Blue Prince Review - Kinda Funny Gamescast

Summary

Kinda Funny Gamescast: Blue Prince Review – April 7, 2025

Hosted by Tim Gettys, Greg “GameOverGreggy” Miller, Blessing Adeoye Jr., and guest Jason Schreier, the April 7, 2025 episode of Kinda Funny Gamescast delves deep into the highly anticipated game Blueprints. This detailed review covers the game's mechanics, narrative depth, player experiences, and offers insightful conclusions about its potential as a game of the year contender.

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1. Introduction and Overview

The episode kicks off with Roger McCordy welcoming listeners and introducing guest Jason Schreier, a renowned video game journalist from Bloomberg. The primary focus quickly shifts to Blueprints, an indie game that has been generating significant buzz online, especially after Jason's engaging posts about it.

Roger McCordy [01:15]:

"Blueprints has been in the air. It's an indie game that kind of has been bubbling in the background. And after Jason Schreier's posts... it seems like a game of the year contender. Seems like a game of the generation contender."

2. Gameplay Mechanics

Blueprints is described as a first-person puzzle game with roguelite elements. Players navigate a manor with randomized room layouts, aiming to reach the elusive "Room 46." Each room draft consumes a "step," and running out of steps necessitates restarting, embodying the roguelite structure.

Blessing Adeoye Jr. [04:10]:

"When I boot up Blueprints, start playing it a little bit, and immediately it hits you with the premise of you are a kid who is tasked with going into this manor and getting to a certain room... But the twist is... every room you enter is randomized."

Jason elaborates on the complexity of the room drafting system, emphasizing the strategic layer where players must balance immediate objectives with long-term goals.

Jason Schreier [18:44]:

"Think of it as a roguelike, where the progression is through knowledge. The best way to make it through the game is by learning things and understanding things... The more knowledge you have, the quicker it will be, the easier it will be to get through each run."

3. Narrative and Story

A standout feature of Blueprints is its rich, hidden narrative that players unravel through exploration and discovery. Unlike many puzzle games that focus solely on mechanics, Blueprints weaves a deep story involving the manor's history and the protagonist's inheritance quest.

Jason Schreier [10:10]:

"This is one of the best games I've ever played in my life... It's an all-time great. This is like, an all-time great game of the year contender. It's so my shit, and I'm so obsessed with it."

Blessing Adeoye Jr. [11:57]:

"I think the game does a really good job of the more you pick it up, the more it'll give you in terms of trying to figure out what is going on with the thing... It gives you so many different things to pull on, so many different puzzles to solve at the same time."

4. Player Impressions and Experiences

The hosts share their extensive playtimes and personal milestones within the game, highlighting its addictive nature and the continuous discovery that keeps players engaged.

Blessing Adeoye Jr. [07:18]:

"This is super tentative because, like, I feel like once I actually beat the game, my score could very much go up. Right now, I'm at a 9 out of 10."

Jason Schreier [48:40]:

"This is one of those types of games. It wouldn't hurt to take off a couple of weeks if you're planning on diving into it. It's just... this game... it's just like a discovery machine."

5. Pros and Cons

Pros:

• Engaging Puzzle Design: The combination of room drafting with first-person exploration creates a unique and immersive puzzle-solving experience.

  Blessing Adeoye Jr. [27:30]:

  "The more I play, the more I continue to just pick up new things or see rooms where I'm like, oh, I didn't know that there was this room in the game."

• Deep Narrative Integration: The hidden story elements and the need to piece together lore enhance the overall gameplay.

  Jason Schreier [36:08]:

  "It's as rich as any really great novel. It's a very literary game in a way that I really appreciate."

• Replayability: The roguelite aspects ensure that each playthrough offers new challenges and discoveries.

Cons:

• Steep Learning Curve: New players might find the combination of randomization and deep narrative overwhelming initially.

  Jason Schreier [38:46]:

  "My only complaint... there's no way to suspend a run. If you have to stop playing, you have to give up on potentially a good run, which is very annoying."

• Limited Save Options: The inability to suspend a game run can be frustrating for players who need to pause unexpectedly.

  Blessing Adeoye Jr. [40:20]:

  "I wish there was some way to inform the player that this is a permanent unlock or something."

• Occasional Technical Issues: Some frame drops and stuttering were noted, especially on platforms like Steam Deck, though these are expected to be optimized over time.

  Blessing Adeoye Jr. [38:44]:

  "There's some frame drops here and there, but for the most part, it works pretty flawlessly."

6. Final Thoughts and Recommendations

The consensus among the hosts is overwhelmingly positive, with all expressing their deep appreciation and high ratings for Blueprints. They recommend the game to both puzzle enthusiasts and those new to the genre, emphasizing its intricate design and compelling storytelling.

Jason Schreier [47:16]:

"Everybody needs to just play this game. It's really an incredible experience. I've never played anything like it."

Blessing Adeoye Jr. [51:16]:

"Don't look up online guides for this game. This is one where... keep playing or talk to a friend. I think those are the two things that you should do."

Barrett Courtney [51:16]:

"Just give yourself to this game... Dive in when it comes out later this week."

Roger McCordy [52:20]:

"Three days from now. Everybody check it out on Game Pass, also on PS Plus and Steam."

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Blueprints emerges from this comprehensive review as a standout title in the gaming landscape of 2025. Its blend of strategic room drafting, rich narrative, and engaging puzzle mechanics sets it apart as a must-play for gamers seeking depth and innovation. Whether you're a seasoned puzzle solver or a curious newcomer, Blueprints promises an unforgettable journey through its enigmatic manor.

Transcript

[Blessing Adeoye Jr.]

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[Roger McCordy]

No one saw that coming except for me, baby.

[Blessing Adeoye Jr.]

21 plus in President select states opt in required minimum plus 100 eyes required bonus issued is non withdrawable profit boost tokens restriction supply including token expiration and max wager amount. See [e-mail] Gambling problem. Call 1-800-GAMBLER.

[Roger McCordy]

What is up everybody and welcome to the Kinda Funny Gamescast 4. Monday, April 7, 2025 I'm Roger McCordy and I'm joined by Blessing Addie Yoye Jr. Good day, Roger. And number one video game journalist in the world, Bloomberg's Jason Schreier. How you doing, Jason?

[Jason Schreier]

That is offensive to Andy.

[Roger McCordy]

Listen, he's not here, you know what I mean? He's not hanging out with us. So whoever's the room first, number one. But if you guys are both on a podcast together, then we have to figure it out. We have to break the pool number ones. We have to break the pool queue and we.

[Jason Schreier]

You guys.

[Roger McCordy]

How you doing, Jason? How you doing?

[Jason Schreier]

One of us can be one and the other one can be a. Oh, I like that.

[Roger McCordy]

I like that. Compromise right there. Compromise. This isn't. This is an exciting one. Blueprints has been in the air. It's a. It's an indie game that kind of has been bubbling in the background. And after Jason Schreier's tweets. Not tweets. Blue Skies. What do we call them now?

[Blessing Adeoye Jr.]

Posts.

[Jason Schreier]

Posts.

[Roger McCordy]

Yeah, posts. Yes. I don't like that. I don't like the Skeets. You've been kind of hinting towards your thoughts and then today embargo went up and it seems like a game of the year contender. Seems like a game of the generation contender. So I'm excited to talk about that, but I want to get into our housekeeping before we get into the actual review. Because this is the kind of funny gamescast where each and every weekday we get together and talk to you about the biggest reviews, previews and topics in video games live on YouTube, Twitch and podcast services around the globe. If you love what we do, support us with the Kind of Funny membership on Patreon, YouTube, Spotify or Apple podcasts to get all of our shows ad free, watch us record them live and get your daily exclusive show. For a chance to be a part of the show, submit your thoughts and opinions as YouTube super chats as we go. Housekeeping for you. We're an 11 person business all about live gaming talk shows. KFGD was about the weird Nintendo decisions with the Switch 2 and that was also with Gary Whitta. So that's a one that you gotta watch and listen to. It's a great episode after this of course is going to be our Pokemon Nuzlocke. And this Friday, very exciting, we kick off the Elder Scrolls Online podcast, a kind of funny gamescast limited series. Join Greg, Mike, Zenimax Online Studio studio director Matt Fyror and the Elder Scrolls Online game director Rich Lambert as they start an unflinching four part about the highs, lows, successes and failures of the ten year game. Greg calls it the deepest dive in of his career. And it all kicks off this Friday as your normal games cast as well as on the elder Scrolls Online YouTube. We never get this level of depth from developers so don't miss it if you want to know how games really get made and keep going. This is awesome one I had the pleasure of editing some of it and from what I've heard and talking to the developers themselves like this is an exciting one and as somebody who has never played Elder Scrolls they really go deep and it's interesting to hear like the background of like the highs and the lows and they're very candid about it. So look forward to that on Friday if you're a kind of funny member. Today's Greg Way is with Mike and Chris Anga. So I'm very excited to hear about that one and thank you to our Patreon producers. Anatoly asked Delaney Twining, Carl Jacobs and Omega Buster Today we're brought to you by Better Help but we'll tell you about that later. For now let's start with topic of the show Blue Prince review. I'm gonna do a little overview summary and I'm gonna kick it to one of you. You guys can fight over who wants to give me like the actual pitch of this game. Let's just do that. I'm not gonna read the summary because the summary is like weird and it's like very like it doesn't really say anything. So like who wants to give me the pitch?

[Blessing Adeoye Jr.]

I'll go first because I think Jason's gonna go deep because Jason's way deeper into the game than I am. But I want to start with man blueprints. What a game that is after my heart. So this is one where we got the codes, a little bit of A while ago, I got, I think on day one of us having the code, Greg Miller text me and he's like, blueprints is your type of shit.

[Roger McCordy]

Yeah.

[Blessing Adeoye Jr.]

And I'll. And I thought it was just a first person puzzle game, because if you know me, first person puzzle games are my shit. You know, I love a manifold garden. I love an anti chamber. I love the Witness. I love games where it is like, walk around an environment and just put together the pieces of how everything works and figure out the puzzles. Right. I love those kind of games. When I boot up blueprints, start playing it a little bit, and immediately it hits you with the premise of you are a kid who is tasked with go going into this manor and getting to a certain room. You got to get to room 46 of this manor. That's like the easy premise. That's like the easy McGuffin. That's the goal. Yeah. The twist to it is that when you enter the manor, you have three doors that you can enter. And every room you enter is randomized and you draft what room you're going to go into. So you're giving. You're given three choices of rooms. You pick one and then you just kind of keep going with that. Right. Some rooms might have one door, and so you go out that door and pick another choice of whatever, three rooms, but you keep going on top of that. There is a step system where every single time you enter a room, you go down a step, right? And so you start off with 50 steps. Every time you enter or exit a room, you lose a step. And so when you lose all your steps, you get too tired and you have to call it a day. When you call it a day, what happens is that you start over and it's a roguelite structure where you finish your day, you go back the next day, and the house is starting from scratch. You then start drafting rooms again. Um, it is a puzzle game, like a first person puzzle game. Roguelite slash drafting game that is like taking these different elements of games and putting them into one thing. And when I tell you that I'm fucking obsessed with it, I'll pass Jason in a second. But to give you my quick impressions, I've played about 16 hours of this game and it is not enough. Like, the sad part for me coming into this review is that I really wanted to finish this game over the weekend and I got real close and then I just like, I. I wasn't able to get that perfect run to actually get there.

[Roger McCordy]

The sadness that I felt when I came into the office and I said, you beat built blueprints. You just looked at me and said no.

[Blessing Adeoye Jr.]

And I really wanted to have it beat for this review. I feel like I'm almost there. But even I think when we talk to Jason, right. Like, after I beat this game, I'm not done with this game. After I roll credits with this game, there's still. I can still feel that there's so much for me to explore, look into, figure out. But yeah, like, I've only gotten to play 16 hours since we had south at Midnight review. We had the Nintendo NYC thing that we did. We had. I think even First Berserker, I was still playing. Like, there's so much happening. But once I. Like, once the hooks of this game got into me, I've not been able to let it go in the last week, and I'm. I'm obsessed with it.

[Roger McCordy]

You have a score.

[Blessing Adeoye Jr.]

I mean, a tentative score.

[Roger McCordy]

Yeah, on the kind of funny review score, the patented kind of funny review scale.

[Blessing Adeoye Jr.]

This is super tentative because, like, I feel like once I actually beat the game, my score could very much, very well go up. Right now I'm at a 9 out of 10.

[Jason Schreier]

Wow.

[Blessing Adeoye Jr.]

And go up. Oh, yeah.

[Jason Schreier]

Wow.

[Blessing Adeoye Jr.]

There's no way it's going down. Like, that thing is, this game is so my shit, and I'm so obsessed with it. I think it does everything that is doing so well, but there's still so much for me to uncover. But after 16 hours, I am leading 16. I am leaning towards a nine out of 10.

[Roger McCordy]

Jason, you have been Mr. Blueprints, the blueprints himself. You've been talking about this game forever. And you put up a few blue skies if Bear can pull them up. That I think are incredible. And you've been really talking this up, but I just want to hear your general impressions. And also, like, let's just start off with the number that I want to hear, because I've heard it before. How many hours do you have in this game?

[Jason Schreier]

Yeah. So it's fun hearing Blessing talking about finishing the game. I have 141.5 hours.

[Roger McCordy]

Come on.

[Jason Schreier]

A lot of that. Okay. A couple of things about that number. First of all, so I rolled credits at, like, 17 hours. So around. Around where you are, Blessing, you probably have the credits. The credits in sight.

[Blessing Adeoye Jr.]

Literally, I can see the vision of, like, what I need to do to roll credits.

[Jason Schreier]

I think when you. When you roll credits, you will find yourself like, okay, cool. I achieve this objective of getting to room 46, because that's that's the objective, right? Like, you're trying to get to this room that seems unattainable and because of the story is essentially that the stipulation of your great uncle's will is that if you reach this room that seems unattainable, you will inherit the entire manor and become the new baron of Mount Holly's manor. That is the name of this. This estate with its ever shifting rooms. And so you. You hit that point and you're like, okay, this feels like a satisfying ending, but wait a minute. There are a few things that I'm still trying to figure out. And then you might poke something here and find something here, and then you might discover, oh, my God, there's an entire new mystery surrounding this thing. And then there's another. Another mystery on this thing. And I think that's something it's worth saying. I haven't really articulated this elsewhere, but I think something that's worth saying is that this is a very heavy story game, and it's kind of like the story. A lot of the story is hidden, and you have to really kind of put the pieces together yourself and investigate it and become this little amateur policeman investigator, going around and reading books and letters and diaries and trying to figure out the story of all these different generations of people who have lived in this house or occupy this house in some way. And that is really like, one of the most appealing parts of this game is really diving into that. And that is the stuff you start to, I guess, get hints at when you're first trying to reach room 46, but then you can go way deeper into after that.

[Roger McCordy]

Would you. Do you feel comfortable giving it a score on our kind of funny review scale?

[Jason Schreier]

Oh, yeah. I mean, come on. This is one of the best games I've ever played in my life. Like, I just. I want to be clear about that. Like, there have been these periods of my life, so I've been very privileged over the course of my career to have been getting early codes of games and being able to play games early for a very long time now. And occasionally you'll have this moment where, like, you're playing something and you start texting with some other people who are maybe playing early copies and maybe trying to be like. Like, try to kind of let your thoughts materialize, crystallize a little bit in your head, and you'll be like, holy shit. Like, this is legitimately one of the best experiences I've ever had. It happened to me with Breath of the Wild. It happened to me With Elden Ring. It's happened to me with a couple other games over the years, and this is one of those games. This is like an all time great. So Obviously it's a 10 out of 10. Like, I don't really think I saw a funny Reddit comment earlier today because all the reviews went up this morning. I saw a Reddit comment from someone and no, no shade on him. I just thought this was funny. Who was like, this is one of the greatest games I've ever played. 90 out of 100. And I thought that was pretty funny. This is truly a masterpiece. I think it's not just the game of the year for me. It's like one of the greatest games ever made.

[Blessing Adeoye Jr.]

So I. And I think what you're saying about narrative, right? And like, this is actually a narrative game is where I'm like, I think my score is going to go up over time because I didn't really start caring about the game narratively until maybe my last four hours of gameplay. Right. Like, I very much was looking at it as background stuff because to Jason's point, it is very hidden and it is very obscure. When you're reading a thing and it feels like you're just reading nonsense because you don't really have much of a grip of what is going on in the world, what is going on in, like the family tree, who these people are, and it feels like background dressing until you realize that it's not.

[Roger McCordy]

Like, it feels like, for me, like I'm 11 hours into the game, like super early on. Like, I haven't even gotten past the first main area that apparently opens up the rest of the game. So, yeah, for all the story stuff that's there, I'm like, I'm looking through it, trying to find answers to puzzles. Yes. But I'm not looking at it as a story yet. That's. That's interesting to hear that it's such a story game.

[Blessing Adeoye Jr.]

Yes. And I'm. I'm fascinated to hear what Barrett has to say because Barrett texted me over the weekend, again, adding to my FOMO that he beat the game. Of course. Barrett, what do you think?

[Barrett Courtney]

As someone who is not a puzzle poppy, as we describe here, I like puzzles and games. I like puzzle games. I don't really gravitate towards them. I echo everything Jason has said. There are so many moments in this that really, like, you think you understand the game and then something else clicks and then you have a whole new understanding of what you can do, what the possibilities are, what puzzles you're Putting together that might not help you get to the next step of your main objective, but help in other fascinating territories that are spruce throughout the game. I, yeah, I think this, this is a 10 out of 10 masterpiece. And I think that might be the first time I'm saying that on our new review scale, there's so many moments that like the, the other thing that like really stood out to me is how many Christmas morning moments this has where you put something together and then the solution you think is going to happen is like 10 rooms away. And the anticipation of like walking back and putting something together and then like you get to unwrap the present of like, holy shit, I solved it. And it's not just like fucking awesome. I got this like new item or whatever. It's like you fucking put that together and that feeling is created time and time again. And I think that mixed with the roguelike nature of it, mixed with the story that I think is, yeah, at first definitely feels very like here's a way to deliver you puzzles. But then you start putting together the more like indications of what has happened to this family. All of that mixed together I think is superbly done for someone who doesn't gravitate towards this genre. And so for those out there who might be hesitant to try this game because they haven't, they didn't gravitate towards the Witness or they didn't gravitate towards the Outer Wilds, I would say you should at least check this out because I didn't either for those games. And this is, this is my the Outer Wilds, this is my the Witness and like, I absolutely adore it. I posted when I woke up this morning, like it's going to take a lot for any game to take away kind of Game of the Year crown from this game for me this year.

[Blessing Adeoye Jr.]

Yeah, I think you bringing up the Witness and then also talking about the Christmas morning feel right. Like one of the things that has hit for me while playing this game on a little bit of like, I guess a macro level of the way how well and how interestingly it's designed is it I'll hit a wall on a thing but have so many more options of things to do. And I want to answer a question from Chad of like, what are the really good beef rights? And it says what are the puzzles? What are you doing in the game? Right. So like to break it down a little bit, like we mentioned, you're opening doors and when you open a door, you're drafting rooms that you want to go Into. There are different types of rooms. There are bedrooms, there are hallways, there are greenhouse rooms. Right. There are red rooms, which typically have bad effects for you. Right. But each room kind of contains different effects in different items. You are picking up keys, you are picking up gems, you are picking up coins. Coins you can spend on things. Gems help you unlock certain types of rooms that are a bit more of like, the rarer rooms or a bit more of, like, the more useful rooms. Keys will get you into certain doors that are locked, and you'll learn about that as you play the game. But basically you are. You walk to a door, it gives you three options. And you'll see like, all right, this is a bedroom, which gets me. This one gets me plus 10 steps. But it doesn't have any doors. And so it's a dead end. So if I, If I draft this bedroom, I know that that is like, I can't go more. I can't continue to explore this path. Okay, well, I have a. Oh, there's a greenhouse room here. If I draft this, I'm. I know I'm going to get a shovel or I know I'm going to be able to like dig. Dig up holes or whatever it is, right? Oh, this is a hallway. And so it has many exits. And so I think the really smart thing that it does is it has kind of like a. I can almost play this game on a piece of paper, right? If I drew out a grid of like 5 by, I don't know, let's say 5 by 10. If I drew out a 5 or I think it's 5 by 9 technically. But if I drew out a 5x9 grid and literally was just picking up cards that had different exits and different stuff, like, that's kind of what the game is of figuring out what exits are going to get you into. The thing that you like to the destination that you want to get. At the same time, there's also this first person walking sim feel of like you're not playing this game on a mat. You're playing this game in first person. You're actually entering these rooms. And when you enter the rooms, sometimes you'll find surprises, Sometimes you'll find an item that lets you do things that you didn't realize that you could do, right? Like, I'll find an item that is a magnifying glass. And so now I can look at pages a bit more with a bit more detail and find hidden secrets and like pages that I pick up, right? Or like, I'll find an extra key I'll find coins. I'll find a metal detector that'll help me find coins on the floor. And so there's this, like, real time effect of. All right, I have this, like, laid out on paper puzzle that I'm solving of how to get to this place within. At the same time, I'm actually doing real exploration in these. In these spaces. And I'm finding surprises and I'm finding terminals and I'm finding different things. And to bring it back to the Witness thing, right, like, of always having something to do, there would be plenty of times I'm playing this game where I. There was a. It was such a good mystery, right? Where I put together this mystery that I've been trying to figure out for 25. 25 days of this game. Because this game is, like, divided up into days. I'm on day 25, and I know what I want to do, right? I gotta go and I gotta dig in this spot. All right, I gotta find a shovel. I gotta dig in the spot. And so I start playing as. And as I'm going, I. I am like, I'm looking for specific. I'm looking specifically for a shovel, but I am, like, finding other things where I'm like, oh, man, I really want to pull on thread A, but thread B is not calling my name because I am, like, I am. I'm on the way to room 46. Like, I am, like, you know, barreling towards my ultimate objective. And like, it's the thing of. It gives you so many. So many different things to pull on, so many different puzzles to solve at the same time. I don't know if that makes sense. Like, that brings me back to the Witness kind of thing of. The Witness does the same thing of. All right, I hit a block here, but if I go over here, I'm going to have something else, right? Oh, man, this reminds me of this thing. I'm going to go solve it over here. It is really satisfying to the brain.

[Roger McCordy]

Yeah. Jason, what was it that.

[Jason Schreier]

Let me expand on that a little bit to try to kind of frame it for people. I think maybe the best way to think about how this game actually works and function is that you have to think about it on different layers. So on one layer is the room drafting. The Blessing was talking about. You have to think about your layout of the room, and you have to make sure you're not getting any dead ends. And also, you're not going to get stuck over here. You're going to have enough keys to make it all the Way over here you have enough gems, you can draft the high powered rooms you might need over here. And then on top of that, you also have all of these little other goals that you are thinking about as you go. So let me give some concrete examples of that. Right, so there's a room called the billiard room that you can draft pretty early. And in the billiard room, as you're exploring it, you'll notice that there's this dartboard, and in the start board there are a bunch of different colors. And you're kind of. You look at it and maybe you can interact with it. And the first time you see it, you're like, what is this? I have no idea. Okay, then you kind of file that away in the back of your head. Maybe 20 minutes later, you get to another room where you find a piece of paper and it has a little diagram in the corner that kind of looks like the billiard room. And then you get the magnifying glass from somewhere else, you bring it to that room with a piece of paper, use a magnifying glass on it, and then you see that it's explaining what to do with that dartboard in the billiard room. So now you file that away too. And then now you know, as you're going through this draft process, maybe this time, maybe the next day, maybe in a future day, you know, okay, now I know next time I go to the billiard room, I know how to play around with that puzzle and interact with it better. So think of it as kind of like this room drafting roguelike, where in every room you are just kind of accumulating information and then using that to interact with in other rooms to solve just hundreds and hundreds of puzzles, both big and small. The big ones are like, how am I going to get into room 46? Which seems like it's impossible to. Or like some other big things that you'll get down the road. And then the smaller ones are like, how do I get into this billiard? Another good example is like, there's a boiler room that you'll find pretty early in the game. And the boiler room can provide electricity to things. And then you'll start to realize that some rooms actually need electricity to be used. And then as you're going through your room drafting process, you'll also be filing away in the back of your head. Oh, okay, I want to draft a boiler room and I want to put it, I want to connect it in some way to this other room that requires power, because that will help me solve a Puzzle over here. And just imagine, like, one of the reasons you need a notebook for this game. Among there's several reasons you need a notebook, but one of them is even just to kind of file away all the goals that you want to solve on each subsequent run. And there are so many of them that, like, even if you get stuck on one and you're like, God, I found this freezer, and I really don't even know what to do with it. Like, I'm stuck in here. Everything seems frozen. How do I get out? How do I find all the mysteries in here? You could just file that away and not worry about it for, like, two more hours and do other stuff. And there's so many different things you can be doing. And then on top of that, there are, as you go, you'll find, like, all sorts of different answers to or hints at these problems. So, like, there's nothing in the game or almost nothing in the game that has only one possible answer to it. Like, you'll find hints just sprawl, like, sprawled out throughout the entire mansion that'll lead you down all sorts of different rabbit holes. And the rabbit holes get deeper and deeper the more you play. And, like, like I said before, like, by the time you've reached room 46 and roll credits, you'll still have in your notebook so many different tasks and goals and things you want to learn about or see more of that. Like, it's really. I. I will be surprised if many people stop after rolling credits because there's just so much to do and it is so eternally satisfying. I just want to say, by the way, when I said 141 hours before, like, a lot of that was. Was spent just kind of, like, slamming my head against the wall trying to find solutions to puzzles or, like, experimenting and stuff like that. But not a single one of those hours felt like it was wasting my time. And there's nothing I hate more in video games than games. Like, when I'm feeling like, oh, my God, this fucking game is just throwing, like, filler enemies at me to extend to, like, pad the hour count. Like, this is not one of those games. This is one of those games where, like, I have spent 141 hours on it, and I do not regret a single minute of that. It is such a delight to play through this entire thing. And the main reason for that is because you are just constantly having so many of those goals and just, like, endorphin rushes and aha moments every time you solve one of those goals and you just feel like a genius every time and they get a lot more elaborate and they get a lot trickier and it gets to the point very, very deep in the game where you might want to start talking to some friends or like asking for clues elsewhere. But most of the game you can do all by yourself and it is just so constantly satisfying that it's just a pleasure to play.

[Roger McCordy]

Bear.

[Barrett Courtney]

Yeah, I just wanted to add like, Jason kind of breaking down the puzzles. It very much feels like escape room type of things and like how things are laid out and like subtly clued into you and like trying to or, you know, guide you to certain things and how you're putting things together. It feels very escape roomy in, in that aspect. Also, Jason, it's funny that you mentioned the boy of the room being something you get early on. I don't know if you meant that in terms of you've been playing 140 hours, but I didn't get that until like 30, 30 minutes to an hour before rolling credits for the first time. So I was like, ah, here's this thing that I've like other rooms have mentioned so many fucking times. I have not gotten it yet. And so there again, there's that fun aspect to it of as well, of like the roguelite kind of more random nature to it, which I think sometimes felt conflicting and frustrating. But for the most part I was surprised at how well it did kind of gel together. Because I think when you try to put together a roguelite with puzzle elements that are very escape room esque, it's like, how does, how does that work? And it's surprising how well it's pulled off here.

[Jason Schreier]

Yeah. So there are a couple of reasons that work, I think. One is that, I mean you. You said it yourself, you were able to get to room 46 without the boiler room. So like, the fact that there's so many different paths to accomplish all these goals, I think helps make the RNG and the randomness of it all feel less frustrating. The other thing is the more you play, the more abilities you will get in all sorts of different ways to manipulate the RNG and like only be able to draft or like make. Make some of the rooms you want more common, make some of the rooms you don't want less common. And you can play around with that in all sorts of different ways as you go through the game. There's a room called the Study, for example, that lets you use gems to reroll rooms. And so you can really just like keep rerolling as Long as you can find gems. And so there are a lot of kind of tips and tricks like that. I think a good way to think of this again, if people are just a little bit confused, I think a good way to think of this might be like a roguelike, where the progression is through knowledge. So, like, the best way to make it through, like, the way you make it through the game is by learning things and understanding things the way you do in outer wilds, where, like, if you know outer wilds, you finish it and you have to finish it in under 18 minutes. That's how you beat the game. And this is similar to that. There is a little bit more of mechanical stuff that just kind of carries on through. There are some things, a fair number of things actually, that like, permanently remain even as you're doing new runs. There's a lot of kind of alterations you can do to the manor that will stay on indefinitely, permanently. Um, but aside from that, the more knowledge you have, the quicker it will be, the easier it will be to get through each run, the less rng will matter to you and the less kind of little moments of frustration that you'll have.

[Blessing Adeoye Jr.]

Yeah. And I think this is one where I, as we're talking about it, I think a lot of people will be like, oh, this is a big brain game. Like, you're going to need a lot of knowledge to play this thing. I think the game does a really good job of the more you pick it up, pick it away, pick away at it, the more it'll give you in terms of trying to figure out what is. What is going on with the thing. Right. Like, I think a good example would be last week. Right. Is me and Beard are having water cooler conversations about it. Barrett's like, have you figured out how to do this thing? I'm trying to figure out, like, the day and time of the thing. And I'm like, oh, yeah, no, I haven't figured that out yet. And then as I was playing this weekend, I hit a thing where I was like, oh, this is how you tell the time. Right. And I text Barrett. I'm like, yo, I figured I didn't tell him what it was, but I was like, I figured out. Because Barrett had already figured that part out. Right, sure. And then like a few hours later, I find another way to tell it. And I'm like, oh, that's interesting. And then the same thing with the date where I, like, I found a room and I was like, oh, this is where they tell you what? And then like a Few hours later, I find another. I'm like, oh, interesting. Same with the billiards puzzle, where I. The way I saw the billiards puzzle was, like, kind of just like looking around the room and being like, all right, this thing seems like it's pointing toward this. Let me try. Oh, okay. There you go. But then as I'm playing legit 10 hours later, I find, like, two different ways where they're like, oh, no. This is exactly how to solve this puzzle.

[Roger McCordy]

Yeah. I didn't even know that existed until now. I was just kind of looking around.

[Blessing Adeoye Jr.]

Oh, yeah. I just thought it was just, like.

[Barrett Courtney]

A useless room or something.

[Jason Schreier]

No.

[Roger McCordy]

Out how to do it, but I didn't realize that there was, like, a way to, like, tell you, hey, this is exactly how to do it. So that's really cool to hear.

[Barrett Courtney]

This.

[Roger McCordy]

Yeah. This, to me, is, like, again, I'm only 11 hours into it, but it's like, the definition of, like, the playground game. Like, for me, of, like, Animal. Well, was that last year of, like, talking to Andy every day and being like, oh, how did you do this? Like, oh, my gosh, you found this.

[Blessing Adeoye Jr.]

Oh, my.

[Roger McCordy]

Like, this is that. But, like, times a million. And it's really cool.

[Barrett Courtney]

It's great. Like, I. I talked to bless a little bit during, like, the review period. Alyssa was super busy this last week, but she had moments where she would sit down and be like, yo, this game looks really interesting and, like, kind of help me with some, like, logic stuff every once in a while. But for the most part, I played this on my own, and it was cool to see in kind of, like, the final steps putting together of, like. Oh, I think there's, like, at least, like, 10 different ways to get to this point in the game that is, like, required to, like, you know, roll credits. And it was seeing all of that come together and having no idea how the other parts work. It's, like, so cool and exciting, and I can't wait to hear, like, other people's stories on how they got to certain places. Like, yeah, it's. It's incredible in that way of being like the. The schoolyard. Let's talk about all of our different experiences.

[Jason Schreier]

It's worth noting that unlike Animal. Well, where you need to work with other people to solve the puzzles, and it's kind of like, deepest layer in this game. You can do everything yourself. There's no ARG aspect to it. There's no, like, puzzle where every single player gets a different piece or anything. Like, some of the stuff that was in Animal well, which I love by the way. But I think some people felt a little bit burned by Animal well because a lot of the reviewers were playing in a pre release discord and like had a very different experience than like your average gamer is going to have. I think this is very, very different. And so like I said earlier, there is a point, there was a point where I felt like, oh man, I can't do this myself. Like my brain is not big enough to be able to handle some of this stuff myself. And I started talking to some other people who were like as far as I was. Which still to this day, I mean all the reviewers that you saw, I'm sure they all got credits or like got got deep into the game. But like there are maybe three or four or five of us who have gotten like as deep as I have and it's pretty, pretty wild. But like a lot of that stuff I was not able to do by myself. Not because the game forces you to work with other people, but because I found it too difficult to work with by myself. And I think that like people will find it helpful to maybe ask for nudges and clues from friends or Internet forums or Reddit or whatever if they choose to go like all the way down the rabbit hole of this game. But most of it you can do on your own and will have the best experience by doing on your own because you don't want things to be spoiled for yourself. A lot of the enjoyment comes from the discovery of it all.

[Roger McCordy]

I want to keep on talking about blueprints, but before we do that, remember the kind of funny membership on patreon.com kind of funny or YouTube.com/kind of funny games gets you this show ad free. But you're not watching through the kind of funny membership. So here's a word from our sponsor.

[Unknown Sponsor]

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[Roger McCordy]

And we are back. Remember, y'all write in with your super chats if you have any questions about the blueprints or just in general, just life, gaming, whatever. We're here to answer your questions. Transitioning. Talking about the blueprints, I want to ask, is there. Was there a moment, without spoiling anything too heavily, that it clicked for you? Right? Was there. Was there that specific moment that you remember or was just kind of the whole experience as a whole?

[Blessing Adeoye Jr.]

Barrett, you want to go? You popped up.

[Barrett Courtney]

For me, it was, yeah, very early on. You unlock a room, and it's not really like the, like, puzzle clicking, but it was just something about this one cutscene you get from a room and you see yourself on a camera, and you slowly point to yourself on the camera. And I was like, this is so stupid. I love this. And not really a gameplay moment, but there's just like something with that vibe of the. That moment in that cutscene where I was like, I'm messing with this. I don't know why yet, but I. I am. I'll get back to you. If there was a. An actual, like, puzzle moment where I was like, oh, yeah, yeah.

[Blessing Adeoye Jr.]

That's the thing is, I think that there are. There are other cutscene moments that for sure had me like, all right, what's. What's up? Like, what's going on here? And I don't want to talk deeply about them, but, yeah, I had similar ones. And then, I mean, I think for me, immediately I was in, but I think it was just the more that I played and the more I continue to just pick up new things or see rooms where I'm like, oh, I didn't know that there was this room in the game. The game has a way of just continually unraveling and continually opening up, opening up in the way that Jason's talking about how, like, it's like there's like five people so far that are impressed, that are, like, that deep in the well of, like, discovering the Bulk of what the game has to offer. There was a moment probably halfway through my playthrough so far where I accidentally broke a thing. And, like, not. I didn't break the game. It was. I broke an item in the game that I didn't realize was breakable. And then an item fell out, and I looked at it, and I was like, what the is that? And I've still not. I've not been able to put that item with anything else. And I didn't know that that thing was breakable. I just accidentally pointed the camera to it and then saw the icon of, like, oh, you break this. I'm like, what the. And it's secrets like that where I'm like, what is. What is this leading to? Does anybody else know about this thing? Like, that's. The thing is when we go off, when we finish the show, I'm gonna ask Jason, like, yo, do you know?

[Jason Schreier]

We.

[Barrett Courtney]

We did have a whole conversation, like, off air, just about.

[Jason Schreier]

Yeah, you'll. You'll know it when you. When you get to it.

[Barrett Courtney]

Okay.

[Jason Schreier]

Yeah, you'll know it when you get to it.

[Barrett Courtney]

I. I finally remember, like, there's the moment for me because I was already, like, gradually, like, falling in love with this game. Constantly thinking about it. Constantly thinking about, like, do I have time to do, like, a run tonight? Or whatever. So many nights up until, like, 3am Just getting lost in this game, right? There's a moment. It was near the end, like, my final hours of beating the game or beating, getting the main objective, where I discovered a huge puzzle that I don't think has any relation to, like, getting to room 46. And it again changed my, like, kind of understanding of the manor and kind of how I view it. And that was the moment where I was like, yeah, this game. This game really sucks. And that was like, hour 14. But at that point, I was already, like, really into it. But that just opened up this whole, like, Jason saying, like, kind of one of those breath of the wild moments where you're like, oh, my God, this is insane. I can't believe this game is doing this type of stuff. Oh, yeah.

[Blessing Adeoye Jr.]

You know what? Actually, we're early on, it clicked for me was, there's a room that you get early on that is the utility room. And in there, there's just like a handful of switches where you can turn power on and off to certain things. And then there's like a. There's another thing that I've still not figured out that involves colors that I'm sure bear And Jason know that I've still not. I still don't know what that does, but learning about, like, what I can do with those switches. Again, very early puzzle in the game, at least for me, I assume for most people will be. But figuring out, like, all right, if I turn this thing on and I go over to this room over here and then press this button, and then, like, oh, that reveals a whole thing for me. Like, for me, that was the start of. Oh, I see what they're doing here with this game. Like, this is. This is deep. Like, this is a thing where there's a lot of interconnectivity to how a lot of the manner works and how a lot of the different rooms work together. And that was, like, a cool first puzzle to solve for me.

[Roger McCordy]

How about you, Jason?

[Jason Schreier]

Yeah, I think it's some story stuff. I don't want to spoil it too much, but, like, there's a book that you can find pretty early on by. By an author named Marion Marigold, and it's called the Red Prince. And you look at that, and you're like, oh, that's funny. Like, this game is called the Blueprints, and there's a book called the Red Prince. And then you read it, and you're like, oh, this is cute. This is adorable little children's book. And then maybe you find a note somewhere else that, like, alludes to the fact that Marian Marigold was pressured into changing the ending of the book. And you're like, oh, interesting. What's the deal with that? And then this starts you on this whole narrative rabbit hole where you learn what's up with all that? And you learn a whole lot from there, and you learn a lot about the world that you live in. And I think it speaks quite highly of this game, that playing it makes me want to explore not just the manor and its surroundings, but also the world that this all takes place in, which is just phenomenal and full of lore and culture and history and is as. It's as rich as any really great novel. It's a very literary game in a way that I really appreciate. That, for me, was what really hooked me is the narrative stuff. Like I said, it's secretly like a novel underneath a masterpiece of a puzzle game.

[Blessing Adeoye Jr.]

Can I. Can I tell you, Barrett, the trailer that you just played just solved a puzzle for me.

[Barrett Courtney]

I'm sorry.

[Blessing Adeoye Jr.]

No, no, not in a bad way. No, like this. It's like, the trailer doesn't spoil anything. It's more so like something just. Finally, something just clicked in my brain where I was like, oh, fuck, that's what that thing was. And so that's exciting for me. Also, I want to shout out a chat that came through earlier. Somebody was asking about Steam Deck. I've been playing the bulk of my game on Steam Deck. So, like, during the review process for a lot of Steam games, Cloud saves aren't turned on yet. And so I started playing it. I played like the first two hours on my work computer and then realized that Cloud saves didn't work. And so I was like, I'm gonna start this over. Like, I think this is gonna be worth me starting over. And so I started over my Steam deck. Played about 14 hours on my Steam Deck and it works pretty well. Like, there's some frame drops here and there, but for the most part it works pretty flawlessly. And I think it's a perfect Steam Deck game because it's not. It's not actiony, it's not twitchy. It really is just you walking around, opening the rooms. Right. And, like, picking things and yeah, it's perfect on Steam Deck as far as I'm concerned.

[Roger McCordy]

For sure. I know we're talking about all the positives. Is there any negatives here? Is there anything here that you're like, I wish this game did this wrong or this differently or whatever. Is there anything that you guys can think about?

[Barrett Courtney]

I. I wish you could walk a little faster.

[Jason Schreier]

You can hold the sprint button.

[Barrett Courtney]

Yeah, well, there is that. I wish that button was a little fit, just a little faster. Just a little.

[Jason Schreier]

Yeah. My only complaint, and this I imagine, will be a common one, is that there's no way to suspend a run. So, like, if you. If suddenly your toddler needs you in the middle of the night or whatever, and you have to stop playing, you have to give up on potentially a good run, which is very annoying, there should be a way to just suspend it and come back to it, even if they don't want you to be able to save in the middle of runs, which I understand there should be a suspend button, which hopefully will get patched in.

[Blessing Adeoye Jr.]

That's one of the things with Steam Deck that was a benefit where I can just put my Steam Deck on sleep mode and then come back to it later. But then also, I'm sure this will be optimized more over time where I'll turn the game back on, and that's where, like, it would be a bit more framing and stuttery. And those one run where I would open a door to a room and then, like, it would just be like, none of the things would pop in for, like, a good five seconds, and then finally the room pops in, and that stabilized after a while of playing. But that's another benefit of the Steam deck, is that, yeah, I was able to suspend the game a little bit. I think for me, if I'm thinking of a thing that, like, a downfall of it, I don't have anything big. I just have, like, very small nitpicks. One of them being that there are. Jason alluded to this earlier that there are permanent things that you can, like, unlock slash, like, things that you can do during the game that it's like, all right, cool, that's set. Now, some of those things aren't communicated. Like, some of them are. Like, if you pick up an item where it's actually. I don't even know if there's permanent items. If a lot of the things are communicated. There are some key things where I'm like, oh, man, I made. I did all the work to get back to here so I could do this part of the process. I didn't realize that I only had to do this thing once.

[Barrett Courtney]

Yes.

[Blessing Adeoye Jr.]

And that me on a run, and it made me really upset.

[Barrett Courtney]

They're like, they. They do such a good job of telling you very specific things of, like, hey, this is a permanent unlock. And then there are a couple of things that I noticed that, like, were also permanent, but that wasn't communicated. And I think if you're gonna, like, do that and have that kind of, like, permanent moment, like, there should be a bit of a, like, hey, this thing you just did is also permanent type of thing. I. I definitely get that frustration. And there was a couple of times where I'm like, I'm. I just did a thing, and I hope it's a permanent thing, and I'm just gonna assume that it is, and I'm gonna try doing something else. Going off the. The fact that I am starting a new day, and hopefully this thing stayed the same. And it's like, oh, thank God. Thank God.

[Blessing Adeoye Jr.]

That. Plus, it's the thing where I don't even know if this is a nitpick or more so just, like, this is the way the game needs to be designed, where sometimes those rooms can get kind of tough. As far as, like, when you. When you. You have your three that pop up, and I'm like, oh, damn, you're not giving me many ways to, like, I've hit so many dead ends, which is part of the experience. Right. And then, like, I've Also hit so many locked rooms and like I do not. It's not a nitpick. It's more so like I wish I was in the room for the balancing just to hear how they came down on like how they balance certain things. Because is it a thing of like you want to push players a bit further as far as like making sure that you're picking up resources, like a lot more resources early, earlier. Do you want to make sure that like you're really thinking you're. The anxiety is on 10 for when you know you only have one path left and you might unlock like three dead end rooms and like your run is. But that's just like I, I think that's just the game.

[Jason Schreier]

Yeah.

[Roger McCordy]

And I think from again for me 11 hours very early on in the game that was the only thing that was like a little bit disheartening for me of building, of building the, the perfect layouts and then just constantly being like stuck and I'm like, ah, yeah, I need to get better at this game. But I'm like, do I have the patience right now? I don't know. I will come back to this game and I will play it. But yeah, in the early run runs, at least for me, it became a.

[Blessing Adeoye Jr.]

Little bit disheartening and like to even like, you know, go against my own point that I'm making here. I. There are strategies that like kind of unlock in your brain as you play of. All right, I'm not going to draft this room earlier because this is. This room has a lot of exits so I'm going to save it to when I get further up or. Oh man, this dead end room is really useful for the items that are in it. And so I'm going to build out in a way to where I'm putting that dead end room in like a corner or something. So I think that's the methodology by how they design it. But I still run into so many things where I'm like fuck man, like there's nothing I could do about that.

[Roger McCordy]

Come on, come on.

[Jason Schreier]

There are books you can find in the game called drafting guides that help you with the strategy part of it all. And yes, I mean a lot of these complaints I think you kind of are just part of getting good. Like you're gonna have frustrations as you try to get good at the game and you find out that you are not good at the game and you have to get better at it. I think that's inevitable with a game like this. And you definitely, I mean there are definitely moments. And you might feel like, oh my God, I, I'm making no progress. But a lot of times you are making progress. It's just knowledge progress. And a lot of times, even when you feel like, oh man, I have such a good layout here, I don't want to draft a dead end here or whatever. A lot of times just drafting a room you've never seen before is the way to go no matter what. Because you will learn something new from there that could potentially help you in another room that then like unlocks some crazy thread for you that sends you down a whole different direction. So again, if you keep in mind the entire time that like, as long as you gain knowledge on a run, it doesn't matter that it ended prematurely. That I think is a helpful way of, of kind of approaching the game in the early stages of it.

[Roger McCordy]

I like that. Yeah. Charlie in the chat says, how's the music slash atmosphere? Big for me in these kinds of games.

[Jason Schreier]

Amazing.

[Blessing Adeoye Jr.]

Yeah, I agree.

[Barrett Courtney]

10 out of 10.

[Blessing Adeoye Jr.]

Yeah.

[Jason Schreier]

There are these music swells when you like get to something cool or something big that are just truly incredible. And the way like crazy.

[Barrett Courtney]

Sorry, go on.

[Jason Schreier]

There's like crazy. What's the instruments? Like a bass, bass sax or something? Like there's some crazy, crazy instrumentals.

[Barrett Courtney]

It's awesome the way like mood shifts, mood changes will happen depending on like a certain like room you walk through or something like it, it feels so seamless and you know, there'll be some times where I'm just like, I'm vibing out and then like a music change will happen. I'm like, I'm stressed. I'm real stressed. I don't know why I'm so stressed. It's the vibes are immaculate.

[Blessing Adeoye Jr.]

Yeah. And like I like the art style a lot too. I think at first I was like, all right, cool. It's a cool art style. But the more I played, the more I was like, actually there is something about the art that just works. It's simple. But also like, I don't know, it's. It's just very well done. I like looking at this game.

[Roger McCordy]

Little Super Chats for you. Alex Frazier says in Super Chats, Jason, is this, is this the. Is this one going to break my brain like Baba is? You did played that one from your recommendation from an old split screen app and it defeated me.

[Jason Schreier]

I would say it's not as hard as Baba is. You for the most part. Again, there's some like really late high level stuff that I think you might need Some collaboration with other people on it. But there's nothing quite like the just like nesting logic puzzles of like some endgame Baba is yous Stuff. So no, not quite to that extent. And like, like we've all been saying the first big. A big chunk of the game is not super difficult. Like it's really satisfying and fun and really requires a lot of observation. I think observation. It requires a lot more than like intelligence or log, anything like that. There is some logic and there's some math and. But it's all pretty rudimentary stuff. I. So I would say no, in general, I think Baba is you is a much harder game.

[Blessing Adeoye Jr.]

Yeah, Bob is used one that defeated me. But I kind of want to go back to. Because that was years and years ago and I've evolved as a puzzle poppy over the years, Roger. I've leveled up and so I really do want to go back to Baba Zu. But I think the difference is that Baba is you. Like, the puzzles are like these programming puzzles, right? Like that is a type of puzzle. Blueprints has a lot of different kinds of puzzles, right. And so I think in the way that if you're not great at one kind of thing, you can usually get around it by being good at like thinking in a different way or like, you know, you might be good at math or you might be good at like putting two and two together in other ways, right? Like there's so many different types of puzzles to chew on in blueprints that you're kind of always making progress. And to Jason's point, right, like you're the. The game is knowledge, right? You're gaining information that's going to help you figure out the next thing, which is I think, just inherently a bit more easier or a bit more, I guess, progress inducing than Bob is you where it's like, yo, if you don't know the solution, you might. You might just be stuck for a second.

[Jason Schreier]

Yeah.

[Roger McCordy]

One last super chat from Devin says quick resume would be a suspend, but only on Xbox, of course. Any final thoughts as we're rounding out this episode? Want to go around the table and just see what you guys, you know, have? Any final thoughts? Anything we missed out on? Who wants to go first? Jason?

[Jason Schreier]

Yeah, I mean, I think everybody needs to just play this game. It's really an incredible experience. I've never played anything like it or I've never had a game like really worm its way into my brain quite like this one for the last month. I got code about a month ago. It has been all I can think and talk and, like, breathe about 141 hours. Just to put that number in perspective a little bit, that is with. I was gone a week for gdc. It was like I was in Boston for a long weekend. That's like, I have played an obscene number of hours of this game because I just don't want to be doing anything else. Like, there was one night when I remember there was one night when I only realized it was past midnight. I usually go to bed at 10pm because I wake up at, like, 6 or 6:30 because I have small children. There's one night where I didn't. I only realized that I was up past midnight because I got the email saying that our new episode of Triple Click, our podcast, had gone up when it always goes at midnight. And usually the email. I wake up to that email. But this time, I got that email live as it happened, and I was like, oh, my God. Like, how did I stay up this late playing this game? This is just one of those types of games. And so, yeah, I mean, it wouldn't hurt to take off a couple of weeks if you're planning on.

[Blessing Adeoye Jr.]

Yeah, I mean, I agree with that. There was a moment during the Nintendo New York event where I'm playing. I'm playing Mario Kart World, and I'm playing, and I'm having a blast. But I'm like, what if. What if I was at. What if I was back at the hotel playing blueprints right now?

[Roger McCordy]

In the middle of the preview?

[Jason Schreier]

In the middle of the preview, I.

[Blessing Adeoye Jr.]

Was, like, thinking about blueprints. I was, like, putting together puzzles in my head. Yeah, no, this is one. Like, hearing Jason talk about it has me so excited to continue on. Right. Because, like, again, I'm knocking on the door of finishing the main puzzle and rolling credits, hopefully. But even beyond that, I'm still, like, there's still so much going on in the world that is being built in just this manner that, like, I really. I think I will also continue playing. I don't know if I'm gonna get to 140 hours because, man, you know. You know what I mean? Like, I don't know if I. If games. You know what I mean? Like, there are other things that I want to play as well.

[Jason Schreier]

But, yeah, I don't think most people will because, like, a lot of those hours were being smashing my head against the wall because there was nothing. Like, there's no guide online, and there are very few people who have gotten as far as we have. Like, it got To a point where we were talking to like someone who had play tested the game and played hundreds of hours of it and they had been a little further than we had. And that's how we got a little bit more guidance. But like, most people will not have that much time because most people will not be in that situation. They'll be able to get a little bit of guidance from a friend or from the Internet and so they won't have to like really slam their heads against the wall the way that I do.

[Blessing Adeoye Jr.]

That is one thing I want to ment. I remember when the Witness came out, there was like a podcast that mentioned this and I really took it to heart of. Don't look up online guides for this game. This is one where if you need help, you know, keep picking away. There are like books that you'll pick up that are kind of guides in this game already. Or talk to a friend and have water cooler conversations. I think those are the two things that you should do, right? Keep playing or talk to a friend. I. There have been puzzle games that I play where I like the moment I look up a guide, it's just, it just killed the experience for me of like, damn, I cheated. I cheated. I cheated the game.

[Jason Schreier]

Now obviously, like I would say keep playing and talk to a friend until you hit a certain point when you're like in endgame mode and that you might need a little bit of outside guidance. But yeah, I mean, it's better when that guidance comes from a friend who can kind of do it in an oblique way rather than just telling you the answer exactly. Or asking on like a resetti or Reddit or something like that where you could be like, hey, like, I'm stuck on this, blah, blah, blah, blah. But yeah, I mean there is a point, unless you're like a super smart genius, I think most people run into a point where they need a little bit of guidance, which is fine. I think, yeah, asking a friend is the best way to go because they can kind of do it in a, in a vague way or they don't actually spoil the entire experience for you. Final thoughts.

[Barrett Courtney]

This game might ruin other games for me just for the time being in terms of like, I wit like we got codes a month ago as well. But yeah, I've been so busy with like, like working on this Naughty Dog video and other projects that like, I didn't start it until like a week ago. And it was one of like when I like figured out the main puzzle and like knew there was so much left of the game past that, I was like, man, I really wish I started this earlier and had more time with just this game because, you know, now I'm already kind of just the nature of our work. I'm moving on to other stuff and like. But all I can think about is this game and I'm like, God, fuck it. Damn it. Like, maybe I gotta stop playing this other thing to go back to blueprints because I can't stop thinking about it. So, yeah, just give yourself to this game, you know, Just. Just. Just let it kind of wash over you a little bit. And yeah, I think it's day one, Game Pass and maybe PS plus Extra. So, yeah, just dive in when it comes out later this week.

[Roger McCordy]

L. Yeah, everybody, blueprints coming out soon.

[Blessing Adeoye Jr.]

Coming out soon. Three days.

[Roger McCordy]

Three days. Oh, three days from now. Everybody check it out on Game Pass, also on PS plus and Steam. And you can buy it everywhere else. Remember, this has been the kind of funny gamescast where each and every weekday we get together and talk about all of the biggest reviews, previews and topics in the video game space live on YouTube, Twitch and podcast services around the globe. If you love what we do, please support us with the kind of money membership on Patreon or YouTube to get all of our shows ad free, watch us record them live and get a daily exclusive show. Catch Today's KFGD on YouTube or podcast services. And of course, after this, I think it's kind of funny Podcast I screwed up. Kind of funny Podcast is right next after this. Thank you so much for watching. Thank you so much, Jason Schreier, for hanging out with us. Jason, anything you want to talk about, Anything you want to plug?

[Jason Schreier]

Yeah, I mean, I'm going to be going way more into this game on triple click later this week so people can check that out. Should be fun.

[Roger McCordy]

Hell yeah, everybody. Until then, it's been our pleasure to serve you.

[Jason Schreier]

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[Blessing Adeoye Jr.]

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[Blessing Adeoye Jr.]

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