Bobbi Giel is a mastering engineer based in Nashville, Tennessee. She relocated to Nashville in October 2017 and spent four years at Georgetown Masters, where she trained under Chief Mastering Engineer Andrew Mendelson. In 2022, she was named Head Mastering Engineer at Welcome to 1979, a multi-faceted, analog-centric studio offering both digital and vinyl mastering services.

Bobbi began her career at The Hartt School at the University of Hartford, where she earned a Bachelor of Music in Music Production and Technology in 2015 with a concentration in Classical Piano and a minor in Business Administration. She then spent two years working across a range of recording and post-production studios in New York City, including MSR Studios (now Sound on Sound Studios in Montclair, New Jersey), Atlantic Records’ Atlantic Studios, and LVLY Studios.

In addition to her mastering work, Bobbi is a member of the Audio Engineering Society and the Producers & Engineers Wing of the Recording Academy. Her mastering credits - spanning both digital and vinyl formats - include artists such as Willie Nelson, Kenny Chesney, Luke Combs, Paramore, Kehlani, Tinashe, Zac Brown Band, and Tyler Bryant & The Shakedown.

IN THIS EPISODE YOU’LL LEARN:

Finding niche industries in audio
Learning production before mastering
Fixing mastering issues in the tracking stage vs later stages
Do your mix levels matter?
Boosting vs cutting with EQ
Finding the input gain sweetspot with gear/plugins
When to use analog vs digital gear in a hybrid mastering setup
How the level you listen at affects how you hear your mix
Finding reference tracks to compare your mix to
Prepping for vinyl cutting
The differences between digital and vinyl masters
Recording directly to vinyl

To learn more about Bobbi Giel, visit: https://welcometo1979.com/mastering/

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