Barrett Jones is a veteran producer, engineer, Musician and studio owner whose work helped shape the sound of modern alternative rock. A native of Arlington, Virginia, Jones founded Laundry Room Studio in 1984 — originally built in the laundry room of his childhood home — and established the studio as a creative hub for D.C. punk and indie acts before relocating to Seattle in the early 1990s. Jones recorded early sessions with a young Dave Grohl and went on to produce three Nirvana tracks and to produce and engineer the Foo Fighters’ self-titled debut, an LP recorded over an intense five-day run in 1994. That debut later sold more than 1.5 million copies.

Across four decades, Jones has combined technical curiosity with a musician’s sensibility, moving seamlessly between tape-era tracking and modern production workflows. His credits span influential artists and scenes: Nirvana, Foo Fighters, Melvins, Jimmy Eat World, Presidents of the United States of America, and contributions from members of Pearl Jam and Red Hot Chili Peppers, among others. Jones has also toured as a live and studio engineer and served as drum tech and sound engineer on major tours early in his career.

Laundry Room Studio — the recording studio Jones has operated since the 1980s in multiple homes and locations between Arlington and Seattle — remains central to his work. Since 2007, Laundry Room studio has been located in a custom-built area in Barrett’s home in Seattle, featuring multiple live rooms, iso booths, and a large control room that attracts both established artists and rising acts. Recent and ongoing projects include work with musicians across rock, folk, and indie genres; Jones is known for his ability to capture raw performances while bringing clarity and musical balance to recordings.

With a lifelong commitment to hands-on recording, Jones blends old-school tape-era techniques with modern mixing and production tools, prioritizing performance, tone, and emotional immediacy. He remains active as a producer, mixer, and session musician, and continues to run Laundry Room Studio as a creative home for artists looking for an organic, performance-first approach to recording.

IN THIS EPISODE YOU’LL LEARN:

Being a self-taught engineer
Recording the first Foo Fighters record
Being set up for efficiencies
Getting the mix sound at the tracking stage
His go-to approach for guitars and drums
How to get fuzzy, yet articulate guitar tones
The Can: The mysterious, rare amp used on the first Foo Fighters record, made out of a gas can
The importance of room sounds for drums
The mic trick he uses for getting small drum rooms to feel bigger

To learn more about Barrett Jones, visit: https://www.laundryroomstudio.com/

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Barrett Jones: Getting Mix-Ready Sounds During Tracking