46:I[185,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0a~e7k..h6jfc.js","/_next/static/chunks/0za7dr7c2y81~.js","/_next/static/chunks/03klviw01y.ih.js","/_next/static/chunks/0gx_3vy1-syt4.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"SendEmailButton"] 48:I[63625,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0a~e7k..h6jfc.js","/_next/static/chunks/0za7dr7c2y81~.js","/_next/static/chunks/03klviw01y.ih.js","/_next/static/chunks/0gx_3vy1-syt4.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"AddToLibraryButton"] 49:I[29721,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0a~e7k..h6jfc.js","/_next/static/chunks/0za7dr7c2y81~.js","/_next/static/chunks/03klviw01y.ih.js","/_next/static/chunks/0gx_3vy1-syt4.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"ShareButton"] 4a:I[58016,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0a~e7k..h6jfc.js","/_next/static/chunks/0za7dr7c2y81~.js","/_next/static/chunks/03klviw01y.ih.js","/_next/static/chunks/0gx_3vy1-syt4.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"ProcessEpisodeButton"] 4b:I[45269,["/_next/static/chunks/08z4tkzvltetr.js","/_next/static/chunks/121~yigv24_j6.js","/_next/static/chunks/0a~e7k..h6jfc.js","/_next/static/chunks/0za7dr7c2y81~.js","/_next/static/chunks/03klviw01y.ih.js","/_next/static/chunks/0gx_3vy1-syt4.js","/_next/static/chunks/0i6hzvr84kc1r.js"],"SignupCTA"] 3e:["$","time",null,{"dateTime":"2026-01-23T04:30:31.000Z","children":"January 23, 2026"}] 3f:["$","span",null,{"aria-hidden":true,"children":"·"}] 40:["$","span",null,{"children":"00:40:14"}] 47:T447,Ne le kaj, kako bomo gledali v prihodnosti? Televizija in kino sta še vedno tukaj kljub številnim črnim napovedim zaradi novih tehnologij. Vseeno spremljamo odločitve, da se podelitev Oskarjev leta 2029 seli na Youtube, da izjemno hitro raste trg mikrodrame, žanra, ki v pokončnem formatu na telefonu ponuja kratko vsebino, in da največji ustvarjalci na svetu kljub napredni in tehnološko dovršeni sedanjosti posegajo po formatih in tehnologiji iz preteklosti.

Igor Harb je filmski kritik, prevajalec in soavtor podkasta OBOD.

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Poglavja: 00:01:30 Oskarji se selijo na YouTube 00:09:00 Tehnološki povratek: Format Vista Vision 00:13:40 Vzpon mikrodram in vertikalne televizije 00:21:00 Prihodnost kinematografov in težave z obiskom 00:30:30 Pretočne platforme in njihov vpliv na filmsko industrijo 00:38:30 Slovenski film na mednarodnih platformah