Know Your Gear Podcast: Episode 401 Summary
Title: They Said My Gibson Is Fake / Why Fender Standards Could Have Been Great!
Host: Phillip McKnight
Release Date: March 10, 2025
Phillip McKnight dives deep into various guitar-related topics in the 401st episode of the Know Your Gear Podcast. From amplifier designs to pickup technologies, and company anniversaries to personal anecdotes, Phillip ensures listeners are both informed and entertained. Below is a comprehensive summary of the key discussions, insights, and conclusions drawn throughout the episode.
1. Opening Remarks and Announcements
Phillip begins the episode by thanking his Patreon members, channel members, and viewers for their support. He briefly touches upon the absence of commercials in various versions of the podcast and extends warm wishes for Valentine's Day.
Notable Quote:
“Today is Valentine’s Day, everyone.” — [00:03]
2. Amplifier Control Placement: Front vs. Top
A listener named Edgar poses a question regarding why some amplifiers have controls on the front while others have them on the top.
Key Points Discussed:
- Design Variations: Different manufacturers have unique design philosophies affecting control placements.
- Historical Context: Original Fender amps had top controls because they were positioned in front of players, functioning as part of the PA system.
- Cost Efficiency: Placing controls in specific areas can reduce manufacturing costs, especially when producing combo amps.
Notable Insight:
Phillip explains that the placement isn't a universal standard but varies based on manufacturer decisions and intended amplifier usage.
Notable Quote:
“Sometimes it's just because they originally designed the amps mostly with the controls on the top.” — Phillip McKnight [08:45]
3. In-Depth Look: Fender Hot Rod Deluxe and Blues Deluxe
Phillip shares an intriguing observation about the Fender Hot Rod Deluxe and Blues Deluxe amps. He examines the control placement and the orientation of labels on these amps.
Key Points Discussed:
- Control Orientation: On the Hot Rod Deluxe, controls are located on the back when viewed from the front, leading to inverted labeling.
- Vintage Design: Early Fender amps placed controls on the top due to their front-facing placement, which later models adjusted based on user feedback and positioning trends.
- Practicality: Phillip highlights that inverted controls can be practical if the amp's design is intended to be viewed from different angles or positions.
Notable Quote:
“If you were standing behind the amp, this would be upside down. That doesn't make sense.” — Phillip McKnight [12:30]
4. Ernie Ball Pickups: Quality and Availability
Listener Clyde asks about the quality of Ernie Ball pickups, noting their great sound but lack of availability in the market.
Key Points Discussed:
- Manufacturing Focus: Ernie Ball primarily manufactures pickups for their own guitars and signature models.
- Cloning Practices: Many Ernie Ball pickups are clones of DiMarzio designs, catering to artist-specific models like those of Steve Morse and John Petrucci.
- Marketing Claims: Phillip critiques the marketing strategies such as "cryogenic frozen pickups," suggesting that many manufacturers use such terminology to create perceived value rather than offering tangible improvements.
Notable Quote:
“It feels like it's mostly the guitar manufacturers come up with this kind of marketing stuff.” — Phillip McKnight [22:15]
5. 10th Anniversary of Kiesel Guitars: Limited Edition Aries Run
Phillip announces the 10th anniversary of Kiesel Guitars, celebrating with a limited-time offer on their popular Aries model.
Key Points Discussed:
- Historical Background: Kiesel branched off from its original parent company, Carven Guitars, in 2015 to continue its guitar line.
- Limited Run Details: Starting at $1,399, these USA-made custom instruments feature nickel silver frets and ash bodies.
- Strategic Pricing: This price point is significant as it offers a complete, customizable guitar at a lower cost compared to similar high-end models made in countries like Indonesia, China, or Japan.
Notable Quote:
“You can literally get a complete guitar for $1,399. That’s a USA made custom instrument.” — Phillip McKnight [35:10]
6. Guitar of the Week: Fender Standards and Missed Opportunities
The Guitar of the Week segment focuses on the new Fender Standard series. Phillip expresses both appreciation and disappointment with the series.
Key Points Discussed:
- Material Choices: The Fender Standard series features a four-piece poplar body, which has received mixed reviews from the guitar community.
- Value Proposition: Phillip argues that while poplar is a cost-effective material, Fender could have leveraged their manufacturing capabilities to offer better quality at the same price point or even lower.
- Market Impact: He speculates that with Fender's volume and manufacturing power, they could have revolutionized the market by providing high-quality guitars at more accessible prices.
Notable Quote:
“My disappointment is because I really think they could have just made you a much better guitar for that same price.” — Phillip McKnight [59:45]
7. Pickup Technologies: Ceramic vs. Alnico Magnets
Phillip delves into the technical aspects of guitar pickups, specifically comparing ceramic and Alnico magnets.
Key Points Discussed:
- Manufacturing Costs: Ceramic magnets are cheaper to produce compared to Alnico magnets.
- Sound Characteristics: Ceramic pickups tend to be punchier and brighter, making them suitable for high-gain applications, while Alnico pickups offer a warmer, vintage tone.
- Winding Practices: The amount of wire used in pickups significantly affects their tonal qualities. More wire generally enhances the pickup's power and clarity.
Notable Quote:
“Ceramic magnets and a lot of wire generally can be a great sounding pickup.” — Phillip McKnight [1:30:00]
8. Reverb Collections and Selling Tips
Listener Judo Dad 3 inquires about managing collections on Reverb, specifically how to remove items after selling them.
Key Points Discussed:
- Simple Removal: Items sold can be deleted directly from the Reverb Collections by hitting the delete button.
- User Interface Updates: Reverb has streamlined the process, eliminating the need for complex navigation to remove sold items.
Notable Quote:
“If you sell something, you can just go here and hit delete.” — Phillip McKnight [1:15:45]
9. Brian Setzer's Health Update
Phillip shares the unfortunate news that Brian Setzer has been diagnosed with an autoimmune disease, preventing him from playing guitar.
Key Points Discussed:
- Personal Connection: Although Phillip hasn't personally met Brian Setzer, he recounts volunteering at Setzer's shows and appreciates his talent and character.
- Community Impact: This news is a significant loss to the guitar community, as Setzer is a revered figure.
Notable Quote:
“He's a legend. He's amazing and super nice, super talented. So, yeah, that's a bummer.” — Phillip McKnight [1:50:20]
10. Listener Stories and Q&As
Various listeners submitted questions and stories, which Phillip addresses throughout the episode.
a. Locking Tuners Installation without Neck Modification
Listener UnsilentBob 420 asks about installing locking tuners on a Squire 40th Anniversary Vintage Strat without cutting into the neck.
Phillip’s Advice:
- Adapter Plates: Utilize Hipshot or Ratio adapter plates that allow for locking tuners without modifying the neck.
- Removable Options: Choose tuners that can be easily removed and replaced if desired.
Notable Quote:
“There is another option you have is you can just physically find the exact tuning keys that you have now in a version that has lockers.” — Phillip McKnight [1:10:50]
b. Identifying and Pricing 1950s Echo Pickups
Listener Warren inquires about identifying and pricing a pair of 1950s Echo pickups.
Phillip’s Response:
- Market Challenges: Pricing vintage pickups can be complex due to their rarity and condition.
- Research Importance: Emphasizes the necessity of thorough research and possibly consulting experts for accurate valuation.
Notable Quote:
“I'm really disconnected from it because it's not part of my day to day life anymore.” — Phillip McKnight [1:20:30]
c. Fixing Skunk Stripe on Squier Telecaster Neck
Listener Craig asks about addressing the raised edges of the skunk stripe on his Squier Telecaster.
Phillip’s Advice:
- Sanding Techniques: Use steel wool or Scotch Brite pads to gently sand and blend the edges.
- Neck Finish Consideration: For gloss finishes, apply buffing compound after sanding to restore shine.
- Caution: Advises against over-sanding and recommends proceeding carefully to avoid damaging the neck.
Notable Quote:
“What you're trying to fix is that you know, when your finger goes over it, it doesn't feel that edge.” — Phillip McKnight [1:18:15]
11. Final Thoughts and Upcoming Content
As the episode concludes, Phillip reflects on the nature of feedback and subscriber engagement.
Key Points Discussed:
- Subscriber Retention: Despite high engagement and longer listening times, the podcast sees a net loss in subscribers due to its opinionated content.
- Content Evolution: Philip hints at future deep dives and expert drop-ins to enhance educational value.
- Equipment Investments: Shares frustrations with the high costs of camera equipment necessary for improving podcast quality.
Notable Quote:
“Next time you get upset about a $300 pedal, a plastic power supply, $541 for one camera. I was literally going to lose my mind.” — Phillip McKnight [2:05:30]
12. Engaging Community and Personal Anecdotes
Throughout the episode, Phillip shares personal stories, such as his experience buying a Chicago Music Exchange Limited Edition RO guitar and a humorous interaction with friends regarding the authenticity of the guitar.
Story Highlights:
- Purchasing Process: Narrates the excitement and subsequent confusion when a friend falsely accuses him of buying a fake guitar.
- Community Connections: Emphasizes the importance of relationships within the guitar community, including interactions with dealers and fellow enthusiasts.
- Sales Strategy: Details his approach to selling personal gear, prioritizing Patreon members and mid-sized businesses for better deals and fewer fees.
Notable Quote:
“But to me, what would be exciting is that for that price, $599, it would be really nice to see a lot more out of it.” — Phillip McKnight [1:57:20]
13. Closing Remarks
Phillip wraps up the episode by encouraging listeners to enjoy their Valentine's Day weekend, play some guitar, and spend quality time with loved ones. He thanks his supporters and preview upcoming content, including enhanced video quality and detailed technical discussions.
Notable Quote:
“Enjoy your Valentine's Day weekend. Play some guitar, have some fun, maybe spend some time with someone you love.” — Phillip McKnight [2:10:00]
Conclusion
Episode 401 of the Know Your Gear Podcast offers a blend of technical insights, industry news, and personal stories, anchored by Phillip McKnight’s expertise and candid opinions. Whether discussing the nuances of amplifier designs, the intricacies of pickup technologies, or sharing heartfelt community stories, Phillip delivers content that both educates and resonates with guitar enthusiasts.
For those looking to deepen their understanding of guitar gear and stay updated with industry trends, this episode is a valuable resource. Phillip’s balanced approach ensures that listeners are well-informed while also feeling connected to the broader guitar community.