A (3:59)
Yeah, thank you. So you're right, this is, I think, if I'm not mistaken, the longest book in the Concise Histories series. The book has been published, part of a Cambridge University Press series, Concise Histories, which includes titles on Germany, Italy, Bosnia, recently, also Albania, France and so on, and Greece. Many historians, many authors in this series actually focus on modern period, but I decided at some point relatively early on to cover earlier periods as well. And thanks to the understanding of my editor at Cambridge, I was able to kind of extend the original word limit. So the book is significantly longer than I had initially planned it to be. But you may approach it as a kind of de facto two volume concise history. A Concise History of pre Modern Serbia and a Concise History of Modern Serbia. It's true, I start with the 6th century, when in fact we say that the Slavs, we know that the Slavs, together with Avars, emigrated from somewhere beyond the Carpathian Mountains into southeastern Europe. And this was a process which lasted over a century or perhaps around a century. And from what we know, at some point during the later stages of this migration of the peoples, Serbs and Croats migrated to the Balkans. This was most probably in the early 7th century, but we don't know for certain now. This, you're right, this was. I mean, how did I approach was maybe the main challenge really initially how to structure the book and what would be the scope. So once I've decided to start from the beginning or from the earliest known beginnings, this was at the time of the migrant crisis. So we're talking about 2015, 16, when I was beginning to write this book, 2015 actually. And I thought it would be neat to begin with migrations of the peoples of Slavs and others to the Balkans and to central Europe, and end with the migrant crisis or sort of bring the book towards the present day. And I actually very early on decided that even though this book has to be chronological, because otherwise it would be maybe too confusing, I also wanted to focus on, to identify themes or perhaps these themes identified my research. So the title of the chapters reveal some of the key themes, such as migrations. Migrations is the title of the first chapter, but this is a phenomenon that occurs later on as well. Migrations is a very important theme in the Serbian history. Also empire, the relationship between the Serbs and empires that surrounded them or empires that they built or tried to build and so on. So these were some of the early challenges, early, early kind of dilemmas that I had. Another. And so, so, so I actually, as I said, I had to really study. I initially probably thought I would write a 19th and 20th century history of modern Serbia, but we already have something like that. And I wanted to do something slightly different also because I talked to colleagues. I presented very early kind of thoughts and ideas about this project at several history departments in the UK and in Europe. And several colleagues, early modernists, in fact, told me that they would really find books in this series much more helpful if they would be a little bit more on the pre modern period. As I said, most books in the series tend to focus on the modern period. So I thought actually that this book should probably also address colleagues who work on earlier periods and students as well. And this kind of. Who are the target audience? Who are the audiences? I mean, my publisher of course wanted a book that would be readable and accessible to non specialist audiences, to people who travel to Serbia, maybe businessmen, diplomats, journalists, students, undergraduate students. But I also wanted it to actually contribute in some way meaningfully to debates among experts on the specialists in the field. Very few have actually written on history of the Serbia. We have a lot of works on Serbia, but it tends to be on contemporary Serbia, not even on 19th century or early 20th century periods. Also wanted to engage with other Europeanists mainly, and perhaps Ottomanists because Serbia is kind of, you know, everybody seems to agree that Serbia played a main role in let's say 20th century developments, 1914 and so on. But actually nobody seems to work on Serbia and Serbia is out of, you know, if you're a Europeanist and you work on Serbia, you have to justify why is that European history? If you work on Germany or Austro Hungary, you don't have to justify this is European history or if you work on France. So, and this of course a common problem that historians of the Balkans face, not, not just of Serbia or perhaps of Eastern Europe. So, so these were some of the key. And another, another challenge was of course how to write the history of Serbia during such a long period when Serbia did not exist through much of this period. One way to address this is to, to focus on these themes that, that recur and that somehow hold the narrative together, I think. And I think writing modern period when there was no Serbia also enabled me to move beyond purely political history and history of institutions, but to look at people and cultures and also groups that traditionally are not included in these grand narratives. I mean women, I mean political dissidents in the 20th century, but also ethnic and religious minorities. Jews, Roma, Albanians, Muslims, vlogs. They all feature in my book, you know, in perhaps not, they're not central, they're not part of the central story which, which still focuses on the Serbs and on Serbia, but nevertheless they feature much more than in, in other works. And I, I hope that this, this, you know, I hope that, that readers will, will know, note and appreciate this. And I think what you also asked me about methodology, you know, another thing that was on my mind, that I'm writing a national history in an age of transnational and global histories. And I myself in my other beyond national history, and this was kind of going back to that. And at first I did not necessarily want to write this history, but I'm glad I did it. And in fact. Well, first of all, in the book, as I think the readers will see, I understand Serbia not necessarily just as a nation state, but also as a space that emerged in a borderland, in a trans imperial region in which goods and ideas and peoples moved despite imperial borders between let's say the Habsburgs, the Ottomans, or previously between the Byzantine Empire and various out Slav entities and Hungary further in the north, not to mention the 20th century divisions, ideological divisions. So I kind of understand Serbia as something that is not just a state, but also it's an idea and, and, and, and serves as a, as a borderland people in incidentally, Borderland is, is a title of, of my chapter on, on the early modern period as well. So it's another theme. Having said that also, I think we have to acknowledge that the nation state remains the dominant form of political organization in contemporary world. So writing a national history is not entirely meaningless. And I think that even though as historians we want to move beyond, we still have to think of the nation state as a dominant form of political organization. This became obvious during the migrant crisis and also during the COVID 19 when the state kind of reasserted its control over the borders and over the citizens and non citizens. Paradoxically, as a result of these were two global crises, the pandemic and the so called migrant crisis. But nevertheless the nation state kind of reasserted its position. So it wasn't necessarily something that, you know, so, so I was persuaded, I guess that this is a meaningful project. And very finally, in answering this first question, I think it's. I've already kind of hinted, but perhaps it's worth clarifying. The book was conceived and researched and written during the, the 1914, 1918 centenary celebrations or commemorations during the migrant crisis of 2015, 2016 and of course during the COVID pandemic. So I think, even though not to be a presentist, I try to write history, not to write history backwards, but it is inevitable that we all are influenced by the present in which we write about the past. So I think that's important to keep in mind that my thinking about the past has changed probably during this period as a result of the environment in which I wrote this book.