
Season 15, Episode 44
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Host
Hi friends. Want every episode ad free? Tap the link in our Show Notes to subscribe. If you're on Apple Podcasts, just hit subscribe on our show page Easy and it helps keep the show going.
Kathryn Nicolai
Let's take a deep breath together.
Host
In through the nose and out through the mouth. It feels good to breathe deeply, and the air we breathe, especially at night, matters more than we might think.
Narrator
While we sleep, our bodies are hard.
Host
At work restoring, repairing, and recharging. But that work can be quietly disrupted by what's floating in the air. Things like dust, pollen, and other allergens. I didn't used to think much about indoor air quality, but once I did, I realized if we care about what we eat and drink, why not care just as much about what we breathe? That's why I sleep with a Jasper air scrubber in my room. It has no annoying lights and doubles as a gentle white noise machine that's become essential to my bedtime rhythm. But more than anything, it's turned my bedroom into a sleep sanctuary, a space where the air helps me sleep deeply and peacefully. I can't recommend Jasper enough. You can learn more at Jasper Co, and if you use the code sleep, you'll get $300 off. That's J A S P R.co use code sleep for $300 off.
Narrator
Welcome to Bedtime Stories for Everyone in which Nothing Much Happens, you feel good, and then you fall asleep.
Kathryn Nicolai
I'm Kathryn Nicolai.
Narrator
I create everything you hear on Nothing Much Happens. Audio engineering is by Bob Wittersheim. We give to a different charity each week. This week we are giving to Joys of Living Assistance Dogs, providing skilled, devoted companions to support and assist veterans, first responders and others with disabilities. Creating cohesive teams focused on building a life of greater freedom and independence. You can learn more about them in our Show Notes. A very big and sincere thank you to our premium subscribers. You are making this program possible. Our June bonus episode just published yesterday. There's a sweet story called the Last Day of School and if you can relate to the feeling of the excitement and play that came with the start of the summer or you'd like to subscribe for just 10 cents a day bonuses, extra long episodes and our complete catalog ad free. We have a link in our Show Notes and Apple and Spotify users will see a handy subscribe button right on our show page. Now here are the sciency words behind how and why this works. Listening to Bedtime stories creates cognitive distraction, which helps to shut down rumination and anxiety. The steady audio input can engage the parasympathetic nervous system and has been shown to slow down heart rate and breathing, all of which will ease you to sleep. And the good news is, all you need to do is listen. I'll tell the story twice and I'll go a little slower the second time through. If you wake later in the night, don't hesitate to turn an episode right back on. It will tip the sleep dominoes in the right direction and you'll be back to sleep in a jiffy. Our story tonight is called Wallpaper and Paint and it's a story about a room in a cottage by the lake that is ready for redoing. It's also about a clawfoot tub and an airy kitchen with beams crisscrossing the ceiling, the faded patches of wall behind pictures, ferns and seagrass, binoculars and stir sticks, and the wonderfully satisfying feeling of peeling away the old and laying out the new. Hey listener. I want to tell you about something.
Kathryn Nicolai
That'S changed my daily routine in the best possible way. You know those days when your gut.
Narrator
Just doesn't feel right?
Kathryn Nicolai
Maybe you're bloating or you have inconsistent digestion, or just that sluggish feeling holds you back from really enjoying your day.
Narrator
I used to have those days a.
Kathryn Nicolai
Lot until I started using Probiotic Breakthrough by Bioptimizers. And this isn't just another probiotic. Their patented strain multiplies inside your gut, which means it actually gets where it needs to go, unlike most probiotics that don't survive your stomach acid. What I love is how it supports that crucial gut brain connection, better focus, clearer thinking and more consistent energy throughout my day. All from getting my gut health right. The best part? Bioptimizers is so confident you'll love this that they offer a full 365 day money back guarantee. Right now you can save 10%@buyoptimizers.com nothingmuch and use the code nothingmuch. And if you subscribe, not only will you get amazing discounts and free gifts, you will make sure your monthly supply is guaranteed. Your gut and your whole day will thank you again. That's buyoptimizers.com nothingmuch we've got it linked in our show notes as well.
Narrator
Okay, you are exactly where you are supposed to be right now. There's nothing you need to keep track of, nothing more is needed of you. Get as comfortable as you can, unclench your jaw, soften your shoulders and hands and feel the touch of your sheets and pillow. You are about to fall asleep and you will sleep deeply all night. Draw a slow breath in and sigh out again. Fill up and sigh good. Wallpaper and paint beside my chair where my binoculars hang for bird watching. Through the big picture window I noticed a small rip in the wallpaper, a curl of paper sticking out, just a half inch and as wide as my pinky. I reached out to touch it, trying to very hard not to pull on it. When I was a kid, my mom had papered the powder room near our front door. She'd been very careful about lining up the edges and matching the border to the dark blue of the stripe, and it had remained fairly pristine for several years, but we, her children and I suspect even her husband, had begun to peel it away whenever we found ourselves alone in there. It was too much to resist the satisfying feeling of sliding a finger under a spot where the paper had puckered and pulled away and to, slowly and in as big a strip as possible, remove it from the wall. Oh, my poor mother. Over the course of a summer her pretty, elegant powder room had been denuded, and as our destructive mischief always happened behind closed doors, she could never even catch us in the act. I smiled, remembering how that summer had ended with my brother and I standing shoulder to shoulder in the small room with the steamer and scraper in our hands and piles of gluey strips at our feet. Mom had switched to paint after that. I must not have learned my lesson, though. As soon as my fingertip found the curl of paper beside my chair, I A frisson of excitement went through me. This was my house. If I wanted to peel away the paper, I didn't have to hide it. I could change anything I wanted. And suddenly I wanted to change this room. My house is more of a cottage, really. It sits on a bluff that slopes down to a lake. The rooms are a bit small, and there are only a few closets and cupboards in the whole place, but I have a stone fireplace, butcher block counters well treated with mineral oil. There is a claw foot bathtub in the single bathroom, and when you open the windows in the loft, even on the hottest summer days, cool air from the lake washes in and makes me dream of lily pads as I sleep. The kitchen was airy and white, with wood beams in the ceiling that I hang copper pans from and slate floors warmed up with woolly rugs. The loft is strung with fairy lights and my bed made up with a giant sprigged cotton duvet, so soft and inviting it's difficult to get out of on rainy days. But this room, with my chair and the fireplace. Now that I looked at it, yes, it was time for an update. The wallpaper had a dark green and gray background with oversized stems of Queen Anne's lace and ferns unfurling from their fiddleheads I'd always loved made me feel like Alice shrunk down in the garden, but it was faded in places where pictures had hung, leaving squares of brighter colors behind them like better tuned television screens among a sea of muted greenery. It also hadn't been pasted on very well. There were air bubbles in places, spots where the pattern didn't match with the strip beside it, and if you looked at it too long you might begin to feel a bit cross eyed. So I pushed the furniture to the center of the room, tossed an old flat sheet over it and rolled up my sleeves. I'd done some reading on it and had a collection of tools to help me with my project. A scorer that would pop tiny holes into the paper to let water or solvent slip behind it and loosen the glue. A steamer and scraper and a few spray bottles. But before I put any of those implements to work, I indulged myself in just reaching for that little tail of dried out paper and slowly pulling it away from the wall. I had a sudden visceral memory of peeling the paper in the powder room, how often it would split or rip. Immediately I'd come away with a tiny scrap in my hand, decidedly unsatisfying, but every once in a while you'd have just the right angle on it and a huge sheet would come off. It reminded me of the feeling of trying to get the dregs of a finished candle from its jar when it unsticks from the glass and pops out in one whole piece. And much of my grown up living room was like that form now. The paper must have been very old. It was asking to come down in many places, and I could just slide my finger or the corner of my scraper under it and feel a chain reaction of popping as it released along the sheet and fell to my feet. There were a few spots around the windows and mantel where I did use the score and the steam. I gave the stubborn pieces a few minutes to soak up and soften and then scraped them away as well. When the walls were clear and paper free, I opened all the windows and gave them a day or two to dry out. I picked a beautiful pale green sea foam color that matched the lake on hazy days. And after I'd primed and taped, I opened up a fresh can of it and stirred it slowly, even this part, prying open the lid, stirring the thick liquid with a long, clean stir stick, and pouring it into my rolling tray, was full of pleasing moments. I became mesmerized as I worked, rolling out the paint, watching it spread and soak into the wall, the white primer overtaken by the soft, minty green. Did I still have a favorite color? I asked myself. This must be it, I answered. Outside, the seagrass bowed in the breeze, and from far off on the lake I could hear the splash of swimmers, their voices and laughter jumbled and ringing like chimes in the distance. When the paint was dry and I peeled off the tape, rehung my pictures, and arranged the furniture, I thought I might send a picture of the finished room to my mother, a nod to all the hard work it took to pull a space together that I understood better how she'd felt and had learned not just to tear down but to rebuild wallpaper and paint beside my chair where my binoculars hung for bird watching. Through the big picture window, I noticed a small rip in the wallpaper, a curl sticking out, just a half inch and as wide as my pinky. I reached out to touch it, trying very hard not to pull on it. When I was a kid, my mom had papered the powder room near our front door. She'd been very careful about lining up the edges and matching the border to the dark blue of the stripe, and it had remained fairly pristine for several years, but we, her children and I suspect, even her husband, had begun to peel it away whenever we found ourselves alone in there. It was too much to resist the satisfying feeling of sliding a finger under a spot where the paper had puckered and pulled away, and to slowly and in as big a strip as possible, remove it from the wall. Oh, my poor mother. Over the course of a summer, her pretty, elegant powder room had been denuded, and as our destructive mischief always happened behind closed doors, she could never even catch us in the act. I smiled, remembering how that summer had ended, with my brother and I standing shoulder to shoulder in the small room with the steamer scraper in our hands and piles of gluey strips at our feet. Mom had switched to paint after that. I must not have learned my lesson, though. As soon as my fingertip found the curl of paper beside my chair, a frisson of excitement went through me. This was my house. If I wanted to peel away the wallpaper, I didn't have to hide it. I could change anything I wanted, and suddenly I wanted to change this room. My house is more of a cottage, really it sits on a bluff that slopes down to a lake. The rooms are a bit small and there are only a few closets cupboards in the whole place, but I have a stone fireplace and butcher block counters well treated with mineral oil. There is a claw foot bathtub in the single bathroom and when you open the windows in the loft, even on the hottest summer days, cool air from the lake washes in and makes me dream of lily pads while I sleep. The kitchen was airy and white with wood beams in the ceiling that I hang copper pans from and slate floors warmed up with woolly rugs. The loft is strung with fairy lights and my bed made up with a giant sprigged cotton duvet. So soft and inviting and is difficult to get out of on rainy days. But this room with my chair and fireplace, now that I looked at it, yes, it was time for an update. The wallpaper had a dark green and gray background with oversized stems of Queen Anne's lace and ferns unfurling from their fiddleheads I'd always loved made me feel like Alice shrunk down in the garden. But it was faded in places where pictures had hung, leaving squares of brighter colors behind them like better tuned television screens among a sea of muted greenery. It also hadn't been pasted on very well. There were air bubbles in places, spots where the pattern didn't match with the strip beside it, and if you looked at it too long you might begin to feel a bit cross eyed. So I pushed the furniture to the center of the room, tossed an old flat sheet over it and rolled up my sleeves. I'd done some reading on it and had a collection of tools to help with my project, a score that would pop tiny holes into the paper to let water or solvent slip behind it and loosen the glue, a steamer and scraper and a few spray bottles. But before I put any of those implements to work, I indulged myself in just reaching for that little tail of dried out paper and slowly pulling it away from the wall. I had a sudden visceral memory of peeling the paper in the powder room, how often it would split or rip immediately and I'd come away with a tiny scrap in my hand. Decidedly unsatisfying, but every once in a while you'd have just the right angle on it and a huge sheet would come off. It reminded me of the feeling of trying to get the dregs of a finished candle from its jar when it unsticks from the glass and pops out in one whole piece. And much of my grown up living room was like that for me now. The paper must have been very old. It was asking to come down in many places, and I could just slide my finger or the corner of my scraper under it and feel a chain reaction of popping as it released along the sheet and fell to my feet. There were a few spots around the windows and mantel where I did use the score and the steam. I gave the stubborn pieces a few minutes to soak up and soften and then scraped them away as well. When the walls were clear and paper free, I opened all the windows and gave them a day to dry out. I'd picked a beautiful pale green sea foam color that matched the lake on hazy days, and after I'd primed and taped, I opened up a fresh can of it and stirred it slowly. Even this, prying open the lid, stirring the thick liquid with a long, clean stir stick, and pouring it into my rolling tray, was full of pleasing moments. I became mesmerized as I worked, rolling out the paint, watching it spread and soak into the wall, the white primer overtaken by the soft, minty green. Did I still have a favorite color? I asked myself. This must be it, I answered. Outside, the seagrass bowed in the breeze, and from far off on the lake I could hear the splash of swimmers, their voices and laughter jumbled and ringing like chimes in the distance. When the paint was dry and I peeled off the tape, rehung my pictures, and arranged the furniture, I thought I might send a picture of the finished room to my mother, a nod to all the hard work it took to pull a space together that I understood better how she'd felt and had learned not just to tear down but to rebuild. Sweet dreams.
Summary of "Wallpaper and Paint" Episode
Nothing Much Happens: Bedtime Stories to Help You Sleep
Host/Author: Wellness Loud
Release Date: June 2, 2025
In the "Wallpaper and Paint" episode of Nothing Much Happens: Bedtime Stories to Help You Sleep, host Kathryn Nicolai guides listeners through a serene and evocative story set in a tranquil cottage by the lake. This episode, released on June 2, 2025, continues the podcast’s tradition of offering soothing narratives that foster relaxation and restful sleep.
Setting the Scene (07:13 - 12:00)
The story unfolds in a charming cottage perched on a bluff overlooking a serene lake. The protagonist embarks on a personal renovation project, aiming to transform a particular room into a renewed space that reflects comfort and personal taste. The cottage itself is depicted with vivid imagery: a stone fireplace, butcher block counters, a clawfoot bathtub, and an airy kitchen adorned with copper pans and woolly rugs. The loft area is illuminated by fairy lights and boasts a bed draped in a soft, inviting cotton duvet.
Reflecting on the Past (12:01 - 17:30)
As the protagonist begins peeling away the old wallpaper, memories from childhood resurface. Recalling how siblings would mischief their way through the powder room, causing their mother to switch from wallpaper to paint, the act of renovation becomes a therapeutic homage to those formative experiences. This reflection underscores a deeper connection between past and present, highlighting how revisiting and altering one's environment can foster personal growth and healing.
The Renovation Process (17:31 - 25:45)
Determined to breathe new life into the room, the protagonist meticulously removes the faded and imperfect wallpaper. The process is described with sensory details: the tactile sensation of pulling the paper, the visual transformation as old patterns give way to blank walls, and the soothing routine of painting. The chosen color, a pale green sea foam that mirrors the lake on hazy days, symbolizes renewal and tranquility. The act of painting is portrayed as meditative, with each stroke bringing a sense of accomplishment and calm.
Final Touches and Emotional Fulfillment (25:46 - End)
With the walls freshly painted and the room rearranged, the protagonist experiences a profound sense of satisfaction. The transformation of the space is not just physical but also emotional, representing a newfound sense of control and comfort. The story concludes with a reflection on the importance of creating a personal sanctuary, where one can find peace and rest.
Nostalgia and Memory:
The protagonist’s reminiscence about childhood mischief serves to illustrate how our past experiences shape our present actions and emotions. This connection adds depth to the narrative, making the act of renovation a meaningful journey rather than a mere aesthetic endeavor.
Control and Personalization:
Taking charge of the renovation project symbolizes a reclaiming of personal space and autonomy. The ability to alter one’s environment reflects an inner desire for stability and comfort, especially in a place meant for relaxation and rest.
Mindfulness and Meditation:
The detailed description of the painting process emphasizes mindfulness. Each action, from stirring the paint to observing its spread, encourages a meditative state that aligns with the podcast’s goal of promoting relaxation and sleep.
Transformation and Renewal:
The physical transformation of the room mirrors the emotional and psychological renewal of the protagonist. This parallel highlights the therapeutic benefits of creating and modifying one’s surroundings.
Initial Relaxation Prompt (07:13):
"Okay, you are exactly where you are supposed to be right now. There's nothing you need to keep track of, nothing more is needed of you. Get as comfortable as you can, unclench your jaw, soften your shoulders and hands and feel the touch of your sheets and pillow and you will sleep deeply all night."
Reflecting on Change (17:31):
"When the walls were clear and paper free, I opened all the windows and gave them a day or two to dry out. I picked a beautiful pale green sea foam color that matched the lake on hazy days."
Emotional Fulfillment (25:46):
"When the paint was dry and I peeled off the tape, rehung my pictures, and arranged the furniture, I thought I might send a picture of the finished room to my mother, a nod to all the hard work it took to pull a space together."
"Wallpaper and Paint" masterfully intertwines the act of physical renovation with emotional healing, creating a narrative that not only paints a vivid picture of a peaceful cottage but also delves into the therapeutic nature of transforming one’s living space. Through detailed descriptions and reflective moments, Kathryn Nicolai offers listeners a comforting story that encourages mindfulness, nostalgia, and the simple joy of creating a personal sanctuary. This episode upholds the podcast’s legacy of providing soothing narratives that help listeners unwind and drift into a restful sleep.
This comprehensive summary captures the essence of the "Wallpaper and Paint" episode, highlighting its key elements, themes, and memorable moments. Whether you’re a long-time listener or new to the series, this summary provides a clear and engaging overview of the story’s journey towards tranquility and renewal.