Louder with Crowder – Episode Summary

Episode Title: Be Careful - Woke Isn't Dead Yet & Netflix Proves It
Date: December 9, 2025
Host: Steven Crowder

Overview

In this episode, Steven Crowder addresses the ongoing presence and potential resurgence of "woke" ideology in American culture and media, emphasizing that the so-called culture war is far from over. Crowder examines Netflix's attempted acquisition of Warner Bros. Discovery, arguing that media consolidation could amplify left-wing activism and "woke" messaging in entertainment. The episode also critiques prominent progressive figures, controversial media platforming, and cultural trends surrounding issues like gender identity, cancel culture, and diversity in politics and entertainment. The tone is combative, satirical, and unapologetically politically incorrect.

Key Discussion Points & Insights

1. Is "Woke" Really Dead?

• Crowder challenges the narrative that "wokeism" and cancel culture are fading, warning that they could return—and even intensify—if large corporations regain unchecked cultural power.
  • “If you guys think that we’re past the woke brigade... Do you have any idea how quickly it can come back?” [01:15]
  • Main Point: Even if backlash quieted, the infrastructure and desire for control remain.
  • Platforming: He argues that the left regularly platforms the most extreme voices (e.g., NYT's interview with trans activist Chase Strangio)—far more radical than anything found on the right.
  • "None of it is anywhere near as bad as the New York Times platforming Chase Strangio…" [01:34]

2. Netflix’s Massive Media Play & Cultural Implications [22:10–56:37]

• Netflix is reportedly seeking to acquire WB Discovery, with potential for up to 33% of the streaming market, possibly up to 40% with “cumulative effect,” raising antitrust and content control concerns.
  • “If Netflix makes this purchase… immediate 33%… could very easily get to 40%.” [27:49]
• Crowder asserts Netflix is not just creating, but engineering culture by “pushing content that nobody asked for, that nobody wanted, and is corrosive.”
  • “They tried to fundamentally restructure society by pushing content that... is corrosive.” [25:12]
• Concerns about monopoly:
  • “It allows them to lock other people out, to shut other competitors out… That does bring up, to be clear, some antitrust questions.” [27:49]
  • He wonders if even a capitalist should worry:
  • “How does any of this benefit the American people?... Capitalism works when people have options.” [55:44]
• Obamas’ involvement with Netflix:
  • “In 2018, they signed a multi-year content partnership deal with the Obamas. And as we well know, the Obamas are well-versed in filmmaking. Yeah, great content.” [29:54]
  • Implies the Obamas are used as figureheads to grease international business and spread progressive ideas.
• Retroactive editing: Warns that with streaming, companies control (and can alter) cultural content at will, citing prior Netflix edits:
  • “They can retroactively edit whatever they want. And they’ve done that in the past. This would not be good for the country.” [55:44]
• Content examples:
  • Shows a montage of Netflix programming (Dear White People, Cuties, etc.), denouncing it as divisive, hyper-sexualized, or pushing progressive views on gender and race. [36:50–38:20]
  • Discusses a fictional Netflix film “Queen of Coal”—a satire of "progressive" storytelling:
    • “A trans woman dreams of working in the coal mines. What a dream... My dream is to have a job that anyone can get, nobody wants, is dangerous and doesn’t pay well.” [41:18]

3. Platforming Extremism – Left vs. Right [60:11–62:29]

• Crowder emphasizes selective outrage over "platforming":
  • The right is vilified for interviews with controversial figures, yet mainstream outlets platform even more extreme radical left voices.
  • “There is no one on the right who has been mainstream platformed who even comes close to anywhere near as extreme as this activist.” [60:53]
• Chase Strangio and the NYT:
  • Crowder plays audio of Strangio advocating for what he labels “genital mutilation of children” and “chemical castration,” calling it “religious doublespeak.”
  • “Can you think of anything more extreme? … than the denial of biology and … to castrate children?” [02:17]

4. Political Satire—Jasmine Crockett, Intersectionality & Identity Politics [15:24–21:01]

• Crowder satirizes Texas Democrat Jasmine Crockett’s Senate announcement and the Democratic Party’s “diversity hierarchy,” lampooning identity politics:
  • “So I don’t know who ranks higher in the hierarchy. …you have a lesbian, you have a biracial man, and then, I mean, you have a retarded person later in Crockett.” [19:24]
• Critiques proposed policies/language from progressive politicians, e.g., race-based tax proposals, as “illogical” and “mathematically illiterate.”
  • “It’s not so much that I’m offended by how stupid the idea is, though I am.” [21:01]

5. Masculinity, Gender Roles & Viral Videos

• Mockingly discusses a viral video showing a boyfriend refusing to help his girlfriend during an attempted robbery, using it as a segue into traditional gender roles:
  • “That is not a man… His duty is to die for you if necessary.” [11:53]
  • Satirizes cultural confusion:
  • “Women are okay with a lot of stuff… Maybe the LGBTQI people have a point. Maybe there is no gender at this point…” [11:53]

6. Media, Wokeness & Regulation [56:37–57:26]

• Crowder considers whether “woke” content amounts to propaganda and advocates for government regulation:
  • “At a certain point, this is propaganda. …There are two genders. Nope, nope. That’s why I actually agree there needs to be more appropriate authority to our government to regulate these kinds of things.” [56:37]

7. Cultural Critique – Transgender Issues & Medicalization [62:29–64:17]

• Dissects left-wing arguments for medical intervention for transgender youth, dismissing them as pseudoscience:
  • “You cannot point me to any data… that you’re born with the wrong brain…” [64:17]
• Claims medical intervention (transitioning) does not work, citing high suicide rates post-transition and that most kids “grow out of it” if left alone.
  • “Those who go through sex change surgery, post-op … are still 19 times more likely to commit suicide…” [64:44]
  • “75 to 90% of kids who don’t transition… grow out of it. Once you intervene, 0% grow out of it.” [65:20]

Notable Quotes & Memorable Moments

• Crowder on cancel culture returning:
  “Do you have any idea how quickly it can come back?” [01:15]

• On platforming double standards:
  “None of [the right’s guests] is anywhere near as bad as the New York Times platforming Chase Strangio…” [01:34]

• On Netflix’s intent:
  “They tried to fundamentally restructure society by pushing content that nobody asked for, that nobody wanted, and is corrosive.” [25:12]

• On political identity hierarchy:
  “You have a lesbian, you have a biracial man, and then you have a retarded person later in Crockett. It’s true.” [19:24]

• On Netflix programming:
  “This is the one with twerking children. As far as I’m concerned, that’s the worst piece of content ever put out.” [36:57]

• On traditional gender roles:
  “That is not a man… His duty is to die for you if necessary.” [11:53]

• On regulatory solutions:
  “At a certain point, this is propaganda… There are two genders. Nope, nope. That’s why I agree there needs to be more appropriate authority to our government to regulate these kinds of things.” [56:37]

• On transgender medicalization:
  “You cannot point me to any data… that you’re born with the wrong brain…” [64:17]

Detailed Timestamps for Key Segments

• 00:00–01:15 – Opening banter, ad skip — episode theme introduced
• 01:15–02:40 – Crowder on resurgence of woke ideology and platforming double standards
• 14:23–21:01 – Jasmine Crockett, political identity satire, intersectionality
• 22:10–56:37 – Netflix buying Warner Bros., media consolidation, culture war, content critiques
• 36:50–38:32 – Montage of Netflix shows criticized (“Dear White People,” “Cuties,” etc.)
• 41:18–49:03 – Satirical review of “Queen of Coal” (fictional Netflix film)
• 56:37–57:26 – Discussion on propaganda, government’s regulatory role
• 60:11–62:29 – On platforming, Chase Strangio segment
• 62:29–66:00 – Transgender medicalization debate, argument against pediatric transition

Overall Tone & Takeaways

Crowder maintains a sarcastic, mocking tone throughout—direct, frequently crude, and intentionally provocative. The main message: "wokeness" is far from dead, and the acquisition of more media power by progressive institutions (Netflix, etc.) is a significant cultural risk. He points to what he sees as one-sided media platforming, the inappropriate influence of identity politics, and the normalization of extreme positions on gender and sexuality in mainstream outlets. Crowder asserts that vigilance, parental involvement, and—increasingly—regulation are necessary to preserve traditional values and the cultural balance in America.

For those who haven’t listened

This episode is a comprehensive, humorous, and caustic exploration of the “woke” culture war as Crowder sees it, with a heavy focus on Netflix as a potent propagator of progressive ideology. Crowder’s analysis moves briskly through politics, viral news, media mergers, and cultural trends, all punctuated by skits, mockery, and strong language. Listeners can expect unfiltered conservative commentary and a warning not to relax in the cultural battle—even if the headlines say “woke is over.”