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A serene beach. The classroom of an elite private school. The still nights in an upscale residential neighborhood. An acclaimed poet with a quiet, dignified mode of address. The sonic etiquette and experience of quiet is integral to each of these scenes. The Quiet Zone : Caribbean Expressive Cultures and the Feminist Aesthetics of Disturbance (Rutgers UP, 2026) examines what the emergence of quiet as an elite aesthetic, privilege, and entitlement means for minoritized people who are often narrated as loud, disruptive, and disturbing, sonically, visually, and otherwise. Taking the Caribbean and its diasporas as its key sites of study, the book explores what we can learn from efforts to transform the region into the quintessential site of quiet leisure, in part, through the enactment of regimes of sonic discipline and surveillance directed against its majority Black population. Analyzing the work of Afro-Caribbean artists that catalog and critique sonic surveillance, the book questions the ways that quiet gets produced both as a regulatory ideal of racial, gender, sexual, national, and civilizational belonging and as a universal object of desire. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is a compulsion of the human race to find a way to memorialize those we have lost and why we have lost them, from a gravestone of a loved one to war monuments that honor thousands who died in battle. In Audible Loss: New Music and the Crisis of Memory (Fordham UP, 2025), Andrea Zarafshon Moore examines how contemporary music has been used to memorialize three recent crises in the United States: the AIDS crisis, 9-11, and ongoing anti-Black violence. Moore reads these crises and the music that memorializes them to reveal the ways the are methodologically and ideologically similar to and different from each other. She explores the broader debates and discourses through which commemoration is always filtered and the ways interpretive consensus has been constructed and articulated in both musical and other memorial forms. Moore weaves close musical analysis with a wide-ranging discussion of how Americans memorialize, who Americans memorialize, and what memorials are meant to accomplish. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Glitter (Bloomsbury, 2022) by Dr. Nicole Seymour reveals the complexity of an object often dismissed as frivolous. Dr. Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.Glitter is part of the Object Lessons series: short, beautifully designed books about the hidden lives of ordinary things.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Published by Temple University Press in 2026, The Heartland of US Empire: Race, Region, and the Queer Filipinx Midwest examines Filipinx cultural representations in the Midwest since the early twentieth century. In it, Dr. Thomas Xavier Sarmiento shrewdly considers the impact of American exceptionalism and U.S. imperialism in a region where white, middle-class, heterosexual, and Christian is the norm. He employs a queer, decolonial Filipinx methodology that traces how narratives of America’s heartland position Filipinxs in the region as non-normative due to their racial, gender, sexual, and national statuses. As a result, The Heartland of US Empire locates queer Filipinxs in the geographic center of the nation and at the center of cultural narratives, thereby mapping alternative images of diasporic Filipinx identity and experience alongside U.S. regional and national identities, histories, and realities. Tom Sarmiento is an associate professor of English and Gender, Women, and Sexuality Studies at Kansas State University. He specializes in Filipinx American and queer literature and culture and teaches courses in Asian American literature, Cultural Studies, film adaptation, and Gender, Women, and Sexuality Studies. His works have appeared in MELUS: Multi-Ethnic Literature of the United States, The SAGE Encyclopedia on Filipina/o/x America Studies, Asian American Literature Discourse and Pedagogies, and in a special issue he guest edited for American Studies. In addition to his work in Literature & Cultural Studies, he is invested in helping students see writing as a nonlinear process and as a tool for social change. Donna Doan Anderson is an assistant professor in History at the University of Nebraska-Lincoln. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What explains the rise of religious populism in contemporary Turkish politics and society? How does industrialization help to explain change and continuity in social and religious life in Muslim majority countries? In his new book Industrial Islamism: How Authoritarian Movements Mobilize Workers (University of California Press, 2025), Utku Balaban examines Turkey’s rapid post-Cold War industrialization and argues that the answers to these questions lie in a class analysis centered on the relationships between employers and employees situated within larger contexts of globalization and historical Islamization. Political and religious transformations occurring in the 1980s and 1990s are not the result of a cultural backlash to or rejection of “Westernization,” or a nostalgia for an idealistic past. Rather, Balaban argues they are related to the rise of a socio-economic-political class he calls the “faubourgeosie” that strategically employ Islamic populism as a method of protecting their interests against other primary class actors. These changes are internal to the mechanics and logics of capitalism as shifts in the traditional relations of production produced new alliances and networks based on small-scale capital accumulation. Balaban’s Turkish case study can be applied to other Muslim-majority countries in which small-scale industrialists similarly dealt with economic anxiety and aspirations through recourse to popular Islamist rhetoric not as a specifically moral strategy, but as a political one. Industrial Islamism recently received the best new book in the category of international political economy from the International Studies Association. Dr. Utku Balaban is an Associate Professor of Sociology at Xavier University. He is the author of A Conveyor Belt of Flesh: Urban Space and the Proliferation of Industrial Labor Practices in Istanbul’s Garment Industry (2011) and Social Inclusion Practices in Turkey (2015). Dr. Jaclyn Michael is an Associate Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A central paradox of democracies is that they are always ruled by elites. What can democracy mean in this context? Today, it is often said that a populist revolt against elites is driving democratic politics throughout the West. But in Elites and Democracy (Princeton University Press, 2026), Hugo Drochon argues that democracy is more accurately and usefully understood as a perpetual struggle among competing elites—between rising elites and ruling elites. Real political change comes from the interaction between social movements and elite political institutions such as parties. But, although true democracy—the rule of the people—may never be achieved, striving towards it can bring about worthwhile democratic results. At the turn of the twentieth century, Gaetano Mosca, Vilfredo Pareto, and Robert Michels put forward “elite” theories of democracy and gave us terms such as the “ruling class” and “elites” itself. Drawing on their work and tracing the history of democratic thought through figures such as Joseph Schumpeter, Robert Dahl, C. Wright Mills, and Raymond Aron, Elites and Democracy reveals that this fundamentally elitist basis of democracy—democracy understood as competition between elites—was there all along. The challenge is to think it anew. Moving away from procedural or principled conceptions of democracy, Elites and Democracy develops a dynamic theory of democracy, one grounded in movement. With current politics defined by a populist backlash against elites, dynamic democracy offers the tools we urgently need to understand our contemporary predicament and to act upon it. Hugo Drochon is an Associate Professor in Political Theory at the University of Nottingham. He is a historian of modern political thought, with interests in Nietzsche's politics. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Why have moral philosophers largely ignored colonialism? In Moral Philosophy and De-Colonialism: The Irrationality of Oppression (Bloomsbury Academic, 2026), Shyam Ranganathan tells the story of moral philosophy and colonialism and reveals the benefits of drawing from a colonized tradition to a create a rigorous logic-based ethics. This is a timely exploration of the the ways in which Western colonialism has structured moral theorizing to insulate itself from criticism. In his account of the domination of the European tradition and the suppression of questions of its colonialism, Ranganathan covers the evolution of metaethics, normative ethics, and applied ethics in ancient European, Chinese, and Indian traditions of philosophy. We see the presence of white supremacy in the writings of J.S. Mill, Marx and Engels, and the importance placed on autonomy and sovereignty in Hobbes and Kant. The European influence of interpretation on our peer review of historical philosophy is evident throughout. Using South Asia as an example Ranganathan examines how colonizers are able to erase moral philosophical history and redefine cultures as religions, judged in terms of their conformity to, or deviation from, the Western tradition, which is treated as secular. His acknowledgment of Yoga as a basic ethical theory introduces us to thinking that recognizes persons as a diverse group, traversing sex, gender, race, sexual orientation, and species. Through this analysis of colonized traditions and ethics, Ranganathan is able to de-colonize moral philosophy by looking outside the colonizing tradition. If we want sophisticated and inclusive ways of thinking about how to live we must turn towards indigenous thought. Shyam Ranganathan is a member of the Department of Philosophy and York Center for Asian Research at York University, Toronto, Canada, and founder of the Yoga Philosophy Institute. Dr. Raj Balkaran is a scholar of Indian mythology and seasoned online educator. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom where he delivers original courses applying Indian wisdom teachings to modern life. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

At the heart of the fiercest international conflicts is the struggle for the future of globalization. In the wake of a pandemic that tested economies and societies, geopolitical conflict has taken on a new intensity. The Rest and the West: Capital and Power in a Multipolar World (Verso, 2024) locates the origins of this development in the turbulent dynamics of the capitalist world market. Rather than reducing global conflict to a matter of great power rivalries or the process of economic decoupling, Sandro Mezzadra and Brett Neilson investigate the increasing centrality of war to capital operations and to the transformation of capitalism. The goal is to forge a theory of imperialism adequate to a world in which the ‘rest’ no longer provides a putative unity that defines and opposes the ‘West’. Brett Neilson is professor and deputy director at the Institute for Culture and Society, Western Sydney University. In the last decade, his work has centered on issues of migration, borders, and globalization, logistics and digitalization, contemporary capitalism, geopolitics, and automation. Apart from writings with Sandro Mezzadra , he has published many articles and books, including Free Trade in the Bermuda Triangle … and Other Tales of Counterglobalization (Minnesota, 2004). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From Ghostbusters to Will & Grace, One Day at a Time to Jurassic Park, the past decade has seen Hollywood reach a new peak in its obsession with reboots, remakes, and revivals. Spearheaded by media giants like Disney and Netflix, these projects promise progress—more diverse casts, “timely” social commentary, and redemptive nostalgia—yet they often reproduce the very inequalities they claim to address.Rebooting Inequality: Critical Takes on Film and Television Remakes (NYU Press, 2026) brings together twelve concise, theoretically rich essays that interrogate how Hollywood’s recycling of intellectual property sustains entrenched systems of racial, gender, and sexual inequality. Across genres and platforms, contributors explore how the industry’s nostalgic return to familiar stories masks an ongoing reliance on white, patriarchal, and heteronormative frameworks of storytelling and production.Blending critical race, feminist, and media studies, the collection analyzes dozens of recent film and television revivals, remakes, and reboots from Roseanne to Charlie’s Angels to ask what it means when entertainment markets strive for diversity while leaving the structures of inequality intact.Accessible yet deeply analytical, Rebooting Inequality exposes how nostalgia has become both a marketing strategy and a political tool, revealing how the “new” Hollywood continues to reanimate the past—profitably, repeatedly, and unequally. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge. Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory