The Real Report - Millyz on Jadakiss co-sign, Eminem inspiration, & almost being ABDUCTED in Haiti for $6,000

Summary

Joe and Jada Podcast – The Real Report Episode Title: Millyz on Jadakiss co-sign, Eminem inspiration, & almost being ABDUCTED in Haiti for $6,000
Date: April 13, 2026
Host: Fat Joe (Uncle Murder), Jadakiss, Keon Miller
Guest: Millyz
Producer: iHeartPodcasts and The Volume

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Episode Overview

This episode delivers a dynamic and candid look at the journey of rapper Millyz — from the grind of Massachusetts to the respect of New York’s rap scene — highlighting co-signs from hip-hop royalty (notably Jadakiss), creative evolution, behind-the-scenes stories of touring, and gritty near-disasters, including his harrowing near-abduction in Haiti. The conversation celebrates hip-hop’s legacy, intergenerational respect, and offers actionable advice for artists striving for authenticity and longevity in the industry.

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Key Discussion Points & Insights

How Millyz Earned Jadakiss’s Co-Sign

• Meeting Jadakiss:

  • Through his manager Seth Free, Millyz was brought from Cambridge/Boston to NYC seeking a feature — that organically turned into a direct link with Jadakiss.
  • "[My manager] brought me out to New York... he was going through his Rolodex... I know Jadakiss. So we in the Bronx at the time. He called. Kiss pick up... 10 minutes later, met me, heard my shit, and it was kind of on from there." (04:17)

• Business & Artistic Support:

  • Not just a cosign, but real business — "We broke bread multiple times." (06:02)
  • Ice Pick J recognized Millyz’s versatility (singing/rapping), recommending Jadakiss take him seriously. (05:40)

• Pressure & Validation:

  • "Even having that co-sign from Kiss, I felt extra pressure. I gotta show motherfuckers I'm nice..." (07:37)

Boston’s Underdog Strategy & Regional Unity

• Using Massachusetts as a Whole:
  • Millyz stressed the importance of mobilizing the entire region (Cambridge, Lawrence, Brockton, Mattapan) to build a movement that propelled him out of Boston. (06:18)

New EP – ‘Rhythm & Pain’ and Creative Evolution

• Fully Melodic Project:

  • For the first time, Millyz sings throughout an entire project, breaking out of the “just a rapper” box.
  • "All melodic, man... my streaming shit is doing just as good if I dropped a rap album... I feel amazing about that." (07:06)

• Artistic Motivation:

  • Inspired by “what's in my heart,” Millyz speaks about music as spiritual, following his instincts over commercial pressures. (13:35)
  • Emphasized battling through categorization and the importance of creative risk.

Freestyles, Respect, and Racial Perception

• Going Viral & Gaining “Street” Respect:

  • "It felt real good to get the validation [in New York]... I remember being here for five years and nobody knew me. And then one day... they recognizing me in New York. It's lit." (11:15)
  • On racial perception: “They be like, he white, he ain't talking that shit... Then when you see the streets do embrace you, how that shit be feeling?” (10:34)

• Hip-Hop’s Bar-Driven Epicenters:

  • New York and Philly highlighted as special places where lyrical skill is still king.
  • "You still gotta lead with skill... The Mecca of this shit." (10:52)

Europe and Overseas Experiences

• London as a Key Market:
  • "London's like one of my main markets... heavy in London." (13:13)
• Overseas Touring:
  • Discussion of the unique, lasting appreciation for hip-hop legends outside the U.S.
  • "I like my fame, cause we get to go out, go see the Mona Lisa... I want to still [enjoy life]." (84:48)

Haiti: Adventure and Danger Abroad

• The Near-Abduction Story (26:06–38:27):

  • Millyz recounts a trip to Haiti in 2018–19. Unaware of the severity of local instability and kidnappings, he lands with local friends and finds himself in increasingly tense scenarios outside a nightclub.
  • "They want $6,000 American for us to leave this parking lot... I still had faith in God." (35:52)
  • Ultimately, quick thinking and a bit of luck gets them to safety, and Millyz reflects on the beauty and trauma of Haiti.

• Broader Reflection:

  • Millyz connects his affinity for the Haitian community to his upbringing, and discusses systemic oppression and the pride/power of the Haitian people.
  • "They overthrew the French army... more heart and willpower... that's Haitian power." (40:13)

Choosing Independence over Major Labels

• Labels Passed Until It Was Obvious:

  • "All the labels said, I don't see it... By the time they saw it, my data line was going up." (11:59)

• Financial Realities:

  • Millyz would have signed with Def Jam for $20k in his early days, just to have "done something." Went independent by default, which paid off later.
  • "I went independent by default... I started catching motion in 2021... got a check after the tape... that's independence, I get it." (21:19)

• Lessons in Revenue:

  • "A record I put nothing on did a million times better... you can't really fall in love with the records as the artist." (52:34)

Collaborations and Regional Talent

• Risk Takers as East Coast Posse Cut:

  • "Risk Takers is the hardest record to come out the east coast in the last 10 years..." (22:42)
  • Collaboration with Albee Al and Leaf Ward, who Millyz calls "the best rapper in the world under 30." (23:13)

• Plans for Upcoming Projects:

  • Tapes with Albee Al and hopes for Leaf Ward’s release to complete the trio. (23:50, 50:53)

• Emphasis on Philly Rappers:

  • "Philly, the talent is out the roof." (24:38)

Industry & Rap Game Wisdom

• Creative Practice:

  • Millyz’s relentless practice: battle rap, freestyles, rapping over random sounds, perseverance without big connections. (14:44)

• Volume over Perfection:

  • "I look at my mind like a factory... I got an unlimited amount of this shit in my mind..." (51:24)

• Don’t Chase Hit Singles:

  • "Artists don’t know what the hit is. You don’t, you just..." (52:02)
  • Importance of organic reactions and constant output.

Dealing with Hate and Social Media Scrutiny

• Hate as Algorithm Fuel:
  • "If I don't see no hate under the post, I'm like, chalk this one up... you need the hate because the hate drives the algorithm..." (55:37)
• Public Life & Criticism:
  • "Once you sign that line you are public property... a person is making money off your likeness." (56:23)
• Why Not Everyone Thrives:
  • Millyz explains, "That's why certain people be scared of success... you can't have one without the other." (56:41)

Hip-hop Nostalgia & Stories From Legends

• Touring with Eminem and 50 Cent:
  • Uncle Murder relates stories from the Anger Management tour: "Being on Anger Management tour with Em in his prime, it's crazy. 50 in his prime. Not arenas. Stadiums." (60:15)
• Eminem’s Influence:
  • Millyz: "Em was the only super relatable rapper to me... showing the crazy side of white people and I was jacking it... such a lyricist." (58:39)
• On Biggie’s Genius:
  • "Biggie is the greatest rapper. You can't physically rap better than Big in life. He is the bar..." (64:23-65:57)
• Freestyle Culture:
  • Discussion on the pressure and thrill of the Hot 97/Funk Flex freestyle era and how today’s platforms differ. (66:45–69:19)
• Respect for Hip-hop's Past and Encouragement to Stay Current:
  • "A lot of the older generations tap out... I never wanted to do that." (91:34)

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Notable Quotes & Memorable Moments

| Timestamp | Speaker | Quote / Moment | |-----------|-------------|--------------------------------------------------------------------------| | 04:17 | Millyz | "He called Kiss... [who] pick up... met me, heard my shit, and it was kind of on from there." | | 07:37 | Millyz | "Even having that cosign from Kiss, I felt extra pressure. I gotta show motherfuckers I'm nice." | | 11:15 | Millyz | "Validation [in New York]... I remember being here for five years and nobody knew me... they recognizing me in New York. It's lit."| | 13:35 | Millyz | "I had to do what was in my heart... music is spiritual... I'm doing them singing songs... it's like unconscious, like a stream of consciousness."| | 26:06 | Millyz | "I went to Haiti... 2018, 2019... snatching bodies... by the time I told my mom, she was like, 'You sure?'"| | 35:52 | Millyz | "They want $6,000 American for us to leave this parking lot. I'm like, damn, this kind of crazy, but I still... I be having so much faith in God."| | 40:13 | Millyz | "That's Haitian power, bro... they overthrew the French army... more heart and willpower."| | 52:34 | Millyz | "A record I put nothing on did a million times better [than the one I put $75k on]... you can't fall in love with the records as an artist."| | 55:37 | Millyz | "If I don't see no hate under the post, I'm like, chalk this one up. You need the hate because the hate drives the algorithm..."| | 58:39 | Millyz | "Em was the only relatable, like, super relatable rapper to me... he was saying... that's me right there."| | 65:13 | Milllyz | "You can't physically rap better than Big in life. He is the bar. And there's no bar over it to me."| | 91:34 | Milllyz | "A lot of the older generations, sometimes they tap out of music. I never wanted to do that."|

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Timestamps for Key Segments

• 04:17 – 06:02: Millyz meets Jadakiss, gets co-sign & business relationship.
• 07:06 – 07:37: On embracing melodic singing and breaking out of the “just a rapper” box.
• 10:34 – 11:35: Navigating respect, race, and going viral as a white rapper.
• 13:13 – 13:50: Global love for bars, especially in London.
• 20:00 – 21:50: Going independent vs. major label, early struggles, the power of owning your music.
• 22:36 – 25:46: Collaboration and the making of 'Risk Takers.'
• 26:06 – 38:27: Haiti trip, near-abduction, and power of the Haitian community
• 55:37 – 56:41: Social media, handling hate, and the price of public life.
• 58:39 – 60:15: Eminem's impact, reflection on hip hop legend collaborations and tours.
• 64:23 – 65:57: Millyz on Biggie's technical dominance in rap.
• 66:45 – 69:19: Freestyle culture and foundational hip-hop experiences.
• 91:34 – 92:15: On staying current with new music as an artist over 30.

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Featured Artists & Shout-outs

• Jadakiss – pivotal to Millyz’s career.
• Ghazi (Empire Distribution) – business partnership.
• Albee Al & Leaf Ward – collaborations and upcoming group project.
• Risk Takers – named as the hardest East Coast posse cut in a decade.
• Free Leaf Ward – Millyz praises as the best rapper under 30.
• Eminem & Dr. Dre – sources of inspiration and industry standards.
• Other frequent mentions: 50 Cent, Biggie, Cardi B (Artist of the Week), Philly rappers, Russ, Richie Rose, Honcho.

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Closing Thoughts: Tone & Takeaways

The episode radiates the tone of lifelong hip-hop heads, blending gritty realism and street wisdom with humor and admiration for artistry. Millyz, Fat Joe, and Jadakiss salute generational contributions to hip-hop, emphasize community, and distill life lessons from tough experiences. There’s pride in surviving — and thriving — through adversity (both on the block and in the business). The key message: maintain authenticity, embrace change, and never stop hustling for respect, regardless of co-signs, numbers, or haters.

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Interested in gritty industry wisdom, wild travel stories, and the state of East Coast hip-hop? This is an unmissable episode — raw, funny, and full of jewels.

Transcript

[Podcast Host]

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[Uncle Murder]

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[Uncle Murder]

The food was hitting. They had smoked duck for breakfast there. Paris, look. Paris, look, look. Cause I'm gonna tell you I don't want fame. Look, I'll tell you all the time, Murder. What I tell you I don't want fame. Like 50.

[Millie]

No, no, no. But how yo, how? Like smoke duck. They got you unanimous with that on the end. How many times? Like that's just like a repeat meal like McDonald's.

[Uncle Murder]

No, it's just not. It's not that Murder was in Morocco.

[Millie]

Yo, he's a one person famous for smoked duck. Like you boosted that revenue established.

[Uncle Murder]

Shut the up with that.

[Millie]

Okay.

[Uncle Murder]

Yeah, it's the mother Real Report with Turbulence. Tony, it's the boy.

[Keon Miller]

Lil Jet.

[Uncle Murder]

Lenny, bro. Who the. You are Boston's king right now?

[Millie]

Oh, yeah, man. Cambridge finest, man. Cmb Blanco, man. Millie, you know the vibe, man.

[Uncle Murder]

Make some noise.

[Millie]

Honor to be here, man.

[Uncle Murder]

You know what it is, man. Yeah, yeah. Yo, I appreciate you, man. Coming through, man.

[Millie]

Nah, I appreciate y'.

[Uncle Murder]

All one thing. You got the biggest co sign from one of the best rappers on the plan. Yeah, J, the Kiss. And that like gave you the ultimate respect. You could spit. Also, you one of the best.

[Keon Miller]

Shout out to my brother Kiss.

[Uncle Murder]

You know when you get a cosign from a like Kiss. I felt like the whole streets loved you after that. Like from Boston to New York, Connecticut. Talk about that. How did you meet Kiss and how did all that happen?

[Millie]

Man, I met Kiss. So my manager at the time was a guy named Seth Free. He started a one mixtapes and shit like that.

[Uncle Murder]

Oh yeah, I remember that.

[Millie]

And he saw a vision in me. And he had family like his wife's Cape Verdean, so he knew about the area and mass in Boston and like that. And he brought me out to New York and I was trying to get a feature for a song. I had a song called the Plug at the time. And he was going through his Rolodex of rappers. He went from Raekwon to a few different rappers. And then he was like, you know who?

[Uncle Murder]

I know?

[Millie]

I know J. The Kiss. I'm like, yo, no, no, fuck it, J.

[Uncle Murder]

The kiss.

[Millie]

So we in the Bronx at the time, and he's like, let me call him. Let me just see how it go. He's just calling through his phone to connects. He called kiss, pick up. Yo, Free, what's up? He's like, Free's like, yo, I'm in the Bronx right now. And Kiss like, yo, I'm in the Bronx. I just picked up my man K. Rosewood, and I gotta drop him to the halfway house. This is the day Kiss, right hand man got out, right? So he had to take him. He had to take him to the halfway house in the Bronx. So it just happened, like, through God, that when Kiss is calling him, we in the same neighborhood in the Bronx. So they pulled up 10 minutes later, met me, heard my shit, and it was kind of on from there. And then, you know, I was just rocking with him like a regular relationship. But Ice Pick J, who passed on

[Uncle Murder]

Rest in peace, Ice Pick J.

[Millie]

Ice Pick J found out, like, I could sing and do a little more than rap. And then he really brought it to the table, like, nah, Kiss, you need to take him. Take him serious and shit. And, you know, I just grinded after that with that stamp. That's all I needed was the stamp just to move around.

[Keon Miller]

So I be wondering as you signed the Kiss, or it's just like, it was more of a stamp, a homie, or was it actual business done?

[Millie]

Yeah, no, it's actual business.

[Keon Miller]

Okay.

[Millie]

Actual, actual. We broke Brad multiple times.

[Keon Miller]

That's dope.

[Uncle Murder]

Dope.

[Keon Miller]

Fire. Fire.

[Uncle Murder]

That's dope. And it's hard coming out of Boston because we was talking earlier about Mate was it made men and Benzino back in the days. That was more like the biggest thing we knew from Boston at that time. And it's like right now, you.

[Millie]

You just like, yeah, well, I came in and on some Massachusetts, so I'm born in Boston, but I'm raised in Cambridge. It's right across the bridge, you know what I mean? And so when I came in, that was kind of my philosophy. Like, yo, we gotta utilize the whole Massachusetts as a whole. We gotta use the Lawrence. When I'm pulling up, I'm pulling up with the Dominicans from Lawrence. We coming with motherfuckers from, you know, Mattapan. We coming with people from Brockton, just utilizing the whole Mass type shit. So I feel like that's one of the things that propelled me out there, too. You know what I mean?

[Uncle Murder]

Talk about this new EP you got out right now, man.

[Millie]

Man, rhythm and pain. R and P, you know? I be singing and shit. I just wanted to be on my John B shit real quick.

[Keon Miller]

So you singing on this whole project right here? Yeah.

[Millie]

All melodic. All melodic, man. Cause I've been having records where it's like, I rap and then I sing and I got singing records that was doing. But I think. Cause my freestyles had went so viral, people just kept putting me in that box like, yo, you just a rapper. But I'm like, nah, I'm an all around artist and my streaming shit is doing just as good as it would have if I dropped a rap album right now off the melodics or so. I'm very ecstatic. And you know, I feel amazing about that.

[Uncle Murder]

Oh shit, definitely. Cause people know you for the bars, of course. And then like I said, you get

[Millie]

fucking the bars is what stamped it. Like coming through New York and having to. Even having that cosign from Kiss, I felt extra pressure. I gotta show motherfuckers I'm nice, like. But now I just appreciate you and

[Keon Miller]

got you on the project and we got a video. I might.

[Millie]

That was amazing too, man. And I don't know how none of my music gets into mass state prisons, but that was one of the shits. Murder shit hit the tablet fast, man. And that's one of the joints they had. He got the real plug. He got some other shit going on.

[Keon Miller]

My gut stroke, everybody.

[Millie]

Y. I'm on Empire Publishing too, man. I need my shit in the joint like you have for murders. Cause this shit was up in a week, man. That's one of the ones too, man.

[Uncle Murder]

Because I hear you get a lot of bags.

[Millie]

Well, I'm on. Yeah, I'm on a publishing side, but yeah, I. With Ghazi. That's my man.

[Uncle Murder]

Shout out to Ghazi.

[Millie]

Yeah, Ghazi Sturdy.

[Keon Miller]

Nah, that's a fact, man.

[Millie]

That was lit to be on your project though, bro. Cause I definitely came up watching both of y'.

[Keon Miller]

All. Yeah, I appreciate that.

[Millie]

Yeah, you one of the ones that like, you got the shock factor to all your. Even you with the punchlines with the G Unit mixtapes you was always looking for. Not punchlines, but like haymakers and shit. You know what I mean? You coming with them shits you already know. And that kind of influenced my rap style in the sense of like, all right, I'm gonna say a couple shits and then I'm gonna give you a haymaker. Something that's shocking. You can't just be giving them. You know what I mean? Jab, jab, jab. You got a Haymaker.

[Uncle Murder]

Listen, the mixtape days, like I tell every New York artist, you got New York, you got some spots upstate. You got ct, shout to ct, always push G unit. And then you got Boston. I always love Boston. Y' all got the beautiful Cape Verdean women out there. Shout to them. Know that you know about that. But shout out to all my Africans out there. It's just Boston just feel like. I don't know. When we came, there was just always love. Remember we had the. Was one mixtape. I think we had the Celtics. We used to do the show. We came out with Celtics, Celtics shit on. It was just crazy.

[Millie]

Yeah, I find that picture classic.

[Uncle Murder]

Classic.

[Keon Miller]

Yeah, I find that.

[Millie]

You gotta find somebody find that picture, man. I need that picture, man.

[Uncle Murder]

Yeah. Cause Boston reminded me of.

[Millie]

Throw that up.

[Uncle Murder]

It's no different than New York. It's a big city. You know, y' all love y' all teams, you know?

[Millie]

Yeah. Nah, it's different, though. It's different in the sense, like, we proud. Like, sports come first in Massachusetts in general. Like, when you're a kid, they gonna be telling you in fourth grade and shit like, yo, you know the Red Sox is in the cell tonight.

[Keon Miller]

It's the Red Sox. Big sports town.

[Millie]

We really come from sports culture. Like, if you in Mass, like, you have to be. You kind of weird. If you not into sports culture and Mass, like, hell, yeah. That's what our shit is based on. Where I feel like New York is kind of based on sports, but I feel entertainment overrides sports a little bit. I know the Knicks is the biggest shit in the world, and the Yankees and shit, but y' all got so much big artists that came from here, you know what I mean? All the way from HOV to 50 to Frank Sinatra, right? He from here, right?

[Uncle Murder]

Yeah. Frank Sinatra, dmx.

[Millie]

Nah, of course. You know, the lineage is crazy. Yeah.

[Keon Miller]

It don't stop. The list goes on and on. How you be feeling when your freestyles go viral? Like the academics post. Do you feel like, I get my respect, man? Because, you know, it be hard. Everybody be feeling like, oh, he can't talk that shit. Or, you know, the complexion. They be like, he white. He ain't talking that shit like that. But then when you see the streets do embrace you, how that shit be feeling?

[Millie]

Man, that shit felt good. Like, you know, I really. I think New York is one of the last places where you still gotta lead with skill. People still respect bars from the OGs to even the young drill rappers. You'd be surprised. Like, Kay Flock's Generation, like they still give it up for bars. Like I still meet lil young drill rappers and dudes, kids that's really in the street and they're in tune with bars. I still meet an 18 year old that could break down bar and it's probably one of the only places that's really like that. So I love New York for that. Just the Mecca of this shit. So it felt real good to get the validation here. Cause I remember being here for five years and nobody knew me. And then one day that shit just started changing. I was like, oh, they recognizing me in New York. It's lit. And New York love is different too.

[Uncle Murder]

You gotta think about this though. When you get that co sign from Jadakiss, it's almost like a slam dunk. Because it's like you gotta.

[Millie]

You gotta still earn it.

[Uncle Murder]

You gotta spit some shit to make.

[Keon Miller]

He still gotta go out and earn it. That's.

[Uncle Murder]

No, no, I'm not saying. No, I'm not saying that. I'm saying when he spit, if he could impress Jadakiss, niggas know he's fit for what he's fucking doing.

[Keon Miller]

Got you.

[Uncle Murder]

You know what I'm saying?

[Millie]

Yeah, hell yeah. But you still. It's still big, big feet to how you say it. Big shoes to step in and shit like that. So. So yeah, you know, you gotta put that shit all on the line. But it worked out with the bars and shit. And that's what got. Cause I didn't get any industry real CO signs besides Kiss. It was just Kiss and then just putting shit out. Labels were like, I don't see it. All the labels said, I don't see it. None of that. By the time they saw it, it was. Cause my data line was going up. You know what I mean? Like my streaming, like undeniable numbers. Realistically and statistically, shit like that.

[Uncle Murder]

Cause you don't have fly by night fans. That's one thing I look at.

[Millie]

Yeah, I got a little.

[Uncle Murder]

You got people that. You have a Cor fan base. Like, what's the kid Russell? Like, what's the kid Russell with the long hair? I think his name is Russ.

[Keon Miller]

Russ, Russ.

[Uncle Murder]

Russ.

[Keon Miller]

Shout out to Russ.

[Uncle Murder]

Russ. Like, I don't know. Sometimes I think it's better for artists to have like. Like G Unit. We had a core fan base. Like people.

[Millie]

Y' all had the whole world fan base. But nah.

[Uncle Murder]

But you know what I'm saying when I look at your career. Cause it's early. Like, you know, I look at your career, I'm like, He got a core fan base of people that really love balls and love what he do. That's why I know you. What's your favorite part of Europe? I know you go, you hit Europe up. Oh, I know they love you out there because they love balls.

[Millie]

I'm gonna say London because I get a lot of love in London. Like, yeah, London's like one of my main markets. Like when I look at the streaming data and like that, like heavy in London.

[Keon Miller]

So you ain't worried about being that you so respected for bars right now, right? You ain't worrying about on this new project going with the whole singing shit? You don't think people going, like, you're gonna throw some of your fans off a little bit?

[Millie]

I was, bro, but I just had to do what was in my heart, you know what I mean? I had to go with my passion. Like, I'm a go with. I gotta go with my move and what I feel is God's move because I feel like music is spiritual. Like you ever put a beat on and the words just come to your mind.

[Keon Miller]

It's just you and that beat.

[Millie]

You ain't think about nothing facts, but it's the beat. But God's just giving you the instrumental and he's giving you, yo, my son, this is your talent right here. Go get crazy facts. So if God's given me when I'm doing them singing songs, I'm doing them shits in like in a minute, two minutes. Just, it's like unconscious, like a stream of consciousness. So I know, like, this is what I'm supposed to be doing through God, like. And that's how I feel. I can't go against that to try to push the shit that might sell a little more, you know, But I'm gonna still come back with hits and rapid hits and shit like that. But yeah, I'm in this era right now trying to show people I'm an all around artist, you know.

[Uncle Murder]

Got you. So what gives you the drive though? Like, for you, you got the bars and shit. Like, when you started, like, what motivated you? I know you heard G Unit back in the days. Cause you still young. I know, but like, what motivated you when you started getting in the booth?

[Millie]

Like, like young. I started really battle rapping and shit. Like just around the neighborhood. I'd be like, the kid. It was like, you know, I was a kid you could take to a different neighborhood and just be like, yo, this little white boy can rap. Go ahead, rap, right? Motherfuckers did that to me. Nine million Times too. Like, to now when that shit probably happened. Like five years ago, somebody just told me, oh, you rap? Rap? I was like, nah, it ain't that no more. Yeah, that was when I was 13, 14, 15, all the way. Probably up to like 18 type shit. But I just always had the drive, bro. I felt like this was my purpose before I made any money from this shit. I was like, this is my purpose, what I'm here for. Like, this is my gift. Even though I got lost in doing other shit for a while, I always knew, like, rap was my shit. I practice rapping in the elevator, like, to elevate a music, you know what I mean? You ever hear a boring ass beat? Like, you get in the elevator, they playing with me. I see how I could catch the elevator beat. Like, I see any beat that come on tv, the phone. You ever called a giant. It's like they giving you the phone music while you're on hold and shit. I'm rapping to this shit. Cause I'm trying to catch any type of beat that's out there. So sometime, I think in raps, man,

[Uncle Murder]

like, sometimes like a bank, she go to the studio and do ten records. Like, I might do two. You're gonna do ten? You like that? I know you like.

[Millie]

Yeah, but I don't. I won't record for, like, a while, though. Like, I might record every, you know, two, three weeks, and then lock in. Like, I'm not in the studio every night because I gotta live a little. I gotta, you know, I gotta live like the podcast man.

[Uncle Murder]

You spit. I thought you was in the studio every day.

[Millie]

No, I just. When I lock in, I lock in tough. I lock in. I lock in tough, man.

[Uncle Murder]

How you felt when you. You did that 2016 cypher, though?

[Millie]

Talk about that, that was crazy. Cause that was.

[Uncle Murder]

You went crazy on that one.

[Millie]

Yeah, I knew I had the plug to get in there. And I would just wait every day for. I would wait every day and hope that they'd have a slot for me. Cause I couldn't get no. Everybody in there had a major label PR agent. Me, I'm just in that shit. And they're just telling me, yo, if somebody don't show up, you could be a replacement, man. I was there for it. And I took that opportunity, and I took the opportunity. The guy who helped me was named Yomi. He's at Apple Music right now. And that's just been one of my solid connects.

[Uncle Murder]

Shout out to Yomi.

[Millie]

That been one of my real solid connects. And I never Had a lot of connects in the industry, but I didn't need a lot, you know, I just needed the people that I needed, for real. But, nah, that was some validation. But it still took four years after that to really start getting my shit cranking. The pandemic was when everything started to be like, all right, I can make money off this shit forever.

[Keon Miller]

I noticed you with the ladies a lot of. I know she with the twins. Make sure y' all get a picture to him with the twins. The twins? What's the twins?

[Millie]

Which twins?

[Keon Miller]

Damn, which ones? That's how many twins it was you was with. It was the twins.

[Uncle Murder]

Double Dose Twins.

[Millie]

Yeah, the Double Dose.

[Uncle Murder]

He always has the girls in the video. Oh.

[Keon Miller]

Always got the girls in the video.

[Millie]

Shout out to Double Dose.

[Uncle Murder]

I know Queens shout out to them

[Keon Miller]

a lot of women. You hang out with the woman a lot. Was that, like, a strategy of yours? Like the.

[Millie]

I just think, you know, bro, I came from standing on the same street for fucking 10 years, just surrounded by dudes, man, forever. Like, so. So we gotta switch up the energy. I'm in this shit. If they wanna be around, we gotta balance it out. Like, we could go. I'd rather us go out right now, and it'd be 20 girls and shit. And we just gotta have one person that can destroy anyone. Shit like that.

[Keon Miller]

Gotcha. Okay.

[Millie]

But, man, we gotta balance out the energy. Keep that feminine energy around. Like, if it's all dudes in the club, the club's gonna get shot up.

[Uncle Murder]

Yeah.

[Millie]

Nobody's shit's gonna go on. Like, you had the females there. Shit is cool, you know? So, yeah, I just be trying to enjoy life, man.

[Keon Miller]

And I take it that's the motivation for the new project. You just see you sing it to the ladies. Like, fuck that. I'm talking to y'. All.

[Millie]

Yeah, yeah, yeah. Cause I feel like sometimes, even when you rapping, I'mma rap about your mind goes to the most extreme shit you've been through. Naturally. Whatever's the extreme shit. I feel like that's what you not going to just rap about going to the corner store and getting a sandwich.

[Keon Miller]

Definitely.

[Millie]

You gonna rap about the time when you was banging out with police or whatever the fuck was going on. Whatever's the extreme shit in your life, that's what's gonna hit your mind first. But I'm like, I'm gonna just go through some extreme love and heartbreak with some vibes, and that's gonna be the extreme shit. Instead of rapping about street shit, I'm gonna Swap it out. And I'm gonna start, you know, falling in love with some vibes and getting my heart broke a little bit. And that's gonna give me music. And it did, you know?

[Uncle Murder]

Definitely.

[Millie]

Allegedly.

[Keon Miller]

He said, you ain't break my heart. I'm just letting you. Don't. Don't think you broke my heart.

[Millie]

You don't ever think that. I never think that. I used you for the material.

[Uncle Murder]

Definitely. I mean, you. You getting out your shell. You know, you. Everybody know you for bars. So now you're doing the melodic.

[Millie]

Yeah, for sure. I feel like that should stand the test of time, too. You know, rap beats change every, like, six months and like, what's. What's the new. But that singing shit, man, you could go straight over a guitar and get busy.

[Uncle Murder]

I know you getting a big bag. Shout out to Empire. Y' all know y' all getting some Empire. Send me Empire. Send me a bag, too, man. But independent verse, major label. Like, what made you go the independent route? Like, what made you wanna.

[Millie]

I didn't want to. I would assigned to Def Jam for $20,000, and they could have had my contract in perpetuity. Def Jam, Yeah. Like, you know, they just didn' cause at the time, bro, you know, I

[Uncle Murder]

always laugh at murder. Not to cut you off about this $10,000 deal.

[Keon Miller]

See, my man, but he said he wasn't signed for, you know, what real talk. See, look. Exactly. And I tell him, when I signed for $10,000, on top of that Mills, I was on the run for shooting somebody. Shout out to my guy, D from Rough Riders. And he signed me. At the time, he respected my situation. He was like, word, you on the run for shooting somebody. And he still gave me the deal. And a bag of guns.

[Millie]

Bag of hammers, right?

[Keon Miller]

And a bag of guns.

[Millie]

On top of D. I just saw.

[Keon Miller]

Nah, I mean, shout out to D. That's my brother.

[Millie]

See me a lot of love.

[Uncle Murder]

He would have signed a Def Jam for 20.

[Keon Miller]

20.

[Millie]

For the 20 pack, yeah. Nah, for 20 minutes at a certain point, because I had been out in New York. This is after the Cipher. I'm trying to. I just want to say I did something with my life, bro, and nobody's showing interest. I'm just like, man, just to say I have a deal. I just wanted to go back home and pop it. Like, yeah, I'm signed to Def Jam. Like, I gangster. I'd have did it for $20,000, maybe 10, bro. They could have walked me down.

[Uncle Murder]

Like, you know your hip hop. Cause for every rapper At a time. There was a time where everybody wanted to be on Def Jam Records.

[Millie]

So I say that to say, like, I went independent by default. And I ended up getting, obviously way bigger numbers than that and still owning the music. And by the time I dropped the tape, I started catching motion in 2021. I dropped the tape, and then I got a check after the tape. They had gave me 25 bands for the tape, which was a lot at the time. That was my biggest deal. Then I got like a 40, $50,000 check after I was like, what's this for another album? And they're like, no, this is like your shit recoup the 20. And now you done made 50 bands or whatever it was.

[Uncle Murder]

You was like, ooh.

[Millie]

And I was like, oh, that's independence. I get it. All right, nigga.

[Uncle Murder]

Like, what's this for, nigga? I made this. Oh, yeah.

[Millie]

And then I started just, you know, dropping like that. So I never had the machine to like, make me super famous and shit, but I had the willpower and the Internet to. To make myself get a little niche fan base to the point where I could eat off this shit. But I still wanna. You know, I still wanna swing for the fences and shit. I would take the right major deal if it was right. But the independent shit is what God wanted me to do, for sure.

[Uncle Murder]

More money. More money.

[Keon Miller]

You know what record I felt like, really put people in your world, for real. I feel like the record you did with LBL and Free Leaf War, I feel like once that record came out,

[Millie]

I feel like it was like, risk Takers. I'm not gonna. I'm not gonna lie. I'm gonna keep it a buck.

[Uncle Murder]

I'm gonna keep it.

[Millie]

I'm gonna keep it a buck. Like, Risk Takers is the hardest record to come out the east coast in last 10 something years. Like, just as a posse cut, there's no hook on it. It's 4 1/2 minutes and the shit is 20 million streams away from gold with no money put into it. Just we did the shit, shot the shit in treacherous ass areas and uploaded the video. And that motherfucker's going. And it's streaming and it's that. And Leaf ain't never been here to push it with us. He been booked the whole time.

[Uncle Murder]

Yeah. Free Leaf Ward, man. Free Leaf Ward.

[Millie]

Free Leaf Ward, man. He's the best rapper in the world under 30.

[Uncle Murder]

Listen, let me tell you, if you from the streets and you got that hard body, Karate bars, Uncle Murder gonna put you on first. He Put me on about Albial. Look, he put me on about Albial when he was, like, still locked up type shit.

[Millie]

Like, n in jail.

[Uncle Murder]

Nah, N in jail about his shit. He go platinum in jail.

[Millie]

He's dying in the jails.

[Uncle Murder]

He was killing the jails. He's definitely one of my favorite new rappers out of Jersey. Phil feel like he's we New York. We want him, too. Facts. You know what I mean? Straight gangster. Everybody know he real.

[Millie]

I got a tape coming with Ali. We've been locking in. I got a tape coming with him. And hopefully drop that Leaf this summer. Yeah, hopefully Leaf get home in time to give us a couple verses.

[Uncle Murder]

Yo, listen. Cause that's what we want. LBL and Leaf on the show. Did murder put me on?

[Millie]

Gotta get Leaf to Leaf Ward.

[Uncle Murder]

Now, I know Philly rappers. Cause niggas from Mass and Boston can spit. Niggas from Philly can spit New York. You just know he put me on Leaf Ward, bro. And, yo, we be in Miami bumping that shit. We be overseas.

[Millie]

Leaf Wood said we don't talk to 12. We don't even speak at midnight. Leaf be saying that shit, and he stays so calm.

[Uncle Murder]

My shit is. My shit is risk takers, Mob music, Marv music. He know that's my.

[Keon Miller]

Yeah, that's my voice.

[Uncle Murder]

Like, I feel like if Meek Mills would have signed certain niggas, oh, dream chasers would have been out of here for me, when you think about it's

[Millie]

so much talent in Philly. In Philly, the talent is out the roof. I'm not gonna lie. Like, I feel like it came together

[Keon Miller]

with you, him and lbl.

[Uncle Murder]

That's a classic.

[Millie]

You know, I originally had that shit. I named that shit My Realest Friend. Cause at the end, I said my mother.

[Keon Miller]

I remember talking about the gun and all that.

[Millie]

Yeah, man. That's what I told my mother every time she found that gun. I said, I done see my homie eyes rolling back right in front of me. That's what I told every time she found that gun on me. To tell her this is my realest friend when everybody go to run on me. So the song was my realest friend. And I had Dawn, Q, and Alby. Those was the people I wanted.

[Keon Miller]

That's the decision for.

[Millie]

Yeah. Cause Albie had just came home. Then I put. Somehow I got in touch with Leaf Ward. It just worked. I'm like, all right. I need my homie Nip, too. Was telling me, like, yo, Leaf got the streets and the chokehold.

[Uncle Murder]

We can't wait till he get home,

[Millie]

it was harder to track him down, like, you know, for the video and shit. But he knew. He seen the play and the vision. I pulled up Philly. He really didn't know I was coming there. I'm like, yo, I'm coming here tomorrow. We just gonna shoot a video, bro. Come on, bro. I got Albie's part done. Let's do it, bro. The song gonna do 20 million. That was our goal at the time. He's like, all right. I get out to Philly. He's like, damn, you really here, bro.

[Keon Miller]

Look at that.

[Millie]

He's like, all right, let me. Let me throw some shit on. And we went to some. We was in. We was in some sort of war zone out in Philly. And, yeah, that shit came out sturdy.

[Uncle Murder]

You be in the war zone shooting.

[Millie]

Yeah.

[Keon Miller]

He pulled up with me in Brooklyn.

[Uncle Murder]

He pulled up in Brooklyn, and we shot the video in Brooklyn.

[Millie]

Hait, huh? Haiti, bro.

[Uncle Murder]

You went to Haiti?

[Millie]

I went to Haiti, bro.

[Keon Miller]

This nigga, he ain't never even been to Haiti.

[Uncle Murder]

You supposed to go out.

[Millie]

It's treacherous. It's treacherous. I was in Haiti. I was in Haiti in 2018, 2019. And this one, they snatching bodies. But I'm not knowing because I'm so locked in with the Zoas. I grew up with all Zoas. And my man's like, yo, come to Haiti. And I made the decision within 24 hours. I bought the ticket. By the time I'm telling people, like, my moms and different people, they're like, you sure? But I'm so fried. I already booked a ticket.

[Uncle Murder]

Like, yo, you fried and you boom.

[Millie]

Me, I'm in the airport. I'm at the gate. Now I see now it's people walking around. Now there's no more white people. It's over for that. I get on the plane. It's definitely over for all. No more white people. I'm like, all right, we going to Haiti for real. And I should have knew something. Cause the cameraman who was coming out there, he was my man's cameraman, but he was on my flight. And before we boarded the plane, he was like, yo, I don't know about this, bro. And I'm like, me? I'm not. I don't. I haven't read the news lately. So, yo, I told him. I'm like, what you mean? What you mean? You don't know about this, bro? Like, we sturdy. And he goes. My aunt is telling me, like, really don't go there, like. And I'm like, bro, you straight, bro. Come on, bro. We get out there, we land in Port au Prince, man, that's the most aggressive airport I'm gonna tell you. Good shit about Haiti, too. Like, I ain't just gonna say, you know what I mean? But you get, nah, beautiful, incredible shit. But we get out there and the airport is just super aggressive. Like, if you got suitcases, motherfuckers just kinda like moving his shit out the way, like, you know what I mean? It's just. You gotta be sturdy, you know in New York, how you gotta walk fast and shit. Like, Haiti's really like that. And then when we got out, that's what. Man, when you get out, it's the motherfuckers, the motherfuckers on the chain link fence looking at you like, fuck food type. But we wasn't. No, no, we had. We had the army. Like, we got all the deportees from our city. And then we got real zo with us. We got sticks, but it's still like they don't really care that much. So we get in, we driving, and it's just every man for themselves. It's like this big ass street, but there's no real lanes to it. But everybody's just doing their thing and getting through. Six people on a moped, shit going on. But then we got to the. We got to the. We got to the. We got to the hotel, though. We get to the Hotel Kawhibe, and once you pass the doors to Kawhi Bay, they got the sticks out there. But once you're in there, that shit is paradise. And then I started seeing wild white people in there too, from other countries and shit. And I was like, oh, nah, Haiti's like this. Not like how they say it is. You gotta make it to that spot. Yeah, you gotta make it to that spot. And we went to the club. And some of the realest shit of my life happened to me at the club. But yeah, like, we started, we held it. But it's serious, though. Haiti's one of them places.

[Uncle Murder]

We were supposed to go to Haiti. Me, 50, Hoji on the banks, everybody. We supposed to go to Haiti. And this is when I think the earthquake happened. And we were supposed to go with Wyclef. Shout out to Wyclef, you know what I mean? And Wyclef got shot in the hand. Trip canceled after that.

[Millie]

N. Yeah, you know what it is?

[Uncle Murder]

Yeah, the nigga. No, I'm trying to explain it. Cause he like, I've never. I want to go to Haiti, My mom's.

[Keon Miller]

You know, you didn't just take a trip regular on your own.

[Uncle Murder]

Nigga's not like that, bro.

[Millie]

You could get your body snatched, though. But I ain't going to lie. But they going, yo, listen, I'm down

[Uncle Murder]

with 50 Cent kidnap.

[Keon Miller]

I. He's hating.

[Uncle Murder]

You think 50 gonna pay that ransom? 50 might think about that, say, worth that 2 million. I don't have time to negotiate with my. With me get kidnapped.

[Keon Miller]

This guy is crazy.

[Uncle Murder]

I know you ain't putting up no bitcoins. The. You mean?

[Millie]

Yeah, you ain't got nothing you ain't got.

[Keon Miller]

I pull up a bitcoin for you. My.

[Uncle Murder]

I put up a big coin, my Barbecue.

[Millie]

You ain't got nothing on. Yeah, Barbecue.

[Uncle Murder]

I need a million dollars, bro.

[Millie]

You know what's so crazy, though? I I with this rapper out there named kg. I bumped into him. He shout out to kg, man, you doing your out there. And. And I locked in with them. They real serious people. But my man, you know, my manager, Haitian, he on the phone with. With K G and shit. And he's saying something to him like, yeah, when you coming to Haiti? My manager's like, yeah, you know, it's kind of crazy with Barbecue. K to G's like, nah, that's my gang. You straight, bro. You know what I'm saying? So Barbecue fuck with the people, too.

[Uncle Murder]

It's like he fuck with the people,

[Millie]

shout out to Barbecue, man, you got

[Keon Miller]

to go to Haiti. Yeah.

[Uncle Murder]

Yo, it's not like we eating smoked duck out there.

[Keon Miller]

Oh, my God.

[Millie]

No, no, no, no, no, no. But they got the best food, I ain't gonna lie. You just gotta make it to that motherfucking resort. You make it to the resort, it's amazing. And I'm sure there's a lot of beaches and people are super nice, and it was amazing. But, yeah, we went through some real shit just going to the club in Haiti. Like, we went to the club and there's dudes who hang out outside of the club. They're, like, young, probably like 18, maybe like 14 to 24. But they pressed us, but with, like, love outside of the club. No, but it was. But it was love kidnapped. Yeah, check it out, though. No, check it out, check it out. Listen, I'm gonna tell you some real shit. So we get to the club, I walk in, they give me dab. I got real love for Haitians, like, more than probably any other nationality, because I grew up with them, is real with me, right? And so.

[Keon Miller]

Go ahead, man.

[Millie]

And so I Know, Come on.

[Uncle Murder]

I don't want to say the wrong.

[Millie]

You know what's going on. So we walk into the club. As we walking in, dudes, Mimi, yo, Millies, they had to drop on me. They like, yo, Millies, what's up, bro? Like, I fuck with you? I'm like, yeah, I fuck with you too. Boo bop bop. I go into the club, man, they blowing fire in the club. Like bad bitches. No, no, bad bitches, though. Like bad bitches dancing, blowing fire in the club. All type of crazy shit. The club is lit. Some DJ named Tony Mix. Tony Max. Tony Mix, one of them, he was like, DJ Drama out there or some shit. Like he was out this world. The club's so crazy. We walk out, the same kids who met us out there. Now he come and dat me again. And he's talking, but how they talk is just real serious and aggressive. Anyways, so one of my men who I'm with, he's like, one. Cause we had a lot of people deported from our city to there. So one of my men's grabbed him on his wrist once that happened, he looked at the dude grabbing his wrist and shit just started going sideways. So they like, come on, Mills. They start rushing me, like into the car type shit.

[Uncle Murder]

So n started shaking. See, this is how I talk about the trip to Haiti, man.

[Millie]

Kind of, right? Kind of. But mind you, let me set the stage. Let me set the stage though. We're out there. When we pulled up to the club, we was in 20 SUVs, sticks. Every car got a stick in it. I'm feeling real sturdy. We parked in a little gravel parking area space at the time. There's no gate in front of it. So when we come out and we walk out and now they meet us for the second time. I'm showing him love. I'm telling people, nah, I'll chop it

[Uncle Murder]

with all of them.

[Millie]

Right now. My man grabs him, shit goes left. Everyone's like, come on, come on. We start pushing to the parking lot. So we go into the parking lot. But now the parking lot I was in with no gate. Now this got a whole steel gate. So now we just in there. And there was like this back door to get into the.

[Uncle Murder]

So where was the sticks at? The Haitian sticks.

[Millie]

So we got stick. We got. Got sticks in the car. But the problem is we only got. We had 20 cars, though, but each one went to a different place. So we only got three cars. Now right now, all of the kids

[Keon Miller]

ain't feeling as sturdy as they want.

[Millie]

Now listen now listen. Now listen. All of the kids that was kind of pressing us out. I don't wanna say pressing. Cause I feel like they was showing love.

[Keon Miller]

Yeah, that's how it be.

[Millie]

I don't know. It's not my. You know what I mean?

[Uncle Murder]

Crazy, though. They just Even. Even go to Haiti. Like, just.

[Millie]

But it's love, though. I move with God. So it's good. Like. But we walk into the. Get into the parking lot, we get in the truck. I'm not. I'm still not thinking nothing. Cause I done seen so many people yelling at each other in Creole and shit. I'm just like, this is some regular shit. I'm really looking at Instagram now. I kind of look up, man. It's people surrounding our truck, like, for real. And now they banging on the windows and shit. Like this, this. So I'm still. I'm still thinking it's regular. I mean, worse than. I mean, way worse than Belly, though. You know, when they knocking on the

[Uncle Murder]

car, slapping that shit.

[Millie]

Those little kids. Yeah, this. Like this. So. So I asked my man. My man's real calm. Shout out to Blaze. Shout out to Blaze.

[Uncle Murder]

No, I go to Haiti, I'm going,

[Millie]

no, Haiti will rise. Haiti's going. Got. Got some shit coming. But my man Blaze is in the car. He's a very calm individual. And when he looked up and he said, yo, what's going on, man? I said, oh, shit. That's when everything just shattered for me. I'm like, oh, we in a bad predicament right now. For real. And now our driver. Our driver, he's the one I thought was square. He's my man's older brother. My man Mango Swerve's older brother, right? I thought he was square the whole trip.

[Uncle Murder]

So you had him in Haiti, too?

[Millie]

They had me in Haiti, yeah. Ain't gonna lie. Cause if it was. If I had them in. If I had. I can't have people in Haiti. They can have me, though.

[Keon Miller]

But. But.

[Millie]

So my man Mango Swerve's brother, I always thought he was real. Just squid Haitian guy. But he's showing teeth like a wolf. Like the wolf is there. And he's barking back at him like, yo, I'm telling y', all, bro, but they not scared of the guns, bro. And they. And they relay it at the top of the.

[Uncle Murder]

Man, he's on kid out there.

[Millie]

And I tell him. I'm like, yo, what are they saying to us, bro? Just gimme the basics of what they're saying, bro. And he's like, yo, they want $6,000American for us to leave this parking lot. Oh, shit, no. So I'm like. I'm like, damn, this kind of crazy, but I still. I be having so much faith in God. Like, I'm like, you ain't keep going out.

[Keon Miller]

You see why I ain't been out there.

[Millie]

I'm sturdy. But, yo, my driver's still showing, like, aggression. Like, dudes are still showing aggression. To them, it's just a lot of aggression types.

[Keon Miller]

They wanted the 6,000 because the way your man grabbed the nigga.

[Millie]

No, bro, it was just extortion, bro.

[Uncle Murder]

What kind of fuckery?

[Millie]

You and our shit. This is our shit. You watch Belly, y' all is rappers from America. Kick up this. Kick up this breeze.

[Keon Miller]

Yeah.

[Uncle Murder]

You know, 6,000 in America, like a kidnapped, yo, Imagine we go out there, you got your jury. All your jury on 50. Give us a minute. $2 million.

[Millie]

Yeah.

[Uncle Murder]

Are stuck like Chuck boy.

[Keon Miller]

So what happened?

[Millie]

So. So we in there just keep going on. And then somebody with, like, a fake sort of SWAT vest. Like, you don't know if the police. The police or they cook it, whatever it is, somebody with some sort of suavez come in and he's like, hey, everybody get out the this. Now, in that time, one of the people we was with in the car behind us run, popped the gate. Open the gate. As soon as we opened the gate, my driver just floored that. We almost hit some kids getting out of there. And he did about seven kids. He did about 70. And these is back streets. He's doing like, seven. You know, that's fast on, like, little back streets that ain't lit. He did 70 back to hotel Kawibe. Once I passed that gun line with the security, I sat there, I'm like, oh, I ain't safe here. Like, this is crazy.

[Uncle Murder]

And then the next day, ain't nobody snorty in Haiti, nigga.

[Millie]

Now the next day. Now the next day, they tell me, yeah, people's getting their body snatched out here. Like, so people. And I'm like, what you mean? They're like, they're getting their body snatched. Like, people is. They're getting kidnapped out here. And I'm like, kidnapped? This is some shit. Like, I'm thinking, like, just treacherous shit, but I'm not thinking kidnapped. So the next day, like, I kind of played close to the hotel.

[Keon Miller]

He's got time to play close to the horse.

[Millie]

We still had to go out, though. But now I'm just sturdy. Like, I'm standing against cars I make. Cause A van could drive by and they could just take your body. I'm like 165 or some shit. You know what I mean? Like, man. But long story short, by the time I got to the airport, I felt real blessed. But I'm glad I went out there and I say that. Yeah, that's a dramatic story.

[Uncle Murder]

About to go, nigga.

[Millie]

That's a dramatic story. But there was a lot of love out there. Amazing food, a lot of love. It's just, you gotta move super sturdy. And when they do, fix it up. Cause you know America and all of them been robbing these motherfuckers for everything. They've been keeping Haiti down. Cause Haiti independently freed itself in 1804. And then, like, why is there no 1804 movie, though? Yeah, with Tucson, with Preach, Saint Laurent and all of that. Toussaint, man, like, yeah, he freed the slaves. Yeah, this should be an 1804. Just like there's the shit with Russell Crowe, Gladiator. Why we can't see them killing 19 million French people. That's too crazy. But that's why they try to hold Haiti down. But once. Once the gets over with, Haiti's gonna rise back because there's no more beautiful beaches, beautiful women, beautiful, amazing food.

[Keon Miller]

Every.

[Millie]

It's all set up for the win. It's all set up for the win.

[Uncle Murder]

Yeah.

[Keon Miller]

Like you telling me something. You never been there yet, brother. Let my man tell me that.

[Millie]

Been there.

[Keon Miller]

You know what I'm saying?

[Uncle Murder]

But he got out of there. He got out of there. He went in there, he got $6,000. Parking lot. You ain't hear that. If we were not 50. What you think is gonna happen with us when we 50? We gonna have 60,000. 60,000. We went 50. 50, good. Me and you go there. Up there. That do sound crazy. Yo, that's 50 of them boys kidnapped him. Now we with Barbecue getting barbe. I can't with this thing.

[Millie]

Barbecue. He don't mean it. Barbecue.

[Uncle Murder]

I love Barbecue.

[Millie]

We love you. We love you, man.

[Uncle Murder]

Damn, Haitian are crazy. They not trying to.

[Millie]

Nah, I ain't gonna lie, bro.

[Uncle Murder]

6000 the podcast, bro.

[Millie]

I'm gonna keep it a buck. I call that Haitian power, bro. I really believe, like, Haitians got a different type of power. You gotta understand, they overthrew the French army with, like, extracting poison from blower fishes and thinking and just having more. More heart and willpower. Like, I'm trying to tell you, bro. And that's why. And when I pushed into the game

[Uncle Murder]

that they was used to the army was everything. When they hit them, they hit him at like a certain kind of season where they knew they was going to be up in Haiti. Like Haitians. Both my parents from Haiti I never met. Like, every Haitian I met is crazy. Like, our parents is like we was trained, like military as little. Don't go in the refrigerator. Up you go to somebody else. Take your shoes off. You know what I mean? Curfew. Curfew. Yeah. Listen,

[Millie]

I pushed into the. When I came into the game, we grow up different. That's who. That's who the I pushed in with because I grew up with all of Zo. So I'm pushing in with Dominicans and Haitians for real, like. And that's what made my different. You know, it's never been a white boy in the history of rap to move around in a certain way. You can understand with the souls. I got Haitian power too, back in

[Uncle Murder]

the days when was getting like, gumbies and like, parts and all that. No, no, no, no. Like, you know, like, you can get a hook or a half moon. You can get this. We could have no fun. Friends over? No. Friends over.

[Podcast Host]

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[Uncle Murder]

Keon Miller from OK, Storytime.

[Millie]

Okay, honest question. Are you someone that does your taxes the minute you can or so much who waits until the last possible second?

[Uncle Murder]

Wow, calling me out already.

[Millie]

But yes, last possible second every year. Same. Which is why I'm very into anything that makes tax season easier. Enter Intuit TurboTax with TurboTax Expert. Full service, you get matched with a real tax expert who does your taxes for you, start to finish.

[Uncle Murder]

And you won't be left wondering what's

[Millie]

going on because you get real time

[Uncle Murder]

updates throughout the process. So you're always in the loop.

[Millie]

All you do is upload your documents to the app, then go live your

[Uncle Murder]

life like you can be, listening to this podcast, grabbing coffee, or pretending you're being productive.

[Millie]

Meanwhile, a dedicated TurboTax expert is checking every deduction and credit to help get you the best possible outcome.

[Uncle Murder]

And if a question comes up you get unlimited expert help, even nights and weekends during tax season at no extra cost.

[Millie]

So instead of overthinking it, let a TurboTax expert handle it for you. Visit TurboTax.com to get started. Real time updates are available on the

[Podcast Host]

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[Uncle Murder]

Everything was strict because Haitians, they'll give you tough love. So my mom's way of love was now I love you, I'm going to work. That's it. Niggas used to joke on me, beans and rice every day. Chilled chicken, beans and rice every day. You know what I'm saying? But we had a strict lifestyle. We got in trouble. It was all hell break loose. It's a drug dealer. Every Haitian parent wants you to be a doctor. Doctor, lawyer was drug dealing.

[Keon Miller]

Y' all is street. Y' all ain't no doctors, man. Y' all niggas don't look like no

[Uncle Murder]

doctors, you know what I mean?

[Millie]

I ain't gonna lie. My man was on we from the same street and I love his moms to death. She was so strict when I was young. I was scared of her. I'm like, man, I don't want no problems with yo yo, in my hood,

[Uncle Murder]

everybody crib got raided except Shout out to mama love.

[Keon Miller]

Shout out to mama love.

[Uncle Murder]

Cause I couldn't have company. N could every crib. My next door there, my crib got raided. My man around the corner crib got raided. Yo, his crib never get. Nigga, my mom's no company, no company

[Millie]

off my Punch off my.

[Uncle Murder]

They know what I'm saying about the strictest word.

[Millie]

I learned all the curse words. If I. If I was smart, I would have learned, like the real. I learned all the curse words. And so I know how I tell the like. Femme Joao Lou, man, you know what I mean? Femme Joao Lou maw. Like, I know all. I know all the worst shit to say.

[Keon Miller]

Yeah, he no more crowd than you, son.

[Uncle Murder]

He might. He might do.

[Keon Miller]

Ain't no Mike.

[Millie]

He do. Yeah, he do.

[Keon Miller]

He do. I want to hear you say some shit right now.

[Uncle Murder]

You. You piece of.

[Keon Miller]

What the.

[Uncle Murder]

He just said you a piece of.

[Keon Miller]

He called me.

[Uncle Murder]

I know the curses, cuz. My mom used to curse me out. That's it.

[Millie]

I knew the curse. I knew the curse.

[Uncle Murder]

Hang with the zo.

[Millie]

That's right.

[Uncle Murder]

That's right. I told you our parents never tell us I love you. They go to work and that's it.

[Keon Miller]

They never.

[Uncle Murder]

N parents. Haitian parents are going to tell you they love. It's just like Jamaicans like that Haitians and the island. We from Queens. So I. That's all I came up with, is around Jamaicans, Haitians, Guyanese. Oh, that was my. Like every. I knew that. Tough Guyanese, tough trinity Haitian, you know what I'm saying? Tough Jamaican pull out them old school knobs that flip around and like back

[Millie]

in the day, it's a butterfly.

[Uncle Murder]

Yeah, it's like some with a little handle on it. All drive stick. Ships be wilding out, like.

[Keon Miller]

Oh, man.

[Uncle Murder]

You know, the Jamaicans had the weed spots that on lock, man, but want some more drinks.

[Keon Miller]

So this, so this. So this project you got dropping who you got on? What's some of the feet? Or do you got any features on this project?

[Millie]

Yeah, I got my man Richie Rose. I got him on. On a big song on there. And I got Honcho. Yeah, you know Honcho's super stamped with the girls that's helping my record go up with the.

[Uncle Murder]

The.

[Millie]

With the, you know, bad community. Okay.

[Keon Miller]

Okay,

[Millie]

man. We need you on the show, Honcho.

[Keon Miller]

Yeah, we need you to pull up over here, man.

[Uncle Murder]

We need Honcho on the show.

[Millie]

Y' all is lit, man.

[Uncle Murder]

Yeah, we working. Consistency is the key. And, you know, we got people like you on the show, man.

[Keon Miller]

Exactly.

[Millie]

Yeah. I gotta go to Morocco with you, though, man.

[Keon Miller]

Some of that smoked duck.

[Uncle Murder]

What's your favorite spots overseas?

[Millie]

See, the you be saying is real extravagant. I don't think I reached that level. Like, I'm trying. I'm trying to think, like, London. Paris is cool. Paris a little bougie. And you didn't go see the Mona Lisa?

[Uncle Murder]

You're not in the. Like that.

[Millie]

No, I would, but I don't know who I got. I gotta get the plug for that.

[Uncle Murder]

The Mona Lisa to Lou. No, you can just go to the Lou security.

[Millie]

I'm going to. I'm gonna go to Lou one day. But I like, like cell phone. I like, like Dr. And shit, man. I like to go to Dr. And go to LA Capital.

[Keon Miller]

Oh, man, we know what's going on

[Millie]

in Dr. Yeah, but I'm going to Dr. In a different way, man. I'm tapping in, like, you know, we got many doctor in Mass. You ever heard of Lawrence?

[Keon Miller]

No.

[Millie]

You heard of Lawrence in Dr. Nah, it's many doctor in Massachusetts.

[Uncle Murder]

Oh, nice.

[Millie]

But it's a town that's all Dominicans type shit. Like, it's a city in Mads. All Dominicans, though. So how y' all got the Washington Heights out here?

[Keon Miller]

Okay. Yeah, okay.

[Millie]

Indictment and shit like that. We got that in a major, major, major, major, major way. So when I go to LA capital, they already know me. Cause, you know, we just tapped in from so many people coming back and forth from Boston and shit, so.

[Uncle Murder]

So you be known as Spanish music,

[Millie]

too, nigga, A little bit. I got a Spanish song with TV guns and shit. But, yeah, you know. You know, I fuck with some of the Dembo and shit like that.

[Uncle Murder]

How did Cape Verdeans get to Boston? I always wondered that.

[Millie]

I don't know.

[Uncle Murder]

Africa.

[Millie]

I don't know about it.

[Uncle Murder]

Never been to Cape Verde.

[Millie]

I think, like 90% of them. Yeah, they got black sand beaches, I

[Uncle Murder]

heard in Cape Verde.

[Millie]

Yeah, Black sand beaches. And they got kachupa. You know what kachupa is?

[Uncle Murder]

What's that?

[Millie]

That's like they famous dish and shit. I don't want to get it wrong. Oh, so you got.

[Uncle Murder]

He got Cape Verdean girlfriends He know about all that.

[Millie]

I definitely had Cape Verdean girlfriends for sure.

[Uncle Murder]

Cause y' all know, y' all used to. The Cape Verdean women out there, that's one thing y' all got. It's just a mixture.

[Millie]

I ain't gonna lie. They like a national treasure when I move around. That's what everybody telling rappers and basketball players. Y' all got Cape Verie and women?

[Uncle Murder]

Nah. Cause Cape Verie, I always knew Boston for that. Like, you, You. They had beautiful women. We used to go on the mixtape tours, and they'd be like, oh, say we from Cape Verde. And I'm like. I'm like, where's Cape Verie at? And they'd be like, africa. So you know cv, right? So you'd be like, damn, these chicks is bad. So I always wondered, like, why everybody in Boston is Cape Verdean? Because we don't have. We don't have too much Cape Verdeans in New York.

[Millie]

I think we got nine Haitians.

[Uncle Murder]

We got Jamaicans.

[Millie]

Yeah. We got 90. 90% of the population. If I'm not. If I'm not, you know, one of them. 80, 90%, it came to Massachusetts and Rhode island, like Providence and all of that.

[Uncle Murder]

That's what I'm saying. Like, I never met a girl from New York from. From Cape Verde.

[Millie]

Me neither.

[Uncle Murder]

Only Boston.

[Millie]

Me neither.

[Keon Miller]

So you said you got a project with lbl When y' all gone? When y' all dropping? I know the street's gonna be looking forward to that, man.

[Uncle Murder]

That's gonna. Summertime.

[Keon Miller]

We need to put that. Yeah, yeah, yeah.

[Millie]

We gonna try to get it. He got he off. He got me boring off.

[Uncle Murder]

So.

[Millie]

Okay, I'm gonna do that. And I'm gonna drop again. Continue to drop, man. That's the name of the game with this. For me, like, this volume. Yeah. I gotta just drop, drop, drop. And one of the shits that'll hurt you as an artist is feeling like, damn, this a song that should blow up. You're gonna drop about 10 of them and be like, damn, what happened? Nothing happened with it. That was my baby. You know what I mean? But you gotta just keep going. And I look at my mind like a factory in Columbia or. Or Peruvia, where they make the cocaine and shit. Like, I got an unlimited amount of this shit in my mind. So I use it, like, you know, in that manner.

[Keon Miller]

How do you feel like that? I know what you feel like a record supposed to do, like, bigger. Like, these supposed to do more numbers, but it don't.

[Millie]

Yeah, that shit could fuck you.

[Keon Miller]

Up.

[Millie]

That shit could fuck your confidence up for real. But I feel like it's just the key to just keep dropping and look at it like, yo, I can make a million of these. Like that's not my best song. You can never look at it like

[Keon Miller]

don't fall in love with the record.

[Millie]

Yeah, don't fall in love with the record like that.

[Uncle Murder]

I think artists don't know what the hit is.

[Millie]

You don't, you just.

[Uncle Murder]

It's just going to come to you naturally.

[Millie]

It just comes and the people going to tell you what's the hit too.

[Uncle Murder]

Yeah, you never know what the hit is in your mind. It could be your favorite record.

[Millie]

Yeah. And exactly. I had to try to learn to separate myself from that. Cuz one of my distro deals, it was a way bigger deal and we blew like 75,000 on this record that I like in my mind I was like, this is the record. And that record's not even in my top top hundred streamed songs. And I blew 75,000 on it.

[Uncle Murder]

That was your favorite record?

[Millie]

Yeah. Then a record that I put nothing on did a million times better than that. So it's like, yeah, you can't really fall in love with the records of the artist.

[Keon Miller]

What that taught you though, right there, like, damn. I put all this money behind this record. It ain't do too much but record that. I just ain't really even had to put that much.

[Millie]

Yeah. That's why I'm looking now for like the organic reactions, like what goes like organically. That's the only way I'm gonna spend money. I gotta put this shit, see what's people fucking with and then push, then put it back on.

[Keon Miller]

This one. Okay. This one is the grabbing the people attention.

[Millie]

Yeah. Like even risk takers, we put it out but at the same time I was putting out mad other shit that was the one that went. If I knew, like I knew now I'd have. You know what I mean? Really try to put a bag on it. Cause it just went natural, I think.

[Uncle Murder]

You never know what's gonna be the record though. You don't, you just don't know.

[Keon Miller]

This guy helped 50 pick many man.

[Uncle Murder]

50 ain't even like 50 hated that record.

[Millie]

Impossible.

[Uncle Murder]

He thought it was too slip. Slow time tempo.

[Keon Miller]

Now it's serious too. 50 say I thought it was too slow.

[Millie]

Yeah, damn.

[Keon Miller]

Well, I'm like for real Say I thought it was too slow.

[Uncle Murder]

I mean the record was done already, so. But he just didn't like the record like that. And I'm like, you're bugging. And that. That record is it.

[Millie]

Yeah, that's one of them.

[Uncle Murder]

Like, you know, that's why a lot of people sleep on 50. But I'm like, if we go back G Unit mixtape, we'll kill everybody. That man could talk all that. Like, come on.

[Millie]

Nah, 100%.

[Uncle Murder]

100% was fresh out of getting shot talking.

[Millie]

That's the DVDs and the CDs. I used to be so inspired.

[Uncle Murder]

One lesson I always. Nobody's ever holding you down if you got the pistol too. Like, if we all three got the pistol. Who's holding who down if I ain't got the pistol? Yeah, you holding me down, cuz I ain't got. I give it up.

[Millie]

Yeah, you just around you, you extra.

[Uncle Murder]

Everybody got the pistol. Ain't nobody holding 50 down. So backyard I was holding them down. How you holding somebody down that got the pistol too?

[Millie]

I'm gonna keep it a buck. That's the thing in rap, though. I feel like dudes get around and then they be feeling like they might hang around you for three, whatever it is. Three months, three years and feeling they mind. Like, I was protecting you, bro. If you never did nothing actively to protect me, though, like, you like nothing happened. What the fuck was you, Optical security. You don't like. You know what I mean? You stood there and looked tough, bro. I could contract, nigga. The average guy outside is looking tough right now, man. I could have brought him with me for that. Like, you ain't protect me or push the line for this shit. And that's why I had to, really. That's why I be with all girls too now, man. Cause they not gonna be like millies. I was protecting you. You know what I mean, motherfucker? Dudes be feeling entitled. Cause they came around and yeah, I was in them spots and we met. But I go out every night and day and risk my life. So what happened all them other times I made it through real shit? Was you protecting me in spirit.

[Uncle Murder]

Then you flew to Haiti on the whim. I know you go everywhere. You don't give a.

[Keon Miller]

So how so dealing with. No we in the social media era now. How you deal with the hate that. The negative comments like, we were just talking earlier. Hey, Billy Red, he told on his brother.

[Millie]

How you deal with that, man, that was the first time I done seen some propaganda. I said, oh, I got propaganda pages about me. I'm doing good, I'm successful, You know what I mean? But I think now when I make a post, if I Don't see no hate under the post. I'm like, oh, this post ain't about to do nothing if it's just all fire emojis. I'm like, chalk this one up. This is not gonna do nothing. You need the hate. Because the hate drives the algorithm type shit.

[Uncle Murder]

So I'm trying to explain.

[Millie]

You wanna keep a balance, though. You don't just wanna just do. Some motherfuckers just jump out there to do something.

[Uncle Murder]

You gotta look at it like this, guys, right? Instead of the haters, the people that hate on me, you and him. Instead of them being in the street, taking lives or selling drugs. Drugs, they can hate on us and make 10, 15 grand a month. We not mad at you.

[Millie]

Yeah, everybody.

[Uncle Murder]

That's how you got to look at it. A person is making money off your likeness. Because once you sign that line, you are public property. Once you sign that deal. Yo, I'm Uncle Murder.

[Millie]

As soon as soon as you put

[Uncle Murder]

out a song, property A could say what he want to say. He gonna make up any story.

[Millie]

But that's why certain. That's why certain people be scared of success. And they want won't pop out. Cause they scared to deal with, you know, shit like that. But you can't have one without the other. This is life. Yeah, yeah. People terrified to post a picture sometimes. You know what I mean? So it's like real shit, man. I'm putting myself out there. Like, of course everybody's not supposed to like this shit. I wouldn't expect you to like this shit. If you haven't lived my life or walked in my shoes or been through none of my experiences. Like, what have you been through that qualifies you to like me anyway? That's how I feel, you know, as far as. When it comes to the music. Like, you're not supposed to get it. It's not for you, for the people who don't get it, you know? That's why it's different type of motherfuckers in the world.

[Uncle Murder]

Definitely. I think bars are always gonna be relevant with guys like you, J. Cole, you know what I'm saying? The list goes on and on, Banks. Like, I think bars is gonna always be relevant. Cause n wanna hear bars. N. Sometimes it's like microwave music. Sometimes, niggas, it's outta here. Cause you gotta think all the classic music music is really old head niggas right now. Niggas that's touring 50 could do Live Nation, 103 dates. Jay could do Yankee Stadium. He could do dates all the old niggas could still tour. Eminem could pop out right now and get 10 million just to chill.

[Millie]

Yo, what's up with the Free yo shirts?

[Uncle Murder]

I'll get them back. Popping, man.

[Keon Miller]

That's a fact.

[Uncle Murder]

Shout out to Eminem, man.

[Millie]

You know why that's so hard, too? Cause that was, like, Eminem such a rapper that said, damn near a double entendre. Because it was free Yayo. But then it could also just be taken as, like, free yayo. You better believe me. Yeah. You know what I'm saying? Free yayo and Free Yayo. And we got free yayo. Cause we pumping this shit out right now.

[Uncle Murder]

Listen. And that's why nobody could ever say something bad about Eminem. Not only because of that. Cause I feel like he's one of the best MCs of all time.

[Millie]

Of course, that's my goal.

[Uncle Murder]

And I feel like. Like genuine assigning with Eminem and Dr. Dre was the best deal, bro.

[Millie]

Y' all don't under. You don't understand how that felt as a kid watching that. And Em's like, Em was the only relatable, like, super relatable rapper to me. Cuz I'm like. He say, like, you can't miss me. I'm blonde. Blue. I'm blonde. I'm blonde hair and blue eyes and my nose is pointy. I'm the. He was saying. I'm like, oh, that's me right there. Like, you know what I'm saying?

[Keon Miller]

He talking to me.

[Millie]

And he was talking that shit. And he was showing the crazy side of white people, and I was jacking it. And, you know, he was such a lyricist. And then I'm listening to 50. I'm so in tune with the mixtapes, but I'm in tune with Power of A Dollar. I'm in tune with all that shit, definitely. So when them shits merged, you know, this was before social media. You could do a post like how Yo Gotti signed his artist with wild Money on the thing. There wasn't nothing to really confirm it. It was a real rumor. And then I heard, now I don't think I won't hit you. Cause I'm popular. I gotta be. And I said, oh, he's really. It sounds like it's stamped. And then it was like, levels to knowing this shit was really stamped. And once it was stamped, I was like, damn, this like my favorite rapper and my favorite rapper going crazy. And I never seen no shit like that in hip hop. Except maybe. Yeah, I never ain't gonna lie I ain't gonna lie. Cause em is a juggernaut, bro. M like the Celtics with Bill Russell when they won 11 chips in a row.

[Uncle Murder]

Let me tell you, man.

[Millie]

I don't know about that. I know the rings.

[Uncle Murder]

My illest experience in life. The tours I've been on, like. Cause the book will come soon, y'. All. It's gonna be amazing. Look, my life, like, being on Anger Management tour with em in his prime, it's crazy. 50 in his prime.

[Millie]

It's crazy.

[Uncle Murder]

Not arenas. Stadiums.

[Millie]

Crazy.

[Uncle Murder]

Lions stadium. This stadium. Like Detroit Stadium. Like, that was a movie. 20 tour buses.

[Millie]

Wait, so when y' all did that? Get Rich or Die Trying was out.

[Uncle Murder]

Yeah, get rich.

[Millie]

This was full fledged.

[Uncle Murder]

This was full fledged.

[Millie]

I've been patiently waiting for it. That was out at the time.

[Uncle Murder]

Everything was out.

[Millie]

That tour was a movie.

[Uncle Murder]

Anger Management tour was crazy with Eminem, bro. Mad tour buses, women everywhere. It was. No, it was stadiums. Sick. I remember was. It did half fall through it. I remember, you know, because, you know, the stadium. This was stadiums, arenas. Is crazy. The stage was so big. Big. I think. I think havoc. They was performing in Detroit Stadium. And I say it was crazy. You know how they got the Dropbox? Yeah, that havoc just fell through that. See my life flying through the d paper. Boom. Fell through there. Yo, where that go? Where that go? He fell in the. The box. The Dropbox. You know, they be telling you to watch that. That tour right there was the illest tour of my life.

[Millie]

To be on tour for my lifetime.

[Keon Miller]

Where that nigga go?

[Uncle Murder]

You know, Eminem's like. Eminem move like the president. Like, nigga, Eminem want tacos. That going to 10 different. Eminem want tacos. Eminem.

[Keon Miller]

You was there.

[Millie]

You was there when he laid the.

[Uncle Murder]

That moved like the president.

[Millie]

You was there when he laid all the shady records was 80 seconds away from the tower.

[Uncle Murder]

Yeah, yeah. You gotta understand my experiences. That's why people be like, yo, why he talk about these niggas? Cause this shit for me. Fuck money, Jury. All them experiences. Being in the studio with Dr. Dre for the first time. Time. Being in the studio with Eminem for the first time. Niggas signing the deal. 50 on the phone. That's when Chris style was popping. Cristal was popping million dollars. I'm like, shay Song Eminem. This shit's crazy. Eminem. And then n. We just had a lot of hate. Cause why Em was white. So motherfuckers was hating on him. Like this Mike motherfucker winning. He had balls. See? Eminem got my.

[Millie]

I feel like at the time, I ain't even hear the hate, though. Like, it was so. It was so much motion. I didn't hear it.

[Uncle Murder]

It was hate coming from certain areas.

[Millie]

But you think about the media wasn't around like that neither, so. And I felt like he was just having.

[Uncle Murder]

I never thought 50 would say, yo, someone. Eminem and Dr. Dre, bro. Best thing ever. Best time of my life. I'm talking about being on buildings, eating lunch with Jimmy Iovine, to being in the studio. Hennessy, mad bud with Dr. Dre. I'm like, it's NWA. I'm like, oh, Dr. Dre. Like. And he's playing in the club. He's playing pimp. You go into Eminem studio. Separate studios. Cause Eminem, sometimes he'll be in his own zone. Like, he be his shit, we in another shit. And he be like, yo, tell 50 somebody intercom in sometimes. Come here. Go over there. You know what I mean? He'll be in his own zone. Eminem type of nigga. 20 instruments. He's a professionist to the key. People understand. They just think rapping. He's a producer too.

[Millie]

Too, right?

[Uncle Murder]

Said, these are the steps from Poltergeist. In many men, I'm like, you know, those are the steps from Poltergeist. Some like how you know what movie the sounds and the steps is. It get deeper than when you get a studio with them. They like mad scientists. It ain't no. Yo, put the beat on. Nah, it's mad thought going into the. Like, every album is like a movie. That's what Dre and M May get Rich style. Trying a super class classic. I don't know why DJ Self, you itself, you're an idiot. You know, I don't know. I don't know you cool, but you're an idiot. DJ Self, he. Self don't know what's happening. We're gonna get him on the show.

[Keon Miller]

Yeah. Yo, mad at dj.

[Uncle Murder]

Well, Self said we gonna get himself on the show. Two things with Self. Two things were. Self. Self said Ice Cube was better than Nas.

[Millie]

Never.

[Uncle Murder]

Is he bugging. I told you, he's from Brooklyn.

[Millie]

That's a different.

[Uncle Murder]

Then he said, look. Then he said, Ice Cube was better than Biggie. He's from New York and Brooklyn. So I'm tripping, like, well, Biggie's.

[Millie]

Biggie's the greatest rapper of all time. Rapper. I'm not saying rap artist. To me, Tupac the best rap artist. But Biggie is the greatest rapper. You gotta think most of Biggie's illest bars. Bars. He was saying words that didn't exist, like. But it's just flying over your head because it's. Chris must miss us. Chris must. Not a word, friend. I'm at the opera. Franklin's on top of the. What is opera? But he just. He's taking. He's so surgical with his. He just getting like. Big just getting in his voice like an instrument. Big's the best ever, bro.

[Uncle Murder]

Big said a couple of pause lines and always. Yeah, yeah, hold on. Try to use that against him just for that. But what I'm saying is when you hear today's agenda. Got the suitcase up in the central, go to room 112. That is one of the hip hop best stories ever told.

[Millie]

Where you gotta understand. Even in that story, he went into giving you character development like a novel would. On Arizona Ron from Tucson and he pushed a black Yukon and he had his. He done told you he from Arizona he pushed a black Yukon he played his slow grooves he caught a body, slit his throat Then he got bagged with the toast Beat it, took it to child Beat it Now he feel he undefeated he means it, nothing to lose Tattooed around his gun wounds Everything to gain embedded in his brain and me, I feel the same for this paper you're dying. Even if. Especially if my daughter crying I ain't lying. Y' all know the sign. You can't physically rap better than Big in life. He is the bar. And there's no bar over. Over it to me.

[Uncle Murder]

You remember when he had that freestyle? Remember when he had the freestyle and the beats was changing? I can't find it nowhere. But that's one of you know what I'm talking about. When he just. When he talking about him in the hospital. I think he had one of Snoop's beats on him.

[Millie]

I know what you're talking about, bro.

[Keon Miller]

Come on, broski. Did all the west coast beats over.

[Uncle Murder]

Come on, bro. That's when going to Hot 97 was like. Going to Hot 97. That's like when May said bounce too la blowing red Pele like them. Them.

[Millie]

I ain't gonna lie. Mace was dumb nice, too. Mace is very slept on dumb nice.

[Uncle Murder]

Nah, he come on. Know what Mace do?

[Millie]

Mace. Mace was dumb nice.

[Uncle Murder]

That was my favorite freestyle. Brown Stu La Little Rap. That was. I think it was on Hot 97. That's classic moments.

[Keon Miller]

That's a fact, man.

[Uncle Murder]

That's what every rapper wanted to do. Like, for me, that was like going to flex. Cause how you felt when you. Your first time up to flex and shit like that. Like, that was.

[Millie]

Nah, Like, I went to flex the first time. That's when I learned about, you know, how they could. How they call it. Freeze the shooter. Like in a basketball game. Like, if you got two foul shots and they'll call the timeout during the second one. So I got up there and I sat in the lobby for like five hours. This is when I really kicked it with crack and was able to talk with cracking. He's telling me mad stories. Listen, I start forgetting about the shit I'm about to rap. Like, you know, I stopped focusing. Cause I'm like, damn, this hip hop history right here. Then I walk to the door, I see Corey Guns in there, just black and going crazy. And now I'm like, I've been drinking motherfucking deuce four hours in a lot. So now I get in there, you know, Flex ain't too, like, personable. Sometime when you talk to him and shit, like, he's cool, but he's like, like, you know, a little.

[Uncle Murder]

You gotta prove yourself.

[Millie]

Yeah, you gotta prove yourself. So now I'm like, damn, bro. I'm trying to remember what the fuck? That was one of the harder joints to get through. But, you know, I caught it. And that shit did real good for me, so. But yeah, I like that shit, though. I miss the adrenaline and rap. Like, where it was like, yo, go improve your fucking nice on the spot. You know what I mean?

[Keon Miller]

Show niggas that you get busy.

[Millie]

I caught that recently with like, the Casa N Only. Cause it's a live stream. Like that shit. Live in front of the world. If you stump rumble, it's not no

[Keon Miller]

do over, can't make it.

[Millie]

Nah, this is right here. And they looking at you like Flex was live.

[Uncle Murder]

You're right. Flex was loud. But we was thinking about that.

[Keon Miller]

Yeah, you had to show improve right there on the spot.

[Uncle Murder]

Yo, listen, bro.

[Keon Miller]

Ain't no editing, none of that.

[Uncle Murder]

Listen, my funk, Flex freestyle. If y' all don't know about it. Go check that out.

[Millie]

We gotta pull that up.

[Uncle Murder]

You know, I'll be slept on.

[Keon Miller]

But that one right there, 50 Cent, man, that.

[Uncle Murder]

That one right there. Even Flex knew what time it was. Like, I don't know. Like, I know now they got on the radar, but it seems like on the radar is more laidback. And people are playing like. Like there was pressure.

[Millie]

The stakes is high. Flex.

[Uncle Murder]

I know it's Flex. I don't know, you know, it's like the night before, you got to do Flex was Think about all his balls.

[Millie]

Like, yo, you got to lock in.

[Uncle Murder]

What the I'mma do. This is flex. Yeah, I'm up there with banks. 50 them got bars.

[Millie]

But that's. That's missing from the game. Now I gotta be ready.

[Uncle Murder]

Like, that shit is a different kind of adrenaline, bro rush for me. I don't know if on the radar, they feel that same adrenaline rush because it's like. Is like singing. Some are just chilling and some ain't saying on there. They just pop, pop, pop.

[Millie]

Yeah, it's a dude. So for me, it's a way different adrenaline rush. I know exactly what.

[Uncle Murder]

You know what I mean.

[Millie]

That energy, that adrenaline rush, that should come with, like, cosmic Kev La leakers, all of those. That's what I wanted to do when I first got in this. I was like, yo, let me check all the basics. So just in case anybody got me up, let me go to Sway multiple times. Let me go to Flex. Sway, too. If you up. If you up on Sway, I ain't gonna lie. Sway's one of the realest people ever. We. We came in there and we was double booked with the Jonas Brothers. Was booked for Jonas Brothers, right? They the biggest group in the world.

[Uncle Murder]

Jonas Brothers. Yeah.

[Keon Miller]

Facts.

[Millie]

Shout out to the day in there. They got the entourage, like, 40 person entourage. They doing some shit with, like, GQ or some shit. And. And Sway was like, yo, I'm about to walk to the bathroom. Yo, don't move. We in the hallway waiting to get into the room. He's like, yo, don't move. Don't let none of them move. Y' all from this spot. So as soon as Sway spin off some people from Jonas Brothers record label or whatever, they're like, can y' all watch out? Because Vogue is about to come through here and do them, so I don't want to cause no problem in the building. We walked back and, right? Sway came back. He saw us. He said, y' all moved. We like, yeah, well, you know the people he. Yo, he spazzed on all of them, bro. He spazzed on all of them. He said, yo, don't ever, ever, ever treat one of your guests more special than my guests in life. Matter of fact, you don't even be in this building. Like, yo, Sway blacked on him. And then we just did the interview, like. And he was like, see, the Jonas Brothers. Watch this. Saluted the Jonas Brothers. He was like, see, they love me. All these people around these people is nobody, bro. Don't ever disrespect hip Hop robber. Sway Blitzed on the whole.

[Uncle Murder]

Shout out to Sway.

[Millie]

Sway Blitzed on the Jonas Brothers staff, faculty, and record label as a crew. Sway blitzed on him.

[Uncle Murder]

I swear, you know, he don't play shout out to Sway.

[Keon Miller]

Sway actually let me.

[Uncle Murder]

But I ain't going.

[Keon Miller]

He let me host his show a couple of times when, you know, when he don't be there. He let me host his show for me.

[Uncle Murder]

Look, the thing out the Sway man. Merc. This is the thing I was going to say about Hot 97. Cause like, you had Jay Z freestyle on there. Nas Biggie like Mace. Like, everybody freestyle on there. So Flex was like. I remember we went up there, son. That just be a whole different. I know what you're saying. All them shits. Cosmic Kevin, all that.

[Millie]

Nah, Flex is definitely New York City.

[Uncle Murder]

And the bombs is dropping. Like, he said, it's love. It ain't no.

[Millie]

And y' all get harsh criticism in New York. Like, New York, New York. A place where it's like, if you fumble, your block is gonna be outside the next day. Like sun. Trash.

[Keon Miller]

Trash, man.

[Millie]

You know what I mean?

[Uncle Murder]

Remember, because people, you know, they New York, New York been super grimy for a long time. Like, come on. Shot 97. That shit turned from hot 97 to shot 97. Mad shootouts always wrong. Team bump into each other back thing. Shoot out fact.

[Millie]

That's crazy for me now, thinking about how like, Manhattan is now.

[Uncle Murder]

And it's a lot of cameras now.

[Millie]

Oh, after 9, 11 and all that, it's a lot of cameras.

[Uncle Murder]

Hell yeah. Numerous shootouts in front of Hot 9.

[Keon Miller]

Hot 97.

[Uncle Murder]

They move the building. But to be at Hot 97, like Summer Jam and all that. Even Summer jam like that, it's still what it is.

[Millie]

Shout to Hot 97.

[Uncle Murder]

I love what they doing. But, like, I came up to me, I came up in the hip hop game in nostalgic times. That's how I feel. You did was nostalgia. You know what I mean? Like, fifth had hotter Rob. Like. Like, it was just a whole bunch of nostalgic times going into the 90s to the early 2000s. That was nostalgic. You had Big Pun. Like, I remember when big pun dis 50. That was fire. Like, like, damn. Big punt issue, bro. Crazy J. This year, word was just hype. Cause we ain't was something. Was work something at work. We like, damn, this fight word. It's fit for marketing genius.

[Millie]

Yeah. N. That's legend.

[Uncle Murder]

You know what I mean? It. Yeah. I'm just gonna start with everybody mur

[Millie]

your was like your was going crazy on them DVDs. That was the first, right?

[Uncle Murder]

Yeah, that's a fact.

[Keon Miller]

Y talking crazy. He was talking.

[Millie]

I was looking at the. With him and French the. You heard. Heard me.

[Keon Miller]

You heard me. Yeah, I'm a French. Shout out to.

[Millie]

Yeah, you was talking crazy.

[Keon Miller]

Like, I need to make this. I. I need. I need this video, man. Shout out to Fris. DVD Ever was crazy back then, man. I ain't gonna lie. Listen, Chris Lighty, rest in peace.

[Uncle Murder]

Chris Lighty, you gotta understand that's about Brooklyn. Brooklyn gonna make a way, dog.

[Millie]

Chris Lighty from Brooklyn?

[Uncle Murder]

Nah, he from Harlem. I think Bronx ain't from the Bronx. Bx. But what I'm saying is, is like murder. Murder's a nigga. Like, I couldn't believe that he was managed by Chris Lighty. Rest in peace. Like, I don't know how he made that move happen because Chris Lighty had, you know, he had Diddy, he had.

[Millie]

He was hard to get to type.

[Uncle Murder]

He had murder. Murder Ultimate Street 50 Cent. But like me, we was there because of 5th. You kind of was there like, like making moves.

[Millie]

So how you. How you did.

[Keon Miller]

You know, it's crazy. Cause Shout out to Mike Lighty, his brother.

[Uncle Murder]

Shout out to Mike Light.

[Keon Miller]

Actually shout out to Cut Master C too, man.

[Uncle Murder]

Rest in peace. Cuss. Master C. No, you always.

[Keon Miller]

No, no. Yo, man, rest.

[Uncle Murder]

Mr. C. You a mixtape DJ. I keep up with that.

[Keon Miller]

So he was, he was cool with Mike Lighty at the time.

[Uncle Murder]

You didn't say Cut Master C, just.

[Keon Miller]

No, yeah, I said Cut Master C and you said rest in. But I think Mr. C, it's rest in peace.

[Uncle Murder]

I know Mr. C, but I think Mr. C was called Cut Master C too. But go ahead.

[Keon Miller]

No, I don't think Ms. Was ever

[Uncle Murder]

called Cut Master C. I. I think the big daddy came. We would have to look, look, we

[Keon Miller]

might have to look it up.

[Uncle Murder]

Yeah, yeah, I know my hip hop. I don't know how far you go back. You kind of young, the 80s. I don't know.

[Millie]

I know Mr. C, though.

[Uncle Murder]

Yeah, you know Mr. C. Go ahead, Queen.

[Keon Miller]

But Cut Master C used to be with Mike Lighty and that was Chris Lighty's younger brother. And he used to be always filling my music. So one time he worked at Ballador, so he just had me up at Valater, and I'm just up in there. This is a little while after the. The office that got shot up Valley. Remember Valet office that got shot up here. So I'm just walking around in there. And I. I got my hammer, my gun. I'm just walking around in everybody office. I'm popping my head in everybody office in there. I'm just up there with Chris Lighty and I got my music. Something's up in there. Pop my head, yo, what you do? What you do? What you do? And. And you think I'm playing Chris Lighty, God bless. He just in the.

[Millie]

He.

[Keon Miller]

He's standing up in his office. He's just standing up in the hallway and he watching me pop in and out of everybody office, right? So when I get to almost by where he was at, he was like, yo, man, who you? I'm like, oh, yo, my name is Murder, man. Who you? He said, I'm Chris Lighty, man. This is my office, man. What are you doing? I saw. I got some music, man. You know, I'm just trying to get my music to up. I'm sitting here with Mike Lighty, man. Trust me, I got that Chris. You know what I'm saying? Like, oh, oh, you Chris Lighty. Oh, I got that Chris. You hear me? Yo, bro, I'm just letting everybody here know I'm that man. Word up. I know your office got set up and all that. Yo, I'm a shooter too. You know what I'm saying? I sold him my gun. I'm like, I'm letting you know I'm official, Chris.

[Uncle Murder]

Word up.

[Keon Miller]

He like, I'm gonna tell you something. You got the music? He said, yeah, look, the way you talking, he said, let me tell you something right now, man. I'mma listen to your cd. If I give you a call tomorrow, that means I like your music. If I don't, I don't want to see you at my office no more, right? I was like, for real? I said, well, you gonna call me?

[Uncle Murder]

You know what I'm saying?

[Millie]

Gave me the music and real.

[Keon Miller]

He called the next day. And then from there, I was just. I was violated. And that's how I got the rock.

[Uncle Murder]

With Chris Lighty, Mike Light, they had the dream team. You had Chris Lighty. Definitely did Mike Lighty.

[Keon Miller]

You had shout out to Dave Lighty, too.

[Uncle Murder]

Hold on.

[Millie]

So he teed you up fast. Like, once you got in there, you

[Keon Miller]

know what it was with Chris Lighty, it was so easy to the labels and get the meetings. And I already had like a street buzz at this time. So with Chris Lighty, it was just easy. It was easy to set up the meetings. Yo, we going to see epic this day. We going to see this one. We going to See this one, the crazy thing about it is, at the time, I think Sylvia Rome was probably. I forgot who she was with, but she offered us the most money at the time. But we just wanted so many options. Then we wound up doing the deal with Jay Z, with Chris Lighty. But yeah, with him, he just made it easier. With Chris Lighty, everything was easier.

[Uncle Murder]

And then you got to think when you look at Violator, right? You got the dream team. You got Chris Lighty, Mike Lightyear, you got Claudine, you got Mona Scott. That started love and hip hop shout outs to Mona. You got James Cruz.

[Keon Miller]

And then he had a relationship with Leo Cohen, too. Like, it was like Leo Cohen was like his plug to him. And Leo had dope relationships.

[Uncle Murder]

Look, and James Cruise and me and DC's wife, she was the. Yandy.

[Keon Miller]

Yandy.

[Uncle Murder]

Yandy was there.

[Millie]

Yeah, they had the crazy roster.

[Uncle Murder]

I forgot. What's the short black dude, My man, a bucket right now. I don't want my man. He was. They just had a dream team over there. So they had Ello over there. They had K slay, they had 50, they had Diddy. Like, they was like 300 before 300. You know what I'm saying? Rest in peace. Chris Lighty and then Mike Lighty was on the road with us.

[Keon Miller]

Definitely.

[Uncle Murder]

Like, that was dope going over there. They had Freeway and all them signed to them. Oh, yeah, they had every. Yo, he had. They. Yo, he had everybody. You gotta remember Busta Rhyme Buster, they had everybody signed. So it used to be crazy just going to the office.

[Millie]

Y' all used to. Like, in them days, I still wear. I still go with an outfit two, three days. Especially if I ain't get my burn out of it. But was y' all able to. Y' all didn't have to change up clothes as much back in the day. Fair to say. Cause it wasn't a picture every day, right?

[Keon Miller]

On social media. See, nowadays, shit. Fuck.

[Millie]

Cause now, shit, if you had a good day outside, your shit is finished after that.

[Uncle Murder]

Yeah, it's done.

[Millie]

I was wondering about that. Like, y' all could save on clothes back in the day a little bit.

[Keon Miller]

Like, back in the day, you got to remix.

[Millie]

Get the same throwback jersey off at three, four, five shows.

[Keon Miller]

Yeah, you could remix a little bit more. Back in the days. Nowadays, everything on social media, I got this bum ass nigga wearing that shit again.

[Millie]

That's like, you get a Louis jacket, you wear one show, you can't pop out the next one.

[Keon Miller]

Like, this bum ass nigga can't afford another one or he can't do this. It's like this on that microscope, man.

[Uncle Murder]

Some niggas buy them chrome hearts and wear them shits for two weeks.

[Millie]

No, I'll do that, though. Listen, the chrome heart jeans is 10. 10 bands. I'm wearing them shits for 10, man.

[Uncle Murder]

I'm wearing my shit for two weeks, bro.

[Millie]

10 bands for the chrome. I'm wearing them shits For 10 years.

[Uncle Murder]

That clothes. Clothes is crazy because you read, you'll. You'll meet your real rich friends and they got sketches and the Apple watch on. Let's be serious, man. Yeah, they got a million dollar kitchen. I done met people in the.

[Millie]

Yeah, but sometimes I be seeing that shit online, and people be like, yo, real rich people dress like this, that, and the third. And I'll be like, yeah, but real rich people don't got no sauce neither.

[Uncle Murder]

So, bro, we met Toomey, and that nigga had an Apple watch on. That man has. We own Astros, Astro Rockets, Houston rockets, the Astros, 900 restaurants. That man had an Apple watch on. And a suit.

[Millie]

He got a suit, though.

[Uncle Murder]

That's cool. But if you got sketches.

[Millie]

Oh, yeah, Sketches with a suit.

[Uncle Murder]

If you got the hookah sneakers on and all that. I know you really rich. Go to the Hamptons, got the hookah sneakers on. People that's really rich don't care about material. Industrial things. So hanging in the suburbs, you'd be looking at.

[Millie]

They care about houses and all that. Oh, yeah, they'll have a million dollar kitchen like that.

[Keon Miller]

Yeah.

[Uncle Murder]

You know, they have house money. That's a kitchen. Or say, yo, I'm doing my backyard. I'm gonna spend 300, 400. Like, they. They don't really. They'll have, you know, nice suits and. But would have the hookah sneakers on with the Apple watch, like.

[Millie]

Yeah, that's a fact.

[Keon Miller]

Yeah, they're not buying aps in the Cuban links. And they ain't doing all this.

[Uncle Murder]

No watch is a good investment.

[Keon Miller]

Watches to me, it's always a good investment.

[Uncle Murder]

Chain, good investment.

[Millie]

But chain a good investment. Chain a good investment.

[Uncle Murder]

If you're a rapper, look, I'm gonna tell y' all why. But this is money. But this is for me. This is why I say, for me, it's back and forth. Chain, a good investment. Sometimes watch, I think a little better. Because, like, when you really buy jewelry, think about it. It's an investment that niggas want to kill you for.

[Millie]

Yeah, but if you're a rapper, sometimes that. That gets you a lot of Business as a rapper. Like, you walk into the spot and you got that on your neck. Sometimes people im.

[Uncle Murder]

I know how he is in the airport murder.

[Keon Miller]

Trust me, you ain't. No.

[Uncle Murder]

I don't know. For me, I don't know. I love. I love jewelry. I know what you mean. It's investments. But I don't know, I'm more of like. I like the watches now. Like I think.

[Millie]

Nah, the watches you on your growing businessman.

[Uncle Murder]

No, the watch, the watch doesn't lose any value though.

[Millie]

Yeah. But what I'm saying is I could get a chain that might lose 50,000. Let's say I get a chain for 100,000 and lose 50,000 in value. But then I done made connections that earned me 500,000. So my shiver really made me stand out. Now I'm talking to these people who just fascinated. Oh, you a rapper. Oh, for real, man. I around bust down a deal with them later for whatever it be. So I didn't specifically get the. You know the. My chain didn't ascend to whatever amount of money that the watch might have. But. But the compensated for my. See what I'm saying? So I do believe for rappers we

[Uncle Murder]

still need 50 Cent. We had Eminem, them, Dr. Dre. So like my face was the jewel.

[Millie]

Yeah, Face car I didn't even need. But. But that's the same though.

[Uncle Murder]

Yeah, you know how it is. Like we. We came up kind of.

[Millie]

I told my man like one of the best shits about being a rapper too. And. And I have like around the Juggernauts, you know what I'm saying? But it's like one of the. One of the best experiences about being a rapper is getting free, bro. I love free. I love free food. I don't give a. I like when I go to a restaurant they like, don't worry about it. Even if the was $717 to me, that be boosting my shit. I like free clothes, I like free food, I like getting in the club free.

[Keon Miller]

All that shit.

[Uncle Murder]

I like everything free catch 22 to everything in life, ladies and gentlemen. Cause you like that. I love free shit. We get cut the line Mona Lisa. But when a nigga's trying to talk to you while you taking a piss in the bathroom in the airport, that shit gets ridiculous. To catch 22. Nah, I'm just saying it hurts. Am I lying?

[Millie]

But you gotta be in them. You gotta go to. To the. You in all them shits with the guest lounges and you could just go to the private doors and shit like that.

[Uncle Murder]

We always first class. We might walk to the gate. We don't care. We not. We don't get bougie all the time.

[Millie]

Like, you know, I see. I'll be taking you. I'll be taking you as bougie now. Yeah, I'll be taking you as like. When I think of ye, like, you see, he like, nah, the jewelry.

[Uncle Murder]

No, people take that as me being like bougie. It's not. It's just. What I'm saying is, to me, the best experiences is flying in the world. Like, we was in Morocco. We had four seasons. It was just built for the Olympics. Was experience a vibe we got? My man, he called him Moroccan mafia. We had the good bud. The food was hitting. They had smoked duck for breakfast there. Paris, look, Paris, look, look, I'mma tell you, I don't want fame. Look, I tell you all the time, Murder. What I tell you, I don't want fame. Like 50.

[Millie]

No, no, no. But how, yo, how? Like smoke duck. They got you unanimous with that on the end. How many times. Like, that's just like a repeat meal like McDonald's.

[Uncle Murder]

No, it's just not. It's not that. Me and Myrtle was in Morocco.

[Millie]

He's the one person famous for smoked duck. Like, you boosted that revenue.

[Uncle Murder]

Me, me. Me and Myrtle was. We. We was at the Four Seasons. Brand new, definitely Morocco. His man's rolling above. They had that for breakfast. I'm like, that's where the smoked duck shit comes come from. But what I'm saying is, like, see, 50 Eminem fame, they can't really go outside. They gonna get. They can't do nothing. I like my fame. Cause we get to go out. Go see the Mona Lisa. Yeah, yo, Murder, we gonna get a couple of those. We good smoking. You know what I'm saying? You know what I mean? I'm good with my fame. Cause I want to still. I don't want to be in the hotel all day. You gonna want to go to the Louis store shopping. You gonna want to hear, go to go see the Mona Lisa. Security. New facts. One time we went in a hotel. We was in Norway or somewhere. Motherfucker came playing. Rod Diggs and Uncle Murder. I couldn't believe it, nigga. Where was we at? Belgium.

[Keon Miller]

We was in Denmark.

[Uncle Murder]

We was in Denmark. Nigga came through, white boy. Rod Diggs, Murder. I'm like, yo, my dad. Yeah, that's me and Rod Diggs. Just us coming outside to hit a joint on the humble.

[Millie]

That's hard.

[Uncle Murder]

We be touching the fans. Them niggas love us overseas. So we. Yo, that's the best. That's.

[Millie]

That's the best blessing in this rap. Like traveling.

[Keon Miller]

Like, I always getting to meet people around the world.

[Uncle Murder]

Yeah, that be different. Oh, and they. And it be. Look, it'd be a. That, like, what I like about overseas is they don't let hip hop die like America. Oh, yo, we done with you. When you go out there, you catch.

[Millie]

It's still up.

[Uncle Murder]

Yeah, look, you catch J Rue the Damager. You catch New Edition, you'll catch KRS one niggas. Oh, we love them. Like, they don't let hip hop die. Like they don't give a fuck. 80s 90s, 90s. They. So it be different out there. Like the. That got five on it. Them get bread. I got five on it.

[Millie]

Yeah. Shout out. Yuck, mama, that's my dog.

[Uncle Murder]

Five on it. That record them talk forever.

[Keon Miller]

Forever.

[Millie]

That's a big weed record right there.

[Uncle Murder]

That should be different. Them niggas being the Swiss Alps doing shows and all that. Like, I got five on it. That is still getting show money.

[Keon Miller]

Facts.

[Uncle Murder]

Niggas will shit on them and be like, don't know what that is in America. America. Let them go to Germany and all that. Finland be torn getting the bag. That's what I like about overseas and being out there. Because they love hip hop. Damage your. You don't wanna buck. What? Remember that. We running into them KRS1. You running into them.

[Millie]

That's crazy. That's lit, though.

[Uncle Murder]

Cause it's not microwave music. See, that's the whole thing. Forever. It's 20 years later, 50, still doing shows. 20, 23. Live Nation. 103 shows.

[Keon Miller]

Said I got rich off Get Richard die Trying 20 years later.

[Uncle Murder]

Be like, where's his money now? Be like. Be like, where's his music now? His music now just did 100. You know, a Loud Nation paid him. There's only a handful of that can do a Loud nation tour. It's not. You know what I'm saying? It's. It's a handful of ain't getting that kind of bag. Like, not even me. I ain't getting that back. Live Nation. That shit is handful of people. Cardi B right now. Live Nation.

[Keon Miller]

Cardi B tore on fire. Shout out to Cardi B. Gotta get

[Uncle Murder]

to that level and get a Live nation tour. It's not just an easy thing. Live Nation. Yeah. Yeah.

[Millie]

Even getting known overseas, you'd be surprised who they know and don't know. When you get to like Colombia and TR and shit, like that. Because a lot of people, a lot. There's a lot of rappers. I'd be like, so and so. They'd be like, nope, no. Snoop Dogg.

[Uncle Murder]

Yeah, Snoop Snoop.

[Keon Miller]

They know Uncle Snoop.

[Uncle Murder]

Snoop. They gonna know Eminem. That's what I be trying.

[Millie]

That Eminem went so far for me that I'll be in a random place like that, and a waiter or something be like, eminem, like. You know what I mean?

[Uncle Murder]

That's the. That's. That's. That's what bugged my head out, was just to come home out of jail and feel blessed, man. Lived in Battery park, come out my building, see the Statue of Liberty. We come from nothing. So for me, I always was humble. And then picture you being in a party with Jim Carrey. This. You know, this from the movies. And he dancing behind you. You laughing. Wesley Snipes, the Kardashians. Like, I done met everybody did shit. Yeah. Except for Michael Jackson. Who Kid shout out to who kid who kid met. And Tony bruv, meet Michael Jackson.

[Millie]

That's tough.

[Uncle Murder]

Yeah, I never met Michael Jackson.

[Millie]

I Peter Mike, man.

[Uncle Murder]

And I never met Mandela. I know 50 of them met Mandela. Too many niggas were fitted. Going to Mandela crib, you know, Violated was like, too many niggers. Nelson Mandela. But I got to go to the cell and all that. It's like 30 niggas. Everybody that was a Mandela. Niggas was hype word. 50 of them got a chance to meet him, but I didn't get a chance. It was like, nah, too many niggas.

[Keon Miller]

But you got to go to a cell, so that was cool.

[Uncle Murder]

Yeah, got to a cell and all that. See, those experiences you could never take from me. I lived three lifetimes already.

[Millie]

Nah, you wild child.

[Uncle Murder]

I lived three lives already, bro.

[Millie]

That's how I feel like the rap shit is, too. Cause when my shit started even kicking off in, like, 2021, from 2021 to 2025, I feel like each year was like seven years. Like, dog years, kind of like. But in a good way. You. I can't. It gets to the point you can't remember what you did, like, five days ago. I be telling, bro, I be like, anything after 72 hours. I don't remember that shit. Cause this should be a blur sometimes. You know how I be, like, moving and grooving. Yeah, moving and grooving. You can't even remember shit. But then at the end of that 365, I be having to go through my camera roll, and I'd be like, damn, I did. Wow. Shit. Like. And that been for, like, three, four, five years. These been the best years of my life ever. Like, real.

[Keon Miller]

Oh, God, real bless y'. All.

[Millie]

And I. And I reached the level that I want to, but I'm. I'm happy. Like, we're still.

[Uncle Murder]

A long time ago, man. We definitely want to hear this Albion project. Hopefully you get a Leaf War verse. I hope he come home soon.

[Millie]

Listen, I believe.

[Uncle Murder]

I ain't gonna lie. Y' all three. Y' all three on the project, man,

[Millie]

that, like, I believe so much, and I'm stamping, like, Leaf War is the best lyricist in America. Under 30 years old by far. Like. And I put whatever on. I put whatever on it. Anybody under 30, he'll smoke your boots. And he really don't try. He just go to the studio, drops it casual, and it goes. Because it's that pure.

[Keon Miller]

If you don't know about Leaf war, tune into my boy music.

[Millie]

Free leaf.

[Uncle Murder]

He gonna be home soon on the Leaf ward. He put me on the Albion before he came home.

[Millie]

But that's. I ain't gonna lie. That's fire that y', all, like, tapped in with music.

[Keon Miller]

A lot of.

[Millie]

Like, a lot. A lot of the older generations, sometimes they tap out of music. I never wanted to do that. Cause they say after 30, it's a scientific study that 90% of people stop listening to music and just go with what they know. I'm telling you, that's. Cause y'.

[Uncle Murder]

All.

[Millie]

You know what I mean? Y' all really into the music. A lot of people would just say, all right, these 30 years, I'm gonna just go with whatever songs I acquired over. And they kind of block off new music. But there's still people out there rapping they ass off to this day, making amazing music.

[Keon Miller]

I'm up on your shit. That's why how I need you to

[Millie]

get on the pitch.

[Keon Miller]

I know who talking that shit out there. You understand what I'm saying? I know who talking that shit.

[Uncle Murder]

We do some things where we say who our artist of the week is. My artist of the week, New York City. I gotta give it up to Cardi B. Cause she's on tour. Live nation.

[Keon Miller]

Shout out to Cardi B. Selling out. Shout out to Cardi B.

[Uncle Murder]

Who's your. Your artist of the week right now?

[Millie]

My artist of the week. Besides, if you ain't bumping right now, what it mean? Like, what's the category?

[Keon Miller]

It don't matter if you ain't bumping.

[Uncle Murder]

Whatever you feeling right now, you just

[Keon Miller]

riding around, bumping if you ain't listening to your own shit, who you bumping right now?

[Uncle Murder]

Who you fuck with right now?

[Millie]

I ain't gonna lie. I was just listening to tour tape. You know, tour. He from Philly. T O U R e. Nah, you

[Keon Miller]

put me on to him. I never heard of him.

[Millie]

He talking crazy. He started this shit. He said, dudes wanna know why everybody can't go. Same reason it's two seats in a Lambo, son. That was his first two bars. I said, all right, yeah, let me tap in with that. So tour, he from Philly. The best. The best rappers. Pound for pound, I feel like come out of Philly, like, as a whole, like, New York might got 10 of the greatest amazing people, but Philly got 200 super amazing, solid rappers. But yeah,

[Keon Miller]

in Philly talk, they shit Lil Bucks.

[Millie]

Another one I've been listening to. And then I listen to no Cap all day. That's somebody. No Cap and Ralo Rodriguez. I would really tell east coast people to.

[Keon Miller]

To.

[Millie]

To bend your mind to go listen to that. Cause they got a lot of double triple entendres. They just harmonizing it. So it might throw you off the auto tune, might throw you for East Coast. But when you listen to it, you're gonna be saying, hold on. He just said that, like. And they incredible artists, so. But my artist of the week, I'm gonna say, yeah. I say, no, no, Cap, you said

[Uncle Murder]

a couple of people.

[Millie]

I said four, right? I'm thinking of who I was listening to.

[Uncle Murder]

The week, man.

[Keon Miller]

Right now I'm not gonna even hold you. Is Pooh Shiesty.

[Uncle Murder]

Pooh Shisty.

[Millie]

Pooh Shisty's my artist.

[Uncle Murder]

There you go.

[Keon Miller]

All right.

[Uncle Murder]

Are you switched it up there?

[Keon Miller]

You switched it. I'm not gonna lie. I'm free. Free Pooh shy. I'm free.

[Millie]

I'm poo s. I got the first.

[Keon Miller]

Not gonna hold you. I've been working out, cuz I got to do gym in my house. Yeah, I just been working out to Pooh Shiesty lately, man. I'm not gonna hold you. I'm push FDO free Pooh shisty.

[Uncle Murder]

All right. FDO baby.

[Millie]

On my alb tape. I gotta. We just recorded like two nights ago. The night this happened, I said something, something my young and wave the 30 free pooh shiesty. These record labels, 30. I mean, like, I got one of them bars off. Nobody trying to help y. We need this one, you know?

[Keon Miller]

I remember that.

[Millie]

I remember that. I remember that. It's just to show love to the artist in in live time. That's what it is. I ain't trying to capitalize just how my mind works.

[Uncle Murder]

That's right.

[Keon Miller]

That's right. But you already know we have my boy in the building. New project out now.

[Uncle Murder]

Boston.

[Keon Miller]

It's the real report. You know the vibes.

[Millie]

Yes, sir. Good luck surviving the off season, football fans.

[Uncle Murder]

At first I was afraid. I was petrified. Football's over. It's like a part of me just died inside. 200 days till football's back. But tonight I won't just cry cause I've got a ways to play. And that's the place with Hard rock. Bet I will survive Offered by the

[Sponsor Voice]

Seminole Tribe of Florida. Must be 1221 plus and physically present in Florida to wager. Terms and conditions apply.

[Millie]

If you or someone you know has

[Sponsor Voice]

a gambling problem, please call 1833 Playwise

[Podcast Host]

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[Uncle Murder]

Guaranteed Human.