Teyana Taylor on 'Escape Room,' working with Beyoncé & Leonardo DiCaprio + DEBUTS NEW TRACK!

Summary

Podcast Summary: Joe and Jada – Teyana Taylor on 'Escape Room,' Working with Beyoncé & Leonardo DiCaprio + Debuts New Track

Podcast Information:

• Title: Joe and Jada
• Host/Authors: iHeartPodcasts and The Volume
• Description: Hip-hop legends and longtime friends Fat Joe and Jadakiss link up twice a week to share behind-the-scenes stories from their legendary careers and give their real thoughts on the hottest topics in music, sports, and pop culture.
• Episode Title: Teyana Taylor on 'Escape Room,' Working with Beyoncé & Leonardo DiCaprio + Debuts New Track!
• Release Date: August 14, 2025

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1. Introduction and Welcome [02:24 - 02:42]

Fat Joe and Jadakiss kick off the episode by warmly welcoming their guest, Teyana Taylor.

Fat Joe:
_"You one of the favorite artists, my wife's favorite artist, my daughter loves...") (02:27 - 03:00)

2. Teyana Taylor’s Background and Early Career [03:00 - 05:03]

Joe reminisces about his first meeting with Teyana, highlighting her early presence and ambition.

Teyana Taylor: _"I had to know when you was young... a certain type of blessing and confidence..." (04:50 - 05:03)

3. Being a Triple Threat: Singer, Dancer, Actress [05:03 - 12:10]

The discussion delves into Teyana's multifaceted talents and the challenges of aligning her diverse skills with industry expectations.

Teyana Taylor: _"I do everything so it's kind of like... I'm not gonna be locked in one room... I want to be a big director, big actress..." (06:16 - 07:46)

4. Aunties Production Company [49:51 - 50:28]

Teyana introduces her all-female production company, Aunties Production, emphasizing its role as a safe space for creatives.

Teyana Taylor: _"We do everything. Creative direction, produce design, merch, stage design... a safe space for creatives..." (49:51 - 50:28)

5. Return to Music and 'Better Roses' [11:20 - 15:20]

Teyana discusses her comeback to music on her own terms, the inspiration behind her new track "Better Roses," and the themes of vulnerability and healing.

Teyana Taylor: _"Better roses represent... resetting, realigning, and recentering yourself without armor..." (14:04 - 15:20)

6. Acting Career and Collaborations [19:14 - 21:07]

Exploring her transition into acting, Teyana talks about working on projects with big names like Beyoncé and Leonardo DiCaprio, and how her acting experience influences her music.

Teyana Taylor: _"I've always been a character... stepping into television and film was the next step..." (19:14 - 21:07)

7. 'Escape Room' Project [73:57 - 78:54]

Teyana provides an in-depth look at her album and short film "Escape Room," likening the experience to an audio movie that encourages listeners to engage deeply with the content.

Teyana Taylor: _"Listening to the album is like an audio movie... creating healthy dialogue and safe spaces..." (34:39 - 35:29)

8. Working with Iconic Figures [35:29 - 40:55]

The conversation shifts to her experiences collaborating with industry icons like Kanye West and the creative processes behind their joint projects.

Fat Joe: _"I went in to make a song, ended up with 80 tracks..." (35:52 - 36:10)

Teyana Taylor: _"That project was his baby... It was an amazing project and a life changer..." (37:57 - 40:55)

9. Vocal Surgery and Transparency [70:24 - 48:17]

Teyana opens up about her upcoming vocal surgery, the reasons behind it, and her plans for recovery, while Fat Joe and Jadakiss offer their support and prayers.

Teyana Taylor: _"There's been a lot of years of singing... it's time to fix it... I'll be doing it tomorrow..." (47:11 - 47:35)

10. Advice to Aspiring Artists [71:18 - 73:36]

Teyana shares valuable insights for young artists, emphasizing authenticity, faith, and resilience in the face of industry challenges.

Teyana Taylor: _"Be true to yourself... manifest what you want... don’t take shit personal..." (71:32 - 73:36)

11. Debut of New Track "Escape Room" [73:36 - 79:24]

The episode culminates with the debut of Teyana Taylor's new track "Escape Room." The hosts and Teyana discuss the creative process behind the song, its thematic elements, and the collaborative efforts involved in its production.

Teyana Taylor: _"So this is an experience... one of those things where it's like I want people to receive it and really listen to it..." (73:36 - 75:00)

Fat Joe:
_"You picked up right where you left off... better growth..." (77:58 - 78:54)

---

Notable Quotes with Timestamps:

• [05:03] Teyana Taylor:
  "Better roses represent... resetting, realigning, and recentering yourself without armor."

• [14:04] Teyana Taylor:
  "I feel like even through everything I've been through, I still got so much love to give... I wanted to create a lane, to create healthy dialogue."

• [35:52] Fat Joe:
  "I went in to make a song, ended up with 80 tracks."

• [37:57] Teyana Taylor:
  "That project was his baby... It was an amazing project and a life changer."

• [71:32] Teyana Taylor:
  "Be true to yourself... manifest what you want... don’t take shit personal."

• [73:36] Teyana Taylor:
  "I want people to receive it and really listen to it when they got some real time."

Key Takeaways:

• Multifaceted Talent: Teyana exemplifies the "triple threat" in the entertainment industry, excelling in singing, dancing, and acting. This versatility, while an asset, also presents challenges in ensuring cohesive support from her team.

• Creative Freedom: Through her all-female production company, Aunties Production, Teyana fosters a nurturing environment for creatives, emphasizing the importance of maintaining creative freedom and avoiding industry constraints.

• Inspirational Comeback: Her new track "Better Roses" symbolizes themes of healing and vulnerability, marking a significant return to music on her own terms.

• Collaborative Excellence: Teyana's collaborations with industry giants like Beyoncé and Leonardo DiCaprio highlight her commitment to excellence and creative integrity, showcasing her ability to bridge different creative domains.

• Resilience and Authenticity: Facing vocal surgery with transparency, Teyana's journey underscores the importance of resilience, authenticity, and faith in navigating personal and professional challenges.

• Guidance for Aspiring Artists: Her advice centers on staying true to oneself, manifesting goals, and not internalizing industry pressures, providing a roadmap for young artists aiming to carve their own paths.

Conclusion:

This episode of Joe and Jada offers an intimate glimpse into Teyana Taylor's dynamic career and personal journey. From her strategic return to music with compelling themes in "Better Roses" to her impactful roles in acting alongside renowned figures, Teyana demonstrates unwavering dedication to her craft. Her candid discussions about overcoming challenges and maintaining authenticity serve as powerful inspiration for listeners aspiring to excel in multiple creative fields.

Listeners are encouraged to support Teyana's projects, including her upcoming tour and 'Escape Room' album and short film, while also keeping her in their thoughts as she undergoes vocal surgery.

Don’t miss out on listening to Teyana Taylor’s latest work and more insightful conversations on the next episodes of Joe and Jada!

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Note:
This summary focuses solely on the main content of the episode, excluding advertisements, promos, and non-relevant segments to provide a comprehensive overview of the key discussions and insights shared by the hosts and Teyana Taylor.

Transcript

[Az Fudd]

Hey, guys, it's Az Fudd. You may know me as a gold medalist. You may know me as an NCAA national champion. You may even know me as a people's princess. Every week on my new podcast, futaround, and find out. I'll be talking to some special guests about pop culture, basketball and what it's like to be a professional athlete on and off the court. Listen to Fut around and find out. A production of iHeart Women's Sports in partnership with Unanimous Media on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Bob Crawford]

I'm Bob Crawford, host of American History Hotline, a different type of podcast. You, the listener, ask the questions.

[Tiana Taylor]

Did George Washington really cut down a cherry tree? Were JFK and Marilyn Monroe having an affair?

[Bob Crawford]

And I find the answers. I'm so glad you asked me this question.

[Emily Tish Sussman]

This is such a ridiculous story.

[Bob Crawford]

You can listen to American History Hotline on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Emily Tish Sussman]

Every case that is a cold case.

[Tiana Taylor]

That has DNA right now in a backlog will be identified in our lifetime on the new podcast, America's Crime Lab. Every case has a story to tell, and the DNA holds the truth.

[Joe Crack]

He never thought he was going to get caught. And I just looked at my computer screen, I was just like, ah, gotcha. This technology's already solving so many cases.

[Tiana Taylor]

Listen to America's Crime Lab on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Agusto Papa]

What's up, guys? Welcome to the Agusto Papa podcast. The go to spot for everything. Musica Mexicana. We're proud Mexican Americans who live and breathe this music. We started this podcast to share and discuss our views of musica Mexicana. Whether you like to vibe to Peso, Pluma los alegre del varanco, Areel Camacho, or put Ivan Cornejo. When you get it in feels, then this podcast is for you. Well, actually, Peso was supposed to be on Chinito's album. The song with Drake was supposed to be with Peso. Listen to Agusto PA on the iHeartRadio app, Apple Podcast, or wherever you get your podcast.

[Joe Crack]

No, no question is is.

[Tiana Taylor]

What exactly are we talking about?

[Joe Crack]

Fake pork chop.

[Jada Kiss]

He must be hungry, cuz that's what I'm saying.

[Tiana Taylor]

Are you hungry? Do we need to order that?

[Joe Crack]

Yeah, yeah. What up, y'? All? This is Joe Crack.

[Jada Kiss]

Your boy Jada. You know what? It is the Joe and Jada show. And without further ado, ladies and gentlemen, we'd like to welcome our beautiful guest, Tiana Taylor. Make some noise.

[Tiana Taylor]

Hey, y', all, what's poppin?

[Jada Kiss]

What's going on?

[Joe Crack]

Well, I'm just so happy you here, man. My family, we celebrate you. And so, like, you one of the favorite artists, my wife's favorite artist, my daughter loves.

[Jada Kiss]

Right.

[Joe Crack]

She big everywhere but in my household.

[Jada Kiss]

So I know my household.

[Joe Crack]

I was dizzy to. I made it. I made it like they was. They had that all super repeat when it came out. So it's an honor to have you here.

[Tiana Taylor]

Thank you.

[Joe Crack]

They told me not to talk much, but I gotta set it off for some.

[Tiana Taylor]

Aw, who told you not to talk much?

[Joe Crack]

I'm gonna be honest with you. I know, Teanna. It's crazy. I'm looking at your daughter right now, and I think I met you about that age. Yeah, about that age. And I'm in Harlem coaching at the Rucker. And you pull up in that famous. That world famous bike of yours.

[Tiana Taylor]

Yeah.

[Joe Crack]

And the reason why there's such an.

[Jada Kiss]

Ill. First time I ever met her, she had that bike.

[Joe Crack]

She was on the bike too.

[Jada Kiss]

Oh, that's crazy.

[Joe Crack]

Around the same time, I don't know.

[Jada Kiss]

If it's the same, but when I ever first seen her, she was on the bike. I'm like, pick. Who's that? Like, nah, that's tg.

[Joe Crack]

You know what's crazy is I meet so many people, right? I've been doing this 30 something years, and I met so many people who told me, joe, I'm gonna be rich. I'm gonna be a billionaire. Even Angie Martinez laughs at me. Cause she said the first time I met her, I was like, yo, I'm gonna be the biggest. And she was like, yeah, right. And so you, out of nowhere, you pull up on me and you like, yo, I need to meet Pharrell. Like, you gotta introduce me to Pharrell. I'm gonna be his next artist. And I'm like, yo, this girl, she flies. She little. But I mean, she got big dreams. And to see everything you ever predicted at that age to come to fruition. How did you know? Cause you had to know when you was young. Like, did you. How did you know? Did you say, yo, I'm special? God made me special? Because for real, though, you have to have a certain type of blessing and comp and confidence to just predict all that in the future and it actually to come true.

[Tiana Taylor]

I mean, first and foremost, I got a lot of prayer warriors. That's first. I feel like I'm covered, you know? But secondly, I Think it's just some cocky Harlem shit. Like, that's just Harlem shit in general. We understand aesthetics and vibes and what things are supposed to look like, But I've always been very intentional, even at a young age. So it's kind of crazy to see Junie now speak the same way, you know? But it's kind of like seeing you like, that was a big thing for me. I'm like, yo, what's up? I know you in there. Tell Pharrell and them, da da da, what we doing.

[Jada Kiss]

And then she got with Pharrell. How crazy.

[Tiana Taylor]

That's crazy.

[Jada Kiss]

Yeah. It's safe to say she. She's good at everything.

[Tiana Taylor]

I'm a manifesto.

[Jada Kiss]

Anything she puts her hands on.

[Joe Crack]

We call you a triple threat, right? Because there's nothing you can't do. And was that ever a complication for, you know, a a r somebody to see your vision because you do so many things? Was it hard to get the team to just get aligned with, like, all right, I want to choreograph this. I want to. I want to sing. I want to shoot act. I want to people just like, yo, what the fuck? Like, everybody ain't built like that. Did you ever have that problem?

[Tiana Taylor]

I mean, it was a lot, and it was very difficult. And the way you breaking it down actually make me, like, want to, like, empathize with them for them a little bit, because. No real shit. Because I never used to understand people, like, they don't know what to do with you. What the fuck does they don't know what to do with me. I'm not trying to hear all that. Like, you. Like, if I'm giving you everything, you're avoiding all the things you would pay for in normal for the next artist. So I used to think it was easier having an artist that I used to walk into the label with the old school mood board, like, cut out pictures and glue to a cardboard box. Like, I had the vision. So it's like, if everything is literally laid in your lap, how are you saying you don't know what to do? Yeah, how are you saying you don't know what to do? But to your point, if it's like a robotic system and they're stagnant in their comfort, Their comfort is. Here's the standard. We do this with all our artists. So because we do this with all our artists, then no other way is the right way. You know what I'm saying? I dealt with it for a long time until I took that step back. Cause I do do everything so it's kind of like again, when I seen you and when I took a step back from music, I went and I manifested the same thing. Because I was definitely shoved in the corner on something like, yo, if you retire, you boom, boom, boom, boom. I don't think that's smart. This is. I'm telling you, I'm like, I'm going to be a big director. Everybody's going to call me. I'm going to be a go to director, going to be a big actress. I'm going to protect other creatives. I'm going to pour into other creatives. Everything I said I was going to do.

[Jada Kiss]

I did that, did that, did that, and did it superbly.

[Tiana Taylor]

Thank you.

[Jada Kiss]

You know what I mean? Let's not forget that.

[Tiana Taylor]

But that's all a part of that faith walk, you know what I'm saying? Like, you know, I go to the casino with God, no doubt. I'm like, yo, what we betting on today? What we betting on today, both of y'? All.

[Joe Crack]

Was God in the casino?

[Tiana Taylor]

Well, not literally, but I'm just saying is, like, when people. People take bets elsewhere, people take gambles elsewhere. My gamble is like, father God, what we doing? What's my purpose? You know what I'm saying? When I'm ready to give up, like, why you keep pushing me? Why you keep pushing me back in? What's my purpose? You know what I'm saying? Like, I wanna do everything. I don't wanna be in a box. Okay, if you don't wanna be in a box, just show me you don't wanna be in a box, you know what I'm saying? Keep praying, keep having conversations. You gotta communicate. You gotta over communicate. Over communicate. So, like, with over communicating, then he's more clear on what I want, and he can lead me in that direction. Cause he ain't gonna throw it in my lap, you know what I'm saying? So I've always took my gamble, you know, within my faith.

[Joe Crack]

It's weird times.

[Jada Kiss]

You over communicate. You can overstate.

[Joe Crack]

I understand that. And it's weird times out there, right in the world, you know, hard to get a job. People want tough times. This thing has made it so everybody and their mother could say something about somebody.

[Tiana Taylor]

Absolutely.

[Joe Crack]

And so this price of fame, right, it's on another level to where a. I think the only thing that can keep you normal right now is your belief in God. And so when I sit down, you know, I tell them, you know, my. My wife, she best friends with Mary J. I sit with all the Jim Jones, Chrissy, Harlem. I'm always surrounded by Harlem, right? And then they. The conversation always turned into God. I. I don't know how it just. If you just start talking about everything, everybody be like, yo, but thank God for God. And I pay my tides and. Because I feel like it's the only salvation is the only way through with all this noise that's going on around us, you know, you gotta be careful what you wish for with this fame and fortune, you know. Now I know what I. What I love my life. But you know, I think I would have rather been wealthy. More than wealthy and famous. Right? Like when I see people who are not far, that's.

[Jada Kiss]

I rather wish I could just be wealthy. But I. Nobody can know you.

[Joe Crack]

I mean, but I meet wealthy people and they want to be lit. Like they want to hang out with the famous people. They want people, they think they want to be lit.

[Jada Kiss]

They don't really.

[Tiana Taylor]

No, that's, that's. That's real. That's. A lot of people think they know what they want until they get it, you know what I'm saying? But I think for me, it's super important that even through my accolades that like every single one of my speeches, that then they always go viral. But in my speech, all my speeches are always a prayer. And I think it's important because I think a lot of times we turn to God when things ain't right.

[Jada Kiss]

Yeah, you're not talking. You're not turning to him for nothing else. Then when something go wrong.

[Tiana Taylor]

Yeah. Have them conversations do good, bad in different. You know, submit and pray and understand that we're not perfect. It's still a work in progress. None of us have it be perfect enough, you know what I'm saying? So it's just like you gotta pray through it all, you know, and give thanks, I think is important.

[Joe Crack]

Gotta give thanks.

[Jada Kiss]

Now it's been five years since the album. What pulled you back? What made you say it's time I.

[Tiana Taylor]

Got pulled back on my own terms, you know what I'm saying? Like, I left the first time. Cause it wasn't on my terms, you know what I'm saying? And I knew that I was more. I was more than what was being put in the box for me, you know what I'm saying? They were trying to stuff everything in one box. And that's just not. That was never me. I can't stay still, you know what I'm saying? Me, I always consider myself a Glade plugin. I'm a plug in every Single socket outlet. You see in this building. Why only make the bathroom smell good when you can make every inch of this motherfucking feel? Yeah, like, smell the fruits of your label. Like, I'm not about to be locked in one room. I'm not gonna be locked in one box. I'm not gonna be locked with one set of keys and one door.

[Joe Crack]

You know, shout out to your mother. Your mother's in the building. Yeah, Harlem legend. And, you know, I just feel like you, me, Jim Jones, not to alienate nobody. But New York made some hustlers say lala la la finesse an MTV job, to being an actress, to being the this, to being that, you know, what is it in you that make you that hustler? That. Because Harlem don't be more content. Well, I'm a fake Harlem guy. I'm from the Bronx, right? But I got the hustle, too. I'll sell you some beers.

[Tiana Taylor]

I think that's a New York thing. No real shit. I think that's New York. It's a New York thing. But also, it's like, you know, my.

[Jada Kiss]

Mom hustler, her work ethic is upbringing your surroundings.

[Tiana Taylor]

You feel what I'm saying? Yeah. And also what would help keep me grounded is actually yous and you's and gyms and like, to see y' all be successful and still be on the block. You feel what I'm saying? Like, that's big for me. The first time I met Jada, I was mad young and I asked for autographs, and that nigga wrote something in the script. And I, for the life of me, I was trying to figure out what he wrote. And at first it was me and my entrance. I was like. He was like, su. You know, I was like, trying to figure out what he was saying, but it was the fact that he, like, took out the time to write the autograph. And I probably wasn't my bike on my skateboard or something, but it was just like, yo, this shit is dope. So not only do I have the hustle, but I got the ground. I'm grounded because people that I look up to that's paving the way for me is really outside, you know, grounded but successful and still graceful and, you know, like, just the. The balance of it. I just think that's a New York thing.

[Jada Kiss]

I love that new single, Better Roses. Describe this land Better roses All your.

[Joe Crack]

Emotions bare I like that.

[Tiana Taylor]

What inspired Better Roses for me? Well, you gotta kinda hear the album. Once you hear the album, it's like a. It's a whole story. It's an ombre album. So it's like the different emotions, from heartbreak to healing, you know what I'm saying? Or from, like, dark clouds to, you know, sunny skies. So it's kind of like all the. All the moments of vulnerability and grief and different things like that. But most importantly, resetting, realigning, and recentering yourself without armor, you know? And that's what Better Roses is for me. Like, I feel like even through everything I've been through, I still got so much love to give, you know what I'm saying? Like, I'm not a guarded person. I don't walk around with bricks ready to build a wall. It's just not who I am.

[Joe Crack]

So you don't base a new relationship based on a past relationship.

[Tiana Taylor]

I mean, always move with caution. Exactly. But to be guarded, that's how you block your blessings. You feel what I'm saying? Like, yeah, I don't. And I've never moved like that. You know what I'm saying? And that's what Better Roses represent. I wanted to do something for, you know, just the lover people, lover girls, lover boys. Because I think right now, music is so toxic and so prideful and very, very egocentric, you know, and it's just not who I am. And I wanted to create a lane, to create healthy dialogue, healthy conversations with.

[Joe Crack]

Them music, you know, this whole time I'm looking at you, the petty Joe is just like, yo, what's up with the cute boyfriend, right? This guy right here, that's petty, brother. Shit, that's a petty Joe, man. I'm sitting here the other day, I'm gonna tell you and shout out to the brother, right? But the other day, I'm sitting on the couch trying to look at something in Netflix, and I see his face and I'm like, yo, you know that that's Tiana's man right there. You know what I'm saying? We watched the movie and shit. And you watched Rebel Ridge?

[Jada Kiss]

Hell, yeah, but I watched it.

[Joe Crack]

I skipped it a bunch of times, but once, Tiana, you know, I'm keeping it a buck. Why y' all got the clips on me? Y' all don't want me to go.

[Jada Kiss]

You do.

[Joe Crack]

Y' all don't want me to.

[Jada Kiss]

You're doing so well today.

[Joe Crack]

Okay, I'm gonna calm down again.

[Tiana Taylor]

But you watched it.

[Joe Crack]

Oh, yeah. Cause I mean, he was a great actor. But what about the pretty boy? I mean. I mean, I'm not like this guy. Gad, tell us about him, man.

[Tiana Taylor]

Well, what's the question. You said, what about the pretty boy? Nah. What's the question?

[Joe Crack]

You so rough, and you from Harlem. You from this. And this guy's like, you know, a model or something. Like. But anyway, you don't think she fit?

[Jada Kiss]

You don't think they fit?

[Joe Crack]

No, no.

[Tiana Taylor]

Yeah.

[Joe Crack]

I just think she more. I figure for more of, like. I ain't. I'm cool with it.

[Tiana Taylor]

See, what I. Nah, this. This is what I think it is. What I think it is is, like, y' all watch me grow up. You know what I'm saying? Like, coming home has been funny as hell, because every single interview I've been doing has been all like, my big brothers. So it's been a lot of tough love and a lot of, like, you know, y' all knowing me from being Little T. You feel what I'm saying? But I'm a woman, you know, and I am a mother, and people grow and people change, and I feel like, you know, young. When you're young, yeah, you just. You. You hot, you heavy, You. You just. Your. The personality is big, but when that carry on into adulthood, majority of it is survival mode, you know what I'm saying? And when you find a place that is so gentle and so delicate and so kind, it will. It could soften anything. It's like boiling noodles, you know, you gonna go in there.

[Joe Crack]

Was it like, this the guy for me, or was it, like, hard work? Was it like, what, did you see him? And you was like, yo, this, this. Because, you know, you come off of such a big, publicized relationship. Is it scared for a girl to take a chance with the next guy and say, yo, all right, this the guy? Cause, I mean, you're beautiful. You're on top of the world. You got money, you got whatever. I'm sure everybody and their mother was coming at you. How did this guy get your attention?

[Tiana Taylor]

I mean, I am really big on feeling, and I always tell people, like, it's okay to feel. Allow yourself to feel. Whatever you feel, follow that, you know? And it wasn't something. I don't go looking for anything. I didn't go looking for anything, and neither did he. You know, we were friends, and it. You know, it went where it went. And I think the biggest thing is the friendship, you know what I'm saying? And the safe space. We created a safe space, you know? And that's why I think nowadays, when people putting titles and labels on everything, it's just kind of like, create that safe space, create a friendship, you know what I'm saying? Like, it's sweet and it's gentle and I deserve that.

[Joe Crack]

That's right.

[Jada Kiss]

That was a perfect answer.

[Joe Crack]

It was a perfect.

[Jada Kiss]

How has your experience in film and television influenced your creativity on making music now? Or does it. Does it even contrast or. It should a little. Because you've been around, you've been doing.

[Joe Crack]

You doing.

[Tiana Taylor]

Yeah, like, I've always been a character. So, like, even when I was into music and doing videos, I was like, I'm ready to do more. I started my own production company, all female production company. My partner Coco, call her Auntie's production. So we always, like, even we were doing my videos independently.

[Jada Kiss]

I was like, going places from. Bye, man. When I saw that, I knew it was. That was just the tip of the.

[Az Fudd]

Yeah.

[Tiana Taylor]

Like, I was just ready. I was, I was, I was always ahead of my time. I was just like, I'm ready for something else. Like, even when I started doing videos for everybody, I'm like, all right, I'm ready to move into television and film. I knew that's what I wanted to do. So by the time I, you know, took a step back from music, I was like, I'm ready to do movies. I want to do this, I want to do that things that I was already doing. But, you know, you already know how it is when you prepare for an album. Everything's about the album and everything else is put to the back burner. And I'm like, yo, if y' all can't balance this, then I'm too much. This don't even make sense to do this. So they, they came. They came correct and I got everything that, that I wanted.

[Jada Kiss]

You, you a good ass actress, though.

[Tiana Taylor]

Thank you.

[Jada Kiss]

You, you went to acting school? No, you took no less.

[Joe Crack]

She's just from Harlem.

[Jada Kiss]

Oh, no, you, you're a different kind of. You're a different human being, though.

[Joe Crack]

Yo, we acting in the bodega. We acted everywhere, bro.

[Jada Kiss]

Like, no, but she's really good on. On screen.

[Joe Crack]

Like the movie. The movie you had the hard time and that. I think that's showing. Yeah, that shows your skills. And now you with Leonardo the Cap doing. That's the. Though, like, you done elevated to enough. You know, a lot of people are talented. You know, sometimes I go to karaoke and some girl go up there and sing her ass off. But I'd be like, damn, why this girl never became a star? You know what's such a blessing from you is you said, I'm acting. And you went from. Let's say that movie wasn't A lot of money, right? But it showed your skill. Now you with Leonardo DiCaprio.

[Tiana Taylor]

Yeah.

[Joe Crack]

That's crazy.

[Tiana Taylor]

That's real shit. I mean, you gotta work your area, you know what I'm saying? I think people want what they want so fast without doing the work. They want the glory. They don't want to do the stuff that is creating the story for the glory. You know what I'm saying? Like, I want to do the work. I'm a student. I'm never above learning. You feel me? So it's just like I'm a student even when I'm teaching, you know? So it's just like, that's my mindset and understanding. And I think that's probably that New York shit too. Like, yo, bam, bam, bam, bam. Do this. Let n see what's going on. Get you get where I want to be, then start calling some shots and, you know, making some noise. Boom, boom, boom, boom. But you gotta gotta do that first before you can do this. You just gotta know how to work your area, man.

[Joe Crack]

It's a great segment.

[Jada Kiss]

So blessing at 15, yeah. The sweet tender age of 15. You choreographed Beyonce's Ring the Alarm video. What was that? How did that.

[Joe Crack]

That's crazy.

[Jada Kiss]

I did that.

[Tiana Taylor]

You wanna know what's crazy? Another stamp to New York. She wanted to learn the chicken noodle soup.

[Jada Kiss]

Wow.

[Tiana Taylor]

And this is, you know, this when I was rolling around with the big hair, the fitted cap. You already know, you know what I'm saying?

[Jada Kiss]

So who better to get her right there, you feel me?

[Tiana Taylor]

So they called me. Cause I was outside battling everybo. Like it was up for everybody. So it's like they called me to come and do it, but you already know the Harlem and be like, I'm about to throw wow. Other shit in there. Like, it's like, yo, she had one job. She just wanted to learn the chicken noodle soup. And I went in there and I was ready. Like, I wasn't. Like, I was like, hey, everybody, I'm ready to work. Let's go. Boom, boom, boom. And she just started dying laughing. She's like, oh, yeah, she's a star. Like, I was. I was ready. We were shaking noodle soup in some more shit. Like I was throwing in mad other shit. Like maybe this, maybe this. Then she called me back for another performance that she had and you know, let me, you know, help work on that. And, you know, it just was amazing. But I'm also a sponge. I'm SpongeBob square fucking pants. Like, I'm a soak in everything. I'm a Sitting there and learned it.

[Jada Kiss]

While you was working, learning.

[Tiana Taylor]

So to be able to, you know, work with her. And it's like, at that age, I'm taking in everything, but all of me is like, I understand aesthetics. And I was already 15, walking by dance groups like, nah, this need to be like this. Yeah. Because if you look from here, it's just not right. It ain't. I ain't rolling. You feel me? Like, I was always. I was bossy, but it was always for the best.

[Joe Crack]

You know your hood, right? You know, I don't know if you know, I started at 132nd and Park Avenue, where. Yes, ma', am. Right by where the pimps and the hoes used to be. And the free cheese was out there underneath the train. My man Chubby Love, he passed away. My man Chubby Love, AKA Gerard X, they trying to. His sister's trying to get the block named after him. So you know the term with that. Where the basketball courts and the handball court where he used to say, crack is whack. He used to be out there. So one day he pulls up, he's in a Ford Taurus, and he gets out the car. This guy's like 600 pounds. You have had to seen him when you was a kid. He was this big, and he got out Louis Vuitton from the floor, bro. And I said, oh, shit, what's that? Cause this guy fought £600. What the fuck? He was like, yo, this Dapper Dan. He was like, yo, I was like, what? He took me to Dapper Dan when I was 14. I got my first Dapper Dan. Cause Jarrod X, I never seen no shit like that. He get out the car, the car go up. He goes and the motherfucker Louis Vuitton all the way up. And that guy took me to Dap Gerard X. And so when I realized you're from that same hood right there. Very important growing up so hard, though, right? Like, growing up in that area. Because, you know, you go to that school across. You went to that school right there. What's cool school right around the current.

[Jada Kiss]

What.

[Joe Crack]

What's that school right there?

[Tiana Taylor]

What? I was a menace in peace.

[Joe Crack]

We got, like metal detectors and TSA in that school. My man's wife was the principal. She had me go talk to the kids. I've never seen no like that. They had the metal detectives with the cop in the front. They still got pimps and. And all that over there. But growing up so tough, right, to be so polished and and to get to where you going and where you at now. What does that feel like when you come back to the city? I seen you with Bevy. Yeah, I love Bev. I love that. Yo, you know what time it is with Bev and all that. Yeah.

[Jada Kiss]

Who don't know Bev?

[Joe Crack]

Everybody knows I seen you with Bev. I was know. And it is. It is like kind of like a homecoming. It is.

[Tiana Taylor]

Yeah. Yeah.

[Az Fudd]

Hey, guys, it's Az Fudd. You may know me as a gold medalist. You may know me as an NCAA national champion and recent most outstanding player. You may even know me as the people's princess. But now you're also going to know me as your favorite host. Every week on my new podcast, Fut around and Find out, I'll give you an inside look at everything happening in my crazy life as I try to balance it all, from my travels across the globe to preparing for another run at the natty with my UConn Huskies, to just trying to make it to my midterms on time. You'll get the inside scoop on everything. I'll be talking to some special guests about pop culture, basketball and what it's like to be a professional athlete on and off the court. You'll even get to have some fun with the Fudd family. So if you follow me on social media or watch me on tv, you may think you know me, but this show is the only place where you can really fut around and find out. Listen to FUT around and find out. A production of iHeart Women's Sports in partnership with Unanimous Media on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Unknown Host]

What's up, guys? Welcome to Agusto Papa, the go to spot for everything Musica Mexicana. We're proud Mexican Americans who live and breathe this music. We started this podcast to share and discuss our views on musica Mexicana. Whether you like Peso Pluma, Los Al Barranco, Ariel Camacho or Ivan Cornejo, when you get in your feels, then this podcast is for you. We deep dive into music reviews P.

[Agusto Papa]

Bluma show Last year, everything was a 10 out of 10.

[Unknown Host]

Fashion and lifestyle inspired by the roots of musica mexicana. The craziest controversies and cheesemas.

[Tiana Taylor]

I don't have nothing against Puerto. I know and I don't think Jo.

[Joe Crack]

P should be mad at me.

[Unknown Host]

Song and artist comparisons, competition in the scene. There is competition, there is sides to this. There's special pluma Double P and there's J O P. I think at the End of the day, it's business, it's all competition, and of course, our personal stories and opinions along the way. This isn't just a podcast. It's a movement for fans who live Musica Mexicana every single day. Listen to Augusto Papa as part of the Michael Tura Podcast Network on the.

[Agusto Papa]

Iheartradio app, Apple Podcasts, or wherever you get your podcast.

[Emily Tish Sussman]

Have you ever wished for a change but weren't sure how to make it? Maybe you felt stuck in a job, a place, or even a relationship. I'm Emily Tish Sussman, and on she Pivots, I dive into the inspiring pivots of women who have taken big leaps in their lives and careers.

[Az Fudd]

I'm Gretchen Whitmer.

[Emily Tish Sussman]

Jody Sweetin.

[Tiana Taylor]

Monica Padme. Elaine Welteroth.

[Emily Tish Sussman]

I'm Jessica Voss. And that's when I was like, I gotta go. I don't know how, but that kicked off the pivot of how to make the the transition.

[Tiana Taylor]

Learn how to get comfortable pivoting because your life is going to be full of them.

[Emily Tish Sussman]

Every episode gets real about the why behind these changes and gives you the inspiration and maybe the push to make your next pivot. Listen to these women and more on she Pivots now on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Bob Crawford]

Adventure should never come with a pause button.

[Bridget Todd]

Remember the movie Pass era where you could watch all the movies you wanted for just $9? It made zero sense and I could not stop thinking about it. I'm Bridget Todd, host of the tech podcast There Are no Girls on the Internet. On this new season, I'm talking to the innovators who are left out of the tech headlines, like the visionary behind MoviePass, Black founder Stacy Spikes, who was pushed out of MoviePass, the company that he founded. His story is wild and it's currently the subject of a juicy new HBO documentary. We dive in to help. Culture connects us.

[Bob Crawford]

When you go to France or you.

[Joe Crack]

Go to England or you go to.

[Bob Crawford]

Hong Kong, those kids are wearing Jordans. They're wearing Kobe's shirt. They're watching Black Panther and the challenges.

[Bridget Todd]

Of being a Black Founder.

[Bob Crawford]

Close your eyes and tell me what a tech founder looks like. They're not going to describe someone who looks like me, and they're not going to describe someone who looks like you.

[Bridget Todd]

I created There are no girls on the Internet because the future belongs to all of us. So listen to There are no girls on the Internet on the iHeartRadio app, Apple Podcasts, or wherever you get your Podcasts.

[Joe Crack]

You doing your aunt. Your auntie and uncle shirt. Yeah.

[Tiana Taylor]

No real shit. That's why I'm like, yo, it's a lot of. It's like, y' all up to see me be a little navy. This is crazy.

[Jada Kiss]

Growing up. She's grown, you know, she's all grown up.

[Joe Crack]

Yeah, I know. I seen in that Kanye video, I was like, what the going on? Like, that was the time, right? That was when she became a woman, Right? When we seen that video, I was like, holy sh. I was at the awards when they played that shit, you know, they.

[Tiana Taylor]

That was.

[Joe Crack]

That was.

[Tiana Taylor]

Right? Yeah, yeah, that was.

[Joe Crack]

I was in there watching. I said, what the. I'm saying, yo, this crazy. And. And I seen you in the club one time, too. You did Doing some astronomical. It was in Miami, and it was like a pole. Like a light in the way.

[Tiana Taylor]

You.

[Joe Crack]

Not a stripper pole.

[Tiana Taylor]

A pole.

[Joe Crack]

And the way you was dancing on this pole, I thought like, yo, she's an alien or something. I said, yo, she out of control with this right here. I was like, yo, what the Are you doing? Like, he be doing the pull ups. You doing all that on there?

[Tiana Taylor]

Oh, yeah. When I be like, but that's. That Harlem. Yeah, we used to be on the. On the scaffolds doing that. When I'm in battle mode, like, especially in. In the yams, like, I don't like feeling like people playing with me a little bit. And I feel like people would come around, like, my table and try and, like, start dancing. I gotta let you know. Cause you can't do no pull ups. You from the yams, you can't do no pull ups. Yeah, we got scaffolds on the block everywhere we go.

[Joe Crack]

Nah, I seen that shit one time. I was like, yo, this girl crazy. Like, this shit out of control. Like, I said, you're a triple threat.

[Tiana Taylor]

That's what I'm saying. I feel like I had every stage, like, in my life. Like, Miami was, like, my young 20s. But, like, as a mom and, like, just super grown, like, I'm so chill. I be chilling as a mom, but I'm still ready to battle whenever. Because I'll be feeling like people be.

[Jada Kiss]

Trying me, but they think you lost.

[Tiana Taylor]

You know what's crazy? I can't even go. I've been to a strip club where the girls didn't even wanna dance around me.

[Joe Crack]

Huh.

[Jada Kiss]

They was intimidating.

[Tiana Taylor]

Yeah, but it was the sweetest. Cause it wasn't like a battle thing. Like, in the club is when people try and try It. But it got to a place where, like, it went from people wanting to battle to now people don't even want to, like, dance around me, the girls are like, oh, my God. Cause you be dancing down. I feel crazy. I'm like, girl, this is. This is.

[Jada Kiss]

Do your job.

[Tiana Taylor]

Not even. Girl, you killing it. You feel me? Cause y' all be doing shit that I'm like, bitch, yes. Get it. You know what I'm saying? So it's like, I don't want people to see me and be intimidated. You know what I'm saying? Like, y' all are beautiful. Y' all killing it. And they just be like, start pop locking this, y'. All. It's like babes.

[Joe Crack]

Oh, they wanna do a lot.

[Tiana Taylor]

The pop. Locking heels is insane, you know?

[Joe Crack]

Was you at your videos where they. They dance or they come and be in your video and then they. Nobody wanna see that shit, right? They come up in there and start pop. Like, you be like, yo, my man, we looking for the, like, a vibe like the other days, yo, when they. When the other dance hit the. You like, yo, my man, like, you know, we. This ain't that type of party right here. Oh, it's crazy. You know, the one time I seen some shit like that was. We was at the ruck, and we brought AI and they didn't want to check him. He's the only player, NBA player I ever seen at the rucker that they would not DM up. They didn't want to D up AI. Like, he came out there and nobody wanted to DM up. They was playing them from far. Almost like, the strippers don't want to dance around you. Where AI came out there and started going like. They was like, nobody wanted to be embarrassed on camera or nothing like that. He was just hopping to the rim. Nobody played defense on him. So I seen that shit before.

[Jada Kiss]

Escape Room is an album and a short film. Walk us through the process. Walk us through. I mean, you told us we got to hear it. Really?

[Tiana Taylor]

Yeah. You got to hear. It's like going to the movies and having to pee. You know, you leave the pee, you might miss something. You feel me? Like, we won't be able to pause the Joe and J.

[Joe Crack]

Show me.

[Tiana Taylor]

You got.

[Joe Crack]

Sometimes you gotta pause, you know, you got. You keep drinking that water that run through the system, man. You know, water's good for you. For some reason, I ain't pee as much with Diet Pepsi, man. Now I'm drinking a whole bunch of water. I'm in the bathroom all day filtering.

[Jada Kiss]

You're filtering water works.

[Tiana Taylor]

Nah, but like, real shit is like, it's an experience. And it's like, it's one thing leads into another versus like, okay, let me listen to a few songs and then I'm gonna go.

[Jada Kiss]

So connected.

[Tiana Taylor]

I like, yeah, like when people listen, it's like an audio movie. Like, even without the movie attached, like, listening to the album is like an audio movie. So it's one of them things where it's like, I want people to receive it and really listen to it when they got some real time. Don't rush into my shit. If you joy riding to work, don't.

[Jada Kiss]

Skim through my shit.

[Tiana Taylor]

You feel me? Don't skim through my shit.

[Jada Kiss]

Time to absorb this thing.

[Tiana Taylor]

You feel me? And like, I. It will create a lot of healthy dialogue. I think it's important, you know, to create those safe spaces and have an album that's not a whole bunch of pointing of the fingers and, you know, different things like that. So the process is dope. And then once you see the movie with it, it's just like, oh, yeah, this is insane.

[Joe Crack]

I got a personal question, right? The first album produced by the icon. Yay. Easy, right? What was that process like working with this man? Cause I went in there to make a song. You want a song? I brought a whole nother song on that song. It's like 80.

[Jada Kiss]

Listen, 87.

[Tiana Taylor]

What song is it?

[Joe Crack]

I had a song, it's called Pride and Joy. I did with. With Kanye, but he went and called Kiss Buster. Dissy did. The point is, you know what's crazy?

[Tiana Taylor]

That had me lay the hook for Pride and Joy.

[Jada Kiss]

Yeah, I just told you now that's 85 more beats.

[Joe Crack]

86 and a half, yo. The craziest shit.

[Tiana Taylor]

I like that song. Yeah, but I want to be on that song.

[Joe Crack]

Listen, I do the another round with Chris Brown. This shit is out of control popping. You know this game. You need to be on a roll sometimes. You know, when I was young, I would just say what you want. I was just throwing out hits so much. I gave Ja Rule New York. I was just. I felt like it was hit mania. Like there's no way I could stop. Everything I did was a hit number one. Then you get to that motherfucking gray area. I'm like, no, I'm telling you, I'm pulling them out. Just everything I put out, I know, it's gone, it's gone. I'm putting out hits. Then you get to that little stumble where you try and catch that shit again. That Ain't easy, right?

[Jada Kiss]

Facts.

[Joe Crack]

I go in the studio with Chris Brown, we got another one, right? So now I'm.

[Tiana Taylor]

That's my shit too.

[Joe Crack]

Right? So remake another one after that. I swear to God, it was a smash hit. And Kanye hears it, says, yo, let me work on that record. He changed the whole fucking record. He made it like we had another one. I had another one coming right after the Chris Brown shit. Like, another one. Like, I had one, and he switched the whole shit up. So I know the one time I worked with him, I know what he did to me. What was that process like, working with him on the whole album? Even though the project was. Came out incredible?

[Tiana Taylor]

I mean, I definitely feel like, you know, KTSC was, like, some of his best work, and he's amazing, but, like, what he did with Gonna Love Me and it wash was like, that n was in a whole nother duffel, you know what I'm saying? Like, what he did. And that's why I say, like, some of his best work, that shit is just, like, incredible, you know? And I think because it was that incredible, that I think it became the both of ours versus a my thing, you know, like a me thing. I think he was, you know, and as a creative, even now looking at it, like, being as though I do everything for everybody, like, this was a passion project for him. I think he was very, very, very, very proud of it. And I think that in that moment of being so proud, it's like he was living in that moment. And I don't think he thought about everything else that was also a part of that moment. You feel what I'm saying? Cause if it was up to me, like, dropping that shit right after fade would have been insane. You feel what I'm saying? But I definitely think that it was a. This project was his baby, and he treated it as such, you know what I'm saying? And I think both of us, he was like, yeah. Cause you going, baby, yay. On me. So I think both of us being, like, the super creatives that we are, I think that, like, in that moment, from one creative to another creative, like, we both is like, okay, I get that you probably. This is a proud moment for me too. It was just a lot of that, you know what I'm saying? But I think it's an amazing project, and I think it's a life changer. And it's just like, that was a time to be alive. You just had to. You just had to be there, you know what I'm saying? And now, even today, like, I cut so much more grace. Like, I give so much more grace, because it's just like, people go through stuff, you know what I'm saying? And I think all he ever wanted to do was create, you know? And I know that feeling of just wanting to create. And I think those seven albums allowed him to just create without any of the extra shit, you feel what I'm saying? So at that point, it was block everybody out. He was locked, and he showed up for his self. And I think that's amazing, you know what I'm saying? I think we always talk about who's being selfish or whatever, but it's like, you know what? Show up for yourself. Cause it all still helped us in a way, you know what I'm saying? I would have preferred it to move differently and to roll out to be handled differently, because I am the baby and I am the girl. So it's just like, you know, out of everybody here, I've been waiting the longest, you know what I'm saying? Like, everybody else here is consistent with their music. I don't have consistent music. So I needed you to pour into, like, continue on the passion of it. You was passionate, like, knowing you killed these fucking beats. Now be passionate about this rollout and understand that, you know, we're in this together. You know what I'm saying?

[Joe Crack]

I gotta take a slight pause. You on some bullshit with the green watch with the green Louie with the acting up right now. What type of smoke you can't when you wanted all the smoke today. Like, what the. I'm looking at the green watch with the Louis. Like, you acting up out here, man.

[Tiana Taylor]

That's how you feel?

[Joe Crack]

Yeah, that's how he's feeling.

[Jada Kiss]

Come according to our guest.

[Joe Crack]

Yeah, that's right.

[Jada Kiss]

She throw that on.

[Tiana Taylor]

You know what's crazy? That's actually a compliment. I noticed that when I go places, like, people really be throwing on their Sunday's best.

[Joe Crack]

Let me tell you something.

[Jada Kiss]

I can't go like you go to the laundry.

[Tiana Taylor]

I love that. I really love that.

[Joe Crack]

Yo, these.

[Tiana Taylor]

And it pissed me off that I ain't really get to get my rocks.

[Joe Crack]

Elaborate on these stinkings, right?

[Tiana Taylor]

Yeah, yeah.

[Joe Crack]

Jordan, they love you.

[Jada Kiss]

Yeah.

[Joe Crack]

Because the type of quality they gave.

[Jada Kiss]

You, they let her go.

[Joe Crack]

All kind of trees.

[Jada Kiss]

And.

[Joe Crack]

And. And, yo, this is. This shoe to me, when it came out, was the shoe of the year to me. Okay. I'm sure there's other shoes that came out that was fly, but to me, I do the sneaking shit for real. And I know the quality. I know how they let you get away with, you know, Ran Jordan, don't let you put your name on the shit. All this. The box that came with. I think I got stiffed. I think they gave me a whack box. I think you had some special boxes.

[Tiana Taylor]

What special boxes?

[Joe Crack]

They had a special box.

[Tiana Taylor]

You got a concrete box. They gave me a regular red.

[Joe Crack]

I didn't get the premiere. I didn't. They gave it to me regular. Like. I'm just being honest.

[Tiana Taylor]

It's just like gave you a pair like sneakers in a red box. They me you lying.

[Jada Kiss]

I swear I'm not even sure what kind of box.

[Joe Crack]

No, they came in the fly. I've seen people with five boxes. I was calling the Tina, cursing out everybody. I was like, yo, where the box?

[Tiana Taylor]

I gotta get you a special box. You can put it in my sneakers.

[Joe Crack]

Don'T come in the special box.

[Tiana Taylor]

I gotta get you a box to put in the store.

[Joe Crack]

They shot my in what's the joint? The Benning spot and all that. We shot my photo sh. Was shoot was on top of the projects in the what Gucci Frito with me and Remy in there like this. Like that was our rollout. Was like, you got a special box. All type. I got the regular shit. They was like, nah, you representing, you know, the average man.

[Tiana Taylor]

Nah, but you know what I did though is like again, but nah, that's also the hustle and the finesse.

[Jada Kiss]

You wouldn't let them just give you.

[Tiana Taylor]

I went into my commercial budget. I took. I was taking money from different places and saying, yo, this is what I want to do, you know what I'm saying? I need to make sure that the people, you know, that I fuck with heavy receive these sneakers in a special way. You know what I'm saying? I ain't gonna front. The sneaker was sold out before we even dropped the commercial. So low key, I could have made more than even more boxes.

[Joe Crack]

I went to give you my sneaker and it was so much marijuana that got you high in there that night. Who was it? Little baby's party or something. It was like three in the morning.

[Tiana Taylor]

Oh yeah.

[Joe Crack]

And give him the sneaker. The TS sneaker. It was. I was high, like, yeah.

[Tiana Taylor]

And I.

[Joe Crack]

There's no way to fake secondhand smoke them. Was smoking so much that night.

[Tiana Taylor]

I'm of a certain that showing our aces. I was in there dying. But that was the tour I created.

[Joe Crack]

In the morning, bro, I'm up in there. That was like dumb, dumb, dumb. Like they Were smoking so much shit in there, I was dizzy. She was like, joe, I know you got my shit. I said, yeah. I couldn't wait for that dude to walk in that door to give him that sneaker so bad. I was like, yo, little baby, here you go. You got it. Take the pic. That shit was crazy. But, you know, we grind different with Gag Jay, the man hit up on one of them.

[Tiana Taylor]

I'm not saying anything.

[Jada Kiss]

I'm just saying. Enjoying the conversation, Joe. The Aunties production.

[Tiana Taylor]

So that's crazy. I ain't bringing up the fact that I got a song in the video with both of y'.

[Joe Crack]

All.

[Jada Kiss]

We here to talk about you, though.

[Tiana Taylor]

I'm a part of that. That's a part of my journey. Why we all talking about the mix?

[Jada Kiss]

You can talk about. You know what I mean?

[Tiana Taylor]

That's why you say, yo, T, how I feel? Yeah.

[Jada Kiss]

How does it feel to have a song in the video with us, too?

[Tiana Taylor]

Yo, where's the camera? Like, some of the best moments of my life. I need y' all to understand, like, this little girl from Harlem, having the opportunity to work with both of y' all is amazing, and I don't ever want y' all to get lost on that. You know what I'm saying? Like, I feel like people see where my career is going and, you know, feel. Feel like the other shit don't matter. So again, I say it's all about where I started, and people always believe in me. We got a few records together, you know what I'm saying? And, you know, I, you know, am filled with the most gratitude.

[Jada Kiss]

We need more.

[Tiana Taylor]

Nah, we really do, you know? And that's one thing I can always say. Like, I call Jay, and it's like, whatever. And it's quick, too. You know what I'm saying? It's like, that's the kind of. That means the world to me. You know what I'm saying?

[Joe Crack]

Wait all the time.

[Tiana Taylor]

Oh, you make it weight.

[Jada Kiss]

You ain't up.

[Tiana Taylor]

Y' all be having. Y' all be getting my.

[Joe Crack]

I'm chopping. What am I? They go. My acting like, what am I, chopped me? What am I? What am I, chopped meat here? What was what. What did I do for Jadakiss verse out here? He start telling me, you know, people give me watches for verses.

[Tiana Taylor]

Oh, he's giving you the hint.

[Jada Kiss]

That's my artist. That's my own artist. They gotta do that to get a verse out of me.

[Joe Crack]

Yo, that shit crazy, man.

[Tiana Taylor]

Well, listen, I'm just happy to be a part, you Know what I'm saying? And I feel blessed to have both of y' all in my life and have been able to work with y', all, and I just really want to give y' all. Y' all flowers. The podcast is fucking fire. I could not go into this surgery without coming home. And seeing y' all like this really.

[Joe Crack]

Mean the word for me.

[Jada Kiss]

Come on, let's backtrack here. We talked off the air. It's a bittersweet moment, but we. We walk with the faith of God. Our sister has to have vocal surgery. Tell them a little bit before. You know what I mean? You know, people elaborate a little. Yeah, we say a prayer with her before she goes surgery. No real talk. We gotta say a prayer.

[Tiana Taylor]

I'm good. You know, I think, you know, I've. There's been a lot of years of singing and then, you know, and acting and just a lot of trauma to the. To the vocal cord, you know what I'm saying? A lot of stress to the vocal cord, and I think it's just time to fix it. And sometimes we just try and keep going and keep going and keep going, keep going until our body's like, all right, now it's time to.

[Jada Kiss]

The body will let you know.

[Tiana Taylor]

You feel what I'm saying. Exactly. And I think it's something that I want to handle now. So I am able to go on tour, and I may not be able to talk when this album dropped, but to be able to go on tour and even have a bigger moment with that and with my supporters and give them a real show is amazing. But, you know, I love to be transparent with my people, and, you know, I just wanted to share it, because I will be like, I won't have to really sit back and, you know, take that step back and handle that. And the good thing is it's treatable, and I caught it in just enough time, because it could have got. It could get worse, you know what I'm saying? If I don't handle it. So I'll be doing that tomorrow. So if it's got to be quiet for, like, two weeks straight. That's crazy.

[Jada Kiss]

Oh, man.

[Tiana Taylor]

That's crazy.

[Joe Crack]

Are you the animated one in the. In the crew?

[Tiana Taylor]

I am the animal.

[Joe Crack]

I'm the one that talk the most shit. You know what I'm saying?

[Tiana Taylor]

No, that's me. I'm, like, super animated.

[Joe Crack]

Hello.

[Tiana Taylor]

Yeah.

[Joe Crack]

I'm like, yeah, I'm not, like, I'm.

[Tiana Taylor]

Not even a text. I got a FaceTime for every little thing. Like, I have to, like, Talk. And I'm passionate. And that's where the New York shit kicking. No matter how soft I get, we having, like, a little, like, conversation. And that New York shit come out.

[Jada Kiss]

I'm up out of you. Yeah.

[Tiana Taylor]

Fuck is you talking about, though? Like, it's crazy.

[Joe Crack]

All of that.

[Tiana Taylor]

All of that. I'm. All of that. They like, yo, I'm not. I'm like, I'm not mad neither.

[Joe Crack]

You ever see those, like, tiktoks or memes they be doing about New York girls and every, like, yo, I'm dead ass. They be, like, from, like, the Bay Area somewhere. They'd be like, do your. Your New York girl. They'd be like, I'm dead ass. Where did. Like, man, I seen some shit on the gram the other day. Look, I'm too old for this shit. But, man, I remember those ghetto love stories with the. With the girl screaming. She was like, jonathan Ellis something. I'm telling you, boy, I went yet, like, they had, like, a hood girl arguing with her, man, and she was like, jonathan Ellis, I'm telling you, don't play with me. And he's like. He trying to eat. Like, yo, I can't fucking eat. Like, what's good? Like, she just. I mean, you know, that's part of growing up, right? New York love story.

[Jada Kiss]

Let me hear about your all female production company. The Aunties production.

[Tiana Taylor]

Yeah, the Aunties production. We are all female production company. Really? We have a company called Aunties360 too. Cause we do everything. So we creative direction, produce design, merch, stage design, sound design, movement, coaching, choreography, directing. Like, literally everything is really a safe space for creatives so they don't feel boxed in. You want to do this bet? You want to do this bet? You know, and cost effective, you know, these labels and ain't got no real budgets no more, you know, honey, tell me about it.

[Jada Kiss]

You work with a lot of major brands now. How you choose? Is it the bag? Of course. The bags have to be right. But I can imagine they just. I mean, Victoria's Secret, all of them brands.

[Tiana Taylor]

All money ain't good money. You feel me? All money ain't good. Just snatching bags just because it's a bag to snatch.

[Jada Kiss]

Right?

[Tiana Taylor]

Right. There might be a bomb in that. I ain't getting blown up. You feel me? So it's just like, I'm very cautious with that. You see a bag, that should be.

[Joe Crack]

Weirdest bag they try to throw you that, you was like, nah, I can't do it. I'll tell you mine. What no, no, dude, you first play, boy. Nah, they try to get me to do the fajas. The man faja. They had the meal ticket. They had the meal. Like.

[Tiana Taylor]

Let him get the faja bread.

[Jada Kiss]

You know what you had to do. Just don't have to take the flick with just it. Yeah, that was it. Yo, y' all would have finished. You would have been.

[Joe Crack]

Oh, but you want me to take. Was like, yo, it's a male ticket.

[Tiana Taylor]

Okay, but what do they want?

[Joe Crack]

70Th and 3rd. You wouldn't have dreamed of this thing.

[Tiana Taylor]

So what if they said, just wear it. You ain't gotta post in it. Just say y' all got it on under the tv.

[Joe Crack]

Oh, these guys.

[Jada Kiss]

That's what I'm saying.

[Tiana Taylor]

No, no, no, no.

[Jada Kiss]

Negotiate.

[Joe Crack]

You know me to do. They wanted the skin type. They wanted me up in there with the, like, solid gold. I got a dog. A dog with a solid gold bone. Got a treaty with.

[Tiana Taylor]

Did you negotiate? Did you just flat out say, no.

[Joe Crack]

No.

[Jada Kiss]

It'S under the. Just let me throw it under and say.

[Joe Crack]

I don't even want to say the story. Right? I don't even want to say the story.

[Jada Kiss]

I'm not saying it already.

[Joe Crack]

I'm making this about Tiana. I'm not making this about Fat Joe. I don't want to.

[Jada Kiss]

They took us to the people. They said they want to hear this one.

[Joe Crack]

They want to hear this one.

[Jada Kiss]

Yeah, they want to. They want to hear this. They want to hear this.

[Joe Crack]

Listen. People eat what they kill. Uncle Dan caught a company that told him they had a million to throw Joe to do that. And the man was on. On my neck, like, yo, it's a meal ticket, yo, stop this. Just a picture. They're gonna throw it on. I said, yo, I'm fed Joe the gangsta B like you want. Maybe now I might create my own brand. Now it feels a little better. Cause, you know, we got the rewind at 10. You could color your beard, your hair. You know, why look 53 when you could look 43? 43, you 20. You know, times are changing. At the time when they gave me, that was way too early.

[Tiana Taylor]

I feel like you could have told them, like, designing, like, a bulletproof vest, and the little straps would have made it tighter a little bit.

[Joe Crack]

You feel me? But, you know, sometimes. And not only sometimes, yo, I've. I've. It was just a. Just a period of time where I turned down more money than I made. It was just. They was coming with just, like, be like that, all type of crazy. Some you Think you crazy because I'm from the projects, so I'm turning down left to right. I'm like, yo, are you bucking? Like, are you ever gonna get this?

[Tiana Taylor]

That's real. All money. All money ain't good money.

[Joe Crack]

That's a fact.

[Tiana Taylor]

So I'm very selective in who I work with, and most importantly, your freedom, your creative freedom. Because freedom ain't free.

[Jada Kiss]

Yeah, a lot of these feelings, exactly.

[Joe Crack]

Speak on it. God. Freedom ain't bullshit.

[Tiana Taylor]

Freedom ain't free neither. Peace, anything like that, What I'm saying is gonna come with a price, you know? So it's just like, you want to make sure you go somewhere where you have that. That. That freedom to do that. You know what I'm saying?

[Joe Crack]

Yeah. Let's talk about the Fajas. In the future, we might get that bag again.

[Tiana Taylor]

Maybe, like, I could come in on the PhD thing and figure out it.

[Jada Kiss]

Might be the name of the company. The Fajas in the future.

[Joe Crack]

Yeah, Jaden's Faja Free drive.

[Jada Kiss]

Faja free.

[Joe Crack]

I gotta watch this guy.

[Tiana Taylor]

Free to faja.

[Joe Crack]

Free to faja.

[Az Fudd]

Hey, guys, it's Az Fudd. You may know me as a gold medalist. You may know me as an NCAA national champion and recent most outstanding player. You may even know me as a people's princess. But now you're also going to know me as your favorite host. Every week on my new podcast, Fut around and Find Out, I'll give you an inside look at everything happening in my crazy life as I try to balance it all, from my travels across the globe to preparing for another run at the natty with my UConn Huskies, to just trying to make it to my midterms on time. You'll get the inside scoop on everything. I'll be talking to some special guests about pop culture, basketball, and what it's like to be a professional athlete on and off the court. You'll even get to have some fun with the Fudd family. So if you follow me on social media or watch me on tv, you may think you know me, but this show is the only place where you can really fudd around and find out. Listen to Fun around and find Out. A production of iHeart Women's Sports in partnership with Unanimous Media on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Unknown Host]

What's up, guys? Welcome to Agusto Papa. The go to spot for everything. Musica Mexicana. We're proud Mexican Americans who live and breathe this music. We started this podcast to share and discuss our views on Musica Mexicana. Whether you like Peso Pluma, Los Alares del Barranco, Ariel Camacho or Ivan Cornejo, when you get in your feels, then this podcast is for you. We deep dive into music reviews.

[Agusto Papa]

First up, on my show last year, everything was a 10 out of 10.

[Unknown Host]

Fashion and lifestyle inspired by the roots of musica Mexicana, the craziest controversies and Cheesemans.

[Tiana Taylor]

I don't have nothing against Puerto, you know, and I don't think Joe Peach.

[Joe Crack]

Should be mad at me.

[Unknown Host]

Song and artist comparisons, competition in the scene. There is competition, there is sides to this, there's special pluma, Double P and there's J O P Mob. I think at the end of the day, it's business, it's all competition and of course, our personal stories and opinions along the way. This isn't just a podcast. It's a movement for fans who live musica Mexicana every single day. Listen to Augusto Papa as part of the Michael Tura Podcast Network on the.

[Agusto Papa]

Iheartradio app, Apple Podcasts, or wherever you get your podcasts.

[Emily Tish Sussman]

Have you ever wished for a change but weren't sure how to make it? Maybe you felt stuck in a job, a place, or even a relationship. I'm Emily Tish Sussman and on she Pivots, I dive into the inspiring pivots of women who have taken big leaps in their lives and careers.

[Az Fudd]

I'm Gretchen Whitmer.

[Emily Tish Sussman]

Jody Sweetin, Monica Padme, Elaine Welteroth. I'm Jessica Voss. And that's when I was like, I gotta go. I don't know how, but that kicked off the pivot of how to make the transition.

[Tiana Taylor]

Learn how to get comfortable pivoting because your life is going to be full of them.

[Emily Tish Sussman]

Every episode gets real about the why behind these changes changes and gives you the inspiration and maybe the push to make your next pivot. Listen to these women and more on she Pivots now on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Bob Crawford]

Adventure should never come with a pause button.

[Bridget Todd]

Remember the MoviePass era where you could watch all the movies you wanted for just $9? It made zero sense and I could not stop thinking about it. I'm Bridget Todd, host of the tech podcast There Are no Girls on the Internet. On this new season, I'm talking to the innovators who are left out of the tech headlines, like the visionary behind MoviePass, Black founder Stacy Spikes, who was pushed out of MoviePass, the company that he founded. His story is wild and it's currently the subject of a juicy new HBO documentary, We dive into how culture connects us.

[Bob Crawford]

When you go to France or you.

[Joe Crack]

Go to England or you go.

[Bob Crawford]

You go to Hong Kong, those kids are wearing Jordans. They're wearing Kobe's shirt. They're watching Black Panther and the challenges.

[Bridget Todd]

Of being a black founder.

[Bob Crawford]

Close your eyes and tell me what a tech founder looks like. They're not going to describe someone who looks like me, and they're not going to describe someone who looks like you.

[Az Fudd]

I created.

[Bridget Todd]

There are no girls on the Internet because the future belongs to all of us. So listen to. There are no girls on the Internet. On the iHeartRadio app, Apple Podcasts, or wherever you get your podcast.

[Jada Kiss]

You have an incredible slate of upcoming films to be released. I mean, including projects with Paul Thomas Anderson, Tyler Perry, Ryan Murphy. How you choose your acting roles.

[Tiana Taylor]

That is a good question. I mean, I gotta feel it. Honestly, if I don't fall asleep reading a script, I love it. No, for real. Cause sometimes I will read a script and I will read it, and it will go through one end. Like, it won't leave the paper. I'm just like. But when I'm reading it and I can see what's happening while I'm reading it, because I am a visual person, then I know it's for me. But it's also like, what's the bigger message? Like, what are we talking about here? You know? So that's important to me. And then, of course, having the opportunity to. To work with people that I've worked with. That's another big yes. That's like, oh, absolutely.

[Jada Kiss]

I gave you a loud. I was. I went to see Sinners something. I seen the clip of your movie, and I said, oh.

[Joe Crack]

Copy.

[Jada Kiss]

Yo, they looking at me. Yeah, I know her. Shut up.

[Joe Crack]

I gotta be honest. Only guy I ever been a group before was Leonardo DiCaprio.

[Jada Kiss]

Pause.

[Tiana Taylor]

So Leo said, do this faja commercial with me.

[Joe Crack]

Nah, but listen what I'm saying to you. The man at the Beyonce concert, he got a hoodie on this. Like, there's no way to notice Leonardo DiCaprio. You know, we sitting in the. We standing in the thing and this shit like this. He got a hat like this. He's like, yo, what's up, Joe? I'm like, what's up? I'm like, yo, what's up? You know? Cause you know, I'm doing the Joe Crack, too. I'm out there. You know what I'm saying? I'm like, yo, what's up, man? He's like, yo, it's me, Leonardo. I said, what the. Take the hoodie off now. I took a picture with him. This still came out up. It's the only time I ever did that. And the picture came out too dark. But I made him take the hoodie off. I was like, yo, take the off, man. I gotta get a pick this. He was like, boom. He was a nice guy, man. He loved hip hop, but he's the only guy I ever like, lost my cool for pause. What is your favorite? Well, I'll give you, I'll give you a way out. What's your all time favorite soul food spot in Harlem?

[Jada Kiss]

How you gotta talk about food?

[Tiana Taylor]

I ain't go in front. Amy Ruth.

[Joe Crack]

Amy Ruth was your favorite?

[Tiana Taylor]

Yeah, it was. Yeah. But I used to also love. Well, Devin's was fried fish and shit like that. But like soul food.

[Joe Crack]

Soul food.

[Tiana Taylor]

Amy Roots.

[Joe Crack]

Amy Roots was fire.

[Tiana Taylor]

The cornbread was fire, the fried chicken was fire, the macaroni was fire. And coming up, like they would like just always show me mad love like from a kid to like, you know what I'm saying? Like coming into the industry, like I have little events there, like. Cause I'm like a creature of habit. So once I like something, it's like that's all I want to eat. Because besides soul food, Chinese spot on 40th and Lennox or it was Grinnies on 43rd.

[Joe Crack]

What does the Chinese is just regular ghetto Chinese or.

[Tiana Taylor]

Yeah, right. Oh, dang it.

[Joe Crack]

On Linux, the 40th and Lennox.

[Tiana Taylor]

40Th and Lennox, they still there.

[Jada Kiss]

Oh, speaking of food, you know the spot.

[Joe Crack]

Well, shout out to make my cake in Harlem.

[Tiana Taylor]

Yo, make my cake.

[Joe Crack]

They don't want 20 people used to.

[Tiana Taylor]

Walk bottom on, on, on on 7th and you could just smell it.

[Jada Kiss]

Oh, my people watched our episode from the Bronx, right?

[Joe Crack]

I'm from, I'm from Harvard for real. But guys, nice. I'm telling you Mount Morris, the people.

[Jada Kiss]

From the Bronx, the restaurant you said that got the banging sauce is groovy. Lou's in laws, they're gonna next show, they gonna bring, they're gonna lace you and bring you the spot, remember? Cause you told us about it on the show.

[Joe Crack]

What else?

[Jada Kiss]

Somewhere in the Bronx I got the chicken, the sauce. One of these episodes you was talking about a spot in the Bronx with the banging sauce.

[Tiana Taylor]

Well, whoever you was talking about, they.

[Jada Kiss]

Coming sisters husband owned.

[Tiana Taylor]

They coming.

[Jada Kiss]

He's about to bring you on.

[Joe Crack]

You know what I'm looking for. Fonzip put me onto turkey chops back in the day.

[Jada Kiss]

Stop and shop.

[Joe Crack]

They ain't got the turkey chops. Because I went to every stop and shop looking for the turkey chops.

[Jada Kiss]

They got it already, but I think.

[Tiana Taylor]

You gotta cook them.

[Joe Crack]

No, no.

[Tiana Taylor]

What the question is, is what exactly are we talking about?

[Joe Crack]

Fake pork chops.

[Jada Kiss]

He must be hungry. Cause that's what I'm saying.

[Tiana Taylor]

Are you hungry? Do we need to order that? Like, what we. I'm just saying, like, what's the end.

[Joe Crack]

All be all chops?

[Tiana Taylor]

Because I'm hungry too. Like, is it coming now or the next episode? Why would y' all n order no chicken?

[Joe Crack]

He ordering some shit for next week. That's what I'm saying. I'm telling you right now.

[Tiana Taylor]

Same thing with you, J. I'm thinking, is the shit coming today? I'm holding.

[Joe Crack]

No, no, what I'm saying is we was talking hall on the culinary conductor interview.

[Jada Kiss]

He over here asking you about your five favorite soul food. No, I did.

[Tiana Taylor]

You said turkey chops.

[Jada Kiss]

That came out the Chinese spot 100.

[Tiana Taylor]

I had answered it.

[Joe Crack]

Food is really important.

[Tiana Taylor]

I'm like, yo, like, they bring us up.

[Joe Crack]

I'm with you.

[Jada Kiss]

I thought we was on.

[Joe Crack]

He said, no, no. What?

[Jada Kiss]

Shout out to voice.

[Joe Crack]

I'm looking for turkey shots. No, no.

[Jada Kiss]

What's on this guy's mind over?

[Joe Crack]

Vaughn Zip used to take me to a spot downtown, like big time. A Caprielli's or some wild shit. And they used to have the turkey chops that you take home and you fry it like pork chops, and it tastes like pork chops. They stopped making it. So the other day I seen the soul food joint and I was like, yo, it said turkey chops. I was like, yo, where the fuck the turkey chops?

[Tiana Taylor]

What spot was that?

[Joe Crack]

And then everybody start telling me turkey chops. And they all said stop and shop. But I went to like 10 stop and shops. By the way, we got rewinded 10 up in that too. So if you Want to go 53.

[Tiana Taylor]

Tomorrow, the story is there's no turkey shot.

[Jada Kiss]

They are. He just don't know where they at.

[Tiana Taylor]

I love that we found something, though, because I was confused as to.

[Joe Crack]

No, he's just.

[Tiana Taylor]

I'm just happy we found it.

[Joe Crack]

I'm crazy. Don't mind me. No, I love it.

[Tiana Taylor]

I love it. I'm just. I'm just happy we found it because I wasn't sure where we was going to defend you. You don't need jobs.

[Joe Crack]

For years, they discontinued it. And then the other day, I talked about it in one of his shows and everybody told Me? Nah, they got the turkey chops. So I went to 10 supermarkets in the world.

[Tiana Taylor]

How dare they?

[Joe Crack]

That's a big deal for me.

[Tiana Taylor]

That's a big fucking deal.

[Joe Crack]

But, you know, ain't no swine, there ain't no pork on my fork, no ham in my pan. You know what I'm saying?

[Jada Kiss]

I don't know what you say. I don't know. Listen, your BET performance of Long time was categorized as futuristic. For me, you might be like the second to Michael Jackson. How much you rehearse and how much you prepare for live performances. Me watching you, I. I see you all over. I see when you getting ready to do a tour, you getting ready to do something. It's like you doing unlimited amount of dancing, rehearsing. And how do you. What is it with that? Do you take that even more serious.

[Tiana Taylor]

Than anything that's so serious? Cause honestly, if I could like record the album and then press the button that take me straight on tour and I don't have to do press radio, everything that comes with all that shit, I would go straight. I would go on tour for the rest of my life. I love to perform live and I love to rehearse. I'll rehearse my dance like I can dance. Like 12, 13 hours straight.

[Jada Kiss]

Like they tired you still gone.

[Tiana Taylor]

You feel me? Like, I would just. I can just do that all day. And that's also why I'm so toned. Like, I be so. I be so ripped on toned.

[Joe Crack]

You look like you born six packed up.

[Jada Kiss]

Yeah, she looked up.

[Joe Crack]

You just born six pack.

[Tiana Taylor]

No, I was. I used to call myself a Ninja Turtle. You know how they had the little pudge with the six pack on top of it? Real shit. I was a Ninja Turtle.

[Joe Crack]

See, I never had a muscle in my life. We talk about. Yeah, I was in the gym two times a day, trainers and everything, and couldn't make a muscle. I don't not build. I'm not.

[Tiana Taylor]

You needed the faja I needed.

[Jada Kiss]

I said fairy, man.

[Tiana Taylor]

And you could have got paid to get that muscle too. You could have got paid the Millie to get the muscle.

[Joe Crack]

Who she get it from, mom? From you or from dad? Where'd she get the genetics from? I'm. No, I'm asking you.

[Jada Kiss]

New York. New York.

[Tiana Taylor]

Nah, but my mom, my mom has been heavy into fitness like at a young age, you know, my parents are.

[Joe Crack]

Both thick, look better than ever. But let me tell you something, right? In order, like, you know, I'm a big basketball fan and in order for someone to become the mvp or to win the championship. It's a certain level. Like, that's why you see all these guys breaking their Achilles and all that.

[Tiana Taylor]

It's another.

[Joe Crack]

Like, you gotta be faster than everybody. You gotta go another level. You gotta train another level, like, to get to that, to the chip. And then when I watch your performances for no reason, you'll be like. You'll jump in the air like it ain't enough, like, for you. It's like, yo, it's like you got so much built in energy that I believe you trained your dancers, because I see you outwork them. And that's very rare, you know? Cause the dancers, they supposed to, you know, help out the artists. You know, Some certain artists need a lot of help, you know.

[Tiana Taylor]

Yeah. But I also think that artists don't. Other artists are. They don't choreograph for themselves. So it's like, I'm the dancer and the choreographer. You know what I'm saying? So it's just like, yo, this is what we doing. This is how it's going down. And me, I just. I love to dance. I love to.

[Joe Crack]

I just thought of one Jay, that this is. You ever battle Chris Brown behind the scenes at a show or something?

[Tiana Taylor]

It's never been a battle, but behind the scenes, it goes down. Like, it's just always dancing. But the thing about we be so in sync, it's never a battle. It's always like, if he move this way, then we both moving that way, and then we catch it, and then we just, like, in our own little world, there's a lot of videos of us, like, literally doing that. Like, we dance all day. Like, it's. People be tired of us. It's like, all right, fucking dancing motherfuckers. Like, sit down. You know what I'm saying? But, like, we literally do that shit, like, all day and we hype each other up. You feel what I'm saying? Like, it's not. There's no. Like, we're not competitive toward one another. And I think us coming up together, you know, that's.

[Joe Crack]

We would like to see the videos, the footage someday of you and Chris going. Because thank you, brother. No alien talk. No crazy shit. They think I'm a basketball.

[Tiana Taylor]

No, I definitely think the world deserve that moment.

[Joe Crack]

That'd be great.

[Tiana Taylor]

They deserve that moment from us. They deserve a stern dance number. That'd be insane.

[Joe Crack]

That would be nuts.

[Jada Kiss]

With Escape Room coming out in August, what's next for you? Of course, the surgery. How long is the healing?

[Tiana Taylor]

Well, I mean, the first Two weeks, I just gotta. I gotta shut up. I gotta be quiet. And then the third week, I'll go into. Back into like training to make sure. Doing therapy on my vocal cords or after that tour, probably in January, because then I got to get ready for one battle after another. September 26th coming. Then I got all sphere coming. And then I got Rip coming with Matt Damon and Ben Affleck and you know, just. It's a lot back to back to back to back. And then I'm thinking toward maybe like January, February. And then. Oh, I'm about to direct my first feature film called Get Lights on the Get Light Culture in Harlem. My first like, feature film as a director. Yeah, so we're starting that too, so. Yeah.

[Jada Kiss]

That's fucking awesome. That's awesome.

[Joe Crack]

That's crazy.

[Jada Kiss]

What advice would you give to somebody trying to do what you did on something remotely close to they want to sing, dance, produce. If you just bumped into a young T right now in Harlem?

[Tiana Taylor]

I mean, I bump into youngins that come to me all the time asking me that question. And I tell them to be true to yourself. And I know that should sound gimmicky or whatever they call it, like generic. Yeah, generic. Because people like, man, we're for real. Don't tell me. Never give up. We're for real. I'm trying to get signed, you feel me? So it's just like, I like to be real with people and transparent, to Joe's point. Like, I'm a manifester. You feel what I'm saying? So you gotta manifest what you want and you gotta say what you want and you gotta pray on what you want. You gotta believe that that's what it's gonna be. It's the faith walk. I tell everybody, walk that walk, walk that walk. It ain't gonna be a straight one, you know what I'm saying? Like, it's gonna be rocks and shit that's gonna be thrown and you know, you might run into a deer. You might. It's just there's a lot of shit going on, but you gotta keep that faith walk going. And that's what I tell em, like. And it's just. It's important. It's not never give up. It's not boom, boom, boom. Cause we have our times where we're like, fuck all this shit. I don't wanna do it. You feel what I'm saying? So I'm not about to tell you to do that, you know what I'm saying? But I do want to tell you to believe. And have those conversations with God. That's the only real bets you need to make, you know what I'm saying? And understanding that shit not gonna be thrown in your lap. And the number one thing is, don't take none of this shit personal. My mom told me that a long time ago. Because coming in at 15, I took everything personal. That's why I was rah, rah, rah, rah, rah. Because I'm in survival mode. I'm taking it personal. You feel what I'm saying? Like, I got mouths to feed, people to take care of. I'm taking this shit serious, you know what I'm saying? It ain't shit shaking. So how I'm gonna shake this table? You know what I'm saying? But my mom had told me, don't take this shit personal. It's a wicked business. And when you stop taking shit personal, you'll feel a lot better. So now being back on my terms, I don't take nothing personal. And I feel a lot better. And I'm glowing and I'm continuing to grow and I'm doing my thing. Cause I'm. I don't take shit personal.

[Jada Kiss]

That being said, get ready for the escape room project. Let's get into one of these bangers. Courtesy of Teyana Taylor. Only on the Joe and Jada show.

[Joe Crack]

Yeah, I mean, Latina. Make sure we got permission for this, because last time I tried this shit, they said that was a great song.

[Jada Kiss]

Matter of fact, hold on.

[Joe Crack]

Is that.

[Jada Kiss]

You sure you smoked in the White House?

[Tiana Taylor]

Yeah.

[Joe Crack]

You. Me. What about me?

[Jada Kiss]

We did this before. Then I watched the episode, the screen.

[Tiana Taylor]

Y' all just make sure y' all find his turkey chops.

[Jada Kiss]

You heard it. Say that again.

[Tiana Taylor]

Y' all just make sure y' all find his turkey chops. Find them turkey not stool.

[Jada Kiss]

When you sold the rum. When you sold the sofa.

[Tiana Taylor]

You know what's crazy? Type it in Uber Eats. You was you type it in Uber Eats. You might be able to find the turkey chop. So they gonna find you know what?

[Joe Crack]

That's my mission today. I'm gonna find me.

[Tiana Taylor]

Let me go on Uber Eats right quick.

[Joe Crack]

Let me go.

[Jada Kiss]

They got something, Louie. I'll get you.

[Joe Crack]

They ain't got no. They ain't got no turkey.

[Jada Kiss]

Let's get into this exclusive.

[Joe Crack]

Read the whole damn mouth. Put it loud.

[Tiana Taylor]

Got a few questions for you. Is getting real confusing. Do you want this or do you don't see a difference in the way you move it? Proving you don't give a about losing what say home so now go. Was your wife or was your father die? But all you did was make me cry? While you enjoy the view?

[Jada Kiss]

Hey.

[Tiana Taylor]

So selfish, can't get through to you who really wins? When a family feel so good? Won't you turn love blue?

[Joe Crack]

You.

[Tiana Taylor]

To me Never said it be easy but the hard part is over with.

[Jada Kiss]

Easy?

[Tiana Taylor]

The hard part is over with you.

[Joe Crack]

Lucky day. I knew it.

[Tiana Taylor]

Oh, the hard part is over.

[Joe Crack]

Sheesh.

[Jada Kiss]

Escape room. That was the hard part. Holy. Was that a beautiful scene. Make sure y' all download stream purchase wherever you get your forms of music.

[Joe Crack]

Escape project Lucky Shout out. Lucky day.

[Tiana Taylor]

Shout out.

[Joe Crack]

Lucky day, fellow six packer. This guy gonna perform six packed out this guy right here, right? Lucky day.

[Jada Kiss]

Lots of people.

[Joe Crack]

I gotta tell you, the vibe that gave me, first of all, you picked up right where you left off. Even better growth.

[Jada Kiss]

Yeah, that shit. That was a beautiful.

[Joe Crack]

You know, that reminds me when she called the card and she was like, you might not have noticed me, but I'm the waitress. You know, I throw water in your. In your. In your. In your co. My. My boss told me not to. He told me not to throw the milk, but I throw the milk in your chocolate. And what was the name of that spot? Legendary on the hand pan. Was legend. Yo, you gotta stop. You ain't know no ham in my pan. That's a Harlem restaurant.

[Jada Kiss]

I do the name of it.

[Joe Crack]

All right?

[Tiana Taylor]

But this is why I got her.

[Joe Crack]

That's that vibe, though. Well, we gonna pray for you with the surgery. We thank you for honoring us with your presence. You after us, but we feel like you like you just bridge our era with the new era. Like you got cloth.

[Jada Kiss]

She got that.

[Joe Crack]

You from that cloth. You know what I mean? That's the mama love. That's hard to be from that cloth, you know what I mean? So we appreciate you, and thanks for sitting on the couch with us. I'm Joe Crack.

[Jada Kiss]

Jada Kiss.

[Joe Crack]

This ain't that.

[Jada Kiss]

That ain't this.

[Joe Crack]

And it's cracking. Kiss, baby.

[Jada Kiss]

Make some noise for Tiana.

[Joe Crack]

Tell I'm thankful.

[Az Fudd]

Hey, guys, it's Az Fudd. You may know me as a gold medalist. You may know me as an NCAA national champion. You may even know me as a people's princess. Every week on my new podcast, Fut around and find out. I'll be talking to some special guests about pop culture, basketball and what it's like to be a professional athlete on and off the court. Listen to Fut around and find out. A production of Iheart women's sports in partnership with Unanimous Media on the I Heart Radio app, Apple Podcasts or wherever you get your podcasts.

[Emily Tish Sussman]

Every case that is a cold case.

[Tiana Taylor]

That has DNA right now in a backlog will be identified in our lifetime on the new podcast America's Crime Lab. Every case has a story to tell and the DNA holds the truth.

[Joe Crack]

He never thought he was going to get caught. And I just looked at my computer screen, I was just like, ah, gotcha. This technology's already solving so many cases.

[Tiana Taylor]

Listen to America's Crime Lab on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Bob Crawford]

I'm Bob Crawford, host of American History Hotline, a different type of podcast. You, the listener, ask the questions.

[Tiana Taylor]

Did George Washington really cut down a cherry tree? Were JFK and Marilyn Monroe having an affair?

[Bob Crawford]

And I find the answers. I'm so glad you asked asked me this question.

[Emily Tish Sussman]

This is such a ridiculous story.

[Bob Crawford]

You can listen to American History Hotline on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Agusto Papa]

What's up guys? Welcome to the Agusto Papa podcast. The go to spot for everything. Musica Mexicana. We're proud Mexican Americans who live and breathe this music. We started this podcast to share and discuss our views of Musica Mexicana. Whether you like like to vibe to Peso, pluma los alegres del Varanco, Areel Camacho or Puri van Cornejo. When you get in feels then this podcast is for you. Well, actually Peso was supposed to be on Chinito's album. The song with Drake was supposed to be with Peso. Listen to agaGustopa on the iHeartRadio app, Apple Podcasts or wherever you get your podcast.