Podcast
New Books in Music
Hosted by Marshall Poe · EN
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
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29episodes
Episodes
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The YIVO Sound Archive at 40: A Celebration
2w ago01:03:10Tap to summarizeThe YIVO Sound Archive houses over 20,000 recordings (including 78, 45, and 33rpm discs, open-reel and cassette tapes, piano rolls, and compact discs and other digital formats) as well as various artifacts related to sound recordings. It is is one of the most extensive and frequently consulted Jewish music collections in the world, embracing Yiddish and Hebrew folk, pop and theater music, Holocaust songs, liturgical, choral and instrumental compositions and, of course, klezmer music, as well as spoken word, oral histories, interviews, and radio programs. In addition to serving researchers, the Sound Archive maintains a special link to the Yiddish cultural world, and has close relationships with many musicians who utilize its resources in creating their art. It serves anyone seeking to include Yiddish music in their life or work, including teachers, journalists, camp counselors, and radio producers, among others. Join us for a fascinating insider discussion of the history of the YIVO Sound Archive, important areas of its collections, projects it has facilitated, and other stories of the past 40 years. Moderated by Hankus Netsky, this event will, for the very first time, bring together the founder of YIVO's Sound Archive, Henry Sapoznik, current YIVO Sound Archivists Lorin Sklamberg and Eléonore Biezunski, and former YIVO Sound Archivist Jenny Romaine. Learn more about the YIVO Sound Archive: https://www.yivo.org/Sound This panel discussion originally took place on September 13, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Henry T. Drummond, "The Cantigas de Santa Maria: Power and Persuasion at the Alfonsine Court" (Oxford UP, 2024)
3w ago00:50:46Tap to summarizeAmongst the many achievements of the Castilian court of King Alfonso X (1221-184) is the Cantigas de Santa Maria, a collection of 429 songs preserved in four manuscripts. In The Cantigas de Santa Maria: Power and Persuasion at the Alfonsine Court (Oxford UP, 2024) Henry T. Drummon re-examines a subsection of this collection, the cantigas de miragre. These songs set miracle narratives to recursive, refrain-based musical structures. By situating the musical and poetic form of the cantigas de miragre against the backdrop of discourses about rhetoric animating 13th-century intellectual life, Drummond shows how these songs worked to communicate propagandistic messages on behalf of a crown in crisis. Available recordings of the cantigas discussed in the podcast include those from Jordi Savall and Hespèrion XXI, the Boston Camerata and the Andalusian Orchestra of Fez under the direction of Joel Cohen, and René Clemencic’s Clemencic Consort. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Mary Lucia, " What Doesn't Kill Me Makes Me Weirder and Harder to Relate To" (U Minnesota Press, 2025)
3w ago00:46:38Tap to summarizeIn What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Nicholas Tochka, "The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties" (Bloomsbury, 2026)
4w ago00:55:31Tap to summarizeNicholas Tochka analyzes the role of rock music in the life of Charles Manson, the Family, and the August 1969 Tate-LaBianca killings, which also gives larger insight into Sixties counterculture. Failed singer-songwriter. Devious cult leader. A rock Pied Piper. The product of a sick society. Just another dime-a-dozen singing hippy mystic. Did the guitar-playing guru personify the violence that the rock counterculture inflicted on America? Or did his music diagnose the dehumanizing effects of that society's broken institutions? For over five decades, commentators have debated the meaning of Charles Manson and the Tate-LaBianca killings. Rock music links their narratives: from the acid drenched singalongs at the Spahn Movie Ranch, to a bizarre theology centered on Beatles songs, to his commune's alleged links with Hollywood's elite, to an album, LIE: The Love and Terror Cult (1970). In this first comprehensive examination of the Manson Family's music, Nicholas Tochka writes with, against, and alongside the many authors-true-crime hacks, gonzo journalists, conspiracy theorists, and rock critics alike-who have told and retold the story of "the Manson murders." Playing the truth games that these postwar Americans helped invent, The Musical Lives of Charles Manson: The Beatles, the Beach Boys, and the Invention of the Sixties (Bloomsbury, 2026) presents a new take on the story of the commune-and on rock's role in fracturing the possibility of writing trustworthy histories after the Sixties. "They are afraid of it, because it tells the truth," Manson once claimed, describing his music. Just what truths did the Manson Family's music-making tell? Nicholas Tochka is Associate Professor of Music (Ethnomusicology) at the University of Melbourne, Australia, and the author of several books including Rocking In the Free World: Music and the Politics of Freedom in Postwar America and Audible States: Socialist Politics and Popular Music in Albania. His work examines the politics of music-making in the postwar world. Nicholas on the University of Melbourne’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Deirdre Loughridge & Thomas Patteson, "The Museum of Imaginary Musical Instruments" (Reaktion, 2026)
4w ago00:47:33Tap to summarizeThe Museum of Imaginary Musical Instruments (Reaktion, 2026) by Dr. Deirdre Loughridge & Dr. Thomas Patteson is a guided tour through centuries of instruments that never existed. From ancient myths to futuristic media, these imagined devices appear in literature, theory, video games and art, at times echoing real instruments, other times pushing far beyond the bounds of technology. This book presents a wide-ranging collection of such creations, showing how they reflect changing ideas about sound, invention and the limits of the possible. At once a cultural history and a study of creative thought, it uncovers unexpected links between music, design and the human urge to make meaning through sound. These are not just fictional artefacts – they are windows into what music might mean, even when it cannot be played. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →The Lost World of African American Cantors 1915–1953
Apr 28Tap to summarizeHistories of Black-Jewish cultural interaction often focus on how Jews adopted and adapted Black vernacular music—ragtime, jazz, swing, R&B, blues—as performers, promoters, managers, club owners, and record labels. The phenomenon of African American musicians who performed Yiddish and cantorial music in and for the Jewish community in theaters, on record, on radio, and in concert between the World Wars deserves such scholarly inquiry. This talk will honor the memory of now forgotten Black cantors – Mendele der Shvartser Khazn, Reb Dovid Kalistrita, Abraham Ben Benjamin Franklin, Thomas LaRue Jones, and Goldye di Shvartse Khaznte, the first known Black woman cantor. This talk by award winning producer, author, and ethnomusicologist Henry Sapoznik will feature dozens of historic graphics, translations of period Yiddish newspaper previews, ads, and reviews, and the playing of the one known 1923 Yiddish and Hebrew recording of Thomas Jones LaRue. This lecture originally took place on June 15, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Brook Flagg, "I Go There with You: The U2 Sites of Southern California, from Significant to Sacred" (Nine Criteria, 2025)
Apr 2600:55:40Tap to summarizeU2 is a band from the north side of Dublin that became a global phenomenon-and while its four members have traveled the world over for almost fifty years, some of the most critical points on their journey have been in Southern California. The Joshua Tree is the best-known example of U2's artistic immersion in the Golden State, but the band began drawing inspiration from California's landscape as early as 1981 during their first arrival in the U.S. for the Boy tour. From deserts to beaches to urban streets, Southern California features dozens of sites that are both sacred and significant to U2 history. For the first time, these sites are documented and categorized in a single resource to inform and support the Southern California pilgrimages of U2 fans. I Go There With You (2026) provides the information U2 fans need before embarking on such a quest, whether individually or in groups. Each site has a story, and this book tells those stories-along with must-have details for trips that require extra planning and foresight. In addition to essential information on each site's place in U2 history, author Brook W. Flagg aims to inspire U2's most devoted followers with anecdotes and scrapbooked images. Just as Bono, The Edge, Adam Clayton, and Larry Mullen Jr. traveled through Southern California along the road from innocence to experience, their fans can find catharsis and healing by going into the mystic portals of the past-places where, over the decades, U2 found pieces of what they were looking for. Brook Flagg on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →The Barton Brothers, Mickey Katz, and Others: Yiddish-English Bilingual Parody Songs
Apr 16Tap to summarizeIn the years immediately following the Second World War, the Barton Brothers, an anarchic Catskill comedy duo, began recording humorous macaronic (that is, bilingual) parody songs that relied in no small part on Yiddish theater and radio for raw material. The Bartons’ unexpected success—their send-up of Yiddish radio, “Joe & Paul,” was a bona fide hit, however improbable—inspired clarinetist Mickey Katz, based in Los Angeles and working with first-rate studio players, to begin recording his own exceedingly funny Yiddish-mixed-with-English lyrics set to the melodies of current Hit Parade songs. Capitol Records issued (possibly to their own amazement) a steady stream of these Yinglish albums by Katz all through the 1950s and into the ‘60s. These in turn inspired Allan Sherman, a TV gameshow writer/producer, to begin recording his own parodies of standards and folk songs. Though hardly any of Sherman’s lyrics had actual Yiddish content, many still had a clearly Jewish inflection that often alluded—phonetically, grammatically, or syntactically—to Yiddish beginnings. Close readings of selected tracks by the Bartons, by Katz, and by Sherman will focus on their language, their music, their delivery, and what made them so influential and so very funny. This lecture originally took place on July 9, 2020. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Daphne A. Brooks, "Blackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince" (Duke UP, 2026)
Apr 1400:38:17Tap to summarizeBlackstar Rising and the Purple Reign: The Sonic Afterlives of David Bowie and Prince (Duke UP, 2026) is the first critical anthology dedicated to exploring the legacies of the pop music icons David Bowie and Prince. Daphne A. Brooks brings together an extraordinary array of writers, artists, and scholars, including Greg Tate, Jack Halberstam, Kara Keeling, Eric Lott, and Ann Powers, to offer fresh insight into how Bowie and Prince each fundamentally changed pop culture as musicians who emerged at the intersections of modern movements surrounding race, gender, sexuality, and art. Featured alongside these pieces are interviews with trusted collaborators of Bowie and Prince such as D. A. Pennebaker, Sheila E., and Marie France, giving vital insider context to the impact both artists had on pop culture and the complexities of their repertoires, politics, and private lives. This work is essential reading for any fan of two of the most formidable and eminent figures in pop culture history.Contributors: Christine Bacareza Balance, Emma Balázs, Victoria Broackes, Daphne A. Brooks, Daphne Carr, Andreana Clay, Ashon Crawley, Jonathan Flatley, Nicole R. Fleetwood, Lynell George, Farah Jasmine Griffin, Michelle Habell-Pallán, Jack Halberstam, Matthew Frye Jacobson, Kara Keeling, Jason King, Josh Kun, Kathryn Lofton, Emily J. Lordi, Eric Lott, Maureen Mahon, Greil Marcus, Geoffrey Marsh, Michaelangelo Matos, Tiffany Naiman, Tavia Nyong'o, Ann Powers, Sonnet Retman, Morgan Rhodes, Francesca T. Royster, Gustavus Stadler, Jacqueline Stewart, Greg Tate, Karen Tongson, Van My Truong, Alexandra T. Vazquez, Michael E. Veal, Shane Vogel, Gayle Wald, Oliver Wang, Alexander G. Weheliye, Richard Yarborough, Kristen Zschomler Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Transcribe →Peter Richardson, "Brand New Beat: The Wild Rise of Rolling Stone Magazine" (U California Press, 2026)
Apr 700:49:25Tap to summarizeRolling Stone's first decade was truly rock and roll: chaotic, wild, and unpredictable. Brand New Beat: The Wild Rise of Rolling Stone Magazine (U California Press, 2026) by Peter Richardson charts the origins and evolution of the magazine during its formative early years in San Francisco. Founded in 1967 by a 21-year-old college dropout, Rolling Stone and its editors were steeped in the Bay Area's counterculture and viewed rock and roll as the animating spirit of a social revolution. Reaching beyond music, the magazine delved into the tempestuous culture and politics of the time.Acclaimed author Peter Richardson takes readers inside the iconic magazine during an era of legendary events, major cultural figures, and unforgettable music. Showing how Rolling Stone became a journalistic juggernaut—nurturing music-focused writers like Cameron Crowe, Lester Bangs, and Greil Marcus as well as New Journalism giants Hunter S. Thompson and Tom Wolfe—this book reveals how Rolling Stone both exemplified and critiqued the counterculture. Always more than the definitive rock magazine, Rolling Stone leveraged the power of popular music to deliver groundbreaking coverage of historic events, setting a new standard for the next generation of American journalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
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