Transcript
A (0:00)
Hello, I'm John Robbins and I'm dropping into your feed today to tell you about a podcast I think you'll like. It's called how do youo Cope? A podcast where we dig deep in what it means to be human. Each week I sit down with extraordinary guests, people you may know, people you might not, to ask the very simple question, how do you cope? From grief and mental health struggles to moments of self discovery, we explore the journeys that have shaped their lives and helped them grow. But this isn't just about the struggles. It's also about the hope and strength we find when we push through. Whether it's hearing how someone turned a setback into a new opportunity or how they found light in the darkest of times, every episode is a reminder that even in our most difficult moments, we're never truly alone. New episodes are available every Monday. Wherever you listen to podcasts. There'll also be bonus episodes filled with extra good stuff on Thursdays or if. If you're a Wondery subscriber, you can listen to episodes early and ad free on Apple Podcasts, Spotify or the Wondery app. I'm about to play you a clip from my episode with Justin Hawkins where he spoke about leaving the band the Darkness to help him recover from drug and alcohol addiction. If you like what you hear, search and follow how do youo Cope? Wherever you get your podcasts. So welcome, Justin, to How do you cope? We're recording this a little bit later than we usually record these, so we've both got our mugs of sleep tea. So if they take effect throughout the podcast and it becomes too meditative, people listening may. May just fall asleep with how relaxing our chat is.
B (1:36)
I think it's going to affect the.
A (1:37)
Cadence very much, so it's going to be like an ASMR recording.
B (1:40)
Oh, I hope so. Should I lean in? Yeah, you can do it, actually. What?
A (1:44)
Well, I wonder if maybe we could start with what it's like to sort of not quite have control of your own narrative over the years, especially when, you know, the darkness really became massive. Did you notice a sense that there were elements you were no longer in.
B (2:03)
Control of that narrative? The one that is the common perception of the Darkness trajectory is that we came from nowhere and then we were huge and then I took all of the drugs, fucked everything up, and then we stopped for a bit and then we started again. And I think, I don't know, I always think there's this sort of. There's a morbid voyeurism about people who do What I do, because we like to go, oh, look at them, they're fucked up, aren't they? But at no point do they go, let's try and help this person. They'd rather watch it unravel and, you know, observe the chaos and the descent and then just go at the end. Yeah, well, didn't see that one coming. Sarcastically, you know, I did an interview where I'd. I applied some crude mathematics to the amount of money that I'd spent on drugs based on a typical week, and then with some multiplying factors, and I sort of arrived at a figure of about probably 150 grand is what I thought I probably spent on cocaine in three years. And then that's a figure that's just been thrown back at me again and again. But the only reason why that interview happened in the first place was because I was told, we got this story about you, we're going to run it and you have an opportunity to give your side of it, or we'll just run it our way and it won't be nice. So your best option is to take part in this. So I felt obliged to, at least, as you said, to use your expression, try and control the narrative a little bit and actually put a bit of my flavor and my voice into the thing. And then I knew that I'd always have the opportunity to do that joke, you know, like it was a massively inflated number and it couldn't have been more than £149,000 that I spent. You know, I just thought that would keep me going because I knew it was going to haunt me because that's the nature of it. So suddenly I was the poster child for rehabilitation and it was really irritating because I was trying to do music. That's not really what I signed up.
