Transcript
A (0:01)
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B (0:57)
It was just so this was all planned.
A (1:00)
What are you gonna do? I will do whatever it takes to get my son back. I honestly didn't see this coming. These nice people killing each other. All her fault. A new series, streaming now only on Peacock. Welcome to the New Books Network.
B (1:18)
Hi. Welcome back to the New Books Network. My name is Adam Bobeck, and I'm a PhD candidate in sociocultural Anthropology at the University of Leipzig. I am super excited today to welcome Professor Heather Davis to the show. Heather Davis is assistant professor of Culture and Media at the New School and the editor of Desire Contemporary Feminist Art in Canada and co editor of Art in the Anthropocene Encounters among Aesthetics, Politics, Environments, and Epistemologies. Today we are discussing her new book, Plastic Matter, which was published in 2022 with Duke University Press. Professor Davis, welcome to the show.
A (1:55)
Thank you so much. It's a pleasure to be here.
B (1:59)
Could you talk about your personal relationship to plastic?
A (2:03)
Sure, yeah. So I started thinking about plastic in many different ways, and one of those is, of course, because of its ubiquity. It's something that I think we all have some kind of personal relationship to. It's one of the most intimate manifestations of our relationships to oil. So we see it in everything from our clothing. Clothing to sex toys to baby bottles to computer networks. Really, everything that we use to mediate our existence at this point is in part mediated through plastics or virtually everything. And so that's one of the ways in which I've come to think about plastics, is through that kind of bodily intimacy with our relationships to oil as a larger product. But the Other way for me that is a little bit personal is my maternal grandfather was a chemical engineer at dupont and later a manager for dupont Canada. And growing up, you know, there was all kinds of discussions of plastics, especially plastic textiles, which is what he was primarily involved with. But also there was the story that he helped to develop the plastic milk bag. And this will be really familiar for people who live in Canada or Europe or. Or India or parts of South America, less familiar for an American audience, but it's literally just kind of a bladder of milk. And the reason why they developed it was because they realized that this was the cheapest way to package a liquid. And this really speaks to a lot of the different ways in which plastics come to appear in our lives. Many of them are. It's not because of a kind of necessity. It's not driven by consumer demand. It's really driven by the ways in which industry is trying to create cheaper and cheaper products in order to maximize profits, obviously. And one of the things, the other thing about my grandfather helping to invent this sort of strange plastic object is, is that he would often bring it home to my grandmother to test. So my grandmother would. Would. Would be presented with all different types of sort of prototyp, these plastic milk bags. And I don't know about in other parts of the world, but in the end, in Canada, they're packaged in 1.3 liter bags. And then there's a set of three of them that are. That you buy together. And this kind of dimensionality or like how big it's going to be or what it kind of appears as a consumer product. My grandmother helped to sort of decide, in terms of. As a kind of quintessential sort, suburban housewife of the 1960s, really trying to, you know, she was the kind of ultimate focus group in terms of. In terms of what. What these kinds of domestic plastic products could be used for. On the other hand, I think it also speaks to the ways in which, you know, in the kind of official versions of the story that my grandfather would tell about this, you know, at dupont gatherings, et cetera, he would always exclude my grandmother's participation in this, despite the fact that she was so instrumental in relationship to basically designing the milk bag, figuring out what was actually going to work and what people were actually going to use and what people were actually going to buy and what was kind of a usable product. And I think that this also speaks to the ways in which women's labor at the time was often undervalued and erased in the course of history. So I think it really ties in a lot of the kinds of stories around plastic in terms of why plastics exist in the world, how they come to proliferate. But also, for me, I was really interested in this kind of question of inheritance. So what do we do with this world that we've inherited? Because we can't, at this point, say that we are going to live our lives without plastic. That's completely and utterly unrealistic, both for the purposes of sort of thinking about how much plastic informs contemporary existence, but also because of the longevity of the material and the pervasiveness of the material. So I think that one of the things that I was really interested in is both, like, how does a material like this come to exist in the world? To begin with, what are the kinds of philosophical assumptions about matter and materiality that cause plastic to exist? And then the second part of that being, what do we do now that it is so pervasive? And Jacques Derrida talks about the ways in which inheritance is always before us. It's not in the past. We often think about inheritance as something that comes from the past, but he reformulates that to think about that as something that is actually before us, in the sense that our job is to figure out what to carry from an inheritance and what to move forward with. And also that inheritance really structures who we are. So one of the other things that's. That's been really informative to me about thinking with the petro cultures, literature, for example, is really about the ways in which we are already constituted by this material. So it is fundamental to our subjectivities. Um, so how do we think about that? And how do we think about our relationships to something that is fundamental to who we are and in fact, constitutes our identities? But that is something that we might want to shift our relations to.
