Autonomous Machines Are Controlled by African Children (with Zack Fox)

Summary

Podcast Summary: My Momma Told Me - "Autonomous Machines Are Controlled by African Children" (with Zack Fox)

Episode Information:

• Title: Autonomous Machines Are Controlled by African Children
• Hosts: Langston Kerman and David Borey
• Guest: Zack Fox
• Release Date: May 27, 2025
• Description: Comedians Langston Kerman and David Borey delve into a provocative and humorous conspiracy theory suggesting that autonomous machines are secretly operated by enslaved African children. Joined by guest Zack Fox, the trio explores the absurdity and underlying truths of this theory, blending satire with sharp social commentary.

---

1. Introduction to the Conspiracy Theory (19:20 - 20:34)

The episode kicks off with David Borey introducing the central conspiracy theory: "There are no autonomous vehicles; they are actually operated by enslaved African children."

• Quote [19:34]:
  • David Borey: “My mama, in the future, is going to tell us there are no autonomous vehicles. They are actually operated by the enslaved African children.”

Langston Kerman and Zack Fox immediately react with a mix of disbelief and humor, setting the tone for the episode’s exploration of this exaggerated theory.

2. The Mechanics of Control (20:34 - 26:02)

The hosts delve deeper into how these African children might be controlling autonomous machines. They humorously speculate on the incentives and control mechanisms, suggesting physical punishment and societal consequences as methods of maintaining this covert operation.

• Quote [23:16]:

  • Langston Kerman: “We got 98 patents.”

• Quote [24:50]:

  • David Borey: “It's crazy because without the lose they absolutely real.”

The discussion touches on the ethical implications of AI development, highlighting the absurdity of the theory while subtly critiquing real-world issues like labor exploitation and technological dependence.

3. Guest Insights and Expanding the Theory (26:02 - 38:20)

Zack Fox joins the conversation, intensifying the conspiracy theory by introducing the idea that AI models are heavily reliant on African child labor for content moderation and data processing.

• Quote [27:03]:
  • Zack Fox: “AI is already mostly powered by African child slave wage labor.”

The hosts humorously exaggerate the situation, imagining a dystopian future where African children are unknowingly operating complex AI systems, thus blending satire with a critique of global labor practices.

4. The Impact of Technology and Desensitization (38:20 - 45:40)

The discussion shifts to the broader societal impact of technology, emphasizing how overexposure and desensitization to violent or inappropriate content can lead to a lack of empathy and heightened societal issues.

• Quote [40:50]:

  • Langston Kerman: “I worry about it. Not. I don't have a doctor, just interpersonally. I worry that whatever this smut that I'm looking at is gonna come out.”

• Quote [43:29]:

  • Zack Fox: “We're building castles, we're making states, we're building bridges, we're building. Doing all the things but the actual engine, the actual farm tool, the resource is little people.”

Through hyperbolic humor, the hosts highlight genuine concerns about technology’s role in society, labor exploitation, and the ethical dimensions of AI development.

5. Cultural References and Satirical Commentary (45:40 - 58:02)

The hosts incorporate a variety of cultural references, including nods to popular media and historical events, to underscore their satirical take on the conspiracy theory. They reference figures like Joe Rogan and films like "Ender's Game" and "Avatar," using these to parallel the absurdity of their discussions with real-world phenomena.

• Quote [52:00]:
  • Zack Fox: “Listen, I dare someone to present a rebuttal to this theory. Cause I'm sticking by it like it's fact.”

The dialogue becomes increasingly playful yet critical, mocking both the conspiracy’s implausibility and societal complacency regarding serious issues like child labor and AI ethics.

6. Concluding Thoughts and Final Satire (58:02 - 59:01)

As the episode nears its end, the hosts wrap up their satirical exploration by reaffirming the ridiculousness of the theory while subtly reinforcing the real-world parallels.

• Quote [59:01]:

  • Unknown Voice: “We did it. Bye.”

• Quote [59:04]:

  • Langston Kerman: “And they're talking about Trump and birthright citizenship. And you're like, bro, this shit.”

Despite the humorous facade, the underlying message critiques the exploitation inherent in technological advancements and the ethical responsibilities of those who develop and control AI systems.

7. Guest Close and Promotion (53:56 - 56:27)

In typical podcast fashion, the episode concludes with guest Zack Fox promoting his social media and upcoming events, seamlessly blending promotion with the ongoing comedic narrative.

• Quote [53:56]:
  • Zack Fox: “My name is Zack Fox. You can follow me on IG Zack Fox Twitter or X Zack Fox YouTube channel. Watchmesomezack fox.”

---

Key Takeaways:

• Satirical Approach: The episode uses hyperbolic and absurd humor to discuss serious issues like AI ethics and labor exploitation.

• Cultural Critique: Through cultural references and exaggerated scenarios, the hosts highlight the often-overlooked ethical dimensions of technological advancements.

• Guest Engagement: Zack Fox contributes significantly to the narrative, enhancing the comedic and critical aspects of the conspiracy theory discussed.

Notable Quotes with Timestamps:

• David Borey [19:34]: “My mama, in the future, is going to tell us there are no autonomous vehicles. They are actually operated by the enslaved African children.”

• Langston Kerman [23:16]: “We got 98 patents.”

• Langston Kerman [40:50]: “I worry about it. Not. I don't have a doctor, just interpersonally. I worry that whatever this smut that I'm looking at is gonna come out.”

• Zack Fox [43:29]: “We're building castles, we're making states, we're building bridges, we're building. Doing all the things but the actual engine, the actual farm tool, the resource is little people.”

• Zack Fox [52:00]: “Listen, I dare someone to present a rebuttal to this theory. Cause I'm sticking by it like it's fact.”

• Zack Fox [53:56]: “My name is Zack Fox. You can follow me on IG Zack Fox Twitter or X Zack Fox YouTube channel. Watchmesomezack fox.”

Conclusion:

"My Momma Told Me" masterfully blends humor with sharp social commentary, using an outlandish conspiracy theory to shed light on real-world issues surrounding AI ethics and labor exploitation. Through witty banter and cultural references, Langston Kerman, David Borey, and guest Zack Fox entertain while provoking thoughtful reflection on the implications of technological advancements in society.

Transcript

[Langston Kerman]

You're listening to an iHeart podcast.

[David Borey]

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[Zack Fox]

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[Langston Kerman]

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[Zack Fox]

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[David Borey]

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[Unknown]

And it needs you.

[Langston Kerman]

I feel like the left needs to get in on this weapons merchandise.

[Unknown]

I don't disagree with that.

[Langston Kerman]

That's like kind of whack, right? We don't have any. I not once. I didn't see no Kamala Bear mace. I didn't see those knuckle knives.

[Zack Fox]

I mean the money is so there to be made. Especially with the Kamala. That girl Is an aka. You can have pink and green pepper spray everything.

[David Borey]

Let's go.

[Zack Fox]

Because the akas, let's be real. Y' all like that. They was gonna be the proud boys.

[Unknown]

Yeah.

[Zack Fox]

For Kamala.

[Langston Kerman]

AKA Stand back, stand down.

[Zack Fox]

Exactly.

[Unknown]

If.

[Zack Fox]

The war cry was going be.

[Langston Kerman]

Ski we out here, man, we would have seen a bunch in press conferences.

[Zack Fox]

Ski we.

[Langston Kerman]

Man, that's AKA Ski.

[Zack Fox]

That's a se. Depending on what you look like now.

[Unknown]

Like, we would have seen a bunch of light skinned women hopping out of a U haul truck talking about, pull up Y. Yeah.

[Zack Fox]

We would have got nasty with pearl nunchucks.

[Unknown]

Yeah.

[Langston Kerman]

The government growing babies.

[Unknown]

Microchips in your anus.

[Zack Fox]

All koala bears are racist. The ozone layer owes me money. Marshy's invented turkey stuff.

[Langston Kerman]

Y' all can't tell me nothing.

[Unknown]

Cruising on down Main street feeling right relaxed and good. What's the words? Next thing that you know, you see an octopus in the neighborhood. There it is. Ladies and gentlemen, little mamas and gentiles alike, welcome to another phenomenal episode of My Mama Told Me.

[Langston Kerman]

Surfing on the sound waves, Singing through the stars. Take a left into the intestine. Take the second ride on Mars. I got you.

[Unknown]

Thank you. Here on the Magic school bus. There it is.

[Langston Kerman]

Seat belts.

[Unknown]

I hope this is a normal field trip with the frizz. No way.

[Langston Kerman]

Yeah, right?

[Zack Fox]

Absolutely not.

[Unknown]

You know Lil Richard did that song.

[Langston Kerman]

Yeah. There was the Magic School Bus.

[Unknown]

Magic School Bus.

[Langston Kerman]

We've talked about it. There was a time he was very available.

[Unknown]

Lil Richard was. You really could get him every sitcom.

[Langston Kerman]

And he would just be Little Richard. Like. Like, what's the episode of Martin where he was like. He started out as like the exterminator and then he just ends up playing the piano.

[Unknown]

That's right. He was always. He would always show up like a menial laborer, but going, shut up. Yeah. To whoever was like saying something and that was.

[Zack Fox]

Little big punchline.

[Langston Kerman]

And then somehow he'd be like, he stole my sound.

[Unknown]

Yeah.

[Langston Kerman]

His sister. Sister. Like at a basketball game.

[Zack Fox]

I feel like we never really talk about that. That like they stole it and he was right there.

[Unknown]

Yeah.

[Zack Fox]

The whole time.

[Langston Kerman]

That's craziest part about that shit.

[Unknown]

That's crazy.

[Zack Fox]

The whole time.

[Langston Kerman]

That's so gross.

[Zack Fox]

They're stealing and he's like, hel.

[Langston Kerman]

He's screaming.

[Unknown]

Yeah.

[Langston Kerman]

He's literally on the. He's literally on the piano going, I.

[Zack Fox]

Want baba loo, I want bamboo.

[Langston Kerman]

And they.

[Unknown]

Man, it's so crazy.

[Langston Kerman]

That would have drove me nuts too.

[Unknown]

Because what they're doing is being, like, paying him back, sort of. Like, he's kind of the only person who ever got reparations where they were just like, look, we stole so violently from you that we have to put you on full house.

[Zack Fox]

Yeah.

[Unknown]

We just got to give you, like, is that reparations?

[Langston Kerman]

You got to be on there saying, you got it, dude.

[Unknown]

Bro, I don't know that they have the ability to think outside anything else. Yeah, I think they're just like, hey, man, you'll get to meet them little twins. Ain't that nice for you?

[Zack Fox]

And you can have all the white women you want.

[Unknown]

Oh, you don't want?

[Langston Kerman]

Oh, you don't want.

[Unknown]

We can't give you men.

[Zack Fox]

Yeah, yeah. That's weird.

[Unknown]

We don't like that.

[Langston Kerman]

Does he. Do we know if he liked. Do you think he liked Black Man?

[Unknown]

No, no, no.

[Langston Kerman]

Man. That hurt my feelings.

[Unknown]

For real.

[Langston Kerman]

You said that.

[Zack Fox]

I'm sorry.

[Langston Kerman]

It really. It really affected me.

[Zack Fox]

Think of all of them, bro.

[Langston Kerman]

No, I know, man.

[Zack Fox]

Of all of them. I don't have to name them. No, they be in that White Boy Butt, man. And that's.

[Langston Kerman]

Maybe that's Good Butt.

[Unknown]

That's where you find the inspiration.

[Zack Fox]

That's the founder.

[Langston Kerman]

You. Maybe it's. Maybe it's Good Butt.

[Unknown]

I don't know.

[Zack Fox]

I don't know.

[Unknown]

I can't speak to that.

[Zack Fox]

I don't know. But if I.

[Langston Kerman]

Of all the butts that seem like.

[Zack Fox]

The most off limits, the Spotify playlist that White Boy Butt has curated from black music.

[Unknown]

Oh, boy.

[Langston Kerman]

We sort of gotta give it up to White Butt.

[Unknown]

White Butt.

[Zack Fox]

Yeah.

[Langston Kerman]

We sort of gotta give White Butt its due.

[Zack Fox]

Yeah. That's like Vibranium for black male musicians that are gay.

[Langston Kerman]

That's the secret black creative Vibranium.

[Unknown]

Yeah. Damn.

[Zack Fox]

That's the Krabby Patty recipe right there, man.

[Langston Kerman]

Damn.

[Zack Fox]

That's what Plankton was looking for that whole day.

[Unknown]

Plankton trying to get that white Butt recipe. That white butt.

[Zack Fox]

Like, how can I get the chum bucket?

[Langston Kerman]

That's the chum pocket. It's the white butt.

[Zack Fox]

That's it.

[Unknown]

Fuck, man. This is a heavy episode, and we haven't even covered anything yet, man. This is really good.

[Zack Fox]

Y' all started it.

[Unknown]

Talking about Lil Richard, our guest today, a dear friend, a phenomenal, a phenomenal comedian, a phenomenal writer, a phenomenal rapper, a phenomenal all, man, of every trade that I can think of, dj, he's just. He's the shit, man. You know him from goddamn everything. Give it up for Zack Fox. Ladies and gentleme. And she said in my ear, go deeper. Stay with me now.

[Zack Fox]

And what hurt me is I was.

[Unknown]

Already all the way in. Stay with me now.

[Zack Fox]

Tacking that on there. So nasty.

[Unknown]

I will say, for a while, we were treating Shannon Sharpe like he was the star of that duo. I think Ocho really is the stronger.

[Langston Kerman]

Yeah.

[Unknown]

Person in the. Shannon Sharpe.

[Langston Kerman]

Yeah, definitely. Yeah, definitely. I think Ocho's the idea man. Always. Yeah, definitely.

[Unknown]

Shannon just has funny reactions.

[Langston Kerman]

His voice is very funny.

[Unknown]

Yeah.

[Zack Fox]

Ocho.

[Unknown]

Oh, no.

[Langston Kerman]

Yeah. And he has good catchphrases.

[Unknown]

Great catchphrase.

[Langston Kerman]

A 280 ain't a lady. That's a favorite.

[Zack Fox]

He named himself Ocho. He is the comedy engine.

[Unknown]

That's right.

[Langston Kerman]

Yeah. And he named himself Ocho when it wasn't funny to do.

[Unknown]

No.

[Zack Fox]

Nobody thought that was cute.

[Langston Kerman]

No.

[Zack Fox]

My mom hated that.

[Langston Kerman]

It was crazy.

[Zack Fox]

Yeah.

[Langston Kerman]

He was in Cincinnati.

[Unknown]

Yeah.

[Zack Fox]

That's a tough one to take.

[Unknown]

Nobody was even gonna be like, yo, you're going crazy right now.

[Langston Kerman]

This isn't even. We don't even speak Spanish over here. He wasn't in LA or New York on spaghetti. That's what we do. You over here speaking Spanish to me.

[Unknown]

Ocho, Cinco.

[Langston Kerman]

The fuck are you talking about? Better go over the rind with that shit.

[Unknown]

Here's what I'll ask you. How long. When he did name himself Ochocinko, how long did you actually believe that he was going to carry that name?

[Zack Fox]

Because what year was that?

[Langston Kerman]

Oh, like, oh, 304. Ish. Yeah.

[Unknown]

I was still in high school for sure, so it had to be before O5.

[Zack Fox]

How long did I think he was going to keep it originally? I thought he was doing it as, like, a. Oh, he's just a quick year.

[Unknown]

Yeah. You know, I thought it'd be a.

[Langston Kerman]

Fun bit, a season situation.

[Zack Fox]

Yeah.

[Unknown]

Yeah.

[Zack Fox]

And then I think that, like, Crank, that Soulja Boy comes out and you're like, oh, we getting weird.

[Unknown]

Yeah, yeah, yeah.

[Zack Fox]

We getting freaky. As a people, I could stick with this.

[Unknown]

There's Laffy Taffy comes out.

[Langston Kerman]

The extension of Crank that. It's like. It really can't be. Like, we give him his flowers, but I don't think he's ever. It's ever gonna. We're gonna know what that did fully.

[Unknown]

No. He reached such a level of fame that we started to create lore about the Superman. You know what I mean? Like, people genuinely were arguing that this song had a bigger meaning of, like, coming on a lady's back and then slapping a sheet. And it was like, this weird sort like mind trick that he was playing on us.

[Zack Fox]

And here's the thing. All those were correct.

[Unknown]

Oh, you believe that?

[Zack Fox]

Yeah, 1,000%. Because all those Crank Dash songs, some of them had like sexual, like, origins.

[Langston Kerman]

Whoa, wait, did you do this conspiracy as well?

[Zack Fox]

Well, like, yeah. Like, it's like how, like you do like the. What's the old 2000s? Like Super Edgelore. Like the Red Dragon.

[Langston Kerman]

The Dirty Sanchez.

[Zack Fox]

Dirty Sanchez.

[Unknown]

Sure, sure, sure.

[Zack Fox]

Everybody was trying to do their. Exactly. Mind you, the Crank. That era was started by like middle school, high school kids in Atlanta.

[Langston Kerman]

Boys who hadn't had sex yet in Atlanta.

[Zack Fox]

Boys who have not had any vagina on their body yet, but are imagining what it would be like. And so you got cranked at Roosevelt, which was an act of bucking the knees out that turned into a dance when somebody not sucking.

[Langston Kerman]

I don't understand what you do it with your hands.

[Zack Fox]

The Roosevelt.

[Langston Kerman]

I don't understand what you're saying.

[Zack Fox]

Okay, so they. All right, I gotta get up.

[Unknown]

Oh, this is great.

[Zack Fox]

So the Roosevelt. The Roosevelt. The whole move is just this right here.

[Unknown]

Oh, I know this one.

[Langston Kerman]

Oh, okay. Yeah.

[Zack Fox]

Cause she not sucking. Correct.

[Unknown]

Whoa. So you. Oh, so it's just a little tap to be like, hey, bitch. Yeah, it's like a cricket.

[Zack Fox]

Like, get a. It's a hydraulic move. It's a.

[Langston Kerman]

She's sucking your dick.

[Zack Fox]

Yeah, it's a. You're oppressing me with that.

[Langston Kerman]

Now. That is a 13 year old boy.

[Unknown]

I'm an expert on this. Now. Why Roosevelt? Why is it called the Crank that Roosevelt?

[Zack Fox]

It was the high school, I believe that it came from.

[Unknown]

Okay. Ooh.

[Langston Kerman]

Cause they're sucking dick, like bad over there.

[Zack Fox]

They're doing it really terrible.

[Unknown]

But this is just a group who. Who was like, well, we're never gonna make it beyond our community, so we'll just name the song for everybody at our school. And then it becomes sensational, which is.

[Zack Fox]

The beauty of hip hop, which is.

[Langston Kerman]

The beauty of regional music.

[Zack Fox]

Yeah, bro. All of that stuff was just sex and violence that middle schoolers was doing to each other. Crank that, Spider man. Crank that Heisman.

[Unknown]

I do remember Heisman.

[Langston Kerman]

What was the Heisman, shawty?

[Zack Fox]

Fine breath stank. Do the Heisman.

[Langston Kerman]

Oh, okay.

[Unknown]

Yeah, it was.

[Zack Fox]

Get her up out of here.

[Unknown]

It was teaching us to commit, to be misogynist.

[Zack Fox]

Yeah.

[Langston Kerman]

Amush is the line, right?

[Zack Fox]

Whooprico. Ok. Yeah. Whooprico. We don't even know where that boy is at, but he got jumped so bad.

[Unknown]

Yeah.

[Zack Fox]

That they had to make an entire dance.

[Unknown]

Yeah, that one bummed me out.

[Langston Kerman]

Damn. That's like.

[Unknown]

Yeah, that one really bummed me out when I found. Because this is how crazy music used to be. You didn't always have access to that information when the dance showed up to your community. Like in Chicago, we didn't know that that had an origin story, but there was trauma. We were just like, nah, that's a funny way to name a dance. A song.

[Zack Fox]

Yeah.

[Unknown]

You know what I mean? Like, yeah, great. All right. Whoop, Rico. And then you find out, no, that's one boy who really got literally a boy.

[Zack Fox]

And that's why, you know, I don't. Like I was saying earlier, black people being seated in power can go some nasty ways. Because, man, if Kamala the president right.

[Unknown]

Now.

[Zack Fox]

Nigga Ice would be a dance, you know, Damn. That's Drone Strikes is a dance. Because anything bad we do to each other, we make it into a dance.

[Unknown]

Yeah, I do like that better.

[Zack Fox]

They was doing a stabbing dance in New York.

[Langston Kerman]

I do like that better. At least there's some levity around these very heavy things.

[Unknown]

I. I think if nothing else, black people have always found the quickest path to levity.

[Langston Kerman]

Right.

[Unknown]

I think every community finds it for themselves and like, a hundred percent will eventually learn to laugh at what they do. But black people, we be at it quick.

[Langston Kerman]

Yeah, it's real time. Yeah, it's real time.

[Unknown]

And I think that's what upsets white people the most in terms of, like, the way that we interact with each other, is that we find the levity so fast for ourselves. And they want to be able to have that levity for themselves, but can't find it as quickly. But they do see what they think.

[Langston Kerman]

About us, which is why the Office 2 cranked that Pam pilot episode.

[Zack Fox]

That's the first one.

[Langston Kerman]

Pilot episode.

[Zack Fox]

Out the gate.

[Unknown]

Pilot episode, I'm assuming. Crank that Pam. Something sexual is happening.

[Zack Fox]

No, she got beat up.

[Langston Kerman]

Yo, who got that ass.

[Zack Fox]

This jumpsuit? Episode one.

[Langston Kerman]

Cause she was kind of a bitch.

[Unknown]

I will say that in a rewatch, Pam is not the hero of the story. They wanted her to be.

[Langston Kerman]

Pam's whack. Jim's whack.

[Unknown]

Yeah.

[Langston Kerman]

Why are you so mean to Dwight? You got the same job, bro. You're not bad.

[Unknown]

You're just tall and you know he has an I.E.P. don't do that.

[Langston Kerman]

Yeah.

[Unknown]

You know what I mean? Like, that's already a person that needed you to relax.

[Langston Kerman]

And Dwight is interesting.

[Unknown]

Uh huh.

[Langston Kerman]

Jim is not an interesting person. There's nothing Interesting about that.

[Unknown]

No, he's just connecting with us the whole time. You know what I mean?

[Langston Kerman]

He's like. But he didn't feel like my audience Proxy. That's the issue I have watching television.

[Unknown]

Who's your Proxy?

[Langston Kerman]

I think it's probably Dwight or Creed are the people that I feel like the most when I watch that show. But I always. It's been a constant issue with television for me is that I never. The person who's supposed to be the audience Proxy.

[Zack Fox]

You don't connect with that ever, ever, ever, ever. So you watch a spongebob. Like, man, where the fuck is Pearl at?

[Langston Kerman]

Spongebob is weirder. So it's okay.

[Unknown]

Okay.

[Langston Kerman]

But I mean, I think a lot of like, traditional. Like, I didn't. I wasn't watching Fresh Prince. Like, Will is me.

[Unknown]

But I will say I'm much more of a Patrick than I am a spongebob.

[Zack Fox]

Okay.

[Langston Kerman]

Okay.

[Unknown]

You know what I mean? Like, I would much rather connect with a Patrick episode than a spongebob episode.

[Zack Fox]

I was rocking with sand.

[Unknown]

Sandy.

[Langston Kerman]

Sandy's pretty cool.

[Zack Fox]

Everything she got going on is what the fuck is going on? Why the fuck are you down here?

[Langston Kerman]

Yeah, you.

[Unknown]

It doesn't.

[Langston Kerman]

You're not built for it. Clearly.

[Zack Fox]

Yeah. You're hyper intelligent, like something.

[Unknown]

You do karate.

[Langston Kerman]

And you're in the service. Right. Or some kind of astronaut. Some service.

[Unknown]

Yeah.

[Zack Fox]

So something crazy happened. Like Sandy's existence in SpongeBob is evidence of like the show being post apocalyptic.

[Langston Kerman]

Oh, interesting.

[Unknown]

Right.

[Langston Kerman]

Like she's a refugee from the surface.

[Zack Fox]

Yeah. That she was probably genetically engineered, you know, to be like, able to do space travel. And she might be.

[Langston Kerman]

She was supposed to be our way out.

[Zack Fox]

Yeah.

[Unknown]

She might be an early experiment that just never made it back to the surface. And now is like.

[Zack Fox]

I think something happened on the surface that eradicated humans, but left Sandy and other genetic experiments untouched.

[Unknown]

Interesting.

[Zack Fox]

But they had already bioengineered her to live under water or build shit or.

[Langston Kerman]

Just be like, you know, or have even just interact.

[Unknown]

A self awareness that then makes her. Allows her the choice to go do something that she wants to look in.

[Zack Fox]

The mirror and be like, I got titties. I need a bikini.

[Unknown]

Yeah. And I want to hang out with a sponge. And.

[Zack Fox]

Yeah.

[Unknown]

The rest.

[Langston Kerman]

Yeah.

[Unknown]

Fuck.

[Langston Kerman]

That being said. Yeah. And I don't think it's a comedian thing. I think it's just truly, they weren't really making it for anything.

[Unknown]

Didn't cut it for you.

[Zack Fox]

Damn.

[Unknown]

It feels insane to introduce this now, but you came to us with A conspiracy that I've never heard before.

[Zack Fox]

Okay.

[Unknown]

Frankly, I don't think anybody's mother has ever said this to them. Once.

[Langston Kerman]

Dang. As soon as I read it, though, I was very excited.

[Zack Fox]

Okay.

[Unknown]

Yeah. Do not take my response as me not being a fan of it. I just wanna lay the groundwork for everybody at home.

[Zack Fox]

Nobody's mom has said this.

[Unknown]

This is new to mamas.

[Zack Fox]

Yeah.

[Unknown]

Certainly.

[Zack Fox]

We're hoping they'll pick it up.

[Langston Kerman]

My mom would be open to it, though. I will say that. Like, if I call her after, I think she would definitely.

[Unknown]

You think she would hear this out?

[Zack Fox]

Yeah, I like that.

[Langston Kerman]

My mom, she's. She's. She's pretty okay with conspiracy theories.

[Unknown]

Okay. Well, David's mama, in the future, is going to tell us there are no autonomous vehicles. They are actually operated by the enslaved African children.

[Zack Fox]

Yup.

[Langston Kerman]

Ender's game, South Africa. That's the first thing that I thought.

[Zack Fox]

Boom.

[Unknown]

Holy shit.

[Langston Kerman]

Yep.

[Zack Fox]

Boom.

[Langston Kerman]

Enders game, South Africa. Or like, DRC or some shit.

[Zack Fox]

Yeah, yeah, of course. Yep.

[Langston Kerman]

They think they're playing a video game. They're really delivering.

[Zack Fox]

Yep.

[Langston Kerman]

Popeyes.

[Zack Fox]

Exactly.

[Unknown]

Holy.

[Zack Fox]

Exactly. My theory. 100%.

[Langston Kerman]

It's not even difficult. That's, like, right there.

[Zack Fox]

Yeah. It's two plus holy. It's two plus two equals. It's Terrence math.

[Unknown]

Yeah.

[Zack Fox]

It's theoryology.

[Langston Kerman]

We got 98 patents.

[Zack Fox]

Come on. Go ahead.

[Unknown]

Go ahead. Add a number up there.

[Langston Kerman]

We should have a ticket tally every time.

[Zack Fox]

And you know how I 100% know?

[Unknown]

Yeah.

[Zack Fox]

That them is Africans driving them way. Mos driving them.

[Langston Kerman]

Watch out. It feels like you're gonna get nasty.

[Zack Fox]

I'm not about to get nasty. This is actually a crazy compliment. You ever looked at a. You ever just watched a video of African traffic?

[Unknown]

It's crazy.

[Zack Fox]

It's crazy. But what is not happening?

[Unknown]

Crashes, crashes. They're really avoiding each other.

[Zack Fox]

The only person you could get globally to drive a car autonomously through LA traffic and not touch nothing ever, is an African.

[Unknown]

Whoa. You're saying we got an extra muscle in our eye?

[Zack Fox]

Absolutely.

[Unknown]

It wasn't in our leg this whole time. It's been in our eye.

[Zack Fox]

It's been in the eye.

[Unknown]

And we have the ability to drive better than any human being on Earth.

[Langston Kerman]

It's like a seventh sense.

[Unknown]

Holy shit.

[Zack Fox]

Especially folks in Central Africa. You know what I'm saying? Sudan, even. Like, I watch videos of traffic in Addis Ababa and Ethiopia.

[Langston Kerman]

That's what you watch?

[Zack Fox]

Yeah, all the time.

[Langston Kerman]

I like that. I'll be watching weird shit too.

[Zack Fox]

That's.

[Unknown]

I will say that this is nice for me because you are amongst two of the most fucked up algorithms that.

[Langston Kerman]

I. Yeah, I'm really happy to hear that. I'm really happy to hear that.

[Unknown]

Yours, I would say, is. Is one of the most violent I've ever experienced.

[Zack Fox]

I'm getting dead people. It's bad.

[Unknown]

Yours is insane.

[Langston Kerman]

Lines are getting crossed.

[Unknown]

Yours. Yours jarred me in a way that I've. I repeat often to people.

[Langston Kerman]

Oh, because of the guys? The handicapped guys fighting each other?

[Unknown]

No, that wasn't the one that bummed me out the most. There, there. And I. I've told you this before. I once went to his house and pulled up. He pulled up YouTube and then we watched a video of a white man hand feeding Africans Sour Patch Kids.

[Langston Kerman]

That is dark, that shit.

[Unknown]

Like, for the first, like, going over there, going to a community that has not experienced candy like a neolithic, like, stone tool, and then walking up to them and offering them Sour Patch Kids and taping their reactions, and they're just like, crack addicted. It felt like that.

[Langston Kerman]

Yeah. It's like, whoa.

[Unknown]

It felt so much worse than crack.

[Langston Kerman]

My relationship with computers, I found that they're only there to excite me sexually or enrage me physically, for sure. And that's sort of what my algorithm feeds me.

[Zack Fox]

And you know what's crazy about your algorithm feeding you that stuff and me this crazy stuff and Langston, whatever stuff he's getting is that my theory isn't even a jump from what the reality is.

[Unknown]

Yeah, right.

[Zack Fox]

It's not even actually a jump. Like, all you would have to do in these warehouses is add the ender's game element that you're talking about of. Just make them think that they're.

[Langston Kerman]

Gamify it.

[Zack Fox]

Gamify it, but also make it very punishable, the mistakes. And boom, you have, like, instant control. But this already exists. Yeah, so like, AI is already mostly powered by African child slave wage labor.

[Unknown]

Right?

[Zack Fox]

Because the AI is like, if we just took out David's brain and just gave him the Internet as a brain, the things he'd start to say upon request of answers from us would almost instantly be pornographic. Racist.

[Langston Kerman]

Right, because those are the data points.

[Zack Fox]

Because that's what's on the Internet. So you have to build an entirely new, like, Brita filter AI system to attach to David's brain. But that Brita filter has to be taught by human eyes the difference between an apple and a prolapse anus. The difference between, you know, the Wikipedia about Batman. That's Just the canon events or this sexual fan fiction where Robin fucks him in the butt.

[Unknown]

You're saying that ultimately there's just too much information. That just offering the machines information is not a solution. That it has to be curated in a way that makes that information strategic.

[Langston Kerman]

That's why they have to make programs. Right.

[Zack Fox]

And this is a huge issue. This is a huge issue amongst the AI giants. Like, they're constantly trying to figure out how to do this, because the text based models, you literally have to get an African, put crazy text in front of their face.

[Unknown]

Yeah.

[Zack Fox]

And make them identify the negative parts. And if they take too long identifying that stuff, they can lose their job. That was giving them like a dollar a day.

[Langston Kerman]

It's crazy because without the lose they absolutely real. Without to lose their job thing. I'm doing that for free anyways, because David described me in an airport. Right, right.

[Zack Fox]

There's a lot of. There's some Americans who do it.

[Langston Kerman]

Oh, that's kind of cool.

[Unknown]

Yeah.

[Langston Kerman]

Always rapping about eating raccoons or whatever I'm looking at.

[Unknown]

Which is probably why the reports, like, reporting things is encouraged in the first place. It's like another layer of curation.

[Langston Kerman]

Oh, yeah. That's all that shit is like. That's why it's like, show a picture of you in the eighth grade. Like, they just need to see.

[Unknown]

But even like, if I'm offended by a video me going in, like, telling the program, like, hey, this offensive.

[Zack Fox]

Yeah.

[Unknown]

Is them just deciding, okay, this is what humans can handle and this is what they can't.

[Zack Fox]

Yeah. Yeah.

[Unknown]

Fuck.

[Zack Fox]

So it's like literally like content moderators in, like, third world countries are leaving work every day and having to go, like, eat spaghetti with their family after watching David's algorithm, but involuntarily in order to, like, identify it and make sure that it doesn't pop up on Langston's daughter's YouTube algorithm while she's watching, you know, cocomelon or, you know.

[Langston Kerman]

And that ruins the family dynamic. What'd you see today? Another big ass titty right before it breastfed or whatever.

[Unknown]

Yeah, yeah. It's, it's, it's. It's unfortunate when you really gotta face down what you've looked at and then look your children in the eye.

[Langston Kerman]

Damn.

[Unknown]

Yeah. Yeah.

[Langston Kerman]

That. That felt real.

[Unknown]

Yeah, no, there, there's sometimes.

[Zack Fox]

God damn.

[Unknown]

There's a couple times where I've, like, looked at some kind of video and I was like, ah, man, fuck, I.

[Zack Fox]

Gotta look him in the eye now.

[Unknown]

Yeah, I gotta, bro. Because it's not even like I'm, like, gaining pleasure from it. It's. It's like you get uncomfortable with how comfortable you are in receiving certain things.

[Langston Kerman]

Right.

[Unknown]

You know what I mean? Where you're just like, oh, this didn't bump me at all. And then you look at a person who you hope won't reflect any of that.

[Zack Fox]

Feel like that should have tickled me.

[Langston Kerman]

You don't want any of that to touch them. Yeah. But you're inundated.

[Unknown]

But I'm letting it touch me.

[Langston Kerman]

Yeah. You worry that there is some. Some sort of seepage.

[Unknown]

Yeah. It's gotta be, right?

[Langston Kerman]

Yeah.

[Unknown]

You know what I mean? Like, there's. How many of these videos can I watch before my daughter talks? Like Orlando Brown Figured.

[Zack Fox]

That actually sounds kind of fun. I'm not gonna lie. I don't have kids, but if I do, please, please let the sperm. The Orlando Brown sperm cell win the race. Fuck. I don't give a fuck who say what.

[Unknown]

Blood on crib.

[Zack Fox]

Yeah.

[Unknown]

She say some shit like that to me. I can't. There's a part of me that would be worried that I did that.

[Langston Kerman]

You.

[Unknown]

And that's what the. I'm. The transference of this sickness.

[Langston Kerman]

I worry about it. Not. I don't have a doctor, just interpersonally. I worry that whatever this smut that I'm looking at is gonna come out. I do worry about that.

[Unknown]

Yeah.

[Langston Kerman]

And I think we're all worried about that. And that's like a big fear.

[Zack Fox]

Like, people knowing. Or like, just, like, come out in your behavior.

[Unknown]

Yeah.

[Langston Kerman]

Just like. Or that it will affect me in a way, because I watch it and I pretend as if I'm detached. I don't, like, watch it. And I'm like, man, this is really what's going on in the world. But I worry that it'll affect my opinions or my conversations or. Mostly, what I really, truly worry about is that what it will reflect within my art. Like, I don't want to start putting out that type of art that lets you know that I am looking at African women with impossibly sized breasts.

[Zack Fox]

Right, right, right.

[Langston Kerman]

You know what I'm saying? That is what begins to be the word.

[Zack Fox]

I feel like that's a little bit of. And I don't think that images and media don't transfer things. Like, I'm not, like, naive to that. Like, propaganda and encoding images with things. Like, it is very real, I think. But I do think we have a bit of Christian guilt in us from our parents telling us that watching Harry Potter or watching something that depicted something demonic was gonna transfer spirits. My mom literally won't watch Sinners because it's like a documentary to her. She thinks it's like planet Earth. It's Sinners.

[Unknown]

She's like, no, I understand they're recreat, but this is based on a very real thing.

[Zack Fox]

I know the source material. I don't like it.

[Unknown]

I'm aware of Michael B. Jordan, but I'm also aware that he's making something really bad. Right.

[Langston Kerman]

I do think, though, that there is also a level of, like, there is that remnant of guilt, but there's also. The things we're watching are far more extreme.

[Zack Fox]

Sure.

[Langston Kerman]

Like, it's actually things that are. You just said dead bodies.

[Zack Fox]

Yeah, yeah, yeah, yeah.

[Langston Kerman]

Like, that's like an actual. You know what I mean? Harry Potter is for fun, and it's hufflepuffs and whatever, but, like, you know, we used to see people get killed on there.

[Unknown]

Yeah.

[Langston Kerman]

Or just like that, AI, where like something comes out of a butthole and then it turns into a bowling ball. Yeah, yeah, yeah, yeah, yeah, yeah.

[Unknown]

Those things are fucked up.

[Langston Kerman]

Those things are fucked up.

[Zack Fox]

And those ones. I do. I do agree what you're saying. Cause, like, when you keep a straight face through one of those and you're like, all right, next.

[Langston Kerman]

Yeah, bro.

[Zack Fox]

I don't even stopped. And I don't even.

[Unknown]

Something in me.

[Langston Kerman]

It doesn't even stop my shit.

[Zack Fox]

Yeah.

[Langston Kerman]

I'm just shitting.

[Zack Fox]

Yeah.

[Langston Kerman]

That's just what I'm doing when I'm shitting.

[Unknown]

There's. I'm like, not even triggered by stuff anymore. And in that way, that's terrifying.

[Zack Fox]

Yeah, that's bad.

[Unknown]

We're like, oh, I'm so desensitized. There's no way I'm not going to say some wild shit to the people around me because of this. And then that will carry over. And now all of a sudden, my daughter's. And I gotta be like, I did. I. I did that.

[Zack Fox]

I Orlando'd my daughter.

[Unknown]

I Orlando'd my daughter.

[Langston Kerman]

That's also the art thing of it all, though, because being an artist truly does come from a place of being sensitive. And like, in experiencing the world in the sensitive lens, and if you cut that down, then you are diminishing your light or whatever. Yeah. You know what I mean? Like, it's like, I don't know, man. I think I would probably have been able to create a lot better shit if I hadn't seen so many teens fight each other or whatever.

[Unknown]

But then I would say like on the flip side, that is what makes so much of like the, this, this white boy renaissance shit in comedy at least so unbearable for me is that detachment from the morality.

[Zack Fox]

Right.

[Langston Kerman]

That's what that. But that's what I'm saying is like, I don't want to get anywhere near that.

[Unknown]

Yeah, that really, it really makes you feel like that's not even. We're not even doing an art anymore.

[Zack Fox]

I mean, it's a pretty like natural pipeline too from like, from like. I mean it goes way back, further than anything. Like, it's like way pre media of the idea of like human plus technology and civilization equals negativity. Total cross bones. Like that idea permeates everything around us, you know what I mean? Because it's like, it's a flawed and very incomplete way to look at the world. But like, I think about that old clip of Joe Rogan back in like 2009 or something, maybe, maybe a little bit later where he was just starting the podcast and he's like, dude, you ever look at a video of LA from a helicopter and it just looks like a virus. It just looks like a scab. It looks like a scourge. And like describing humanity as like a virus.

[Unknown]

Yeah.

[Zack Fox]

And it's like once you believe that about humanity, then everything else after that is really easy to the progress.

[Langston Kerman]

Yeah, yeah.

[Zack Fox]

You can pathologize.

[Langston Kerman]

Yeah.

[Zack Fox]

So that whole right wing movement is like super like. I don't even look at it as like racist. I just look at as anti human. They're like, yeah, we're bad. So definitely.

[Langston Kerman]

Yeah.

[Unknown]

I don't.

[Langston Kerman]

It's like individual. It's rugged individuals.

[Zack Fox]

Yeah.

[Unknown]

I don't think they even can begin to see themselves as racist because they, they don't value any person enough and they don't.

[Langston Kerman]

Yeah. And they don't feel a connection to what the whole of this is.

[Unknown]

No.

[Langston Kerman]

Like whether it be white people or men or whatever, they, they're like truly on an island.

[Unknown]

Yeah, yeah.

[Langston Kerman]

It's like whatever. It's all, it's fuck you, I'm gonna get mine.

[Zack Fox]

We're on a fucking rock going fucking a million miles an hour in space, dude.

[Langston Kerman]

So who cares if I say a slur, bro?

[Zack Fox]

Nothing's real, dude. Say the R word, dude. Kill yourself, dude. Nothing' real. Beat your wife, dude. Like what? Watch open butthole porn, dude. Eat cereal out of someone's. Dude, nothing's real.

[Langston Kerman]

You say open butthole porn.

[Unknown]

David.

[Zack Fox]

Like David's ears.

[Langston Kerman]

It's rare I come across a new.

[Unknown]

Genre One out of five that doctors don't disagree.

[Langston Kerman]

Nah, I like regular stuff.

[Zack Fox]

Regular butthole porn.

[Langston Kerman]

It looks like found footage.

[Unknown]

All right, we're gonna take a break. When we come back, we'll talk more about the conspiracy. More Zack Fox. More. My mama told me.

[David Borey]

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[Unknown]

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[Zack Fox]

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[Langston Kerman]

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[Unknown]

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[Zack Fox]

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[Unknown]

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[David Borey]

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[Unknown]

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[Zack Fox]

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[Langston Kerman]

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[David Borey]

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[Unknown]

Apply at California Psychics.

[Langston Kerman]

We know some people can't read the career warning signs like your boss. Still not knowing your name.

[David Borey]

You, Tina, Lisa, Sheila, whatever. Get that report to me by lunch, okay? It's Carrie, ma' am. Just get it done, Terry.

[Unknown]

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[Langston Kerman]

We only connect you with the very best. So guarantee if your reading isn't life changing, it's free. California psychics call 1-800-PREDICT today and get.

[Unknown]

20 minutes for just $20.

[Langston Kerman]

And we're back.

[Unknown]

But we're gonna do this respectfully Otherwise, we'll end in a duel. And I mean a duel. Real life duel, where only one person walks away. We can meet with guns, bottles, knives, or books and equations, but we're gonna do this like men. So get ready.

[Langston Kerman]

And we're just a bunch of men about to get into a book fight.

[Unknown]

On guard, nigga.

[Langston Kerman]

I got.

[Zack Fox]

A shows up with a Kindle. You're like, whoa, whoa, no switches. It's a Gen 5 Glock with a switch on it. Whoa, whoa, whoa, whoa. What the.

[Unknown]

That laser. Zach, we're still talking about the possibility that the. The autonomous robots we see on the streets are, in fact, being manned by African children who are enslaved.

[Zack Fox]

Yeah.

[Unknown]

My question. Why, or rather how are they incentivizing the kids? Not fucking up at the cost of their. Their lives, of white lives, I guess, is my point.

[Zack Fox]

Okay, okay. Two things. Two things.

[Unknown]

Yep.

[Zack Fox]

Two things. Getting beat up.

[Unknown]

Okay, okay.

[Zack Fox]

Getting beat up.

[Langston Kerman]

They're already doing that in school over there, right?

[Zack Fox]

Getting beat up. Having your family beat up.

[Unknown]

Yep.

[Langston Kerman]

2.

[Zack Fox]

I know you wonder. Well, one of these kids would just come out and say that they do this. Who's gonna believe you?

[Unknown]

Mm.

[Zack Fox]

My brother, who in Sudan.

[Unknown]

Yep.

[Zack Fox]

Is going to believe that you pilot vehicles in Los Angeles that are holding hamburgers.

[Unknown]

Right?

[Langston Kerman]

Yeah. It sounds.

[Zack Fox]

You just said four things I don't know about.

[Langston Kerman]

And now it sounds made up to me, and I'm in Los Angeles.

[Zack Fox]

Right. And now you a witch.

[Unknown]

Right.

[Langston Kerman]

So then your family's gonna get beat up.

[Zack Fox]

Exactly. So I think. Right. I think the social consequences of it are, like, different over there. Because even if you did lay it out, truly what it is, that's witchcraft.

[Unknown]

It's the devil's work. For sure.

[Zack Fox]

Witchcraft. Either way, robots with hamburgers in them.

[Langston Kerman]

Is evil, because in my heart, I feel that way.

[Zack Fox]

Yeah.

[Langston Kerman]

Like, it does make me feel. I have an aversion to technology, like, naturally, in a way that makes me. I react to technology the way Africans react to witches. I do. Like. I'm very, like, anti.

[Unknown]

I'm at that stage.

[Langston Kerman]

Me, too. No, none of this is good. None of this is good.

[Zack Fox]

The technology is evil. But I know both of y' all. Y' all sweethearts, so I know both of y' all have experienced seeing one of them chicken nugget robots pass by you, and you feel that little thing in your heart. From Wally.

[Unknown]

Yeah.

[Zack Fox]

Where you empathize with it a little bit.

[Unknown]

100%.

[Zack Fox]

You get out of the way, and, man, you don't want to kick it.

[Langston Kerman]

Zack Fox, you've cut me to my core. You cut me open, I stand here bleeding. That's my worry, is that I will love the robots too much.

[Zack Fox]

Yeah.

[Langston Kerman]

And that's why I'm so against.

[Unknown]

We have a autonomous robot on the show named Samo. On everybody's lives.

[Langston Kerman]

He's got a name already.

[Unknown]

He has a name. And I will say that when this was originally pitched, this was not my pitch. This was. This pitch belongs to a dude named Alex Gordelis, who's very funny guy, but he pitched that that John should have, like, a pet robot that just hangs out at the show and delivers fucking cans and shit.

[Zack Fox]

Okay.

[Unknown]

And I was like, we're connecting the dots here. I was like, that shit makes me uncomfortable.

[Zack Fox]

We're connecting the dots.

[Unknown]

I don't like this as a bit.

[Zack Fox]

Yeah.

[Unknown]

And. And I. I'm not into that. And then now, Damn near we're 16 episodes into this show. I really like that fucking robot.

[Langston Kerman]

He's your friend.

[Zack Fox]

Yeah.

[Langston Kerman]

He's in your family.

[Zack Fox]

Are you writing jokes for the robot? Yeah.

[Unknown]

I'll like that.

[Zack Fox]

So you would conclude that this robot is autonomously piloted by an African.

[Unknown]

Well, see, here's the thing.

[Langston Kerman]

Fuck.

[Unknown]

Fuck. Here's the thing. He is not, in fact, piloted by an African. Okay, but he isn't. He is piloted by two people who we employ to be on. On staff when he's there.

[Langston Kerman]

Yeah.

[Unknown]

You understand? Which means that, like, somebody's roboting him at all times, leading me to start to go, well, somebody's probably roboting all of them at some time.

[Zack Fox]

Sure.

[Unknown]

And who are the people that are doing that? Yeah, that's the big question. And this is where. I'm sorry, but this is where it gets even scarier, is that last year, before we got Samo, we went out to other companies that were potential, like, robot options. And the other company that we talked to had to pilot their robot via a person in Colombia.

[Langston Kerman]

Come on.

[Unknown]

Just to demonstrate this shit to us, we had to call a Colombian man and be like, hey, we're ready. And then they had to, like, hit switches all the way in fucking Colombia to robot a little fella in Los Angeles.

[Langston Kerman]

When is calling a Colombian man on the phone for a favor ever a good sign?

[Unknown]

It don't sound good, bro.

[Zack Fox]

Listen, man.

[Langston Kerman]

That's it.

[Zack Fox]

Listen, man. This is what I'm gonna say if all three people in this room for the next 500 years.

[Unknown]

No, wait a minute. It's triggering some shit in me, but I'm listening. I'm listening.

[Zack Fox]

For 500 years. I don't care. Who it is. Fill in the blank. Little people, right? For the next 500 years, we made free, uninterrupted trillions off of little people.

[Unknown]

Whoa.

[Zack Fox]

Uninterrupted golden age of our friendship.

[Unknown]

Yeah.

[Zack Fox]

We're building castles, we're making states, we're building bridges, we're building. Doing all the things but the actual engine, the actual farm tool, the resource is little people. Little people for 500 years.

[Unknown]

Yeah.

[Zack Fox]

Like, we build a whole new economic system off of it.

[Unknown]

We're thriving.

[Zack Fox]

Thriving.

[Langston Kerman]

World's life's easier for everyone else than it ever has been.

[Zack Fox]

Oh, my God. David's got. David's on the moon. Langston's under the ocean like sandy cheeks. You know what I'm saying? I'm riding a Komodo dragon down Moreland Avenue in Atlanta. Whatever your heart desires.

[Langston Kerman]

Beautiful future.

[Zack Fox]

And then one day, the little people uprise and say, enough. We go to war with each other over there.

[Unknown]

I was about to say, what's even more fucked up is somebody who I helped ride a Komodo dragon decides they don't agree with the little.

[Zack Fox]

And then we gotta stop Langston.

[Unknown]

And we got. Then we start beefing. Even though I helped get you that Komodo dragon in the first place.

[Zack Fox]

So me, you, David, get in a fight, maul each other to death, right? Almost all of us die over it. And now little people are a part of the podcast. They're part of. My mama told me they get to be at the table now.

[Langston Kerman]

They got their own little drops.

[Zack Fox]

They're just dropping it and dropping it and spamming the drops.

[Langston Kerman]

Yeah, brother, I'm trying to.

[Unknown]

But he was like a little one.

[Zack Fox]

Our children, your two children, our theoretical children and our children's children and our children's children's children. We would look at them every single day, generations of generations, and say, no matter what you do in this life, I don't care what it is, figure out how to get us back to uninterrupted trillions off of these little people. And I don't care who you gotta add into the equation. Big people, wide people, littler people. Get it going.

[Unknown]

No, the way you're talking, there's no way. I wouldn't say the N word. You know what I mean? I would call them that to their faces, and I would be like, I don't give a fuck, right? Because I know what you used to be.

[Zack Fox]

So this whole talk of all the AI is gonna. The robots are gonna rise up and da, da, da. It's all. I always fill it in with black people.

[Langston Kerman]

Yes.

[Zack Fox]

Every single time. I'm like, you're projecting your fear of us doing that to you because you know what you did. So you're projecting it on the robots, but at the same time, you're not even doing anything different from regular slavery. You're just leaving the Africans where they're at. We don't gotta enslave em over here.

[Unknown]

We already got.

[Zack Fox]

We already did that. Keep em over there and then let them be the. Give them facades.

[Unknown]

You're saying this is. This makes it full present tense. We don't have to trick the black people around us into slavery again. We just need to go somewhere where we ain't get to really get our big scoop of ice cream yet.

[Langston Kerman]

Yeah. They need to go to the source.

[Unknown]

Damn.

[Zack Fox]

Get the big scoop.

[Langston Kerman]

They outsourced it. The beer. Right.

[Zack Fox]

Keep them in Africa.

[Langston Kerman]

Yeah. Like, it's like, okay, we needed rice farmers or whatever over here, but now that you just got a whole continent of people to drive robots.

[Unknown]

Damn.

[Zack Fox]

Make them slave avatars. Right? Because you can keep a smiley face on a robot in perpetuity, even if there's a child in Sudan dying because.

[Langston Kerman]

It didn't hit that left turn.

[Unknown]

You know where this gets nasty for me, James Cameron is the type of rich where he would know that this is happening. And especially if he's creating new AI technology for, like, replacing faces and shit, he's tapped into that shit. And that then makes me feel like Avatar is just like an artist being, like, silly about some dark shit. He knows this happened down the pipeline. He's like, no, I'm watching it happen. So. Yeah, the Na' Vi. Yeah. Big old. Yeah. They got long tails.

[Langston Kerman]

They're such a musical people.

[Unknown]

Yeah. They fuck with their hair. Yeah.

[Langston Kerman]

Whoa. Remember when he came out, first thing he did was play basketball. No, that's not.

[Unknown]

Bro, that's crazy.

[Langston Kerman]

Yeah.

[Unknown]

Fuck. Yo.

[Zack Fox]

Dang. Dang, that shit hurts.

[Unknown]

Fuck.

[Langston Kerman]

That shit hurts my feelings.

[Zack Fox]

Whoa, man.

[Unknown]

God damn it.

[Zack Fox]

Listen, bruh, I'm telling you.

[Langston Kerman]

So we gotta get more guns. I don't know what to do. Tell me what to do today, man.

[Zack Fox]

I'm.

[Langston Kerman]

I'll get some more guns.

[Zack Fox]

500 years, bruh. 500 years.

[Langston Kerman]

Give me one of those AKA grenades.

[Zack Fox]

500 years. You had the red. You had the staples. Easy button.

[Langston Kerman]

You know what I'm saying?

[Unknown]

Yeah.

[Zack Fox]

This is it now.

[Unknown]

Yeah.

[Zack Fox]

Get back to uninterrupted free wealth, free money.

[Langston Kerman]

Yeah. They need the. Because they hit the greatest lick of all time.

[Zack Fox]

Yeah.

[Langston Kerman]

That's the high they're searching, right?

[Zack Fox]

Yeah.

[Langston Kerman]

They hit the greatest lick of all time. Like, they just got Iowa. They just came here and got that shit.

[Unknown]

Like, even the other.

[Langston Kerman]

Nothing else has ever compared to that.

[Unknown]

Even the other times in history where people have been slavers and held over other people, they've never gotten paid the way that these motherfuckers.

[Zack Fox]

That was ball in the peach basket.

[Unknown]

Yeah, yeah, yeah.

[Zack Fox]

Early Arab slave trade. Yes. There was a lot of Africans in that. African. Enslaving Europeans. Enslaving other Europeans. Yeah. That was ball in the peach basket.

[Unknown]

Yep.

[Zack Fox]

What white folks did was the Harlem Globetrotter.

[Langston Kerman]

Yeah.

[Unknown]

They were slaves.

[Langston Kerman]

But you slept in a tent, right?

[Zack Fox]

You know what I mean?

[Unknown]

Like, you were still sleeping on the. On the ground.

[Zack Fox]

You got to do, like, you got to graduate from being a slave in, like, Arab slave trade and shit like that. Like, they'd be like, do you fuck with, like, ironworks?

[Langston Kerman]

Yeah. You're like a trade worker now.

[Zack Fox]

Yeah. I feel I see something in you.

[Unknown]

Hey, you like, yu. Yu Hakusho, come hang out with us, man.

[Zack Fox]

You can draw. You fuck with hieroglyphics. Get your ass in here. The pharaoh about to die, man. Come draw that shit.

[Unknown]

Come on, man.

[Zack Fox]

Yo, but white folks hard. They always try to do that. Like, oh, it was all slavery. No, no, no, no.

[Unknown]

Not the way y' all did.

[Zack Fox]

Y' all did and one.

[Langston Kerman]

They did.

[Unknown]

They did.

[Langston Kerman]

Y' all did and one slavery forward in the game.

[Zack Fox]

Y' all was bouncing niggas off each other.

[Unknown]

You was all the professor. Yeah.

[Zack Fox]

And you were bouncing the ball up our head. That's why the N1 logo ain't got no face on it.

[Langston Kerman]

Yeah. Cause he wasn't white. Man, that's cray.

[Zack Fox]

Man, they try to hide her.

[Unknown]

It is like a strong jawed white man. And they keep trying to pretend like niggas supposed to connect to it, but it's not.

[Zack Fox]

It's a chad. It's a gigachad.

[Langston Kerman]

That's crazy, because he's saying shit like, oh, I'm the bus driver.

[Unknown]

This is the last stop.

[Langston Kerman]

Is your game as ugly as your girl? My more pizza rules.

[Zack Fox]

Dude, you know that N1 man wasn't black, bro.

[Langston Kerman]

He was not.

[Zack Fox]

Where was your fitted at?

[Langston Kerman]

He was not. That's nuts.

[Zack Fox]

No lineup.

[Unknown]

That's really nuts. You know, that is really crazy. And you know. You know how I know he wasn't black? No facial hair.

[Zack Fox]

Boom.

[Langston Kerman]

The ball, man.

[Unknown]

No facial hair.

[Langston Kerman]

You play basketball every day.

[Unknown]

You ain't grow a little goatee?

[Langston Kerman]

Nothing. Nothing.

[Unknown]

Just a weird Mustache, black man gonna keep that. Keep something on it. Something to let you know, bro, my.

[Langston Kerman]

Chin ain't seen the sun since before the towers fell. Yeah, my shit been covered up.

[Zack Fox]

The first plane hit. You just became a man.

[Langston Kerman]

I'm ready to vote.

[Zack Fox]

It was loud like Wolverine claws.

[Unknown]

I heard. Hurts every time, but I have to do it.

[Langston Kerman]

Also, if you cut that shit off, it comes right back.

[Unknown]

Oh, man.

[Langston Kerman]

Yeah.

[Unknown]

Damn. Well, this is a great episode.

[Zack Fox]

I think we figured it out.

[Unknown]

I don't think anybody's in disagreement about this.

[Zack Fox]

Listen, I dare someone to present a rebuttal to this theory. Cause I'm sticking by it like it's fact.

[Unknown]

If you work at it, it's tough.

[Langston Kerman]

Because when I saw it, I was like, this is hilarious. It would be so fun to talk to Zach about this, and we'll have such a good time. And then now I'm walking away like, I need some.

[Unknown]

You need some thinking time. Yeah.

[Langston Kerman]

I need some stuff to prepare my. I need more weapons is what I feel like.

[Unknown]

Oh, I. Yeah. I don't know.

[Zack Fox]

What's a darker future? Yeah, I'm gonna do this.

[Unknown]

Go ahead, break it.

[Langston Kerman]

Do it.

[Zack Fox]

I'm gonna break y' all stuff while I say this. What's a darker future that y' all can imagine? Y' all thought the future. Oh, race war. Race war. Water, water, war.

[Langston Kerman]

Yeah.

[Zack Fox]

Nah, they gonna set it up. Black folks, Latinos, poor whites, Y' all gotta go to war with the robots who are what? Strong and African.

[Unknown]

Fuck. Ah, fuck. Fuck.

[Langston Kerman]

That's like a new fear unlock.

[Unknown]

Fuck that.

[Langston Kerman]

Like, you know when you see some shit you weren't even didn't even think to be scared of?

[Unknown]

I didn't even know that I wanted or know how to navigate them as my enemy.

[Langston Kerman]

Yeah, yeah, yeah, yeah.

[Unknown]

And now they are both. They are both not only my enemy, but my greatest fear activated.

[Zack Fox]

And then you don't even gotta tell the Africans what they doing over there. Cause they're playing a video game.

[Unknown]

Hey, man, get the fuck out of this studio.

[Langston Kerman]

Yeah. Maybe you go home.

[Zack Fox]

I could take this with me.

[David Borey]

Yeah.

[Langston Kerman]

Yeah.

[Unknown]

You ain't gonna be cool.

[Zack Fox]

I like this.

[Unknown]

We invited you. We were like, zach's a friend. We should have him on our podcast.

[Zack Fox]

Every podcast should be like this. You should stand by your ideas. Like this.

[Langston Kerman]

Yeah. Cause that makes you mean it.

[Zack Fox]

Yeah.

[Unknown]

I'm saying something crazy.

[Zack Fox]

Pull it out in this idea.

[Langston Kerman]

You gotta hold that shit like a baseball bat. Choke up on it. Huh?

[Unknown]

What'd you say?

[Zack Fox]

Oh, man.

[Unknown]

Zach, tell the people where they can find you. What cool shit you got going on.

[Zack Fox]

My name is Zack Fox. You can follow me on IG Zack Fox Twitter or X Zack Fox YouTube channel. Watchmesomezack fox.

[Unknown]

Okay.

[Zack Fox]

Okay. I'm on tour right now. I'm be doing Portola festival in San Francisco. I'm going to be doing a movement festival in Detroit. I'm going to be doing. Not announced yet, but another crazy festival in Florida coming up. And I got tours and stuff, and I'm gonna be hitting the road a little bit. So on my website, zackfox.com it's an Excel spreadsheet with all of my dates on it. Me and my manager worked very hard on that Google sheet. So buy the tickets, go ahead and.

[Unknown]

Hey, change some dates if you want to. It's exciting.

[Zack Fox]

Do whatever. It's open access.

[Unknown]

It's free for anybody.

[Zack Fox]

I hit the. If you have the link, you can edit. So.

[Unknown]

Bori, what you got?

[Langston Kerman]

Uh, June 14th, I'm gonna be in Sacramento at the secret show. June 13th, I'm gonna be in Hayward. June 12th, I'm gonna be in Petaluma. And June 15th, I'm gonna be at Littlefield in Brooklyn. We should sell it out, because I need the validation. I just want to feel good about the standup that I'm doing, and I think it's very great.

[Unknown]

Stroke my man's ego.

[Langston Kerman]

Come on out.

[Unknown]

And as always, you can follow me at Langston Kerman. I ain't got no. And may never will again.

[Zack Fox]

After this one drops.

[Unknown]

This might be the end of old lek. That said, you can follow me on all social media platforms if you want to send us your own drops, your own conspiracy theories. If you represent one of these autonomous companies and want to hold us accountable for the things that were said today, send it all to mymamapodmail.com, we would love to hear from you.

[Zack Fox]

I'm willing to defend my opinions in a court of law and how I represent my.

[Unknown]

Like that.

[Langston Kerman]

And. And he's an autonomous country, so he can do that.

[Zack Fox]

I'm an autonomous African.

[Langston Kerman]

Me too, bro. I really been working on myself.

[Unknown]

Yeah, I see you. Maybe someday, fellas, I get there, buy the merch. Like, subscribe, review, do all this. Follow YouTube, leave comments.

[Langston Kerman]

Leave comments about how good you are. You're not losers.

[Unknown]

We've had a lot of people responding to videos in strange ways lately, okay, where it's them, like, getting in arguments. We had a video where we were arguing, not arguing, but just talking about the fact that, like, white boys really Ain't scared of black people no more.

[Zack Fox]

I did see this.

[Unknown]

And the amount of, like, vile white people that have now entered that conversation are, like, truly going crazy, bro. Calling us cowards and saying we were never strong. No one's ever been afraid of you behind faceless avatars. And it's like, you monkeys don't scare us. It's like, crazy.

[Langston Kerman]

Exclamation point, GGE.

[Unknown]

Nuts. And we're not responding to nothing. It's like, it's them. They are literally, like, eating each other to bite the fuck out of us.

[Langston Kerman]

What I learned is, like, the biggest losers on the Internet are people who talk about how good they could fight. The people who talk about how good they are at sex in comments. Those are the biggest losers on the Internet. Like, what are you doing? I don't know about this, nigga pussy, man. I go crazy.

[Unknown]

That's the other thing. It's not just white boy shit. It's black people coming in and being like, these ain't like us.

[Langston Kerman]

Yeah, cowards need to train.

[Unknown]

It's like, whoa.

[Langston Kerman]

It's really wild.

[Unknown]

It's. Oh, man, you. You don't understand what we doing over here, bro.

[Langston Kerman]

It got to a side of the Internet that's not even. We're not even potentially getting fans anymore.

[Zack Fox]

Yeah, yeah.

[Langston Kerman]

It's like.

[Zack Fox]

It's just an arena.

[Langston Kerman]

Yeah.

[Zack Fox]

It's just like the World War Z zombies climb over each other.

[Langston Kerman]

It's dude's like, this is why gotta train me and my son, the only black guy in my jujitsu chair.

[Zack Fox]

What?

[Unknown]

And we're just sitting there playing dead the whole time, hoping the zombies don't notice.

[Zack Fox]

And it's so funny because, like, these people, like, the dude saying that definitely lives in a town that just got a Ross 100%.

[Langston Kerman]

Yeah.

[Zack Fox]

Like, nothing's going down over there, bro.

[Unknown]

Man, it's not coming to you, dude. You're okay.

[Zack Fox]

Y' all will miss the apocalypse Apocalypse by years.

[Unknown]

They're gonna skip this town for a while, for sure.

[Langston Kerman]

It'll be like those guys who didn't know slavery was over.

[Unknown]

It's gonna be a Juneteenth celebration of the zombie apocalypse.

[Langston Kerman]

Yeah. Yeah. Yeah.

[Zack Fox]

We would have been done fighting robot Africans.

[Langston Kerman]

Yeah.

[Unknown]

Real zombie apocalypse.

[Langston Kerman]

And they're talking about Trump and birthright citizenship. And you're like, bro, this shit.

[Unknown]

28 Days later is when the real zombie showed up.

[Zack Fox]

Oh.

[Langston Kerman]

All right.

[Unknown]

We did it. Bye.

[Langston Kerman]

Put your mouth right over that hole.

[Zack Fox]

Put your mouth there.

[Unknown]

My Mama Told Me is a production of Will Ferrell's Big Money Players Network and I Heart Podcast, created and hosted by Langston Kernan co hosted by David.

[Langston Kerman]

Bore executive produced by Will Ferrell Hansani.

[Unknown]

And Olivia Aguilar co produced by Bay.

[Langston Kerman]

Wayne Edited and engineered by Justin Kahman Music by Nick Chambers Artwork by Dogon Krieger.

[Unknown]

You can now watch episodes of My Mama told me on YouTube, follow YMama told Me and subscribe to our channel.

[David Borey]

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[Langston Kerman]

At California Psychics we know that sometimes you can wake up thinking.

[Unknown]

I don't.

[David Borey]

Know if I'm in the right career.

[Unknown]

Ew or the right relationship.

[Langston Kerman]

But whatever your life dilemma at California Psychics will give you the GU guidance you need to feel certain about your life choices. And because we only connect you with the very best, we guarantee if your reading isn't life changing, it's free.

[Unknown]

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[Langston Kerman]

Visit CaliforniaPsychics.com today for limited time offers.

[Unknown]

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[Langston Kerman]

O.Com you're listening to an iHeart podcast.