Happy Hour: Red Carpets & Redheads

Summary

Podcast Summary: "Happy Hour: Red Carpets & Redheads"

Podcast: Kennedy Saves the World
Host: Kennedy
Guest: Kelly Keegs
Release Date: February 6, 2026

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Episode Overview

In this lively "Happy Hour" edition, Kennedy welcomes Barstool's Kelly Keegs for a sparkling conversation about the Grammys, red carpet culture, and the dominance of redheaded pop stars. They mix cocktails, exchange candid takes on recent music award ceremonies, dish on standout performances, and explore the interplay of fame, artistry, and media narratives – all with wit, warmth, and Kennedy's signature irreverence.

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Key Discussion Points & Insights

1. Red Carpets, Cocktails, and the Redhead Connection

• The episode opens with an at-home "red carpet" vibe, underscored by Kennedy's signature raspberry 75 cocktail.
  • Kennedy explains her recipe: "It's gin and Chambord shaken ... strained into obviously a champagne flute or glass ... topped [with] Underwood sparkling rose bubbles." (00:25)
• Kelly jokes about being treated like royalty for her red hair, setting a playful and convivial tone.

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2. Grammys: Timing, Perception, and Taylor Swift Discourse

• Taylor Swift's Absence from the Grammys (01:11 – 01:51):
  • Popular misconception: Swift was "shut out" of the Grammys.
  • Reality: Her album's release missed the submission deadline.
    • Kelly clarifies: "No. Life of a Showgirl was never going to be up for consideration at the Grammys this year, and so she's coming for it next year." (01:27)
• Anticipation for next year's Grammy race, with Taylor as a contender.

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3. Male Pop Comeback & Notable Releases (02:14 – 02:54)

• Noting a wave of male pop stars releasing new work: Harry Styles, Zayn, and Louis Tomlinson.
• Contrast with female dominance in recent years; expectations for newcomers like Billie Eilish to drop fresh material.

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4. Album Release Timing & Grammy Nominations (02:56 – 03:59)

• Billie Eilish’s Grammy win for a two-year-old album sparks discussion of submission loopholes.
  • Kelly explains: "She, like, created a couple extra deluxe versions of the songs and resubmitted it ... and that's how she was able to win Song of the Year this year for a song that's two years old." (03:21)
  • Both hosts approve of the practice, noting it can keep deserving music in awards conversations.

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5. The Lady Gaga ‘Mayhem’ Album and Artistic Evolution (04:03 – 04:26)

• Kennedy and Kelly agree Gaga's latest album was innovative and deserved more acclaim.
  • Kelly: "Mayhem really is just ... so different and exciting ... she tried out a lot of different styles." (04:09)
• Transitioning to discussion of artists balancing music and acting careers (Ariana Grande, Jared Leto).
  • Kennedy: "It's very easy for a musical artist to lose connection with [music] when they get into acting." (04:26)

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6. Roles and Rivalries: Music Versus Acting (04:34 – 05:50)

• Artists like Ariana Grande and Jared Leto grapple with balancing passions.
  • Kelly: "If you are an artist and you have different creative outlets ... you certainly need to focus in on acting versus singing." (05:20)
  • Kennedy joking: "Jared Leto ... phenomenal actor. But I think if he had his choice, 30 Seconds to Mars would be ... he loves being a rock star more." (05:41)

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7. Award Show Performances – Entertainment Over Politics (06:04 – 08:09)

• While Grammy performances are praised, hosts only lightly touch on politically-charged moments.
  • Kelly: "I tune into these award shows... for the performances. I want to see the outfits." (06:17)
• Lively takes on Sabrina Carpenter’s and Addison Rae’s performances.
  • Kennedy (on Carpenter): "She looks like Joe Biden with an arthritis flare up ... she's like our new Dua Lipa." (06:44)
  • Kelly: "Her model is very showgirl ... very performance theater ... I've seen her in concert twice." (07:04)
• Brief praise for Addison Rae's dancing and stage presence, with empathy for her harsh critiques.

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8. TikTok Artists’ Reception in Traditional Music Spaces (09:03 – 10:34)

• Discussion of Addison Rae and Alex Warren, both from TikTok, facing skepticism about their artistry.
  • Kelly: "With Addison Rae, she gets that, 'well, she's a TikTok artist. Like, she can't be taken seriously.' And I don't love that." (10:02)
• Acknowledgement that TikTok backgrounds lead to dismissiveness, but both hosts value their work.

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9. Grammy Medleys and Contrasts (08:40 – 09:51)

• The medley format is celebrated for showcasing diverse talent and musical contrasts.
  • Kelly: "I hope they keep that forever ... it is the coolest thing, seeing the contrast of all the different people and the different styles." (08:42)
  • Comparisons between Addison Rae and other newer artists like Lola Young.

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10. Showstopping Tributes: Ozzy Osbourne & Lauryn Hill (11:30 – 14:16)

• Ozzy Osbourne Tribute:
  • Both hosts found the performance deeply emotional and meaningful.
    • Kennedy: "Ozzy's family just brought to tears by that performance ... it was so beautiful and satisfying and heart wrenching." (12:21)
    • Kelly: "Whenever we see the Osbournes, ... glimpses into their real lives make us a little more connected ... I was happy to see them there and out of the house." (12:31)
• Wyclef & Lauryn Hill’s ‘Killing Me Softly’:
  • Major highlight for both; crowd went wild.
  • Kennedy: "That just sent Crypto arena into an absolute frenzy ... that's what music is supposed to do." (13:50)
  • Emphasis on live music's powerful, unifying potential – across generations and differing personal beliefs.

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11. Award Shows’ Ongoing Relevance (14:16 – End)

• Award shows as vital platforms for discovering new music and honoring legacy artists.
  • Kelly: "It's the best way ... to find new music. There's so much music coming out all the time." (14:16)
  • Kennedy: "It gives you so much hope ... music's going to be just fine. And it will continue to save us." (15:23)
• Playful banter about the hosts one day taking over the Grammys themselves, keeping the tone festive and self-aware.

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Notable Quotes & Memorable Moments

• On Taylor Swift’s Grammys status:
  "Life of a Showgirl was never going to be up for consideration at the Grammys this year, and so she's coming for it next year."
  — Kelly Keegs, 01:27

• On Billie Eilish’s Awards Strategy:
  "She ... resubmitted it for consideration again ... and that's how she was able to win Song of the Year this year for a song that's two years old."
  — Kelly Keegs, 03:21

• On Performance Artistry:
  "She looks like Joe Biden with an arthritis flare up ... she's like our new Dua Lipa."
  — Kennedy, 06:44

• On Being a Multi-Talented Artist:
  "If you are an artist ... you certainly need to focus in on acting versus singing."
  — Kelly Keegs, 05:20

• On TikTok Artists in the Grammys:
  "With Addison Rae, she gets that 'well, she's a TikTok artist. Like, she can't be taken seriously.' And I don't love that."
  — Kelly Keegs, 10:02

• On the Power of Tribute Performance:
  "Ozzy's family just brought to tears by that performance ... it was so beautiful and satisfying and heart wrenching all at the same time."
  — Kennedy, 12:21

• On Music's Transcendence:
  "That's what music is supposed to do. ... Regardless if you have political differences ... that is what music is capable of."
  — Kennedy, 13:58

• On the Future of Music:
  "It gives you so much hope ... music's going to be just fine. And it will continue to save us."
  — Kennedy, 15:23

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Timestamps for Important Segments

• 00:25 – Kennedy describes her homemade raspberry 75 cocktail
• 01:11 – Taylor Swift’s absence from Grammys and why
• 02:14 – Discussion of anticipated male pop albums
• 03:21 – Billie Eilish’s strategic Grammy win
• 04:09 – Praise for Lady Gaga’s album "Mayhem"
• 05:41 – Balancing music and acting (Jared Leto)
• 06:17 – What draws viewers to awards shows
• 06:44–07:04 – Lively critique of Sabrina Carpenter’s performance
• 08:42 – Celebration of Grammy medleys
• 10:02 – Talk on TikTok artists’ artistic credibility
• 12:21 – Emotional Ozzy Osbourne tribute segment
• 13:50 – Lauryn Hill and Wyclef performance reaction
• 14:16–15:23 – Music’s power to unite and inspire

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Tone & Style

• The episode brims with playful banter, honest opinions, and cultural nostalgia.
• Kennedy’s deadpan humor and Kelly’s enthusiastic pop music chops create a candid, spirited, and celebratory happy hour atmosphere.

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For Listeners Who Missed the Episode

This episode is a spirited blend of pop culture commentary and genuine appreciation for artistry in music. Kennedy and Kelly dissect the intricacies of award show politics and performance, call out media misconceptions, celebrate both legacy and emerging artists, and ultimately reaffirm why music – and mingling over cocktails – keeps us all a little more human.

Transcript

[Kelly Keegs]

Foreign.

[Kennedy]

Hello and welcome to this episode of Kennedy Saves the world. It's Friday. It's happy hour. Kelly Kigs is back. Cheers to you, Kelly. Kids.

[Kelly Keegs]

Hey. Cheers. Thank you so much for having me back and for happy hour. What a treat.

[Kennedy]

Yeah, this is a raspberry 75.

[Kelly Keegs]

Oh, my God, that's delicious.

[Kennedy]

I've been on a Chambord kick. Stay with me. It's gonna be like this for a couple weeks. So it's gin and Chambord shaken and then it's like three quarters of an ounce of each and then strained into obviously a champagne flute or glass.

[Kelly Keegs]

Yeah, it's gorgeous.

[Kennedy]

And then topped. I used Underwood sparkling rose bubbles.

[Kelly Keegs]

This is much more than I even would have imagined. I thought we were probably gonna end up having like a glass of wine. And I walked in and you're mixing up like you've got a whole thing going.

[Kennedy]

I love it, like throwing for real poodles.

[Kelly Keegs]

I felt like I was getting the red carpet, you know, and I do have red hair. Exactly.

[Kennedy]

Thank you.

[Kelly Keegs]

And that is why I dyed this color.

[Kennedy]

You obviously host Taylor watch on barstool. Let's talk about Taylor for a little bit. Because there was, you know, the, the misinformed were like, Taylor got shut out of the Grammys.

[Kelly Keegs]

Oh.

[Kennedy]

But that's not the case.

[Kelly Keegs]

No.

[Kennedy]

No album came out in October.

[Kelly Keegs]

Yes.

[Kennedy]

And the deadline for Grammy consideration was August.

[Kelly Keegs]

Was August. Yes. Right around the time if people are crossover fans of Sabrina Carpenter. When her album came out, I believe it was like one week or five days before the cutoff, if you're looking for the exact date. But yes. No. Life of a Showgirl was never going to be up for consideration at the Grammys this year, and so she's coming for it next year. Okay.

[Kennedy]

Do you think that it will be too much of a lag?

[Kelly Keegs]

No, because I think that this type of thing has happened before, especially with Taylor. A lot of her albums have come out in the fall time and. And it's almost always after the. The Grammy submission. And normally it's never an issue. So if they are, you know, Grammy nominated songs or the album itself is Grammy nominated, but we won't know until next, you know, winter.

[Kennedy]

So in terms of what's coming out this year, like is Chapel Roan coming out with a full length album? You know, Del Rey?

[Kelly Keegs]

That's. I wonder. It seems like the men are coming out of the woodwork this year. We've got Harry Styles has an album coming out. Zayn going on tour right now. Like the One Direction Boys. Louis Tomlinson just put out an album, like. And I think, too, like, trying to think what other men. All of a sudden, all the guys are like, it's our turn. You know, because Taylor's not putting something out right now. But the girls have really dominated the last few years, especially in pop. And so I'll be surprised, or I wouldn't be surprised to see a few other people try to slide things in there. I think Billie Eilish might even. Might be even coming out with something.

[Kennedy]

Yeah. I mean, but she won a Grammy.

[Kelly Keegs]

She won a Grammy for an album that came out two years ago. So that was an interesting thing as well, because that album hit me hard and soft. Came out around the same time as Torture Poets Department, maybe within a few months of each other. And that came out in 2024.

[Kennedy]

Yes. No, torture poet's department came out earlier.

[Kelly Keegs]

Yes.

[Kennedy]

And then Taylor released the rarities the week Billie's record came out. And Billie Eilish was obviously very upset.

[Kelly Keegs]

She was saying that it was blocking on the charts and whatever. And this is a conversation that's always had, like, if you're charting on, you know, Billboard, wherever it is, and someone else kind of comes through. If you're an artist who blames your song's lack of success because of the success of other artists, I don't love that. I think that's, like my least favorite thing that the artists have been doing. But Billie did something that she resubmitted her album. She, like, created a couple extra deluxe versions of the songs and resubmitted it for consideration again. And that's how she was able to win Song of the Year this year for a song that's two years old. So that's kind of a way around.

[Kennedy]

I like that song. It's a nice song.

[Kelly Keegs]

Yeah, it's a nice song. I was shocked, though. Shocked by the Wind.

[Kennedy]

Loved Abracadabra, though.

[Kelly Keegs]

Same.

[Kennedy]

I felt like I should have won a little bit more for that.

[Kelly Keegs]

I couldn't agree more. I think that she, especially Mayhem. I've loved this album so much, and I've. I've always been a Gaga fan, but Mayhem really is just. It's so different and exciting, and I think she tried out a lot of different styles. And I felt like the album itself maybe should have deserved a little more. A little more love, a little more fanfare.

[Kennedy]

Did with something that it's very easy for a musical artist to lose connection with when they get into acting.

[Kelly Keegs]

Absolutely right. And it's whatever.

[Kennedy]

Whatever that Muse is sometimes when you get to. In your head, when you're acting like, it leaves you because you need to have that creative spontaneity.

[Kelly Keegs]

Without question. We'll look at Ariana Grande. Ariana Grande is focused right now on acting. And she said she also put out a deluxe version, I think five or six songs of her latest album, which is excellent, by the way. I love a big Ariana Grande fan as well. But. But she is having a hard time right now separating the two. She's going on tour this upcoming summer for Eternal Sunshine, the album that came out she never got to do a tour for. But then next year she'll be on. She'll be in the West End doing a play, Sundays in the park with George with Jonathan Bailey. And so she's.

[Kennedy]

There are worse things than staring at the water on the Sunday.

[Kelly Keegs]

Yes. I love. That's amazing. So I. I think that it is clear that if you are an artist and you have different creative outlets, if you're able to do them all at once, you're superhuman. But I think that you certainly need to focus in on acting versus singing. If you're.

[Kennedy]

Yeah. Talented. I mean, look at Jared Leto.

[Kelly Keegs]

Right. Right.

[Kennedy]

Phenomenal actor. But I think if he had his choice, 30 seconds to Mars would be.

[Kelly Keegs]

He loves being a rock star more. Yeah, it's very clear.

[Kennedy]

It's so much fun being a rock star.

[Kelly Keegs]

Totally. Of course it is.

[Kennedy]

Yeah. And it's great because as an actor, like, you get to wear Prada and you get to be chic and handsome. Fond over.

[Kelly Keegs]

You get to be a little more like the craft, you know, versus. Versus being shocked and torn apart and.

[Kennedy]

Being a hunk of meat.

[Kelly Keegs]

Absolutely.

[Kennedy]

I know he loves. So let's talk a little bit about the Grammys, because people are still talking about it. Obviously, like, the political statements got the most attention. But I thought some of the performances were amazing.

[Kelly Keegs]

The performances were excellent, and that is why I tune into these award shows. I know that every time there's an award show, whether it's the Grammys or anything else, I do think that there's a level of, you know, of posturing or. Or conversate. You know, everybody wants their voice to be heard and they feel like they're contributing to the cause, and I applaud them for that. But I. I'm there for the performances. I want to see the outfits. I want to watch Sabrina Carpenter crush it. Every single year. She does amazing performance, but she agreed.

[Kennedy]

She really can't dance. So that was the thing about Manual. Like, I loved the Performance. I loved the set. It was very. Catch me if you can. Totally. And then I was like, oh, my God, she looks like Joe Biden with an arthritis flare up. You know, when he tries to dance on the White House lawn? God rest his soul. Yeah, yeah, yeah. And I was like, wow. She's like our new Dua Lipa.

[Kelly Keegs]

She kind of is. I think that her. The, like, model that she's after right now is very. Is very showgirl. It's very performance theater. Kind of taking inspiration from older performances, like last year's Grammy. She performed a big opening number where she was going up and down stairs in a funny way. And it was very like, Goldie Hawn or Women of that time. And I think that she's kind of found her niche. I've seen her concert. I saw her in concert twice, her latest tour, and it's very much like that. Like, everyone kind of dances around her, and she's. She'll run into something, and then she'll kind of walk. Waltz over here and waltz over here. But she's got my attention.

[Kennedy]

She has a great voice.

[Kelly Keegs]

She can sing like nobody's pissed.

[Kennedy]

And she's. She's tiny and beautiful. And I watch her. I go, I wonder if she was a gymnast. I haven't looked enough into a background, but I just, like. I just assume that. That she was like a teenage gymnast. I.

[Kelly Keegs]

You would. You would think that because she's so tiny, she's just, like, always a performance.

[Kennedy]

Addison Rae has a very flimsy voice, which didn't surprise me. Somber, though. Got the place raging.

[Kelly Keegs]

Somber is excellent.

[Kennedy]

We're so excited to get up and dance. It was like they lost themselves in his moment.

[Kelly Keegs]

Absolutely.

[Kennedy]

And that made me so happy.

[Kelly Keegs]

I. I love him. I think he's wonderful. Not a song of his do I skip, you know, like, every time I hear it. I think that he's. He's really kind of carving his space out. He also got a little nod of approval from Taylor Swift. She was doing radio interviews when her album came out, and she had mentioned that he was one of the artists that she enjoys. So he is a big fan of hers as well. Loves it. He's riding that high still. But I will come to defense of Addison Rae for a second, because I think, first of all, I think that she was. Did a little dirty for that performance. I loved the medley as a whole.

[Kennedy]

I think. I hope they keep that forever.

[Kelly Keegs]

Me too.

[Kennedy]

It is the coolest thing, seeing the contrast of all the different people and the different styles. The artists that you haven't heard of or you're not familiar with and the ones that you're really rooting for, and I. I love how they're in slightly.

[Kelly Keegs]

Different settings, without question.

[Kennedy]

And I think that compared to Lola.

[Kelly Keegs]

Young, totally different vibe.

[Kennedy]

Contrast is just amazing.

[Kelly Keegs]

And they are totally different vibes as artists. And I think Addison Rae and her album that has come out this year that was nominated. She was nominated for Best New Artist, which people were shocked by. I was not, because I listened to that album. And if you really listen to it, it's very clear how much work went into that album and how much she cares about it and how she really is just trying to, like, express her art. Did I think she should have won? No, of course not. And she didn't, so it's not a big deal. But when they had her doing her performance for Famous A Gun, which is a great song, I think that it was so. It was a lot of moving parts, and she's jumping up on cars and whatever, and it, like, kind of doesn't showcase that she can sing. Not like. Not like, you know, Olivia Dean or an Alex Warren or something. But she does have this presence, and I felt that that wasn't the best way to show it for her. But luckily she just kind of goes with the flow. She's not bothered by it.

[Kennedy]

You know, she's a great dancer.

[Kelly Keegs]

She's a great dancer.

[Kennedy]

Great proprioception. She knows what her body is at all times.

[Kelly Keegs]

Oh, I wish I had that. I just don't. I feel like, you know, I got.

[Kennedy]

Long limbs all over me from just bumping into things.

[Kelly Keegs]

100. A little drawer I'm going by. Forget it. No, but she. I. I think that it was nice that she was there, and I'm happy that, like, the Grammy Academy acknowledged the work that went into her album because I think that she, you know, coming from TikTok, like Alex Warren with his song Ordinary, the praise that he gets for the one song, and no one ever talks about the fact that he was a part of the same hype house as Addison Rae. They just are like, wow, this artist, Alex Warren, he's from TikTok. And with Addison Rae, she gets that. Well, she's a TikTok artist. Like, she can't be taken seriously. And I don't love that.

[Kennedy]

No, I think it's true. It's very easy to be dismissive totally if you see. See someone as being superficial and like, you know, Dixie d'. Amelio.

[Kelly Keegs]

Right, Exactly. Right. And so I think. But, yeah, I was happy to see her there. I wished that she, you know, I liked the song that she chose. But it's really hard now to go and listen to Addison's songs. Fast paced after. Did you see Ben Platt's rendition of Diet Pepsi on the Las Culturistas Culture Awards? They do like Bowen, Yang and Matt Rogers do like a big thing. And Ben Platt, famous, you know, theater actor, et cetera, he sang a slowed down version of Diet Pepsi. It was like, brought a tear to my eye. It was so beautiful. And I wondered.

[Kennedy]

Brian Adams redoing 1989.

[Kelly Keegs]

Exactly. And I kind of had hoped for Addison to do something like that, to kind of show like, look, I, I can play and have fun, but I can be serious too. But I understand why they went the way that they did.

[Kennedy]

Don't go anywhere more Kennedy Saves the World right after this. This is Ainsley Earhart.

[Kelly Keegs]

Thank you for joining me for the.

[Kennedy]

52 episode podcast series the Life of.

[Kelly Keegs]

Jesus, A listening experience that will provide.

[Kennedy]

Hope, comfort and understanding of the greatest story ever told. Listen and follow [e-mail] or wherever you listen to podcasts. So what about the Ozzy tribute? That was, I, I loved that so much. Like, I had chills during the d' Angelo Roberta Flack tribute, which I thought was awesome. It was indulgent, stunning. Yeah, it was very long. Yes, but I loved it.

[Kelly Keegs]

It's all very long. All of the In Memoriam was very long.

[Kennedy]

Yeah. And I had to write my piece for the Daily Mail right afterwards. So I was up till like 3, 3:30 in the morning, I bet. And I was like, I'm looking at my watch like, oh, it's gonna be done at 11. I was like, ha, ha. No, no.

[Kelly Keegs]

We were all like wiping sleep out of our eyes, being like, when is this? You know?

[Kennedy]

But Ozzy's family just brought to tears by that performance. It was so beautiful and satisfying and heart wrenching all at the same time.

[Kelly Keegs]

I felt the same way. Whenever we see the Osbournes, especially now, like, you have to think about the fact that, yes, they are a famous family. Ozzy, of course, is famous in his own right. They had the reality show for a while. We have had glimpses into their real lives. That makes us a little more connected to them, I think, than a normal family of a famous rock star who passes away. And to see, you know, Sharon doing her best, Jack trying to get into it, and Kelly clearly moved by the whole thing. It really was, it was. I was happy to see them There and out of the house. But I, you know, you feel for them. It was just awful.

[Kennedy]

But they needed that and we needed to see them together. Like consuming a tribute to their beloved Ozzy.

[Kelly Keegs]

Exactly. And it's their father, husband. You know, it's a totally different level. Like, we. Ozzy will, you know, speaks to his own fans in a certain way, but you have to remember they're. They have a whole life that we don't even know about, you know, and.

[Kennedy]

You knew every single person on that stage, Post Malone, Duff slash Chad Andrew. You know, they all do what they.

[Kelly Keegs]

Do because of Ozzy Osbourne, without question. And.

[Kennedy]

And that's what made that so awesome. So I love that. I love seeing Wyclef join Lauryn Hill.

[Kelly Keegs]

Oh, yeah.

[Kennedy]

For their version of Killing Me Softly.

[Kelly Keegs]

It was like the whole place went crazy. Everybody singing to that. Oh, my gosh.

[Kennedy]

That just sent Crypto arena into an absolute frenzy in a different layer of the stratosphere. And I loved it so much.

[Kelly Keegs]

I chose.

[Kennedy]

And I was like, everyone was talking about Billie Eilish, I was talking about Billie Eilish, but I was like, I hope people stayed for that. I hope people are moved by that, because that is what music is supposed to do. That is what music. Regardless if you have political differences with the people who write and perform, that is what music is capable of.

[Kelly Keegs]

Without question. The. The connection, the emotional connection. And that is really, I think, a good reason to tune into these shows. Not only do you see, you know, great performances and whatever like we were talking about before, but it feel. It's nice to feel those things from those kind of people. Like, they obviously are doing the performance Killing Me Softly. And then they pan to the audience and you see all of the artists that are nominated standing up singing. Chapel Roan, Sabrina Carpenter, they're all sitting there singing and going off. And it's just so nice that to see actively this music transcending generations and kind of being brought to people that maybe have never seen it before. And I think it's the best way. Growing up, all I did was watch award. I was so excited about every award show. You know, video music awards, didn't matter what it was. And I think that especially now, it's the best way to find new music. You know, it's hard. There's so much music coming out all the time. But I feel like the award shows are a good, you know, tentpole at least.

[Kennedy]

Yes. And they do a good job of incorporating legacy artists that people who tune in once a year will recognize. And these new incredible voices because it gives you so much hope.

[Kelly Keegs]

Absolutely.

[Kennedy]

If there are people that are moved and inspired and creating music at this level, it's like music's going to be just fine. And it will continue to save us.

[Kelly Keegs]

Of course. Well, and it always. Here's to that.

[Kennedy]

Kelly Keeks. Yay. You are a rock star in your own right.

[Kelly Keegs]

And so are you. Should we go? Should we take over the Grammys next time?

[Kennedy]

Consider it done.

[Kelly Keegs]

Michelle, we're just waiting for the call. They can call us. We're available.

[Kennedy]

I know. Emily Compagno will teach us some choreograph.

[Kelly Keegs]

Exactly. Exactly. We'll get Addison Rae in here. She can teach us that.

[Kennedy]

That's right. And we'll have Sabrina sing this has been Kennedy Saves the World along with Kelly Kings. I'm Kennedy. Listen ad free with a Fox News podcast plus subscription on Apple podcasts and Amazon prime, members can listen to this show ad free on the Amazon music app. Oh, go ahead and leave me a review while you're there. I'd love to hear what you have to say. You've been listening to Kennedy Saves the World on the Fox News podcast network.