Red Pill Black Pill: Motherf*ckin Mini Episode (RE-RELEASE)

Summary

Podcast Summary: "Red Pill Black Pill: Motherf*ckin Mini Episode (RE-RELEASE)"

Podcast Information:

• Title: My Momma Told Me
• Hosts: Langston Kerman and David Bourie
• Network: Big Money Players Network and iHeartPodcasts
• Episode: Red Pill Black Pill: Motherf*ckin Mini Episode (RE-RELEASE)
• Release Date: May 8, 2025

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Introduction

In the "Red Pill Black Pill: Motherf*ckin Mini Episode," hosts Langston Kerman and David Bourie dive into their signature blend of humor and critical analysis, focusing on Black conspiracy theories. This mini-episode serves as a re-release, offering listeners a condensed yet impactful discussion on belief systems within the Black community, creativity, and personal identity.

Exploring Black Conspiracy Theories

Discussion on Listener Engagement and Feedback The episode kicks off with Langston addressing recent listener feedback:

• Langston Kerman [02:37]: "We’ll have guests cover silly conspiracies, scary conspiracies and conspiracies they learned from that uncle who used to wear jeans when he went swimming in the public pool."

However, both hosts express frustration with the tone of some listener interactions:

• Langston Kerman [03:03]: "Listen, I eat dinner in the dark. Nothing's too crazy."
• David Bourie [04:00]: "We don’t give a fuck either way."

This sets the stage for a candid and unapologetic exploration of controversial topics.

Sophia Stewart's Claims: Debunking the Matrix and Terminator Conspiracy A significant portion of the episode is dedicated to addressing an email from a listener named Nisha, who brings up Sophia Stewart's claims about creating "The Matrix" and "Terminator" franchises:

• David Bourie [17:37]: "She claims that she originally submitted the script for Terminator...and somehow those scripts were usurped by them to then make Terminator, Terminator 2, and then subsequently the Matrix."

Analyzing the Credibility of the Conspiracy Langston and David critically assess the plausibility of Sophia Stewart's claims:

• Langston Kerman [19:02]: "First of all, who's this black woman?"
• David Bourie [22:08]: "She might have had a little bit of something on her fingers and then was like, holy shit, that idea is like my idea. But that... that's something else."

They highlight inconsistencies in the timeline and the creative development of both franchises, emphasizing the lack of credible evidence supporting the conspiracy.

Broader Implications on Creativity and Originality The hosts delve into the nature of originality in creative industries, suggesting that similar ideas arise independently:

• Langston Kerman [22:52]: "I don't think the Wachowskis invented that as a science fiction theme."

This discussion underscores the common phenomenon of parallel creative evolution, where multiple creators may conceive similar concepts independently.

Personal Anecdotes and Humorous Interludes

Fashion and Personal Identity Throughout the episode, Langston and David interweave personal stories about fashion choices, using them as metaphors for identity and perception:

• David Bourie [07:43]: "I bought a pair of wide-leg jeans and went to a party, and everyone noticed."
• Langston Kerman [08:35]: "People don't know how to take me if I show up not wearing some form of athleisure."

These anecdotes not only provide comic relief but also subtly reflect on societal expectations and self-expression.

Humorous Takes on Listener Interactions The hosts maintain a playful tone when addressing listener emails and feedback:

• David Bourie [26:12]: "Black women can be silly Billies too."
• Langston Kerman [27:31]: "Mini episode. Mini episode. Mini episode. Motherfucking mini episode."

These moments reinforce the hosts' chemistry and their ability to engage listeners with humor while tackling serious topics.

Conclusions and Final Thoughts

In wrapping up the episode, Langston and David reaffirm their commitment to exploring unconventional theories and encourage listeners to continue submitting their own:

• David Bourie [26:53]: "If you want to send us drops your own conspiracy theories... we would love to hear from you."

They also promote their social media channels and express readiness to expand their content through live shows, blending entertainment with critical discourse.

Notable Quotes

• Langston Kerman [03:08]: "I watch him eat dinner in the dark. I'm the craziest there is."
• David Bourie [19:06]: "She's out of her fucking mind. I had never memorized her name."
• Langston Kerman [23:43]: "I'm telling you now."
• David Bourie [25:32]: "She gotta believe some shit."
• Langston Kerman [27:31]: "Mini episode. Mini episode. Mini episode. Motherfucking mini episode."

Insights and Takeaways

• Critical Evaluation of Conspiracies: The episode emphasizes the importance of scrutinizing conspiracy theories, especially those lacking substantial evidence.

• Creativity is Multifaceted: Through their discussion, the hosts highlight that creativity often involves the convergence of similar ideas independently, challenging the notion of idea theft.

• Humor as a Tool for Engagement: Langston and David effectively use humor to engage listeners while addressing complex and sensitive topics, making the content accessible and entertaining.

Conclusion

"Red Pill Black Pill: Motherf*ckin Mini Episode" encapsulates the essence of "My Momma Told Me" by blending humor with critical discussions on Black conspiracy theories and cultural phenomena. Langston Kerman and David Bourie deliver an episode that is both entertaining and thought-provoking, encouraging listeners to question narratives and embrace their unique perspectives.

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Connect with the Hosts:

• Langston Kerman on Instagram: @coolguyjokes87
• David Bourie on Instagram: @LangstonKerman
• Submit Your Theories: mymamapodmail.com
• YouTube Page: My Momma Told Me YouTube

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This summary is intended for informational purposes and to provide an overview of the podcast episode. For a complete experience, listeners are encouraged to tune into the full episode on iHeartRadio.

Transcript

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[David Bourie]

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More connected, but a little further apart. But then there are moments that remind us to be more human.

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[Langston Kerman]

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[Langston Kerman]

Motherfucking mini episode. Mini episode. Motherfucking mini episode.

[David Bourie]

Boop boop.

[Langston Kerman]

Beep beep. There it goes. There it goes. Welcome to an all new episode of.

[David Bourie]

My Mama Told Me the Vodka, where we dive deep, deep into the pockets of black conspiracy theories.

[Langston Kerman]

And we work to prove the theories of you, the listeners who quite frankly, have been taking a tone in the emails lately. And I'm here to say I don't care for it.

[David Bourie]

You guys are speaking to us like little baby sluts and I don't yeah, it's not cool, man.

[Langston Kerman]

It's a lot of like, oh, is this too crazy for you?

[David Bourie]

Yo, you bitch made ass. You niggas scared to address real thing out there.

[Langston Kerman]

Listen, I eat dinner in the dark. Nothing's too crazy.

[David Bourie]

I watch him eat dinner in the dark. I'm the craziest there is.

[Langston Kerman]

And I ain't playing no. Yeah. First of all. Second of all, I do appreciate it.

[David Bourie]

Beautifully placed, by the way.

[Langston Kerman]

How's it going, huh?

[David Bourie]

You nailed that one.

[Langston Kerman]

I'm getting nice with it. I got to start practicing the harmonica, though.

[David Bourie]

Yeah, no, you got to warm up. And frankly, I. I still practice my nunchucks, so I had a feeling we should have, like.

[Langston Kerman]

We should be like. We should give it like, OK. Because we're going to get to 2,000 subscribers, right?

[David Bourie]

Yeah, we got to put a deadline on my shit so that this, this.

[Langston Kerman]

I'm saying we plan it for like a future live show. Like, and then it's like, come out and you can see the nunchucks and the harmonica. You earned it.

[David Bourie]

Oh, okay. Okay.

[Langston Kerman]

You know what I mean?

[David Bourie]

Yeah, I don't mind. I don't mind baiting, switching the listeners a little bit.

[Langston Kerman]

I don't at all. You think I care about these?

[David Bourie]

Yeah, fuck them. You know what I mean? Like, fuck them. I don't owe you shit.

[Langston Kerman]

Yeah, I don't know you except for mom. Hi, mommy. Everybody else, though, man, I don't fucking know that mom is an assorted family member. My little brother. This is.

[David Bourie]

This is a perfect. I think a perfect marrying of our two obligations. So that's what I'm saying. At 2000, we will team up and showcase both skills at once at a live show.

[Langston Kerman]

At once. I like that even better.

[David Bourie]

Oh, yeah.

[Langston Kerman]

Yeah.

[David Bourie]

Okay. Let's fucking turn it into like a little bit of a Obama Springsteen hookup.

[Langston Kerman]

You know what I mean? We should get somebody to rap.

[David Bourie]

Ooh, Olivia. Guess what you're doing at the live show.

[Langston Kerman]

Yo, Olivia's gonna rap. I'll back you with the beat. And then you gotta. I'm gonna be honest. You probably gotta like. You're gonna have to at least get a headband.

[David Bourie]

I want. You goddamn right I'll wear a headband. And I want. I want Olivia rapping the words to Fight the Power as. As I nunchuck and you. Harmonica.

[Langston Kerman]

Well, this is.

[David Bourie]

This is gonna be good.

[Langston Kerman]

This is gonna be a problem. You should get. You should get. You know what you should get is like one of those Kendrick karate suits.

[David Bourie]

You know what I'm saying, yeah, Comfort shoes. Yeah, yeah, yeah, yeah, yeah. When he became self aware inside of that nickname and he was like, yeah, this is. This is my outfits now.

[Langston Kerman]

Yeah, that got complicated. The artist journey sometimes I think is maybe not for me.

[David Bourie]

You know, you start making these weird, like, almost like, cartoonish choices, and we have to be like. I think it's because he's complicated, I think. Yeah.

[Langston Kerman]

Like, I think he's just a really smart guy. Like, I'm never gonna get a hat that crazy that's gonna make you think I'm smarter than I am. Do you understand what I'm saying?

[David Bourie]

Yeah, yeah, yeah, yeah.

[Langston Kerman]

Like, there has to be a level where you're saying shit and nobody really knows what's going on. And I'm just too. I'm too grounded for that, I think.

[David Bourie]

Yeah. It seems. Especially in the rap world where they're, like, constantly telling us that they're bringing their original friends along for, like, this entire journey, it feels like that's not even possible when you're wearing a karate outfit, bro. Like, the niggas you grew up with are either they are not your friends or they have been long gone. And you.

[Langston Kerman]

No, it's the new people. I live in my city. You think I could just, like, start dressing like a fucking gaucho? And that's just gonna go. That's just gonna go. I gotta just like, I got the fucking Rhodesio Grill. And everybody's just gonna be like, oh, yeah, that's the same Dave. That's the same guy I saw pee in the alley. It's too many. Too many questions.

[David Bourie]

I bought a. I bought a pair of wide leg jeans and went to a party, and everyone noticed. You know what I mean? Oh, everyone was like, bro, are those flares? And I'm like, yeah, well, you know, it was part of this generation. And they were like, no, no way. That's not how you did it.

[Langston Kerman]

No way.

[David Bourie]

Two weeks ago.

[Langston Kerman]

No, sir. Yeah. I respect Andre. I don't know who he had around that let that transformation happen, because my people would not. My mom would be calling me, like, if you just started going crazy.

[David Bourie]

Yeah. Nah, you can't get away with none of that.

[Langston Kerman]

I've been thinking about getting some of those loafers that everybody's wearing, and I'm like, I don't even know if I can. I don't even know. Like, I can't wear them to the barber shop, bro.

[David Bourie]

I wore some loafers.

[Langston Kerman]

I thought it was cool.

[David Bourie]

Thanks, man. But then. But then on the way we went and Got food afterwards, everybody was hanging out and shit. And then Sydney noticed I had on loafers and roasted me to no end. Talk.

[Langston Kerman]

Someone get this away from me.

[David Bourie]

She called me all kinds of. She said I was wearing Harlem Renaissance.

[Langston Kerman]

Fives, and she was.

[David Bourie]

She was losing her mind making fun of my shoes.

[Langston Kerman]

She is very funny, but she's a person who can wear experimental new clothing. I don't know. I think you had to start like that. Like, had I been pushing the boundaries of fashion early on, I think it would be allowed now. But I was always, like, right in the middle. Like, I want to throw back, too. And now look at me. I can't wear flares, right?

[David Bourie]

Yeah, you gotta show up with the energy. Like, hey, my name is David Bourie, and I may not be in this hat tomorrow. You know what I mean? Like, it's going to be a whole different vest.

[Langston Kerman]

People. People don't know how to take me if I show up not wearing some form of athleisure. Like, if I don't have a Nike swoosh anywhere on my person, people start to get nervous, let alone a flare. I wish I would get a new cut on a pant. Yeah, I haven't. I haven't had a new cut on a pant. When a boot cut stuff.

[David Bourie]

I feel like bootcut. I don't know, man. Those have been. What is that, 2004 that we were in a deep boot cut.

[Langston Kerman]

That's the last. That's the last new cut for me. That's the last new cut for me.

[David Bourie]

So your transitions have really been about, like, starching or not starching.

[Langston Kerman]

Yeah. Or just, like, better shirts.

[David Bourie]

Yeah.

[Langston Kerman]

More fashionable hoodie. But.

[David Bourie]

But the cut. That's the same cut, baby bro.

[Langston Kerman]

No, there's no different cut. There's no different, different. I can't even. I can't even. That's not the world I live in.

[David Bourie]

Wow.

[Langston Kerman]

Have you ever been to a big store? Not a lot of cuts.

[David Bourie]

It. It seems freeing to. To some extent. It's like, nah, I figured out the pants that work. I. I ain't never reassessing this bad.

[Langston Kerman]

Right. I just want to have a crazy summer, though. Like, one summer where just. I'm pulling up in linens. See, linen isn't even that. I don't even know what the exciting fabrics are.

[David Bourie]

I'm going to. I'm going to tell you this. You got to go to. You got to make this international if you're going to pull that off. You got to really, like. I think you got to spend the Summer in, like, France or.

[Langston Kerman]

And come back. Yeah, I'm going to Brazil this summer, so.

[David Bourie]

Yeah, okay, that's. That's perfect. Because now you can truly pick your summer style that fits Brazil and rock that shit. And then when you come back and you slowly reintroduce some of those extra pieces into your wardrobe, it's like, nah, that motherfucker got a little Brazil in him. He ain't. That's all that is.

[Langston Kerman]

But the thing is, my mind is not even set up for this year. Like, when I'm in my head, we're talking about that, and all I'm doing is imagining myself in, like, matching short sets. That's not even exotic.

[David Bourie]

Nah, that ain't it. You gotta. There's an evolution beyond just like, oh, this. This has flowers on it. So.

[Langston Kerman]

Yeah. Yeah, that's it. Whoa. I just integrated flowers into my shit. You know how. How slowly in. In, like, steadily. I had to integrate, like, flowers, the color purple.

[David Bourie]

Yeah, like.

[Langston Kerman]

Like, man, but I just want to, like, crazy. Like a hat with the feather, like the mask. That's not it. We're in the writers room, but you understand what I'm saying?

[David Bourie]

No, I get it. You gotta. You know what it is you gotta do? Just a taste of Harry style. You don't gotta go all the way. Harry Styles, he'd be wearing, like, you know, Shit, yeah, he goes crazy. But just a taste of Harry styles where it's like, hey, that's not how that shirt would normally be cut.

[Langston Kerman]

Okay.

[David Bourie]

All right, here we go.

[Langston Kerman]

Well, I think we. I think I need to introduce accessories that aren't just like, a watch. Ooh. Like, you know how sometimes ASAP Rocky will have, like, a crazy scarf? Yeah, I need to start with that and then kind of like, build from there.

[David Bourie]

Yeah, a gaudy fanny pack, even. Like, you really, like.

[Langston Kerman]

I don't know.

[David Bourie]

Come on, man. Don't be scared of whatever, because here's the thing.

[Langston Kerman]

I put on a gaudy fanny pack, I'm gonna look like Shanaynay. Like, it's not gonna look like you think it's gonna look.

[David Bourie]

Okay, you know what I mean? I get it.

[Langston Kerman]

Stick for a gaudy fan. Like. Like a bedazzled.

[David Bourie]

Yeah, well, I wasn't thinking you would put it fanny pack style.

[Langston Kerman]

Oh, cross. Cross.

[David Bourie]

Yeah, cross strap type.

[Langston Kerman]

With titties.

[David Bourie]

Yeah, with the titties and all that.

[Langston Kerman]

Oh, no, I mean the titty split. That's the classic.

[David Bourie]

Oh, yeah, the titty split. Yes, yes. You gotta. You want your fanny back to titty. You a Little bit.

[Langston Kerman]

Yeah, a little bit.

[David Bourie]

That's the style.

[Langston Kerman]

Put your hand on my throat.

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I don't know if I'm in the right career.

[Jana Kramer]

Ew or the right relationship.

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[David Bourie]

Did we get to the email? Yeah, we can do it.

[Langston Kerman]

We can do it. I think this was a good. I think this was. I think this was helpful for probably a lot of people listening who are scared to, like, break out of, like.

[David Bourie]

Yeah, don't be scared of it, y' all.

[Langston Kerman]

You.

[David Bourie]

You can do it. Also, we don't give a fuck either way.

[Langston Kerman]

I truly don't give a shit.

[David Bourie]

I don't care what you're wearing when you're listening. We just want your ears, baby.

[Langston Kerman]

I'm assuming most of you listening mostly naked.

[David Bourie]

And, baby, he ain't mad at it. I ain't.

[Langston Kerman]

Come on. Come on, man.

[David Bourie]

How is my man supposed to schmeat his meat with this, bro? What the fuck? You're killing today. You're killing it today.

[Langston Kerman]

I felt good when I woke up, man. I felt good.

[David Bourie]

You're going craz.

[Langston Kerman]

We haven't microdosing. It's just the whole thing.

[David Bourie]

We have an email from a person who goes by the name of Nisha. Nisha sent us an email.

[Langston Kerman]

Thank you, Nisha.

[David Bourie]

And she said to the hosts of one of my favorite podcasts, I don't like one of. Just say your favorite. Nisha, what the fuck?

[Langston Kerman]

Yeah, I don't give a shit if you listen to the Dollop.

[David Bourie]

Or whatever.

[Langston Kerman]

I don't know.

[David Bourie]

Oh, you love us and the Joe Rogan Experience. We get it.

[Langston Kerman]

Yeah, it's us. And my favorite murder. I Understand? Sorry, we're not true crime. We're just true.

[David Bourie]

All right, so she says, I was listening to the last episode where y' all were saying that the Matrix wasn't good after the first one. I strongly believe it's because they stole the idea from a black woman and couldn't improve upon it well enough to make sequels. This might be just like, obviously true, but I want us to talk about. I want us to talk about this more. The same woman also created the Terminator and talks about how they related a little bit here. And then she links and she says, best Nisha. Now, it is worth mentioning, before we fully jump into this, that we have addressed this a little bit on the show, that the Matrix and Terminator were both created by the same black woman. There are countless YouTube videos of this woman explaining her position on the whole thing. And some people have become very adamant that this is true. I will note that in our previous addressing of this, I personally do not believe it to be true for a second.

[Langston Kerman]

I. I don't.

[David Bourie]

I'm not buying this shit one minute. Ever. Kinda.

[Langston Kerman]

What? Okay, let's. Okay, let's start. Let's start here. That's racist. What? What is it that makes you feel like this is in no way true?

[David Bourie]

Okay, here's what I'll say. Wait.

[Langston Kerman]

First of all, who's this black woman?

[David Bourie]

This black woman, I don't know her fucking name. Because she's nuts. Because she's a goddamn nutty, cuckoo crazy. She's out of her fucking mind. I had never memorized her name. But if you look up black woman, okay, Sophia Stewart is her name. Olivia is sending us vital information as we're talking this.

[Langston Kerman]

Thank God for Olivia, man.

[David Bourie]

Sophia Stewart is this woman's name and she claims that she originally submitted the script for Terminator, I believe, to writing competition, that basically there was a magazine that had like an open submission from, I believe, the Wachowskis. Isn't that their name that made the Matrix?

[Langston Kerman]

Oh, but you're saying for Terminator, Terminator was like James Cameron.

[David Bourie]

Right, Big dog. I am telling you what her claim is. I am not necessarily even suggesting that it makes sense. But she submits a writing competition for the siblings, the Wachowskis. Yes. That made the Matrix. And then somehow those scripts were usurped by them to then make Terminator, Terminator 2, and then subsequently the Matrix.

[Langston Kerman]

But wouldn't they have been like children?

[David Bourie]

Again, it doesn't make sense. But that's her argument.

[Langston Kerman]

Yeah, this isn't good because I thought it was going to be. You know, there's that movie that was just like the Matrix. They came out like a year before without the budget. Perfect Dark or whatever, where they sit on the clock. Which I thought that movie is pretty great, by the way.

[David Bourie]

I never saw it.

[Langston Kerman]

It's actually pretty good.

[David Bourie]

Yeah.

[Langston Kerman]

And that is. That.

[David Bourie]

It's a. That's the Vin Diesel.

[Langston Kerman]

Oh, that's what Riddick.

[David Bourie]

Where he's blind. Yeah.

[Langston Kerman]

Yeah.

[David Bourie]

I think Perfect Dark was. Was. Was maybe the original of it. And then Riddick was like their spin off from.

[Langston Kerman]

Okay. Another allegory for trans Americans. A lot of people don't know that about the Chronicles are really. No, that's insane.

[David Bourie]

But yeah, it's real weird shit, man. And I'll go on to say that the argument is. And this is one of the things that people try to use to support somehow her being. Because those movies are so far apart, right?

[Langston Kerman]

They're literally far apart.

[David Bourie]

A decade of distance between, I think the original and the. In the Matrix. And one of the arguments that she makes is that it's the same universe that the Matrix is. The sort of like, I guess the. The future fallout of our world also living inside of the Skynet takeover.

[Langston Kerman]

Eventually it turns into the Matrix.

[David Bourie]

Exactly. That like, you know the world. It's the same way in the actual Matrix, the world is destroyed. They're saying those are Terminators walking around on the Earth that. That are then traveling back. It's all simultaneous, essentially.

[Langston Kerman]

I mean, here's the thing. I also think, like, sometimes I feel like science fiction, it's like rap. There's just like a lot of genre stuff that is. Who knows? Whose idea was it for the first mobile suit in anime? You know what I'm saying? I think there's a lot of, like. I don't think the idea of, like, we're all living in a simulation. I don't think the Wachowskis invented that as a science fiction theme.

[David Bourie]

No, I don't think so either. And I think that that's.

[Langston Kerman]

Or the idea of AI becoming sentient and taken over. I don't think the Terminator invented that.

[David Bourie]

And I think she isn't crazy in that she didn't come up with an idea that crossed over to some of these things. Right. She might have had a little bit of something on her fingers and then was like, holy shit, that idea is like my idea. But that. Come on, bro. That ain't people stealing from you. That's just. That's something else.

[Langston Kerman]

Listen, man, I'm gonna tell you something that happened to me this week. This is gonna fuck you up. I wrote a joke about why I love big titties. And then Drake basically had an interview with Will Yachty where he said he relates to women with big titties for a far more selfish but similar reason. Yeah, and it's just cause great minds.

[David Bourie]

Me and Drizzy, you know, you and Drizzy. Drake, man, I'm gonna keep telling him.

[Langston Kerman]

I'm telling you now.

[David Bourie]

You fuckin with my Comedy Central half hour came out. I had a joke on it. This was like, obviously it's sort of in the heart of the Trump era, right? And in the joke, I talk about how white people, they played a trick on us because we all thought we were on the same page. That, like, they did a little bit of a magic trick where they pretended we were all reasonable. And then this motherfucker popped up and it turned out they were. That we hadn't agreed on at least that. And that same year, Katt Williams came out with a joke that is nearly identical to the phrasing that I have in punchline. Like, the punchline is exactly the same and everything else around it is a different take, but that punchline is so identical that I continue to be accused of stealing a joke that I recorded nine months before his special even touched the earth. You know what I mean?

[Langston Kerman]

No, I mean, there's like. And that's the problem with art, though. There's always this cross of like, you know, because original thought, how much everybody's thinking something somebody's thought before. It's just whether you're the first one to synthesize it and put it into that specific medium. Like, because I thought this was going to be like a living single kind of thing.

[David Bourie]

No.

[Langston Kerman]

Yeah.

[David Bourie]

It is not a living single thing. Nobody has seen any versions of these transcripts to, you know, that's never cited, at least when it all comes to it, right? Nobody's like, yo, word for word, bar for bar, he stole my whole. You know, it ain't the Soulja Boy shit. It is truly just like, yo, that lady says she wrote it. Why y' all steal that?

[Langston Kerman]

Yeah, that's too much. And because I don't know, as far as what I can tell from people who are actually great, lightning doesn't often only strike once. So, like, where are her other fantastic, like, ideas?

[David Bourie]

Yeah, apparently they were both the Matrix and Terminator, which is like, okay, well, why'd you submit both then? You know what I mean?

[Langston Kerman]

Just.

[David Bourie]

Why didn't you just go with one.

[Langston Kerman]

Yeah. Yeah. That's not a good. Damn. I really wanted this one to be true.

[David Bourie]

No, she's a silly billy. I'm sorry to break it to you. And what an inspiring story. Black women can be silly Billies too. Y' all can be out here.

[Langston Kerman]

I do like equal opportunity fuckery. I don't feel like people make enough space for that. I really don't. I really don't.

[David Bourie]

Yeah, it's this lady and that lady who pretended to know sign language for that. That murder case. Like, just.

[Langston Kerman]

That was. That was. That was my Super Bowl. Like, that was. That was one of the better things I've ever seen. We should have her on.

[David Bourie]

Hell, yeah, we gotta get her on. The lady that pretended to know sign language. She gotta believe some shit.

[Langston Kerman]

For real? For real.

[David Bourie]

All right, we gotta wrap this up. Good boy. Can you tell the people where they can find you and what cool shit you have going on?

[Langston Kerman]

Watch me on Instagram @coolguyjokes87 and you.

[David Bourie]

Can follow me at Langston Kerman, as always. And if you want to send us drops your own conspiracy theories, if you want to suggest that black women created Pretty Woman, go ahead and send those theories to my mamapodmail.com. we would love to hear from you. Follow the YouTube page. Go watch the videos. Accuse us of. Of being coons and sellouts. Oh, we love you. All right, bye. And I ain't playing.

[Langston Kerman]

Mini episode. Mini episode. Mini episode. Motherfucking mini episode. Mini episode. Motherfucking mini episode.

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[David Bourie]

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[Langston Kerman]

You're listening to an iheart podcast.