
Original Air Date: 1952Host: Andrew RhynesShow: Lightning JimPhone: (707) 98 OTRDW (6-8739) Exit music from: Roundup on the Prairie by Aaron Kenny https://bit.ly/3kTj0kK
Loading summary
Expedia
Trip Planner by Expedia. You were made to have strong opinions about sand. We were made to help you and your friends find a place on the beach with a pool and a marina and a waterfall and a soaking tub. Expedia made to travel.
Andrew Rines
Welcome to the Old Time Radio Westerns. I'm your host, Andrew Rines, and let's get into this episode. This episode is going to be Lightning. Original Air Date comes from us in 1952 and the title is A Parson Takes a Hand. Thanks for listening and I hope you enjoy.
Cowboy
Little donkeys.
Reed
It's your misfortune and not my own. Get along, you little donkeys.
Cowboy
You know that the fairy will be your new home.
Trigger
Sam.
Lightning Jim Whipple
And now for the adventures of Lightning Jim. You he little cheat.
Reed
I saw you pull that card out of your sleeve.
Cowboy
Adam's harsh words, cowboy. There's no cheating at the Gold horse. No cheating?
Reed
Why, you pulled that card right out of your sleeve.
Trigger
And who's to say I did?
Reed
I am a sheer.
Cowboy
Now, you.
Trigger
Why, you been losing all evening? I guess it's natural you try to beg off.
Reed
I guess it's true what the parson says. When a man comes to the Gold Horseshoe, he's just asking to be robbed.
Lightning Jim Whipple
You and your lot, you're just a.
Reed
Bunch of lyin, thieving, cheating polecats that had robbed your own mother.
Lightning Jim Whipple
Take that back.
Cowboy
Take it back, I said.
Reed
If you don't point that gun at me.
Cowboy
I didn't mean it. Hey, what's going on here, Lucky? What you got your shooting iron out for a rape? Sure, Lucky. It's Reed, and I'm asking you a question. What you got that shooting iron out for? Well, boss, this hombre said I pulled a card out of my sleeve. Getting careless, eh, Lucky? You there, you lost much money? I'm cleaned out. Cleaned out, eh? Now, ain't that too bad? Here, you do take over this card game. You Lucky, you're coming with me. I want to talk to you. Now look here, Reed, I wasn't up. Lucky, see if you can get this through your thick skull. I'm boss of the Gold Horseshoe, and what I say goes, See? And when I said no gunplay in here, that's just what I meant. No gunplay.
Trigger
But, boss, I was just.
Cowboy
Keep that blabbling mouth of yours shut. I'm doing the talking. Gunplay don't bring in the customers. And we need business in here, not the law.
Trigger
Yeah, boss.
Cowboy
Yes, lawyer. Now, we've got to keep our customers. And the horseshoe's had plenty of trouble ever since that parson come to town. Those Sunday meetings of his have run us pretty stiff competition. But we'll get even with them for that. Hey, boss, here comes Kendall and Trigger. Well, I'll see you later, Lucky.
Trigger
Yeah, yeah.
Cowboy
Yes, sir.
Reed
Well, boss, here we are.
Cowboy
How's things going in a horseshoe? You can see for yourself, Kendall, half the tables are empty. Come on, boys, into the back room. Got something special to tell us, boss? You'll bet I have. That fool Lucky pulled a gun in here tonight.
Trigger
Isn't a lot for granted, ain't he?
Cowboy
Sure is. What with that parson keeping most of the men out of the horseshoe here and wooden headed coyotes like Lucky driving up the few that do come in. Yeah, things sure are bad. Well, you all know what's been going on here lately. Ever since the parson come to town, he's been holding meetings and talking to the women till there's hardly a man in town who's come to the horseshoe. Time we was evening up to Thor got square. Yeah, that's so, boss. Right now the parson's collecting money to build a church. Huh? Looks like he was here to stay. Say, boss.
Trigger
Say.
Cowboy
Hey, what's the matter with you, Trigger? I'm doing the talking.
Trigger
But boss, I got an idea.
Cowboy
An idea?
Trigger
Yeah.
Cowboy
Now listen, Trigger, getting ideas is my business, not yours. Get that straight.
Trigger
But me and some of the boys was thinking that maybe if we pull.
Cowboy
The job of co. You in on this too, Kendall? Well, boss, no, not exactly. You know, some of the men in town here have had a good chance to save up their money since they quit coming to the horseshoes. And I just been thinking that the bank must have a lot more money than they're used to taking care of. Now maybe we could just relieve them.
Lightning Jim Whipple
A part of it.
Cowboy
So that's what you call thinking and getting ideas. Yeah, the lucky thing. You got me to do your head work for you. So you want to start robbing, eh? Sure, boss. Me and the boys are good at it. Good at it? Well, you clumsy fools, you'd have the law down on us inside of a week. Now I've got a better plan. One that'll help us get even with that parson. And first off, we're sticking to gambling. But there ain't no money in it. Not while the parson's in town, no.
Lightning Jim Whipple
Suppose he was to disappear?
Cowboy
Well, then we could go on just like we was before he came it. Hey, boss, you don't mean it. Yeah, maybe we could talk to him and sort of persuade him to Leave town.
Lightning Jim Whipple
That would be a good one, boss.
Cowboy
And they do say, you know that the parsons collected a nice sum of money for building that new church. And guess that'd sort of help us square up account.
Trigger
Look here, if you're taking a Robin Parsons, you can count me out, Reed.
Cowboy
Oh, no, we won't, Trigger. You'll come along with us. We'll see to that, eh, Kendall? Sure will. As for the money for the new church, well, maybe if you boys have got chicken hearted all of a sudden, we can just call it insurance. How's that, Kendall? Insurance that no other parson will come to town and start building churches. And when do we ride, boss? Well, next Sunday afternoon the parson's having a meeting at Widow Burns. Now here's what we'll do. Soon as the meeting's over, we'll pay the parson a little visit.
Lightning Jim Whipple
Much of the credit of clearing up outlawry and crime in the old west belongs to the Parsons preachers who turned their backs on comfortable eastern congregations to bring the word of God to men and women in their new homes on the great western plains. But the criminal element also needed the stern law of the six gun, wielded by such daring law officers as United States Marshal Lightning Jim Whipple and his deputy, Whitey Larson, whom we now find riding through a small western town on their way to Fort Anderson. You know, Whitey, it's very nice to go just riding along on a Sunday afternoon. You come to a town like this.
Whitey Larson
Why don't we stop and see the widow?
Lightning Jim Whipple
Widow burn. Oh, Whitey might as well. I'll suggest up the road your ways.
Whitey Larson
Sure, say it ever before.
Lightning Jim Whipple
Hey, wait a minute, Whitey. How come you're so interested in a widow? I know you, Whitey. You're thinking of the winner's pie.
Whitey Larson
Yo. That's right, boy. She short and big.
Lightning Jim Whipple
Goodbye. Well, we better get to the widows before your mouth starts watering.
Whitey Larson
Oh, that's your daddy.
Lightning Jim Whipple
What's wrong, Wy?
Whitey Larson
You be enlightened. There's st. Don't know where. See there sitting in that body across the street.
Lightning Jim Whipple
You're right, Whitey. Come on, let's go over and talk. Sure. Hey, won't you be surprised? Hello, Ms. B.
Whitey Larson
How do you do, miss?
Ms. Burns
Why, it's Lightning, Dim and Whitey. Where in the world did you come from?
Lightning Jim Whipple
Well, man, we're just on our way back to Fort Andrew.
Whitey Larson
Yo. And we were just going to stop at your horse and. And see if you was at home.
Ms. Burns
Imagine meeting you like this. Now you're coming right Home with me and have a snack.
Lightning Jim Whipple
That sure would be nice, Ms. Burns.
Ms. Burns
What do you think of that, Whitey?
Lightning Jim Whipple
Don't worry about Whitey. He got to thinking about them apple pies you baked last time we was. Yeti could hardly wait to get up to your house.
Whitey Larson
What do you see there?
Cowboy
Poor.
Ms. Burns
Don't mind him, Whitey. Jeff must have known you were coming. They re apple pies.
Whitey Larson
You still keep them on the kitchen shelter?
Ms. Burns
I certainly do, but now let's get back to the house. Get up, Bessie. Get up.
Cowboy
Old.
Lightning Jim Whipple
Come on, Thunder. I'll split my apple pie with you.
Whitey Larson
Levi raised the pie.
Ms. Burns
You're no horse. I'm afraid you'll find the house tore up a bit. But you won't mind that I know. You see, the parson was holding a meeting in our parlor this afternoon, and the folks just left.
Lightning Jim Whipple
I see.
Ms. Burns
And I just got through taking old Ma Tucker home.
Lightning Jim Whipple
The parson, eh? You know, I've been hearing a lot about him.
Whitey Larson
Yes, we'd kind of like to meet him.
Ms. Burns
Reckon you can do that? Soon as we get to the house. He's boarding with me now.
Lightning Jim Whipple
Oh, I see.
Ms. Burns
He's home right now straightening up the parlor. He's a fine fellow, Marshall. And he'll sure be glad to see you. Could use some law and order in this town.
Lightning Jim Whipple
That so, ma' am?
Ms. Burns
Yes, Lightning. The gambling, drinking and wickedness that goes on in this town is something terrible.
Lightning Jim Whipple
Yeah, you must be thinking of the gold horseshoe and that hombre Reed who runs it.
Ms. Burns
That's just one of the places I'm thinking of.
Lightning Jim Whipple
Well, from what you tell me, the parson's done wonders around here. Not nearly as much drinking and gambling going on.
Whitey Larson
And they sure must have a tough job, though.
Ms. Burns
Well, the parson says that most of our men are just fine. All they need is someone to remind them of their backbones, he says, or they'll stay out of trouble by themselves.
Lightning Jim Whipple
Well, I reckon there is some gaslit around these parts that don't like his work too well. Has he had any trouble?
Ms. Burns
Not yet, Lightning.
Lightning Jim Whipple
Well, he's been mighty lucky then, Ms. Burns. Hope he don't get into nothing he can't handle.
Ms. Burns
Don't you worry about that, Marshall. He ain't afraid.
Lightning Jim Whipple
You know, I think I'm going to like that part.
Whitey Larson
Yeah, me, too, Lightning. That sounds like he's got lots of fun.
Ms. Burns
I say he has. And plans, too. Have you heard, Lightning, The Parsons planted to build a church here, too. Think of it.
Lightning Jim Whipple
A church.
Reed
Well, well.
Lightning Jim Whipple
Reckon this town needs one as Bad as any. Hope his good luck holds.
Ms. Burns
I hope so, too. But the parson just got through telling me that with the money he collected today, we have nearly enough to start building. Ain't that wonderful?
Lightning Jim Whipple
It joy, isn't it, Buzz? Reckon the parson must be pretty proud of that bank account, eh?
Ms. Burns
Bank account? He don't trust no bank money to the bank. No, there's been too many bank robberies around this part of the country. No, sir, Marshal. The parson keeps the money for the new church in his own little strong body.
Whitey Larson
In your horse?
Ms. Burns
Sure, why not? Now, don't you worry. Nobody's going to get that money away from him.
Lightning Jim Whipple
Well, I say the parson's taking a mighty big risk.
Ms. Burns
Well, you and Whitey can talk to the parson about that yourselves. Later, perhaps after supper or in the morning.
Trigger
Now, now.
Lightning Jim Whipple
But look here, Ms. Burns, we ain't aiming to stay at your house.
Ms. Burns
Don't you say a word, Lightning. You're going to stay at my house tonight. All right. You can have my son. You see, I ain't forgot what you two did for my son and me.
Lightning Jim Whipple
And Pa. Oh, now, never mind that, Ms. Burns. But we'd be glad to stay, won't we?
Whitey Larson
Oh, you bet, Lightning. There. Won't that be swell to sleep in a real bed?
Cowboy
Dig him up. Parson. Stay right where you are.
Trigger
Why? Why, who are you?
Cowboy
Not so loud there.
Trigger
There's no one here. You needn't be afraid. Who are you?
Cowboy
Never mind who we are. Take a look around, boys, and see if you can find the cash. You there, keep an eye on the road. Want to make sure nobody will disturb it. All right, boss.
Ms. Burns
We'll find it.
Cowboy
We know he keeps it around here somewhere. Now, you, parson, we've come to even up scores with you.
Trigger
Take that gun out of my ribs.
Cowboy
Now, listen, parson, I'm giving orders, not taking them. I'll jab this gun into your ribs and you'll like it.
Trigger
Well, what do you want?
Cowboy
You're leaving town, parson, and you're leaving now, as fast as we can take you.
Trigger
I'm not going. My work is here, and here I stay.
Cowboy
Oh, so you're not going?
Trigger
No, sir.
Cowboy
We'll see about that. Yeah. Can't find the money, boss. Well, look for it, you wet gold maverick. I've been told the parsons don't trust banks. Mighty handy for us. Now, look for that money. It's here somewhere.
Trigger
Not the money for the new turkey.
Cowboy
Sure, parson, you catch on quick.
Trigger
But you can't Take that money.
Cowboy
We can't. Huh? I reckon you owe it to us for the money we've lost since you came to town. Well, what's the matter? We can't find the money anywhere, boss. And I know of another way to get it. Now, Parson, where's that money? Start talking.
Trigger
You'll never get it.
Cowboy
You won't talk, eh?
Lightning Jim Whipple
Reckon we'll have to persuade you.
Cowboy
Reckon this one will clean your mind.
Trigger
Oh, my arm. Oh, let go of my arm.
Cowboy
You had enough, Parsons. That can break it.
Trigger
No, no. I'll tell you. I'll tell you where the money is.
Cowboy
That's better, Parson. Start talking.
Trigger
Where's the cash? It's in that cupboard. The cupboard?
Cowboy
There in the wall. But we looked. Therefore, look again, and look careful. But if this parson Gasper's lying to us.
Trigger
Oh, that's it. See that way back on the side that opens toward the kitchen. No, no, no. You have to reach way back.
Cowboy
I drop my gun with you. Guess that'll teach you a lesson. Parson.
Trigger
You shot him. You shot the parson.
Cowboy
And what if I did? You get that money and shut that big mouth of yours. Hey, Forrest Force. The widow's coming back.
Lightning Jim Whipple
What?
Cowboy
Come on. Hurry, you butterfingered fools. Get that money.
Trigger
Hey, Fawce, we better feed her. She's bringing two men with her.
Cowboy
Two men with her. Let's see. There. You're right. Figures they're coming up the road. Like they're coming here. Come on, boys, make a break for it. What about the money?
Ms. Burns
Never mind that.
Cowboy
Come on. Yeah.
Lightning Jim Whipple
You've been having callers, Ms. Burns.
Whitey Larson
They sure are leaving in a hurry.
Reed
Yeah.
Lightning Jim Whipple
Know them men, Mrs. Burns?
Ms. Burns
Why, no. Lightning can't see from here. Lightning. I wonder if the fossil's all right.
Lightning Jim Whipple
Come on, Weddy. We'll see about this. You follow us, Mrs. Burns?
Ms. Burns
You bet I will. Lighten.
Cowboy
It.
Lightning Jim Whipple
Oh, boy.
Whitey Larson
No.
Lightning Jim Whipple
Come on, buddy, follow me. Sure.
Whitey Larson
I'm going.
Cowboy
Yeah.
Lightning Jim Whipple
He's got the partner.
Whitey Larson
Come on, Lightning, let's go after them.
Cowboy
Poor nobody. Wait, wait.
Lightning Jim Whipple
Parson ain't dead. And I got an idea. Maybe he can tell us something that'll be worth more than all the riding you and me can do. Where'd it get you, Parson? Oh.
Trigger
Oh, here in the shoulder.
Lightning Jim Whipple
But who.
Trigger
Who are you?
Lightning Jim Whipple
I'm United States marshal. This is my deputy.
Ms. Burns
Oh, Boston, They've shot you.
Trigger
Oh, just thanks a lot.
Ms. Burns
Well, I'll have that wound dressed and fixed up in a hurry.
Lightning Jim Whipple
Now, tell us what happened, Parson.
Trigger
Well, they came in a Bunch of them, all mad. Yeah, the leader jabbed a gun in my ribs and they told me they were taking me out of town.
Lightning Jim Whipple
Did you identify them by the voices?
Trigger
Oh, I don't think so. But the leader sounded like Reed the gambler.
Lightning Jim Whipple
Yeah, that's so. Then what happened, Parson?
Trigger
Well then they tried to find the money for the new church via those teeth in jaspers. And then I. I thought maybe if I told them the money was in the kitchen cupboard.
Lightning Jim Whipple
Yes, Parson, yes.
Trigger
I thought then I could grab the gun.
Lightning Jim Whipple
But they drilled you.
Trigger
Yes, Parson.
Lightning Jim Whipple
Tell me, do they still think the money's hid here?
Trigger
Yes, they. They didn't have a chance to look much.
Lightning Jim Whipple
Come on buddy, we better be riding.
Whitey Larson
Sure I did.
Lightning Jim Whipple
And Mrs. Burns, take care of the parson and keep him out of sight. Anyone comes asking after him, just tell him he's dead.
Ms. Burns
Dead?
Lightning Jim Whipple
Lightning, do as I say, Mrs. Burns. I got a plan to catch them Ombre's. Every one of them. Come on Whitey, let's. What is Lightning's plan? Will he succeed in capturing Reed and his desperate band of outlaws? Part two of the Adventures of Lightning Jim follows immediately.
Ms. Burns
Sam.
Lightning Jim Whipple
And now for the adventures of Lightning Jim in the Parson takes a Hand. A short time after the shooting and attempted hold up of the parson by Reed and his gang, a group of cowboys are lounging on the porch in front of the sheriff's office just across the street from the gold horseshoe when Lightning Jim and Whitey ride up.
Trigger
Yo.
Whitey Larson
But Lightning, are you sure that's your plan, Will first?
Lightning Jim Whipple
Sure it will, Whitey. I know them jaspers. You wait and see.
Reed
Wall.
Lightning Jim Whipple
Thunder.
Reed
Wall. There boy.
Lightning Jim Whipple
Sheriff. Hey Sheriff, don't you remember me?
Reed
Well, I'll be a four legged horn to it if it ain't Lightning came. And whilst boys the United States Marshal.
Lightning Jim Whipple
Well now, I call that a real welcome. How about you Whitey?
Whitey Larson
Oh, I see it so too. Sure, we're all glad to see you. All right.
Lightning Jim Whipple
White is right. But this ain't no time for cheering and fancy compliments.
Reed
Hey, what's the matter with you? Get down off those horses and come right in.
Cowboy
No sir, Sheriff.
Lightning Jim Whipple
We're here on mighty important business. The parsons been shot.
Cowboy
The parson yours, Hunt? Yes sir.
Reed
Well I'd like to know who'd do a dirty low down trick like that.
Lightning Jim Whipple
We'd like to know too.
Reed
The possum. Is he dead?
Lightning Jim Whipple
Yes, yes, and a fine fellow he was too.
Reed
Sure. I'm sorry to hear about that. Boss has done a lot of good around These parts. You know, he's kind of figuring on having a new church.
Lightning Jim Whipple
Just a minute, Sheriff. There's something else you ought to know. You were planning on having a new church and was collecting money for it, wasn't it?
Reed
Yes, that's right.
Lightning Jim Whipple
Well, the money's gone.
Reed
The money's gone.
Lightning Jim Whipple
But that's what I said, it's gone. Either them mavericks who shot the posse and carried it off with him or else he had the money hit somewhere. And if he did, the secret of that hiding place died with him.
Reed
Why, those Steven Robin murders.
Lightning Jim Whipple
I bet they got it with them. Sheriff, how soon do you reckon you can get a posse together?
Reed
Boys, he answers how soon we can get a posse together.
Cowboy
Hey, Marshall, which way did the killer's go?
Lightning Jim Whipple
Off toward the valley. We're riding after the them killers and we're riding now.
Reed
Come on, boys. We're right.
Cowboy
Come on, buddy.
Lightning Jim Whipple
Let's go. Thunder.
Cowboy
So that's what they said. Are you sure, Kirk?
Trigger
Sure, boss. I was right there standing outside the sheriff's office while the Marshall and Lightning Jim Whipple was talking.
Cowboy
Lightning Jim Whipple? Yeah, boss, it must have been Lightning Jim and that sweet deputy of his what rode up with the widow. Burke Kendall, that's who it must have been. Well, let them ride. Let em ride all they want to. They'll never get us that way. They don't know we back trailer for town. In fact, that gives us just time to do what I've been thinking about now that the parson's out of the way.
Trigger
Now looky here, boss. I don't want to be in on no more of your plans. Killing Parsons ain't in my line and whatever else you mean to do.
Cowboy
Shut up, Trigger. You're getting yellow.
Trigger
No, now I ain't yeller, but I just don't like killing Parsons, see?
Cowboy
But I didn't mean to kill him. Only he grabbed my gun and. Now listen, Trigger. I'm boss here whether you like it or not. I've got enough on each one of you to see you hanging on the end of a roof. All right.
Trigger
All right, boss.
Cowboy
What's on your mind, Boss? I've just been thinking, sir. What was it he said about the money?
Trigger
The marshal said they didn't know where the money was.
Cowboy
Hear that voice? They can't find the money for the new church.
Reed
They can't figure out if we stole.
Trigger
It or if the parson had it hid away someplace.
Cowboy
Now ain't that just too bad?
Lightning Jim Whipple
Yeah, it was as mad as Horner told them.
Cowboy
Madwithy well, here's something that'll make them madder. We'll square things with that parson and fix it so no other sky pilot will come to this town in a hurry. What are we gonna do, boss? Work and work fast before the marshals and the posse come back.
Lightning Jim Whipple
Well, Sheriff?
Cowboy
Yes?
Reed
It's just about as far as White.
Lightning Jim Whipple
And me are going here rigging it.
Reed
Safe for you to turn back. Now, Lightning.
Lightning Jim Whipple
You understand your part of the plan, don't you, Sheriff?
Reed
Sure do. You and White are sneaking back into the widow's house.
Lightning Jim Whipple
That's right. Then we can make sure that nothing will happen to the parson or the widow. You and the posse is to hide in them cottonwoods across the road from the house. If I don't miss my guess, them scouts will make another try for the parson's money, thinking we're out looking for their trail.
Reed
We'll be there, Marshal.
Whitey Larson
Your sure sheriff will be looking for you. And and don't you forget to pour out to them trees when we yell for you.
Reed
Don't worry about that, Whitey. When the shooting starts, we'll be there doing our sheriff.
Lightning Jim Whipple
That's right. You close in, surround them.
Reed
And we're the boys that can do it too.
Cowboy
That's right.
Lightning Jim Whipple
Come on in, Whitey. We're going back to the widows.
Whitey Larson
Sure, Lightning.
Ms. Burns
I'm ready.
Lightning Jim Whipple
Then let's go, Thunder. Come on, boys. Feeling any better, father?
Trigger
Yes, Lightning. Widow treated me like our own son. Fixed up my shoulder and put me to bed upstairs here.
Lightning Jim Whipple
Good hearted old soul, the widow.
Trigger
But Lightning, are you sure your plan will work?
Lightning Jim Whipple
Well, if I know anything about outlaws, yeah. Figure it out for yourself. Them Jaspers think you're dead. And that they're the only ones that know where to find the money for the new church.
Trigger
Yes, I know.
Lightning Jim Whipple
Never yet saw an outlaw would pass up a chance to get his hands on some cash.
Trigger
Yes, but how about you and Whitey?
Lightning Jim Whipple
They think we're out on the Fairwood posse. But now the sheriff and his boys are over in the cottonwoods across the road preparing a little surprise party for them.
Trigger
Then you really think the bandits will come back here for the money tonight?
Reed
They sure will.
Lightning Jim Whipple
And when they come, we'll be ready for them. Whitey's keeping a watch at the back of the house and I'm keeping my eyes open right here.
Trigger
And I wish there was something I could do to help.
Lightning Jim Whipple
Don't you worry about that parson. You just take it easy.
Whitey Larson
Quick, come here.
Lightning Jim Whipple
What's the matter, Ms. Byrne? What you talking about?
Cowboy
They're here.
Ms. Burns
The bandits. I heard him walking around in the kitchen.
Cowboy
Come on.
Lightning Jim Whipple
You'll have to look into this.
Trigger
I'm coming too.
Lightning Jim Whipple
Again, Parson, you're staying right there in bed.
Trigger
But I'm going to help.
Ms. Burns
Parson, you do like the marshal says and stay there. You're a sick man. You can't go fighting bandits.
Trigger
I wish I was strong and well. I'd be right where you are.
Lightning Jim Whipple
The wither and me got some mighty important business to attend to.
Ms. Burns
Come here to the top of the steps like.
Reed
Listen.
Lightning Jim Whipple
You're right, Mrs. Burns. They're in the kitchen.
Ms. Burns
Sounds like they're moving things in the cupboard.
Lightning Jim Whipple
Yeah, listen to them. Wonder how they got past White.
Ms. Burns
Maybe they sneak up on him and capture him.
Lightning Jim Whipple
Well, it can't be many of them. Or we have heard him over eyes.
Ms. Burns
What are you going to do?
Lightning Jim Whipple
I'm going down after them jaspers and catch them red handed.
Ms. Burns
I'm a coming too.
Lightning Jim Whipple
You better stay up there where you're safe.
Ms. Burns
No, sir lightning.
Cowboy
I'm coming.
Lightning Jim Whipple
Mrs. Burns. I say. You say, look at this.
Trigger
A gun.
Ms. Burns
And I know how to handle it too. A lone woman got to know how.
Lightning Jim Whipple
To use a slipped gun in these parts. All right, come on then. You can leave my death with it.
Ms. Burns
All right, Marshall, I'll blast down side by side with you.
Lightning Jim Whipple
You, you stay here at the foot of the stairs. I'm going into that kitchen alone.
Ms. Burns
I'm coming with you.
Lightning Jim Whipple
You're a deputy now and you're obeying orders. Stay here like I tell you. It's Deputy Burns. And don't come unless I call for you.
Ms. Burns
All right, Marshall, but be careful.
Lightning Jim Whipple
Reach for the sky. You don't shoot, it's me.
Whitey Larson
Righty.
Lightning Jim Whipple
Mrs. Burns, come here quick.
Ms. Burns
One false move and I'll shoot the killer.
Whitey Larson
Mr. Burns, it's just me right there.
Lightning Jim Whipple
Yes, Deputy Burns, you can put away your gun. It's just Whitey. And look at him standing there with one of your apple pies in his hand.
Ms. Burns
Whitey. Larson, I was saving that tie for tomorrow.
Whitey Larson
Your bidet is for this new and see if they puss in the good.
Lightning Jim Whipple
Sneak around where you made enough noise for a whole gang of outlaws.
Ms. Burns
They're horses too. Whitey, you have a lot to learn about sneaking pies.
Lightning Jim Whipple
Hey, Whitey, you were supposed to be watching the back of the house for them bandits.
Whitey Larson
Well, I thought I could see you just as well while I was eating.
Lightning Jim Whipple
Larson, you're the doggonest deputy marshal I ever did see.
Whitey Larson
He liked him look out of the window there. Them jaspers are coming toward the horse, sir.
Trigger
Right, Whitey.
Lightning Jim Whipple
It's abandoned. We open the door a little door night. And you, Deputy Byrnes, you go upstairs and take care of the park.
Ms. Burns
Yes, Marshall, I'll take care of him.
Cowboy
Look, Peggy, here he come.
Lightning Jim Whipple
All right, Weddy, dig him up. You polecat.
Cowboy
Reach for the sky. Half the law. Panthers.
Lightning Jim Whipple
Run for it, fellows, run for it.
Cowboy
Come on, man, there's only two of them.
Lightning Jim Whipple
All right, Sheriff.
Trigger
Let him have it.
Cowboy
Boys.
Lightning Jim Whipple
No use. We're surrounded.
Cowboy
We give up.
Lightning Jim Whipple
We give up.
Cowboy
Michael.
Lightning Jim Whipple
Flop your guns, boys. All right, walk this way with your hands reaching for the sky.
Reed
Well, l. I guess we got him this time, didn't we?
Cowboy
Yes, Sheriff.
Lightning Jim Whipple
Not one of them got away.
Reed
And look, the cowardly pole catch is mask.
Lightning Jim Whipple
We'll soon find out who they are, Chef. There, read.
Reed
The gambler.
Whitey Larson
Rode on sneaking, worthless. Yes, putting masks on your face just so you could rob the porcelain.
Lightning Jim Whipple
You're right, Whitey. Of all the yellow hearted mavericks I've seen, these are the worst. You didn't dare to come out and fight, did you, Reed? And you had to pick on a parson.
Cowboy
Yes.
Lightning Jim Whipple
You can take your prisoners. Take them away and lock em up.
Reed
You bet we will, legend. All right, boys, round up these coyotes. We're taking them to jail.
Cowboy
Come on, come on.
Whitey Larson
Excuse me, but I got to go back to the horse now.
Lightning Jim Whipple
Why? What's the rush, Whitey?
Whitey Larson
Well, I got finished with those pies.
Lightning Jim Whipple
And so ends another thrilling chapter in the lives of those two famous marshals, Lightning Jim Whipple and Spidey Larson.
Andrew Rines
This has been a presentation of otrwesterns.com and we hope you enjoyed. Please take some time to like and rate our shows in your favorite podcast application. Follow us on Facebook by going to otrwesterns.com Facebook subscribe to our YouTube channel by going to otrwesterns.Com YouTube and send us an email podcasttrwesterns.com you can call and leave us a voicemail. 707-9868-8739 this episode is copyright under the Attribution Non Commercial Share Like Copyright. For more information go to otrwesterns.com copyright have a great day and thanks for listening.
Old Time Radio Westerns Podcast: Detailed Summary of "A Parson Takes a Hand | Lightning Jim (1952)"
Podcast Information:
In the "A Parson Takes a Hand" episode of the Old Time Radio Westerns podcast, host Andrew Rines presents a digitally restored classic Western radio drama from 1952. This episode revitalizes the timeless tale of law, order, and morality in the Wild West, featuring the indomitable United States Marshal Lightning Jim Whipple and his trusty deputy, Whitey Larson. The narrative delves into the tensions between a community's moral compass—the Parson—and the entrenched interests of the town's gambling establishment, the Gold Horseshoe.
Setting the Stage: The story unfolds in a small western town where the Gold Horseshoe saloon, led by the stern Lucky (the boss), faces dwindling business. The town's prosperity has been undermined by the arrival of a Parson, Reverend Gasper, whose Sunday meetings have significantly reduced the patronage of the saloon.
Conflict Emerges: Reed, a disgruntled gambler, confronts Lucky over accusations of cheating at cards. Tensions escalate as Reed states, “When a man comes to the Gold Horseshoe, he's just asking to be robbed” ([04:26] from the transcript). Lucky, aiming to restore his establishment's fortunes, devises a plan to eliminate the Parson and seize the funds collected for building a new church.
Introduction of the Lawmen: Enter Lightning Jim Whipple and his deputy, Whitey Larson, embodying the quintessential lawmen of the West. Their arrival coincides with Reed's plot to intimidate the Parson into leaving town, threatening violence if he refuses.
The Confrontation: During a climactic confrontation at Ms. Burns' residence, Reed and his gang ambush the Parson, Trigger, who survives the attack. Trigger, despite his injury, provides critical information to Lightning Jim, revealing the location of the hidden church funds.
The Trap: Lightning Jim strategizes to lure Reed's gang into a trap by appearing to be out of commission. He instructs his deputy Ms. Burns to keep the Parson hidden and deceive the outlaws into thinking he is dead. As Reed's gang attempts to retrieve the money from what they believe is Trigger's hiding place, they are swiftly apprehended by Lightning Jim and his posse.
Resolution: The episode concludes with the successful capture of Reed and his gang, underscoring the triumph of law and order over corruption and greed. Lightning Jim's unwavering commitment to justice ensures that the Parson's mission to build a church—and by extension, moral integrity in the town—prevails.
Lightning Jim Whipple: The embodiment of justice, Lightning Jim is strategic, brave, and morally steadfast. His interaction with Trigger showcases his ability to extract vital information even under duress. A notable moment illustrating his leadership is when he declares, “Reckon we'll have to persuade you” ([13:01]).
Whitey Larson: Deputy Whitey serves as Lightning Jim's loyal sidekick. His occasional lapses, such as getting distracted by apple pies, add a touch of humor to the narrative. For instance, Ms. Burns quips, “Whitey Larson, I was saving that tie for tomorrow” ([25:28]).
Reed: As the antagonist, Reed represents the lawlessness threatening the town's moral fabric. His confrontational nature and disregard for righting his wrongs position him as a classic Western villain.
Ms. Burns: A widow and supportive ally to Lightning Jim, Ms. Burns plays a crucial role in concealing the Parson and aiding in the apprehension of the outlaws. Her resilience and resourcefulness are highlighted when she insists, “Parson, you do like the marshal says and stay there” ([24:20]).
Trigger (Parson Gasper): Despite being the victim, Trigger's courage and quick thinking provide the necessary lead to thwart Reed's plans. His statement, “I'll tell you where the money is” ([13:10]), is pivotal in advancing the plot towards its resolution.
Law vs. Lawlessness: The episode underscores the perpetual struggle between upholding justice and succumbing to corruption. Lightning Jim symbolizes the enduring fight for law and order in the Wild West.
Moral Integrity: Reverend Gasper's efforts to instill morality within the town contrast sharply with the greed and deceit of Reed and his gang, highlighting the importance of ethical leadership.
Community and Solidarity: The collaboration between Lightning Jim, Whitey, and Ms. Burns exemplifies the strength of community bonds in overcoming adversity.
Redemption and Consequences: Reed's actions ultimately lead to his downfall, serving as a cautionary tale about the repercussions of unethical behavior.
Reed on Gambling Corruption:
“I guess it's true what the parson says. When a man comes to the Gold Horseshoe, he's just asking to be robbed.” ([04:26])
Lightning Jim on Justice:
“Reckon we'll have to persuade you.” ([13:01])
Ms. Burns on Strength:
“You're a deputy now and you're obeying orders.” ([24:50])
Reed’s Acknowledgment of Justice:
“You can take your prisoners. Take them away and lock 'em up.” ([27:17])
"A Parson Takes a Hand" masterfully encapsulates the essence of Old Time Radio Westerns, blending action, moral dilemmas, and character-driven storytelling. Through the lens of Lightning Jim Whipple's mission to restore integrity to the town, the episode reinforces timeless Western themes of justice, community, and the relentless pursuit of good over evil. Andrew Rines' dedication to digital restoration ensures that these classic tales are presented with enhanced audio quality, allowing listeners to fully immerse themselves in the rich soundscape of the Wild West.
For those unfamiliar with the episode, this summary provides a comprehensive overview of the plot, characters, and underlying themes, capturing the spirit of an era where heroes stood steadfast against the tides of corruption.