Peter Frankopan (16:07)
It's all stuff we know about, but it's never about the Abbasids or the Buyids and what the difference is between the two. It's never about different types of organizations in the Maya world. So the opening up different periods and widening that lens, it's really hard to do because it requires a lot of reading, it requires adding to skills, new languages, it requires reading into scholarship. But, you know, there's no, there's no harm in doing that as you become more senior as a scholar. In fact, some of us, like me, would think there's a responsibility to be widening your horizons rather than just drilling downwards. But, you know, everybody has to do it their own way and. And each of us need to find our own rhythm at our own field that we want to plow. And we need to be maybe a bit more tolerant of allowing each other the space to do it in the way we want, rather than jumping at each other, which we are quite. In the humanities, we are much more jumpy than in the sciences. And that's something that's really surprised me in the last 10 years. I sit On a couple of boards of prizes for scientific prizes, where there's quite often people want humanities scholars on the boards. And what's amazing when you talk to scientists about their colleagues, rivals, competitors, whatever, the. The unanimity of support when people say, you know, what's have you working on? What? How'd you rate it? All scientists say he's a genius and will explain why and then you'll say, you know, is he right? And I know I don't agree with him about anything, but I think maybe collaboration works in a different way to the old style monasticism of monks and occasional clusters of monks who want to protect their territory rather than working out how to support each other. So at the most base level, that means that all of us writing about history, it's in our interest that books cross into the general public readership. It's our interest that we try to galvanize above all the next generation of undergrads, but even high school students trying to get them to think it's interesting and exciting, so they don't just all go and study business and engineering and so on. Great subjects, by the way, nothing wrong with that. But, you know, we're also trying to sell our subject and. But the periodisation of trying to say we need to try to be more ambitious is the second, the third one is, as you mentioned, is about the sciences. So we as historians have been slightly blindsided, or many, many have been blindsided by the, the surge in what plant sciences, biological sciences, disease histories can tell us about the past. And some of those are to do with climate, like I write about in my book, but not all of them. So being able to deconstruct the phylogenetic tree of the plague of Yersinia pestis bacterium completely transforms how we understand things like the Black Death. So, you know my colleague Monica Green, who's brilliant, you know, it's been shouting about this in the darkness for years around how important it is that historians understand not even complex maths, but understand statistics, understand sciences and, you know, it's not hard to learn about this stuff. It's not hard to learn Khmer or Japanese or Bantu, you just need to spend time doing it. But if you are an, if you're a salaried academic, you know, you have the privilege of being able to, outside your turntable to decide what your range should be. And I think it's partly because how funding has worked that there's a lot of pressure on us all to be producing books all the time. It makes it much harder to say, look I'm going to spend 10 years working on a project and it's going to be a big one. Rather than being rewarded for being sort of consistent performer at books that, you know, you, you, you know, you don't get rewarded for having the time to, to go big. But we can't all do the same things. Everyone has to make their own show. But I also do feel responsible as a professor of global history at Oxford, that I should be trying to push a little bit rather than sticking in my lanes. But not all my colleagues find that compelling or convincing. I've had conversations where, when this book came out, where one of my colleagues took me out for lunch and said, why don't you just stick to writing about stuff, you know, on the Silk Roads? And I said that that's fine. And maybe he's right, you know, And I walked home to me an hour, it's a 20 minute walk home. Took me an hour to walk back home walking circles, thinking, you know, maybe they're right, it would be a lot safer. People would understand it. They would get that I'm writing more about the Kazakhs or the Took men or the people I love working on, I still work on, but it's quite nice to, to try to push and to get that moment where your light bulb comes on, where someone tells you something about Prince Charles or King Charles as he's about to be, and you think, God, that's amazing to think like that. And throughout writing this book and researching, which has taken me 10 years, it's almost not a day, I don't find the E writing process easy. But there has not been a day gone by that I haven't read something by Corey Ross, by Nick Collater, by these amazing environmental historians who do, who work on different aspects and not, not feel completely lit up by thinking, isn't it a privilege to read what brilliant scholars write? And then, you know, reading scholars in the past, like Kalidasa, writing in Sanskrit around what it feels like to be caught in the rain on a hot day much more beautifully than I could ever write. And, you know, wondering, how do you, how do you put this into poetic form so that you're allowing Kalidas's voice to sing through? And then finding out who are the best translators of this poetry, who should you be referencing? And, you know, not just because I don't want colleagues to point a finger and go, you've picked the wrong translation, you should be using the one which, but it's, you know, doesn't take, doesn't take Too long to find that out too. But I love that discovery of trying to unlock things from the past. But you know, we do gatekeep as historians. We're very protective about methodology, about how we think we should be addressing things, and we're quite hectoring about telling each other what we should be doing, but I think we should, you know, go off and produce and write and it's not easy being in the public eye as a historian because, you know, it's great to do podcasts, but you know, you get a, of colleagues who, who don't like the idea that you're stepping onto their turf. You don't, you know, and we, we're pretty supportive, but we could maybe do a bit more.