Alexis Okeowo, Maria Bamford, and Pete Droge

Summary

Live Wire with Luke Burbank – Episode Summary

Episode: Alexis Okeowo, Maria Bamford, and Pete Droge
Date: November 21, 2025
Podcast: Live Wire with Luke Burbank (PRX)

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Overview

This lively episode of Live Wire features in-depth interviews and performances from three unique and acclaimed guests: writer Alexis Okeowo, comedian Maria Bamford, and singer-songwriter Pete Droge. From exploring the intricacies of identity and place in Alabama, to the quirks of humor and personal routines, to heartful Americana music, the episode blends thoughtful cultural commentary with offbeat charm and wit.

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Key Discussion Points & Insights

1. Best News All Week (02:52–07:06)

• Rock Paper Scissors Science
  Elena Passarello shares a quirky study on how humans struggle to be random in rock paper scissors, revealing broader truths about the nature of creativity and collaboration.
  Quote:

  • "The good news is...all of those things not being random actually influences positively. So hooray. But for rock paper scissors, you should try to just clear your mind and goldfish brain that thing." – Elena Passarello (04:22)

• Oklahoma's Food-for-Fines Initiative
  Luke Burbank highlights a great municipal program in Chickasha, Oklahoma allowing people to pay down city and library fines with food donations, aiding both debtors and those experiencing food insecurity.
  Quote:

  • "It is very expensive to be poor. And... when you don't have a lot of money and you're racking up these fines, it can just be...life ruining." – Luke Burbank (07:12)

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2. Alexis Okeowo on “Blessings and Disasters” (08:57–24:16)

Identity, Home, and Nuance in Alabama

• Alabama’s Stereotypes vs. Reality
  Alexis describes the extreme reactions she gets when telling people she's from Alabama and the limited, often misinformed, perceptions outsiders have.
  Quote:

  • "I would say Alabama. And I would get, whoa. And it would either be, oh my God, what have you been through? Or wow, you're wearing shoes." – Alexis Okeowo (09:28)

• Insider/Outsider Childhood
  Navigating between Southern and Nigerian cultures, Alexis reflects on how being an outsider fueled her journalistic curiosity.
  Quote:

  • "Being an outsider...has fueled my whole life since in wanting to observe and report and write about things. But at the time, it was tricky." (11:19)

• Porch Creek Indians & Changing Narratives
  The overlooked history of Native people in Alabama, especially the successful and complex Porch Creek Indians and their female chief, Stephanie Bryan—a blend of “deeply Southern” and indigenously rooted identity.
  Quote:

  • "She's a Native American tribal chief and also one of the most Southern women I've ever met." (16:41)

• Aftermath of the Civil War
  Alexis discusses Alabama’s fixation on its post-Civil War narrative as an explanation for persistent state issues.
  Quote:

  • "What the Civil War left behind has always been more important to Alabama than what happened during it." (17:28)

• Why People Stay
  The resilience of people who stay in Alabama, such as Mary McDonald, despite adversity and societal problems, becomes a central theme. Quote:

  • "Progress that has come about has only been because of the people who have stayed." (20:39)

• Memoir, Memory, and Reclaiming Identity
  The process of writing the book led Alexis to new understandings about her own past and the lasting influence of “home.”
  Quote:

  • "I mostly wrote this for my 18 year old self who was extremely defensive...This is the manifesto." (23:54)

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3. Listener Question: What Do You Find Super Funny? (25:14–28:14)

• Funny stories from listeners about social media mishaps, Wikipedia “burns,” and dancing delivery people provide some lightheartedness.
• Maria Bamford’s questionnaire inspires both listener questions and this segment.

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4. Maria Bamford: Comedy, Truth, and Crumbs (29:19–41:30)

On “The Maria Bamford Questionnaire”

• Origins of the Questionnaire
  Maria details how she devised her signature list of disarming, revealing questions, now a regular Vulture feature. Quote:

  • "They just asked me, and I wrote. I typed it in." – Maria Bamford (30:59)

• Intimate Routine & Quirks
  Sharing her candid nighttime snack routine—a massive homemade cookie in bed—and her mutually messy relationship. Quote:

  • "I make chocolate chip cookies in the size of an asteroid...And then I slowly gnaw at that as I read and then pass out." (32:05)

• On Inclusivity and Religion
  If she created a religion, it would have a “low bar...where just like everybody in.” She reflects on inclusion, especially for those struggling. Quote:

  • "That's when you need people...my hope is that, yeah, that would be welcoming to everybody, but then maybe have metal detectors just like here." (33:15)

• Personal Anecdotes, Regret, and Reflection
  Stories about moving, affirming friendships, and memories as a street performer in Minneapolis bring vulnerability and warmth. Quote:

  • "You put yourself out there and you show your little pink belly and you want a tummy rub." (39:54)

• Humorous Observations
  On airport lounges:

  • "It is like, you know, leather bound farts, that of a man or a woman who's had a couple of gin and tonics." (38:26)

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5. Pete Droge: Song & Story (45:52–53:50)

• Adoption and Identity
  Pete discusses how coming to terms with being an adoptee—especially as he reached midlife—inspired his deeply personal songwriting. He acknowledges gratitude for his adoptive parents while also investigating the trauma of separation. Quote:

  • "I thought, hmm, maybe that's a thing. Is that a thing? And I found out it is a thing. Yeah, being an adoptee." (46:03)

• Seattle Music Scene
  Anecdotes about working with Pearl Jam’s Mike McCready and carving his unique place in the Seattle sound of the '90s. Quote:

  • "I was the pioneer of the flannel. I think they all got it from me." (49:05)

• Live Musical Performance
  Performs “You’d Called Me Kid,” a tribute to his adoptive parents—tender, reflective, and filled with gratitude. Memorable Lyric:

  • "You called me kid and I can't thank you enough for what you did."

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Notable Quotes & Moments

• “You called me kid and I can't thank you enough for what you did.” – Pete Droge, singing (50:24–53:13)
• “Neither one is great...And it felt very divorced from what I felt was like a nuanced, complicated childhood..." – Alexis Okeowo (10:12)
• “That's when you need people, is when...sometimes they'll kick out someone who has a mental health issue who's being disruptive. And I just think, no, man, that's who needs to be here.” – Maria Bamford (33:15)
• “Rock don't stop.” – Elena Passarello (05:53)
• "The country's experiencing the Alabama fication of itself...I think we can now all relate to being from a place where we can't—A lot of us perhaps don't really feel proud of what our government is doing.” – Alexis Okeowo (19:41)
• “I make chocolate chip cookies in the size of an asteroid...And then I slowly gnaw at that.” – Maria Bamford (32:05)

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Timestamps for Major Segments

• 00:03 – Show Intro
• 02:52 – Best News All Week (Rock Paper Scissors study, Oklahoma food-for-fines)
• 08:57 – Alexis Okeowo Interview: Alabama, memoir, race, belonging
• 25:14 – Listener question inspired by Maria Bamford’s questionnaire
• 29:19 – Maria Bamford Interview: Questionnaire, humor, personal quirks
• 45:52 – Pete Droge Interview: Adoption, music, live performance “You’d Called Me Kid”
• 50:24 – Pete Droge performs “You’d Called Me Kid”

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Final Thoughts

With warmth, vulnerability, cleverness, and a bit of irreverence, this Live Wire episode delivers a deeply engaging blend of storytelling, comedy, and music. The personal journeys and insights of Alexis Okeowo, Maria Bamford, and Pete Droge highlight the complexity of identity, belonging, and the creative spirit that fuels both art and connection.

Transcript

[Pete Drozh]

Hey, there.

[Luke Burbank]

Welcome to Livewire. I'm your host, Luke Burbank. Today on the show, New Yorker writer Alexis Okeowo on the complicated history and also the image of her home state of Alabama, which she grew up in as the daughter of African immigrants, which she writes about in her fascinating new book, Blessings and Disasters. Then we're gonna talk to comedy legend Maria Bamford. Maria developed this really interesting questionnaire to sort of unearth surpr truths about respondents. And so we decided to give some of those questions to Maria, and guess what? It unearthed some surprising truths. Then we are going to hear some music from Seattle legend, singer, songwriter Pete Drozh with an incredible song about his adoptive parents. You do not want to miss that. Frankly, you don't want to miss any of this show. It's a real corker. And it's all getting started right after this.

[Elena Passarello]

The creative economy is broken, but some people are still making it work.

[Luke Burbank]

We're here to find out how.

[Elena Passarello]

I'm Anna Marie Cox.

[Luke Burbank]

And I'm Open Mike Eagle.

[Elena Passarello]

Past due is our podcast about what it really takes to survive as a creative today.

[Luke Burbank]

When one job isn't enough, three still won't cover your bills, and success does not guarantee stability.

[Elena Passarello]

With guests like Paul F. Tompkins, Taylor Lorenz, Adam o', Connover, Jamie Loftus, Rhett.

[Luke Burbank]

Miller, and a whole lot more.

[Elena Passarello]

Past due with Annamarie Cox and open Mike Eagle wherever you get your podcast.

[Luke Burbank]

New episodes every week.

[Alexis Okeowo]

This show is supported by Odoo. When you buy business software from lots of vendors, the costs add up and it gets complicated and confusing. Odoo solves this. It's a single company that sells a suite of enterprise apps that handles everything from accounting to inventory to sales. Odoo is all connected on a single platform in a simple and affordable way. You can save money without missing out.

[Luke Burbank]

On the features you need.

[Alexis Okeowo]

Check out odoo@o d o o dot com. That's o d o o dot com from PRX.

[Maria Bamford]

It's live wire.

[Elena Passarello]

This week. New Yorker writer Alexis Okeowo.

[Alexis Okeowo]

One thing I'm interested with this book was like spending time with people who are deeply Southern but who claim a state that often doesn't love them back.

[Elena Passarello]

Comedian Maria Bamford Scott has sometimes said.

[Maria Bamford]

Ray, why'd you load the refrigerator like it's a prank show? Cause it is.

[Elena Passarello]

With music from Pete Droage and our fabulous house band. I'm your announcer, Elena Passarello. And now the host of Livewire, Luke Burbank.

[Luke Burbank]

Hey, thank you so much. Elena Passarello thanks to all of you for tuning in from all across America. We have a phenomenal show in store for you this week. We got to kick things off, though, the way we always do, with the best news we heard all week. This is our little reminder that there is still good news happening out there in the world. You just got to look for it, and we found some. Alayna, what is the best news that you heard? Always week.

[Elena Passarello]

Okay, I was joking with you before we started recording that this has a lot of science in it, and I don't know if I'm interpreting the science right. So for the dear researchers that have made this discovery, please forgive me if I paraphrase you incorrectly, but a team of cognitive neuroscientists led by a person named Denise Moyrell just published a study in Social, cognitive and effective neuroscience, which is right on the back of my toilet.

[Luke Burbank]

I get home delivery.

[Elena Passarello]

They just released this study and some subsequent articles that people like me can read about. Basically, how you can win at Rock, paper scissors.

[Luke Burbank]

This is useful information.

[Elena Passarello]

Well, unfortunately, the answer is you can win by being as random as possible. Like really making sure that you stay random. And humans, which is the real conclusion of the study or are terrible at being random? They did this study by looking at 15,000 rock paper, scissors games which they conducted while they monitored the player's brain activity. And what they found is that rock paper scissors thrives on random outcomes, and humans consistently negatively affect that by thinking about the games that have happened in the past by having general biases. Do you know if you were gonna pick rock, paper or scissors, what's the first thing that you would pick, Luke?

[Luke Burbank]

Rock.

[Elena Passarello]

That is overwhelmingly the case. Rock is biased more than paper or scissors. It actually goes in the order of the game's title. Also, you're always wanting to predict what your partner has done based on their past history. So all those things are clouding your mind. The good news is it makes you not a great rock paper, scissors player. But it connects to the way that we work as collaborators, as coordinators, and as creative people as people listen who have empathy. So all of those things not being random actually influences positively. So hooray. But for rock paper scissors, you should try to just clear your mind and goldfish brain that thing.

[Luke Burbank]

I have been doing the exact opposite, Elena, for the last probably 30 years. I always do rock. And I always tell the person I'm going to do rock.

[Elena Passarello]

Wow.

[Luke Burbank]

To get in their head. And then they think, maybe this is the time I'm not going to do rock. But I always do rock.

[Elena Passarello]

You never do paper or scissors ever?

[Luke Burbank]

No, no. And the other person is now constantly trying to figure out, am I serious about the fact that I'm always gonna do rock? The answer is, yes, I am. I'm always going to do rock.

[Elena Passarello]

Oh, man, I wish you were a part of that study. Just to see what your brain activity looks like when you're like, always for the rock. Rock don't stop.

[Luke Burbank]

Are you familiar with a flat line? I believe that's what my brain looks like most of the time.

[Elena Passarello]

I like paper because it's easy. Cause it's like the closest thing to the clap that you do, you know, it's like, you know, you just slap, slap, and then you just keep on slapping. I also like covering up the rock's hand with the paper.

[Luke Burbank]

That is a very satisfying sensation for the people who are doing paper against me because they're always winning. Cause I'm always doing rock. Hey. The best news that I heard all week comes out of Oklahoma, a town called Chickasha, where they have this really great program that they're running. If you owe money to the city for traffic fines, Elena, you can donate food and you can have up to $100 of your traffic fine forgiven by donating non perishable food to people that are experiencing food insecurity.

[Maria Bamford]

Cool.

[Luke Burbank]

Isn't that a great system? They also, in December, the local library will be launching something that they do, I guess, every year, which they allow you to donate non perishable food items to forgive your library fines as well.

[Elena Passarello]

Oh, we should just do this for everything. You know, divorce, alimony, you know, just give 100%.

[Luke Burbank]

This is such a great. I always say that it' it's very expensive to be poor. And I speak from some experience in my life that when you don't have a lot of money and you're racking up these fines, it can just be. Do you know that I had like $7,000 in parking tickets that were unpaid throughout my college era because I lived in an area that didn't have any free parking. I worked in downtown Seattle and I went to the University of Washington, which didn't have any free parking. So it was just. If you opened my glove compartment of my 1985 Honda Civic, just unpaid parking tickets would just come spilling out. And it was really like life ruining for me at the time. So I like to hear about municipalities kind of figuring out a way to help people who are behind the eight ball on this stuff get out from under it a little bit. All right. Taking care of folks in Chickasha, Oklahoma. That is the best news that I heard all week. Let's get to the show. Our first guest is a contributing writer at the New Yorker who's reported on conflict, human rights and culture throughout the world and the U.S. she received a PEN Open Book Award back in 2018. Her latest book is Blessings and A Story of Alabama. It Became blends memoir, history and reportage that weaves for Nigerian immigrant family's story with the complex past and present of the state of Alabama. This is Alexis Okeowo, who joined us at the Alberta Rose Theater in Portland, Oregon. Alexis, welcome to livewire.

[Alexis Okeowo]

Thank you for having me.

[Luke Burbank]

This is a really tremendous book and I think it's such an important book, too, because I have spent some time in Alabama in my life, and what I've noted about it is that it is a place that a lot of people who have never been there have a lot of thoughts about.

[Alexis Okeowo]

This is true. This is true.

[Luke Burbank]

I mean, you grew up there. I mean, what was, what was it like for you or what has it been like for you to be from a place, Alabama, that, you know, people immediately start having thoughts about that they may or may not even know what they're talking about.

[Alexis Okeowo]

Yeah. I mean, so Alabama in the Deep south is a place that's, I think, defined by its extreme history. But it wasn't until I actually left the south that I realized how limited that conception is. I went to school in the Northeast in New Jersey at 18. And when I got there and told people where I was from, I either got one of two reactions, but they all started the same way, which was, Alexis, where are you from? I would say Alabama. And I would get, whoa. And it would either be, oh my God, what have you been through? Or wow, you're wearing shoes. You know, there was this.

[Luke Burbank]

Neither one is great.

[Alexis Okeowo]

Neither one was great. And it felt very divorced from what I felt was like a nuanced, complicated childhood like I'm sure a lot of people have, that was happy but frustrating and interesting and all of the things.

[Luke Burbank]

What was it that brought your parents from Nigeria to Alabama in the first place?

[Alexis Okeowo]

Yeah. So they were both college age and they both ended up in Alabama to go to college. They met at Historically Black University in Montgomery at the tail end of the civil rights movement. And my mom went to Alabama because her sister was already studying there and my dad, because he was studying in Berkeley and and wanted to go to a cheaper state school. He opened a directory of state schools. And Alabama was one of the first on the list. So he said, I'll go. And then they ended up staying and making a life there and getting a home and a car and having kids and jobs.

[Luke Burbank]

What was it sort of like for you growing up in Alabama as the child of folks who had immigrated from Nigeria? You know, sort of part of that world, but also not part of it, I would imagine.

[Alexis Okeowo]

Yeah, I call it the sort of insider, outsider status, which was in so many ways, my life was very Southern. I went to public school. Church was the center of my social life, essential to my social life. But at the same time, my parents had West African friends who were also immigrants, and they kept their traditions alive through parties and gatherings, cooking. And so it was, you know, straddling these two worlds. I was a black Alabamian, but I, I was also had a different origin story. I was also Nigerian. And so as a kid, all I wanted to be was like southern and Alabamian in that order. And it wasn't as easy. I was sort of straddling these worlds. And looking back, I now see how beneficial that was because being an outsider, in a sense, has fueled my whole life since in wanting to observe and report and write about things. But at the time, it was tricky.

[Luke Burbank]

Right, because you've written about a lot of other places, places outside of the United States and have had really an amazing perspective on that in a way of writing about the experiences of those people. And I wonder if your childhood of maybe sometimes also feeling like slightly outside of things has impacted that.

[Alexis Okeowo]

Definitely. I think curiosity has been the number one fuel of my career of like wanting to go report in Africa. Wanting to report in Mexico is being curious about other people's lives. And that started back when I was in Alabama and being curious about my neighbors or as they would call it, just nosy.

[Elena Passarello]

But.

[Luke Burbank]

We are talking to Alexis Okeowo about her latest book, Blessings and A Story of Alabama. More Livewire in a moment. Stay with us. Look, I'm not saying that I have a coffee problem, but I am definitely telling you that I am reaching for yet another cup of coffee. And if you know exactly where I'm coming from, let me tell you about Fetch Coffee roasters right here in Portland. They're small batch women owned. And here is the kicker. Every bag that you buy sends a dollar to a dog in need. Think about it. Fetch Coffee Roaster. So basically right now, your coffee addiction, you can consider that to be like philanthropy, which is amazing. They are right now roasting a special blend for Livewire. It's called Get Wired. Plus, they've got their great regular roast lineup like Muddy Paws and Zoomies. And if you want to get 15% off right now as a Livewire listener, all you got to do is use code Livewire. This is on your first order. Use the code [e-mail] Fetch coffee wagtails. Welcome back to Livewire from prx. I'm Luke Burbank. That's Elena Passarello. We're at the Alberto's Theater in Portland, Oregon, this week talking to Alexis Okeowo about her book, Blessings and Disasters. In this book you write being first is the easiest kind of authority available when you have little other power. And telling someone to go back to where they came from is one of the foremost assertions of that authority. That's, I think, a point that I instinctively probably knew, but I hadn't really thought about it that way as to why that's so powerful for certain people. Why don't we talk a little bit about the actual first people that we know of in Alabama? Because it's not the people that are currently telling people to go back to where they came from.

[Pete Drozh]

Exactly.

[Alexis Okeowo]

Exactly. So one thing about this book is that I'm in a way, trying to tell a story of Alabama that's bigger, more expansive, that's more nuanced, a portrait of the contemporary South. But I had to start at the beginning when it was Indian territory. And one thing I learned is that there is a band of Creek Indians who managed to stick around in Alabama past the Creek War, past Indian Removal, and are now incredibly prosperous billionaires. And I was interested in the Ports Creek. I spent time with their female chief. And this is a group that considers themselves, and they are more Alabamian probably than anyone else, but also Indian, you know, Native, but who have had a really tricky time sort of negotiating their place in Alabama.

[Luke Burbank]

Yeah. The leader of the Porch Creek Indians, when you spoke to her was Stephanie Bryan. I went to her website, which is like a whole trip, because you sort of see somebody who is, like you said, a descendant of the first people who were there and people who were mistreated, as were Native people all over this country. And yet who is so about faith and flag and freedom and being quaffed in a certain way. It was an interesting thing to observe. Can you tell me about her a little bit?

[Alexis Okeowo]

Yeah. So she is, she's a Native American tribal chief and also one of the most Southern women I've ever met. I think one thing I'm interested in with this book was like talking, spending time with people who are deeply Southern, but who claim a state that often doesn't love them back, you know, and so. And that's the case with Native Americans who are still at battle with Alabama over their sovereignty over their right to operate gaming. And she's. Yeah, this genteel, soft spoken, Christian, football loving Southern woman who is also, you know, building this casino empire for this tiny band of Creek Indians in Alabama. Yeah. And they're a key part of Alabama's story that is often left out.

[Luke Burbank]

Yeah. I think a lot of people from outside Alabama will immediately think about the Civil War. And there's another line that you have in the book, which is, you say, what the Civil War left behind has always been more important to Alabama than what happened during it. What does that look like in Alabama?

[Alexis Okeowo]

Yeah. So there's an intense romanticization of the Confederacy, of the fight, as opposed to sort of what led to the war and what happened immediately after it. Also Reconstruction, this time of really interesting liberal politics in Alabama, whether it was either from black politicians who helped construct a very liberal constitution or a populist movement in Alabama during that time as well, that all sort of fell away after about seven or so years.

[Luke Burbank]

And you were saying in the book that for a lot of folks in Alabama, this origin story of, like, everything that doesn't work about Alabama is because of the way Alabama was mistreated in the immediate aftermath of the Civil War, the way things were destroyed, and that it's a sort of. It's something that you can just constantly point back to to say, well, that's why we have these problems.

[Alexis Okeowo]

Exactly. And it's something I solved discreetly when I went to a rally for a new Confederate memorial. This is when a lot of Confederate memorials were coming.

[Luke Burbank]

Yeah. The word new Confederate memorial is kind of feels out of place.

[Alexis Okeowo]

It doesn't seem right. But if one thing, the south will be, it will be defiant. So during 2020, a bunch of monuments were coming down and the south was saying, we will put new ones up. So I went to one a couple years before, and it was just interesting hearing people still sort of espouse these myths about the Civil War and about what it's done and how its importance and this narrative of redemption that has somehow come after the Civil War.

[Luke Burbank]

We were talking to Alexis Okeowo about her book Blessings and A Story of Alabama. You say in the book that Alabama has a lot of the same stuff going on in it that is going on everywhere in America, but for some reason it sort of appears more obvious down here.

[Alexis Okeowo]

Yes. I mean, I had a friend say, basically, right now the country's experiencing the Alabama fication of itself, which is kind of true. I mean, I think we can now all relate to being from a place where we can't. A lot of us perhaps don't really feel proud of what our government is doing. No matter what your political leaning, you can't really trust your representatives, but it's still your home. So how do you reckon with being from a place that you maybe have a lot of love for, but they don't really want to claim?

[Luke Burbank]

Right. That's a really interesting way to put it because, you know, I think a lot of us feel very differently moving around the world outside of America now based on what's been going on in this country in a way that you kind of want to say, yeah, we recognize that there are a lot of problems with the place, but also, like you said, it's our home, and we also love it and hope it can be better. And yet we also see what's wrong with it, you know?

[Alexis Okeowo]

Exactly.

[Luke Burbank]

And like, you're saying for a person like you to be from Alabama, you've been knowing about this for, like, a long time.

[Alexis Okeowo]

Exactly. And doing this made me realize it's all about the people who stay. You know, there was a very good reason for so many Alabamians to leave, but the progress that has come about has only been because of the people who have stayed. The black, the white, the native, the immigrant Alabamians who stick around when, like, progress is so whiplash. As soon as there is some, it goes back again.

[Luke Burbank]

You know, you feature a woman in the book. I think her name is Mary McDonald. And she didn't really seem like she was that interested in talking to you, but that you were interested in featuring her in the book. Why was she so interesting to you?

[Alexis Okeowo]

Yeah, that's often the case. People don't want to talk to me.

[Luke Burbank]

Yeah, we're having a great time. We're happy you're here.

[Alexis Okeowo]

I wanted to talk to her because she also had such a. A close relationship to the land and to Alabama. She's the daughter of black civil rights activists in the Black Belt and really had every reason to leave. A lot of her family has left during the Great Migration and other times because of racial violence and terror. But she stuck around because of family, because of land, because of home, and sort of became an accidental environmental activist along the way. And I was really just interested. Yeah. And again, why do people stay In a place that others have written off. I left at 18. I do spend a lot of time there, but I get the privilege of leaving. And there is something I think special about staying in a place that is, as I said, it was really not easy.

[Luke Burbank]

I'm wondering how writing this book and sort of getting all of your thoughts down, has that changed how you actually think of your growing up years? And also just the state of Alabama that you've actually very few people get to organize their disparate thoughts on a particular topic this way. Yeah.

[Alexis Okeowo]

Especially because it is part memoir. It didn't start out that way. I thought it's just about this cross section of Alabamians and their stories woven together. And then I thought, no, I have to put myself in it too, for it to make sense. And when I was doing that, sort of looking back at my memories and thinking what makes sense, that's when I realized more than ever what an impact Alabama had on me because I could sort of trace it and think about, oh, that moment in high school on the debate team, the speech and debate team actually did influence me in a way. Or that moment like playing organ trail on the computer.

[Luke Burbank]

These, by the way, are the survivors here in this theater. You're looking at them.

[Alexis Okeowo]

Right? Or that moment in the McDonald's in my hometown. You know, all of these things. And I was like, oh, whoa, home really does influence you.

[Luke Burbank]

Even if you leave, does writing this book mean that you can now retire from being like an unpaid Alabama explainer to people in the airport or just at parties or whatever? Because again, it is a place that when you say you're from there, people immediately perk up. They have preconceived notions. Maybe now you can just say, if you're curious, there is a book I've created about this.

[Alexis Okeowo]

Yes, exactly. I think I mostly wrote this for my 18 year old self who was extremely defensive when people would ask me where I was from and be shocked. Yeah. This is the manifesto.

[Luke Burbank]

Well, it's really illuminating and tremendously well written. Alexis Okeyuo, thanks for coming on Livewire.

[Alexis Okeowo]

Thank you.

[Luke Burbank]

This is awesome.

[Maria Bamford]

Thank you.

[Alexis Okeowo]

Thank you for having me.

[Luke Burbank]

That was Alexis Okeoo here on Livewire. Her book, Blessings and Disasters, a Story of Alabama is available right now. Hey, special thanks this episode to Sarah Weil of Maplewood, Minnesota, and Rob Capa of Milwaukee, Oregon. Sarah and Rob are part of the Livewire member community and they are generously supporting our show with a donation each month, which we are very grateful for, because it is literally how we can keep the show going. So huge thanks to Sarah and Rob for supporting Livewire. I'm Luke Burbank here with Elena Passarello. Of course. Each week on the show, we like to ask the Livewire listeners a question. Elena, what did we ask them this week?

[Elena Passarello]

We asked the listeners to do describe something that they find super funny.

[Luke Burbank]

Okay, that's fairly open ended. I like it.

[Elena Passarello]

Well, I think it comes from that 25 questions thing that our guest Maria Bamford designed and.

[Luke Burbank]

Oh, right, of course.

[Elena Passarello]

A bunch of people like Judd Apatow and Zoran Mamdamani had figured it out and that's one of the big questions that she asks.

[Luke Burbank]

I see. Okay, so we've now asked our listeners this question from the Maria Bamford questionnaire. And what did they tell us?

[Elena Passarello]

Okay, these are all amazing. Molly says my mom replies to random people on the Threads app by just typing stop because she thinks it's like a text message and that will unsubscribe her from someone's updates. But really she's just nagging random folks on the Internet. Do you.

[Luke Burbank]

I love that so much. My mom will, like, first of all, she will ask me when is Livewire on the radio? Which I feel like is a knowable thing. And then sometimes she'll just like, Facebook messenge me. Like, I don't messenger or whatever. Like, I don't even go on Facebook. But instead of texting me, like, my mom uses the most random forms of communication to try to talk to me.

[Elena Passarello]

She finds you on LinkedIn.

[Luke Burbank]

Seriously, what is something else funny that one of our listeners enjoys?

[Elena Passarello]

This is another little bit of online humor. Maeve was talking about Wikipedia burns, which is when the sort of seemingly encyclopedic and unbiased Wikipedia has like, some, some sick digs in it. One of them is on comedian Dane Cook's page. It says commentators in a variety of media sources have characterized Dane Cook's humor as, quote, unfunny.

[Luke Burbank]

You know what I'm always fascinated with, with Wikipedia is the. The sort of parts of a Wikipedia page that were clearly written by the person in question. Like, if you're reading about, like, the Blue Oys, for some reason, it gets really into, like, who was the tambourine player on the, like, 11th track off of, you know, an album they put out in 2001, you know, that was the tambourine player getting in there and making sure that they were getting their credit. All right, what's something else funny that our listeners enjoy?

[Elena Passarello]

Oh, this is so sweet. This is From Jay. Jay says the package delivery guy who did a little celebration dance after successfully fitting a huge box onto my porch. I watched it on my ring camera. He did a full shimmy after delivering the box and then moonwalked back to his truck. Do you think those guys know now that they're they're all, like, on Candid Camera all the time?

[Alexis Okeowo]

Yeah.

[Luke Burbank]

I guess they must realize that at this point. I just love when people go above and beyond. I have the nicest mail delivery person. Like, she takes not only my mail delivery, but anything else that's been brought to my house. Like, so seriously. Like, I came back from a trip recently, and she had moved all of the other packages, like, the Amazon stuff, into, like, kind of my porch where it was more covered because she was worried about it.

[Elena Passarello]

Aw, that's wonderful.

[Luke Burbank]

No moonwalking, but, like, just excellent customer service from the United States Postal Service. So shout out to them. All right, well, thank you so much to everyone who answered our listener question. We really appreciate it. You're listening to Livewire. Now, Stephen Colbert calls our next guest his favorite comedian on earth. Can you imagine if Stephen Colbert said something like that about you, Elena? I mean, I would be levitating with excitement. It's very high praise, but she deserves it. She starred in the Netflix series Lady Dynamite as well as the documentary Comedians of Comedy. And she's got a New York Times bestselling book. Sure, I'll join your cult. To her credit, she's also a tireless champion for mental health advocacy. And also pugs, by which we mean the dog pugs. She loves them. We are so excited that she is on our radio show this week. This is Maria Bamford recorded live at the Fine Line in Minneapolis, Minnesota. Check it out. Yes.

[Maria Bamford]

Thank you so much for having me here.

[Luke Burbank]

Maria. Thank you so much for being on the show.

[Maria Bamford]

Yeah, yeah. I'm not everybody's cup of tea, so apologies.

[Luke Burbank]

I feel like this crowd really gets you. What do you think?

[Elena Passarello]

Do you.

[Maria Bamford]

No, it's ok.

[Luke Burbank]

Being from Duluth, do you feel like you connect with Minnesota folks?

[Maria Bamford]

I love Duluth. I go up there. My sister still lives up there. And so. And she's. Yeah.

[Luke Burbank]

So do you remember the time when they hired Telly Savalas to promote the.

[Maria Bamford]

Town of Duluth because he had a lady friend there and I think had a child through her.

[Luke Burbank]

That was it.

[Maria Bamford]

Yes. Yeah. And you know who else dropped a baby in Duluth? Okay, who's. Who were the guys? The blonde guy and then the short guy with the. And they would do pop songs together. Hall And Oates Hall.

[Luke Burbank]

And Oates Hall.

[Maria Bamford]

Hall dropped a baby in Duluth.

[Elena Passarello]

Ah, Daryl Hall.

[Maria Bamford]

It just makes you feel house proud.

[Luke Burbank]

So I was looking at Vulture magazine, and they have this really great feature called the Maria Bamford Questionnaire, where they ask this list of questions that you came up with. They present the questions to kind of famous or noteworthy people. And these questions are so probing and insightful and disarming and all the things that I'm incapable of doing as allegedly a professional interviewer. And you cracked the code, Bamford. How did you come up with this list of questions?

[Maria Bamford]

They just asked me, and I wrote. I typed it in.

[Luke Burbank]

Makes you feel worse.

[Maria Bamford]

Yeah. No, no. I'm so sorry. I didn't know that they were going to be using it for different people. I didn't know what they're going to use.

[Luke Burbank]

They had Zoran Mamdani do it.

[Maria Bamford]

I know, I know. I was like, oh, no. I should have asked much more than I did. But I. Oh, well, they're great.

[Luke Burbank]

They're very revealing, you know, of the person who's answering them, but not in a way that's nosy or pushy. Well, a couple are maybe a little nosy. I was wondering, would you be okay with us asking you some of the Maria Bamford Questionnaire?

[Maria Bamford]

Yes.

[Luke Burbank]

Okay, let's just start at the very beginning. What do you like to eat or drink right before bed?

[Maria Bamford]

Oh, my gosh. Now, I want to say just a small cup of. Of skim milk and a lightly toasted piece of bread, but let's get honest. I make chocolate chip cookies in the size of an asteroid, and they're very thick. And then I kind of cool them. They're chilled. And then I put that. I put that in the fridge and I bring that to bed.

[Luke Burbank]

Yeah.

[Maria Bamford]

And they're crumbs. It's gross. It's gross. And then I slowly gnaw at that. As I read and then pass out. To Sarah Quell.

[Luke Burbank]

When you and your husband first started, you know, having sleepovers and things like that, were you have. Did you have the sort of same amount of. Let's just say, like, cleanliness as it comes to, like, crumbs and things? Because that can be a problem in a relationship.

[Maria Bamford]

We were both messy. Okay.

[Luke Burbank]

So.

[Maria Bamford]

But I think. But we both know how to clean. We know what it looks like. I've stayed at a Hampton Inn. Okay. Not blind. And. Yeah. So about the same amount of mess. Yes. Yeah. Scott has sometimes said, marie, why'd you load the refrigerator? Like it's a prank show. Cause it is.

[Luke Burbank]

Boom, boom, boom, boom.

[Maria Bamford]

Boom, boom, boom, boom.

[Luke Burbank]

Question number two on the Maria Bamford questionnaire. What would your religion be like if you could make up your own?

[Maria Bamford]

Oh, man. Well, it'd have a low bar where just like everybody in. And even if you had, like, I go to a lot of 12 step groups, which you're not supposed to say.

[Luke Burbank]

Unless you're going to all of them. Nobody knows.

[Maria Bamford]

Nobody knows which one. But sometimes in those groups, sometimes they'll kick out someone who has a mental health issue who's being disruptive. And I just think, no, man, that's who needs to be here. Or like, that's when you need people, is when. I mean, of course there must be, I guess, some boundary to that, but I think that's what I would hope is that, yeah, that would be welcoming to everybody, but then maybe have metal detectors just like here. Just like here. Here at the Fine Line. Well, everybody in. But let's pat you down.

[Luke Burbank]

What just happened in your life? This is question number five from the Maria Bamford questionnaire, and I think a really good question just happened.

[Maria Bamford]

Well, I just moved.

[Luke Burbank]

I'm so sorry to hear about your house, by the way.

[Alexis Okeowo]

Yeah, yeah.

[Maria Bamford]

Oh, no, it's, you know, the Earth has a little message for us. Please leave. Please leave. Would you please get out of my Earth? Yeah, so living. Apartment living, which is actually very nice. Moved into a complex where it's a lot of Latina grandmas and they appreciate my asteroid cookies.

[Luke Burbank]

What is the last thing that you bought? Used. This is. Again, this is off of the Maria Bamford questionnaire. As a questioner myself, semi professionally, I need to be clarified. These are Maria's own questions. I don't want to. I'm not trying to take credit for them. They're good questions.

[Maria Bamford]

Where did I get. Oh, I always get a used book. So, like the Internet for Dummies. Like, I get them late in the game. I go, what if this is something we'll be helpful at this point?

[Luke Burbank]

When I was a cub reporter for npr, I lived in la and I got a call, they said, do you want to. The person who covers Congress is about to go out on maternity leave. Do you want to go cover Congress? And I said, absolutely. And they said, do you know much about it? I go, absolutely. As I was driving to the Barnes and Noble in Pasadena to buy Congress for Dummies. 100% it is.

[Maria Bamford]

So any for Dummies, if you've ever read. Now, one of my favorite books of all time is Personal Finance for Dummies. I'm a bit of a nerd. I don't know what I'm doing. I'm just blathering about. I know nothing about personal finance. But this man, Eric Tyson, who wrote it, is such a dear, kind person when he's talking about stuff that's quite frightening. Money's very emotional to people. That's why all people who work in banking have a flat affect. He earned about the same amount this year.

[Elena Passarello]

Oh, you dare say what actually happened.

[Luke Burbank]

Question number 11 from the Maria Bamford questionnaire. What TV show or movie would you want to play a part in and what part would it be?

[Maria Bamford]

I just want to do a slow bleed. It's already happening. I've put on £25. I'm almost my mother. And if I could just be my mother for the rest of my life. And currently my mother is now in heaven. Now, guess what heaven is like. Guess, guess. Yo, yo, yo, yo, guess. Like Minnesota. It's very close, very close. But it is not. It is the Delta Sky Club in Atlanta, which means it's a little crowded and hot and there's far too many broccoli selections, but it's okay. And you think, well, I'm glad I got in.

[Luke Burbank]

That's the TV show you would play a part in.

[Maria Bamford]

I just want to come on with one line an episode and go, oh, that's it. I love it. I don't have to.

[Luke Burbank]

I do feel like that's the kind of airport lounge world is underexplored as a television premise. It's the new Love Boat. And it's weird because I have happen to have been in a few different ones and it's like, they're definitely getting the kind of weird food stuff from the same place.

[Maria Bamford]

Yeah, well. And like, it's supposed to be fancy, but then it's a smaller space than the actual surrounding airport. So you're smelling some very deep farts.

[Luke Burbank]

Yes.

[Maria Bamford]

Like, it is like, you know, leather bound farts, that of a man or a woman who's had a couple of gin and tonics.

[Luke Burbank]

But by the way, well, gin, because it's extra if you want anything good. Oh, yeah, that's the thing. Like, what if you had less going on than in the airport, But I could offer you very, very bad wine.

[Maria Bamford]

Well. And they won't let you lay down in the club. I, like a hobo tried to lay down in the club because I was like, I'm Ta Tai, wanna lay down. They said, no, no, no, little girl, no, no, no. You go out with the hordes. And you lay down where you wish. That's why I like to lay down by the gate. You gotta set up camp.

[Luke Burbank]

What's something you regret doing within the past week besides agreeing to be on Livewire?

[Maria Bamford]

Oh, goodness. Well, I have a dear friend who sometimes I expect to act differently. And when I say that, I say sometimes this friend cannot be affirming. You know, when you. Something that you're excited about and you say, oh, guess what? I'm gonna perhaps maybe something. I'm gonna be on radio soon. And then your friend maybe says, well, I mean, what is it on? Have I even heard of it?

[Luke Burbank]

That one hurts.

[Maria Bamford]

No, no, I know. Well, I was just asking. Cause I want to be supportive and find out where it is. You put yourself out there and you show your little pink belly and you want a tummy rub. You want a little tummy rub. And then what happens is a person goes, oh, that's weird. I mean, if you can't handle just me being critical, how could you even handle being in show business? I don't even know who this woman is.

[Pete Drozh (singing)]

Right.

[Maria Bamford]

But she's in my head 24. 7.

[Luke Burbank]

How many colors has your hair been? Question 16 in the Maria Bamford questionnaire.

[Maria Bamford]

One, two, three, four. I think four. And then I've also had it shaved. Had it shaved. When I was in Minneapolis, I was shaved. I had a shaved head. And I would busk on the street for change while playing a musical instrument, the violin. Poorly.

[Luke Burbank]

You busked here in Minneapolis?

[Pete Drozh]

Yes.

[Maria Bamford]

Not during the winter, but I was not. I did not have an amp. It was poorly thought out. And I was shy, so I'd often do it in a parking structure.

[Luke Burbank]

Well, we're very glad that you've overcome your shyness and become the Maria Bamford that we all know and love. Maria Bamford, thank you so much for being on Livewire. That was the inimitable Maria Bamford recorded live at the Fine Line in Minneapolis, Minnesota. You can check out what she is up [e-mail]. you're tuned in to LiveWire from PRX. We got to take a very quick break, but stay where you are. When we return, we will talk to Seattle indie rocker Pete Drozh. More Livewire coming your way in just a moment. Hey, it's your friend Luke reminding you, as if you didn't already know, that Livewire has sort of always been a show that does not really work out on paper. The math doesn't totally math, as they say. We're a weekly national broadcast we do dozens of live events that are produced on a budget that is mostly held together by like, duct tape and determination, I guess so. As you have probably already heard, things are really tough out here in public radio, especially for shows like Livewire. Government arts fundings have been slashed. There are a lot of stations that can no longer pay for the show, and ticket sales and sponsorships are down across the entire industry. These are all the ways that we've been able to kind of balance our books over the years, and those are going away. We have somehow survived for two decades basically by being too stubborn to quit. And we are not going to quit anytime soon. But we cannot do this alone. If you are hearing my voice right now, we need you to join us to make this radio show and this experience happen. Look, maybe you discovered a musician on Livewire that you weren't hearing on like the top 40 radio. Maybe you found like your next favorite book or author. Maybe you ugly laughed alone in your car or ugly cried. No judgment. Look, if this show has been there for you in any way, shape or form, we are asking you right now to help us build a version of Livewire that can't be defunded, can't be canceled and can't disappear because budgets get tight, which is what we're in danger of having happen now. Right now, if you can join our fully charged [e-mail] fullycharged, you will help us keep the lights on and keep the weird, wonderful conversations that Livewire is known for flowing. So thank you so much for stepping up and doing your part to keep Livewire going. We can't do this without you. Welcome back to Livewire. Okay, before we get to this week's musical guest, Pete Droz, a little preview of what we are doing on the show. Next week we're gonna be talking to Ginny Hogan about her path to comedy. You know this Elena. It's one of those classic stories. A data scientist at a mayonnaise company starts blogging about her online dates and now has a book deal. The book is I'm More Dateable than a plate of Refried beans, which Vulture named one of the top comedy books of its year. Then we're to going to hear from Oregon's one time poet laureate, Anish Mozgani. His poems have literally brought me to tears when we recorded them. I have to really like steel myself for when Aneesh is on the show because it's so emotionally powerful. And then we're gonna get some music from one of our favorites. And he became actually a lot of folks favorite when he was on America's Got Talent. He also sings with Pink Martini. Jimmy Harad will be providing us some music, so tune in to next week episode of Livewire. In this week's episode of the show, our musical guest burst onto the alternative music scene in the 1990s. Hailing from my hometown of Seattle, and he has spent the intervening three decades proving that that initial attention was not a fluke. He's been crafting albums that blend rutsy Americana with power pop hooks and literary wit. His latest album is Fade Away Blue. This is Pete Droage live at the Alberta Rose Theatre in Portland, Oregon. Pete, welcome to the show. I'm so happy to have you on. I've been a fan of yours for years and years.

[Pete Drozh]

Same to you.

[Luke Burbank]

Can we talk about this latest album, Fade Away Blue? The songs are very personal, at least some of them about, you know, people in your lives and people in your lives who've passed away. What was the story?

[Pete Drozh]

Well, the cornerstone songs of the album deal with different aspects of my experience as an adoptee. And those both speak to an experience that I had where around the time I turned 40, did a lot of soul searching and looking within and eventually kind of came upon my adoption. I thought, hmm, maybe that's a thing. Is that a thing? And I found out it is a thing. Yeah, being an adoptee. And there's a woman named Nancy Verrier who wrote a book that really, I think, changed the way a lot of people thought about adoption. It was called the Primal Wound. And her theory is that that separation from the birth mother is experienced as trauma. And then that trauma sort of informs your development as a young child, but.

[Luke Burbank]

Also when you're adopted. Because I never met my biological father, but I have a great father who raised me. And there is this feeling that if you're too hung up on this person or persons that are missing from your life, it's like insulting or non appreciative to the people who raised you.

[Pete Drozh]

You know, for me, I had no desire to search until I hit midlife. I kind of felt like, I'll sing a song about my parents, Jan and Arnie Droj here in a minute and you'll see that that's a song of total love and appreciation. So I just felt so lucky and I had a wonderful situation relationship with my folks, so I really wasn't interested. But then when I got to kind of midlife and I started to ask these questions like, what's up with this thing? This anxiety and this depression and all that substance abuse I dealt with when I was younger. So as I started to kind of unravel that stuff, that's when I kind of started to look into it. And then I decided that I wanted to search for my birth mother. That kind of became what I was fixated on. And when I searched, I was born here in Eugene and they have open adoption records in Oregon. So I was able to get the pre adoption birth record. And when we googled the name on the form, she had passed away just months before we found her obituary.

[Luke Burbank]

Wow.

[Pete Drozh]

And so I'm not gonna sing those songs. There's a couple songs on the record. I wanted to keep it uplifting tonight. And then the rest of the songs are kind of have an autobiographical thread that kind of run through them. We sort of drop into different periods of my life.

[Luke Burbank]

You're also gonna be re releasing this album you put out in the 90s, necktie second, which is a much loved album. And I'm kind of wondering. I'm thinking about that album when it came out. And I was like a music obsessed kid in Seattle listening to KCMU and like just like absorbing everything musical about the town, including your stuff. And I always sort of perceived you to be somebody who was kind of part of the scene, but also a little bit outside the scene. Like you kind of had your own look and vibe and like what you were doing. I mean, you're well respected by the people that were, you know. Weren't you like, you make pizza with one of the guys from Pearl Jam or something?

[Pete Drozh]

Yeah, yeah. Mike McCready and I worked at Pycoras restaurants again. Right? Yeah.

[Luke Burbank]

Were you. Was it ever like, did you ever feel the urge or the temptation, I guess, to kind of become more like some of that Seattle scene? Because like everybody was just getting these crazy record contracts if they had three power cards.

[Pete Drozh]

I was never tempted. I always. I was pretty hell bent. So I never. I mean, I wore the flannel. I took that mold. I like to think I was the first. I can go back to pictures of me in the fourth grade. I was sporting the flannel. So yes, like, I was the pioneer of the flannel. I think they all got it from me.

[Luke Burbank]

I'll co sign that.

[Pete Drozh]

But musically, no, I was pretty hell bent. My first band that played a lot of gigs around Seattle was called Ramadillo. And we were like alt country before the term existed. So I was really into that. And yeah, once I was ready to make a record, actually speaking of Mike McCready. He kind of gave me my break in show business. So after Pearl Jam exploded, he financed a demo for me, and then that demo found its way into the hands of their producer for their second album, a guy named Brendan o', Brien, who's like. Like a superstar producer. You know, I had a vision for what I wanted, and it was more in the singer, songwriter, you know, kind of classic, I guess. You know, now they call it Americana, but we didn't have those words back then, but yeah. So to answer your question, never tempted to, like, you know, get a big muff pedal and enter the G word.

[Luke Burbank]

Yeah. There were enough people doing that. I'm glad that we got the Pete Droage that we got. Okay, so can we hear a song?

[Pete Drozh]

Yeah. Yeah. This is the lead track on the album. So I spoke about, you know, the cornerstone songs deal with the adoption, and we wanted to lead the album with a song that speaks to my love and appreciation for Jan and Andy Droage. This is called. You'd called me kid?

[Pete Drozh (singing)]

My world was in inside out no idea what I was about.

[Luke Burbank]

But then.

[Pete Drozh (singing)]

You saw me just as I was a child in a daydream trying to catch your slipstream? You called me kid and I can't thank you enough for what you did? You called me kid Never in this life could anybody find a more generous or precious gift to give.

[Pete Drozh]

Ah.

[Pete Drozh (singing)]

Ah.

[Luke Burbank]

I.

[Pete Drozh (singing)]

I got this picture of us on the beach holding my hand and up I reach we're running fast away from a wave that may be trying to chase us but we got smiles on our faces?

[Luke Burbank]

You.

[Pete Drozh (singing)]

Called me kin and I can't thank you enough for what you did? You called me kin Never in this life could anybody find a more generous or precious gift to give.

[Luke Burbank]

Ah.

[Pete Drozh (singing)]

In my mind you got my headphones on watching you move to my song? You close your eyes and smile and say, kid, this is a good one. Yeah, it's a good one. You called me kid and I can't thank you enough for what you did. You called me kid. Never ended in this life, could anybody find a more generous or precious gift to give? Ah, ah.

[Maria Bamford]

Ah.

[Pete Drozh (singing)]

Knock yourself out, kid. Knock yourself out. Knock yourself out, kid, Knock yourself out. Knock yourself out, kid, Knock yourself out. Knock yourself out, kid, knock yourself out. Thank you.

[Luke Burbank]

That was Pete Droz recorded live at the Alberta Rose Theater. You can check out his album, Fade Away Blue. Wherever you get your music, you can also keep up with Pete on substack. It's pete droz.substack.com all right, that's going to do it for this week's episode of Livewire. A huge thanks to our guests Alexis Okeowo, Maria Bamford and Pete Droz.

[Elena Passarello]

Laura Haddon is our executive producer, Heather D. Michel is our executive director, and our producer and editor is Melanie Sevchenko. Eben Hofer is our technical director and Trey Hester is our assistant editor.

[Luke Burbank]

Valentine Keck is our operations manager and Ashley park is our marketing manager. Tiffany Nguyen is our intern. Our house sound is by DE Neal Blake, Stephen Sulak, and our house band is Danny Ailey, Ethan Fox, Tucker, Eyal Alves, Sam Pinkerton and A. Walker Spring, who also composes our music. This show was mixed by Eben Hofer and Trey Hester.

[Elena Passarello]

Additional funding provided by the Oregon Arts Commission, a state agency funded by the state of Oregon and the National Endowment for the Arts. Livewire was created by Robin Tenenbaum and Kate Sokoloff. This week we'd like to thank member Sarah Will of Maplewood, Minnesota and Rob Capa of Milwaukee, Oregon.

[Luke Burbank]

For more information about our show or how you can listen to our podcast, head on over to Livewire. Livewireradio.org I'm Luke Burbank. For Elena Passarello and the whole Livewire crew. Thank you for listening and we will see you next week. Hey, if you appreciate the work that Livewire is doing to amplify riveting and unexpected voices to a national audience, and I gotta tell you, it's a big audience these days, please, please, please consider offering some monthly support by becoming a member of our league of Extraordinary Listeners. Here's how it works. Membership starts at just five bucks a month and there are great perks at every level, including a special shout out on the broadcast. Impress your friends by being shouted out on Livewire. It means means the world to us and really does make it possible for us to do the show. So please, if you can, help, support us by visiting livewireradio.org Memberships.

[Elena Passarello]

From prx.