“Justice may have been served, but the human element of the story didn’t seem to add up.” — James Lasdun

In March 2023, Alex Murdaugh — wealthy scion of a South Carolina prosecutorial dynasty — was found guilty of murdering his wife Maggie and his son Paul at their family estate. With its opioid addiction, fatal boat crash, staged suicide, and a cousin called Eddie, the case could have been invented for our true crime age. And who better to tell the story of the mysterious Mr Murdaugh than the literary crime writer James Lasdun whose 2023 New Yorker piece about the trial became the magazine’s most-read story of the year.

Lasdun’s new book, The Family Man: Blood and Betrayal in the House of Murdaugh, tries to answer the one question the trial never answered. Why would a father annihilate his son?

The prosecution claimed that Alex killed Maggie and Paul to distract from a web of financial crimes about to be exposed. While this is theoretically possible, Lasdun acknowledges, it is totally implausible psychologically. Coming from a family of prosecutors, Murdaugh would have known he would be the prime suspect. And this family annihilator, as the prosecutor described him, murdered not just his wife, but his boy. Who would annihilate their beloved child to muddy a prosaic embezzlement?

The Southern gothic case isn’t over. The court clerk who managed the Murdaugh trial resigned in disgrace after it emerged she had interfered with the jury — fabricating a Facebook post to remove a juror who was bending toward acquittal. Murdaugh has appealed to the South Carolina Supreme Court. A retrial isn’t inconceivable. But even if the murder conviction is overturned, Murdaugh faces forty years inside for his financial crimes. So he’s never going free. But James Lasdun’s core question remains unanswered. Why?

“Justice may have been served,” Lasdun concludes, “but the human element of the story didn’t seem to add up.” Mr Murdaugh remains a mystery, perhaps even to himself.

Five Takeaways

• The Family Annihilator: A Psychological Category: The term “family annihilator” — first used at the Murdaugh trial — is not a well-developed criminological category. There isn’t much psychology behind it. What Lasdun found in his research: most family annihilators are men who kill their families when they believe everything is about to be taken from them — not out of hatred, but out of a grotesque form of ownership. The family is theirs. If their world is ending, the family ends with it. This pattern, Lasdun argues, begins to illuminate what happened at Moselle. Not excusing it. Illuminating it.

• The Thirteen Minutes of Mystery: The murders took place in a thirteen-minute window at the kennel at Moselle. In thirteen minutes, Alex was supposed to have shot his wife with a shotgun and his son with a rifle, staged the scene, called 911, and composed himself sufficiently to appear on a video call immediately afterward showing no signs of distress. Lasdun’s question: was he capable of that? The prosecution said yes, and the jury agreed. Lasdun is not saying they were wrong. He is saying that the how and why of those thirteen minutes remain genuinely mysterious — and that the mystery is part of what makes the case important.

• Cousin Eddie and the Staged Shooting: Three months after the murders, Alex arranged a meeting on a rural road with his cousin Eddie — a distant relative — and emerged with an entry and exit wound at the back of his head. Alex claimed he had asked Eddie to shoot him dead so that his surviving son Buster could collect his $10 million life insurance. Eddie denies this account entirely. The police concluded quickly that the “shooter” was not a stranger seeking vengeance for the boat crash, as Alex had initially claimed. Lasdun’s reading: Alex was trying to reinforce the vendetta narrative that would implicate Anthony and Connor Cook, the young men who had been on the boat when Mallory Beach was killed.

• The Court Clerk and the Removed Juror: One juror was leaning toward acquittal in the final hours of deliberation. That juror was removed from the jury on the last day of the trial, after the clerk of court produced evidence that the juror had been indiscreet about the case on Facebook. It subsequently emerged that the clerk had fabricated the Facebook post. She resigned in disgrace. The Murdaugh appeal is partly based on this interference. The South Carolina Supreme Court has taken it seriously. A retrial is not inconceivable. The legal situation is still live.

• Murdaugh as an American Story: Lasdun’s book, like Capote’s In Cold Blood, is not ultimately about a crime. It is about a society. The Murdaughs were prosecutors — the family that put people in prison, that sent people to death row. The corruption that enabled Alex’s embezzlement was not unusual in Hampton County; it was systemic. The opioids that fuelled his addiction were everywhere. The insularity and entitlement of the Lowcountry ruling class created the conditions in which Alex Murdaugh could operate for twenty years without exposure. The murders are a symptom. The disease is American.

About the Guest

James Lasdun is a poet, novelist, memoirist, and staff writer at The New Yorker. He is the author of The Family Man: Blood and Betrayal in the House of Murdaugh (W. W. Norton, May 5, 2026), Afternoon of a Faun, Give Me Everything You Have, and many other works. He was born in London and lives in Brooklyn, New York.

References:

• The Family Man: Blood and Betrayal in the House of Murdaugh by James Lasdun (W. W. Norton, May 5, 2026).

• James Lasdun’s two New Yorker pieces on the Murdaugh case — the magazine’s most-read stories of the year.

• Truman Capote, In Cold Blood — the comparison Lasdun’s reviewers have drawn and that the interview raises explicitly.

About Keen On America

Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,900 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.