Mojo Nixon is an eccentric American musician and singer-songwriter best known for his eclectic and satirical brand of psychobilly and cowpunk rock. He first rose to prominence in the 1980s with his unconventional style and humorous lyrics lampooning popular culture and politicians.
Early Life and Influences Mojo Nixon was born Neill Kirby McMillan Jr. on August 2, 1957, in Chapel Hill, North Carolina. His father was a literature professor and his mother worked at the local library. Mojo grew up enjoying listening to artists like Hank Williams and exposure to his parent's extensive record collection that included blues, rock, and country.
In high school, Mojo embraced the 1970s punk scene, identifying with the rebellious ethos. He started playing in local bands, adopting the stage name Mojo Nixon as a play on voodoo and former President Richard Nixon. His performances incorporated wild antics, profanity-laced humor, and an unpredictable demeanor that soon defined his act.
Rise to Fame: 1980s Mojo moved to San Diego in 1980 and met guitarist Skid Roper. The two formed an oddball duo, creating a unique style fusing rockabilly, country, punk, and psychedelic rock with satirical commentary and vulgar lyrics skewering popular topics. Their first album, Mojo Nixon and Skid Roper, came out in 1985 featuring one of Mojo's best-known and most controversial songs "Stuffin' Martha's Muffin," lampooning the then-chaste image of country singer Martina McBride.
The duo gained underground notoriety and opened concerts for bands like The Ramones, Dead Kennedys, and Butthole Surfers. Mojo courted controversy and media attention for his wild behavior like spewing beer and cutting dollar bills with scissors on stage. His 1989 album Frenzy brought wider exposure with the hit single “Debbie Gibson Is Pregnant with My Two-Headed Love Child," mocking the teen idol. The video became an MTV staple, introducing Mojo to mainstream audiences.
Mainstream Success in the 1990s Mojo signed to major record label Enigma Records in 1990 and refined his musical style on topical songs tackling issues like environmentalism while retaining his signature irreverence on tracks like “Elvis is Everywhere” and “Don Henley Must Die.” His label debut Otis featured the college rock hit “Phil's Hair” mocking MTV VJ Duff and the top 10 modern rock track “Stuffin' Martha's Muffin” with updated lyrics.
He continued pillorying celebrities on subsequent albums with songs like “Perry Mason of Love” and “Madonna Tsanga.” Mojo toured extensively through the 90s, gaining media attention for antics like playing shows in the nude. He collaborated with musical acts ranging from Superchunk to England Dan & John Ford Coley and released a well-received album of country covers called Whereabouts Unknown in 1999 before leaving Enigma Records.
Later Years and Legacy In the 2000s, Mojo continued recording music independently and performing live shows marked ...