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Hey, welcome to another bonus episode of the Daring Creativity Podcast. I'm back to unpack some of the gems from this week's conversation, pulling out those moments that deserve a second look and digging deeper into what makes them special. This week I spoke to Robert Hodgin, an artist and head of research and development at Rare Volume, a company specializing in data visualization and immersive installations that make technology feel human. This episode, published a few days ago, was titled Dare to Question. Excellent. And it is packed with deep thoughts and observation of what it's like to be at the intersection of art and science. If you haven't checked out a full interview yet, let me start with these moments that stood out from our conversation.
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So I seem to always be bouncing back and forth between the two, and I think that's why I like visualizing data in an artistic way, because it's not uncommon for data visualizers to be sort of in the science bucket, where they're not really too concerned about the aesthetics. They just want the data to show up on graphs and be readable. And I think there's more opportunity there to present the data in a way that feels more art forward. And that seems to be how I spend a lot of my time lately, is just finding interesting data sets and then finding non traditional things to do with them.
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This moment captures the core tension that defines Robert's entire career and his creative philosophy. He's identified a gap in the market that exists precisely because most people stay firmly in one camp or the other. Data scientists prioritize function, artists prioritize form. But in Robert's case, he recognized that the intersection where both concerns are equally weighted, it is where truly innovative work happens. What makes this particularly powerful is that he's not claiming to have solved the art science divide. He's still bouncing back and forth, which suggests an ongoing dialogue rather than a settled position. This resonates with anyone who's ever felt like they don't quite fit in the traditional categories. His discomfort with choosing became his competitive advantage. For listeners struggling with their own identity across disciplines, this validates that you don't have to pick a side. The middle ground can be the most fertile creative territory.
B
It's, it's gotten to the point where if I hear the phrase arch forward, I'm going to assume that it's not going to be and they already know what they want to see. They just, they're, they're too afraid to dictate it during the call. I guess there's been some projects that, that were Fantastic. We did, I think our first project as Rare Volume was to do content for Samsung for their flagship store in the meatpacking district. And the content was on like a three story video wall. It was huge and stayed out of our way. We got to execute our vision almost to the letter with minor notes because what they wanted at the end of the day was art. They wanted big, beautiful, moving art on their big, beautiful three story video wall. And they didn't need to throw the Samsung logo up on everything and, you know, dictate brand guidelines. They wanted us to do sort of a love letter to New York City as viewed through a Samsung lens. And so that, that was an example of a project that I think is up there with ones that I feel most strongly about.
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This is perhaps the most universally relatable quote for anyone working in the creative industry. Robert has identified a psychological game that plays out in countless client relationships. The performance of trust that mask the unwillingness to actually relinquish control. What makes this observation so valuable is his pattern recognition. After enough projects, he's learned that certain phrases, art forward or we love what you do or will stay out of your way, they actually have become red flags rather than green lights. And this is a hard won wisdom that takes years of frustration to acquire. It's essentially teaching us. Listeners read between the lines of client briefs and spot the warning signs early. I'm sure that some of these words like we love what you do and we'll stay out of your way, they're not unique to what Robin is doing with Rare volume. Those are actually universally recognized red flags for anyone, anywhere in the world. Because I can tell you personally how many times when someone said, hey, just do what you do, we'll love it. And they didn't. So when you think about it, a deeper insight here is about the nature of creative collaboration itself. The true creative freedom requires genuine trust. And genuine trust is rare. Most clients want the safety of someone else's vision with the appearance of taking a creative risk. Robert's frustration isn't petty. It's about a waste of creative potential when talented people are hired to execute someone else's mediocre ideas. This quote, for young creatives, this moment is a permission to value their own judgments and to recognize when a project setup is doomed from start.
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Yeah, well, I should offer that that wasn't my quote. It was what was told to me by one of our employees, Luca, who is wise beyond his years. I had been working on creating these procedurally generated Japanese stone lanterns in Houdini and it was a couple months in and it was starting to get to a point where I felt really excited about it because I was procedurally growing moss and all sort of the shady bits and making the surface look really weathered and cracked and. And it's a lot of fun. And then I would hit, you know, render and then go to sleep, and I'd come back the next morning and see if it looked okay. And it was around that time that I thought, I wonder what Mid Journey would be able to do with this prompt. So I typed in, you know, aged Japanese stone lantern, moss, whatever, and immediately got back four beautiful Japanese stone lanterns of all different designs. And it made me angry. I didn't know what to think about this because the desire to continue working on my version of it evaporated. It's like, why would I. Why would I spend the time now when it's going to be so easy to jump to the end, like reading the last page of a book. You don't then want to read the book because you know what happens? So midjourney showed me the end of my journey for this particular project. And it was really frustrating to me because I was really excited by the project until I saw that AI can generate good results pretty quickly without any of the struggle. So I remember sending Luca a few of these Mid Journey outputs because he had been paying attention to what I'd been working on. And I simply typed out the words, why bother? And he wrote me back this really lovely statement about how we bother because we find value in bringing to life something that lives in our mind. And ended his statement by saying, if I threw away those Mid Journey images, nobody would care because they took no effort, and things that take no effort are hard to value. And that sort of set me straight, hearing somebody say that, somebody who's half my age, he's 25 or 26. He talked me off of an interesting ledge because it made me realize that I need to appreciate the journey and not be too focused on the destination, because the journey is the fun part.
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So a while ago, I had a conversation with the amazing Burton Rast, who picked up on a quote in Robert Hudgens talk at Paradiso. And the quote, and he said, things that take no effort are hard to value. And of course, I had to ask Robert about the situation because it's so simple. It now makes sense when you think about what you've seen today or what you've seen some AI wizard create and share as if it's the next masterpiece on LinkedIn or wherever. It's hard to value because you can start questioning the process. You start questioning what's actually know gone into the process. Because in, in Robert's moment he really captures the most important creative question of our current moment. What is the value of human effort when AI can instantly generate equivalent results? In our conversation Robert talk about two month journey with Houdini versus Midjourney's four second output that crystallized the crisis that every creative person is potentially experiencing right now. What makes this moment profound is the emotional honesty. You need to listen to the conversation where Robert talked about how he was trying to create realistic moss and create these Japanese lanterns and struggled with it and you know, hit render and waited for the outcome the next day and it wasn't quite right. And then when he prompted this intimate journey he got four perfectly amazing renders. But he told me that it felt kind of like a end of the book, like end of the story, like the final frame. It was end of the journey and there was no effort. It was like what do you do with it? Because the quote, you know, things that take no effort are hard to value should be a reminder to anyone who is questioning the value of AI should be questioning clients expectations. If you know they love what you do, but why don't you use AI? Those are usually people who will not value what you do even though there was a lot of effort that's gone into it. So I just love that moment because it just summarizes the whole idea of the episode. The episode was titled Dare to question Excellence and there is time and place and there will always be time and place to strive for excellence and to create extraordinary stuff that is result of, you know, month long processes because we justify the time with something that is out of this world rather than regurgitated. Mid journey render. Thank you for joining me on this episode. I hope you check out the full interview with Robert Hudgen and I look forward to seeing you on the next one. If you enjoyed this episode and would like more accessible resources to help you discover your daring creativity, you can pick up one of my books on themes of mindful creativity, creative business, branding and graphic design. Every physical book purchase comes with a free digital bundle including an ebook and audiobook to make the content accessible wherever you are and whatever you do. To get 10% off your order, visit novemberuniverse.co.uk and use the code podcast. Have a look around and start living daringly.
Podcast: Daring Creativity. Daring Forever.
Host: Radim Malinic
Guest: Robert Hodgin (Artist & Head of R&D at Rare Volume)
Date: January 15, 2026
In this bonus recap episode, Radim Malinic revisits highlights from his recent conversation with Robert Hodgin, an artist and data visualizer who sits at the crossroads of art and technology. The discussion explores the creative tension between art and science, the often-fraught dynamic between clients and creatives, and the existential questions raised by artificial intelligence in the creative process. Hodgin’s honest reflections, especially around the theme that “things that take no effort are hard to value,” form the heart of this episode, resonating powerfully with anyone wrestling with creativity in the age of AI.
[00:47–01:23]
Robert on his creative approach:
He describes his tendency to “bounce back and forth” between the realms of science (data visualization) and art (aesthetic innovation). He finds value in challenging the status quo of both, fusing rigorous data with artistic expression.
“...it's not uncommon for data visualizers to be sort of in the science bucket, where they're not really too concerned about the aesthetics. ...I think there's more opportunity there to present the data in a way that feels more art forward. And that seems to be how I spend a lot of my time lately, is just finding interesting data sets and then finding non traditional things to do with them.”
— Robert Hodgin ([00:47])
Host reflection:
Radim contextualizes Robert’s stance as emblematic of “an ongoing dialogue rather than a settled position,” making this space between disciplines uniquely fertile for innovation.
“His discomfort with choosing became his competitive advantage... the middle ground can be the most fertile creative territory.”
— Radim Malinic ([01:23])
[02:26–03:29]
The “art forward” red flag:
Robert shares the nuanced truth that clients’ proclamations of “art forward” projects often conceal a lack of genuine creative trust.
“...if I hear the phrase art forward, I'm going to assume that it's not going to be... they already know what they want to see. ...They’re too afraid to dictate it during the call.”
— Robert Hodgin ([02:26])
Highlighting real creative partnership:
He recounts a formative project for Samsung’s flagship NYC store, with complete trust and artistic autonomy—contrasting rare, fulfilling collaborations with more common, controlling ones.
“...what they wanted at the end of the day was art. They wanted big, beautiful, moving art on their big, beautiful three story video wall. And they didn’t need to throw the Samsung logo up on everything and, you know, dictate brand guidelines.”
— Robert Hodgin ([02:56])
Host takeaway:
Radim draws out the lesson: learn to recognize the red flags in client language, and remember that true creative freedom comes from genuine trust, which is rare and precious.
“...phrases like ‘we love what you do’ and ‘we’ll stay out of your way,’ they actually have become red flags rather than green lights... True creative freedom requires genuine trust. And genuine trust is rare.”
— Radim Malinic ([03:29])
[05:14–07:45]
Encounter with AI and crisis of value:
Robert describes investing months on a procedural CGI project before testing to see what AI (Midjourney) could generate with a simple prompt. The “almost perfect” results from AI were instant, beautiful—and deeply unsettling.
“...it was around that time that I thought, I wonder what Mid Journey would be able to do with this prompt. So I typed in, you know, aged Japanese stone lantern, moss, whatever, and immediately got back four beautiful Japanese stone lanterns of all different designs. And it made me angry. ...The desire to continue working on my version of it evaporated.”
— Robert Hodgin ([05:32])
He candidly admits to feeling demotivated, likening it to reading the last page of a book before starting—the journey loses meaning if you already know the destination.
“...Midjourney showed me the end of my journey for this particular project. And it was really frustrating to me...”
— Robert Hodgin ([06:06])
The wisdom of effort and meaning:
Robert shares a formative exchange with colleague Luca, distilling the core lesson:
“He talked me off of an interesting ledge because it made me realize that I need to appreciate the journey and not be too focused on the destination, because the journey is the fun part.”
— Robert Hodgin ([07:34])
The origin of the episode’s central quote:
Luca’s statement:
“If I threw away those Mid Journey images, nobody would care because they took no effort, and things that take no effort are hard to value.”
Host reflection on AI’s impact:
Radim expands on this, noting how AI-generated works provoke deep questions about what we truly value in creative output and why clients may increasingly dismiss painstaking work due to instant AI alternatives.
“What is the value of human effort when AI can instantly generate equivalent results? ...things that take no effort are hard to value should be a reminder to anyone who is questioning the value of AI...”
— Radim Malinic ([07:46])
“His discomfort with choosing became his competitive advantage. …the middle ground can be the most fertile creative territory.”
— Radim Malinic ([01:23])
“If I hear the phrase ‘art forward’, I’m going to assume that it’s not going to be. …They already know what they want to see. …They’re too afraid to dictate it during the call.”
— Robert Hodgin ([02:26])
“Midjourney showed me the end of my journey… It was really frustrating to me because I was really excited by the project until I saw that AI can generate good results pretty quickly, without any of the struggle.”
— Robert Hodgin ([06:06])
“Things that take no effort are hard to value.”
— Luca (via Robert Hodgin, [07:23])
“What is the value of human effort when AI can instantly generate equivalent results?”
— Radim Malinic ([07:46])
This episode challenges listeners to examine the intersection of creativity, technology, and meaning. In a world of AI-generated ease, Robert Hodgin’s journey is a poignant reminder that genuine creative value still lies in process, struggle, and the ineffable thrill of bringing something personal into the world. For artists, designers, and everyone negotiating their place amidst rapid change, “things that take no effort are hard to value” offers both a challenge and a compass.