Transcript
A (0:00)
Wow.
B (0:00)
Wow.
A (0:01)
Wes.
B (0:02)
All right.
A (0:02)
We're live.
B (0:03)
We're live, buddy. Levy, thank you for coming. It's Levy or Levy.
A (0:06)
It's Levy. Levy.
B (0:07)
Hell yeah. I got it. Right. Thank you for coming.
A (0:10)
Hey, my pleasure, man.
B (0:11)
I've been. I've been using your books to fuel the Patreon and. Well, thank you for that.
A (0:17)
I appreciate it, man.
B (0:18)
Dude, it's been. I. I mean, I guess we do have a symbiosis going here, but it's really. Dude, they're. They're. First of all, I thought, like, you know, I read the books and I'm like, man, this historian really is a good writer. I would, like, read. And I'm like, this guy can really kind really turn a good sentence. And then I. I learned you. You studied as a creative writer.
A (0:36)
Yeah, that's true. I. I actually published my first story when I was 14 years old, and it was a. It was a bird hunting story about me, you know, killing a chucker partridge, which no one knows about. But, you know, once I saw my byline for the first time, I was. You know, because I grew up in this. In the shadow of Ernest Hemingway in Ketchum, Idaho, and I was like, I just like telling stories, you know, and it was. It. So I. I wasn't ever good at anything else. Ended up being an English major. So I just followed that path, you know, from the time I was.
B (1:10)
That's. Well, that's why I really like the books, because. And I was talking to you before you came in here, I was like, how did I. I don't know how I heard about the book. I was like, maybe it was from someone I follow. It might have just been, like a random search. I genuinely don't remember. I do think it's from the Josh Reads books thing, but I forget that was Conquistador, but that was the thing. I was reading it and I'm like, man, this. This history book is like. It's just focused on the narrative itself rather than just like.
A (1:35)
It's just.
