
Welcome back to the campfire. This story took place in Malaysia in the 1970s. And even though when you first hear it, it's almost going to sound like urban legend. But it's not.
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Hey guys, welcome back to the campfire. I have another awesome story to share with you tonight. So when I was a kid I used to love reading this book called Scary Stories to Tell in the Dark, which is this really frankly not kid friendly scary story book that's marketed for kids. But it's like terrifying. The stories in there are like, they kept me up at night. I mean they were really disturbing stories. They were fictional, but they really, they rocked me as a kid. And when I read the story I'm going to share with you tonight, it just really brought me back to that feeling I got when I used to read those stories as a child. This story tonight feels like it belongs in that book. Except tonight's story is not fiction like the book was. This is a true story. But before we get into tonight's story, if you're a fan of the strange, dark and mysterious delivered in story format and you've come to the right campfire because that's all we do. And we upload two, three, even four times every week. So if that's of interest to you, please offer to water the fallow buttons plants the next time they go away for a long weekend. But instead of using water, use bleach. Also, please subscribe to our channel and turn on all notifications so you don't miss any of our weekly uploads. Okay, let's get into tonight's story. Adobe Firefly is the all in one creative studio with AI powered image and video generation for today's creative process. Built for creators of every kind, Firefly helps you generate, edit and experiment fast because the asks aren't getting smaller, the budgets aren't getting bigger, and the timelines. Ugh. Yeah, still tight. With all the best creative AI models in one place, Firefly brings your ideas to life. Unlock a better way to make. With Adobe Firefly, insurance isn't one size fits all. That's why drivers have trusted Progressive's name your price tool for years. Just tell Progressive what you want to pay and they'll show you coverage options that fit your budget. Visit progressive.com to find a car insurance rate that works for you. Progressive Casualty Insurance Company and affiliates price and coverage match limited by state law. One summer night in the 1970s, a young woman named Hana was sitting next to her husband at a blackjack table inside of the Genting Highlands Casino, which was this huge casino in central Malaysia. The room they were in was bright. It was loud. There was people everywhere. You know, there's cigarette smoke hovering in the air, lots of drinking and Chatting and laughing and gambling. And so as Hana is sitting in this environment, she was doing her best not to let her nerves get the best of her, but she couldn't help it. I mean, she was really feeling anxious because her husband had just bet all their chips on this one hand. So her husband had been dealt his two cards, and they totaled 19, which was basically good because in blackjack, you're trying to get to 21. You want your cards in total to equal 21, but you don't want to go over or you bust, you lose. And so 19 is pretty good, but you're playing really against the dealer. And so basically it's between you and the dealer who can get closest to 21 without going over. So the dealer had two cards. One was face up and one was face down. The face up card was a 10. And so Hana is anxiously waiting to see this other card flipped over, just praying it's not a 10, because that would give him 20 and that would be, you know, her husband's 19 and they would lose. And so the dealer, he flips over this other card and it's a four. So now he's got 14, and so that's good. It means Hana and her husband, they're still in the lead here, but the dealer will keep on hitting. So adding more cards to the pile here, adding to their total score until they either hit 17 at least, or until they beat you, or until they bust, they're gonna keep on drawing more cards. And so the dealer draws another card, he puts it face down, and it's an eight. And so now collectively, the dealer has 22. They've gone over 21. They busted. And Hana and her husband have won. And so Hana, she turns to her husband and she's overjoyed. I mean, they've just gambled all their money and they've won. I mean, this is a huge win. And Hana and her husband, they didn't really come for money here. I mean, they're very modest people. They had saved up money for this trip. They had really wanted to come to this casino for a long time. And now it was like their luck was just incredible. They're having this unbelievable run. They had won a bunch of money beforehand, and now they had just won this hand and they doubled their money. Like, this is incredible. And so at this point, Hana and her husband, they take all their chips, they leave the blackjack table. Everyone's, like, so excited for them. Like, the energy is awesome. And so Hana and her husband, they make their way over to the cashier, and they cash all their chips, they get all this cash. And Hana's talking to her husband like, this is awesome. Like we were gonna have to drive home tonight. Let's get a room here. Let's use some of this money and like stay at the lavish hotel they have. Maybe we can go back to the casino tomorrow. Let's make a vacation out of this. But after cashing all their chips, Hana's husband, he didn't seem too inclined to go spend the money on a hotel room or a restaurant or whatever. He told her he's like, I don't know, like, I feel really lucky, like I'm on a roll here. I don't want to just like be done. I think I should go play slots and try to win a little bit more money. I think we can win more money. And Hana's like, are you crazy? Like, this is the most money we've ever won ever. Like, this is a once in a lifetime opportunity. If we stay and continue to gamble, we're just gonna lose the money. Like, let's take the win, let's get the hotel room, let's just do that. But Hana's husband, he was not having it. And he literally just took their money and was like, no, I'm gonna go do slots now. And he walked over to a slot machine and Han is like, oh my God. She follows her husband over to the slot machine and before long he's playing the slots and it's not going well. And Hun is trying to convince him to stop, but he just, he wouldn't have it. And he was so committed. He just kept going and going. And wouldn't you know it, after two hours of this, all the money was gone. Well, actually, it was not entirely all gone. He still had a little bit of money that they had intentionally set aside to just to cover the hotel. Cause they needed a place to stay that night and they had stayed later at the casino. And so literally they are down to just enough to stay in the hotel. And so at this point, Hana, she's already accepted that they've lost all their winnings and she's telling her husband, like, please, let's just walk away, let's use this money, let's just stay in the hotel. It is what it is. And they're about to leave when her husband's like, ah, one more turns around, puts it in the slot machine, pulls the lever, lose. Now they literally have no money. They have actually no more money. They can't get a hotel. It's the middle of the night. Late, late, late. They have nowhere to stay, and now they have to drive home. And the drive is going to be awful. Like, Hana is furious with her husband. Her husband feels like, oh, it's just bad luck. It's not my fault. But Hana's like, it is your fault. You should have left. So it's just this awful, awful exit from the casino. Like, this is about to be the worst ride home ever. About 20 minutes later, Hana was sitting in the passenger seat and her husband was driving. And they're cruising down this road. It's again, it's the middle of the night. They passed no cars as they're driving. They're in this desolate stretch on their way back to their home. And as expected, this has been a treacherous ride so far. They fought at the beginning, and now they're just not talking. And so they're driving along, and Hana's just looking out the window at all the trees. It's very jungly and swampy off to the side on either side of the road. And they're just. They're driving along. And at some point, as Hana is just desperate to get home, she just wants to go to bed. She doesn't even care about the money at this point. She just literally wants to get in her bed. They're driving along when the car starts to sputter like it's running out of gas. And immediately Hana looks over at her husband, like, are you kidding me? And her husband's looking over at her, like, knowing that he's gonna bring even more wrath down on himself from his wife. And he's just like, I'm sorry. Like, I didn't know it was that low. Like, I didn't know the tank was that low. And before long, he had to pull over on the side of the road because their car was out of gas. Like, they couldn't go any farther. And so Hana, as the car has come to a stop on the side of the road, she just looks at her husband and she's like, wow. Like, this night really couldn't get any worse. Like, are you kidding me? We are stranded in the middle of nowhere. We got no money. What are we gonna do? And so Hana's husband, you know, he obviously knew this was. Was not good. Like, he. He knows he's the one that was supposed to put gas in the car, and he didn't. You know, he's sort of been the architect behind this whole disaster of a night here with his decision to keep on gambling. And so he just says, to Hana. Look, you stay here. Just stay in the car. I have a, I have a gas can. I'll just walk to the nearest gas station. I'll get some gas, I'll bring it back, I'll fill it up, we'll be home soon. We can't be that far away anyways. Like it can't be that far away. So just, just stay here, go get gas. And so Hana's like, okay, fine, go get gas. And so Hana just stays in the car and her husband gets out. He goes in the back of the car, he gets the gas can. And then before long, Hana watches as her husband walks ahead of the car and disappears into the darkness. Summer is a great opportunity for kids to review challenging concepts, strengthen core skills, and head into the start of the school year feeling more prepared. And this is where IXL can help. A couple of things that I like about IXL is that it's really easy to fit into my kids busy summer schedules and the instant feedback helps them understand what they missed instead of just moving on. 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And so after Hana's husband has walked off, she knows it's going to be at least, you know, 30, 40 minutes, you know, before he gets gas and comes back. And you know, she's, she's exhausted and so she makes sure all the doors are locked. And then she leans back her seat and she just tries to go to sleep. And pretty quickly she does doze off. But then at some point, you know, maybe five, ten minutes later, she just kind of inexplicably wakes up. You know, there was no reason why she woke up. She just opened her eyes and she, you know, for a second was a little bit disoriented. You know, when you fall asleep for a few minutes like that, you'll kind of wake up like, what just happened? She's disoriented and she remembered, oh, that's right. We had this horrible night. You know, the casino went horribly, we ran out of gas. So that's right, like I'm living out this nightmare. Okay, now I know where I am. And so after getting her bearings, Hana just rolled over in her seat and tried to go back to sleep. But this time, after closing her eyes, you know, after just a few seconds, she Heard this loud thumping noise on the roof of the car. And it was loud enough that she opened her eyes back up and you know, there's no sunroof or anything, so she couldn't see what it was. And it was so dark outside and there were no street lights out there that she couldn't just look out the window and see what it was. But she knew her husband could not possibly be back yet. And even if he was, why would he be banging on the roof? But then she remembered they had parked right next to this jungly, swampy area, just right off the side of the road. And you know, there were probably some low hanging branches. And it was entirely possible that the wind had caused a branch to just bang against the roof of the car. And so that's what she assumed it was. And after realizing that, she just got comfortable again and closed her eyes. But then a few seconds later, she heard another thump on the roof of the car. And again she instinctively looked out the window. And she's sort of trying to figure out what it is, but she can't see anything. There's no sign of her husband walking up the road. There's nothing. And so again, she just tells herself, okay, again, it's just gotta be this branch. But then after hearing it a second time, the thumping sound, it began to sort of persist. It's not super loud, but it's pretty consistent. It's like a thumping sound on the roof of the car. And it did basically sound like a branch hitting the roof. But it's just now it's just a nuisance. And more than anything, she's just frustrated because it's loud enough that she's not gonna be able to sleep. And so she's not frightened by it. She's a little bit, you know, unnerved by it perhaps. Cause it's the middle of the night, she's all alone, but for the most part she's just like, oh, great, now I can't sleep. And so she just sitting in her car and the thumping is continuing and she's just staring straight ahead. And she knew, you know, she was sort of being a little cowardly. She figured I probably should just get out and just confirm this really is a branch. But there was just some part of her that's like, I am in the middle of nowhere. It's the middle of the night, it's a little bit creepy, so I'm not going to do that. So she's just looking straight ahead, really waiting for her husband. So thump, thump, thump. She's looking straight ahead. And then a little while later, she doesn't see her husband, but she sees headlights appear that are coming in her direction. And to this point, she hadn't seen a single other car since they had been on this road, basically, or at least since they had pulled over, you know, because they were out of gas. She had not seen another car. And so here comes a car approaching, and she's thinking, oh, it's got to be my husband. He must have found someone who, you know, heard about our story then. And he's got gas, and they're just giving him a ride up here to come drop him off. He's going to fill up the car. We're going to be out of here in a second, thank goodness. And so Hana, she doesn't get out of the car. She just sits there, you know, waiting for this car to approach. And the car, as it gets closer and closer, it appears to slow down, and it's too dark to see, you know, who's in the car, whether it's her husband or not. But this car is clearly slowing down. You know, it appears to recognize her car and where she is. And she's expecting at any point this car is going to fully stop and her husband's going to get out. And so she's just waiting and the car is getting closer and it's slowing down. But then sort of inexplicably, right as this car is very close to her car, the car just peels out and speeds down the road just away from her, as fast as they could go. And then they're gone. And so immediately Hana's like, okay, one, clearly not my husband, so that's disappointing. But two, like, what was that? Why did they do that? Why did they slow down and speed up like that? And the whole time this is going on, it's just constant thumping on the roof of her car, which by now she's almost zoned out, but it's. It's persisting. And so at this point, Hana went from being basically annoyed with the situation to now starting to feel a little bit freaked out. I mean, her husband's still not back. It's been at this point kind of a while since he left, and she doesn't really know how far the nearest gas station is going to be or how long it's going to take him, but she's starting to think, like, it should be soon. He should be getting back here. And this weirdness with the car speeding off like that, that just. That wasn't normal. And Then also there was just this constant thumping on the roof of her car. And she again had told herself it was a branch, but she's starting to wonder, like, is it? But, like, what else could it be? And so now Hannah is sitting here staring out into the darkness in front of her, like, desperately wishing her husband would show up, like, any second here. Like, please, like, come out of the darkness and rescue me, because this is getting really uncomfortable. The time kept on ticking on, and her husband didn't show up. And the thumping continued, and no other cars came through through. And so Hana slowly began to worry that maybe her husband got lost. Like, maybe he's not able to find where she is. Is she just, like, stranded out here? Like, what's going on? And so as Hana is sort of beginning to spiral, like, as her thoughts are beginning to spiral and she's getting more and more worried, she started to give half a thought to leaving the car and forget about what's happening with the roof. Like, I'm going to go find my husband. Like, she thought about going and looking for him, but then she thought, like, what's gonna happen is I'm gonna get out, I'm gonna go look for him, and we're gonna, like, pass each other in the dark. He's not gonna know I'm looking for him. I'm not gonna find him. And now he's gonna be back at the car and I'm missing, and so I'm just gonna create more problems. And so she. She tells herself that really the only thing she can do that's responsible is just stay put. And so there she stays. And the thumping continues, and her husband continues not to show up. And, like, the time as it's going by, it's like, agonizingly slow. And now she's getting really worked up that, like, you know, she's being watched or something. Like, she's really starting to get paranoid when all of a sudden down the road, she sees something. And it's really a huge relief when she sees it. At first she sees more headlights, and at first she's thinking, oh, thank goodness, this has got to be my husband. Like, this is a car coming up the road. He's going to be in there this time. He's going to get out of here. He's got the gas. We're going to get out of here. But as the headlights appeared over the horizon coming towards her, she realized it was not an ordinary car. It was not just headlights. There were also lights on top of this vehicle. It was a Police car. And so this police car is cruising down the road and, you know, Han is thinking, well, you know, it could still be my husband. You know, maybe he got a ride from the police. But then she's thinking, oh my goodness, like, has something happened to him? Are they coming to tell me that something's happened to my husband? Like. Like she's having all these terrible thoughts. And so this police car, they come to a stop on the other side of the road. And at first Hana is just, like, unsure what she should even be doing. Like, should she get out to greet them? Should she wait here? But as she's just staring across the road at the two officers that are in this vehicle and she doesn't see her husband in there, she sees the officer that's closest to her, the driver. He gets out of the car and he stands on the road and then he draws his pistol and he aims it at her. Like he's aiming the gun at her and the car she's in and she's like, what is going on here? And so she just freezes, doesn't say or do anything. And the other officer in the passenger side, so on the far side of the car, he gets out of the cruiser as well. But he's got a megaphone in his hand. And so through this megaphone, he kind of leans out and he barks three orders to Hana. 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And so between that and the fact that she's been listening to this thumping sound for the last, like, 45 minutes, assuming it was a branch, she's now realizing there's no way it's a branch. Like, she sort of sensed it couldn't be. Like, it had to be something else, but she had sort of convinced herself, oh, it's a tree branch. Now she knows it's not. And so she had no idea what could possibly be on the roof of her car, but she knew whatever it was, it had to be bad. And so, Hana, all she wants to do is get out of this car and go over there. She doesn't want to be here anymore. I mean, this whole thing has been awful and now she's terrified, but she's, like frozen. Like, what does she do? Like, what's going on? But again, the officer with the bullhorn comes across and says, hey, get out of the car, come over to us and don't look back. Right now, get up, go. And so Hana is like, I just gotta go. And so she opens her door, and as fast as she can, she gets out. She doesn't look back. She banks around the car and across the street she goes. And the whole time she's thinking, oh, something's going to grab me. But she gets to the cop car, she throws open the door and she jumps inside. And at first, she adheres to their orders. She doesn't look back as they told her to. She didn't look back. But now that she's, like, safely inside the cop car, there's, you know, two officers protecting her, one with a gun drawn pointed at her Car. She couldn't help herself. She had to see what was on the roof of her car. So she went over to the window and she looked. And as soon as she saw what was on the roof of her car, she just starts screaming. And at the same time, the officer who is still standing out there with his gun drawn, he begins just firing non stop at her car. And so Hana, she screams. She ducks down behind the door. She can't see anything. There's just this constant barrage of gunfire blasting the car and whatever was on the roof of the car. And then, you know, Hana, she's tucked down and she's thinking, this is a nightmare. Like, how is this real? She hears the sound of that officer who was shooting and the other officer, they get out of the car. She hears them run across the street towards her car. The shooting kind of stops and it's just like the shuffling of feet. And then she hears this like loud thumping sound of something really heavy, like slammed into the pavement. And then she heard the sound of something big, like running off into the, into the jungle, into the tree line, like trees just, you know, moving all around. And then there's just silence. And then a moment later, she hears the sound of the officers coming back across the street. She's still tucked down. She can't look out the window. She just hears the sound of their footsteps. It's definitely them. And as they're getting closer, she can hear them, like, trying to make sense of what they just saw. Like they don't even know what they just saw. And at some point, Hana's door opens up. And on the other side, it's the officer who had the megaphone. And he just looks ashen faced. He's very shaken up. And he begins to try to explain what he's just seen, but it's clear he can't even describe it. And as he's trying to do it, like, Hana, she's crying, she's so upset. And she just tells him, like, don't even tell me, like, I saw it too. When Hana did look back. So when she, she went against the police's orders and she looked out the window back at her car. What she saw at first, like, didn't even compute. She saw that clearly there was no branch striking the roof of her car. What she saw was a woman. There was a woman on the roof of her car. This woman is like dirty and her hair is matted and it was like kind of covering like the front of her head. Like she's just like weirdly positioned on the roof of the car. Like, that clearly was what was making the banging sound for the 45 minutes or so that she was over there. And so that alone is, like, horrific. But then in this instant that Hana had looked over and seen this woman, the woman, she kind of appeared to be eating something. Like that was the gesticulation that she was doing. It sort of looked like she was eating something. And she looked up for a second as Hana is staring across the road and. And her matted hair kind of parted, and the woman is looking right at Hana and there's blood all over her mouth and her chin. And then Hana saw what she was eating, and that's the thing that made her start screaming and prompted the police to start shooting. The woman was chewing on Hana's husband's severed head. And so as soon as the police open fire, this cannibal woman lets go go of the head and it falls to the pavement and it makes that. That loud thumping sound that Hana would recall hearing as she's crouched down, you know, wishing this was some nightmare. And then this woman, she leaps off the roof of the car under a hail of gunfire. She lands on all fours and like an animal, she gallops into the tree line and vanishes. And so the two officers, they ran across the street after her, but quickly realized, like, she was gone. And so they, they called for backup. Backup arrives, and, you know, all these officers go out into the. To the jungle and they, they can't find this woman. She's gone. But they would find the rest of the body. So the rest of the husband's body was actually not far from. From the vehicle. It was just laying out on the side of the road, sort of tucked up against the tree line. Talk about regrets. We all know someone who's been in a car accident and said, I don't need to call a lawyer, only to regret it after. Their pain and damages were worse than expected. When someone hurts you, you deserve to be compensated fairly. Morgan. And Morgan is America's largest injury law firm, fighting for the people for over 35 years. Injured. Visit forthepeople.com podcast that's forthepeople.com podcast. 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Podcast: MrBallen Podcast: Strange, Dark & Mysterious Stories
Host: John Allen (MrBallen)
Date: July 24, 2026
In this chilling campfire episode, MrBallen recounts a terrifying true story from 1970s Malaysia that blurs the line between urban legend and horrifying reality. The tale centers on Hana and her husband, whose night of gambling luck dissolves into dread, culminating in a devastating roadside encounter with the unspeakable. The episode’s tone is immersive, suspenseful, and deeply unsettling—a signature of MrBallen’s style.
For listeners seeking a truly unsettling story that lingers, this episode is a masterclass in pacing, tension, and terrifying payoffs—the very essence of MrBallen’s campfire tales.