Transcript
Moderator (0:00)
Rebecca, what are some of the ways in which even the most secular people act out impulses that conventionally are expressed in religion?
Rebecca Goldstein (0:10)
Yeah, that's actually one of the tactics I take in the novel. It's, I think, one of the most. It's the ways I try to generate humor. In fact, with these parallels, I'll mention I mentioned three very, very briefly. One is romantic love and the kind of deification of the loved objects that can almost feel like a religious conversion sometimes. And, you know, with all of the world reconfigured around this one creature who must love one back in return, or one is damned, one is doomed, you know, and redemption, saving rests entirely in that way that person regards you back. Do they love you back? Has something of the religious about, can have something of the irrational about it, which is often when you fall out of love, you know, it's like it feels like you've been. What is it, you know, deprogrammed. What do they used to do with the Moonies? You would go deprogrammed. Right. It's like, you know, how could you have infused that creature with all of these supernatural qualities almost. So there's that. And to make the case for that, and I believe this to be true, actually, that to make the case for that, I give my main protagonist, Cass Seltzer, a tormented love life. He is a terrible judge of women whom he deifies, you know, who he just slathers with all sorts of supernatural characters, characteristics. And it's very sad. I make him suffer very much because of this. And there is a character, it's one of his former girlfriends who comes bursting into his life, while his present love object, Lucinda Mandelbaum, is at a conference on game theory. And she, this former girlfriend is an anthropologist who's been doing research on Amazonian hunter gatherers. And she has thinks she has discovered the secret to immortality. And she's retired from academia and she started a nonprofit called the Immortality Foundation. And she's going to achieve, if not immortality, a very long life. She says anything less than 500 years is barbaric. That, you know, through biochemistry, through popping lots of vitamins and antioxidants, and she's reprogramming her body so that, you know, to achieve immortality. And I do think that fear of death is one of the primary religious impulses. And last, briefly, is the kind of certain figures can become charismatic and they can seem to be channeling truth from on high. And you find these figures not just in religious contexts, but you find them in secular contexts, indeed. You can find them in the bastions of rationality, you can find them in universities, these kind of self declared, almost messianic figures who have their disciples, also known as graduate students, you know, who take everything that these figures, you know, I've watched this time and time again in academia and every time this figure changes his or her, sometimes they're women, usually men, changes his opinion about something. All of the graduate students, you know, change their opinion about something. And that is, that is something that I think again has something of the religious hanging around it. And I satirize it viciously in the.
