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A
Anyways, yeah, it's a movie, it's doc. It's an album, it's all of the above. And it is a triumph. It really is. Yeah. I'm glad that you love this, that you dig this as much as I do, because I wasn't quite. I mean, the music has always been great. Just listening to these songs. It's a short and sweet little record, and we can talk about some of those performances as well. But I hadn't seen the documentary before this, and it just, it kind of blew me away from the very start.
B
Yeah, you said to me, you texted me saying, this is like. If we had made this, like this is. And I, I, you know, there's one way of thinking, oh, we're flattering ourselves. But I do think that it's not flashy. It's not, you know, it. It's what. What we strive to do, I think, with the pro. The presentation of things here at Jokerman Podcast headquarters, the Jokerman Family Podcasts, is to simply present the subject in a. In a. Might I say, an elegantly restrained manner that highlights their great qualities and in.
A
A natural environment as well, you know, and not try to dress it up with any sort of. Because, I mean, that has certainly been the legacy of all the Beach Boy stuff that we've talked about, certainly, like the films and the movie projects that we've talked about, from the it's okay thing to the 25 years together in Hawaii thing, to even that documentary we talked about as well, An American band, certainly the 2024 documentary, the Disney one. You know, it's just there's so much artifice constructed around this and such a clear kind of agenda on the part of the filmmakers in all of those cases. Different agendas for different films, of course, but everyone kind of comes into it with the idea of, like, you know, I have a very specific angle I want to take on this story, and I'm going to, you know, maybe not tell the entire truth in order to get that specific angle across or, you know, I'm going to tell a version of my truth or whatever. And this, to me, that's the real triumph is just that there is no. You almost don't even feel the hand of an author here. And I think that's the amazing thing. Obviously there is an author behind the scenes, but the film really just kind of leans into Brian himself, just allowing Brian to talk about Brian, and then also all these other brilliant artists, just an incredible cast of brilliant artists from all across some of our favorite musical genres. It's just like. It feels like a Jokerman episode, you know, where we bring on a musician to just like talk about a Bob Dylan record or a Brian Wilson record, you know.
B
Well, that's the other thing that makes it feel kind of Jokerman esque, is that it literally features some of the people that we would like, you know, if we just were wish casting, like, who would we like to see in such a thing? It's like, of course, we've got the John Cale.
A
The John Cale appearance right off the bat, right off the top.
C
So I wrote a song that was fairly straightforward, a fan song about how I'd heard him first in Wales and how he was thousand miles away in California and how it was difficult for me to not believe everything he said. There was something genuine in every lyric that he wrote. That can be a heavy burden. I don't think every songwriter wants that.
B
There's potential. Some potential future subjects. That's right in here.
A
Randy obviously pops up with Linda. Randy Newton in the middle. You've got David Crosby just like, you know, very chill, posted up on a balcony overlooking Central park talking about Brian Thurston Moore for some reason.
B
Thurston Moore, Yeah. I'll be straight with you. We're not gonna do a Sonic Youth series, at least not anytime, not in the near future.
A
But just I think that speaks to the sort of breadth of the artists that they were interested in speaking or interested in kind of roping into this. It's not. You're kind of corny, by the numbers, talking heads. You get more insight into Brian Wilson from John Caleb Thurston more than you do from just about anyone else near. Tom Petty shows up. It's a really mindset type approach towards painting a picture of the man at this moment in time.
This episode of Jokermen explores the 1995 documentary and accompanying album Brian Wilson: I Just Wasn't Made for These Times. The hosts dig into why this project stands out among Beach Boys and Brian Wilson documentaries, praising its elegant restraint and insightful, musician-driven perspective. They reflect on the film’s unique approach, the cast of featured artists, and how the documentary aligns with the Jokermen ethos of letting the music and musicians speak for themselves.
The hosts agree that the documentary is exceptional for its understated, honest presentation:
The hosts contrast this documentary with other Beach Boys and Brian Wilson films:
The film's magic lies in how it foregrounds Brian Wilson and other musicians:
B connects this style to the podcast’s ethos: bringing in insightful voices rather than sticking to predictable talking heads.
John Cale opens the film with a moving tribute to Brian Wilson:
Other appearances:
On the Documentary’s Approach
On the Film’s Elegance
On Previous Beach Boys Documentaries
John Cale’s Reflection on Brian Wilson
On the Cast of Musicians
This episode offers an enthusiastic, thoughtful exploration of Brian Wilson: I Just Wasn't Made For These Times, lauding its genuineness and humility. The hosts appreciate how the film lets artists speak candidly about Wilson, providing rich, layered insights without the heavy hand of a traditional documentary narrative. Their reflections, peppered with humor and passion, situate the film alongside the Jokermen Podcast’s own philosophy: spotlighting great music and musicians with elegance, honesty, and curiosity. For anyone curious about Brian Wilson, this episode is a warm invitation to experience both his artistry and the artful documentaries that do him justice.