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Keen On America
Hosted by Andrew Keen · EN
Nobody asks sharper or more impertinent questions than Andrew Keen. In KEEN ON, Andrew cross-examines the world’s smartest people on politics, economics, history, the environment, and tech. If you want to make sense of our complex world, check out the daily questions and the answers on KEEN ON.
Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best-known technology and politics broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running show How To Fix Democracy and the author of four critically acclaimed books about the future, including the international bestselling CULT OF THE AMATEUR.
Keen On is free to listen to and will remain so. If you want to stay up-to-date on new episodes and support the show, please subscribe to Andrew Keen’s Substack. Paid subscribers will soon be able to access exclusive content from our new series Keen On America – keenon.substack.com
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An American Circus of Skulls: Paul Stob on Phrenology, the P.T. Barnum of Pseudosciences
2w ago00:40:35Tap to summarize“It’s too easy to look back at sciences of the past and say they were all fools. The exact same thing is gonna happen two hundred years from now when people look back at us.” — Paul Stob on the lessons of phrenology Step right up. Over the road from P.T. Barnum’s American Museum in 19th century New York stood the city’s more metaphorical circus — the Phrenological Cabinet, where admission was free and you could hold a murderer’s skull in your hand. After the Barnum museum, it was the second most popular show in town. Although back then phrenology — the supposed science of skull size and head bumps — wasn’t seen as the province of tricksters or clowns. So who created this 19th century American obsession with skulls, who created the phrenology phenomenon? In his new book, Empire of Skulls, the Vanderbilt scholar Paul Stob tells the phrenology story through the wealthy Fowler family — Orson, Lorenzo, and Charlotte — who financed and promoted this American circus. It was the Fowlers, Stob explains, who shaped phrenology into the intellectual glue of 19th century American progress and convinced reformers like Walt Whitman, Susan B. Anthony, John Brown, and Elizabeth Cady Stanton of its social value. The appeal was self-improvement, that most American ideal. In Europe, your skull was your fate; in Fowler’s America, you could supposedly reshape your brain like a bicep in order to grow new bumps. A gym for skulls. And, in P.T. Barnum fashion, it toured, bringing replica skull collections to the utopian communes of mid 19th century America. And in good (or bad) American fashion, this bunk often had a darker subtext with skulls pilfered from native burial mounds and, inevitably, a slaveholding phrenologist wing. Not everyone bought a ticket. Mark Twain visited Lorenzo Fowler’s London depot incognito and was told his skull shape indicated an absence of humor. Three months later, he reappeared, this time as Twain, and got the reverse prognosis. But what finally killed phrenology wasn’t Twain but the hitherto unparalleled bloodshed of the Civil War. Not even the Fowlers could glean much positive from the mountains of actual skulls at Gettysburg or Antietam. The circus had ended. Now it’s the Fowlers who are the freaks. We gawk at them rather than their skulls. Step right up. The show must go on. Five Takeaways • The Intellectual Glue of American Reform. From the 1830s to the 1860s — the era of reform — practically every movement to improve the young republic was led by believers in phrenology: abolition, women’s suffrage, temperance, prison and education reform. Whitman, Susan B. Anthony, John Brown, Stanton, and Mott were all sympathetic; Orson Fowler barnstormed Massachusetts with his Amherst friend Henry Ward Beecher, who swore by phrenology for the rest of his life; John Brown Jr. worked at the Fowlers’ Phrenological Cabinet until Bleeding Kansas called him west. The reason was one word: improvement. Even the enslaved, the phrenologists argued, must be freed — because every human being deserves the chance to improve.• Curl Your Brain Like a Bicep. European phrenology said your skull was your fate. The Fowlers Americanized it: exercise a mental faculty, they taught, and the brain deposits new gray matter that literally pushes out the skull — self-improvement you could measure with calipers. Parents brought children for readings, returned years later, and found the head had grown just as prescribed: to the Fowlers, concrete proof. The ideal male head measured twenty-three inches around, the female twenty-two — women started in a different place, but nothing said they couldn’t climb. And in 1843’s Hereditary Descent, Orson made an argument radical for his century: that race mixing was a positive good for humanity.• Second Only to Barnum. For three decades the Fowlers’ Phrenological Cabinet at Clinton Hall — free of charge, unlike the American Museum kitty-corner across the street — was the second most visited tourist attraction in New York City. Visitors could hold a murderer’s skull and feel for themselves why he killed, or trace the bumps of statesmen and writers. The empire was literal: the global skull trade of the era, from Samuel Morton’s Crania Americana to skulls pilfered from native burial mounds, stocked the shelves. The Fowlers were millionaires, not billionaires — and Orson spent his share on a sixty-room octagon mansion, flagship of the 500-odd octagon houses he inspired across America.• Twain’s Two Visits — and the Birth of “Pseudoscience.” Oliver Wendell Holmes Sr. said reading a brain through a skull was like reading the inside of a safe by feeling the knob — and coined the word “pseudoscience” specifically for the phrenologists. Mark Twain ran the experiment: visiting Lorenzo Fowler’s London depot incognito, he was told his organ of mirthfulness was a divot; three months later, business card presented, it was off the charts. Stob still insists on calling phrenology a science — because that is how its era understood it, because it was more accurate than much of the competition, and because one of the fathers of American neurology emerged from the Fowlers’ own circle.• We Are the Phrenologists Now. What killed phrenology was the Civil War: three decades of promising heaven on earth ran skull first into carts of actual skulls, and the utopia of self-improvement died on the battlefield. But the impulse never did. Phrenology, Stob argues, was self-help before the word existed — and its descendants fill the airport bookstore: astrology, Myers-Briggs, the Enneagram, the genetic ancestry kit, all of them, in his words, scientifically garbage yet enormously significant in people’s lives. The uncharitable reading of the past is a trap. In two hundred years, Stob warns, they will look back at our sciences of the self exactly the way we look at the Fowlers. About the Guest Paul Stob is Director of the Program in American Studies at Vanderbilt University, where he also teaches in the Department of Communication Studies and the Program in the Communication of Science and Technology. His research focuses on nineteenth-century American intellectual culture — religion, democracy, populism, and social movements. He is co-author, with Stephen Lucas, of The Art of Public Speaking, now in its fourteenth edition. His first trade book is Empire of Skulls: Phrenology, the Fowler Family, and a New Nation’s Quest to Unlock the Secrets of the Mind (Counterpoint, April 14, 2026). References: • Empire of Skulls: Phrenology, the Fowler Family, and a New Nation’s Quest to Unlock the Secrets of the Mind by Paul Stob (Counterpoint, April 2026). Jennifer Wright in The New York Times Book Review: “A thoroughly researched and intriguing work.”• The Gospel According to Hobby Lobby by Michael Blanding — the recent Keen On episode on the Greens, this show’s previous installment of ...
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How to Walk from Mumbai to San Francisco: Saumya Roy Navigates the Cracks in the American Dream
2w ago00:36:25Tap to summarize“There is the burden of being homeless and the burden of being judged for it.” — Saumya Roy on poverty in America How does the world look at America in the MAGA age? This is our third conversation drawn from How We See It, a collection of essays about America from the excellent new publication The Dial. In the first, The Dial’s Paris-based editor Madeleine Schwartz offered a very French version about the oddities of Trump’s America. In the second, the Turkish novelist and commentator Kaya Genç gave us his view from Istanbul. Today, we have a take on America from the Indian-born Saumya Roy, Al Jazeera’s San Francisco correspondent and the author of Castaway Mountain, a book about the wastepickers of her hometown Mumbai. Saumya Roy’s inside-out America is the one glimpsed from the back of a San Francisco cab, whose Indian driver told her he’d walked here from Mumbai. In her Dial essay, Roy compares the poverty of her hometown, Mumbai — the subject of Castaway Mountain — with the homelessness outside that San Francisco cab. The comparison isn’t quite what you’d expect. Mumbai’s poverty is vaster and more dehumanizing — a hundred thousand street people against San Francisco’s eight thousand. But in Mumbai Roy finds a social kind of poverty, whereas in San Francisco it’s atomized and isolating. In the land of personal responsibility, she reports, there’s a double burden of being on the street: being homeless, and being judged for it. Some of the street people Roy meets even shower at a gym each Christmas so their families won’t know their predicament. And yet Roy still recognizes the American dream. She reports that it often burns brighter in a Mumbai slum — where a young gig worker told her he wants to be “the Elon Musk of India” — than it does in America itself. That dream can be real, she says, just as it can be cracked. From the back of her San Francisco cab, Saumya Roy sees both Americas. Five Takeaways • “I Walked from Mumbai to the US.” A cab driver’s five-word answer contains the whole story. In the popular imagination, Indian America is the America of tech CEOs and startup founders; beneath it are millions — many undocumented — who chased the same dream, work small jobs, and were left behind by the wave. San Francisco, Roy observes, is a boom and bust town — dot-com, social media, now AI — and the American dream is a wave: catch it and you make an amazing life; miss it and you may end up sleeping in the subway car of the world’s richest city. The dream, she says, can be fulfilled — and the dream can be cracked.• The Double Burden. Mumbai’s poverty is vaster and more dehumanizing than anything in America — children dying of tuberculosis in their teens, perhaps 100,000 people on the street against San Francisco’s eight thousand. But it is social: even at a distance you see cooking smells, cradles, families living together on the sidewalk. American homelessness struck Roy as profoundly isolated — everything owned in a shopping cart, riding the train aimlessly because no one is waiting anywhere. And the ideology of personal responsibility cuts both ways: if success is earned, failure must be deserved. Hence the double burden — being homeless, and being judged for it — and the people who shower at a gym each Christmas so their families won’t learn where they live.• What Is Growth For? The AI boom is minting $250 million research salaries and trillion-dollar IPOs that will change the face of San Francisco for decades — while polls show seventy to eighty percent of Americans fear losing their jobs to AI investment, and a single medical expense can capsize a family. Young Americans watch the markers of their parents’ lives — a home, affordable gas, a job within a year of graduation — drift out of reach. Roy’s question is the one policymakers keep dodging: what is growth really for, if it doesn’t translate into a better quality of life for the people who need it most?• The Mumbai Model. Roy’s editor at The Dial asked why she wrote “homeless” for San Francisco but not for Mumbai — and the answer became the essay. In Roy’s own lifetime, Mumbai has moved more than 100,000 people off its sidewalks and railway tracks: not by sweeps, evictions, and demonization, but by involving communities — especially women — and giving people confidence that the housing they moved to would be safe and secure. Meanwhile only ten to twelve percent of San Francisco’s homeless report substance use or mental illness as the cause; eighty-eight percent are simply priced out, often working two or three jobs. As Roy puts it: they deserve a hug more than they deserve to be evicted.• The Dream Burns Brighter Abroad. Reporting on unemployment in a Mumbai slum, Roy climbed a steep staircase to interview a young gig worker and asked him his dream. “I want to be the Elon Musk of India,” he said. The American dream, Roy suggests, now burns brighter in Mumbai and the Gulf than in America itself — where the darkness is emotional rather than economic, a mourning for the idea of America rather than its numbers. Neither MAGA nor doom-monger, Roy watches a country that leads the world in innovation while paying developers not to build wind farms, and concludes that what people everywhere are grappling for — left, right, and abroad — is a system that reflects the crises they actually live. About the Guest Saumya Roy is Al Jazeera’s San Francisco-based correspondent, covering technology and the environment. A former Mumbai journalist who co-founded the microfinance nonprofit Vandana Foundation, she is the author of Castaway Mountain: Love and Loss Among the Wastepickers of Mumbai (Astra House, 2021), one of NPR’s best books of the year. Her essay on Mumbai, San Francisco, and the American dream appears in How We See It: The World Looks at America in the Age of Trump (The New Press, June 2026), edited by Madeleine Schwartz. References: • How We See It: The World Looks at America in the Age of Trump, edited by Madeleine Schwartz (The New Press, June 2026). Adam Shatz: “It is often foreigners who understand us best.”• Castaway Mountain: Love and Loss Among the Wastepickers of Mumbai by Saumya Roy — her acclaimed account of the lives built on Mumbai’s Deonar garbage mountain, an NPR best book of 2021.• Behind the Beautiful Forevers by Katherine Boo — the Mumbai classic in whose tradition Roy’s reporting stands.• Madeleine Schwartz and The Dial — the volume’s editor, whose own Keen On America conversation about the book preceded this one.• Stephen Marche — the old friend of the show whose re...
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Kill Bill or Kill Keith? Why Using AI to Author Books Might Not Be in the Interest of Man
2w ago00:46:57Tap to summarize“It’s a realization of my individual self, not an alienation of it.” — Keith Teare on the book he wrote with AI in a week Welcome to episode 2984 of the show. A week is certainly an age in AI time. Since last week’s “Who Owns Intelligence” show, That Was The Week publisher Keith Teare has used AI to write an entire book entitled, surprise surprise, Who Owns Intelligence. No wonder, as Keith’s editorial this week puts it, AI has its enemies. These enemies, Keith insists — riffing off Karl Popper’s The Open Society and Its Enemies — are mostly “good people.” They are the authors, workers, and others caught in the headlights of epochal technological change. He claims to have seen the pattern before. When he opened the world’s first Internet cafe in 1994, the BBC only wanted to ask him about online porn. But some enemies are less well meaning than others. Congress is considering a kill switch bill — let’s call it the Kill Bill — which is backed by the frontier companies like Anthropic and OpenAI cynically seeking to set their current market dominance in stone. So might the answer be Chinese style “open source” AI as requested this week in an open letter by NVIDIA CEO Jensen Huang? Keith’s answer is deliciously ironic. Denied walls of NVIDIA GPUs, Chinese labs learned to train cheaply by inference — distilling American frontier models through their own public interfaces. So Huang’s support for open source AI might end up shooting NVIDIA in their most sensitive parts — their chips. And what about the state — can it protect all those “good people” from the oncoming AI locomotive of history? No. Not according to Keith, at least. State regulators like Lina Khan treat consumers as children, Keith (himself the parent of three boys) says. Besides, government simply can’t keep up with the speed of technological change. So, for example, when OpenAI’s models hacked Hugging Face in a lab test this week, the company caught, stopped, and reported it faster than any regulator could. As for inequality, the answer isn’t nationalization but ownership on the model of Keith’s Norway-style human wealth fund. For more, read his new book Who Owns Intelligence. We ended on an uncharacteristically French post-structuralist note. My interview of the week was Emily Eakin, author of The Frenchmen, her very personal history of French theorists like Michel Foucault and the two Jacques, Derrida & Lacan. It was Foucault, who — at the end of his 1966 book The Order of Things — predicted that man would be erased, AI style, like a face drawn in sand at the edge of the sea. But Keith isn’t in this bleak Foucaultian camp. His book, written with AI in under a week, he says, is a realization of his individual self, not an alienation from it. The end or beginning of man? Maybe I got it wrong earlier. Welcome to episode 1984 of the show. Five Takeaways • A Book in a Week. Inspired by last week’s conversation, Keith used AI to write Who Owns Intelligence in seven days — the case for a “human wealth fund” seeded by the AI companies’ own stock, global on day one and non-governmental, with Norway and Alaska as partial precedents. AI, he insists, is a tool, not an author: “AI would never have been able to start, never mind finish a book without me.” The detection farce cuts his way — Substack’s new AI detector rated his 100% human editorial as 100% AI, and universities are quietly canceling their AI-detection contracts because the tools simply don’t work.• The Kill Bill and the Ladder-Kickers. Congress is considering a bill that would let government switch AI off — and, paradoxically, the AI companies are in favor. Keith’s reading: regulation is a competitive strategy. Dario Amodei — “he’s an entrepreneur, he’s devious, he strategizes” — is the most sincere in wanting rules that would lock out open source competition — and Anthropic’s $1.5 billion book settlement this week suggests the moat is expensive to maintain; Sam Altman zigzags; Musk, in this context at least, is one of the good guys. The genuine enemies of AI, meanwhile, are mostly good people: authors and workers frightened by the scale of change, just as the BBC in 1994 could only ask the founder of the world’s first Internet cafe about porn and addiction.• Why the Good Open Source AI Is Chinese. The week’s uncomfortable question: where is the American open source AI? Keith’s answer is structural. Denied walls of NVIDIA GPUs by export controls, Chinese labs were forced to train cheaply by inference — asking American frontier models millions of questions through public interfaces and learning from the answers. The result: world-class open models built, in effect, on distilled Anthropic and OpenAI. NVIDIA’s much-signed open letter supporting open source, Keith notes, translates simply: more customers.• The State Can’t Keep Up. Lina Khan’s consumer protection, in Keith’s telling, is parental — treating consumers as children — and government-owned AI would be obsolete within three months of purchase. The counter-example happened this week: when OpenAI’s de-railed models hacked Hugging Face in a lab test, the company caught, stopped, and reported it faster than any regulator could. The companies are the right point of control, held to a high standard. Matthew Yglesias adds nuance on the data center backlash — local micro-politics is not the same thing as the statewide bans coming almost entirely from Democratic states — and the American university, still metering intelligence at $80,000 a year, looks to Keith like a business model past its sell-by date.• The End of Man — or the Beginning? Andrew’s interview of the week was Emily Eakin on the Frenchmen — and Foucault’s 1966 prophecy that man would be erased like a face drawn in sand at the edge of the sea, a prediction Eakin thinks the AI age is realizing. Keith takes the opposite view: the postmodernists grasped the rise of the individual (consider the Pantone color system) but gave him no society to live in. AI, far from erasing the individual, lets him realize himself — the week-old book is “a realization of my individual self, not an alienation of it.” Could Popper have written The Open Society in an hour? Before the car, nobody drove Manchester to London in two and a half hours either. About Keith Teare Keith Teare is Andrew’s weekly co-host and the publisher of the That Was The Week tech newsletter. A four-decade veteran of the technology industry, he opened Cyberia — the world’s first Internet cafe — in London in 1994, co-founded Easynet and TechCrunch, and is today the founder and CEO of SignalRank Corporation in Palo Alto. His latest — unpublished, so far — book is Who Owns Intelligence, written with AI in a week. References: • “AI and Its Enemies: Who Needs a Kill Switch?” — Keith’s editorial in this week’s That Was The Week.• <...
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The Strange Death of the American Front Porch: Molly Brady on Land, Law, and the Lost Art of Neighborliness
2w ago00:42:52Tap to summarizeWhat has made this moment feel different is not the anxiety about incivility, which has always been there, but rather the performance of it. It’s relentless.” — Molly Brady on incivility in the age of the smartphone Whatever happened to the American front porch? Builders killed it to save money, says the Harvard law professor Molly Brady — and with this death went one of the key stages on which Americans have practiced the art of being neighbors over the last 250 years. Brady is a contributor to America Unfinished: 250 Years of Law and Governance, a new volume of 62 essays from the Harvard Law School faculty edited by Alexandra Natapoff. Brady’s subject is the land, real-estate and local government law determining neighborliness. Thus her interest in front porches. Brady grew up in Utica, New York — on the old Erie Canal — a Rust Belt town whose fracking fights, abandoned housing, and urban renewal steered her toward property law. Utica is also, despite its red politics, a place well versed in the art of neighborliness — with the town warmly welcoming recent Bosnian and Iraqi refugees. Incivility isn’t new, Brady says. What’s changed, she argues, is its performative virality. With a phone in every pocket, we can now watch our fellow “citizens” behaving badly. Meanwhile the physical infrastructure of community — the front porches and corner stores — has been zoned, sprawled, and value-engineered away. Analogue porches have been replaced by digital chatrooms. Brady’s remedy is unfashionably local. On Zoom or in person, she advises, show up at your local planning meetings. Brady even requires her Harvard students to attend at least one local meeting so as to demystify the real work of governance. The republic, as Ben Franklin so famously warned, is ours if we can keep it. Keeping it, Molly Brady suggests, may require in-person attendance on a Wednesday night at your local planning commission. And it might also require hanging out on your porch. If the builders ever give them back to us. Five Takeaways • The Performance of Incivility. Americans have always fretted about incivility — the republic itself was born out of Europe’s religious civil wars. What has changed, Brady argues, is technology. When difference was mediated through traditional publishers, you had to grapple with the people in your physical world: the workplace, the water cooler, the town meeting. Now everyone carries a phone on which fellow citizens can be found behaving horribly at any given moment. It is not the presence of incivility that makes this moment feel different — it is the relentless performance of it.• The Death of the Porch. Brady writes in the tradition of Robert Putnam’s Bowling Alone, updated for the post-smartphone age: suburbanization, the loss of third places, remote work — and a thousand micro-choices in property law that removed the physical alternatives to online life. Builders dropped the front porch to save money; developers in the South and West build almost nothing outside homeowners associations, so there is no meaningful market choice. People are human — they yearn for connection — but in the absence of physical competition, technological community wins by default.• Tocqueville’s Scalability Problem. What Tocqueville admired in New England — every citizen (nominally) arguing policy with neighbors at the town meeting — may never have been scalable to a continental republic, a question America has been grappling with since the Louisiana Purchase. But the local still scrambles our politics in useful ways: party preference, as the scholar David Schleicher observes, tells you nothing about road paving. The darker local truth is Bill Fischel’s homevoter hypothesis — homeowners dominate participation and vote to maximize home values, which has helped produce the national affordability crisis.• Glimmers: Zoom, Newton, and Showing Up. The shift to Zoom planning meetings completely changed the demographics of who participates in land use decisions — young parents cannot spend Wednesday from seven to midnight debating a corner store. Newton has produced genuinely pro-housing policies; Cambridge ran a charter commission that drew in residents of every kind; groups like Abundant Homes Massachusetts organize contingents to make sure meetings are not left to the usual voices. Brady requires her students to attend at least one local meeting. The lesson: do not think this is for someone else.• 2076: Best Case, Worst Case. Asked to imagine America’s 300th birthday, Brady hopes for less polarization and demonization, and for a real confrontation of the housing and environmental crises — collective work that might itself rebuild the habit of cooperation. The worst case runs through Margaret Atwood and civil war scenarios to environmental degradation and lives lost to our incapacity to work together. The warning signs are already banal: middle-aged men now pay consultants to teach them how to make friends. The skills have atrophied — and local participation, Brady suggests, is the gym where a republic gets them back. About the Guest Molly Brady is a professor of law at Harvard Law School, where she teaches property, land use, and local government law. Raised in Utica, New York, she is a graduate of Harvard College and Yale Law School, and her scholarship on the history of American property law has won wide recognition, as has her teaching. She lives in Belmont, Massachusetts, and is a contributor to America Unfinished: 250 Years of Law and Governance, edited by Alexandra Natapoff and Guy-Uriel E. Charles (MIT Press, July 2026). References: • America Unfinished: 250 Years of Law and Governance, edited by Alexandra Natapoff and Guy-Uriel E. Charles (MIT Press, July 2026). Bryan Stevenson: “A valuable contribution to understanding America at a critical moment.”• Bowling Alone by Robert Putnam — the 2000 classic on America’s vanishing social capital, written, Brady notes, before the smartphone made things worse. Putnam is an old friend of this show.• Democracy in America by Alexis de Tocqueville — the towering account of New England civic virtue that frames the episode’s scalability question.• Shade by Sam Bloch — the new book on the politics of shade that taught Brady about the money-saving death of the American front porch.• Bill Fischel’s “homevoter hypothesis” — the Dartmouth economist’s account of why homeowner-dominated local politics maximizes home values and starves housing supply.• Alexandra Natapoff — the volume’s co-editor, whose own Keen On America conver...
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How a Turkey Voted for Xmas: Ricardo Semler on Why One Boss Wants the End of All Bosses.
2w ago00:44:39Tap to summarize“It’s like asking turkeys to vote for Christmas.” — Ricardo Semler on why bosses won’t let their workers vote on them Ricardo Semler might be the most anti-boss boss in the history of corporate bosses. Thrown into his Austrian immigrant father’s São Paulo manufacturing firm at seventeen, the young Brazilian ripped up the rulebook — no dress codes, no time clocks, a ten-page cartoon manual instead of HR — and grew the company from 110 employees to more than 5,000. In the mid-Eighties he was already inventing hybrid work, shipping Telex machines to his workers’ homes. One of them even squeezed one of these 150-pound machines into his bathroom. Now, in his upcoming e-book The End of the Boss, the author of the iconoclastic autobiography Maverick argues that the corporate pyramid — an inheritance, he says, from West Point via the railroads — is as dead as a cuckoo bird (as the Swiss would say). Nothing good has been done with it since World War Two. Not in Korea, Vietnam, Afghanistan, his native Brazil, and certainly not in corporate America where Elon Musk’s current pay package equals the wages of all his employees for the next five years. Semler’s alternative is disarmingly simple: groups of ten who validate their leader every six months. Fail the vote and you’re not fired — you go back to being one of the nine. His Netherlands-based consultancy has brought versions of the idea to 208 companies, including the giant Dutch bank ABN AMRO, which agreed to do away with 399 branch managers. So why don’t more bosses follow? Because, says Semler, asking executives to be elected from below is like asking turkeys to vote for Christmas. Even the self-styled “fearless” Elon Musk would be terrified to end up as the roasted centerpiece of the Xmas table. That same maverick idea (his first ex-wife joked he’s only ever had one) runs through everything Semler has ever proposed — from the rotating district presidents of São Paulo, to the untethered MBA whose cohorts hire their own professors, to the schools that grade Call of Duty and map it to the curriculum. Switzerland, he points out, has been governed by seven rotating nobodies since the fourteenth century. No, The Third Man’s Harry Lime was wrong. Rather than the cuckoo clock, it’s this anti-boss invention which explains Switzerland’s five hundred years of democracy and peace. Five Takeaways • The Pyramid Came from West Point — and It’s Dead. The corporate hierarchy, Semler argues, is a military inheritance that reached business from West Point via the railroads — and nothing good has been done with it since World War Two, from Korea to Vietnam to Afghanistan. The numbers agree: the average company’s lifespan on the stock market has collapsed from 61 years to 21, which makes the classical pyramid, not self-management, the biggest gamble of all. Jack Welch’s GE is a shadow because he prepared it for nothing except Jack Welch. And when one Alexander Wang is valued like 20,000 engineers, or a CEO’s package equals five years of everyone’s wages, something structural is wrong.• Turkeys Voting for Christmas. Semler’s system is cells of ten that choose or validate their leader by anonymous survey every six months. Fail the vote and you aren’t fired — you return to being one of the nine. His consultancy has brought the idea to 208 companies, including ABN AMRO, which agreed to eliminate 399 branch managers. The reason it doesn’t spread is not that it doesn’t work; it’s that nobody at the top wants it — turkeys don’t vote for Christmas, and Bezos, Musk, and Zuckerberg would be terrified of their employees deciding whether they keep their jobs. His model is Switzerland: seven rotating councilors nobody can name, working out fine since the fourteenth century. The alternative ends, sooner or later, in Kim Jong Un.• Cycles, Not Failures. “Until death do us part,” Semler says, is about the silliest question anybody could ask. His own eighteen-year marriage with three children wasn’t a failure — it was a cycle that ended, ten beautiful years out of eleven. Children born today will live to 100 or 110, with time for three full careers and still a retirement, so asking a seventeen-year-old what they want to be for the rest of their life is the wrong question. His daily metric is simpler: was today a valid day — like getting your parking ticket validated — or a dues day? When the dues days outnumber the valid ones week after week, the marriage or the job is already finished, whether you admit it or not.• The Untethered MBA. Semler taught MBAs at MIT and spent four years at Harvard Law School, so he knows exactly what he’s calling outmoded, outdated, and obsolete. His replacement: cohorts of ten who work through a dashboard curriculum at their own pace, study the case of the day rather than decade-old case studies — is SpaceX worth a trillion dollars, or nothing? — and spend credits to summon former CFOs or Stanford professors on demand. The same logic runs his schools, which grade TikTok and Call of Duty and map them to the curriculum. The smartphone panic, he says, is mostly nostalgia: what the screens are ruining is your ability to memorize the periodic table.• AI Is Electricity — and He’s Losing the Argument. AI, Semler says, is irrelevant the way electricity is irrelevant: a tide rising for every boat, pointless to oppose and impossible to live without. He runs everything through four LLMs — “there’s nothing left of slop or hallucination at the end of that” — and confesses that when he tells his AI to push back, he now has trouble keeping up intellectually, which wasn’t true a year ago. His hope is that we don’t become “domesticated pets” over the next fifteen years. The deeper obstacle to everything, though, remains human: the cattle aspect of fear. There is no Trump and no Putin, he says — there is thirty percent of the population willing to support them, and one person who understands what populism can do. About the Guest Ricardo Semler is the chairman and majority owner of Semco Partners, the São Paulo company he took over from his father at 21 and transformed into the world’s most famous experiment in industrial democracy. His book Maverick: The Success Story Behind the World’s Most Unusual Workplace (1993) was an international bestseller published in sixteen languages; The Seven-Day Weekend followed in 2003. He is the founder of the Lumiar schools and the Ralston Semler Foundation, has taught at MIT’s Sloan School and Harvard Law School, and his TED talks have been viewed millions of times. His new e-book is The End of the Boss (endoftheboss.org, 2026). References: • The End of the Boss by Ricardo Semler (2026) — the e-book, and its “Round Pyramid” alternative: self-managing cells of ten with leaders validated from below.• Maverick: The Success Story Behind the World’s Most Unusual Workplace by Ricardo Semler — the million-copy classic whose Brazilian predecessor, Turning the Tables, was rejec...
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Yellow Stripes and Dead Armadillos: Is Ben Barnes the Last Moderate Texan Democrat?
2w ago00:53:11Tap to summarize“I could not get under oath and swear that I know exactly how Kennedy died in Dallas.” — Ben Barnes, who helped advance JFK’s fatal Texas tripIn Texas, there’s nothing in the middle of the road, Jim Hightower famously quipped, but yellow stripes and dead armadillos. But Ben Barnes has spent seven decades disproving him. Elected as a Democratic moderate to the Texas legislature at 21, Speaker of the Texas House at 26, and lieutenant governor at 30, Barnes was LBJ’s premier protégé and has known every president from Kennedy to Trump. Now 87, he has distilled all his centrist wisdom into Get It Done: Seven Decades of Lessons from a Political Legend.Get It Done is more than just a Texan story. Barnes spent six weeks advancing JFK’s fatal 1963 Dallas trip and breakfasted with the president in Fort Worth on the morning of the assassination. He confesses that the Warren Commission “did not get it entirely correct” and notes that the experienced hunter John Connally, who rode in the Presidential limo, always insisted there were four shots, not three.Then there’s the equally historic scene at the White House on the day LBJ signed the 1965 Voting Rights Act. Pen in hand, Johnson looked a dozen young Southern Democrats — Barnes among them — straight in the eye and told them he’d just signed away Dixie. “What I’m doing today is probably going to turn the South Republican for thirty or forty years,” LBJ confessed with astonishing prescience.The dirty trickster Richard Nixon, meanwhile, ended Barnes’ electoral career. You can hear it on the tapes — Nixon ordering his attorney general, John Mitchell, to “get something on Barnes” before the Texas Democrat got to be governor. Years later, fresh from prison, Mitchell invited Barnes to lunch, apologized over a bowl of spaghetti, then dropped dead on a Washington sidewalk three months later.Barnes forgave Mitchell. He is less forgiving of the current administration, which he says is hammering the final nail into the coffin of LBJ’s Voting Rights Act. In the recent Texas Senate runoffs, only seven percent of voters showed up. Seven. Barnes remembers, aged three, watching pickup trucks packed with young men rolling toward the recruiting stations the morning after Pearl Harbor. That generation died for the country. This one, the very alive Texan armadillo quipped, could at least vote to protect American democracy.Five Takeaways• Four Shots, Not Three — But No Conspiracy. Barnes advanced JFK’s Texas trip and was at the Fort Worth breakfast on the morning of the assassination. The Warren Commission, he believes, did not get it entirely correct: Connally, a hunter, swore the single-bullet ricochet was a physical impossibility and always counted four shots. Yet Barnes dismantles the grand-plot theories with logistics — Oswald started at the Book Depository thirty days before a motorcade route that wasn’t fixed until six days prior, so he could not have known the president would pass. Ted Kennedy assured him before his death that nothing of importance remains unreleased in the files. Sixty years of phone calls from theorists later, Barnes will not swear under oath that he knows how Kennedy died.• The Hostility Began in Los Angeles. The LBJ–Bobby Kennedy feud, in Barnes’s telling, started at the 1960 convention, when Bobby went to Johnson’s hotel room to talk him out of accepting the vice presidency his brother had just offered. The wound never healed — not through the vice presidency, not through the White House years with Bobby as attorney general. The counter-example was Ted Kennedy, who voted for the civil rights bills, kept a genuine affection for Johnson, and told Barnes three weeks before his own death what a great president LBJ had been.• “This Will Turn the South Republican.” On the day he signed the Voting Rights Act, Johnson looked a dozen young Southern officeholders — Barnes among them — in the eye and told them the bill would probably turn the South Republican for thirty or forty years, and that they would have to work and tell the story over and over again. The prophecy held: Texas, Barnes says, is now the reddest state in America. And the administration’s new voting legislation, he warns, would be the final nail in the coffin of Johnson’s greatest achievement — making it harder for everyone to vote, and hardest of all for minorities.• “Get Something on Barnes”: Nixon’s Vendetta and Mitchell’s Spaghetti. Furious that Barnes had helped Humphrey carry Texas in 1968 — and alarmed that he was outpolling every Democrat in the state — Nixon told John Mitchell to go to Texas and manufacture a scandal before Barnes reached the governor’s mansion. It’s on the tapes, and Barnes keeps copies. His electoral career ended. Years later, out of prison, Mitchell asked him to lunch, apologized over a bowl of spaghetti — “I had time to think in prison” — and died on a Washington sidewalk three months later. Barnes forgave him. The tactics, he notes, are back in fashion.• Seven Percent. Trump, Barnes says, never prepared himself for the presidency — no student of history, bored by his intelligence briefings, and surrounded this term by a team without depth. American prestige is dwindling; NATO is non-negotiable; when America coughs, the world catches pneumonia. At home, racism has resurfaced and women’s promotions to the military’s top ranks are reportedly frozen. But his sharpest alarm is the emptiest statistic: seven percent turnout in the recent Texas Senate runoffs. The man who watched pickup trucks of volunteers roll toward the recruiting stations after Pearl Harbor asks only that this generation get involved — before the Republic runs out of birthdays.About the GuestBen Barnes was elected to the Texas legislature at 21, became the youngest Speaker of the Texas House at 26, and the youngest lieutenant governor in Texas history at 30. LBJ’s “premier protégé,” he has spent the subsequent decades as a consultant, fundraiser, and Democratic power broker, helped establish the LBJ School of Public Affairs, and is founder and CEO of the Ben Barnes Group in Austin. His new book, written with David Ritz, is Get It Done: Seven Decades of Lessons from a Political Legend (Grand Central Publishing, July 14, 2026).References:• Get It Done: Seven Decades of Lessons from a Political Legend by Ben Barnes with David Ritz (Grand Central Publishing, July 14, 2026). Doris Kearns Goodwin: “When a gifted storyteller has a great story to tell, the result is magic.”• The Warren Commission — the 1964 report whose three-shot conclusion John Connally, a hunter who was wounded in the motorcade, never accepted.• Jim Hightower — the Texas populist who actually coined “nothing in the middle of the road but yellow stripes and dead armadillos,” a line usually credited to Ann Richards....
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The American Way of Violence: Mike McIntire on Guns, Greed, and a Daily Trickle of Bloodshed
2w ago00:40:56Tap to summarize“You didn’t have to look someone in the eye while you extinguished their life, and you could do it from a distance.” — Mike McIntire on what the gun changedIs there an American way of violence? Earlier this month, the film critic David Thomson blamed gory Hollywood movies, like Coppola’s Godfather, for glorifying it. Today’s guest has an even more brutal answer. According to Mike McIntire, the three-time Pulitzer Prize-winning New York Times investigative journalist, it’s the gun itself that can be blamed for the perpetual American plague of violence.Yes, the gun did it. In his new book Ricochet: Guns, Greed, and the American Way of Violence, McIntire observes that every developed country has violent movies, violent video games, and significant mental illness. But what no other country has are schoolchildren, grocery shoppers, and churchgoers massacred on a regular basis. Up to forty thousand Americans die from guns every year — half of them suicides — and yet we treat these uniquely dangerous machines as if they were iPhones.How did this catastrophe happen? McIntire’s answer focuses on the law as much as the culture. English common law imposed a duty to retreat in the event of conflict. Then, amid the centennial jingoism of 1876, an Indiana court declared that “retreat” was not “the tendency of the American mind.” A “true man,” explained an Ohio court, doesn’t fly from threats. Stand your ground was born — and with it, a legal redefinition of what it means to be an American.And then there’s the NRA — founded in 1871, ironically, by a former New York Times correspondent as a marksmanship club, and radicalized a century later. Its greatest coup was reframing the Second Amendment from militia clause into individual right — a maneuver that Warren Burger, a Republican chief justice, called the “biggest fraud” ever perpetrated on the American people. And today even the NRA looks moderate compared to new online radical right-wing gun rights groups.McIntire, a gun owner himself, doesn’t preach. Instead he describes his first murder scene as a young cop reporter — the dead man peacefully lying in the grass, one small round hole in the side of his head. Clean, efficient, clinical. Like an iPhone app. That’s the American way of violence. The gun did it. And will continue to do so until America retreats from its deadly love affair with the firearm.Five Takeaways• It’s the Gun Itself. Every developed country has violent movies, violent video games, mental illness, and toxic social media. What none of them has, McIntire argues, is a repetitive, constant problem of schoolchildren, grocery shoppers, and churchgoers being massacred. Up to forty thousand Americans a year die from guns — half of them suicides — and firearms account for three-quarters or more of all homicides. Yet America treats these uniquely dangerous things as ordinary consumer goods, bought, sold, marketed, and carried around like an iPhone or a wallet. Whatever role Hollywood plays — and McIntire takes David Thomson’s argument seriously — you have to start with the one thing that is actually different: the gun.• A Daily Trickle of Bloodshed. When a plane crash kills two hundred people, there is a massive media and government response. When two hundred people die in scattered shootings across fifty states in the same period, there is a local news story, and then nothing. Gun violence in America has slipped into the category of acceptable losses — background noise. The conundrum for gun-safety advocates is how to sustain attention on a crisis that only becomes visible when the next Sandy Hook or Parkland arrives.• No Duty to Retreat. English common law, imported into the colonies, required you to retreat from a public confrontation before resorting to lethal force. Amid the centennial fervor of 1876, American courts began overturning homicide convictions on new grounds: retreat, declared Indiana’s Supreme Court, was not “the tendency of the American mind,” and a “true man,” added an Ohio court, need not fly from an aggressor. The repeating rifle helped make the old duty obsolete — you cannot outrun a bullet — and stand your ground became canon. Every week, somewhere in America, the defense still succeeds.• “The Biggest Fraud”: Rewriting the Second Amendment. The founders’ great fear was a standing army; the amendment preserved a well regulated militia — trained and disciplined, not unlimited. Beginning in the 1970s, the NRA underwrote sympathetic scholarship, law reviews, and court cases in a deliberate long game to recast the amendment as an individual right — moving guns from common law, where legislatures can regulate, into constitutional law, where they largely cannot. Warren Burger, the Republican former chief justice, called it the biggest fraud he had ever seen perpetrated on the American people. Now the Supreme Court’s “common use” test — found nowhere in the Constitution — means a weapon popular enough may be unbannable, with AR-15 bans next on the docket.• The Death Star Eclipsed. McIntire’s cache of internal NRA documents traces the organization’s path from post-Civil War marksmanship club — cofounded by a former New York Times correspondent — to radicalized lobbying juggernaut, complete with pro-gun Democrats like John Dingell on its board. Today it has been outflanked by no-compromise groups like the Firearms Policy Coalition, which at any given moment is pushing more lawsuits against state gun laws than the NRA. Guns remain the third rail — Beto O’Rourke said “hell yes” to taking away AR-15s and has not held office since. The irony in McIntire’s prescription: gun-safety advocates should copy the NRA’s own generation-long legal strategy.About the GuestMike McIntire is an investigative journalist at The New York Times and a member of three Pulitzer Prize-winning reporting teams, whose work has exposed everything from Russian election interference to the hidden financial incentives of policing. He is the author of Champions Way: Football, Florida, and the Lost Soul of College Sports. He lives in Ridgefield, Connecticut. His new book is Ricochet: Guns, Greed, and the American Way of Violence (One Signal/Atria, July 2026).References:• Ricochet: Guns, Greed, and the American Way of Violence by Mike McIntire (One Signal/Atria, July 2026). Jane Mayer: “McIntire is both a superb reporter and storyteller.”• A Sudden Flicker of Light: A Revisionist History of Movies by David Thomson — the recent Keen On guest whose argument about Hollywood and American violence opens the conversation.• The American Way of Death by Jessica Mitford — the classic anatomy of the American funeral business that lends this episode its central question.
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The Seduction of the American Mind: Emily Eakin on Her Life in French Theory
3w ago00:42:57Tap to summarize“Theory said, it doesn’t matter what you’ve read. It’s how you read.” — Emily Eakin on the seduction of the FrenchmenWhen I was a graduate student at Berkeley in the Eighties, there was a bewildering rage for Frenchmen. Foucault in history, Derrida in literature, Althusser in political philosophy, Lacan in psychology. Not that anybody could quite explain what any of them meant — which only made their ideas even more compelling. It was the seduction of the American mind, especially its elite campus version. Innocent times with forty years of hindsight.Emily Eakin caught this Eighties fever for French theory at Harvard. Now an editor at the New York Times Book Review, Eakin has written The Frenchmen, or My Life in Theory, which is both a confessional of her own seduction and a serious piece of intellectual history.A self-described farm girl from Indiana — albeit one whose Francophile parents once left her waiting at a Paris nursery school because a Lévi-Strauss lecture went overtime — she fell for theory as the intellectual equivalent of a little black dress. It looked expensive, even off the rack, she confesses. For a middle-class Midwesterner, it seemed like a passport to Left-Bank sophistication. All you needed was the jargon, the black clothes and, in Eakin’s case, the opera gloves.But her Frenchmen, Eakin warns, turned out to be a slippery bunch. Lacan was so difficult that professors cancelled their own classes rather than teach him. Althusser murdered his wife. Foucault’s histories were as much fiction as fact. Not even Derrida took Derrida seriously. These were the men undoing the “master narratives” while an enthralled generation of cross-legged young feminists in their little black dresses took notes.And yet Eakin’s Frenchmen may have the last laugh. Their theory of language — an impersonal system requiring no human at its center — presciently describes today’s AI revolution. Foucault predicted that “man” would be erased like a face drawn in sand on the beach. Forty years on, that tide may be engulfing us all.Five Takeaways• The Little Black Dress of the Mind. Eakin grew up in a family of Francophiles — one of her earliest memories is her mother arriving late to the Paris maternelle because Claude Lévi-Strauss’s lecture had run over — and arrived at Harvard as a middle-class kid from a middling Midwestern high school, painfully aware of the gaps in her education. Theory offered the shortcut: it didn’t matter what you’d read, only how you read. The cliché about the little black dress is that it looks expensive even bought on sale off the rack at Macy’s, and theory, Eakin says, was its intellectual equivalent. It was also, frankly, sexy — young professors in jeans lecturing on the masturbation of the comma in Henry James, as Lorrie Moore’s barely-parodic parody had it, and students dressed in black. Eakin went as far as the opera gloves.• System Replaces the Self. After the war, Sartre’s existentialism made every accurate thought an authentic act of resistance — a heroic message for a France humiliated by four years of Nazi occupation. But the postwar world was not being changed by individual actors, and Lévi-Strauss dismissed the whole business in Tristes Tropiques as “shop girl metaphysics.” Around the time the Berlin Wall went up, Althusser routed Sartre at the École Normale, and a new philosophy took hold, obsessed with vast impersonal forces: not humans controlling events but a structure — with language at its center. The moment that fascinated Eakin is that sixties moment when system replaced the self.• Difficult by Design — and Easy to Distort. A colleague of Eakin’s at the Times was once assigned Lacan’s lecture on The Purloined Letter; a few minutes into class, the professor cancelled it, admitting he didn’t understand the text he had assigned. That is the level of difficulty in question. Underedited and self-indulgent, Eakin the editor concedes — but each Frenchman left behind one bold idea worth the struggle, like Lacan’s mirror stage, in which identity is formed outside ourselves in an act of misrecognition. The difficulty carried a price: it made the work easy to parody, and conservative pundits handed the public a distorted picture. The Frenchmen never said truth doesn’t exist, Eakin insists. Their message was to beware political claims masquerading as eternal truths.• Slippery Politics, Awkward Pasts. Foucault, insecure about his thinning hair, shaved his head, ditched the suits, and by 1970 was in the streets with a megaphone defending prisoners, immigrants, and workers — and he was in San Francisco at the start of the AIDS catastrophe, which is reason to take his politics seriously. Derrida was temperamentally otherwise: nothing follows from deconstruction, as Stanley Fish put it, and the moment of silence his classmates held for Stalin at the École Normale was a bit much for him. The posthumous exposure of de Man’s collaborationist journalism hastened theory’s American demise. And there was the paradox Eakin only saw while writing the book: men undoing the master narratives, and a generation of feminists — herself included — enthralled to them. De Beauvoir was the indomitable exception, awarded second place in the agrégation by jurors who could barely decide between her and Sartre.• The Frenchmen’s Revenge: AI. When the chatbots got good, American linguistics went into a tailspin: Chomsky’s account of language as a uniquely human, embodied endowment cannot explain a machine producing sophisticated sentences. The structuralists’ theory — language as an impersonal system in which meaning derives from how words differ from one another — describes generative AI rather well, and scholars such as NYU’s Leif Weatherby are now calling for a structuralist revival to understand it. De Man called language a machine; Foucault wrote of the proliferation of authorless discourse; Eakin’s recent New York Times essay argues Foucault foresaw everything from AI to the deep state. The Frenchmen, she thinks, would be fascinated rather than appalled — and would remind us to be just as wary of AI’s language as of anyone else’s.About the GuestEmily Eakin is an editor at The New York Times Book Review. She has worked as a senior editor at The New Yorker, an ideas reporter for The New York Times, a fashion features writer at Vogue, and a deputy editor of Lingua Franca. Her features, essays, and reviews have appeared in The New Yorker, The New York Times Magazine, The New Republic, and The New York Review of Books. A Harvard graduate with graduate degrees from Columbia and the École Normale Supérieure in Paris, she lives in New York City. Her first book is The Frenchmen, or My Life in Theory (Penguin Press, July 2026).References:• The Frenchmen, or My Life in Theory by Emily Eakin (Penguin Press, July 2...
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A $14 Billion Glitter Glue Gospel: Michael Blanding on the Wealthiest Christian Nationalist Family You've Never Heard Of
3w ago00:34:41Tap to summarizeWe’ve done plenty of abstract shows on American Christian nationalism. But this one is about a single family: the Greens of Oklahoma City, owners of the Hobby Lobby retail empire, and probably the wealthiest Christian nationalist family you’ve never heard of. According to investigative writer Michael Blanding, the Greens have amassed a $14 billion fortune from selling glitter glue and popsicle sticks. In his new book The Gospel According to Hobby Lobby, Blanding reveals what he insists is this billionaire family’s quest to craft a Christian nation. Hobby Lobby is an all-American story — especially in its ridiculous ironies. A fundamentalist fortune built on bead-buying hippy consumers. The business came out of the Sixties counterculture. That said, the Greens have built the closest thing to a Christian corporate behemoth. Hobby Lobby has no corporate debt, is closed on Sundays, pays above average wages, and has a founder, David, who still flies coach. And yet this is the same Trump-loving corporation that forced its warehouse laborers to work during COVID and denies them birth control coverage. And then there is the Museum of the Bible, blocks from the Capitol — God’s base camp, as it’s known — stocked with 40,000 shady artifacts including a $1.7 million Gilgamesh Dream Tablet, and forged Dead Sea Scrolls. Such are the absurdities of life in Christian MAGAland. Render unto Trump what is Trump’s. Then deduct, forge or steal the rest. Five Takeaways • The Most Influential Family You've Never Heard Of. Hobby Lobby is an $8 billion business with a thousand big-box stores, and the Greens are worth $14 billion — among the richest people in America — from what Blanding calls the perfect recession-proof business: when times are good, people buy crafts, and when times are bad, they make things instead of buying them. David Green saw the waste at the TG&Y department store chain in the sixties, started making picture frames in his garage, and — by his own account — owes the takeoff to the beatniks and hippies buying beads. The family credits God rather than themselves: chosen, anointed, and bearing no responsibility for the wealth. • True Believers, Not Hypocrites. Whatever else the Greens are, Blanding insists, they are not hypocrites: they genuinely believe everyone is going to hell without Jesus, and they live accordingly. No corporate debt, wages well above the minimum, closed Sundays to honor the Lord, a founder who flies coach and lives modestly in Oklahoma. The record cuts both ways: during COVID, warehouse employees worked unmasked in hundred-degree heat after David Green’s wife had a vision from God that the company must stay open. And the 2014 Supreme Court case over birth control coverage made Hobby Lobby a national flashpoint — half the country boycotts it, and the other half shops there precisely because of it. • Seven Mountains and the Attack on Pluralism. The Greens work within the democratic system, Blanding concedes under Andrew’s devil’s advocacy — but they are associated with Seven Mountains dominionism, the crusade for evangelical control of government, law, entertainment, and the other commanding heights of American society. Steve Green, David’s son, is on record that there is one true worldview, incompatible with all others, and that pluralism should not exist because the rules are laid out in the Bible. His Bible curriculum for public schools taught scripture as reliable historical truth. This isn’t guilt by association, Blanding argues — it’s what the family says in its own books and interviews. • Trump as Cyrus. David Green came out against Trump in 2016 — an op-ed, a Fox News appearance, support for Marco Rubio — as a poor example of moral leadership. Then Trump became the nominee, the Supreme Court became the prize, and the family fell in line with the movement’s theology of the imperfect vessel: Trump as Cyrus, the pagan Persian king who freed the Jews and delivered for the faithful without being one of them. To their credit, Blanding notes, the bet paid off — no president, including the professed believers, has pushed conservative Christian exceptionalism further through the courts and executive orders. • God's Base Camp: The Museum of the Bible. Blocks from the Capitol sits the Greens’ Museum of the Bible, stocked with some 40,000 cuneiform tablets, papyri, and Torah scrolls acquired in part to prove the Bible historically true — and acquired, it turned out, from shady dealers. The federal government seized the $1.7 million Gilgamesh Dream Tablet as looted from Iraq; the museum’s Dead Sea Scrolls proved to be forgeries; and the acquisition machine doubled as a tax strategy, with artifacts bought cheap, reappraised high, and donated for deductions so large they sometimes paid for themselves. Radical Christian conservatives held their conferences there — one called it God’s base camp. Ingenious, entirely legal, and, in Blanding’s telling, entirely revealing. About the Guest Michael Blanding is a Boston-based investigative journalist whose work has appeared in The New York Times, WIRED, Slate, Smithsonian, and The Boston Globe Magazine. His previous books include The Map Thief, a New York Times bestseller; The Coke Machine; and In Shakespeare’s Shadow, the subject of his last appearance on this show in 2022. His new book is The Gospel According to Hobby Lobby: Inside a Billionaire Family’s Quest to Craft a Christian Nation (PublicAffairs, July 14, 2026). References: • The Gospel According to Hobby Lobby: Inside a Billionaire Family’s Quest to Craft a Christian Nation by Michael Blanding (PublicAffairs, July 14, 2026). Virginia Heffernan in The New York Times: “Blanding is at the height of his arts and crafts.” • Burwell v. Hobby Lobby (2014) — the Supreme Court case in which the company successfully argued it need not provide insurance covering birth control, and the moment Hobby Lobby became a national flashpoint. • The Museum of the Bible — the Greens’ institution blocks from the Capitol, whose looted Gilgamesh Dream Tablet was seized by the federal government and whose Dead Sea Scrolls proved to be forged. • Seven Mountains dominionism — the movement seeking evangelical Christian control of government, law, media, entertainment, and the other commanding heights of society. •
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Homer's Hollywood Odyssey: Joel Christensen on How Christopher Nolan Gave Us the Odysseus We Deserve
3w ago00:45:40Tap to summarize“I want someone who has regrets. I want someone who’s learned the hard way. I want someone who understands that life is made of those messy compromises.” — Joel Christensen on the Odysseus he hopes to see in Matt Damon Christopher Nolan’s The Odyssey is out — the controversial movie of the year, much of the controversy raging before anyone had seen a frame. So, before either of us had seen the epic, I talked to the CUNY classicist Joel Christensen, author of the timely Why Odysseus? Survivor, Scoundrel, (Anti)hero. What, I asked Christensen, did he most dread about Hollywood’s treatment of his beloved Odyssey? His answer: a hero too noble to be interesting. The Odysseus of the epic is a survivor, a scoundrel, an antihero — the master sergeant who does what needs to be done, from engineering the Trojan Horse to making sure Hector’s infant son doesn’t survive it. Christensen’s worry about Matt Damon came down to one word: too likeable. What he wanted instead was a man with regrets — De Niro in Raging Bull rather than anybody noble. So did Christensen get the Odysseus he wanted? Below is his review, written after seeing the film when it came out. Postscript: Joel Christensen’s Verdict on the Film Nolan’s Odyssey is not Homer’s Odyssey. This should be clear to anyone. Nolan faced an almost impossible task well: ancient audiences knew the story already. Modern audiences do not, so he created a ring structure with the beginning union of Penelope and Odysseus anticipating the reunion at the end, also introducing plot elements like the dog Argos and the pin by which Penelope will recognize Odysseus. The film is not Homer. Homer’s power is poetry; the film’s is image. Some of the images are striking: the scene when Circe turns his men into animals is the most arresting in the whole movie, showing everything that can be done with visceral imagery and a slight adaptation (Circe here is a survivor of sexual assault). The changes made to the plot such as omitting the Phaeacians, Nestor, Laertes, the bed and more are not as jarring as some of the general decisions. Calling “Zeus’ Law” “do unto others…” makes an understandable translation to a Christian context, but it is somewhat nonsensical for Homer. Depicting a mutilated Helen is a strange decision that I am struggling with. What the movie gets right is making humans responsible for their own suffering. In a novel take on Odysseus as a traumatized warrior, the hero spends seven years with Calypso eating Lotus to forget the loss of his men. Damon, too likeable, regrets the trick of the Trojan Horse after witnessing the slaughter during the sack of Troy. We find out as well that the “sea people” from history, bringing an end to the “civilization” are actually the Greeks returning from the Trojan War and suffering for the transgressions they committed there. Is this ending an echo of Zeus’ plan to end the race of heroes in the Trojan War? Is it an allegory for our civilizational collapse in the future thanks to technology, environmental catastrophe, and fascism? Any potential social critique dissipates with the movie’s end. The traumatized veteran turns out to be merciful and kills only some of the suitors, showing many mercy. Then, guilty of violating “Zeus’ Law”, Odysseus happily goes into exile with Penelope, leaving Telemachus to be king. There’s no way to make Homer’s Odyssey into a film and convey all its ambiguity and depth. That would be an unfair expectation. Nolan’s film is a compelling spectacle and it makes me wonder more about how it reflects who we are as an audience. Do we need the hero to be ultimately good, even if he messed up? Are we so simple that we need to hear about Zeus’ Law and the Sea People so repetitively? I fear that in this age where fiction and fact are so hard to disentangle, that we long for narratives that are just simpler. We don’t get the Odyssey we want; we get the one we deserve. Five Takeaways • A Complicated Man: The Translation Problem. Every word of Homer carries echoes no English can hold, and the fights over Nolan’s dialogue replay the fights over translation. Emily Wilson detonated a controversy by rendering polytropos — poly, many; tropos, turn — as “a complicated man,” alluding at once to Odysseus’s travels and the many forms of his character; Daniel Mendelsohn’s “man of roundabout ways” does the work too, if you can stop thinking about rotaries. Even the objection to Tom Holland’s Telemachus saying “dad” collapses on inspection: Telemachus uses the colloquial form in Homer. And the “authentic” dialect purists want was an artificial amalgam that no ancient Greek ever spoke. • The Culture Wars Come for Homer. Nobody remembers a brouhaha over Wolfgang Petersen’s Troy — a pretty bad movie, Christensen notes — but Nolan’s Odyssey generates more controversy than a scholar can track daily. Lupita Nyong’o’s Helen is attacked as inauthentic by one side and as cultural appropriation by the other; since 2015, classicists have watched the Western tradition weaponized by the alt-right while their own field argues about who owns it. Christensen’s advice channels the epic itself: between Scylla and Charybdis, take Scylla. You’ll lose six men. The alternative is losing the ship — and if the story doesn’t persuade in three hours, nobody will remember the armor anyway. • The Valence of Violence. Modern audiences are more accustomed to represented violence than any in history — you don’t need Natural Born Killers when Twitter serves unverifiable clips from Gaza and Iran. The question Christensen brings to the film is what the violence is for. Uberto Pasolini’s The Return gave Ralph Fiennes’s Odysseus a steady, untroubled thump of arrows; the epic’s own slaughter of the suitors, read closely, approaches Tarantino-adjacent parody. And the hardest tests are the atrocities the adaptations always cut: the mutilation of the goatherd Melanthius, and Telemachus hanging the enslaved women. Does the violence glorify the hero — or show what even the best of us are capable of? • Keep Penelope Ambiguous. The great interpretive question of the Odyssey is when Penelope knows the beggar is her husband — the suitors, dead in the underworld, are convinced she was in on it all along. The epic grants her remarkable intelligence and agency, then reins it in: Agamemnon’s ghost praises her by way of insulting all women, and she vanishes from the text. Christensen’s advice to Nolan wouldn’t be Margaret Atwood’s Penelopiad, which centers the women’s voices; it would be more screen time and total ambiguity — no access to her mind, a wife who matches her husband in wits and may even have outwitted him. Though based on Nolan’s arc, he doubts we’ll get a woman at the center. • Survivor, Scoundrel, (Anti)hero. Christensen’s worry about Matt Damon was simple: too likable. Odysseus is the master sergeant — the one who takes the hard orders, tricks Achilles into the war, engineers the Horse, and makes sure Hector’s infant son doesn’t survive to rebuild Troy. The ancient hero is neither good nor ...
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