Podcast
Music Tectonics
Hosted by Rock Paper Scissors, Inc. PR firm · EN
The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. The podcast includes news roundups, interviews, and more. Our host is Dmitri Vietze, CEO of PR firm rock paper scissors.
14episodes
Episodes
Newest firstAll episodes
Can Gamification Fix Music Discovery?
Jun 300:51:31Tap to summarizeRemember when the best music recommendation you ever got didn't come from Spotify's algorithm, but from your coworker, your cousin, or a stranger in another country who loves the same obscure band you thought only you knew about? Eric West is the founder of Music League, a competitive music discovery platform with nearly 200,000 monthly active users across 160 countries. Players compete in themed rounds, submitting songs and voting on each other's picks, which means people actually listen rather than just passing along a link and forgetting about it. The result is something the streaming era largely eroded: real music discovery driven by real people whose opinions you have a reason to care about. This week on the podcast, Eric talks with our head of new business Jade Prieboy about how a music taste game accidentally became a community-building tool for workplaces and families, what the daily-to-monthly active user ratio reveals about how people actually engage with the platform, and what phase two looks like when artists get direct access to fans who have already been repping them inside the game for months. If you work in music tech, artist development, or fan engagement, this one reframes how discovery and community can work in the streaming era. The news The "quiet money" behind $4 billion music catalog deals Bollore urges UMG to reject Ackman's $64 billion bid Qobuz Is Suddenly One of the Fastest-Growing Streaming Music Platforms. But Why, You Ask? Why Spotify (SPOT) Is Up 19.0% After New AI Remix Deal And 2030 Targets The Active Listening Era of Music Begins Can you own a voice? Taylor Swift's latest legal move raises big questions for AI and copyright Swedish startup Tonada is making AI music for retailers The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
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How TikTok Changed Sync Licensing (and What Cipher Music is Doing About It)
May 2700:51:31Tap to summarizeWhy are most brands still stuck licensing royalty-free tracks nobody recognizes while short-form content runs on music? This week, we're sharing a conversation Jade Prieboy had at SXSW with Ferris Bseiso, founder of Cipher Music, breaking down how TikTok rewrote the economics of sync licensing, why major brands are getting hit with eight-figure copyright lawsuits over Instagram posts, and how Cipher is creating a volume-driven sync market designed specifically for the creator economy. Also on this episode, Jade and Dmitri swap takeaways from Music Biz in Atlanta and Mo Forum in New York. They dig into AI voice cloning and the concept of style laundering, Andrea Gleason's provocative idea about generative AI and streaming platforms, the rise of institutional catalog investment from companies like Apollo and Primary Wave, and what the KISS hologram deal signals about the future of artist IP. Music, technology, and internet culture are colliding in real time. This episode is right in the middle of it. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
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The Label of the Future: How ONErpm Scaled Without Investors
May 1900:32:41Tap to summarizeEmmanuel Zunz, the CEO and founder of ONErpm, has spent 16 years building one of the fastest-growing independent music companies in the world, across 40 territories, with a staff of over 500, and without a single round of outside investment. In this episode, he breaks down exactly how that happened. This week on the podcast, Emmanuel and Dmitri get into why the traditional definition of independence is outdated, why Taylor Swift can be on a major label and still be completely independent, and what it actually means for an artist or company to be in control of their own destiny. They also dig into the convergence happening right now between distributors and labels, the race to the bottom on margins that's pushing funded indie companies toward acquisition or collapse, and why Emmanuel believes the label of the future is built on scalable technology, diversified deal structures, and a global roster rather than big advances and market share at any cost. If you work in music distribution, run an independent label, or are trying to build a sustainable creative business on your own terms, this one is worth your full attention. The news The live-music boom has convinced some artists they're bigger than they are Live Nation pushes back on 'blue dot fever': 'It's a normal touring year' Listeners engage less deeply with music labeled as AI – even when it's actually human-made, academic study finds The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
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The Reality of Being a Music Creator in 2026 (ft. Aryy)
May 1200:53:05Tap to summarizeWhat does it actually look like to build a music career from the ground up as an artist in 2026? This week Dmitri sits down with Aryyzona, a Brazillian-born, LA-based artist who has been posting videos on YouTube since 2009 and recently released her hyper pop EP Gacha World, complete with a custom video game. With over a million YouTube subscribers and a devoted following across TikTok and Instagram, Aryy has a perspective on the creator economy that challenges a lot of assumptions. She breaks down why she refuses to call herself a social-first artist even though she posts constantly, how she balances paid brand partnerships with creative integrity, and what the traditional music industry gets wrong about creators who built their audiences outside the label system. They also get into the emotional reality of being a music creator, including separating your self-worth from your analytics, navigating hate comments, and staying grounded when engagement is unpredictable. Plus, Aryy shares a story how her ukelele videos once landed her on a Southwest Airlines flight to Hawaii to teach an entire cabin of passengers how to play ukulele. If you are a musician trying to understand the creator economy, a content creator wondering whether you can make it as an artist, or someone who wants an honest look at building an audience and a music career at the same time, this episode if for you The news Sony in advanced talks to buy Blackstone's Recognition Music for up to $4B, reports Bloomberg YouTube allows creators to replace music with copyright issues with genAI songs Zuckerberg Personally Authorized Massive Copyright Infringement to Train AI, Multiple Publishers Allege Suno CEO Calls AI Platform "Ozempic of the Music Industry" How Duetti Finds Big Value in Small Catalogs: 'It's Not About Aggregating Rights… It's About Taking Care of Them' Nebula becomes latest fan-to-artist investment platform The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think! Get Dmitri's Rock Paper Scanner newsletter.
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