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The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

The Sweetest of It All, produced entirely by Last Word is a 14 track opus of personal and breezy expressions over a lush, colorful and futuristic-soul soundscape from the 70’s and 80’s with a light touch of boom bap nostalgia. Throughout the album, MaLLy calmly explores and identifies the layers of his humanity through the lens of joy, resilience, and equanimity. The south Minneapolis rapper confidently champions true liberation, his Blackness and sobriety as some of the sweetest elements that the Creator has gifted him in this life. From start to finish, MaLLy & Last Word fearlessly tap into new territory and design a space that is much lighter, more expansive and uplifting than their gritty and experimental collection from 2014, The Colors of Black. Fast forward 10 years later, and it is clear both MaLLy and Last Word’s energy is in sync, refined and more mature. MaLLy’s wisdom of years past, smooth flows, subtle wordplay and succinct content meld naturally with Last Word's alluring production on the space age sonics of "New Year, New Wave" or funky-organ laced "Dreaming" and the moody and misty "100 Heartbreaks." Whether the emcee is opening his heart or attempting to put it back together, in solidarity or comfortable in solitude, it might be safe to say that MaLLy is reinvigorated and focused with his most purposeful content and body of work to date. Written by MaLLy Produced by Last Word Additional Guitar by Jeremy Ylvisaker on tracks 3, 6, 13 and 14 Mixed by Medium Zach Mastered by Alec Ness Artwork & Layout by Keith Williams

“Doing Okay" is the brand new single from MaLLy & Last Word's joint album, The Sweetest of It All. After five years since his last full-length release, the Minneapolis rapper MaLLy returns sounding more comfortable and more focused on this warm feel good track. Accompanied by Last Word’s angelic keys and full bassline, MaLLy’s pen, bravado and delivery shine bright highlighting all of the reasons in life why he is doing okay, better yet, why he is doing great. DOING OKAY Written by MaLLy Produced by Last Word Mixed by Medium Zach Mastered by Alec Ness Animation & Artwork by Keith Williams Stream/add "Doing Okay": lnk.to/doingokay Pre-Order 'The Sweetest of It All': www.mallympls.com/shop Pre-Save 'The Sweetest of It All': lnk.to/thesweetest Get tickets to "The Sweetest of It All" Album Release Party: mallympls.com/events MaLLy on ALL platforms: linktr.ee/mallympls Last Word on X: @lastwordmpls Last Word on Instagram: @lastwordmpls Like, comment and follow! #DoingOkay #TheSweetestofItAll