Podcast
New Books in Communications
Hosted by Marshall Poe · EN
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
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92episodes
Episodes
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Tony Lee Moral, "A Century of Hitchcock: The Man, the Myths, the Legacy" (UP of Kentucky, 2026)
May 2200:35:33Tap to summarizeFor over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Rachel Deblinger, "Saving Our Survivors: How American Jews Learned about the Holocaust" (Indiana UP, 2025)
May 2100:59:01Tap to summarizeHow did American Jews come to learn about the Holocaust in the immediate aftermath of the war? What kinds of images and representations of Holocaust survivors first circulated in America, when most Jewish survivors were still stuck in European displaced persons camps? Drawing on communal records and previously unexamined cultural materials, Saving Our Survivors: How American Jews Learned about the Holocaust (Indiana UP, 2025) details the kinds of narratives that inspired American Jewish action in the wake of the Holocaust and argues that American Jewish communal life became a significant site of knowledge formation and dissemination about the Holocaust. Through organizational campaign materials, public speeches, appeal letters, brochures, posters, radio broadcasts, and short films, American Jews were compelled to act as heroes, saving Jewish lives and a Jewish future.Bringing postwar communal narratives into the longer history of Holocaust memory in America challenges our understanding of what Holocaust narratives look and sound like and invites us to consider the relationship between humanitarian aid and the narratives they employ to inspire action. By expanding our understanding of how stories about the Holocaust became part of an American discourse and considering multiple forms of Holocaust survivor accounts, Saving Our Survivors highlights the messy, diffuse, and contested nature of memory construction in the immediate aftermath of the Holocaust, as well as each new tragedy we confront. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
May 2000:38:14Tap to summarizeBy the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era’s restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton’s The Film Parade (1933), Laurence Stallings and Truman Talley’s The First World War (1934), Cornelius Vanderbilt Jr.’s Hitler’s Reign of Terror (1934), Max Eastman and Herbert Axelbank’s Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Angharad N. Valdivia and Isabel Molina-Guzmán, "Rebooting Inequality: Critical Takes on Film and Television Remakes" (NYU Press, 2026)
May 2001:32:13Tap to summarizeFrom Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Georgia C. Ennis, "Rainforest Radio: Language Reclamation and Community Media in the Ecuadorian Amazon" (U Arizona Press, 2025)
May 1900:34:59Tap to summarizeIn Rainforest Radio: Language Reclamation and Community Media in the Ecuadorian Amazon (U Arizona Press, 2025), Dr. Georgia C. Ennis provides a comprehensive ethnographic exploration of Amazonian Kichwa community media, offering a unique look at how Indigenous broadcast and performance media facilitate linguistic and cultural reclamation in the Ecuadorian Amazon. This work offers a critical analysis of how standardized language revitalization efforts, like the imposition of Unified Kichwa, can inadvertently perpetuate linguistic oppression. Dr. Ennis follows producers, performers, and consumers to understand the role of media in language reclamation. Through extensive fieldwork, she provides vivid portrayals of community efforts to sustain the language and cultural practices of their elders amid environmental and social upheaval. Meticulously researched and beautifully written, Rainforest Radio is an essential work for anthropologists, linguists, and social scientists interested in language revitalization, Indigenous media, and environmental justice. This book showcases the transformative potential of community-driven media initiatives, highlighting the innovative responses of Napo Kichwa activists to the unique challenges they face. It serves as a powerful model for those working on similar issues worldwide, demonstrating the critical role of community media in language reclamation and cultural sustainability. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Heather Ann Thompson, "Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage" (Pantheon, 2026)
May 1800:59:29Tap to summarizeHistorian Heather Ann Thompson’s Fear and Fury: The Reagan Eighties, the Bernie Goetz Shootings, and the Rebirth of White Rage (Pantheon, 2026) recounts the 1984 New York City subway shooting in which Bernhard Goetz shot four Black teenagers—Darrell Cabey, Barry Allen, Troy Canty, and James Ramseur—and became both a fugitive and, later, a celebrated vigilante figure for many Americans frustrated by the social and economic tensions of the Reagan era. The book examines how media outlets like Rupert Murdoch’s New York Post and later Fox News fueled public fear and anger, transforming Goetz into a hero while casting his victims as villains. Using archival materials and legal records, Thompson revisits the shooting’s lasting impact and argues that it marked a pivotal moment in modern American politics, media, and racial attitudes. Dr. N'Kosi Oates is a curator. He earned his Ph.D. in Africana Studies from Brown University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Mischa Oak, "Rainbow Wisdom: 18 LGBTQ+ Life Lessons for Everyone" (Page Two Book Inc. 2026)
May 1700:40:44Tap to summarizeIn this NBN episode, host Hollay Ghadery speaks with Mischa Oak about his book, Rainbow Wisdom: 18 LGBTQ Life Lessons for Everyone (Page Two Book Inc. 2026) Joyful life lessons from the LGBTQ+ community to help you move through the world with more harmony, authenticity, and possibility. Rainbow Wisdom is a companion for anyone who wants to live more fully. The LGBTQ+ experience can inspire us all. Regardless of sexuality or gender, every person is unique and unusual in some way. Drawing on firsthand research, global thought leaders, and personal reflections, renowned educator Mischa Oak presents 18 uplifting lessons from the LGBTQ+ community that will make anyone feel good. You will learn how to: - Live authentically by asking Why Fit in a Box When You Can Break It Down?- Raise the Bar by leaving behind exhausting debates and embracing conversations rooted in values and hope.- Challenge Queer Fear by confronting misinformation and dismantling “flawgic” (aka flawed logic) with clarity.- Celebrate your own difference with Congratulations! You’re You!, a lesson that helps you embrace and affirm your identity—whatever it may be—and walk proudly in your truth. These and other lessons show you how to approach the world with more passion, flair, innovation, and liberty to be yourself, while you shift humanity forward. Whether you’re seeking deeper understanding, stronger allyship, or ways to live more freely, Oak invites you into a space of connection, where everyone can draw on LGBTQ+ experiences to live with more joy and make the world a better place. With a rich glossary of LGBTQ+ terms and practical tools for building more welcoming conversations, spaces, and communities, this book will lift you up, push you forward, and remind you that different is powerful. Rainbow Wisdom is also your allyship guide—helping you grow into a more confident and informed ally, and supporting Queer people and their loved ones to feel valued. This is what LGBTQ+ life lessons are all about: seeing yourself and the world in new ways, to be the best version of yourself possible. About the author: Mischa Oak founded LGBTQ Inclusion Training to improve the lives of 2SLGBTQ+ people and support meaningful diversity and inclusion within organizations. With over twenty years of experience as an educator and 2SLGBTQ+ advocate, Oak holds a Master of Education in Social Justice Curriculum, Teaching, and Learning. He gained international recognition as part of the first wave of legal same-sex marriages in the world, featured on the reality TV series My Fabulous Gay Wedding. His involvement in the Queer Liberation movement propelled his lifelong advocacy, including expanding transgender and Queer inclusion in Canadian schools during his seventeen-year teaching career. Today, Oak delivers transformative talks worldwide, guiding teams, communities, educators, care and service providers, and governments toward meaningful 2SLGBTQ+ inclusion. Oak is a Loran Scholar and an alumnus of Queen’s University, the University of Toronto, and Memorial University. He lives in Vancouver Island, Canada. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Ayşehan Jülide Etem, "Film Diplomacy: A Media History of Turkey-US Relations" (Columbia UP, 2026)
May 1600:55:35Tap to summarizeFilm Diplomacy: A Media History of Turkey-US Relations (Columbia UP, 2026) offers a powerful new account of how film shaped international relations and national identity. Drawing on previously unexamined and recently declassified archives in Turkey and the United States, Ayşehan Jülide Etem demonstrates how both countries used educational films to align institutional agendas and geopolitical interests. By tracing the transnational network of educational cinema, Etem uncovers how film functioned as infrastructure, circulating ideologies, organizing institutions, and training citizens. Moving beyond conventional accounts of propaganda and soft power, this book exposes how film was central to the making of modern Turkey and sheds new light on the media’s role in global politics. Author Ayşehan Jülide Etem is Assistant Professor of Media Studies at the University of Virginia, where she also directs the Film Studies Concentration. A media studies scholar, Dr. Etem’s research examines how film operates within infrastructures, how it is strategically sponsored, produced, exhibited, and circulated to shape public behavior, manage populations, and mediate power. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Aymar Jèan Escoffery, "Reparative Media: Cultivating Stories and Platforms to Heal Our Culture" (MIT Press, 2025)
May 1501:00:18Tap to summarizeCan producing stories and developing platforms to support people who have been harmed by multiple, intersecting systems heal those systems? In Reparative Media: Cultivating Stories and Platforms to Heal Our Culture (MIT Press, 2025), Aymar Jèan Escoffery argues that this is exactly how we repair our culture and heal harms from racism, sexism, classism, homophobia, transphobia, ableism, and religious discrimination: by reconsidering how we make media, how we connect through technology, and how we generate knowledge.Based on five years of deep, complex work cocreating an independent alternative to platforms like Netflix and YouTube, the author reveals the process behind developing OTV | Open Television to stream stories by diverse creators. The book shows that planting seeds for a more community-based media and tech ecosystem can also reform corporate systems better than so-called diversity, equity, and inclusion (DEI) programs, as the platform helped elevate creators on social media and in Hollywood at companies like HBO, Netflix, and more. Combining theory and practice, local production and global distribution, Chicago and Hollywood, the book paints a portrait of what a healing media ecosystem looks like—and shows how communal ways of knowing can cultivate reparative media, technology, and research that benefit everyone no matter how they identify. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Transcribe →Robin Andersen, "The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza" (OR Books, 2026)
May 901:00:51Tap to summarizeRobin Andersen's latest book, The Complicit Lens: US Media Coverage of Israel's Genocide in Gaza ( OR Books, 2026), is a forensic and unflinching examination of how establishment media abandoned journalistic integrity to manufacture consent for the genocide in Gaza, creating an environment in which unprecedented escalations and war crimes have become a terrifying new normal. Since October 7th 2023, the story of what was to become the genocide in Gaza was immediately shaped by the mobilisation of a very particular narrative: one of unprovoked terror, of Israel's right to defend itself, of a war between equals. What was not made clear, and what Andersen's book documents in meticulous detail, was the extent to which those attacks would be used by Western elites, the global military industrial complex, and US legacy media to condone a full-scale genocide, including horrors that continue as this book goes to print, despite a ceasefire. The Complicit Lens is published by OR Books in collaboration with the Institute for Palestine Studies, and features an introduction by the Palestinian historian Rashid Khalidi, who writes: "This book does not make for easy reading. Andersen walks us through the mainstream media's misleading coverage, its bland and unquestioning repetition of lies and distortions by spokespersons for the Israeli and US governments, and its racist defamation of the Palestinians, when it is not ignoring their voices entirely. In analyzing this dereliction of the most basic duties of journalists, she offers detailed alternative and independent media accounts of Israel's massacres, its intentional destruction of the infrastructure necessary for normal life, and its starvation of over two million people, obscured by this almost universal mainstream media malpractice." About the Author Robin Andersen is professor emerita of media studies at Fordham University and an award-winning author of a dozen single- and co-authored books. Her work examines film, television, and media coverage of war, the environment, politics, and elections. She edits the Routledge Focus Book Series on Media and Humanitarian Action, serves as a Project Censored Judge, and contributes to the annual State of the Free Press. Andersen is on the Board of Directors of Fairness and Accuracy in Reporting, where she also writes regularly, and is an Izzy Award Judge for the Park Center for Independent Media. About the Host Stuti Roy is currently an editor at Oxford University Press. She has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford and holds a BA in Political Science from the University of Toronto. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
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