B (26:13)
Yeah, that was, I think, both a. It shouldn't have been a surprise to me, but it was that that would be one of the most fruitful avenues to pursue in terms of researching this project. It should have been obvious because, on the one hand, Catholicism as a religious culture is deeply embedded with and deeply identified with materiality, with certain material emblems, symbols of faith, the crucifix, the rosary, the statues of saints, particular kinds of tombstones. The material culture of Catholicism is very rich. It always has been. Catholicism as a world religion has. Has had a deep affinity with these emblems of faith. And it certainly. It was the association with materialism. The materiality was one of the main avenues of attack for Protestant Reformers. They didn't like all of these saint statues, they didn't like all of these relics of bone and splinters of the cross that seemed to be proliferating and be, you know, everywhere in the culture around them. So the materiality of Catholicism is one of the main avenues of attack. And much of the material culture of Catholicism was, in fact, destroyed in the Protestant Reformation in these campaigns of iconoclastic violence that took place both on a kind of spontaneous local level, but also on a national orchestrated level. The very sort of infamous campaign pulling down the altars that the English Crown authorized, Henry VII's son Edward, was very notable for a very vigorous and quite effective campaign that destroyed cathedrals, destroyed the stained windows in these cathedrals, pulled down statues, smashed icons, smashed images of saints, and this continues on periodically throughout the years to come. So a lot of the material culture of Catholicism has been destroyed through these campaigns, and. But what has remained are the smaller devotional items which become so much more important for Catholics living in Protestant lands. The rosary becomes the probably most important object that a colonial Catholic or an English Catholic in General can own, because embedded in the rosary is an entire cycle of prayer. It's the entire theological edifice of Catholicism embedded in these prayers. And it's small art. You can. You can make a rosary out of anything. You can hide it. You can. It can be sort of, you know, squirreled away in your pocket or stashed at the bottom of your trunk when you're migrating. So the smaller devotional items that can be hidden and that can be made out of everyday objects, everyday substances, become the lifeblood of Catholicism in these Protestant lands. So I was really intrigued to sort of find out how much of that material culture I could find. And unfortunately, because these objects are so small and are so fragile and are not necessarily intended to sort of hold up and be, you know, passed on from generation to generation, not of it has disappeared from view. But the archaeological record does give us some evidence that there were rosaries that we can discover buried in and rosary beads even more buried in pits that were discoverable on Catholic plantations. We have a handful of small crucifixes that were clearly made to be very, very small. They're like maybe an inch or two at most, very easy to conceal. Have a kind of homegrown aesthetic to them. These are not things that are great beauty that were made in. In the great workshops of artisans in England that were, in fact fashioned by local artisans, that. We have a wonderful story that comes to us from Montserrat, which is a. An English colony in the. In the Caribbean that is a majority of Catholic and Irish Catholic residents, in which a Irish servant proudly has carved a crucifix out of a piece of wood somewhere on the island and insists on burying it before him as his. As a procession goes, carries the body of his deceased wife to her burial place. So he has managed to find a way to reproduce this ultimate symbol of Catholicism, the crucifix. Clearly, it would not have had any of the ornamentation. It wouldn't. May not have even had a figure of Christ on it, which is what usually distinguishes a crucifix from a cross. But he made it just to assert his Catholicism, came to the attention of the governor, who notoriously allowed it to pass, allowed it to continue. So there are these scattered elements, evidence of these small objects here and there that I could find in the. I could find archaeologists found, and then I read their reports in the record. But another sort of interesting avenue of Catholic material culture was the Catholic sacramental cultures, the baptismal fonts, the larger sort of crucifixes that would have been designed for churches, but ended up being the spoils of war in the many conflicts between England, Spain and France. So in the many wars between England and Spain, There were, for instance, on the island of Jamaica, which was founded by the Spanish, but then was captured by the English in the 1660s. And when the English took over, rather than destroying the Catholic churches on that island, they repurposed them. They turned them into Anglican chapels, and in the process, they kept some of the ornamentation that had been there by. Created by the Catholic church to begin with. So we have these statues who are of. Of saints that are there in Anglican churches in Jamaica that are obviously of Spanish origin, But have been kept to serve now a new Protestant function, a new Protestant community. And so those objects that began their lives as Catholic objects and then became repurposed as Protestant objects Absolutely fascinated me. I wish I could have found more of them, to be honest. I went into this project hoping that there would be a whole material record out there that I could tap into. And I didn't find as much as I had hoped, But I found enough to suggest that this process of material recycling, repurposing, in fact, is going on in almost every colonial region, not just in the West Indies, when you have Spanish colonies now becoming English by virtue of conquest. It's also happening in Maine and in northern Massachusetts, areas where the French and the English have been battling it out for centuries. Many wars as well, between the French and the English that are taking place in the northern parts of North America. And the same process of recycling devotional objects is happening there as well. And so it became, for me, a wonderful sort of example of how these religious cultures that meet and mingle and coexist in North America, that start as in positions of antagonism toward one another and often continue to hate and fear one another, Become combined in and hybridized in unusual ways. So to have the idea of a. A baptismal fount created in Senegal by African Catholics, taken, seized at sea by English privateers, and end up in a church, an Anglican church in New Hampshire, is just as as far wonderful sort of story of how these religious cultures mingle and mix in ways that surprise us.