would take them to my original shows. Mount Vernon is one of the first shows I ever did. And I used to look up to Mount Vernon because Heavy D is one of my idols. So money earning Mount Vernon, these guys went and started beating up the fans. So, like, sometimes you bring the wrong hood with you. They'll beat up your fans. And so they start stomping out the fans. And that's when I realized, I said, yo, I cannot bring these guys. So somebody grabbing me like, yo, you got a flow, Joe. The Flo Joe was number one is what I'm trying to tell you. I did Yonkers, I did Mount Vernon. I did every movie theater you could think of. Now I'm telling you, like, you know, they used to have a little movie theater. Flo Joe was ringing third Thanksgiving night. Sold out lines around the block for Flo Joe. But these guys would fight the fans. And so I'll be like a right Ski recipe. I'll be like, ski, you can't come. Such and such. You can't come. And everybody started getting mad at me. I was like, yo, you're beating up the F. This ain't like the enemy. Somebody who wants to beat me up. Somebody was at y' all swinging on the fans. And so that's crazy. It reminds me of they had Some I don't know who the young boy is, but there's a young boy that was really, really parked, popping. What's his name? Naldo something. Some they, he beat up the fan. They put him on a. In a coma or something. So sometimes you really gotta refrain again. But yeah, Mount Vernon.

[Jadakiss]

Yes. I just, I was one. We never made it to the. We got arrested in the alley. We didn't even make it to the. Wherever we were supposed to perform, man.

[Fat Joe]

So you, you got there and they picked you up. Yeah, you know, it's always your home.

[Jadakiss]

Something happened. Yeah. So we walking and it just came with a bus and shackles and mad cop cars. We was in Mount Vernon City jail. We all got arrested. Ain't even make it to the show.

[Fat Joe]

Shout out to Mount Vernon, man. Money earning. Mount Vernon they put out. You know, Mount Vernon was the Beverly Hills of black people in America at one time. You know, Malcolm X lived in one house. Stephanie Mills, New York Freddie lived up your girl Nina Simone. It was like, you know how you like. No, Mount Vernon was like if anybody black had real money, it was up there. I'm talking about Malcolm X, Nina Simone, Stephanie Mills while she's running around with Michael Jackson like the biggest royalty. They was in Mount Vernon still, you know what I'm saying? So Mount Vernon was really, really a stretch of like.

[Jadakiss]

Well, banners from Mount Vernon. Captain Recipes.

[Fat Joe]

Captain Yo, Captain Lou Albano, you remember him and what was that? The Madonna video? Yeah, girls, they want to have fun on. Oh, girls.

[Jadakiss]

He had a big. He had a big cameo in that video.

[Fat Joe]

He was her dad. He was trying to stop her. Captain Lou, you know that song is.

[Jadakiss]

Yeah, that's one of the ones that's a legendary.

[Fat Joe]

To this day girls want to have fun. Nice. Yo, to this day that's a legendary. That one stood. That one aged well, you know. And so modern day you say somebody like rest in peace exaction. They say that guy never left his house. They say he made his music press play in the computer. It was getting rich off of streams and everything. He said he never even left this house. You got artists out here now.

[Jadakiss]

That shows the diff. That shows the, the marginal gap of from you having to put up. Actually put the glue on the back of the shits and put them up yourself. To being able to make millions of dollars without even leaving the crib is incredible.

[Fat Joe]

It's beyond incredible. And so the, the. The only thing I say that. That that's not right with that is.

[Jadakiss]

Missing touching the people. Yes.

[Fat Joe]

You don't touch the people. You don't create. So every time I put out an album, I went on something they used to call a promo tour. I hated it because you went out there to go for free. But it ain't nothing like meeting, like, you know, you go out to San Francisco, you see Vaughn and. And Sway and all these guys. And then you go to LA and, you know, relationship with Philly fell. And Big Boy and Bacon, bro. Yeah, Remember the Baker Boys? They the first syndicated crew. They was the first syndicated. So you go around and you meet all these cosmic cavs and all these guys. And then when you put out a record that I call a strip, is one thing, they support you with a hit. But when you put out a record, that's like struggling.

[Jadakiss]

And you need.

[Fat Joe]

That's when them guys kick in, that relationship kick in, and they start playing your shit. And then if it deserved the blow, then it'll blow. And so that's what I think the youth is missing, that communication with actual people that can help you when you struggling, you know, because I never pushed a button. I never get involved with, like, people tell me, yo, why you don't tell these young kids, these rappers? Why you don't this. I'd be like, okay, so the numbers are to discourage you. The numbers are one out of maybe 10 million people actually make it and rap music. So could you.

[Jadakiss]

I think you botching the numbers.

[Fat Joe]

All right, so what's the number? What do you think is the number?

[Jadakiss]

It's 53 new rappers every day. Who says they let three of them blow?

[Fat Joe]

Who says? Nah, not every day.

[Jadakiss]

You very confused right now. Composed to dog. It's artists out here making money that we never gonna hear. You're never gonna hear of.

[Fat Joe]

Yes, but it is successful. Yeah, but it's hard, though. It's not. It's not what you think.

[Jadakiss]

You think it's not the numbers.

[Fat Joe]

You just said how many guys?

[Jadakiss]

You said numbers. That's harder than the NBA. You know, it's easier to hit the lotto than to make it to the NBA. You just made a. Rap numbers harder than both of them.

[Fat Joe]

Well, rap numbers is that hard to be really successful. You know, how many guys are 40 years old on a couch success, successful. You know how many anybody raps and somebody dies and they be like, yo, rapper Whoppy Wap. He was a rapper. He got killed in Brooklyn today. No, we don't know this guy. Just because he made a demo. He's a rapper now. You know, I'm talking about successful every year we could think, what a Sexy Red. Who is the most successful rapper last year? Who was the first? Who is the newest rapper successful? Glorilla blew up, but she was already out. I'm trying to say she had a.

[Jadakiss]

Great year last year. Sexy.

[Fat Joe]

Sexy Red too. But who just came out this successful? We can name maybe 1 to 3 that's really making money, that's really successful. Who? Lotto Glorilla, the lady Lotto. Been out since she was 12 rapping on a show. But let's think she put in the work and she deserves it. What I'm saying to you is like, they got to be a million something plus girls trying to rap, and they made it. And so what I'm trying to tell you is that the odds are very, very, very discouraging. You got guys just because your crew is selling you nice, just because, you know, you know, you got God. You got grown men who refuse to get a 9 to 5 and they sleeping on a couch at 44 with three kids and they baby mama working and they out here talking about they're gonna rap. If you ain't getting paid to do a show, if you ain't got no real people streaming, your, you are not successful. You understand? So what I'm trying to tell you is that this is harder than you think. Everybody and a mother think they could rap and be successful. It does not work like that.

[Jadakiss]

It ain't. It ain't that easy. But it ain't as hard as when we had to. It's not as hard. They don't got to go through this week.

[Fat Joe]

No, no, no. I agree. This, this reminds me of the classic interview that Cali had with Cali. I. I think he was with Ebro. Whenever he started spazzing, you know, how hard it was to get on and this and this and that. It was hard back in the day, yeah. It was almost impossible.

[Jadakiss]

Everything was hands on.

[Fat Joe]

And now I get what you're saying with a. With a press of a button, you can be successful. A lot of people who did that, but there's a lot of people rapping thinking they're gonna make it. And they never make it. Most people never make it. And it's very similar to the NBA, is that the numbers are very similar to the NBA. Now, we ain't discouraging you. I'm just trying to give you. You need the plan A and the plan B, you know, Especially if, you know it's not working. Because another thing. Let me tell you something. This game, the entertainment business is off momentum. That's why I got a little upset because we came out the box number one in the country, you know, Apple music. And then we. I had to go on vacation. It was set up ahead of time. I know that when you got momentum, you got to keep your foot on their neck. That's the way the game works. Not many artists we seen come out and get hype at the beginning. You think they're gonna blow and then they lost that. And then for years they keep trying to come back to get. Once you got that momentum, you gotta stay your foot on their neck and keep that momentum going.

[Tyler Perry]

So we all made mistakes, right? But owning up to them, it's the right thing to do. But we all know Degree Cool Rush deodorant well. Last year they changed the formula and it did not go over well with the fans, the grease, whole thing. It turns up sweat under protection when you turn up the effort. And good thing it does. Cause Cool Rush fans really turned up the effort to bring back the OG formula. One guy even started online petition and degree Listen, they admitted they effed up and are bringing back that OG Cool Rush sent back. And it's exactly how you remember it. Cool, crisp and fresh. It's back at Walmart, Target and other stores for under $4. There's a reason why it's been the number one men's antiperspirant for the last decade. It's the same reason why people are not happy when the recipe was changed. So listen, if you've never tried, it might be a good time to try. See what the fuss is about. Head to your local Walmart or Target and try the OG Degree Cool Rush for yourself.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and safeway now through June 24th. Score hot summer savings and earn four times the points. Look for in store tags on items like General Mills cereal, drumstick, frozen treats, outshine fruit bars, Oreo cookies and Capri sun pouches. Then clip the offer in the app for automatic event long savings. Enjoy savings on top of savings when you shop in store or online for easy drive up and go pickup or delivery subject to availability restrictions apply. Visit Albertsons or Safeway.com for more details.

[Fat Joe]

Hey, everybody. Tyler Perry here and I couldn't be prouder to introduce my original series Divorced Sisters, now streaming on Beautiful. Meet Bridget, Rasheeda and Naomi and Tiffany in Geneva. Five friends facing the ups and downs of life after relationships. It's crazy how life is one minute.

[Jadakiss]

Everything is perfect and then you get married.

[Fat Joe]

He took the best years of my life. You don't want to miss a minute of this. You don't care for me anymore. You don't. Tyler Perry's Divorced sisters Now streaming only on BET. Go to BET plus to sign up and learn more. This is Reshawn McDonald's from Money Making Conversations masterclass. How can you grow your business from idea to industry leader? Bring your vision to life with smart business buying tools and technology from Amazon Business. From fast free shipping to in depth buying insights and automated purchase approvals, Amazon Business delivers everything you need to achieve your goals. It's not easy to stand out from the crowd. Simplify how you stock up to get ahead. Go to amazonbusiness.com for support. Think about that. How many rappers you could easily think about how many rappers caught a buzz? I don't know if it was their work ethic. I don't know if they couldn't deliver the record because I remember 50 Cent killing the mixtapes and all that. And then when I heard go, go, go, shorty issue, I knew, holy shit, the man here. No, he delivered. He created the hype and then dropped a monsoon or tsunami on their ass. Now, that's not all rappers. You know how many rappers created some type of hype and then dropped the ball when it was time to let the single go, they also shut.

[Jadakiss]

They blocked it. You can't even use. You can't borrow people's beats. How 50 was taking shits and making his own songs and destroying. They blocked that. So we got to be mindful of the. What they doing now here. I could tell you, even that mixtape you had, that was crazy that they took that off.

[Fat Joe]

Yo, my man, they try to sue me 10 different ways. It was like the Prince estate, Michael Jackson. To state this. I put out a mixtape. The was hard. I, I actually concentrated on that mixtape, almost like an album. I took that serious. I dropped that in one hour. They was like, yo, it came like. And I don't why is that? Why? Why? Fat Joe can't make a mixture.

[Jadakiss]

Nobody can. They blocking that?

[Fat Joe]

No, that came Cease and Desist, Prince, the Bee Gees, the dis, the total, every beat. Yes, I used the biggest beats, but it was a mixtape. I'm telling everybody it's a mixtape. I'm trying to get it going. They shut my shit now so fast. Yo, I must have had so much high blood pressure. No.

[Jadakiss]

I drove it. Put your breath.

[Fat Joe]

When I drove from the Lower east side to the Bronx, I had like nine pending lawsuits. Like his shit was coming. Like it was the same lawyer they was like, hey, Joe, just to let you know, the BG said, you know better. They're gonna sue. The next thing, Princess State is saying they want damages. They're gonna sue. This one just. The just kept coming off a mixtape. It just. And look, he telling you, all these mixtapes, everybody did. Fat Joe did one. And, man, when I tell you the rules were different, they shut that down. I never heard the mixtape again. How about that? I never heard the mixtape again. Yo, I'm telling you, I never heard the mixtape again. They shut that down.

[Jadakiss]

They erased it from your hard drive.

[Fat Joe]

Yo, they moved that. I was so scared after that, I said, yo, you see nine lawsuits or.

[Jadakiss]

You can just go in and stool ball anybody's beat, put it out, create a buzz. You good now? That should have lasted 13 minutes.

[Fat Joe]

Now I'm over there, I'm in San Tropez. They playing all type of edm. And then when you go on the Spotify, they call it a mixtape.

[Jadakiss]

You see, they took the.

[Fat Joe]

They took the yala, they took the yellow. No, they took the. Y' all up. Right now, the language on Spotify or Apple or whatever is like, yo, the mixtape.

[Jadakiss]

And they took out and made it day. And you can't even do this. That was our. That's some.

[Fat Joe]

That's big. That's big time. And so. And that's where the game is at. You know what I'm saying? When we talk about hip hop music and I listen to country and they be like, country's the biggest genre or whatever. I hear mad lyrics like, it gotta be rap. Dudes in the back room writing they shit. Because I hear like, how about corny, like, watered down, like, we in San Tropez. And every legendary song you ever heard from Stevie Wonder, from whoever, they make their own version of it, and they play it in the hotels, the clubs, the bars. And you nowadays, if you go on YouTube, to be honest with you, and you like slow jams and you hear the fake boys to men, the fake Luther, the fake. Like, what the fuck is why we can't hear the real fucking rap?

[Jadakiss]

Something to do with the streaming and all that. The. The. The shit that we never had the way.

[Fat Joe]

Yo, lately. Yo, lately I've been like, you know, because my is R and B and all that. So I go to a hotel, I throw on the YouTube, and I keep hearing the fake Joe, the fake Lionel Richie, like, just coming covers.

[Jadakiss]

There's somebody covers.

[Fat Joe]

But how do they get the placement? How do they get the stream? The fake covers get the stream over the original.

[Jadakiss]

It's something they leaving out in order to be. Because you know how I go. If you. They left one symbol off of one, One snare is missing or something that gives them the ability to do it.

[Fat Joe]

I also never like. I never liked. Very rare. I get it. A lot of artists, we've been robbed. I've been robbed. You know, I got robbed from my publishing when I was young. God pull up on me. He was like, yo, we Latino. We gotta take care of each other's name. Jellybean Benitez. They supposedly discovered Madonna and all that. He gave me $50,000 and never gave me another dollar. He must rob me for 10, 20 million. I'm talking about. And Big pun.

[Jadakiss]

He deserved a torpedo back.

[Fat Joe]

No, this guy needs more than a torpedo. But you know, we never see him. But it's cool. But the man robbed me, right for my publishing. So I get it. Everybody get robbed, you know, whoever you name a Timberland, a Missy or this. They always was in the kitchen cooking up. Scott Storch was cooking up not getting the credit right. So we all got robbed in one way or another, right? When the artists go now and do their own song over because they got robbed for their publishing or something like that and they could own the master now. It never sound like the original.

[Jadakiss]

Nah, you know that.

[Fat Joe]

And we're so used to the original. And I don't care who you name. I listen to a bunch of artists like redo the song. Their voice don't sound the same.

[Jadakiss]

Yeah, you older than that.

[Fat Joe]

You older now your don't sound the same. And you out here trying to recreate the magic. I say keep performing. Make your money. Don't up the song. Cause now they switch it out so they'll take out the original that we.

[Jadakiss]

Love and put yours with that.

[Fat Joe]

But they put your in there. It's money for the artist. But the is wacker than the original. Yeah, let me use the bathroom once, please.

[Jadakiss]

It's hard on the ears. Nobody can do this song over and it sound good. I don't give a who it is. You can't make if he did Flo Joe right now it's gonna sound garbage. He can't. You can't get back in depth.

[Fat Joe]

Because we've been used to hearing the a certain way. We love when the drum hit unhaved. We love when that breakdown. And then it says switch up you.

[Jadakiss]

Like even though you the one who made it. If I had to go back and do listen not gonna sound the same.

[Fat Joe]

The only guys Anyway, you know what? I'm not even gonna say who sounded.

[Jadakiss]

It's never gonna sound the same. It's like this is.

[Fat Joe]

This is the part of the show Jada you can't duplicate. Come from different plats you never get. I never understood weed. Like, if I went to the same guy, Pablo, he can't guarantee me that the weedy sold me earlier comes from the same plant of me and the.

[Jadakiss]

Went to Montego bay. These spend 40 M's. They went to Cali and copied the whole. They went to Montego Bay, spend 40M's, cloned the whole everything and grew straight garbage. They wasted 40m. Do you know what it was? The soil in the heat. And how Jamaica is ain't Cali. Weed is like that. Because the demographics of Cali. Just cause you copied it and tried it in Jamaica, it was too hot. This came out garbage and they wasted their breath.

[Fat Joe]

My is this. That's an interesting story. But my. My 40 years. Listen, my thing is this. If I go to McDonald's, I know what the chicken McNugget is. No, I'm dead ass.

[Jadakiss]

No, the answer, something that grows.

[Fat Joe]

I'm just saying when I go, my is food, your is weed. So when I go. No, no, when I go somewhere, I eat this, that.

[Jadakiss]

Yo, it's in there.

[Fat Joe]

But listen, listen, we got it. We rolling.

[Jadakiss]

We gotta be one.

[Fat Joe]

No, I come off the plane, I'm in San Tropez, all this shit, right? I'm eating all this kind of weird ass food, right?

[Jadakiss]

You needed to get back to some of that bx.

[Fat Joe]

I got right back to Jimmy's Bronze Cafe. Took two scoops and I was like, ah, I know this. What I didn't understand is how the weed guy could never tell you with like Newport, it tastes like a Newport. How could you buy weed from a different.

[Jadakiss]

You see how you. When you go to restaurants, you know it's guaranteed if when you go weed shopping, you got. You have to go and try it every time. Say we. We sent them or you send them for a diet Pat.

[Fat Joe]

You gotta sample it.

[Jadakiss]

Yeah, you gotta try it every time. With weed. You gotta try it every time. It's not gonna be right every time. I. You gotta. Oh no, let me see this. Oh no.

[Fat Joe]

Oh, like that.

[Jadakiss]

Guarantee. Yeah. Cause you. You're gonna order what you ordered. It ain't gonna be what you ordered.

[Fat Joe]

Hey, any weed they give me, make me run butt naked outside. I don't want it. No, I don't want it.

[Jadakiss]

That was Frankie, baby. That for Friday. That's Smokey.

[Fat Joe]

Let me tell you something, bro.

[Jadakiss]

Shout out to Dolce, man. She had one of the. Yeah, she knew she had it.

[Fat Joe]

We talk about one. You know how many dojis.

[Jadakiss]

It's not gonna be that many more.

[Fat Joe]

You know how many girls is rapping right now? How many millions of girls is rapping? And Dochi made it. I'm just trying to tell you the Oz. Yo, bro, everybody sitting on the couch is not going to be a successful rapper. They all around the world and all around like in. In Africa right now. They must think they're gonna be the next Davido or whatever the case may be. You. I'm just saying you got to keep an A and a B plan. I'm not discouraging you. I'm just saying, chances are. You know how many times I went to karaoke and a girl came up in there and sung the added of karaoke, but she never blew up as a superstar. Like it. The chances is really hard. So what I'm saying to you is this. All right. I'm giving you a good one. Our fans love shit like that. Fans of the podcast Joe and Jada. And we want to thank you for a hundred thousand subscribers like that.

[Jadakiss]

22 days, baby.

[Fat Joe]

Instagram about to crack. A hundred thousand. We like 97,000 or some shit like that. But listen, the top five greatest hip hop songs ever. I'm a let you set it off. I'm going to let you set it off. I hate and yo artists, producers, stop getting mad. We love all of y' all more than five.

[Jadakiss]

We don't tell you whatever. It's more than five.

[Fat Joe]

A like yo, stop. I love all of y' all. Y' all all are supposed to be the greatest of all.

[Jadakiss]

Forcing me to do this.

[Fat Joe]

He gonna pick five. Imma pick five. Don't rob base. Do not call me and curse me out tomorrow when this drops.

[Jadakiss]

The right to because it takes two. I try to get it could be because I'm saying it's millions of them, though. I don't want to infectomize me making me do this.

[Fat Joe]

That's right. That's right. Top five biggest hip hop songs of all time.

[Jadakiss]

You see why this is a bad thing? Because it goes off your age. I can say five and somebody a.

[Fat Joe]

New never heard it. Yeah, but it's okay.

[Jadakiss]

It's not fair.

[Fat Joe]

It's okay. Our demographic is people our age. Real hip hop. And then we got some young kids who really want to know the real.

[Jadakiss]

So the top five hip hop songs of all Time. How the am I supposed to know?

[Fat Joe]

I don't know. But what. What you think when you heard it? You or you hear it and you just like, yo, this is the biggest ever.

[Jadakiss]

See, I'm trying to think of when since I ever first heard hip hop to now. Oh, no, that's all nothing but cluster.

[Fat Joe]

No, that's hard.

[Jadakiss]

I'm drawing white noise. Why don't you go first?

[Fat Joe]

Damn.

[Jadakiss]

You said this is why you want.

[Fat Joe]

No, this ain't my.

[Jadakiss]

This is all you right here. You go first.

[Fat Joe]

I'll say hip hop hooray. Naughty by nature. I'll say still Dre. That's where it gets tricky. I'll say. I'm just saying. Biggest hip hop shit.

[Jadakiss]

You get caught up.

[Fat Joe]

Hold up, hold up.

[Jadakiss]

Thinking.

[Fat Joe]

I'll say New York. Alicia Keys and Jay Z. You right?

[Jadakiss]

Bouncing around years. Ah, yeah. You made it easier for me. I like this because I could have easily. That's three. What are you at? Three.

[Fat Joe]

What three? I said what three? I said said New York.

[Jadakiss]

Hip hop Arraying.

[Fat Joe]

New York. I think we got the best New York hip hop record now. I'm just saying.

[Jadakiss]

Name the five already crack Hip hop array. Won the hip hop array, huh?

[Fat Joe]

Hip Hop Ray won the first Grammy, the first rap for the first Grammy for the rap album. Album For. For a rap album in 1960. Look at that. Hip hop Hooray. Okay, I got Hip Hop Hooray. I got. What was the second one? I said still Dre, right? You know, you hit them pianos, huh? And then we got New York.

[Jadakiss]

Two of the greatest songs of all time. Let's go.

[Fat Joe]

He on two of the greatest songs of all time.

[Jadakiss]

You only on three, though. You got two more.

[Fat Joe]

Biggie Hypnotized. Biggie Hypnotized, right? And it. I'll. I'll go cliche. I'll go Tupac. D. Mama.

[Jadakiss]

I need a. I'm not. You did all. There was his old top 10 songs. I can't be mad at talking about of all times. Right?

[Fat Joe]

Yeah. Do you think I just hit a certain age group?

[Jadakiss]

There's no way to be right or wrong. I think those songs is fun.

[Fat Joe]

That's exactly the point. There's no way to be right or wrong. So. So my people don't call me and curse me out every time I do a producer. Every time I do it is every time I do it at. They want to kill me. Like, yo, I love everybody, man, but I'm just telling you. Hip hop hooray. Oh, hey. Oh, I'm talking about Hypnotized New York.

[Jadakiss]

This I'm talking about the biggest he me up. I don't know, man. Let me say nobody take nothing because I don't like doing these. So I'm on y' all side, but y' all call him and flip on him and everybody call Crack because this is idea. But if I gotta give you five, I can't. And let me try. One of them got to be something from Snoop.

[Fat Joe]

What?

[Jadakiss]

Gin and Juice or. Or the G thing or one of them shits is definitely one of Snoop and Dream together. Got one of them. I don't know which one. Take your pick. That's one for. Count that as one right now. Run dmc, King of Rap. Oh, I gotta be one, because that's one of the first songs I ever heard in my life.

[Fat Joe]

Now, that's what set it off.

[Jadakiss]

I'm up to three. Nah, other one was. You gotta make your own one. I gave you Dre and Snoop. Is one. One of these shits is one. This is. Yeah, I'm cheating, but I got. He's cheap. No choice.

[Fat Joe]

He ain't go specific with it.

[Jadakiss]

I said Gin and Juice or G thing. Those is take your.

[Fat Joe]

1, 2, and 2. That's too dog.

[Jadakiss]

Of all times, we gotta be clock the time frame.

[Fat Joe]

Yeah, because y' all. Jada, man, this you got. I mean, what else? I mean, you got a whole bunch.

[Jadakiss]

X got one, too. I don't know which one it is. Look.

[Fat Joe]

That'S the stop drop. Shut them up on them up.

[Jadakiss]

What you call them is bigger than that. What? Gonna make me lose my mind. Y' all gonna make the day. That rips out the up in here.

[Fat Joe]

That rips out screws. Y' all gonna make me go all out.

[Jadakiss]

You know what's crazy with that song? The hook is so top 40. The verses is disrespect. The verses is saying about suck my.

[Fat Joe]

Dick when they want the gun thing. Like, yo, yo, he's going crazy. You know, we had a thing. Let me. Let me shout out Cool and Dre. We had a thing. We would make. We. We. We would kill them on the verse and make them dance on the hook. We will always do that.

[Jadakiss]

I gotta stop giving the formulas out around here. Don't give. Don't tell these people that. What? I'm up to three or four?

[Fat Joe]

Man, you're up to three, tmx?

[Jadakiss]

Yes. Now I'm up to four.

[Fat Joe]

Y' all gonna make me lose my mind.

[Jadakiss]

Oh, I'm leaving out. I think one of. See, I don't hold me don't quote me, boy. Cause I ain't said NWA Got one too picky.

[Fat Joe]

The Police.

[Jadakiss]

If you never won, you want. That's one N.W.A.

[Fat Joe]

I mean, they got one biggest of all time.

[Jadakiss]

Great biggest one. You don't question my.

[Fat Joe]

It's N.W.A. compton's bigger than the Police.

[Jadakiss]

That's why I just give you N.W.A. they got one of them. One of them shits. They got bigger than. I gotta switch demographics. I sit alone in my four corner. That's it. I got. I got millions of more, but I just had to. I wanted to be diverse with my pics. I got the whole production in singing that in the back.

[Fat Joe]

Listen, man, I was hustling. I was in the street hustling. And my brother told Montana, pull up in the red truck, the Wrangler drop. He looked at me, I swear to God, this is like a movie. He pulled over. I'm on the block watching the. I don't want to say what block, but I'm on the block watching. And he ran up to me, and his face, it looked like a movie. This is my best friend recipes. And he running like he had to tell me something crazy. So I'm like, yo, Tone, what's up? He said, yo, come here, come here. Please come here. And the man pressed play because he had the system. I sit alone in my four cornered room, staring at. We started dancing around this truck when they played. My mind's playing tricks on me, dancing around it like, yo, this is great. And every drug dealer felt like paranoid. You felt like I took the feds everywhere I go. That's why I'm paranoid. Like everybody living that life, you know.

[Jadakiss]

I was one of them ones.

[Fat Joe]

Nah. So let me get Jada's. What did you write down? Jada's five. Look, it ain't. It's other songs bigger than mine, than his. We just saying 50. He says some things.

[Jadakiss]

Go Go is one of the biggest songs.

[Fat Joe]

Go Go, which one? Go show.

[Jadakiss]

What.

[Fat Joe]

What? In the club.

[Jadakiss]

50 is your birthday in the world. I don't know that song. You could go that. Can't talk. Know how to sing.

[Fat Joe]

I'm just saying I agree with you with that. You know what I'm saying? With the, with. With the 50 cent. Damn, that was a good one. That should have made some, right?

[Jadakiss]

Yeah, that.

[Fat Joe]

Nah, nah, nah. It's your birthday.

[Jadakiss]

That's the cheater. Gotta be able to talk and you can sing that.

[Fat Joe]

That's the. That's the cheat code. But what did we do? What? What. What did I pick? What Jada pick on the top five. So Jada just ran down. It was either he had what's called boy King of Rock. I run dmc pick a Snooper. Dre G thing. Or I think G thing would be the one. Mom's playing tricks on me. DMX up in here, nwa, the Police. Or. Or Compton. What did I pick?

[Jadakiss]

New York.

[Fat Joe]

Yo, you gotta stop. Yo, you see violating.

[Jadakiss]

That's one of my favorite songs. That's one of my favorite songs.

[Fat Joe]

You kidding me? Yo, your man violating my right here. We both picked Jada be on that. He throw the hoodie over. He like. I stand alone in the fourth corner.

[Jadakiss]

Room with us for when I don't got one. Those is missiles.

[Fat Joe]

Those are hip hop. Ray Biggie, Hypnotized, Snoop Dogg. So I said still Dre. I went still Drake. And then I went was Tupac.

[Jadakiss]

That was great. Those is great. Hope give it to me is one of them shits too. They know that everywhere. Anywhere you could go on with human beings.

[Fat Joe]

And then we gonna both agree honorary should be in there. Is the. In the club.

[Jadakiss]

It's mad people. 50 cents in the club is definitely one.

[Fat Joe]

In the club is like the biggest disrespect ever created. Yeah. You know, we start disrespecting, we go.

[Jadakiss]

Yeah, buses with the dilly's.

[Fat Joe]

The silly window supposed to be on there. Oh, baby, if you give it to me, I give it to you. You know what I want. You know I got it.

[Jadakiss]

I can't take.

[Fat Joe]

Yo, listen. Boost Mobile. Yo, yo, you know what this is? Boost Mobile Joe Crack. Jada. Stay tuned. Number one podcast in the game. But we want to smoke with everybody. Appreciate it. I'm talking about Joe Rogan. I'm talking about Alice Cooper. Whoever y' all want. Somebody step up, please. Imma knock your kufy off.

[Jadakiss]

Thank you. Thank you for tuning in to another episode of the Joe and Jada Show. Sponsored by presented by Boost Mobile Joe and Jada.

[Fat Joe]

Let's go.

[Jadakiss]

This ain't that. That ain't this.

[Fat Joe]

Cause it's cracking, kids.

[Jadakiss]

What?

[Tyler Perry]

Okay. Have you heard about this? Last year, Degree changed the formula for their Cool Rush deodorant. The fans rebelled and wanted the old sent back. And degree listen. And that doesn't happen often. They admitted they effed up and are bringing the original Cool Rush scent back. And it's exactly how you remember it. Cool, crisp and fresh. There's a reason why it's the number one man's antiperspirant. And it's back in Walmart, Target and other stores now for under $4, so try it and see what the fuss is about. Head to your local Walmart Target and try the OG cool rush for yourself.

[Ryan Seacrest]

Hey, it's Ryan Seacrest for Albertsons and Safeway, now through June 24th. Score hot summer savings and earn four times the points. Look for in store tags on items like General Mills cereal, Drumstick, frozen treats, Outshine fruit bars, Oreo cookies and Capri Sun Pouches. Then clip the offer in the app for automatic event long savings. Enjoy savings on top of savings when you shop in store or online for easy drive up and go pickup or delivery subject to availability restrictions apply. Visit Albertsons or Safeway.com for more details.

[Fat Joe]

Hey everybody, Tyler Perry here, and I couldn't be prouder to introduce my original series Divorced Sisters, now streaming on Beer.

[Jadakiss]

BET Plus, Meet Bridget, Rashida and Naomi.

[Fat Joe]

And Tiffany in Geneva. Five friends facing the ups and downs of life after relationships. It's crazy how life is one minute.

[Jadakiss]

Everything is perfect, and then you get married.

[Fat Joe]

He took the best years of my life. You don't want to miss a minute of this.

[Ryan Seacrest]

You don't care for me anymore.

[Fat Joe]

You don't. Tyler Perry's Divorced Sisters now streaming only on bet. Go to BET plus to sign up and learn more. You have a long list of things to deal with.

[Jadakiss]

Check dry eye symptoms off with Refresh.

[Fat Joe]

Relieva PF Extra Lubricant Eye Drops, offering an advanced formula to soothe and hydrate your dry eyes. Refresh Relieva PF Extra includes moisture locking technology that prevents further irritation and gives you lasting relief. You deserve relief from your dry eye symptoms and your eyes deserve extra.

[Jadakiss]

Find Refresh online or in the Eye.

[Fat Joe]

Drop section at all major retailers. FSA and HSA eligible.