The Real Report - Tony Yayo & Uncle Murda talk UNTOLD 50 Cent & G-Unit stories, Cardi B-Nicki Minaj, Fat Joe's Loyalty

Summary

Joe and Jada Podcast – The Real Report

Episode: Tony Yayo & Uncle Murda talk UNTOLD 50 Cent & G-Unit stories, Cardi B-Nicki Minaj, Fat Joe's Loyalty

Date: February 9, 2026
Hosts: Tony Yayo & Uncle Murda
Produced by: iHeartPodcasts and The Volume

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Episode Overview

This lively debut of "The Real Report" pairs hip-hop veterans Tony Yayo and Uncle Murda for an unfiltered, behind-the-scenes look at their lives, careers, and the inner workings of the hip-hop world. The pair cover a range of topics including G-Unit and 50 Cent stories, hip-hop’s evolving media circuit, the Cardi B-Nicki Minaj dynamic, Fat Joe’s surprising loyalty, and street culture fashion trends. The chemistry is irreverent, competitive, and full of braggadocio, with constant playful banter and a “we’re-canceled-anyway” attitude. The episode is split between playful roasting, ranking hip-hop culture phenomena on the “Real Report Card,” and reminiscing about untold moments in rap history.

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Key Segments & Insights

1. Opening Banter & Podcast Attitude (00:44–03:00)

• The hosts immediately establish a wild, unfiltered energy, ribbing each other and poking fun at their own uncertainty about the show's longevity.
• Both acknowledge their attitude: “this is the podcast where we know we already canceled, so we don’t care” (A, 02:20).
• The “bag” motivation is made clear: “We ain’t doing this for free. We doing this for a bag.” (B, 01:22)

2. The Tony Yayo Blueprint: Viral Interviews and Hip-Hop Press (03:00–05:47)

• Yayo reflects on how his viral interviews set the standard that others now follow: “A lot of artists are following the Tony Yayo blueprint…they doing Vlad. Then they going from Vlad. They doing Shannon Sharpe.” (A, 05:11)
• Uncle Murda admits, "You are the interviewed viral guy. I give you that." (B, 05:35)
• They discuss how media platforms (VladTV, Math Hoffa, Drink Champs, Breakfast Club, Shannon Sharpe’s show) shape artists' careers.

3. Debate: Greatest ‘First Day Out’ Hip-Hop Records (06:07–14:30)

• In-depth discussion of Complex’s ranking of “First Day Out” songs, like T. Grizzly, Gucci Mane, Pooh Shiesty.
• Yayo is adamant: "FDO is on Billboard, dummy.” (A, 13:19)
• Murda values T. Grizzly for starting the wave: “He set the trend of first day out…” (B, 08:45)
• Humor is constant: “He was eating too much. Why you even mention that, T?” (B, 09:37)
• Both playfully fight over which records deserve the top spot.

4. The Dynamics of Public Hate and Hip-Hop 'Hate Trains' (10:45–13:13)

• Yayo addresses the phenomenon of fans and industry figures turning on artists, using Offset as an example.
• The conversation transitions to loyalty and “trend” hate with:
  • "For every artist, what I learned is a hate train is gonna come." (A, 11:31)
  • Murda: “I don’t really got too many friends…no rapper friends really like me.” (B, 69:12)
• They revisit the Cardi B vs Nicki Minaj staging and how money/politics influence allegiances.

5. The Real Report Card (Fashion Segment): Amiri, Chrome Hearts, and the Drip Debate (16:43–23:41)

• The hosts introduce their "Real Report Card," ranking brands and trends.
• Amiri is deemed “dead” by Uncle Murda, but Yayo isn’t letting go:
  • “If I spend my money, I’m gonna wear it again.” (A, 23:21)
• Murda gives Amiri an ‘F’: “If you were sitting on here right now... She would not be digging you.” (B, 23:11)
• The dilemma of spending big on fast-moving trends versus practicality is highlighted through stories about “house wars” (who can buy the best house/appliances vs designer clothes).
• “I might as well buy some regular shit.” (A, 20:40)
• Community/female opinions are pivotal: “Once the females start talking...” (B, 22:35)

6. The Real Report Card: Rolex vs. Richard Mille Watches (24:13–34:05)

• Yayo breaks down the history: Rolex (since 1905) vs. Richard Mille (since 2001).
• Murda impresses with Rolex trivia about its exclusivity and investment potential.
• Final grades: Rolex gets an “A,” Richard Mille a “B” (Tony Yayo); Uncle Murda claims both are “A.”
• Playful bickering: “He’s wilding. But I’m giving Richard Milley a B because they haven’t been around for 96 years.” (A, 34:05)

7. The Real Report Card: Dispensary vs. Black Market Weed (34:28–39:41)

• A surprisingly technical segment on the weed scene; Yayo favors dispensary bud for its lab-tested consistency:
  • “I’m giving dispensary gardening an A because it’s lab tested.” (A, 36:04)
  • “On the streets, you never know when you’re gonna get some booth gardening in a bag.” (A, 36:42)
• Murda agrees, noting the unpredictability of the black market:
  • “That might happen once in the blue…so I understand what you’re saying with the dispensary.” (B, 38:05)
• Plug for their own NYC dispensary, “The Unit” at 24601 Jericho Turnpike.

8. Strippers vs. Bartenders – NYC Club Culture (40:01–45:59)

• Dissects NYC nightlife, debating whether strippers or bartenders get more shine (and more dollars).
• Uncle Murda: “In New York, yeah, they put the bartenders on a pedestal more.” (B, 41:12)
• Yayo: “Bartenders are more marketable…strippers might not have as much followers.” (A, 40:29)
• Amusing anecdote about Blueface’s reaction at a NY club:
  • “These motherfuckers looking like ants in this motherfucker!” (B, 42:13)
• Regional contrast: Atlanta’s strip clubs given A+ for entertainment; NYC strippers get less props due to regulations.

9. Untold G-Unit and Industry Stories (46:13–76:39)

• Tony Yayo and Uncle Murda trade heated stories about early career deals:
  • “We signed for 10,000 in a bag of idiot.” (B, 46:21)
  • Yayo boasts being behind the pick of "Many Men," which even 50 Cent doubted. (A, 46:37)
  • Murda candid about his $10,000 deal: “I was on the run…If you get $10,000 and you on the run…you invest back in the streets.” (B, 72:53)
• They riff on industry politics, beef, and loyalty, including Fat Joe’s desire to do a podcast with Yayo, and anti-friendship sentiment:
  • “You act like I didn’t tell that story.” (B, 56:18)
  • Yayo claims: “I never thought my enemy would help me in position…Fat Joe wanted to do a podcast with me.” (A, 56:22)

10. Debate: Picking Sides in Hip-Hop Politics (66:47–70:08)

• “You gotta choose a side in hip hop…If you say, okay, cool, I’ma go do this with Cardi. And then go do this with Nikki. It’s not gonna work.” (A, 68:19)
• Murda underscores: “There’s a thin line between glazing and networking…”
• Discussion on how authenticity and loyalty are valued more than playing all sides.

11. Final Reflections: Friendship & Making It Happen (76:39–78:20)

• The hosts reflect on the nature of their relationship before the show and how the podcast brought them closer.
• Yayo: “We wasn’t going to lunch…We did a feature…But now you my brother.” (A, 77:23)
• Both close out with plugs for the show, their social media, and a signature competitive send-off:
  • “When he learn to start cutting the superstar off, the show’s gonna be way better.” (A, 78:06)

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Notable Quotes & Memorable Moments

On Media Strategy:

• “A lot of artists are following the Tony Yayo blueprint…They doing Vlad. Then they going from Vlad. They doing Shannon Sharpe…”
  — Tony Yayo (05:11)

On Hip-Hop Culture Fads:

• “If I spend my money, I’m gonna wear it again.”
  — Tony Yayo (23:21)
• “Amiri is done. Amiri sweat is done.”
  — Uncle Murda (19:43)

On Success and Friends:

• “I don’t really got too many friends…no rapper friends really like me.”
  — Uncle Murda (69:12)

On Club Culture:

• “In New York, yeah, they put the bartenders on a pedestal more and they don’t really acknowledge the strippers like that.”
  — Uncle Murda (41:12)
• “These motherfuckers looking like ants in this motherfucker!”
  — Uncle Murda re: Blueface in NYC club (42:13)

On Industry Deals:

• “We signed for 10,000 in a bag of idiot.”
  — Uncle Murda (46:21)

On Hip-Hop Loyalty and Politics:

• “You gotta choose a side in hip hop…you can’t fuck with the opps.”
  — Tony Yayo (68:19)

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Key Timestamps

• (00:44): Show launches, hosts roast each other, address podcast attitude.
• (03:08): Yayo discusses media/token platforms and the "Tony Yayo blueprint."
• (07:02): Heated “First Day Out” records debate.
• (11:31): Discussion on the “hate train” in hip-hop careers, artist cancel culture, and public perception.
• (16:43): Introduction of "The Real Report Card" for fashion brands (Amiri, Chrome Hearts).
• (24:13): Rolex vs. Richard Mille deep-dive and rankings.
• (34:28): Dispensary vs. black market weed, lab-testing, and NYC plug.
• (40:01): NYC club culture: strippers vs. bartenders, followed by wild anecdotes.
• (46:13–52:52): Untold G-Unit stories: mixtape days, signing deals, Red Cafe anecdote.
• (54:12–56:22): Industry insight—Fat Joe’s interest in podcasting with Yayo.
• (66:47): The importance of picking sides and authenticity in hip-hop.
• (76:39): Friendship, respect, closing thoughts, and classic Yayo/Murda back-and-forth.

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Episode Highlights & Tone

• Energy: Fast, brash, hyped, with rapid-fire exchanges and constant playful antagonism.
• Insight: Deep, authentic perspectives on hip-hop culture, street life, and media evolution.
• Humor: Persistent clowning, inside jokes, "canceled" energy, and self-deprecation.
• Takeaway: The Real Report is gritty, real, and entertaining—showcasing two veteran MCs’ camaraderie and honest takes on hip-hop, loyalty, hustle, and the always-changing game.

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For new listeners:
This episode is the perfect crash course in hip-hop’s intersection with media, fashion, loyalty, and hustle—straight from two unapologetic insiders. Expect rapid-fire laughs, wild anecdotes, hard-earned wisdom, and at least as much interruption as insight.

Transcript

[A]

Difference between the strip clubs in New York and Atlanta, there's really no difference. It's just the girls in sections, remember? Don't cut me off because you're not.

[B]

Making no sense right now. Now you sound stupid. I remember Jermaine Dupri one time when we was in the club, when we went to Jermaine, when we was in this club, and Jermaine Dupree was like, yo, y' all throwing all this money and these girls in here ain't even getting naked. I'm glad he walked out. He didn't get stabbed.

[A]

Brad, shut the. Up with that.

[B]

Okay, Bruins. Willis.

[A]

There's that point.

[B]

We can't move these ladies.

[A]

Yeah, it's the talk of New York.

[B]

And this the boy. Uncle Murder, AKA Led Jet.

[A]

Lennon, you on the Real Report show. And I don't know how long this show is gonna last. I'm just gonna keep it real with you. I don't like any of these people, especially Uncle Murder.

[B]

Oh, man, that's crazy. Yeah, that's crazy.

[A]

My boy sometimes, but he be tripping.

[B]

Nah, you be tripping. You be tripping.

[A]

You be tripping, and I'm not with it. And we in the. As my man Lloyd Banks would say, we in a million dollar studio laying our vocals. You know what I'm saying? You see that? We got better cameras. Everything is upgraded. Shout to the volume. Shout to T. Shout to.

[B]

We ain't doing this for free. We doing this for a bag.

[A]

Shout to 50. Shout to Logan. Who's our boss? You don't even know our boss. What's up?

[B]

I know Logan.

[A]

What's up, boss?

[B]

Shout out to Logan. It's Logan.

[A]

He's an idiot. Logan from the back, he's an idiot.

[B]

No use the idiot.

[A]

You know. Hold on. It's Logan.

[B]

You know what?

[A]

I'm gonna tell you, idiot. Our boss, first name is Colin, you dummy.

[B]

No, it's Logan. It's Callan or dummy. Oh, so I have to.

[A]

You don't even know his boss. Khaled. Cow Herd is our boss of value.

[B]

Shout out to Callan.

[A]

Cat herd.

[B]

Did you meet him?

[A]

He got a show and don't even do his homework. You don't even. I follow him on the gram. I don't mean him.

[B]

I met Logan. I met the nigga that's talking for him. Fuck out of here.

[A]

Look, he don't even know I met.

[B]

The nigga that's talking for the boss.

[A]

We'll find out who your next boss. You got a 50's our boss. But Colin is Our boss. Colin is our boss, too, but set after Colin.

[B]

I ain't meet you yet, big homie.

[A]

All right, so look, this is the podcast where we know we already canceled, so we don't care if you keep.

[B]

Yeah, we definitely don't. We definitely don't.

[A]

You know, the phone number, the hotline to call here is 1-800-we- don't give a. All right. All this happened because of me. We gonna start this off.

[B]

It didn't just happen because.

[A]

Hold on, hold on. He made me like. He made me almost. I don't want to say a number of six figures. He made me some good money.

[B]

I definitely made some good money.

[A]

I made him double that. And what I'm saying is he got.

[B]

Us a good bag. Off the bag. Salute to Tony Yale for doing all the interviews and going viral.

[A]

Murder. Tell the truth. When we was on the Right and shout to Vlad. Tv, I know y' all call him a culture vulture. Y' all don't like him. We gonna have him on the show. We gonna have a lot of. We gonna have the biggest guest in the world on this show. Biggest guests in the world. Trust me.

[B]

Shout out to Vlad.

[A]

Shout out to the Vlad. Shout out to Vlad. When you and 50 didn't want me to do Vlad. Right? And laughing on the jet. Why you doing Vlad? Why you doing Vlad? Why you doing Vlad? I went to YouTube as my. As my place to have fun. I got a lot of haters. I got a lot of people that love me. Shout out to all the people that watch me. But Vlad took me from. Let's start from the beginning. Math Hoffa. The show was on fire. Shout out to Matt Hoffa. I can't hate on him. That show was on fire.

[B]

This nigga told me to pull up there, and I didn't even know what was going on.

[A]

That was a movie. Matt Hoffa was a movie.

[B]

Definitely was.

[A]

Drink champ. Shout to Nori. We know you mad at us a little bit.

[B]

Oh, no, no.

[A]

Keep it real.

[B]

Shout out to Nori.

[A]

I love Nori. He didn't call us back for us to get on his show again. Shout out to Nori. What else? But it all came from Vlad. Then from came the Breakfast Club. I did the breakfast club without 50 cent. Everybody give me a clap for that. Hey, without 50. Come on. Don't hate now.

[B]

50 helps everything, though. Don't hate now. The affiliation helps every motherfucking thing.

[A]

The Breakfast Club. I think down the line, they thought y' all thought. The public thought I was gonna do y'. All Thought I was gonna do Vlad again. Yo. He's talking about smoke duck caviar, pancakes and the reindeer hamburgers and all that. He's talking about all that shit in the airport, right? Cause we really lived that life. And I switched it up and I went to Shannon Sharp. Make some noise for Shannon Sharp, Shannon Sharp.

[B]

Even though Shorty got him for that 50 million.

[A]

Don't do that. I'm just saying, you don't gotta do that. I don't want to get into it.

[B]

Okay?

[A]

Okay.

[B]

All right. Go ahead.

[A]

And then I got you on the Breakfast Club. And if they didn't get me on.

[B]

I did the Breakfast Club without you. Fuck outta here, Yayo. But keep talking. Cause you're going good so far. But I've been on the Breakfast Club without you.

[A]

I've been on the Breakfast Club numerous times. I didn't say without me, but I got you on the Breakfast Club. Shout to the volume.

[B]

You didn't give me nothing. Shout out to the volume. Shout out to the volume. For getting us on the Breakfast Club. But go ahead.

[A]

And I'm gonna explain to you right now. A lot of artists, you see, and I know a lot of people's gonna say it's not true, are following the Tony Yale blueprint. You know what I'm saying? They doing Vlad. Then they going from Vlad. They doing Shannon Sharp. Know what I'm saying? Breakfast Club, they do. They following the Tony Yayo blueprint. It's just my time. And I'm humble, but I'm not unhumble.

[B]

I give you that. Because you are the interviewed viral guy. I give you that. And I don't like really giving you your props on two.

[A]

You got to.

[B]

Cause you was laughing at the jet. All right? So I give you that.

[A]

You was hating. Just say I hating.

[B]

Yeah, I wasn't hating. I was. I was giving my opinions. But you did walk us into a bag. So I got a salute.

[A]

Here you go. Salute to the value, man.

[B]

Salute to the value. Salute to the. Shout out to Cali.

[A]

All right, look, I'm gonna show you how I started my day. I'm gonna show you how I started my day.

[B]

How you started your day.

[A]

Listen, all day in the car, I've been listening to one song. And you want to know what it is? What?

[B]

The one song you were listening to.

[A]

I'm not gonna lie. Fdo. Pooh Shiesty.

[B]

Oh, Pooh Shiesty. First day out.

[A]

So look, yo, T, look up the complex. First day out. Greatest, like, hits type shit. It's on Complex I was watching that. Right, so they have T Grizzly number.

[B]

One as far as First Day out record.

[A]

Yeah, First Day Out. You know, Gucci Mane was on there like three times. Cause he been locked up, of course. Yeah, Gucci, man. That was the funny shit Gucci Mane was on. JT was on it. Who was on there? See, you can look it up. You got it. This is from 2009.

[B]

No, 2025, 2026. The first day out song.

[A]

Because FDO was on that. So I don't. I don't know. But who? Who?

[B]

I feel like T Grizzly was the one who started that.

[A]

Who was number one? T Grizzly was number one because he.

[B]

Was the first one that came out with.

[A]

I don't know. T Grizzly was number one. Two was Gucci, man. Gucci. And number three was FDO. PO3 also for first day.

[B]

And then Gucci got two and three.

[A]

And then number four was who first day out. Number five is young, Louie Young. The list. You sure you on the right list? Because it was like 30 people on that.

[B]

He talking about complex.

[A]

Complex. No, there's. There's 30 people on that list. If you look it up. Just look, first day out, there's 30 people. They got JT on there. They got Nudie on there.

[B]

What's JT from?

[A]

JT from City Girls. You looking at the wrong one.

[B]

JT had a first day out record.

[A]

Yeah, they got JT. It's like 30 artists salute with that one. If you look at her complex, FDO was, look, she gotta find a new one. But till then, look, the new one had like about maybe 30 artists on it. Gucci was on there like three times. FDO was number three. But to me.

[B]

Now you talking about Pooh Shiesty's version.

[A]

Yeah, Pooh Shiesty.

[B]

Okay.

[A]

Pooh Shiesty, fdo. That's the hottest record he been popping.

[B]

Yeah, definitely.

[A]

He's on Billboard and everything. Him and Uzi. I think he deserved to be number one on there. T Grizzly was number one with the First Day out record. But this has to be like one of the best First Day out records in history.

[B]

I would say I would have to.

[A]

You didn't even hear fdo, so you.

[B]

No, I heard it. Come on, man. I shot a Pooh Shisty out in the wrap up and I said that his shit was popping and all that and, you know, shouted out the record that he had.

[A]

Did you find a 30 yet? No, but this is 30 artists.

[B]

Right, but I would have 20.

[A]

Hold on, hold on.

[B]

All Right? No, no, no. But I would have to give it to T Grizzly because he said it. The trend of first day out. So I would have to give it. I would have to give it to.

[A]

T Grizzly on that. You're not getting what I'm saying. What's the list right now? Hold on. I'm gonna explain to you.

[B]

All right, Go ahead, T. What's the list?

[A]

What's the list? It's like 20 artists. Go ahead. Okay. Boo. Dave Blunt.

[B]

Yeah, Dave Blunt.

[A]

I don't know how he was on that list. Start from once. That was from number one.

[B]

Yeah, yeah.

[A]

Hold on.

[B]

Fuck Dave Blunt.

[A]

No, no, no.

[B]

Start from number one.

[A]

Hold on, Merc, you're not listening.

[B]

Dave Blunt is the fat nigga, right? Hold on. Correct. Fuck him. Start from number one.

[A]

You're not listening. Chill out. You.

[B]

Too many drinks. I just wanted to get that ass. Listen, we've been drinking.

[A]

It was first day out. The hospital was in jail, so it don't even count.

[B]

Oh, yeah, yeah.

[A]

Fuck him. He first day out the hospital for eating blunts. Go ahead. Damn, that's wild. You.

[B]

I'm just saying that's his problem.

[A]

You wilding right now.

[B]

We talking about the. That's in the can, yo.

[A]

Yeah, he wasn't. He wasn't supposed to be.

[B]

Exactly. He was eating too much. Why you even mention that, T?

[A]

Not cuz he was in the hospital first. Okay.

[B]

All right, well, him T, start from number one. Without mentioning Dave Blunts.

[A]

No numbers. Let us start, huh? T Grizzly, number one. All right, number one.

[B]

T Grizzly, number one.

[A]

Gucci Mane is two and three.

[B]

Gucci is number two and three.

[A]

Kodak is four.

[B]

Kodak Black is number four.

[A]

Young Nudie is five.

[B]

Young Nudie is five. Offset is six. Stop trying to get Cardi B money. Go ahead.

[A]

Stop. Oh, damn. You spat, you. And.

[B]

And who's number seven?

[A]

He's Rage, baby.

[B]

Right now, Pooh Sisty is number seven, and Chief Keef is eight.

[A]

Nine is City Girls.

[B]

Nine is City Girls because of JT.

[A]

And 10 is. We know JT's the only one that went to jail.

[B]

I always said Rio, the young og.

[A]

Damn, why you OD on offset like that? Nigga's cool. He just was with 50 the other day. You be wilding, son. You be wild. Don't look like it.

[B]

Shout out to Cardi I with Cardi B. And he know that I seen offsetting the guard in the gambling spot. He said, yo, let me ask Cardi your people. I with Cardi B.

[A]

Let me ask You a question.

[B]

He's trying to get Cardi.

[A]

Let me tell you something. Do you think in, like, how do you feel about when the hate train comes in everybody's career? Because it feels like not everybody gets hated on, but it just. No, look, what I'm saying is.

[B]

You trying to call me a hater?

[A]

No, I'm not.

[B]

All right, go ahead.

[A]

Now listen.

[B]

All right, go ahead.

[A]

You gotta let me talk. All right, cut me off. That's the good thing about a podcast.

[B]

You talk a lot. But go ahead.

[A]

You talk more than me.

[B]

Fuck out of here. Everybody know he's capping with that shout.

[A]

Out to Branson tonight.

[B]

Hey, look, shout out to Branchy.

[A]

Listen, what I'm saying is when the hate train comes, it's like it turns into a trend. Like Offset is a dope artist, right? Facts. But it seemed like you just threw him under the bus.

[B]

I didn't throw them under the bus.

[A]

You threw them under the train tracks. Whatever you want to call it. Right, but what I'm saying is it's like a trend.

[B]

More brand. More brands.

[A]

Nah. Cause it's like, yo, look, for every artist, what I learned is a hate train is gonna come. What you think after like five years?

[B]

Yeah, that's probably the cause.

[A]

They said dynasty lasts. What?

[B]

Even maybe before that. But I don't think I threw Offset under the bus. I just fucks with Carti. Carti is my. Cardi B is my.

[A]

We go back to this YouTube.

[B]

I fucked with Cardi. She saluted me a bunch of times. And I know she like, nigga, she cool with the divorce, but he's just trying to get money out of her.

[A]

What's wrong with that?

[B]

What you mean, what's wrong with that? He getting his own money. Why you trying to get money out of Cardi?

[A]

I mean, I'm just saying, you know, if a girl did it, it would be cool. I'm just keeping it real.

[B]

Yeah, you might be right about that. But I'm just saying, that's like sis. So I'm trying to say, like, nigga, you getting your own bag. Stop trying to get sis bag. The situation is over. Let it be over.

[A]

My whole thing is so. So if you a Cardi fan, why you came out on stage with Nikki.

[B]

Shout out to Nikki, too. I'm not here to pick sides this try. Yo, boy, I tell you, boy, I'm just saying. Boy, I tell you.

[A]

You know what I'm saying? Everything is political in the business, Cardi.

[B]

Listen, Cardi know I got to get my bag. So A fifth hit. Yo, you want to make some money? No problem. I think. What we doing? Oh, tonight we coming out with Nicki. I'm all with that. It's all good.

[A]

But you on stage with Nikki. Queens one again, man.

[B]

Shout out to Brooklyn in the Bronx. This on his queen. Shout out to Brooklyn in the Bronx. Out of here now. While we was talking about TT, what we was talking about? 1 to 10, 1 to 20. What we was talking about again, T.

[A]

This nigga's on one tonight. The whole what's up with him the.

[B]

First day out song right now. I think T Grizzlies was the deserves to be the first. And shout out to Pooh sisty, we happy he home.

[A]

You know what's stupid about you?

[B]

No, what's stupid about you?

[A]

What? Hold on. Let me tell you what's stupid about you. Fdo. Listen, FDO is on Billboard, dummy.

[B]

And T. Grizzlies was as well.

[A]

No, it wasn't. Look it up, T. Look it up.

[B]

T Grizzly Shit was popping as well.

[A]

You don't know nothing about hip hop, bro.

[B]

My nigga. LeBron James was singing t grizzly shit.

[A]

FDO is the hottest record out right now.

[B]

And when T Grizzly dropped his, it was the hottest record out too.

[A]

What I'm saying is he could be number two.

[B]

Nah.

[A]

And FDO is number one.

[B]

Nah, nah. T Grizzly set the wave.

[A]

Get on my nerves, bro.

[B]

He, he, he paved the way for that. I'm just being honest. He paved the way for that. See what's going on for that? Nah.

[A]

No, we looking if. If his first day out was on Billboard, that's what. He's looked at his record.

[B]

The first day I record that he had, was it on Billboard?

[A]

FDO is on Billboard by Pooh Shiesty. What are you crazy? And we saluting that and I know, but what I'm saying is T Grizzly wasn't on Billboard, bro.

[B]

T Grizzly Shit was on Billboard as well.

[A]

No, not the debut. If his first day out. Look at the record. Yes. Song, first date. Thank you. What number was it? Thank you. Oh, shit. All right, cool.

[B]

Come on, man. Salute to T Grizzly.

[A]

T Grizzly. But FTO was hotter right now.

[B]

Right now, of course. But T Grizzly had his time. When he came out, when that shit.

[A]

Was popping, it was popping murder. I don't like you today, bro. Drinks.

[B]

It's the real report.

[A]

Your offset. Snuff this nigga, bro.

[B]

Offset, my man.

[A]

Yo, Renee. Yo, Renee. If you gonna be on your phone, you can get outta here. Man, you look disinterested.

[B]

For real.

[A]

And I'm a superstar. Pay attention to what I'm doing. Remember when Kanye west said, when I'm on camera, watch me, nigga, I'm on some Hollywood now, bro.

[B]

He front no one. Not man's us in here.

[A]

Sneakers on his phone, texting.

[B]

Oh, yeah, yeah. No, no, no. No phones on. We ain't hearing that, man.

[A]

This is the real report. Everything is real.

[B]

This month, iHeartRadio is celebrating the stars of the 2026 Winter Games. Representing Vienna, Virginia, Ilya Malinin is redefining what is possible on the ice. Known as the Quad God, the reigning world champion arrives in Milano, Cortina, as the only skater in history to land a quadruple Axel in competition. He isn't just performing a routine, he's pushing the laws of physics. Malinin steps onto the Olympic ice, looking to turn his technical revolution into pure gold. For more Winter Games gold, search olympics on the iHeartRadio app.

[A]

What you wanna talk about now, Murder?

[B]

I mean, you tell me. I don't know what's going on. You feel like we here because of you?

[A]

You want me to do everything?

[B]

I don't want you to do everything like you can't do it by yourself.

[A]

I've been doing everything.

[B]

Now you can't do it by yourself. Listen, you got to realize, since I came around. Since I came around, things been a lot better. Things been a lot better. Things been a lot better. I motivated you to start. I've always been kind of out here.

[A]

Look at the cameras. We got. Shout to the volume.

[B]

Since I came around. Since I came around. Things, man. I got you motivated. My man.

[A]

Renee. Tell them. Things been better for me, man. Renee. Things been better for me since 05, man. 04.

[B]

I should have signed back then, right?

[A]

Yeah. Shout to eminem. Shout to Dr. Dre, 50 Cent, of course, Shady Records.

[B]

We got our producer teeing this motherfucker, and this is our first time doing this shit. So we just having fun with this shit, man. We don't care, yo.

[A]

It's all about energy, and I'm gonna tell you why.

[B]

Tell me why.

[A]

Hollywood hatred crashed out the other day.

[B]

I don't know why. For Hollywood, Hey. If y' all don't know who Hollywood hey is, that's my man. Yeah. Yo, that's one of his, you know, main men's.

[A]

You know, we been supposed to shoot this episode, but we gonna go into the real report card, okay? When we rate things and see what y' all think, you know what I'M saying, I got this Balenciaga shirt on. He said, nigga, you got a police station shirt on. I had to tell him, this is Balenciaga, nigga. What I say? Balenciaga, nigga.

[B]

Is he saying it the right way?

[A]

Balenciaga, nigga. So look, so then we go into. Because I had a Mary hoodie on now. So.

[B]

And I tried.

[A]

You gotta learn. Listen, Renee, tell us. Nigga, he gotta learn to stop cutting you off in the podcast.

[B]

Yeah. Let me tell you something, right? I be reading the comments, and whenever I do an interview with this nigga, I notice people say, yo, my nigga. This nigga. Yeah. Will never let you talk, man. This nigga be talking too much every time.

[A]

I know. Every time I talk, you. You can rewind the tape. You interrupt the fuck out of here up the show. I've been doing this.

[B]

Get the.

[A]

You new to this.

[B]

Get the.

[A]

You're new to this. I've been doing this.

[B]

Okay, okay.

[A]

When you was laughing on the jet. Okay, now look who's cutting you checks, Colin.

[B]

And shout out to the back. You ain't cutting. Shout out to the van. The. Out here.

[A]

The. Yo, so we got a segment we call a real report card, right? I swear, this is gonna last for about a year.

[B]

I said three weeks.

[A]

I say, yeah, we got a segment we call a real report card where we rate shit. You know what I'm saying? We older, right? So we in the most fashionable states in the world. New York City.

[B]

Yeah.

[A]

We all would agree, like, niggas fucking eat chrome hearts and Rick Owens for breakfast. Whatever you want to say, right?

[B]

Agree, agree. Agree with that. It is a real fashionable time.

[A]

So a while back.

[B]

Yeah.

[A]

You know, shout to TV baller.

[B]

Yeah, yeah.

[A]

He said, ameri's dead. So look, you made me. I had the Mary hoodie on in the car. You're like, what are you doing with a Mary on? Like, listen, we going to shoot our.

[B]

First episode, and this nigga coming on there with a Mary hoodie.

[A]

I'm like, but look, I have Balenciaga.

[B]

You can't wear that Mary hoodie.

[A]

No, no, no. So we got this on a report card, right? So we got this report card. We put what we put. Cause T helped us.

[B]

It was a Mary on there.

[A]

Well, let me. Let me ask you a question. Let me ask you a question. If you spend $1,000 on some jeans or maybe a Mary hoodie, because it was probably costing, like, around that.

[B]

Yeah.

[A]

Should you dub it? Because New York City is critical as well as other places should you dub it and go straight to Kromah or I still want to wear my shit. Me.

[B]

I think it's over for Ameri right now. Nah, you tripping now, Michael Mary.

[A]

Am I tripping, y'? All?

[B]

I. I think. I think Michael Mary might look at this interview and go, you know what? He might send you some shit because you on his side.

[A]

What y' all think? What y' all think? I'm not tripping.

[B]

I think a Mary is done. A Mary sweat is done.

[A]

That's a dub. See?

[B]

You see? You see what the. You see what the female said? And us is. Us is. I don't.

[A]

I don't give a what she said if I spent a thousand dollars on that, right?

[B]

So why Axa? So why ask her?

[A]

But I'm just saying. So I'm playing myself in New York.

[B]

City, you would want somebody that look like her to like you.

[A]

But hold on, Murder. You don't want to walk in the.

[B]

Spot of somebody like her. Exactly. There you go. You don't want somebody like her looking at you in the spot, walking like, oh, my God, that nigga got that Mary hoodie on. That nigga out the loop.

[A]

Look, he out the loop. But look, look. So on the report card, we give the grade, right? But what I'm saying is, say Chrome heart is what, 10,000 for the jeans, Something, whatever, right?

[B]

I'm not spending that for the record.

[A]

Okay, okay, you might not, but what I'm trying to say is, say Chrome Heart wear out, and you spent 10 bands on the jeans. Is that possible, that Chrome Heart gonna be played out?

[B]

It is possible.

[A]

Well, there you go. So shit get corny, so I might as well buy some regular shit. If I'm gonna buy shit. I can't wear my Mary jeans no more.

[B]

That's why you might as well support your man shit. Support your local man shit from the hood that's trying to get shit popping. As long as this shit looks like.

[A]

Happening, he don't support nobody. I do. Now, look. No, but what I'm saying, does it make sense? Especially when you older. Cause you like, man, fuck drip. I'd rather buy. Like, think about it. I'm gonna give you.

[B]

It depends what you doing.

[A]

Let me give you the perfect.

[B]

It depends what you're doing.

[A]

Let me give you the perfect example. You know how we had house wars? Remember? We. We had house wars.

[B]

Yeah, yeah.

[A]

Me, you, 50, couple of niggas, we had House wars, right?

[B]

50 won that one, by the way.

[A]

Give me example. Why would I buy chrome Hard dreams when I could buy a sub zero refrigerator for 10,000. That's how I look at it. Why would I buy some sneakers or shoes when I could buy a wolf stove? I ain't got my wolf stove yet, but I'm gonna go get that Sub Zero just to get some more cribs. You know how we do.

[B]

But you got the young boys. But you got the young boys out here. That's living and learning lifestyle. A certain lifestyle where they not even thinking about a house and certain things like that. They just thinking about Drip. All they're thinking about is going to the clubs and kicking it with the bartenders, the strippers, like that. They not even thinking like that yet. You got motherfuckers that's like 20 years old, 25 years old, 30 years old. They running up a bag. They not there yet. Mentally, all they're thinking about is Drip. I'm going to the club, I'm about to turn up and I'm going to fuck shorty. They're not thinking about that yet.

[A]

So are you giving. So what are you, Michael? Mary F1 number poker. The way I see is because she said it's dead.

[B]

Yeah, you see everybody, like, see, you got the females. Once the females start talking.

[A]

I'm not asking.

[B]

You got certain rappers.

[A]

Listen. You got certain rappers. You got certain rappers talking. What are you giving it? What do you. What is the grade for it?

[B]

From an A to a F?

[A]

Yes. Report card. Can't use that on YouTube.

[B]

Yeah.

[A]

Are you stupid?

[B]

Edit that. Edit it with part.

[A]

Are you slow?

[B]

Are you something? I'm gonna give the.

[A]

Because if you on it, you giving it an F. Because the way Streets.

[B]

Is talking about it and the way no drinks, the way that a pretty female just mentioned a Mary. You gotta give it an F. Yeah.

[A]

Okay, you giving it an F. That.

[B]

Means if you were sitting on here right now.

[A]

I'm not asking. You gave it an F and you.

[B]

Had that Ameri hoodie on and it said Ameri on the side. She would not be digging you like that.

[A]

I don't give a fuck like that. That's where you got me up. If I spend my money, I'm gonna wear it again. I don't give a fuck about all that. So you giving an F. I'm gonna give Ameri a C because everybody's shitting on it. But I still wear my shit.

[B]

This N. This nigga acting like a C is a good grade.

[A]

C is good grade.

[B]

He definitely not Mary's dad.

[A]

I thought.

[B]

I thought he was gonna send me Some. I thought. I thought he was gonna.

[A]

What you gonna say? Gonna be everybody in New York on it. All right, we gonna go to the next thing on the report card, right?

[B]

So we gonna go shut the up, get the out.

[A]

Everybody on in New York. What am I supposed to give it? So we gonna go. What's next on the report card? We going Rolex or Richard Millie? Now, Richard Milley, a lot of people don't know. Cause he don't know shit.

[B]

He don't even know a salad I'm about to break.

[A]

He don't even know a salad for break.

[B]

Some shit down that he don.

[A]

Hold on, let me talk.

[B]

He talking about rolling. Watch this.

[A]

Look, he want to cut me off because he don't know what a salad fork is.

[B]

Go ahead.

[A]

But so look, he did teach me.

[B]

About a salad fork. But this nigga. Go ahead, Talk about what you want to talk about. He was happy to learn that shit when we was at Morocco. I think we was in Morocco, right? You put me over there when you was eating your smoked ducks.

[A]

Remember, I'm the star of the show, everybody.

[B]

He's definitely not the star of the show, for the record. But go ahead.

[A]

When he was in the bodega, I was in Dubai.

[B]

You might be right about that. But fuck this nigga again.

[A]

He was doing mixtapes and all that. We was in Dubai. But listen back to what I'm saying. Cause you lost me, T. When did Richard Millies come out again?

[B]

Talking about. I don't know.

[A]

I think it was around.

[B]

I think it was around 2005, 2003. Now watch this shit, T01. I was close like a motherfucker.

[A]

All right? So damn, calm down to me.

[B]

I'm just saying I was a little close.

[A]

Talking too much. Listen.

[B]

Talking about I don't know shit.

[A]

He don't even know what's going on. I did the shit. Watch how I put this together on me.

[B]

So look, just remember me.

[A]

That's so look. Okay, Richard Milley, 2001. We both agree that's fairly new, right? Correct. Richard. Millie versus Rolex, right? And when Rolex been around. 1905. So how many years is that? Break it down. 96 years.

[B]

Do you know the history behind Rolex? You don't even know you're talking about something. You don't even know about it. I can't even talk Rolex, though. You can't even have stocks in Rolex. Did y' all know that Rolex is a company where you can't even invest? It's really just for, like, the people and the brand. It's really. That's how Rolex is so dope that it ain't even up to the people. You can't even have no shares in stocks in this. This is just like it was made just to be exclusive for certain people that don't know. He didn't know that. So Rolex is real exclusive. But go ahead, finish up what you were saying.

[A]

I'm trying to be me tonight, but it's all good.

[B]

Yo, look out here.

[A]

I taught him how to do this podcast. Get the. He didn't know. He got to get mad tricks to get like this. I'm like this. I'm viral. That's good. Y' all want to go to the list of Yale? I went from Shannon Sharp to Kill Tony to Kill Tony. Got you on Andrew Schultz. Cause don't act like I didn't get you. Yo, I could have did that by myself. They didn't call for me. They called for me.

[B]

Let me tell you about this. Get off the phone for a minute. Get the off the phone.

[A]

I agree with you.

[B]

I agree with you. Yeah, I agree with you.

[A]

You distracting, bro.

[B]

This motherfucker going to give me the address for Andrew Schultz. Three hours before the show. He tried to line me up. 50 told me to watch him. He tried to line me up.

[A]

Nate.

[B]

Nay. He tried to line me up.

[A]

Nate.

[B]

Nate the nigga wanted to do the show by himself. Nate the nigga wanted to do by Yo, Hollywood. You knew that, too, Whit Hollywood. You knew that. Hey, you knew that. Hey, fuck outta here. Hey, fuck outta here.

[A]

This nigga's trying to be me now today. Cause, you know, I told him, turn up. You know what I mean? But listen, if we could go on with the subject, we move on.

[B]

Go ahead. Go ahead.

[A]

Been around for 96 years. Richard Mille been around since 2001. Right? So how many years is that what that's about?

[B]

That's 25 years now.

[A]

What do you grade those? Because Rolex been around so long, and of course it keeps its value or goes up on watches. Shout to era. He taught me a lot of shit about the watch game.

[B]

And either I'm just shouting out eat. For real. What the is wrong with you?

[A]

You know how I said was Eve, yo. You know how people.

[B]

Yo, all I said was eat. That's my brother.

[A]

Yo, you know what Kill Tony told me? And this is. This guy does millions of views selling the Garden. Yeah, this guy, he said, what makes a podcast whack is when somebody keep cutting you Off.

[B]

And he said, yeah, I'm glad that everybody out there watching.

[A]

No, he shout out to Kill Tony. That's the best advice.

[B]

This nigga's the king.

[A]

How are we gonna finish.

[B]

This nigga's the king of cutting people off. But go ahead.

[A]

I'm good.

[B]

Get the fuck out of here. Get the fuck out of here. Go ahead.

[A]

Volume. We could do this shit myself. I'm dead ass serious, Yo, Hollywood. You think I'm playing? I'm not.

[B]

Yo, this guy's crazy.

[A]

Dead ass serious.

[B]

This guy's crazy.

[A]

Yo, Kill. Listen. Can you let me talk?

[B]

Go ahead.

[A]

Kill Tony. On his podcast, which we over 2 million views, he said, the wackest thing about a podcast is when you cut people off. Cause now we talking, and you. You just cut me off. I'm letting you breathe. Let me breathe.

[B]

All right, you know what?

[A]

I forgot my whole culture. You making this shit whack.

[B]

Damn. What you was talking about?

[A]

Yeah, bro. You don't need to drink no more on the podcast.

[B]

Get the fuck. You been drinking too much.

[A]

I'm good, though.

[B]

You been drinking too much.

[A]

Nah, I'm good. You cut me off.

[B]

It's the Branson.

[A]

Every time I.

[B]

It's the Branson. It's the Branson.

[A]

Every time I have a good explanation.

[B]

What was you just talking about right now?

[A]

Nigga, your dumb ass just made me stop. Stupid.

[B]

Is you talking about this guy right here?

[A]

Nah, for real, I'm not for real.

[B]

This guy's crazy. This guy's crazy.

[A]

What was you just talking about?

[B]

That's how we got to produce a tea.

[A]

What was that? I know what I'm talking about.

[B]

What then?

[A]

Tell me. We can't. Yo, look, not for real, Merc. We on the first thing on the report card. Now we on the second thing. Everything is a half an hour. Like, for real.

[B]

Everything is a half an hour.

[A]

I'mma teach you this shit. Cause you new to this.

[B]

You def. Get the fuck. Get the fuck out. You and you having the moment. Go ahead. I'mma let you have your moment. I'mma let you have your moment.

[A]

Tony, you watching, right?

[B]

You gonna tell him. So I have to kill Tony? I feel like I need to kill Tony right now.

[A]

Kill Tony. Yo, listen.

[B]

Okay, but go ahead.

[A]

This is what y' all gotta understand about murder, right?

[B]

Oh, now you gonna talk about me? Now you wanna talk about. Get the fuck outta here.

[A]

Am I getting two words out?

[B]

Go ahead. All right. Go ahead. Go ahead.

[A]

Can't even get two fucking words.

[B]

Go ahead.

[A]

Yo, you're terrible. Tonight, this shit.

[B]

Go ahead. Yeah.

[A]

This first episode, whack. But listen, this nigga hold in for you making it whack. Listen.

[B]

Talk.

[A]

Yeah, let me talk. What? You gotta understand murder about yourself, right? Like, one thing about my friends. I learned my friends for who they are, right? Like, 50 you see him, he get on the plane, he look like Canaan, right?

[B]

So you talking about. Hold up, nigga. Nigga, hold up. Damn. You calling my nigga 50 Canaan. So I'm talking about. You talking about the other day when he came on the plane with the hoodie. All right, go ahead. Go ahead. Talk about your friends. Go ahead.

[A]

I'm done. Yo, I'm about to y. Walk out. Not for real.

[B]

Yeah.

[A]

Yo, you drunk too much, bro. Tripping, man.

[B]

Go ahead.

[A]

Yeah.

[B]

50 like Kaney. He looked like Kane the other day.

[A]

He came on the plane 50 like Kane. You're an.

[B]

Pause.

[A]

You.

[B]

You're an. Go ahead. Go ahead.

[A]

This is what you don't understand. I love you and everything, but you just have no etiquette. Like, I'm gonna give y' all a perfect example. Listen, he's gonna let me. You gonna let me talk?

[B]

Go ahead.

[A]

Oh, no. We could be in a five star hotel chilling. I'm saying we chilling. Murder. Don't understand his voice carry. I thought I was loud, yo. Like, your voice carried. Know what I'm saying? We in a five star restaurant. You say my nigga about 30 times. We done smoked in the morning. The next day in the restaurant, they like, yeah, just sit them guys in the back. Like, you gotta learn to have etiquette.

[B]

They was being racist in that restaurant, even though I said about 30 times, they was being racist. The next day, didn't the lady come back and apologize? Because the guy.

[A]

I don't know.

[B]

The guy trying to charge us. Remember the guy trying to talk.

[A]

I don't remember.

[B]

Before our food came out. Out of here. The guy trying to charge us before our food came out yet.

[A]

Yo, listen, I don't. You drunk too much tonight. What's next? He don't even know what's next. On the Real Report.

[B]

I do know what's next. See what's next.

[A]

Oh, Rollie, look.

[B]

We just did that. T. What the.

[A]

Is this so dumb. We didn't even grade it.

[B]

Oh, we didn't grade it. All right.

[A]

Copy, stupid. This guy's dumb. You're real dumb.

[B]

No, you're a little dumb, too. Yeah.

[A]

No, you're bugging.

[B]

Nah, go ahead.

[A]

So, look, Rolex, Rolexes. Hold on, let me grade.

[B]

Stupid. Go ahead. Go ahead. What's your grade?

[A]

Let me stop saying stupid.

[B]

What's your grade? Yeah, stop stupid. Yeah.

[A]

Cause you bugging. You drunk too much tonight, though.

[B]

I've been drinking. But you been drinking too.

[A]

I'm gonna grade Rolex. Not. Cause you took. We took a half an hour on two subjects because you. You drunk too much tonight. You sweating and all that. That's a real boy.

[B]

Yo, look, this real report hat is looking nice.

[A]

He cut me off every time. I told you.

[B]

I'm not he. I'm used to him.

[A]

Tony Sean Gillis, legend of skanks.

[B]

Andrew shows.

[A]

Andrew shows. They taught me better than this. You're up.

[B]

They taught you better than me.

[A]

I'm better than you, bro.

[B]

You definitely not.

[A]

You wasn't. He was laughing at me when I went to YouTube. But I'm giving Rolex. I'm giving Rolex a a. I give.

[B]

Rolex an A too.

[A]

Cause you said it been around 96 years. And I'm gonna give Richard Milley a B just because of the popular. Let me talk, please. I'm gonna talk about. I hate this nigga.

[B]

I ain't even say shit. Get the fuck outta here. Yeah, get the fuck out.

[A]

Like I said, if you let me talk. Because I'm better than this guy at what I'm doing. Y' all know I'm the star. Everybody knows this. He needed me.

[B]

He needed me to do this next year.

[A]

He's gone. I'm giving Richard Milley a B because of his popularity with celebrities. Lebron James, Messi Ronaldo. The list goes on and on of celebrities that have Richard Millies, the rappers, Pooh Shiesty.

[B]

I'm gonna give both of them an A. I think he talking too much. I'm giving both of them an A. I don't.

[A]

He's. He's wilding. But I'm giving Richard Milley a B because they haven't been around for 96 years. What else we want to talk about? We got some. Look, we got some pilot episodes that we did shoot, but now our cameras, you know, it's a little bit better. You know, shout to everybody supporting my man Richie. 4K. Olu. We had some pilot episodes that we shot, and those are very interesting. We got some big names on there.

[B]

Shout out to Tracy Morgan.

[A]

And we got a lot of big names that's gonna be on this show. Renee said he's giving us all the actors, you know, shout out to 50. He said he got us definitely. And what we going next on report card? Next thing we go on a report card. Talk to me is dispensary gardening, if you get my drift, and black market gardening. What are you grading those two? And what's the difference? And the difference to me is that black market gardening now, these days you don't really know what you're getting because it could be gardening. That's not what you think it is. But the gardening is in a great bag, you know, and then in a dispensary. Now a lot of west coast gardeners are coming to New York like a wizardry and a alien lab and a Cushco and Deep east and green label because we've been studying gardening for a long time. Charlotte. Powered by indoor gardening. And I'm gonna give dispensary gardening a A. And I'm gonna tell you why.

[B]

I would say because we got.

[A]

You gotta let me finish.

[B]

Because we just. We got a dispensary. So I would say that's why that's popping.

[A]

You got a dispensary.

[B]

I'm saying shit. It's called the unit powered by indoors.

[A]

Now, listen. But what I'm saying is you gotta stop cutting me off. The reason why I'm giving.

[B]

I'm listening.

[A]

I don't like when you drink. Smoke a little more. I like when you smoke. When you drink. It's not you. Now, look, why I'm giving dispensary gardening an A is because it's lab tested and a lot of brands from the west coast, the west coast gardeners are coming to New York City, the streets. I'm gonna give it a A minus because it's. It's the streets. Gardening black market on the streets. You're not. You gotta let me finish talking. I said an A minus. I'm gonna give you an A minus because you never know when you're gonna get some booth gardening in a bag.

[B]

Agreed.

[A]

That means trash. Agreed. So you could have a nice bag and nice packaging and marketing. We don't see seen cell phones for gardening. We didn't see.

[B]

They make all type of packages. And then it'd be some bullshit in it.

[A]

Gotcha. Right? So I'm giving dispensaries a A because I feel like at least you know what you're getting. And the thing about gardening and smoking, you know, the whole culture.

[B]

You hear us up here sounding professional Gardening.

[A]

We are. We are professional. Using the, you know, the good words you're supposed to use on YouTube. The thing is, what people gotta understand is what the culture is. Everything is for a different time. Like early in the Morning. You shouldn't be wanting some crazy stuff. Some crazy stuff from God, from a garden, you know what I'm saying?

[B]

Go with the sativa.

[A]

Listen, but at night time, it might be, you know, you might want some black market, something like that. You know what I'm saying? Gardening. So everything is for like a different time. So I'm giving dispensaries a A, and.

[B]

I'm giving the black market the A.

[A]

Minus or A minus because you never know what's in that. You know, in the what, what the product is.

[B]

I don't usually like to agree with you.

[A]

Go ahead. No, let's. Let's make it. Man, let's make it short and sweet and just tell us what you're giving us.

[B]

I don't. I don't usually like to agree with you, but. But you kind of made sense on that topic right there. So I might go with you on that one. Dispensary. The dispensary. Because you at least. You know what you getting. You know, it's clean like you. You know what you getting sometime in the black market, you got these niggas out here that might be going through something. They might, you know, be pressed for some bills or whatever it is. They be stressed and they might tell you it's one thing, but you get some. You know what I'm saying? But I agree that's not most of the time, but that might happen once in the blue. So I understand what you're saying with the dispensary. You know what it is? Okay, so you get the A in the black market. A minus. I understand. And shout out to the dispensary, the unit, 24601 Jericho Turnpike. You could go there. Yeah, just opened up. Yeah, you like that, right, motherfucker? You like that? I bet you do. You know what I'm saying? Powered by indoor, you know what I'm saying? Strang gang and all that. It's the new dispensary. It's called the unit. And you could go there right now and get that gas and that high Brand is popping right now. You got the wrap up strand, you got the caviar, chopped cheese, you got the candy shop. I mean, let me talk. Let me, let me. Can I make this shit hot right now? I'm just saying, we popping right now. Not just chill out, big business, we.

[A]

Popping, making shit hot. You bugging out. You popping.

[B]

We popping.

[A]

Yo, look, so we gonna go into the next thing on the report call. What's that even? T? Don't know.

[B]

Oh, T, how the producer don't know where we about to go into.

[A]

Because we do what the fuck we want to do.

[B]

I mean, I kind of. I kind of agree with that. Shout out to the value.

[A]

The next thing on the report card is going to be when you go to the club, strippers versus bartenders.

[B]

Wow.

[A]

And this is not from us, this is just from the public.

[B]

From the public.

[A]

No, I'm just saying strippers versus bartenders for the people out there. We want to see what they think. We'll see in the comments. It's the real report. The loudest fucking show in the world.

[B]

I agree with that.

[A]

The motherfuckers that's canceled already. The motherfuckers that 1, 800 don't give a fuck.

[B]

Nobody like us anyway. So who gives a fuck?

[A]

Shout out to T. Brown on that.

[B]

You know what I mean?

[A]

I give a prop Debo Brown shout.

[B]

Out to my nigga.

[A]

I didn't give a fuck. You know, we don't give a fuck. But my whole thing is what do you think people think? Like when you go to the club and you're gonna spend your money, what would you rather spend your money on? A stripper or bartender? Cause we all know bartenders are more marketable. You see them on the gram, thousands of followers. Meanwhile, a stripper might not have as much followers. She look good too. But the bartender's more marketable. So what do you in the New York City clubs if you know we've been to and other places because, you know, out of town is different. Yeah, we talking New York City. What do you think? Like, what do you think people in New York think? Like. Cause it seems like in New York it's more towards the bartenders.

[B]

In New York, yeah, they put the. They put the bartenders on a pedestal more and they don't really acknowledge the strippers like that. But I think that's because if you go to these other places like Miami and Atlanta, these strippers are doing more. They giving you more entertainment. They might be doing some shit where they all the way up top on the pole and then they doing some shit up there and they dropping down. You like, God damn, what the fuck? In New York, I love New York, but New York, they're not really doing that. You know, the strippers wait till they just chilling and they wait till they see a little money getting thrown in certain sections and then they run over there. I never forget the first time.

[A]

Okay, we don't need you to talk so much the fuck outta here.

[B]

I never forget. I Never forget the first time I had the nigga. We went to fucking. We went to a spot, and the nigga Blueface was in there with me. It's the first time he came to a strip club in New York. Real talk can't make this shit up.

[A]

Shout out to Blueface.

[B]

Yeah, shout out to Blueface. The first time he was in the strip club in New York, right? And him and his people started throwing money in the air. And he seeing how the strippers came immediately, like, running to the section, he was like, oh, shit, these motherfuckers looking like ants in this motherfucker. You know what I'm saying? So I know he was like, wow, look how these. They just flocking to the money. So you know what I'm saying?

[A]

What's wrong with that?

[B]

Nothing wrong with that. You know what I'm saying? I'm just telling you, it's a little.

[A]

Different every strip club.

[B]

But what I'm saying is they didn't have to do too much. It was just that they threw the money and they went a little crazy. But when you have places like Atlanta and New York, like, I was just trying to tell you, these strippers is really putting in the work. They doing a lot of things. And on top of that, y' all hear this?

[A]

New York strip.

[B]

Yeah, yeah, New York, they know I'm not playing. And on top of that, you're wrong right now. No, I'm not. Because they be on top of the polls. They doing all type of tricks.

[A]

He's wrong right now.

[B]

And on top of that, he's wrong. And on top of that, the strippers in New York can't even get naked like that. If you go to New. If you go to places like Atlanta, they getting naked, they actually get. They actually getting paid. They actually got to pay taxes. They actually got to pay taxes in other spots instead of New York. Did you know that? You don't want to talk about they're paying taxes.

[A]

Can you let me talk now?

[B]

I pay taxes.

[A]

Just chill out. Because you gassed up right now.

[B]

I pay taxes.

[A]

You on New York, and you sound stupid.

[B]

I'm not on New York. No, you sound stupid. You gotta know the business.

[A]

You're not gonna let me go ahead, talk, talk. I never seen you this. Talk. I never seen you like this before. But you like slurring. You're slurring.

[B]

I'm definitely not slurring.

[A]

This is not professional, but go ahead, talk. Shout out to that. What I'm gonna tell you is the difference between the strip clubs In New York and Atlanta, there's really no difference. It's just the girls in sections, remember? Don't cut me off.

[B]

Cause you're not making no sense right now. Now you sound stupid. I remember Jermaine Dupri one time when we was in the club, when we went to Jermaine, when we was in, Jermaine Dupri was like, yo, y' all throwing all this money and these girls in here ain't even getting naked. I'm glad he walked out. Jermaine Dupree called us epmd. And that nigga said, yo, y' all throwing all this money in here and these girls ain't even getting naked. Fuck outta here. Fuck is Yay yo talking about? You know what yayo problem be, y'?

[A]

All?

[B]

He just wanted to do all the talking. And maybe it's the. The branson I've been drinking tonight or the liquor, but I said that I'm not letting this out. Talk me tonight enough. And if that's how we gonna end the episode off on the REAL Report. If that's. Yeah. Yo, ip, get the out here. Ip, get the out of here. Don't got pick it to body. I peek at the bus right there.

[A]

I'm tired of him talking tonight.

[B]

I'm trying to tell y', all, this.

[A]

Guy right here, look, you have no wiz. Look, one thing. I have no wiz. He have no Kuba, nobody.

[B]

We definitely gonna have the number one podcast.

[A]

You have no wiz, you have no Kuba, you have nobody from Brooklyn with you tonight.

[B]

I am surrounded by the Queens niggas tonight. For the record. Pause.

[A]

So what you're giving the strippers are a. The bartenders are a too it. Right. That's another pool car.

[B]

When it comes to New York, I would say, because they highlight the bartender so much, you got to get the part bartenders, the A out here. New York just got to get a little bit more creative. So I give the. I give the.

[A]

I've never seen murder.

[B]

I give the strippers in New York. I'm gonna be like you an A minus. Because they got a little, you know, they got to get more creative. They know Atlanta and Miami doing more. They can't get naked out here.

[A]

What do you give the strips in the strippers in Atlanta?

[B]

They get the A plus. They get the A's and all that. The A plus because they getting naked, they doing certain things and all that, which I'm not entertaining like that, but they getting. They doing what they do.

[A]

That's crazy, bro.

[B]

You Talking they more entertaining than the ones out here. Yeah.

[A]

Yo, tell everybody what you signed the Rough Riders for. Y' all gotta hear this.

[B]

Shout out to my D and shout out to my y'.

[A]

All.

[B]

We signed for 10,000 in a bag of idiot. Fuck out of here. N you hear what you. You know why he said nigga? Because he is. This nigga was spoiled. He had 50 cent.

[A]

He was spoiled. I was spoiled.

[B]

You were spoiled.

[A]

Yo, hold on. Let's speak facts. Talk the facts, man. I picked many men, stupid. You're dumb. Like you don't know the facts when 50 didn't even like many men. You dumbo. You know you dumbo.

[B]

He'd be lucky he got that. You want a point, right? He did have. He did got that.

[A]

You don't know nothing.

[B]

50 did co. Sign that out.

[A]

You signed for 10 bands. You should have.

[B]

But y' all lost that deal for not wearing them Reebok sneakers.

[A]

That I still made my money. I didn't lose.

[B]

No, man. You should have stayed focused.

[A]

Shut up, 50 just wanted to dub. Shut up, Sneakers. All you know, he's the dub master. Twist, you know how Canaan is back to you.

[B]

That's a fact. Listen, it was a shout out to D. Shout out to Y Rough Riders. That was definitely at the time, that was everything. I'm not gonna hold you. That was everything. A nigga was on the run already. So I didn't really know what my future was about to head out. And I was thankful that DNY gave me the opportunity, man. So I ain't gonna front. That was a dope opportunity for me.

[A]

Now, let me ask you a real question.

[B]

Talk to me. Yeah. Is it a real question or is it a funny question? Cause I gotta watch you now. I don't like the smirk on your face, but go ahead.

[A]

So rest in peace to Chris Lighty. Shout out to Violator. Hold on, let me talk. Stop.

[B]

Rest in peace to Chris Lighty.

[A]

Shout out to Violator.

[B]

I gotta watch you, though.

[A]

Shout. Let's go. Let's think about every bad Violator you had. Claudine, let's go. Who am I missing.

[B]

Now? And I've been drinking too much. I'm not gonna say that I've been drinking too much. Now we see who been drinking too much.

[A]

Gang, you got clothing, you got. But fuck, you got Lauren, Lori.

[B]

I'm bugging, attacking you bugging. You had Debbie.

[A]

You got James Cruz. You wasn't gonna say that.

[B]

I wasn't gonna say James Cruz.

[A]

I'm not mad at James Cruz.

[B]

I Wasn't gonna say.

[A]

Yo, we got history with James Cruise. This history, not no funny history. But no, no, listen. I'm gonna tell you the truth. Look, look, look. Cause I just was thinking about it. It take me back to the. The mixtape tour. This is when we the hottest on the street. You wasn't on. You wasn't. You definitely wasn't there.

[B]

Go ahead.

[A]

You know we the most hated.

[B]

I was standing up the streets. I wasn't junior at the time. Y' all was tearing up streets up. And let me go ahead, talk. Yo, trying to throw a side at me. Tried to blow one back.

[A]

You bringing that extra right now.

[B]

Go ahead, talk.

[A]

But listen. Hottest niggas in the street. You wasn't there. Okay, so you here now.

[B]

Okay? Y' all was hot. Cause 50 was turned up. Go ahead. We're just spoiled ass nigga always trying to talk his shit.

[A]

Now I'm spoiled?

[B]

You was spoiled.

[A]

Stop doing that.

[B]

You were spoiled.

[A]

Put this away. And let's stop saying spoiled.

[B]

You trying to hide your drinks Killed mixtape.

[A]

Go ahead. Nah, But I'm sober. You're joking.

[B]

Okay, you're definitely not sober. But go ahead.

[A]

So look, if you let me tell.

[B]

A story, he be so happy I give him his props that the Vlad interviews paid off. But go ahead.

[A]

It's not just Vlad. It's just Shannon Sharpe. You overdoing it, okay?

[B]

No. You've been popping on a few interviews, okay?

[A]

Math hopper shit you wasn't doing.

[B]

But listen, I did the Breakfast Club way before you, buddy. Go ahead.

[A]

Nobody cared about it. Don't remember.

[B]

Fuck out of here.

[A]

My God's millions, Yours don't. Back to what I was saying, where I was at. Damn. See, you made me forget. It was the mix. James Cruise.

[B]

Okay? James Cruz.

[A]

I never forgot. Back in the days. Rest in peace.

[B]

Chris Lighty.

[A]

Mr. C. Okay.

[B]

Rest in peace.

[A]

I don't know if he was DJing that night. You know what I'm saying? And it was a wild night. It was the speed. We had the mixtapes. We was the hottest thing. You were like. I know you was hot. Go ahead.

[B]

Y' all was the hottest in the beginning. Yeah, go ahead.

[A]

In the world. Okay, so go ahead. On the mixtapes in New York City, and we did club speech. Was you there? Was you there? You was there. He was there. So shout out to nay in the building. Mr. C. Rest in peace. Mississi. One of the greatest.

[B]

They did Club Speed, right, Nate?

[A]

Okay, Club Speed. We own mixtapes in New York City. We felt like we was them niggas. In the streets. We didn't even have the deal yet, but we was the hottest in the streets. That's why we always been the most hated, because we was hotter than everybody. Like the world. Stoppage unit. I remember just going to Jamaica Avenue, and me and Banks just felt. We felt it like, damn. The first record, bad news. I remember running to the crib. Lloyd Banks in the house. Tony Ayo in the house. 50 Cent in the house. Remember running the crib. Flex was playing it. Renee, remember the good old times when the record was exclusive? You know what I'm saying? Yeah, let me. Let me help you out here.

[B]

I'm with you, my brother. I'm letting you talk. I gotta teach him now. He want me to cut him off. All right, I'm letting you talk. Go ahead.

[A]

Your mic was far away. No, did he. Or pause or whatever you want to say. Sounds good. Run into the house. And the record was exclusive. Bad news. Hottest nigga on the street. Back to speed. James Cruz. We doing speed. The wildest thing about the night is Red Cafe performed before us. He had the vest and the Yankee hat on. The crowd booed him. Crazy. Boom. Cause he had the vest on and the hat. James Cruz, like, yo, it was a wild night. Hip hop, police, all kind of shit. He was like, yo, a dude just got stabbed in the neck. And this is why 50 was crazy. Cause, like, you know, the average arms, black world, it was too crazy. It was too crazy. He was trying to stop him. And that N50 looked at him and said, what? Get out my way. And we performed.

[B]

Well, he told that to Mrs. C. No, James Cruz. Oh, he told. All right, copy, copy.

[A]

You know, he didn't disrespect him, but he tried to warn him, like, it's a dangerous night tonight. Red Cafe came out. He had the vest on, the hat. They booed him. He shouldn't have had the vest on. That was like. You know what I'm saying? Shout out to Red Cafe. No, hate.

[B]

Yeah, shout out to Red Cafe. Definitely, yeah. Oh, what you mean? So he had the vest on? They felt like that was 50 thing at the time. All right, got you.

[A]

It was a bad night.

[B]

It was bad. Okay.

[A]

He had the vest on, like, 50, 50 and all that. That was, you know, every. You know, that was 50 thing. Everybody.

[B]

Of course, of course.

[A]

So he got booed off stage. Just got stabbed in his neck in the front of the stage. I'm saying real speed. And I never forgot. Cause Chris Lighty was there. That's when I first Started seeing the G Wagon. Chris Lighty had the G, the white G wagon, way back. I forgot what year. Probably like this is before I even went to jail. So this is probably like 202, 203. He had the white G wagon. Like, damn, what the. I'm riding with him 50 miles. What the is this? And speed was just a movie. Rest in peace to Mr. C. That's what I'm saying. Like, we had classic moments in hip hop. Like, I went to jail at the Coco Cabana. So while you were signing deals for 10,000.

[B]

Fuck out of here. Shut the fuck up. Yeah, shut the fuck up, nigga.

[A]

Shut the fuck up.

[B]

Fuck out of here.

[A]

I was really. I really had motion, you know what I'm saying? Shout to Rough Riders. But that was a fucked up deal.

[B]

It wasn't no fucked up deal. Because the shit I was going through in real life, that was a great deal, actually.

[A]

And yo, you know what's crazy? This is why I say I love 50. Because we could name a lot of artists that got jerked. Like, yo, you got a nine album deal, you got a seven album deal, you got a 17 album deal. Fifth gave us two album deals. That was it.

[B]

No, I respect that, man.

[A]

I respect that. Listen, the things that I seen in the industry was crazy because we was the bad guys. We signed with Em and Dre and it turned into a movie right in front of me. You know what I'm saying? N wearing my shirt in jail. I'm on an island. It was a movie. And it still is a movie. Cause a lot of people hate on Eminem. But like I always say. I'll say it again, you can't blame.

[B]

Him for having the complexion, for the connection. And he wrapped his ass off.

[A]

It's not even that. That's what you're saying. Because when I heard Renegade, like I said, when we saw Andrew Schultz. Shout out to Andrew Schultz, Legend of.

[B]

Skanks, the whole flagrant podcast, that was a movie.

[A]

Shout out to my guy, Shane Gillis. See, he don't even know who these people are because we. Like I'm on a whole nother level, but shout out to all of them.

[B]

He happy to do some podcasts with a couple of comedians. He get turned up. Shane Gillis. He get turned.

[A]

He don't even know who they are.

[B]

You hear this guy?

[A]

He don't even know who's on Boss Salute to them. They the guy shout to you, Colin. He don't know his boss.

[B]

Shout out to Colin.

[A]

Shout out to Lone.

[B]

I ain't Meet you yet? I'm waiting to meet you.

[A]

I don't have to meet me. Meet somebody to know who my boss is. I do get the information hype, so.

[B]

I get the information.

[A]

That's how you know I'm the star of this. And I love y'. All. Thanks for everybody supporting me. Not murder, just me.

[B]

He ain't even got. He don't even got the real. Y' all see me with the real report hat. I'm repping.

[A]

Shout out to everybody who supported me. Really love y'. All. All overseas, Europe, America. I know I made it happen for murder. He used to laugh at me. Y' all don't understand. They used to laugh at me. Why you doing this? Why you doing that? Are you a podcast? Everybody in America's doing podcasts. Why can't I eat? That's how these used to hate on me on the jet. Now look at me. Volume. Didn't need this guy. They was like, yo, yo. You know, you shout out. You know what? Shout out to Fat Joe. Let's talk about that.

[B]

This guy here, this guy.

[A]

Shout to Fat Joe. Cause I never thought him. Joe knew what it was, Jody. Yo, listen, let's tell the truth. Shout to Fat Joe. Fat Joe wanted to do a podcast with me. That's how hot I was. And I'll be trying to be humble.

[B]

You act like I didn't tell that story. Like, didn't I say that?

[A]

Shout out to that.

[B]

Giving your props.

[A]

See, you know. You see how it's funny how God works, right?

[B]

It's crazy, man.

[A]

I never thought my enemy. What helped me in position. And if that's a pause, let me know. Because everything in New York is like a pause.

[B]

It was a pause. You said position.

[A]

I just said pause. Yeah.

[B]

All right. I'm just saying. It looked like you was asking me, was it a pause?

[A]

I'm. Change that up.

[B]

I've never thought, you know, what you gotta say nowadays? Oh, my alley oop. Say alley oop. I never thought my nu would give me an alley oop.

[A]

I'm not jacking that.

[B]

Alley oop.

[A]

I'm not jaging that.

[B]

What you wanna say? Position.

[A]

I'm just not jacked. I just said pause on that. All right, Just chill.

[B]

Get your alley oop.

[A]

Shout to Fat Joe. Cause I never thought, like, where was we at? Belgium? Where was it?

[B]

Germany.

[A]

We was in Germany. We was over breakfast and he said, yo, yo, I love Jada, but I want to do the podcast with you because I know you don't care. You gotta understand, being down with 50. I was the man. MTV Awards. He said, I remember. And this rest in peace to Chris Lady. Yo, they don't want you on the red carpet. You banned from the red carpet. Like, you're not a. You took all this.

[B]

Nigga, you only was banned from the red carpet. Cause you was on the run, nigga.

[A]

He don't even. You're wrong. Chill out.

[B]

You was on the run.

[A]

Nah, it's not. Cause that you stupid.

[B]

So why was it? Why was it.

[A]

I don't even want to go stupid.

[B]

He liked his word stupid.

[A]

I don't even go to that.

[B]

You stupid, too.

[A]

Yeah. Renee know what time it is. But I don't want to go into all that because I don't want to keep talking about the same thing on every interview or every. Every podcast you brought up. I went on to that. But I'm the nigga that was banned from the red carpet at mtv. Dead ass. So I'm used to being canceled. I'm used to. You had rap friends.

[B]

I don't. I. I didn't have a lot of rap friends.

[A]

Yeah, you lying.

[B]

I. I didn't have a lot of rap. A lot of don't like me.

[A]

You had a lot of.

[B]

A lot of rappers don't like me. You talking about a lot of rappers don't like me. Out of here. You that be talking about. Chill from the wrap up. Cause you want to have friends and do podcasts and have. Do interviews up here. And I don't give a. About none of these. And this the Murder. You bought all these, right?

[A]

When Jermaine Dupree was pressing you.

[B]

Get the out of here. Get the out here. Shout out to Jermaine Dupree. That's my man. Shout out to me.

[A]

Pause.

[B]

That's my.

[A]

Yo. Shout out to the volume. Make sure y' all, like, share and subscribe. Reverend Run had him under pressure.

[B]

Out of here. Reverend Run is my man. I've been working with Rev Run from way back. I actually used to work with Diggy Simmons as well.

[A]

Shout out to Diggy Simmons. Y' all believe he wrote for Diggy?

[B]

Yeah. This nigga ain't even knowing.

[A]

You was dead wrong, Uncle Myrtle.

[B]

Yo, we was at a spot, a.

[A]

Guy named Uncle Murder writing for you.

[B]

And we ran into Rev Run. And Rev Run like, oh, shit, Uncle Murder.

[A]

What's up? I was surprised.

[B]

The man that's from Queens was surprised that one of the Queens legends knew your boy Uncle Myrtle was working with him. You were surprised on that? Yeah. Am I right?

[A]

Was you surprised No, I was surprised.

[B]

Okay, copy. Come on. Stop fronting, man.

[A]

You know a lot of niggas like, oh, shit.

[B]

This nigga fucking with Rev Run. Like. Like when you shout out to Rev Run. And Russell Simmons, that's my guy, too.

[A]

And you was talking about, you knew, like, Conway the Machine from day one. I was amazed by that. I'm like, damn, Murder know a lot.

[B]

Of niggas definitely shout out to Conway. My nigga Benny. You know what I'm saying? West, that was a wild.

[A]

That was a wild night. We was in Buffalo. Definitely, definitely shout out to Conway. I was on that album. Album, too.

[B]

Definitely, definitely.

[A]

About to get car. Yo, we. Yo, they were just letting on the.

[B]

Power of the pull up. And I gotta be real.

[A]

The power to pull up. But you gotta let me talk. Let me talk. Go ahead, go ahead. So we backstage. We Buffalo, right? And Conway don't even notice. I'm gonna just keep it real with him. It's me, my man, life. Shout out to Light the Barber.

[B]

I love you.

[A]

We the three amigos on the road. Me, him and Murder. So you know we smoking, so we don't. If I knew who made them wings from Buffalo. I don't know who you are, but they was popping. It was probably the most best Buffalo wings I tasted in my life. And we was trying to wrap it up. We was about to wrap it up. Shout out to Griselda. Hold on, let me finish.

[B]

Take some of the food with us.

[A]

Oh, my God, I hate this nigga, the head man. Yo, look. So we was trying to wrap up the wings. So Conway the Machine, he was on a wheelchair. He don't even know his leg was up. Shout out to my man. So we was wrapping up the wings to go, and then he just came. He was just like. Just hitting them shits like. And them shits were so banging. He was like, yo, who made these shits buffalo? And we was trying to wrap them shits up to go. Because you got. You know what bothers me? I'm gonna tell you what. Because Murder is so soft, y'. All. Y' all don't out of here.

[B]

Ain't nothing soft about here. The out here.

[A]

I'm tell you why. I'm tell you why.

[B]

You get mad nervous.

[A]

I'm gonna tell you.

[B]

Trying to be me. This be getting nervous. Yo, chill. Just don't talk to like that yo people in the restaurant. You're saying, so what we say all day? Go ahead, though. Talk. Talk.

[A]

I forgot what I was gonna say. You saw.

[B]

Cause ain't nothing Soft about me out of here. They had these rap think something sweet. And I have to smack the out of one of these. I've been working out the. Come on, get out of here.

[A]

Rap ain't messing with you. Come on. I was about to say the reason why. I think you saw what to say. So you be me up. You my group. Cause I'm the star, y'.

[B]

All.

[A]

He me up.

[B]

He's not the star. He's not the star. He's the co star.

[A]

See these million dollar cameras we got and all the we doing. Shout out to the volume.

[B]

Shout out to our producer T for me.

[A]

But what, what was I talking about? Because he always throw me off off. Because. Oh, the wing. Back to the wings.

[B]

The wings.

[A]

So me, Light and Murder, we wanted to take these shits to the hotel. We like yo these Wings and Conway just. Oh, then oh, then. Yo Car wave was tight about them wings, bro. When you left, that's why I was on his ass.

[B]

His album Fire, he been on the. He been on a bunch of my albums.

[A]

He wasn't tight about the wings.

[B]

We did talk about. He knew him.

[A]

Look. And Murder knew him.

[B]

That's my brother right there.

[A]

I ain't gonna lie. I ain't gonna lie. I be fucking with Murder. You know, this is my guy. But I be surprised, like how he know a lot of niggas like Chris Brown. I remember way back in G Unit, if you look at one of the advertisements was for the clothing. Chris Brown was the little kid pulling the rope. Know what I'm saying? That was like a photo shoot, like a tug of war joint. Chris Brown was in there. So it's like, it's crazy for me. Cause I've seen a lot of people come a long way. But when we was on, where was we at? Belgium.

[B]

We was at one of them places overseas. Definitely.

[A]

We was somewhere. Chris Brown had a sold hours tour, millions of dollars. Live Nation. Shout out to Anthony ladies man.

[B]

Shout to Anthony ladies man.

[A]

Chris Brown. They brung us out movie. It was crazy. Pyro everywhere. Flying about eight stages. Definitely MC Hammer dances. 20,000 sneakers in the dressing room. Ill tour Curtis Battle. You know how it is when you come out. Shout to em. You know, Dre. And that shit was just crazy. But the wildest thing to me was, you know. Cause I be thinking murders a nobody sometimes.

[B]

Fuck out of here. Yeah, out of here.

[A]

And Chris Brown was like, murder my. I was like, oh, Murder be knowing man. And he be knowing a lot of people. From the beginning of the crib. So it's like hip hop is funny. Like Conway the Machine.

[B]

Definitely. Definitely Chris. Chris Brown, even tde my top. Paul Top from top of tde, man. So it'd just be, you know how it be, man. Been grinding. And I've seen a lot of people from the bottom, too. Yeah. You know what I'm saying? Even though I've been rolling with 50 for 10 years and life be great. Done. Damn near changed his name to Lil Jet Lenny. But I've been at the bottom for a while and I seen a lot of come up. Like I told you, TD from top. I remember Kendrick Lamar when they was really trying to make it happen, him and J Rock, like, I remember, like, on the bottom.

[A]

So let me ask you a question. Question. It's real serious.

[B]

You're being funny. Your question. Put like that. No, your question. I don't like the way you laughing already. Your question, your question, your question. No, I don't even want your question out of here. No.

[A]

All right, cool.

[B]

Your question. I'm believing your question. What makes you look more stupid? Person look more stupid? I'm trying to figure out. I don't know if you're talking about. About me or you.

[A]

Why?

[B]

I don't know, because you're saying you. That's how I asked. Is you talking about me?

[A]

No, I just said.

[B]

What are you talking about in general?

[A]

Let's put that on the report. Let's add that on there. Smoking or drinking, what makes you look.

[B]

It depends, because some people don't. Some people don't smoke.

[A]

No, I'm just asking a question. What. Let's. Let's put that on recording. Graded. What do you think makes you look more stupid?

[B]

What makes you. What makes you. You look more stupid? Yeah.

[A]

Why are you going into me?

[B]

I'm asking you. Because. Are you talking about a regular person or you trying to ask me why.

[A]

Are you so guilty?

[B]

I'm trying to figure out your question.

[A]

I said smoking.

[B]

Are you asking the viewer, like, what they think? So people gonna comment?

[A]

No, I said. Or like, do you feel guilty about something?

[B]

I'm asking you, what do you think?

[A]

I just gave you a general question.

[B]

Answer your own question first.

[A]

And I said smoking or drinking, what you think makes you look more stupid?

[B]

Well, if you asking me the question, I think depending on who you are, neither. Because you know how to handle yourself. So I don't know what your. What your answer is.

[A]

What are you saying? What. What do you. Listen, you forgot the whole.

[B]

Do you think smoking and drinking makes you look more.

[A]

No. What it is on a report card. What are you smoking and drinking? What do you think?

[B]

I don't know what you give.

[A]

Smoking.

[B]

I'm a smoker. I'd rather smoke.

[A]

Oh, no, I think I give.

[B]

I'm a smoker.

[A]

I think. I think drinking makes you look more stupid.

[B]

I agree, because I like when you. I don't think you need to drink no more before we do our episode. I don't think you need to drink no more out of here. He trying to be funny. You gotta watch this.

[A]

But back shout to Fat. Back to Fat Joe. Know what I'm saying? I gotta shout out, you know my man Fat Joe?

[B]

Cause definitely shout out to Fat Joe.

[A]

Rich for playing Breakfast somewhere overseas. And he was like, yo, you know you. That I don't know about murder out here. You know what I mean? Shout out to Rich, player, everybody. And we came to take over.

[B]

Like, nah, we definitely.

[A]

We not coming here to be friends with nobody. This the real report, you know? And one thing about hip hop, a lot of you gotta understand, you gotta pick a side. Like, you see how you say no middlemen? No, what I mean, pick a side is like, you, like, shout out to Carti. But you was on Nicki tour. You can't do that. You gotta figure out where you gonna be at.

[B]

Listen, man, if fifth hit me. Nick called, we popping out tonight. We rolling, got nothing to do. I fucks with Cardi. That's my sis.

[A]

But in hip hop, that's why I.

[B]

Told off, said, leave her alone. Stop trying to get her money.

[A]

Listen, one thing about music, right?

[B]

Talk to me. Yeah, all right. Talk to me.

[A]

Cause, look, we not here to play.

[B]

No games, no politics, none of that shit.

[A]

We said that. Yo, once we get the deal, we get on. We on jets. We shout out to the value, shout out to the volume. We got nice sure mics over here. We gonna have the biggest guests in the world, biggest comedians, a team behind us. Renee, say he's getting T. What's up, T? Renee, say he's getting the actors. Is he sleeping over there?

[B]

Renee, get off of Instagram, man.

[A]

We're gonna bother him on episode. Renee's gonna get us the best actors. Don't forget. You know what you were saying?

[B]

What I was saying? Wow, you was talking.

[A]

Cause what was we grading again? I lost. I got lost.

[B]

We was choosing a side. Choosing the side of hip hop.

[A]

Now, look, you gotta choose a side in hip hop.

[B]

Okay? Definitely do.

[A]

Because. Because if you. If you. If you say, okay, cool, I'mma go do this with Cardi. And then go do this with Nikki. It's not gonna work.

[B]

I'm not doing.

[A]

Let me finish talking.

[B]

I'm not doing anything with Cardi, though. But go ahead.

[A]

Artists take shit very personal. Definitely, though, you an artist. We know they take shit. You can't fuck with both sides. You can't fuck with the opps. You know what I'm saying? You can't do that. It's like. And if you do do it, some niggas gonna look at you like, yo, nah, he glazing or he fucking with everybody.

[B]

Cause you know how many times, man.

[A]

Of course we from New York, so shit is critical. Like, there's a thin line between glazing and networking. Do you believe that?

[B]

Of course.

[A]

Like, some people say, you're not networking.

[B]

And then everybody said, he glazing. That's the new thing they saying now. Oh, he on this. That third.

[A]

But why do you talk about everybody?

[B]

Yeah, I mean, I don't really got too many friends. That's why I be laughing sometimes. You'd be like, yo, you got all the rap friends. I've been doing the rap up for damn near 11 years. Nobody likes me.

[A]

Yeah, you got records with Future, and.

[B]

I've been, of course. Shout out to Future. That's my. Right there. Pause. That's my guy.

[A]

Let me think. Who else you got records with it?

[B]

Shout out to Mariah Carey. I done the records of Mariah Carey.

[A]

You mean say that.

[B]

You know that. You know, I got to get that off there. Shout out to Mariah.

[A]

You got a record with Mariah? Look it up. He got a record. Really got a record.

[B]

First of all, he don't even understand. I got a record with. Not only do I got a record.

[A]

With Mariah, do we really got a record with Mariah?

[B]

Google it, T. Look it up. And guess what? The record that Mariah is on, it's featuring 50 and young Jeezy on it. On top of that, do your hip hop history, nigga.

[A]

Damn you, Matt Loud.

[B]

I'm just letting you know you gonna get a wrong with this nigga, man. So what, man? Crazy man Value paid a lot of money for the spot.

[A]

We ain't going nowhere on the record. I'm just trying to figure out, oh.

[B]

Who'S on the record with me and Mariah? 50 and Jeezy.

[A]

I never heard that one, sir.

[B]

That's who's on the record.

[A]

Mariah. What is it called?

[B]

Warning. It was the Warning remix that we had Mariah on. Yeah, yeah.

[A]

You know Mariah got on the 50.

[B]

While you was sporting that. She ain't know 50 was on it.

[A]

She got on.

[B]

She didn't even know 50 was on it, brother. Chris Lighty was surprised I got her on the record. God bless. He was like, wow, you got Mariah on the record.

[A]

Damn.

[B]

And that's because Mariah was shout out to Mariah Carey. Salute to Mariah. She was a fan of the Bullet Bullet record that I did at the time.

[A]

Bullet Bullet.

[B]

Exactly. She was a fan of that record at the time. So Chris Lighty was even surprised that I got her on the record.

[A]

So what did Chris Lighty say?

[B]

I remember Nick Cannon was mad.

[A]

What Chris Lighty say about the $10,000 deal?

[B]

Nick Cannon was mad.

[A]

What did Chris Lighty say about the $10,000 deal?

[B]

Nick Cannon was mad that Mariah was in the studio that night.

[A]

So what did Chris Lighty say about the $10,000 deal?

[B]

Chris Lighty wasn't in the brown around at that time. God bless. I ain't got that record. I keep trying to tell you the time I signed with rough riders for $10,000, nigga, I was on the run for allegedly something.

[A]

Okay?

[B]

You know, I put that pain in. They don't call me murder for nothing. Yeah. So the time I had. I signed for $10,000. I was on the run for allegedly something. I told DNY at the time, shout out to Ruff Riders. I met them n@hot97. I was the run. I was on the run. That's a statue of limitation. You got to know the law, brother. I've been. I've been around the block for a while that I know the Lord. You understand what I'm saying? So I was on the run. I told D and Y at the time. Yo, listen, man, I did X, Y, and Z. But the that I did it to is official, so. So it was.

[A]

People at the time, we know you sound.

[B]

What I did, what I did, what I did at the time. Hold up, hold up, man.

[A]

You're dragging. At the time.

[B]

It was females around that start spitting my government name. So I try to tell Rough Riders like, yo, I'm on the run. But the nigga that X, Y, and Z, he official. He ain't gonna go all the way with it. But police know my name. So I'm on the run at the time for doing what I did, allegedly. You know what I'm saying? So Rough Riders understood the situation. They heard how a nigga was talking to the music. When I went up to Hot 97 and I heard the locks on the Radio. I told my uncle, shout out to my Pete, my uncle. I'm like, yo, we got to go up to the radio station. The locks up there, I'm on the run. Them gonna understand what I'm talking about. I went up there, I spit some for them. They were like, yo, we with this. The on the run.

[A]

So let me ask you a question.

[B]

Let me talk for $10,000 and allegedly a bag of guns. And I was like, you know what? The guns make sense because the got a bunch of Cause a got a bunch of ops, and it was cool.

[A]

Let me ask you a question.

[B]

I'm on the run. What the you think they supposed to.

[A]

Give me the 10,000?

[B]

What you think? Yeah, Invest in the streets. If you're from the streets, you invest in the streets. I'm not one of them that say the streets. You understand what I'm saying? So when you get $10,000 and you on the run for doing some street, you invest back in the streets.

[A]

Get it? 50. Thank you for our deal because these were stupid out here.

[B]

Out of here. Shut the up. Yeah, shut.

[A]

If you signed to like a 10 album deal or 10,000, you're just an idiot, bro.

[B]

Shout out to my we.

[A]

Shout out to my deal.

[B]

Shout out to my. Why?

[A]

They understood everybody at the time. He's a bad guy. We had two album deals. We got good money. We was eating cabbage trying to tell you the was spoiled. These were spoiled. Yeah, man, I was murdering mixtapes. Don't get it up.

[B]

Put that painting on the mixtape.

[A]

I was murdering. I was murdered.

[B]

I put that paper. Shout out to you and Banks, y'.

[A]

All put that page for all the kids out there, right? Go Google or look up or whatever you want to do. Funk Master Flex freestyle with Lloyd Banks and Tony Ayo. And tell me what I did.

[B]

Talk to him.

[A]

Yeah, when I went to jail, that gave Buck a little more leeway because 50 signed buck. But, nigga, I was tearing shit down. I just was on the island.

[B]

That's a fact.

[A]

And, you know, I was on. You know, the average rapper don't make it to Rikers. Not to glorify it, but. But, you know, that's just. You know, it made me bigger because I'm on Rikers and I was letting you know. I'm not saying I was the biggest gangster, but I was doing what I do. Sometimes people are gonna fabricate stories and talk about you. And the funny thing is, I used to be on a bus, and people used to be like, yo, Tony Yale got cut and I'm sitting right behind them. Cause they didn't know what I look like. They know what 50 look like. Got you. When the Free Yale shit happened, that's when my name started to ring. But like. Like, people were kind of mad. Cause I wasn't like npc. I was out there. But people didn't know what I look like. So it was cool. But G Unit was a machine. Eminem, Dr. Dre, like, being in the studio on the west coast, first time staying in the Beverly, you know. You know how that shit is. That nigga 50's like, yo, yo, N. My man Weezy was with us. Shout out to my man Weezy. You know what I mean? And 50 was like, 50 was a real nigga. You know, we was on. But. But he was like, yo, don't touch that in the hotel. Should be costing 20 for M&M's. My son Weezy opened the M's. It's like, yo, this stupid. We in the studio was just. It was. It's just so memorable to do it with guys on that level. Like, come on, NBA. The fucking Dr. Dre comes from NWA, bro. Definitely. You know what I'm saying? So I'm looking at him like. And it's just like, West Coast. That's who he was watching. Know what I'm saying? Cause back in the days, when you think about hip hop, NWA kind of broke. The west coast, definitely.

[B]

The. The Police, they was on. Their whole movement was crazy. It was crazy.

[A]

So you watching, like, video Music Box, you seeing nwa, like, it was like a whole fucking movement. You know what I'm saying? So we come from that. We come from Eminem. Eminem got balls. People hating them. Yo. We don't hear them in the radio. We don't hear him in our calls. We don't listen to him. And the funny thing about it, to me, is that he do the numbers.

[B]

Shit the most on top of that. Can't front on that.

[A]

Yeah. But you know me, like, for me, I always love what I do. And I love we still going overseas. Cause I'm a person that live off energy. If the energy's bad, everything's bad. I'm the type of guy I never had. You had a couple of rapper friends. Friends, But I had no rapper friends. You know what I'm saying? You had a couple. Nah.

[B]

You was cool with some rappers, J.

[A]

Who?

[B]

You was cool with some rappers, J.

[A]

You can't. You stupid. Because you can't even think about it.

[B]

I'm stupid. This guy loved this.

[A]

Stupid. I'm not Gonna say stupid.

[B]

I don't know why you love this.

[A]

So why are you thinking? Why are you thinking about it? So what rappers I was friends with.

[B]

I'm trying to think now.

[A]

It's taking a long time to think. Me and you was cool for a while.

[B]

Well, before I got down with the.

[A]

Unit, I knew you years ago.

[B]

Is it. Was we cool? Did we do records and all that before I signed up with the Unit?

[A]

That was down the line.

[B]

Was you my man? Before I signed up at the Unit, it was cool.

[A]

I need you for a feature. I didn't. We wasn't cool.

[B]

Oh, I didn't. Out here. I didn't feel like funny. Yo, this your man is funny. This is funny.

[A]

No, but we was. We wasn't going out to lunch or nothing. Like, we wasn't. Don't say we was hanging like, yo, meet me at the club. It's never that. Yo, Murder, I need you for this.

[B]

Crazy.

[A]

Nah, Murder, keep it real. You right.

[B]

We wasn't hanging out, going to the.

[A]

Club like, yo, bro, let's go to dinner. Nah, it wasn't. Yo, let's chill. Like, it wasn't that you was. We did a feature. I with you, Brooklyn. You know what I'm saying?

[B]

Okay, okay.

[A]

But we wasn't chilling like that. That's why I told the company.

[B]

I don't even know if.

[A]

But now you my brother. Now you my brother. Now you my brother.

[B]

Now you my brother, brother, now you my brother. You're right there. This is the real report. Shout out to the Value, yo, and.

[A]

This is our first episode right here. Make sure y' all check it out. Shout out to the value. Make sure y' all, like, share and subscribe. We on Instagram, report, we on YouTube. When he learn to start cutting the superstar off, the show's gonna be way better.

[B]

He got a lot people already know. He talks too much. He cuts everybody off that he do interviews with, you heard? So we outside.

[A]

Shout to the volume. Shout to the whole team. It's the real report. We out of here.

[B]

Whoa.