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Ozu and the Ethics of Indeterminacy (Duke University Press, 2026) re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world and the formation of film studies as a discipline.

Author Daisuke Miyao is Professor and Hajime Mori Chair in Japanese Language and Literature at the University of California, San Diego. He is the author and editor of several books, including Japonisme and the Birth of Cinema, The Aesthetics of Shadow: Lighting and Japanese Cinema, and Sessue Hayakawa: Silent Cinema and Transnational Stardom, published by Duke University Press.

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