The Shocking Murder of Terry King (Part 1)

Summary

Morbid Podcast Summary

Episode: The Shocking Murder of Terry King (Part 1)

Hosts: Ash Kelley & Alaina Urquhart
Date: December 29, 2025

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Overview

In this episode, Ash and Alaina delve into the heartbreaking and disturbing case of Terry King’s murder in rural Florida. Combining their trademark blend of deep research, empathy, and comic relief, they trace the origins of a family tragedy that ultimately left a father dead and two sons missing. Part 1 of this two-part series lays the groundwork for understanding the fractured King family, the disturbing dynamics around them, and introduces a cast of suspicious characters—most notably, Ricky Chavis. The hosts warn listeners about sensitive topics such as child abuse and family dysfunction, and maintain their conversational tone even amid grim subject matter.

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Episode Structure

• [01:17] Banter & Pop Culture
• [09:51] Trigger warning: Discussion of abuse
• [10:31] Discovery of the crime scene
• [16:23] First mention of Ricky Chavis
• [24:47] Family backstory
• [34:05] Introduction and suspicion of Ricky Chavis
• [42:59] Analysis of the emotional toll on children in foster care
• [47:55] Ricky’s interviews and mounting suspicions
• [51:43] Cliffhanger for Part 2
• [53:08] Fun Facts & Light-hearted Ending

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Key Discussion Points & Insights

1. Banter, Recommendations, and Setting the Mood (01:17 – 09:50)

• Ash and Alaina kick off with lighthearted conversation about ‘Death Becomes Her’ the musical, meeting listeners, and Guillermo del Toro’s ‘Frankenstein.’
• Both gush about the film’s artistry, tone, and emotional impact, segwaying into self-aware jokes about their own evolving tastes.
  • “I just got, like, more and more enthralled, and I was like, I think I would spend the rest of my life with that monster.” – Ash [06:31]
• Alaina sets up a trigger warning: this episode will discuss abuse and sensitive content in the context of the King case.

2. Unfolding the Crime Scene (10:31 – 15:12)

• November 26, 2001: Ed Harris, a neighbor, discovers fire engulfing the King home; calls 911.
• Firefighters discover the body of Terry King—initially serene in appearance, but with a “fist-sized hole in the right side of his forehead and…streaks of blood” [13:00].
• King’s two sons, Derek (13) and Alex (12), are missing.
• Scene described as “spooky,” filled with children's toys and half-finished holiday decorations, underscoring the abruptness of tragedy.

3. Early Theories & Introduction of Ricky Chavis (15:13 – 19:12)

• Investigators theorize a home invasion/homicide, pondering if the boys fled or were abducted.
• Enter Ricky Chavis—a friend of Terry—who appears at the scene unusually eager for details, offering to identify the body.
  • “He eventually just straight up asked the sergeant: ‘Do you think the boys killed him?’” – Ash [16:26]
• Ricky claims Terry was abusive, and the boys had recently run away.

4. Intersecting Testimonies & Misinformation (19:13 – 24:47)

• Ricky’s interest in the fire, and his failure to inquire about the boys’ wellbeing, is flagged as suspicious.
• Jimmy Walker (the boys’ stepgrandfather) arrives, echoing claims about Terry’s abuse and relaying that it was Ricky who informed him of both the fire and the abuse.
• Investigators note the swirl of rumors and misinformation, highlighting lack of detail and firsthand evidence.

5. The King Family's Troubled Backstory (24:48 – 34:05)

• Terry King’s relationship with the boys’ mother, Kelly, and subsequent family breakdown is detailed.
• After Kelly’s repeated absences, Terry is left to raise four children (two not biologically his), leading to mounting financial and emotional stress.
• Terry’s arrest for bad checks, splitting of the family, and the boys’ journeys through foster care.
• Derek and Alex’s adjustment issues, including behavioral challenges and emotional distancing, are discussed in detail.
  • “At home…he got more and more defiant as he was growing up. He rejected any attempts at warmth or family intimacy…” – Ash [30:26]

6. Foster Care and Failed Transitions (34:06 – 43:15)

• Ash and Alaina empathize with the challenges faced by both the children and foster parents, critiquing the instability created by rapid transitions.
• Delve into Terry and family’s attempts to regain custody, underlining psychological impact on the boys:
  • “As a result…Derek felt like he was being ripped away from his family before he was ready.” – Ash [42:30]
• The episode touches on the “broken” foster care system and the lasting scars it can leave, while commending the efforts of foster parents.

7. Mounting Suspicions Around Ricky Chavis (43:16 – 51:38)

• Ricky Chavis becomes a persistent figure in accounts, depicting Terry as psychologically abusive but struggles to provide concrete examples.
• Detectives find Ricky’s repeated focus on the abuse “off,” especially since he labels Terry as a close friend.
• Notable quote: “‘If it was a homicide, those boys had something to do with it.’” – Ricky (as recounted by Ash) [51:05]
• Ricky is caught in a lie about seeing the body—further red flags surface.
• The episode ends with this pivotal suspicion, setting up deeper investigation for Part 2.

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Notable Quotes & Moments

• “When Terry was at work, the boys were told to stay inside and lock the doors…which, like, making them stare at the walls for hours is…probably abusive. Like, in my opinion.” – Ash [49:13]
• “You hope people do this before they introduce children into their lives. Like, that’s the ideal.” – Alaina [33:32]
• “You don’t always get the parent you’re supposed to.” – Ash [44:01]
• “If it was a homicide, those boys had something to do with it.” – Ricky (via Ash) [51:05]
• “Ricky is giving me vibes…he’s come off as unsavory.” – Alaina [52:07]

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Timestamps – Key Segments

• 01:17–09:50: Lighter banter, horror recs, entertainment reviews
• 09:51–10:30: Trigger warning & case introduction
• 10:31–14:08: Crime scene discovery & investigation
• 16:23–19:13: Ricky Chavis makes himself known
• 19:13–24:47: Misinformation, contradictory stories
• 24:48–34:04: Family history, foster care, early trauma
• 34:05–42:58: Transition back to Terry, foster care trauma
• 42:59–47:54: Reflection on foster care, emotional impact
• 47:55–51:43: Ricky’s contradictory statements, suspicions raised
• 51:43–53:08: Lead-up to Part 2, hosts’ reactions
• 53:08–56:18: Fun facts, Macaulay Culkin’s middle name, Brenda Song tangent

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Memorable & Lighthearted Ending

• Ash and Alaina end with the quirky fact that Macaulay Culkin legally made his middle name “Macaulay Culkin,” segwaying into nostalgia over Brenda Song’s Disney Channel days.
  • “Macaulay. Macaulay Culkin Culkin.” – Alaina [53:32]

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Overall Tone and Takeaways

The hosts manage a delicate balance between describing deeply distressing true crime details and maintaining a warm, conversational tone. They demonstrate compassion for the children at the center of the story, skepticism towards suspicious adults, and curiosity about the messy realities of US foster care and family systems. Suspense builds around the figure of Ricky Chavis, whose inconsistent accounts and lurid suggestions start to shift suspicion in his direction.

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For Listeners:
If you’re interested in a thoughtful, emotionally engaged approach to true crime—one that refuses to sensationalize and remains mindful of systemic failures and individual pain—this episode is a must-listen. Watch for Part 2 for the resolution of the King boys' disappearance and a deeper investigation into Ricky Chavis.

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“He’s come off as unsavory. I’d like to physically fight him.” – Ash & Alaina [52:09]

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Transcript

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[Ash]

I'm Ash.

[Alaina]

And I'm Alaina.

[Ash]

And this is Morbid.

[Alaina]

This is Morbid.

[Ash]

It's a podcast that you listen to to hear scary, cautionary, horrifying, chilling, paranormal.

[Alaina]

Tales that are sometimes motivational.

[Ash]

Yeah. And Twilightified.

[Alaina]

Oh yeah, you get ready for that babes.

[Ash]

It's coming up quick. Actually, get ready for that.

[Alaina]

Ready?

[Ash]

Yeah.

[Alaina]

I can't wait. I'm gonna reread New Moon.

[Ash]

Oh, I gotta reread. I gotta order it.

[Alaina]

Yeah, I have it. I just gotta dig it out.

[Ash]

I'm so jealous of you having your original copies.

[Alaina]

Oh yeah.

[Ash]

I got shuffled around so much. I know. It just didn't work out.

[Alaina]

I know. I was lucky. I only really had to go from one house to.

[Ash]

That's actually so wild. Yeah, like you moved from Mom Papa's to one apartment and then like with John.

[Alaina]

Yeah, it was just with John after that.

[Ash]

That's cuckoo nuts. One of your kids asked me how many times I moved the other day and I was like, babe, I don't have time to count.

[Alaina]

Right now, I feel like it's a lot.

[Ash]

I have no time to count right now.

[Alaina]

There's a lot here.

[Ash]

Yeah, I'm just. I feel like I'm, like, still recovering from New York, like, in a good way. I had so much fun.

[Alaina]

I always recover from any kind of travel.

[Ash]

Yeah, same. You had a certain age, and you're just like, yeah.

[Alaina]

I'm always thrown off by it.

[Ash]

I forgot to mention, when we were talking about it, though, me and Drew saw Death Becomes Her. If anybody has a chance to go see that show, go see it. Mikey had seen it before me, and he was like, you got to go. And it's, like, one of my favorite movies. So I was like, oh, yeah. Like, I'll definitely go. I wasn't. I'm not, like, a huge musical person usually.

[Alaina]

I'm going to fight you.

[Ash]

I know somebody. It was the most incredible thing I've ever seen in my life, I think.

[Alaina]

Yeah. I've heard nothing but good things.

[Ash]

It was so much fun. We got to see Michelle Williams. Holy shit. Which was, like, next level.

[Alaina]

I thought John was very impressed by that.

[Ash]

Drew thought that was the funniest thing in the world because we met up with you guys later, and Drew was, like, telling John about it, and John was like, oh, my God, that's so cool. And then that night, Drew was like, john, like, cares about Michelle Williams. And I was like, yeah. I was like, John's a big 90s guy.

[Alaina]

He's a big R and B guy.

[Ash]

It was so funny. Yeah, it was a great show. So if you guys have a chance to see it. And I met a couple listeners there. Oh, I love that. And they were so nice.

[Alaina]

What a nice place to meet people.

[Ash]

I know. It really was.

[Alaina]

I love when it's, like, a good vibe like that.

[Ash]

Yeah, the vibes are impeccable.

[Alaina]

Oh, yeah.

[Ash]

Top notch.

[Alaina]

Top notch. And speaking of things that you should watch this week for Scream, I'm. Or whatever week it is for Scream, I'm covering Guillermo del Toro's Frankenstein, which you can watch on Netflix.

[Ash]

It guys. Incredible.

[Alaina]

Blew my fucking mind apart. I mean, I'm a. I love Guillermo. You're like, Guillermo. Pan's Labyrinth is one of my favorite movies. I think Guillermo, His Cabinet of Curiosities, by the way, on Netflix, is also awesome. So go watch that.

[Ash]

Oh, remember I told you about that.

[Alaina]

It's very cool. And Guillermo's the best. I literally am obsessed with everything he does. I think he's brilliant. I think he is like a special flower that I hope just Stays around forever.

[Ash]

He has a rain room, right?

[Alaina]

Oh, he's the best. His house is iconic. Iconic. He's like really shit in there.

[Ash]

He's an artist and everything.

[Alaina]

Whenever he opens his mouth and talks, listen, because he's saying brilliant.

[Ash]

It's like that, that show from the Princess diary. Shut up and listen.

[Alaina]

Shut up and listen. And his take on Frankenstein now is next level. It had me crying. I cried. It had me. I, I After I finished watching it because John was, because he's just the best. John was literally wrapping Christmas presents and I was like, I have to watch this for Scream.

[Ash]

So like, do you mind? I'm working.

[Alaina]

And he was like, you know what? He was like, let me wrap these gifts. I'm gonn me yours. I'm like, I'll do this. And he's like, I do want to watch it later, but like, I'll let you do this because you're I.

[Ash]

When we watch it, we have to pause a lot, take notes and all that.

[Alaina]

Afterwards. I was like, john, we need to watch this immediately together. Because that was the most beautiful thing I've ever seen. No, it really is Jacob Elordi I. And here's the thing. Jacob Elordi is a very good looking man. Like, he is very attractive and don't you forget it. But he's, it's not like, I'm not like losing my mind like that, you.

[Ash]

Know, I'd like you to go now.

[Alaina]

And like, I will acknowledge, I'm never gonn say that that is not a handsome man.

[Ash]

You must.

[Alaina]

But like, just, you know, well, he's.

[Ash]

I think he's like 27. So it's, it's, so it's okay for you to not be like losing your, like, not that it would be weird if you did, but like, just to make you feel better.

[Alaina]

Thank you. I appreciate it.

[Ash]

You bet.

[Alaina]

Because here's the thing.

[Ash]

No, I'm, I'm actually really glad that you're being so brave right now. I'm being brave and I'm going to be brave afterwards.

[Alaina]

Why did I love him as Frankenstein?

[Ash]

No, why was I literally attracted to like, I find. I loved Euphoria. I found him to be his human form. You love. I love his human form. And then as I was watching, I'm not even going to lie to you, I have to be, I'm going to be so brave right now.

[Alaina]

Be brave.

[Ash]

I didn't really want to watch it. I was like, okay, I'm sure this will be like, like whatever. It was incredible. And as I was watching it. I just got, like, more and more enthralled, and I was like, I think I would spend the rest of my life with that monster.

[Alaina]

100%. Like, I. He absolutely shattered that role. That movie shattered it better.

[Ash]

When I was finished with it, I literally said. Because I told Drew, I was like, I got to watch this for Scream. Like, you know, and then he was like, at the end of it, I go, that was one of the most beautiful movies I've ever seen. And he was laughing so hard. He's like, you didn't even want to watch it.

[Alaina]

Yeah. It shows you, though. Like, give it. Give things a chance.

[Ash]

Give it a chance. Because, like, that's not usually something I would just click to, like, for leisure. I'm gonna watch it again.

[Alaina]

Yeah.

[Ash]

Like, it was.

[Alaina]

I mean, I'm telling, like, Guillermo the way he does. Like, Guillermo. I'm saying it like, he's my friend Guillermo, you know, Today I'm gonna meet Guillermo and just tell him that he's a brilliant, special. Yeah. Fairy creature, and I love him.

[Ash]

Manifest it.

[Alaina]

I will. And I'm pretty good at manifesting.

[Ash]

You're so good at manifesting. That's why I'm telling you.

[Alaina]

Do it.

[Ash]

But he.

[Alaina]

It's something about. Because I think we've talked about this before, that, like, certain TV shows or movies, if the color palette is off for me, I'm out. Like, I immediately am out. And I have a very particular color palette that will just send me into orbit, like, in a good way.

[Ash]

I was never really aware of color palettes until you, like, shattered that. Shattered for me. And now I think about.

[Alaina]

Well, and I'm very particular about the one that I love. And so I. When I come across that. Guillermo always gives me that one I love. It's a pan's labyrinth.

[Ash]

Deep tones, like, like, also just the fashion.

[Alaina]

Yeah.

[Ash]

Like, all of Mia Goth's outfits were. I was like, where do I get. Where do I purchase?

[Alaina]

Everything is beautiful. The monster, the way he put him together is beautiful.

[Ash]

It's so cool.

[Alaina]

Like, everything was beautiful. So, like, this is all to say, go watch that if you haven't watched it yet.

[Ash]

When he gives her the leaf.

[Alaina]

Oh, shattered my soul.

[Ash]

Like, I wouldn't. I wouldn't look at a million dollars the same way I would look at that leaf from that monster.

[Alaina]

I was gon up Victor Frankenstein when.

[Ash]

He just kept like, well, you gotta go listen to Scream, of course. Because we're basically just doing it right now. Give me your leg. I was like, I'll punch you in the goddamn face.

[Alaina]

At one point, John walked by, like, to go into the kitchen, and I had it paused and I just looked at him and I go, victor Frankenstein, am I right? And he was like, hell, yeah.

[Ash]

Yeah.

[Alaina]

Like, he had no idea what I was.

[Ash]

He said. He was like, yup, that's a husband.

[Alaina]

He said, support. Let's kill him. And I was like, yeah, just wait, buddy. Just wait. It's a great movie, though. I'm highly recommending it.

[Ash]

Yeah, it's got to win, like, every award, in my opinion.

[Alaina]

It really does. It really does.

[Ash]

Go listen to our episode on Scream. If you don't listen to Scream. We cover horror movies and just like. Like thrillers, anything spooky, creepy.

[Alaina]

Caleb's there and we do it with.

[Ash]

Caleb, who's just the tits.

[Alaina]

He's just a delight.

[Ash]

So go check out Scream. I think that's like all the banter we have today.

[Alaina]

And then now we're gonna. We're gonna die.

[Ash]

I'm about to rock your.

[Alaina]

Yeah, we're gonna dive into the depths right now. Yeah.

[Ash]

I actually got to watch Frankenstein after I covered this, like, after I finished writing this. So I was like, okay, cool.

[Alaina]

Yeah.

[Ash]

So I do want to give, like, a trigger warning up top. This is going to be a two parter. This is, if you've clicked on it, obviously, you know, is the murder of Terry King. It involves a lot of child abuse and, like, actual physical abuse and sexual abuse. So I know that's not something everybody wants to listen to. So I just want you to know that these two parts, we are gonna talk about some of that kind of stuff. Not very explicitly by any means. Dave is incredible when he helps us research this stuff and he keeps out, like, the awful.

[Alaina]

Yeah. He never details super graphic.

[Ash]

We never want to go too far. But that is a theme in this. So just know that. So let's dive in.

[Alaina]

Let's do it.

[Ash]

All right. So on the night of November 26, 2001, Ed Harris had just fallen asleep next to his wife. Like, he was falling asleep, and he got up all of a sudden and heard these weird, cracking, popping sounds. So he's still half asleep. He gets out of bed. He's like stumbling around in the dark, figuring out, trying to figure out where these sounds are coming from. And that's when he reached the window and he saw that the house next door to them was engulfed in flames. So he grabbed the phone, he called 911 to report the fire. And he told the dispatcher, Terry King, and his Two boys are in that fire. I know they're home because their car's in the driveway.

[Alaina]

Oh, that'd be horrifying.

[Ash]

Yeah. So he gave directions on how to reach what was a pretty isolated rural road, and he was told that firefighters were on their way. Now, David Jordan was the firefighter who first arrived on the scene. He was actually off duty at that point, but he heard the call come through on the police scanner and just like, literally went right to it. By the time he reached the house, the fire had already burned through most of the roof.

[Alaina]

Wow.

[Ash]

And from over the roar of the fire and the snapping of wood, he could hear Ed Harris yelling to tell him that the King family was still inside the house. So he knew he couldn't wait for the other firefighters to get there. So he went around to the back of the house where the fire hadn't reached yet, and he kicked down the back door. But as soon as he did that, a massive cloud of, like, black, toxic black smoke just came billowing out into the backyard.

[Alaina]

Oh, damn.

[Ash]

So he knew there was no way he was going to be able to get inside to see anything or be able to get inside and breathe without any equipment. So he decided to prepare the building by cutting off the power and clearing a path for the on duty firefighters to get there. So when the fire crew arrived a short time later, they moved slowly through the house, crawling on the floor from one room to the next, but they didn't see any signs of victims or survivors. Firefighter Marcus Williams had just about used up the air in his oxygen tank, and he was actually turning to make his way out of the house when he got radioed from another firefighter in another part of the house that they had found a body. The room was completely dark and obviously clouded by smoke. So firefighter Brandon Beecher was kind of just like feeling his way around what he thought was the living room. And he was padding along the sofa when his hands suddenly touched something resting on the edge.

[Alaina]

Oh, man.

[Ash]

So he moved the beam of his flashlight onto the edge of the couch and immediately jerked his hand away when he realized what he was touching was a human foot.

[Alaina]

Ooh.

[Ash]

Now, once the fire was fully extinguished and the room had been cleared of all the smoke, he and the other firefighters were able to take in the full picture. The homeowner, 40 year old Terry King, was sitting in an armchair in a very relaxed position, his legs propped up on the adjacent couch, hands folded across his chest, and a coffee cup sitting on the arm of the chair. And even Though he was covered in soot and scarred by the fire at that point, they were surprised, firefighters, by how serene and peaceful he looked. It looked like he had just fallen asleep right there and was like completely unaware. Spooky though, super spooky. But when they moved around to the other side of his body, the right side of his face told a very different story. There was a fist sized hole in the right side of his forehead and there were streaks of blood dried down his face. Holy shit. Yeah. So as they scoured the scene, it was very clear that this was the home of a family. There was children's toys on various rooms, floors, and there were Christmas decorations that had been laid out but not put up yet.

[Alaina]

Oh man, that's. That would, that part would really get me.

[Ash]

That like juxtaposition.

[Alaina]

Yeah, it's when people were right in the middle of doing something or intending to do something and something like this happens.

[Ash]

It like, it's a weird feeling. So given what they've been told by the 911 dispatcher, investigators expected to find two more victims in the house. But they couldn't locate Terry's two sons, 13 year old Derek and 12 year old Alex. So they theorized that if the boys had been in the fire when the house broke out, maybe they fled the scene in search of safety. Yeah, the case obviously was immediately labeled a homicide because of the way that Terry was found and now with a potential kidnapping. So detectives were dispatched to the scene and roadblocks were set up in the county to search for Derek and Alex. Now the initial theory was that Terry was asleep when his killer snuck into the house, attacked him with some kind of large object, probably a baseball bat. And investigators actually believed that Terry never saw his attacker and that once he was dead, the killer obviously set the fire and left the scene. Fire investigators quickly determined that an accelerant had been used to set the fire, which meant that it had spread very quickly and burned very hot.

[Alaina]

Yeah.

[Ash]

So while investigators were working at the scene, one of the deputies was approached by a man who said he heard about the fire on his police scanner and he actually thought he knew the people who lived in the house. Like he was like, oh, I know these people. He was later identified as Ricky Schavis and he was taken in to talk to Sergeant Tony Bain at a command station across the street. So Ricky introduced himself to Bane as a friend of Terry's and he seemed in that moment very anxious to know if Terry was inside the house or not or if he had died in the fire. It was obviously still very early in the investigation. Like they're still working this scene actively right now. So Sergeant Bane was very tight lipped. He wasn't going to give out any information. But from his perspective, Ricky Schevas seemed very eager to learn the fate of his friend, which you can understand.

[Alaina]

Yeah.

[Ash]

But he also even offered to make the identification if there was a body.

[Alaina]

Which is a little weird. Yeah. I mean, I would at least be like, wow.

[Ash]

Yeah. It was just not something that this sergeant ran into all the time. So Sergeant Bane was obviously still reluctant, like I said, to provide any information. But Ricky's rapid fire questions continued and he eventually just straight up asked the sergeant, do you think the boys killed him? Like referring to his 12 and 13 year old sons.

[Alaina]

Okay, yeah. No, yeah.

[Ash]

So the question.

[Alaina]

That's a weird question.

[Ash]

It's a weird question. So the investigators like super caught off guard now because all they knew at that point was that the boys weren't in the house. Yeah. Why would this dude just show up saying he heard this on the police scanner and start asking like wild questions like this?

[Alaina]

So.

[Ash]

And he basically asked him as much. He was like, what are you talking about?

[Alaina]

Yeah.

[Ash]

And Ricky responded, well, Terry was an abusive father. And he went on to explain that a few days earlier, the boys had run away from home and come to him for help.

[Alaina]

Oh.

[Ash]

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[Ash]

So Ricky's interest in the fire, paired with the way that Terry was found was all highly unusual and especially to Sergeant Bane. So in his police report, he actually made note of Ricky's presence.

[Alaina]

Okay.

[Ash]

He said, I found it odd that Chavis had not inquired about the condition or whereabouts of the boys, given the circumstances, because he's not even asking where they are. He's just like, they just.

[Alaina]

Did they kill him?

[Ash]

That's it.

[Alaina]

Yeah, yeah. Like where are they?

[Ash]

And he's not. He's asking if Terry's died, but he's not asking if the boys.

[Alaina]

Yeah, like it's all right.

[Ash]

All a little strange. And he was really smart to add that all in his police report.

[Alaina]

Yeah.

[Ash]

And so he writes that down. And he reiterated to Ricky that it was still very early. He wasn't giving any comments, but he was like, I'll take your information. Thanks. And I'll call you when we know something. So later that day, lead investigator John Sanderson immediately went to the crime scene after he was assigned the case to see what he was dealing with. He hadn't been there very long when one of the deputies let him know that the boy's grandfather, Jimmy Walker, had arrived and he wanted to talk to somebody in charge.

[Alaina]

Yeah.

[Ash]

Sitting down with Sanderson, Jimmy Walker explained that he was actually the boy's step grandfather. His wife Linda was their maternal grandmother and her daughter Kelly was their mother.

[Alaina]

Okay.

[Ash]

So Jimmy said he hadn't seen the boys in a few weeks and explained that a week earlier, like Ricky had said, they had run away for about a week. He said they were missing all last week until Terry found them in pace. Ricky called last night to tell us they were back home with Terry. Okay, Ricky's coming up again. This is the first time that Sanderson, though, hears about Ricky. Yeah, but definitely obviously not the last time his name would come up in the investigation. So Jimmy told the detective that Ricky was Terry's good friend, who for the last couple of months had been helping out Terry with the boys, watching them on nights where Terry was working. Jimmy said he was really worried about the boys, you know, with Terry abusing them and all.

[Alaina]

Like, what. Yeah, is happening here?

[Ash]

It's just very interesting that everybody's kind of saying this, like, yeah, just like so.

[Alaina]

Well, this matter of factly, like just being like, well, you know, he was using them. Like, everybody should know that.

[Ash]

And it's like, it's like, what? Why did nobody call the guys?

[Alaina]

What's going on here?

[Ash]

And it's like, if all of these adults know that these boys are being abused, nothing done. Exactly. Like, why are no phone calls being made? So Sanderson was like, what is the extent of the abuse here? Cuz like that's. I just read that in some of the other notes, like, what is this about? But Jimmy couldn't really come up with any kind of detailed description. He just said that according to Ricky, Terry was planning to have a long session with the boys the previous night in what he referred to as the therapy room, where he would just make the boys sit and stare at the wall for hours.

[Alaina]

What?

[Ash]

But the grandfather heard that from Ricky, so.

[Alaina]

Okay, weird.

[Ash]

And it also struck us, Investigator Sanderson or Detective Sanderson as strange that Jimmy even knew about the fire so quickly in the investigation. No one had been notified yet. Yeah, the medical examiner hadn't even started the autopsy or identified the body. Like none of. None of that had happened yet. So. And the other thing was nobody had even notified the. The family that the boys were missing.

[Alaina]

Yeah, like this is all very willy nilly.

[Ash]

It's very strange. So Jimmy explained that Ricky had called him and told him about the fire, which he, Ricky had heard over his scanner. And Jimmy said that Ricky told him he'd been at the scene and some of the firefighters let him into the house to see the body, which had not happened.

[Alaina]

What?

[Ash]

Detective Sanderson obviously knew that was a flat out lie, but he was like, why is Ricky. Why is this guy Ricky lying to this grandfather about something so consequential? What the fuck is going on here?

[Alaina]

What the fuck is happening? Meanwhile, they're like, we thought we were coming to a house Fire.

[Ash]

Yeah.

[Alaina]

And this just opened up a fucking whole realm of shit.

[Ash]

Exactly like.

[Alaina]

Damn.

[Ash]

So the more Detective Sanderson looked into the background of the King family, the more chaos and misinformation that swirled around between the family in those early hours made sense to him. Like a lot of people in rural Cantonment, Florida, Terry's life and the life of his family hadn't really been an easy one. And in recent years, the family had fractured and didn't really communicate very well with each other. So it made it difficult to get a very accurate picture of their day to day home life. Yeah, because you call one person and they're saying one thing, you call another person and they don't really talk to them, but they have this information from this time period. It's all kind of a mess. But as best as Detective Sanderson could tell, Terry King had met Derek and Alex's mother, Kelly, while he was visiting his father in 1986, and he was immediately drawn to Kelly. They started dating. Things turned serious very quickly. In a short time, they'd moved in together. And about a year into that, Kelly found out she was pregnant. On May 4, 1988, she gave birth to their son Derek. And a year later, Alex followed. Unfortunately, the things that had made them very compatible as a couple, like their quiet personalities, very laid back attitudes, didn't really serve them well when it came to parenting. And they struggled into transitioning into their new roles as parents. Kelly especially was very easily overwhelmed by her new responsibilities. And she kind of just like checked out mentally and emotionally a lot of the time, which then left all of the parenting and money earning to Terry, who also quickly burned out from exhaustion because it was all on him. According to authors Catherine Mitico and Molly Barrows, we're gonna link their book in the show notes. As Terry, quote, settled into the role of a family man, Kelly grew more restless.

[Alaina]

Okay.

[Ash]

Like they're growing apart.

[Alaina]

Yeah, this is not great.

[Ash]

Their relationship had also started when Kelly was 17. So she never really knew life outside of, like, her parents telling her what to do. And now becoming a mother herself, She's a kid herself. She had no time to find herself. So when the stress of family life got to be too much or if she was in a especially depressed mood, because she did struggle with depression, she would just dip out for days at a time and just kind of go missing, only to return with like a half hearted apology. And every time Terry would take her back. Then in 1991, she came home from one of her disappearances and announced to Terry that she was pregnant with twins, hoping to keep her happy and making make her want to stay. Terry said he forgave her and he wanted to help her raise the twins like they were his own, which they were not.

[Alaina]

Wow.

[Ash]

So it seemed to actually work out for a bit. But a few years later, Kelly's restlessness returned and she decided that she really just didn't want to be a mom. Her desire was not there. Which, like, after having four kids, it's a little late to decide.

[Alaina]

I was gonna say, I know people will get mad, but you can get.

[Ash]

Mad all you want.

[Alaina]

You can't decide four kids in that you don't feel like being a mom anymore. Like, and you know, someone got mad, people would.

[Ash]

Deadbeat.

[Alaina]

Yeah, like that's, that's an asshole move.

[Ash]

It is like, you know, so it was 1994. She couldn't handle the stress and the pressure of the parenthood anymore and she moved out, which left Terry with all four kids, two of which were not his own children. But he was like, okay, like, I'll try to figure this out.

[Alaina]

That's fucking crazy. Yeah, that's wild.

[Ash]

And they didn't have, like, even when she was around, a lot of stuff was on him and like, money earning was all on him. And now you don't have anybody else around, so it's like, it's awful.

[Alaina]

Oh, boy.

[Ash]

Now, for most of his adult life, Terry King had managed to scrape by with what he earned from pretty low paying jobs. And it had, like I was just saying, been hard enough to keep their heads above water when Kelly was at her best, but now she was completely gone and he was responsible for everyone and things were looking bleak. He did his best to try to keep up with the responsibilities of parenting and bills, but it didn't take long before he was falling behind on payments. He didn't have a valid driver's license at the time, so he was waking up early every morning to catch a ride to work, which was in Mobile, Alabama. So a little further away, he worked long hours as a day laborer. And during that time he would just leave the kids with different family members who were willing to help.

[Alaina]

Yeah.

[Ash]

But before long, the financial problems got really bad and he started writing bad checks to get food at the grocery store.

[Alaina]

Oh, man.

[Ash]

Which is really sad.

[Alaina]

Which, like, to get food at the grocery store. Yeah, like, that's sad. Yeah.

[Ash]

Eventually that caught up with him and he got arrested for passing bad checks, which I do feel like this might be insane to say, but it's like if you get caught writing bad checks to the grocery store, there should be some kind of program that helps you.

[Alaina]

Because, like, because you're trying to get food. Food.

[Ash]

Right. Like, that's a basic.

[Alaina]

Feels like that. Yeah. That's just a different.

[Ash]

I don't know if there is something that.

[Alaina]

Yeah, I have no idea. But it just feels. It's a. It's got a different, you know. Yeah.

[Ash]

It's not like you're like stealing jewelry, you know what I mean?

[Alaina]

Steal baby formula.

[Ash]

It's like they're heartbreaking.

[Alaina]

They're not doing it for the thrill of it. Like that's, you know.

[Ash]

So at that time, the family was broken up for a long period. Terry kept the twin boys because he didn't have anybody else to give them to. Derek went to live with Kelly's mother and Alex went to stay with Kelly's father because nobody really had enough resources to take care of all of them at once. Kelly's parents wanted to help and they did their best to pitch in with what they could do, but they weren't a long term solution because they just didn't have everything to care for small children.

[Alaina]

It's.

[Ash]

It's a lot. Oh, yeah, you need a lot of.

[Alaina]

Yeah.

[Ash]

So when it became clear to Terry that it was going to take a lot longer to get his life back on track, he made the impossible decision to place all four boys in the foster care system, which is just heartbreaking.

[Alaina]

Yeah.

[Ash]

So because they were still really little, the twins were quickly placed with a foster family and they got adopted not long after.

[Alaina]

That's good. Yeah.

[Ash]

Derek stayed in the foster home with his brother Alex for a few months before he eventually got placed by himself with a family of Frank and Nancy Le. They had worked with the state for years and it sounds like they were pretty good people. Unfortunately, Alex had the hardest time with the transition and like the frequent disruptions because I'm pretty sure he's like four at this point, like four or five.

[Alaina]

But this is like breaking my heart for these kids.

[Ash]

It's horrible. This was a really tough one to get through. But for some reason it was difficult to get him placed with a foster family. So he was just in the care of the state, which I don't exactly know what the. I. I don't know if you just like bounce around from family to family because you can't get permanently placed.

[Alaina]

Breaks my heart.

[Ash]

It's awful. So at first, Terry and Kelly tried to keep in contact with Derek. Kelly appeared again and they tried to keep in contact with Derek. But eventually the foster parents, Nancy and Frank, told them that their calls were upsetting and confusing to Derek.

[Alaina]

Well, yeah.

[Ash]

Which you can understand.

[Alaina]

Yeah.

[Ash]

Like she's trying to create a stable.

[Alaina]

Environment and it's like you're, you can't kind of be there.

[Ash]

You can't dip in and out like that.

[Alaina]

Kid at that age, a four year old isn't going to understand, like, why can I talk to my parents?

[Ash]

I think Derek, I think Alex was like around 4 or 5 and Derek was around like 5 or 6.

[Alaina]

Yeah. Those are babies. Babies.

[Ash]

So the sudden disappearance of both of his parents without any explanation obviously took a very serious toll on him. And it took a toll on his relationship with his foster family at school, which was really the only constant in his life. He was very focused. He was very well behaved, which is shocking. It really is. But when he got home, it seemed like he became another person. He got more and more defiant as he was growing up. He rejected any attempts at warmth or family intimacy by the la, which obviously just put a greater strain on the relationship. But it's not his fault.

[Alaina]

No.

[Ash]

And it's not theirs. It seems like everybody's trying, everyone's trying.

[Alaina]

Their best with what they have.

[Ash]

But as he got older, his behavior got worse and eventually included vandalism, destruction of property, and setting small fires. Really bad. Now, I don't know how much like therapy was involved in this back then because this is like the early 90s, so I don't know. But while Derek struggled to adjust to his life with his new family, Alex went through his own very traumatic period. After several unsuccessful attempts to place him with a foster family, Terry eventually regained custody and Alex moved in with his father again. This is just like a lot. It's a lot of bouncing around and very young. Number one thing that kids need is stability.

[Alaina]

Yeah.

[Ash]

When they're, when they're little babies, stability.

[Alaina]

Is kids so important. Yeah.

[Ash]

So since he'd placed the boys in foster care, all Terry wanted was to get them back. So this was a step in the right direction, at least he felt. But now he faced a new problem. What to do with Alex while he was at work. Alex had just started kindergarten and was only at school for a small portion of the day. Because some kindergartens are only like a few hours, usually when they start.

[Alaina]

That's why.

[Ash]

So that left a few hours in the day where somebody needed to watch him and Terry just didn't have anybody who could. So at a loss for what to do.

[Alaina]

A lot of people deal with that oh, so many people have dealt with that situation.

[Ash]

So at a loss for what to do, he pulled him out of school and just started bringing him to work every day. So now he's just not.

[Alaina]

So now he's just not going to school. Yeah.

[Ash]

So in the years that followed, which I don't. This might sound so dumb, but do you have to complete kindergarten or can you just go right to first grade?

[Alaina]

It's not universally required in the U.S.

[Ash]

Yeah, I thought I had half the states.

[Alaina]

It's mandatory. Most other states require school entry by age five or six.

[Ash]

Yeah. So kindergarten.

[Alaina]

So you can homeschool, technically, or.

[Ash]

Yeah, it makes sense. It's not.

[Alaina]

I think it's just recommended.

[Ash]

It's recommended, but they're, Florida's, like, compulsory attendance laws kick in at six, which is first grade.

[Alaina]

It's apparently optional in Massachusetts.

[Ash]

Is it really? Yeah. Interesting. All right. Well, there's that. So he didn't. He didn't end up going to kindergarten. He just kind of, like, went to work with Terry.

[Alaina]

Yeah.

[Ash]

In the years that followed, they moved around a lot, around Florida a lot. They lived in a travel trailer, so they just kind of went wherever there was work.

[Alaina]

Yeah.

[Ash]

So again, not very stable.

[Alaina]

No.

[Ash]

By 2001, though, Terry had finally started to get his feet under him a little bit. And thanks to a close friend, he managed to find a more stable housing situation, renting a small house in Cantonment and eventually managing to hold down a stable job. So he was really. He was really trying.

[Alaina]

Yeah. He's working hard to, like, be the father.

[Ash]

Yeah. And he. He also wants to earn Derek back.

[Alaina]

Yeah.

[Ash]

Because now that the twins were adopted, he wasn't going to earn those two back.

[Alaina]

It's one of those things you would like. You hope people do this before they introduce children into their lives. Like, that's the ideal.

[Ash]

Yeah.

[Alaina]

You should try to be as stable as humanly possible before you create another human being to take care of.

[Ash]

Yep.

[Alaina]

But obviously, things happen, and that can happen in a different way. And it's like. But a lot of people, once they get the kids, they don't put in any work to become that.

[Ash]

Exactly.

[Alaina]

You know, like, they don't want to be better. They don't make any effort to be better. At the very least, it sounds like Terry was making an effort to be a good, stable father.

[Ash]

Exactly. So at that point, he's. He's got a job, he's got a place to live. Like, he's. He's doing all right. And he made the acquaintance of a man Named Ricky Chavis. I don't know if you recognize the name.

[Alaina]

I do.

[Ash]

Ricky offered Terry the use of his garage to work on his car. And over the course of a few years, they became better friends. So when Ricky offered to watch Alex while Terry had to work, Terry was like, oh my God, thanks, man. Like, I really appreciate that. And he's desperate. Yeah. So at the lay house, things had not improved with time. Derek's behavior continued to be a problem as he got older. And as he got older, the problem only got bigger. By the time he was 13, his stealing and destructive behavior had become more than Frank and Nancy could handle. And one afternoon in the early summer of 2001, after Derek was caught sniffing lighter fluid on the school bus. Holy. Yeah, it's intense. I didn't even know that that was a thing.

[Alaina]

A literal baby, like, this is a child.

[Ash]

Nancy called Terry to explain what was going on, and she laid out all the ways they had tried to help him and how just nothing had been successful. So she was seeking his permission to enroll Derek in a military academy. Terry refused to give permission and instead obviously jumped at the opportunity to regain custody of his other son. Which I get.

[Alaina]

I totally understand. Like, like, my outside perspective is like, he seems to need structure, some structure. I don't know if military academy is the way to go, but like, again, I don't know a lot about that. And I can see why they were like, he needs some structure and like, this is bad. And if we don't nip this, it's going to get even worse. And then I understand Terry being like, I'll just take him. Yeah, I'll take him back.

[Ash]

Like, don't give him away again.

[Alaina]

You know, I'm not saying either way is the right way. I'm just saying you can understand the emotions involved.

[Ash]

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[Ash]

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[Ash]

Customer offer for first 3 months only. Speed slow hacker 35 gigabytes of networks busy taxes and fees extra. C mintmobile.com. So neither Frank or Nancy had ever thought much of Terry as a father, and they really didn't think he was going to be able to continue to provide a decent, stable home environment for Derek. They actually tried to seek out other housing options, including sending him back to his mother. I don't know what the situation was there. I don't know if maybe she. Hey, maybe she had gone, had done some work.

[Alaina]

I don't.

[Ash]

I don't know. It didn't work out. It took several weeks of arguing and confusion, but by early September, Terry managed to convince them that he was the best option.

[Alaina]

Okay, so he probably showed that he was doing the work.

[Ash]

I. I think he did. So for Derek, the transition from the lays back to his father was just another traumatic experience.

[Alaina]

Experience. It's yo yoing everywhere. Yeah. And I'm sure, again, I don't know what this feels like. Personally, I was very lucky that way, but I imagine as a kid, you're feeling like you're not wanted anywhere.

[Ash]

Yeah.

[Alaina]

So you just keep getting passed to the next person or getting passed back and then pass back that way.

[Ash]

Yeah.

[Alaina]

I'm sure the kid is only going to internalize that that way.

[Ash]

Yeah.

[Alaina]

Of like, they're not going to see the.

[Ash]

Like, you're the problem about it.

[Alaina]

That's like, oh, well, you know, this is. They're not stable, so they're trying to provide me with this. Like, no. They're going to be like, you just don't want me. Yeah. And this doesn't want me either.

[Ash]

Yeah.

[Alaina]

It's hard.

[Ash]

Like, I can't imagine. And also, I can't imagine, like, going to live with people that weren't your family.

[Alaina]

That's the. I can't imagine how hard that was.

[Ash]

I was lucky enough. Like, when my mom couldn't take care of me anymore, I got placed with family. Yeah. I can't imagine being placed outside of that.

[Alaina]

That's the thing. Like, that's. That's a whole different thing that nobody can understand unless they've been through it, I imagine.

[Ash]

And you have to remember, he's 13 now. He's lived with this family for a long time for over 10 years, like, or CLO. At least close to 10 years.

[Alaina]

So at that point, it's like, that's his family. Regardless of how it's going, that's his.

[Ash]

Family, and he's lived with them longer than he lived with his own father.

[Alaina]

Yeah.

[Ash]

Like, that's.

[Alaina]

That's true.

[Ash]

You got to take that into account.

[Alaina]

And a big chunk of his developmental time.

[Ash]

Absolutely. You know, like formative years. But so things didn't go well because things were handled very poorly, in my opinion.

[Alaina]

That's my opinion.

[Ash]

And again, I'm not, like, blaming anybody.

[Alaina]

I'm just saying, like, the whole situation is wild.

[Ash]

We're looking at it from a bird's eye view. Obviously, I'm. I go back all the time and say, like, oh, damn, I wish I made a better decision there.

[Alaina]

Yeah.

[Ash]

So I'm not, of course, judging anybody.

[Alaina]

And we're being, like, super careful because.

[Ash]

We just don't want to be all that.

[Alaina]

But we're just looking at it from all angles.

[Ash]

And obviously this is a very delicate situation. So Frank and Nancy held off on telling Derek until a few weeks before he was to move back home, which just didn't give him enough time to adjust to the idea.

[Alaina]

Ah, yeah, but that.

[Ash]

But you can also understand. Yeah, I think it's wrong. I. I don't think it was the right decision. But at the same time, I can understand them maybe being like, if we tell him too soon, will he run away?

[Alaina]

Will we.

[Ash]

Like, will things get even worse? Like, yeah, it's an impossible situation.

[Alaina]

And, like, we've already made this decision. So what if he doesn't want this and then we have to go back? But I just think of it as, like, personally, like, as a parent, like, one of my children, I have to give them ample notice for fun things.

[Ash]

Yeah.

[Alaina]

Like, she doesn't like being. Having something thrown on her at the last second, even if it is, like, this exciting, like the aquarium or something. Go to the zoo or something. Yeah. She wants time to take it in and to sit with it and prepare for it.

[Ash]

Well, that's the thing.

[Alaina]

Some kids are like that.

[Ash]

Yeah.

[Alaina]

And I don't. Obviously, I don't know how Derek was, but you just don't know.

[Ash]

I mean, he's already struggling from the, like. Like, all the different transitions in his.

[Alaina]

Life, so you're so needing time to absorb some information. Might be something that would be beneficial to him. But again, there's so much going on right now, who knows what that it also. Maybe it didn't matter either way. Like, maybe both ways, it wouldn't have been great, you know?

[Ash]

Yeah, exactly. Well, as a result of him not really having enough time to get ready to acclimate himself to this idea, when the time came for Terry to go pick up Derek and bring him home, quote unquote, Derek felt like he was being ripped away from his family before he was ready.

[Alaina]

Yeah.

[Ash]

As they point out in their book that we will link in the show notes, Mo and Barrow said although they'd had difficult times, the Lays were the only family he ever had known. And he was losing them. And he was being returned to what had to have felt like a total stranger. It had been almost seven years since he'd seen his father and brother.

[Alaina]

Yeah. This just doesn't feel like a good idea.

[Ash]

No.

[Alaina]

Like, I know. I'm not saying he shouldn't be allowed to be with his parents like his biological parents.

[Ash]

I think it should have been. And this, again, is just my opinion. I think it's gotta be a slow transition.

[Alaina]

I was gonna say I feel like there needed to be more.

[Ash]

Yeah. I think you spend like an hour over there. You get lunch.

[Alaina]

Yeah.

[Ash]

You bring him to lunch. You bring him to the movies and.

[Alaina]

You start building this tr. Trust in this relationship and this bond.

[Ash]

Then you spend a weekend and see.

[Alaina]

How you two react with each other. You are not a typical parent and child now because you have not had that time to fully bond like a parent and child who are in the same home all the time.

[Ash]

Exactly.

[Alaina]

So it's like you need time to see if you work.

[Ash]

Right.

[Alaina]

Because, I mean, the sad fact is some parents and children don't work. Don't work.

[Ash]

Let me tell you.

[Alaina]

I know. It's like, it seems like it should be the way that, like, you should always want the parent and the child, the biological parent and child to be together. Sometimes that isn't the best.

[Ash]

No, it's not.

[Alaina]

It's just facts. Like, it's. I mean, we have. So we have lots of.

[Ash]

That's why the system is very broken.

[Alaina]

Yeah. Like that. We have lots of evidence to see that that's not always the best thing is having a parent and child together.

[Ash]

My therapist.

[Alaina]

And I'm not saying that's the situation here. I'm just saying when you're. When you're going into something like this, I think it's good to give it some time and really, like, see if it works. See if this works for both parent and child.

[Ash]

I had a therapist tell me once that you don't always get the parent you're supposed to.

[Alaina]

And I believe that.

[Ash]

And I fully believe that. Like, I fully believe, like, some children and parents, like you just said, are just not good matchups.

[Alaina]

And you see these. I mean, you see these situations where, like, step parents come in and just become everything that that child needs and didn't even realize they needed. And, like, the biological parent couldn't or would.

[Ash]

Exactly.

[Alaina]

And it's like, so sometimes it isn't the biological parent that kills it, sometimes it's not. Yeah. Or these, like, adoptive or foster parents, like, become everything that these children needed or wanted.

[Ash]

Yeah. And then that's got to be tough because when you're a foster parent, like, you don't always get the option to adopt. You don't always know how long you're going to be able to be that person's, that child's steady person and adult in their life. Like, that's loving.

[Alaina]

Foster parents are the, like, gems of the world.

[Ash]

Because 100% I couldn't even.

[Alaina]

I would love to be able to foster a fucking puppy, and I couldn't do it because I'd end up adopting all the puppies.

[Ash]

Yeah.

[Alaina]

So I can't Imagine babies.

[Ash]

It's so weird. And children, this topic is coming up a lot lately. I feel like. I feel like we've talked about this a lot lately, and it's something I do think about, like, in the future. Yeah. I just, like. I was, like, teetering on the system of, like, maybe ending up there and maybe not.

[Alaina]

Yeah.

[Ash]

So it would be cool to get back, but.

[Alaina]

Yeah, I don't know.

[Ash]

I don't know if I could do it, but I give foster parents a ton of credit.

[Alaina]

Yeah.

[Ash]

So for Detective John Sanderson, learning the backstory of the King family and the years of dysfunction that had led up to this fire and everything else going on was very useful.

[Alaina]

Yeah. Good to know.

[Ash]

Yeah, it definitely provided insight into potential suspects, but his immediate concern was finding Derek and Alex because they're still missing. And unfortunately, family history really didn't provide any leads to where they could be. So on the afternoon of November 26, Detective Sanderson and several deputies just made calls to various family members and immediate family to inform them of Terry's death. Obviously, Terry's mother, Joyce, and his brother Greg took the news very hard, of course, and they couldn't imagine who would have wanted Terry dead as far as his mother, Joyce, know news. Sorry. Terry tried to be a good dad, and he worked really hard to support his kids. She never knew him to be a drinker. She never knew him as a drug user. And she said even though he had a few run ins with the police in the past, those incidents came from a place of desperation to feed his family.

[Alaina]

Yeah, just like turning to unsavory methods to get things for his family that couldn't provide.

[Ash]

Right. So they told the police that the only person they really even knew Terry to associate with outside of their family was his friend Ricky. Okay. So as Detective Sanderson was sorting through what he had learned, he couldn't help but notice that one name just kept coming up. Ricky Chavis. An hour later, he was sitting across the desk in his office from Ricky at the Escambia Sheriff's Office, Ricky confirmed what Sanderson had already heard from everybody else. He and Terry had been good friends. They'd gone back a few years, and Ricky said he went out of his way to support Terry and the boys in any way that he could. He said, I really care about those boys. Terry was abusing them. A lot of it. Psychological.

[Alaina]

Okay.

[Ash]

So Ricky explained that since Derek had been placed back home in September, which, like, they had just gotten placed back home, the boys struggled to adjust. Just a few weeks earlier, they'd both run away from home, and Ricky found them in Pace, Florida, a week before the fire. When it came to where the boys might be now, Ricky said they may be back up, back out in the woods. And he said since they had been found, quote, neither boy wanted to be with Terry. There was a hard friction between them. You really need to talk to Deputy Reggie Jernigan. He knows what's been going on with the Kings.

[Alaina]

Okay.

[Ash]

So from Sanderson's perspective, there was just something off about this guy.

[Alaina]

I love when they have a gut, a hunch. Yeah.

[Ash]

Yeah. He claimed to be Terry King's closest friend and somebody who cared very deeply about this family, but at the same time, he's sitting here saying, terry's an abusive father. Yeah, but he's one of my closest friends and I love his kids. Then there was also the matter of Ricky Chavis having lied to Jimmy Walker about going into the house and seeing the body, which Ricky claimed was just a misunderstanding. What?

[Alaina]

Because, remember, how do you create a misunderstanding about that?

[Ash]

I have no idea. But remember, he literally told their step grandfather that he went in and seen the body.

[Alaina]

Like, you don't just accidentally say that.

[Ash]

No. So he was like a misunderstanding. Okay. But what struck Detective Sanderson most was the way that Ricky kept steering the conversation back to the supposed abuse. According to Ricky, the abuse was almost entirely psychological. He said, alex told me once that on the weekends they go through therapy and they can't talk. Terry makes them stare at each other for hours. And he said when Terry was at work, the boys were told to stay inside and lock the doors. He said they couldn't talk to nobody until Terry picked them up and took them to work with him. Which, like, making them stare at the walls for hours is. That's probably abusive. Like, in my opinion. I mean, to me, that's some kind of psychological abuse.

[Alaina]

Very abusive.

[Ash]

But, like, when you're not home and you tell, like, they're like, 13 and.

[Alaina]

12 doors and don't answer it for.

[Ash]

Anyone, I think that's just good parenting.

[Alaina]

Yeah.

[Ash]

Like, if you're not gonna be there. Yeah, that's. I would say that's pretty standard. Like, when I got. I left at home when I was that age, it was like, yeah, don't open the door for anybody.

[Alaina]

I think. I feel like it would be worse. Worse if he was like, unlo the door and welcome strangers in. Like, that would be bad. And just, like, that's not good parenting.

[Ash]

Yeah.

[Alaina]

But saying, lock the door and don't talk to anyone. Until I get here.

[Ash]

Sounds pretty careful. Yeah.

[Alaina]

Don't talk to anyone. You can't trust anyone out here on these streets.

[Ash]

So, like Jimmy Walker, Ricky seemed very determined to convey to the detective that Terry was abusive, but he seemed unable to describe the abuse in any way that really made sense. Yeah. Alex's supposed description of the therapy was very strange, but nothing Sanderson heard sounded like straight up abuse. And remember, this was, like, 25 years ago.

[Alaina]

Yeah. So to them, they're like, what, like.

[Ash]

Staring at the wall. Sounds abusive to us now. Yeah, I think it just sounded kind of weird to them back then.

[Alaina]

Yeah, exactly.

[Ash]

And then like, we were just saying for a single parent to require their kids to stay inside while they were home alone just sounded reasonable to him.

[Alaina]

Like, I'm like, are you. Is there something else here?

[Ash]

Yeah.

[Alaina]

So he was like, am I missing something?

[Ash]

Okay, I think that's pretty normal. So something on the detective's face must have showed what he was thinking, because as Ricky pressed on, things clearly started to get more dire. He said, I never saw any physical abuse between Terry and the boys, but Alex did tell me his dad hit him before.

[Alaina]

Oh. So now we're getting more intense. Okay.

[Ash]

Yeah. So obviously that gets Detective Sanderson's attention.

[Alaina]

Of course.

[Ash]

And Ricky continued on explaining. He said, you know, Alex didn't like his dad. And Derek told me he wished his dad was dead. I don't know what happened to Terry, how he died. I mean, but if it was a homicide, those boys had something to do with it.

[Alaina]

Wow. Wow.

[Ash]

Just dropped that bomb out of absolutely no way.

[Alaina]

And after sitting here being like, I'm super close with this family. I love those boys.

[Ash]

I'd do anything for them so much.

[Alaina]

Do anything for them. Love Terry. He is an abusive prick, though. And if somebody killed him, he deserved it. And it was probably his kids. How do you get from A to B there?

[Ash]

I have no idea.

[Alaina]

That detective was probably like, oh, okay. What the fuck?

[Ash]

What the actual fuck.

[Alaina]

Damn.

[Ash]

And that is where we're going to break for part one. Because with that bombshell, honey. Whoa.

[Alaina]

Wow.

[Ash]

So, yeah, that's where we're going to leave. Break for part one, Part two. We'll go over when the boys are eventually found, because I'll tell you that they are. We'll go a little deeper into who exactly Mr. Ricky is.

[Alaina]

Yes. Yeah. Ricky is giving me vibes.

[Ash]

You know what? I'm just going to let you know, because I think you already do. He's unsavory.

[Alaina]

Yeah, I would think he was unsavory.

[Ash]

He'S an unsavory character.

[Alaina]

He's come off as unsavory.

[Ash]

I'd like to physically fight him.

[Alaina]

I know this when I look, I. I didn't look up like details about this case because I like you to tell me the story, especially if I don't know it.

[Ash]

Yeah, same.

[Alaina]

But I looked up pictures cuz I was like, why does this sound so familiar? And I know I remember bits and bits and pieces about this. Like the fire. I knew. And I didn't know any of these details or anything, but as soon as I saw the pictures, I was like, oh, I remember these.

[Ash]

It's also. I should have noted it at the top. And I'm glad you just said what you did. It happened right after nine. Eleven.

[Alaina]

Yeah.

[Ash]

So now all of that news obviously was like all over the place. And this kind of trickled into the media while the boys were missing. And then in part two, we'll talk about what comes out. And that's when it really broke into like mainstream media.

[Alaina]

Ah, okay. That makes sense.

[Ash]

Yeah. Yeah. So a very interesting case.

[Alaina]

I don't like Ricky. I'm going to be quite honest with you.

[Ash]

You shouldn't.

[Alaina]

Okay, good.

[Ash]

You have a good.

[Alaina]

Because I really don't like him. Yeah, no, something's off.

[Ash]

Hate him.

[Alaina]

Yeah.

[Ash]

But we'll end this on a fun fact.

[Alaina]

Oh yes, I have a fun fact.

[Ash]

Tell us.

[Alaina]

So this is, this is an actual fun fact.

[Ash]

Yeah, it should be.

[Alaina]

Macaulay Culkin's middle name is Macaulay Culkin. So his name is Macaulay. Macaulay Culkin Culkin. And he legally changed it. And he said he literally changed it for that joke. I'm obsessed just for the joke.

[Ash]

Macaulay. Macaulay Culkin Vulcan.

[Alaina]

And I think that's awesome.

[Ash]

How do you even yell that?

[Alaina]

Like that's awesome. He did it as an adult. So nobody's probably yelling his. His middle name.

[Ash]

If I was his mom, I would.

[Alaina]

I mean somebody have to be up for that. His wife should Brenda yell it.

[Ash]

That's so fun.

[Alaina]

Yeah. I had seen like a. I saw a very interesting interview with him. I think it's a mythical kitchen. It's called. It's a good. Like they sit down and they just like eat food and talk.

[Ash]

I'm obsessed with that.

[Alaina]

And he was like, it was a good interview with Macaulay Coke. And he talks about Brenda and like how he wants to be like such a different kind of parent than his. You know, like he goes into that whole thing about how he wants to be, like, this amazing dad to his.

[Ash]

That's so millennial coded. We all just want to be different parents.

[Alaina]

And that, like, Brenda, like, you know, made him a better person. It's like, a very sweet interview. And I just. I was like, oh, my God, I love them now. I love that a lot.

[Ash]

London Tipton. London, AKA Brenda Song.

[Alaina]

There you go.

[Ash]

The Prindle. I think of Brenda Song every single time I shift gears in my car. There's an episode you would not. You have no idea what I'm saying. And if you're. If you're an elder millennial like Helena and you didn't watch Suite Life of Zack and Cody, there's an episode where Mr. Tipton, who, like, is, like, the manager of the hotel, teaches her how to drive. And he's like, what is this called? And he's talking about, like, the gear shift. And she's like, the Prindle. The Prindle, which, like, park, reverse drive.

[Alaina]

Oh, I mean, valid.

[Ash]

Yeah, the Prindle.

[Alaina]

I think that's valid.

[Ash]

So that's what I call it now.

[Alaina]

I remember Brenda was in some, like, Disney Channel original movies that I actually did watch.

[Ash]

Oh, she was.

[Alaina]

She was like a warrior clue with Lindsay Lohan. Holy.

[Ash]

You just literally unlocked something in my brain. Yeah, she was in a really good one that I can't think of.

[Alaina]

I know. I was thinking that, too.

[Ash]

It was like a warrior one. Wendy Wu, Homecoming Warrior.

[Alaina]

Oh, my God.

[Ash]

Wendy Woo, Homecoming Warrior. I love that.

[Alaina]

That did slap. Yep. I remember Get a Clue. And I think.

[Ash]

Yeah, I forgot that she was in Get a Clue.

[Alaina]

Yeah, she really killed it.

[Ash]

She's also on the Social Network.

[Alaina]

Oh, she was in the Social Network? Yeah, yeah, yeah. She really killed it.

[Ash]

She's a queen.

[Alaina]

I love her. Now, just us talking about Brenda Song, but that's okay with me.

[Ash]

These are fun facts as well. The movies that Brenda was.

[Alaina]

These are all fun facts.

[Ash]

All right, guys. Well, with all that being said, we hope you keep listening, and we hope you keep it. But not so weird that, given the option, you don't change your middle name to your first and last name. Legally. Yeah, I'm obsessed.

[Alaina]

Do that.

[Ash]

Mine would. What would? Ash.

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Ash.

[Ash]

Kell.

[Alaina]

Kell.

[Ash]

Yeah, I like that. Maybe Elena.

[Alaina]

Elena Urquhart. Urquhart.

[Ash]

Yeah.

[Alaina]

White.

[Ash]

I love it.

[Alaina]

Be a lot.

[Ash]

White.

[Alaina]

It would be a lot.

[Ash]

I think it's great. Bye.

[Alaina]

Sat sam.

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[Ash]

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