Transcript
Peter Frankenpern (0:00)
Dreaming of getting the all new iPhone
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17 Pro, designed to be the most powerful iPhone ever.
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Then stay in bed and let a
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Boost Mobile expert deliver and set it up for you. Oh, actually they will have to get up and open the door.
Afua Hersh (0:10)
Oh, right.
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Delivery available for select devices purchased@boostmobile.com terms apply.
Peter Frankenpern (0:17)
So, AFRA, we've been talking about natural disasters, environmental challenges, catastrophe. Do you think it's easier to talk about that in the kind of distant past it sort of feels further away? Is there something that's harder to talk about? Things that we've seen in our lifetime? Why does it feel worse to be talking about the modern age?
Afua Hersh (0:34)
I think about that all the time. Like, how come Jack the Ripper murder is like fun, juicy, whereas a murder yesterday is horrible and upsetting. It's like we have this kind of cognitive dissonance that people lived in the past. We don't really have to apply the same empathy to them because we just so don't know them. And when we were talking about the Justinian play, my mind immediately went to scenes from movies I've watched about the Black Death or Game of Thrones where you see kind of ancient bodies piling up in the street. But if we come and talk about contemporary disasters, I am connecting with the shock and trauma and distress of seeing things on the news and seeing children who could be your child or older people who could be your parents, and it just lands different. And I'm not saying that's great, by the way. I don't like the way we talk about Jack the Ripper's victims or about terrible things that happened in the past, as if they're kind of fun and juicy, but you can see how that distance does make it feel like a different kind of event.
Peter Frankenpern (1:34)
Do you think it's because of TV that we can see those images and we can see them again and again and they kind of sear themselves in? Or do you think it's because these have happened in our own lifetime and therefore it feels that much more real? And it's just a way which we think about history as kind of, these guys are all dead anyway. So if there were tens of thousands of bodies piling up on the streets of a city a few hundred years ago, you know, it's all awful, but I've got no way of connecting to it. Do you think it's about. Because it's. We can see that it's part of our own lives.
